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Short filmTranscript
00:00Mozart, your father has died.
00:08I thought it might help to have the news delivered my friendly face.
00:13Is that where you are?
00:15There, in that demonic figure on stage was his old father.
00:19And in that poor, wretched philander of Mozart himself.
00:23And I knew where in time I would place the final blade.
00:27How long do I have?
00:28I wouldn't linger.
00:30The mood is changing.
00:32You're a man out of time.
00:34I'm enjoying it.
00:36I found it rather, um, tuneful.
00:40And I'd say the whole thing's rather thin so far.
00:42You're getting distracted.
00:43You have to focus on the music.
00:45You made me realize everything I know about you.
00:47I've had to learn through your characters.
00:49And I wondered if you could ever open up to me.
00:52You can't stay with me.
00:54It is a good idea.
00:55There is always a reckoning.
00:58You told me to do this.
01:00This can't happen again.
01:01This was your idea, Mozart.
01:03He was weak, broken, and alone.
01:06So, into the darkness we go.
01:10From her, sir.
01:38Yes?
01:40Oh, thank goodness.
01:44My name is Alexander Pushkin.
01:47I've been searching for you.
01:49I, um, I've asked around everywhere.
01:52Cafes, bars, concert halls.
01:54And then finally I tried the post office.
01:55I don't know why I didn't start there.
01:56But, uh, here we are.
01:57What is it that you want, Mr Pushkin?
02:02What is it that I want?
02:03Yes.
02:03Well, uh, I'm a writer.
02:11You might have heard of me.
02:15Or you might not.
02:15Anyway, I'm writing a play.
02:18Or rather, I'm hoping to write a play.
02:20Are you going round to everyone's houses to tell them individually?
02:22No.
02:25No.
02:26I came to find you because I'm hoping to write about your husband.
02:30Oh, which one?
02:32I think you know which one.
02:35And what are you hoping to write about him?
02:37Well, I...
02:38I want to write about his death.
02:41He died of a fever.
02:43People think his music should have been some kind of shield.
02:46But he was flesh and blood, just like the rest of us.
02:51He got ill.
02:53Hmm.
02:56I heard something different.
02:58And what did you hear?
03:00I heard it was murder.
03:03You heard that?
03:04Yes.
03:05From who?
03:07The old Hofkappermeister, Salieri.
03:11He ended up in an asylum.
03:13He lost his mind.
03:14Did you know that?
03:16I did.
03:17Presumably, you heard he died last year?
03:19Yes.
03:20And they say he was ranting and raving.
03:24Screaming like a baby towards the end.
03:27And they say in the weeks before he died,
03:29it was mostly incomprehensible, mostly nonsense.
03:32Hmm.
03:32Except for one thing.
03:35One thing he kept saying.
03:39He told them
03:40that it was he
03:42who killed your husband.
03:46Apparently they say he confessed.
03:50And apparently he confessed to you.
03:54What do you think of that?
04:01Because I can tell you what I think.
04:02I think
04:03that would make a pretty good story.
04:06Shall we know what the story came from here?
04:17Well,
04:18let's pray.
04:21Hopefully he will.
04:22Well,
04:23pour us here.
04:24See you next time.
04:25Let's have you.
04:25Bye.
04:25Bye.
04:26Bye.
04:28Bye.
04:28Bye.
04:28Bye.
04:29Bye.
04:30Bye.
04:30Bye.
04:31Bye.
04:31Bye.
04:32Bye.
04:32Bye.
05:03I state merely as a fact that I, on the 5th of December in the year 1791, killed Wolfgang Amadeus Mozart.
05:17What am I to glean from all of this, Antonio?
05:21You still don't believe it.
05:23Oh, it's lacking something.
05:24What?
05:25Specificity.
05:26Oh.
05:28How did you do it?
05:30Poison?
05:31Strangulation?
05:32You desire details.
05:34Well, you have given me details of every other damn aspect of your life so far.
05:38I apologize.
05:39I thought I'd been providing context.
05:41Well, then, let's get to it.
05:43Your confession.
05:46You want me to let the world know that you killed my husband?
05:50I need to know how.
05:51And I need to be convinced.
05:54And I need to be convinced.
05:54I need to know how I'm going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're going to let the world know that you're
06:24Where is it that you go?
06:36I used to be more certain of your indiscretions.
06:40Is it his carnal desires that he feeds tonight?
06:44You are inflicting wounds on me, but they were survivable.
06:48But this spectre walking through my house,
06:52what am I to make of this?
06:55I have known, Antonia.
06:59I have known everything.
07:02And every time I have looked at you,
07:04I have seen a fallible, ruined man,
07:07and that has brought me sadness.
07:09Now I see no man at all.
07:12The sins of the flesh are at least human.
07:16But what sins are you looking for when you creep out of here?
07:21I'll lock our bedroom door tonight
07:23and hope you don't think to look for me when you return.
07:31A fever was cutting through Vienna,
07:34killing those who didn't have the strength to fight it.
07:37And so night by night,
07:39I returned and weakened him further.
07:43His spirit,
07:45his body,
07:47and his mind.
07:50campus of the school,
08:02love,
08:04and his cheek.
08:04Can you come to love us?
08:05Yeah,
08:06I know.
08:07My hair is gettingman that I've given for you.
08:11I'm not withdrawal.
08:12I know nah.
08:12If you're in love,
08:13you're BM.
08:14I'm out of love,
08:15that's a lot.
08:15Come on, come on, come on, come on, come on.
08:45I've been playing this little game, inspired by Don Giovanni.
08:57I stood outside his window every night for a week.
09:04The masked man come to drag him to hell.
09:12It's remarkable, really.
09:15How fragile the mind is.
09:20How quickly it unravels.
09:24Yes, that was him.
09:28Unraveled.
09:30Unsure.
09:34And alone.
09:35What's up?
09:46May I come in?
09:48Please.
09:54Sorry to call on you so late.
09:56Well, I've been worried.
10:01You have a new commission?
10:03Did you speak with the Masons about the magic flute?
10:07Ah, I did.
10:09I'm afraid they've taken it rather badly.
10:12Symbols were intended as a tribute.
10:14I know, I explained that to them.
10:17I must admit, I was surprised by the force of their feelings on the matter.
10:22Don't worry.
10:23They'll calm down in time.
10:25I'm not sure I have that.
10:28You don't look well, Maestro.
10:29I haven't been sleeping.
10:35I try, but I can't.
10:36Why not?
10:39Do you believe in hell, Antonio?
10:44Yes, I do.
10:46Do you?
10:47I remember when I was staying in London as a child.
10:59My father became ill, bedridden for a few weeks.
11:06There was one night where his fever was particularly bad.
11:11I could hear something in the street outside, sort of singing.
11:17I thought perhaps it was the angels come to take him away.
11:25Or if not the angels, then something worse.
11:29Just the first time I can remember having this feeling.
11:34Like I was being shown.
11:40Death?
11:43I can feel the end is close, Antonio.
11:47I'm writing a requier.
11:53You'll just need to eat, Maestro.
11:56Nourish yourself for something other than wine.
11:59I'll get you something.
12:01I'll be back soon.
12:02Your vessel is weak.
12:10Silence is coming.
12:14Let's see if you can speak without a tongue.
12:17I can stop it.
12:22I can.
12:23I can stop it.
12:24Let me.
12:26Give up your stuff.
12:28God, just give me a sign.
12:34I'll end it all.
12:37All right.
12:38Is this what you want?
12:55Please give him.
12:58Please.
13:02Speak for me once more.
13:03Let me stop.
13:09Let me stop.
13:14Let me stop.
13:25Hello?
13:26Say is this one, baby.
13:51Yes.
13:52And let me stop.
13:53Miss you.
13:54Father, please.
14:24Father, please.
14:54And what do you want from me?
15:01I want to know the truth, if there really was a confession.
15:07If I'm to write it, condemn a man, even a dead man,
15:11I want to know he was guilty of the crime I'm attributing to him.
15:16I don't want to be sued.
15:24Did the papalmeister talk to you about the death of your husband?
15:31Yeah.
15:34And when was the last time you saw him?
15:37Salieri.
15:39It was after my husband's passing.
15:42He conducted a memorial concert for him.
15:44What are these?
15:52Oh, old letters.
15:53From Amadeus. Could I...
15:55No.
16:00It's a very nice apartment.
16:01And you live alone?
16:07No, no.
16:08I live with my sisters, Sophie and Aloysia.
16:11It's a comfortable life.
16:14Look's it.
16:14But your husband never made much when he was alive.
16:23For a while, he almost made as much as he spent.
16:25But then it dried up.
16:27Don Giovanni, the marriage of Figaro, the magic flute.
16:31How does the man who writes all of that end up penniless?
16:38Sabotage?
16:38What other reason could there be?
16:45Wolfgang, where are you?
16:48You feeling better?
16:50You got the basket I sent?
16:52The basket?
16:56Basket?
16:56Bread and eggs and milk.
16:59I left it outside the door.
17:00You didn't get it?
17:01I feel a bit distracted.
17:02It's...
17:04Hello, Frau Cavalieri.
17:09Yes, Katharina.
17:10You remember Katharina?
17:11I wanted to bring her to see the great maestro again.
17:16In fact, we're off to see your opera.
17:19My opera?
17:20The magic flute.
17:21Katharina hasn't seen it yet, have you?
17:23No, I've heard wonderful things.
17:26Oh, it's really wonderful.
17:26I thought the masons were closing it down.
17:29No, no, no.
17:30On the contrary, once they saw how lucrative it was,
17:32they found a place in their hearts to let it play on.
17:35Why didn't nobody tell me?
17:36Actually, you should...
17:37Where's your coat?
17:38You should come with us.
17:40No, I can't.
17:41Oh, come on.
17:42Three old friends and colleagues
17:44sharing the joy of your music together.
17:46When might we get another chance?
17:48Oh, come on.
22:34The work must be finished.
22:36Diminish the man, diminish the God.
22:48There you are.
23:40I've always wondered.
23:54It's always felt as though,
24:01it's always felt as though some invisible hand steering me to the rocks.
24:04Did I offend you.
24:12Did I offend you so much.
24:14Did I offend you so much?
24:15Yes, you offended me.
24:16Yes, you offended me.
24:17You're obscene.
24:19Your nature, it's seen, but your music, no, for it to come from such a creature, how could
24:36I not take it as an insult, how could I not see the provocation in that, all this time
24:44it just comes to you, it just comes to you, it just flows out of you like a stream running
24:50down a mountain and you give nothing in return, you make no sacrifice, no sacrifice, look at
24:59me Antonio, do you remember when we sat on that stage and you asked me if I think music
25:11comes from God?
25:12Yes, and you said, when you write, it's not to capture the voices of angels, they're
25:15just instructions
25:16For an oboe player or something, yes, but you were right, I knew it, that this thing is bigger
25:31than us, it's unimaginable, I knew it then, but I was scared
25:39I was scared, why, why were you scared?
25:42Because I don't understand
25:43You must understand it, you must, you must know how you do it, you know, I need to know
25:46I wish I could tell you, if only to unburden myself
25:50Unburden yourself?
25:51Yes, for music, for some peace, it never stops
25:59Oh my God, can you hear yourself, you are unbearable
26:02I'm surprised you can't hear it in this room, I'm surprised the walls don't shake with it
26:07I want to hear it, for a moment, a minute, a second, I would do anything to have your gift
26:13You wouldn't want this, you don't know how it feels, you would know what to do with it
26:18I wouldn't know what to do with it
26:20You stalked me like I'm praying, but what would you do with this thing that you covered so much?
26:25You would kill me, like it's killing me, what would you do with the silence I've suffered through?
26:33You would drive me mad
26:39I couldn't stop thinking about you
26:41I couldn't stop thinking about you writing your requiem
26:46And so I kneeled down and I prayed to a God I hadn't spoken to in years
26:51To speak through me one last time
26:53And if he did in return, I would offer him my own requiem for my own death
26:58First I offered him my love, then I offered him my hate
27:03And then finally I offered him my whole life
27:05And you know what I heard?
27:10I heard nothing
27:14I've heard nothing
27:18Oh God
27:22Oh God
27:23Oh God
27:26Come here
27:31Come here Antonio
27:33Come
27:44Come
27:53Come here
27:54Come here
27:55Oh man
27:59Close your eyes
28:04Introitis
28:06C minor
28:09Requiem
28:10Maternum
28:11Dominae
28:13Start low
28:18Grant them eternal rest, O Lord
28:23Get out
28:30Of the dead
28:35Oh God
28:37Tell them where they go
28:40Bloody hell
28:42Love
28:44Come here
28:45What the hell
28:46Is this not a way to come?
28:48I'm tired
28:49Or is that a way to battle?
28:51You're requiem, Maestro.
29:19Offer that to God and see what he says.
29:21You need to talk to him, what's that?
29:25It's too late.
29:28What did I do?
29:33Why did he not let me stop?
29:39He doesn't listen to us, Antonio.
29:42He doesn't listen to us, Antonio.
29:46I know.
29:47No.
29:48It's too late.
29:50For a moment, I was the only man on earth who knew.
30:20Who knew that we had lost the finest composer to have ever lived, God's tongue cut from
30:29his mouth, and only Jealous Salieri there to mourn him.
30:50My confession claims murder, and it's true enough.
31:17I'm responsible for his death.
31:20Without me, he would have lived longer.
31:22But I loved him.
31:24We wrote together.
31:26You wanted the details.
31:28You wanted the specifics.
31:30Well, there they are.
31:35The rest you know.
31:37Okay?
31:40Okay?
31:44Okay?
31:49Okay?
31:53Okay.
31:59Okay.
32:00Okay.
32:02Okay.
32:06Okay.
32:23CHOIR SINGS
32:53CHOIR SINGS
33:23CHOIR SINGS
33:28CHOIR SINGS
33:33CHOIR SINGS
33:38CHOIR SINGS
33:43CHOIR SINGS
33:48CHOIR SINGS
33:53CHOIR SINGS
33:58CHOIR SINGS
34:02CHOIR SINGS
34:07CHOIR SINGS
34:09CHOIR SINGS
34:11CHOIR SINGS
34:16CHOIR SINGS
34:18CHOIR SINGS
34:21CHOIR SINGS
34:22Well, there we are.
34:36What a story.
34:43I wonder what he's doing.
34:44Going to go home.
34:46Go to bed.
34:46No, you can't.
34:47It's late.
34:48And I'm old.
34:49Tired?
34:50But what about my confession?
34:51What do you want me to do with this, Antonio?
34:54Run through the streets, proclaiming your lies.
34:57You didn't kill him.
34:58You didn't compose with him.
35:00And you certainly didn't love him.
35:02I will leave you in peace now.
35:03Leave me in peace?
35:05Everybody's left me in peace.
35:08Do you know what it's been like to watch myself disappear,
35:11to see my name and reputation fade as your husband's has grown?
35:15But there it is.
35:16This entire story has been a pathetic attempt
35:18to tie your name to my husband's legacy.
35:20I'm asking to be remembered.
35:24Just remembered.
35:26I have sat in your husband's shadow,
35:29and it is cold, and it is dark.
35:33I have lived long enough to see myself become extinct.
35:38Forgotten Salieri, his life, his music, all gone.
35:43They won't remember your music.
35:50If this confession gets out, you live on immortal,
35:54trapped in a story you do not control,
35:56told by people who do not care about the truth.
36:00Is that really what you're asking me to do?
36:02To be forgotten is a gift.
36:14To be forgotten is a gift.
36:14To be forgotten is a gift.
36:48I looked up Wolfgang's burial records, his funeral.
36:56It was a modest affair.
36:57Minimal mourners.
36:59You didn't go.
37:01It was December, Herr Pushkin.
37:02It was a storm.
37:04I said goodbye to Wolfgang later.
37:06My own way.
37:08Some people did go to the burial.
37:09Did you know that?
37:10Yes, Franz went.
37:12Yes, Herr Sussmaier went.
37:14And did he ever tell you who else was present?
37:16No.
37:16A record shows six mourners present at your husband's funeral.
37:22Sussmaier von Strack, three junior members of the Viennese Opera,
37:26and one Antonio Salieri.
37:31You didn't know.
37:32What drove him there, do you think?
37:37Love?
37:38Hate?
37:41Guilt?
37:42God, I don't know.
37:44And what about Salieri's funeral?
37:47I wasn't invited.
37:48No, well, sparsely attended, I believe.
37:50Not many friends in the end.
37:51But a much more lavish affair.
37:55The old Hofkappelmeister still demands a grand send-off.
38:00He'd even prepared his own composition.
38:05His own requiem.
38:07To be played.
38:10Taken from the conductor at Salieri's funeral.
38:13Played only once.
38:19At his request.
38:22Have a look.
38:30Why are you showing me this?
38:32Just keep looking.
38:33Do you see it?
38:43Both their hands.
38:59You knew these two men better than anyone from outside.
39:03What is the truth?
39:06What is the truth?
39:33I can tell you a story, Mr. Pushkin.
39:52How Salieri killed Mozart.
39:54But the truth of it?
39:57The real truth?
40:00That will die with me.
40:02I hope your audience enjoy it soon.
40:04Dawn has come.
40:27Dawn has come and I must release you and myself one moment's violence and it is done you see I
40:45cannot accept this I did not live on this earth to be his joke for eternity I will be remembered
40:50if not in fame then in infamy one more moment my battle with him is one I shall be immortal after all
41:05for the rest of time whenever men say Mozart with love they will say Salieri with love
41:20now I go to become a ghost myself but I will stand in the shadows when you come here to this earth in
41:28your terms and when you feel the dreadful bite of your failures and you hear the taunting of an
41:37uncaring God I will whisper my name to you Salieri the patron saint of mediocrities
41:49yes and in the depth of your downcastness you can pray to me I will forgive you
42:08vi saluto
42:19yes and in the depth of your downcastness you can pray to me I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you I will forgive you
42:49Satsang with Mooji
43:19You
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