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Amadeus Season 1 Episode 5
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FunTranscript
00:00Mozart, your father has died.
00:07I thought it might help to have the news delivered my friendly face.
00:13Is that where you are?
00:15There, in that demonic figure on the stage was his old father.
00:19And in that poor, wretched philander of Mozart himself.
00:23And I knew where in time I would place the final blade.
00:26How long do I have?
00:28I wouldn't linger.
00:29The mood is changing.
00:32You're a man out of time.
00:34I'm enjoying it.
00:36I found it rather, um, tuneful.
00:40And I'd say the whole thing's rather thin so far.
00:42You're getting distracted. You have to focus on the music.
00:45You made me realize everything I know about you.
00:47I've had to learn through your characters.
00:49And I wondered if you could ever open up to me.
00:52You can't stay with me. It is a good idea.
00:55There is always a reckoning.
00:58You told me to do this. This can't happen again.
01:01This was your idea, Mozart.
01:03He was weak, broken, and alone.
01:07So, into the darkness we go.
01:11You were, handsome.
01:13And I've saved him, love him.
01:16It is rare also.
01:17If I'm alive.
01:20You took heaven in my heart.
01:21Extra striking in my heart.
01:23The big eect solitary quién Mesor.
01:26PHONE RINGS
01:37Pramosar?
01:40Yes?
01:43Oh, thank goodness. My name is Alexander Pushkin.
01:47I've been searching for you.
01:49I've asked around everywhere.
01:51Cafes, bars, concert halls.
01:54And then, finally, I tried the post office. I don't know why I didn't start there.
01:56But here we are.
01:58What is it that you want, Mr Pushkin?
02:02What is it that I want? Yes.
02:05Well...
02:09Er...
02:10I'm a writer. You might have heard of me.
02:15Or you might not. Anyway, I'm writing a play.
02:18Or rather, I'm hoping to write a play.
02:20Are you going round to everyone's houses to tell them individually?
02:23Mm-hm, no.
02:25No, I came to find you because I'm hoping to write about your husband.
02:30Oh, which one?
02:32I think you know which one.
02:35And what are you hoping to write about him?
02:38Well, I...
02:39I want to write about his death.
02:41He died of a fever.
02:43People think his music should have been some kind of shield.
02:46But he was flesh and blood, just like the rest of us.
02:52He got ill.
02:53Mm.
02:56I heard something different.
02:58And what did you hear?
02:59I heard it was murder.
03:01I heard it was murder.
03:03You heard that?
03:04Yes.
03:05From who?
03:07The old Hofkapelmeister, Salieri.
03:11He ended up in an asylum.
03:13He lost his mind.
03:14Did you know that?
03:16I did.
03:17Presumably, you heard he died last year.
03:19Yes.
03:20And they say he was ranting and raving.
03:24Screaming like a baby towards the end.
03:28And they say in the weeks before he died, it was mostly incomprehensible.
03:30Mostly nonsense.
03:31Mm-hm.
03:32Except for one thing.
03:35One thing he kept saying.
03:39He told them that it was he who killed your husband.
03:46Apparently, they say he confessed.
03:50And apparently, he confessed to you.
03:54What do you think of that?
03:55Because I can tell you what I think.
04:02I think that would make a pretty good story.
04:06Bye.
04:20Bye.
04:34Bye.
04:34Bye.
04:35Bye.
04:35Bye.
05:06I state merely as fact that I, on the 5th of December in the year 1791, killed Wolfgang Amadeus Mozart.
05:17What am I to glean from all of this, Antonio?
05:21You still don't believe it?
05:23Oh, it's lacking something.
05:24What?
05:25Specificity.
05:26Oh.
05:28How did you do it?
05:30Poison?
05:31Strangulation?
05:32You decide details.
05:33Well, you have given me details of every other damn aspect of your life so far.
05:38I apologize.
05:39I thought I'd been providing context.
05:41Well, then, let's get to it.
05:43Your confession.
05:46You want me to let the world know that you killed my husband?
05:50I need to know how.
05:52I don't need to be convinced.
05:54I thought I just finished.
06:00I thank you.
06:01I know.
06:02I believe you will.
06:06I can hear you.
06:08I can hear you.
06:10I don't know.
06:11I do not know what you do.
06:12Where is it that you go?
06:36I used to be more certain of your indiscretions.
06:39As it is carnal desires that he feeds tonight.
06:44You are inflicting wounds on me, but they were survivable.
06:49But this spectre walking through my house, what am I to make of this?
06:55I have known, Antonio.
06:59I have known everything.
07:02And every time I have looked at you, I have seen a fallible, ruined man.
07:07And that has brought me sadness.
07:09Now I see no man at all.
07:12The sins of the flesh are at least human.
07:16But what sins are you looking for when you creep out of here?
07:21I'll lock our bedroom door tonight and hope you don't think to look for me when you return.
07:25A fever was cutting through Vienna, killing those who didn't have the strength to fight it.
07:38And so night by night, I returned and weakened him further.
07:42His spirit, his body, and his mind.
07:50Maybe it's okay.
07:51Maybe it's true.
07:52Maybe it's true.
07:55Maybe it's true.
07:56ORCHESTRA PLAYS
08:26ORCHESTRA PLAYS
08:56ORCHESTRA PLAYS
08:58ORCHESTRA PLAYS
09:00ORCHESTRA PLAYS
09:02ORCHESTRA PLAYS
09:04ORCHESTRA PLAYS
09:06ORCHESTRA PLAYS
09:08ORCHESTRA PLAYS
09:10ORCHESTRA PLAYS
09:14ORCHESTRA PLAYS
09:16ORCHESTRA PLAYS
09:18ORCHESTRA PLAYS
09:20ORCHESTRA PLAYS
09:22ORCHESTRA PLAYS
09:24ORCHESTRA PLAYS
09:26ORCHESTRA PLAYS
09:28ORCHESTRA PLAYS
09:30ORCHESTRA PLAYS
09:34and alone.
09:41Bolitzer!
09:46May I come in?
09:48Please.
09:54Sorry to call on you so late.
09:57Well, I've been worried.
10:01You have a new commission?
10:04Did you speak with the Masons about the magic flute?
10:07Ah, I did.
10:09I'm afraid they've taken it rather badly.
10:12Symbols were intended as a tribute.
10:15I know. I explained that to them.
10:17I must admit, I was surprised by the force of their feelings on the matter.
10:22Don't worry. They'll calm down in time.
10:25I'm not sure I have that.
10:27You don't look well, Maestro.
10:30I haven't been sleeping.
10:34I try, but I can't.
10:36Why not?
10:41Do you believe in hell, Antonio?
10:44Yes, I do.
10:46Do you?
10:47I remember when I was staying in London as a child.
11:00My father became ill, bedridden for a few weeks.
11:05There was one night where his fever was particularly bad.
11:11And I could hear something in the street outside.
11:14Sort of singing.
11:21Thought perhaps it was the angels come to take him away.
11:24Or if not the angels, then something worse.
11:29Just the first time I can remember having this feeling.
11:35Like I was being shown.
11:41Death?
11:43I can feel the end is close, Antonio.
11:48I'm writing a requiem.
11:50You just need to eat, Maestro.
11:56Tourish yourself with something other than wine.
11:59I'll get you something.
12:01I'll be back soon.
12:07Your vessel is weak.
12:10Silence is coming.
12:14Let's see if you can speak without a tongue.
12:17I can stop it.
12:22I can. I can stop it.
12:24Let me...
12:26Give up your stumms.
12:29God, just...
12:31Give me a sign.
12:34I'll end it all.
12:38Alright.
12:48Is this what you want?
12:56Please give it.
12:58Please.
13:02Speak for me once more.
13:06Let me stop.
13:09Let me stop.
13:14Let me stop.
13:15Get out of luck."
13:16Don't do...
13:18安!
13:20Ble Let's get me.
13:22Ble Let's get me back.
13:24Sollen €1like
13:26We from dinner.
13:30Hello?
13:31Oh, my God.
14:01Oh, my God.
14:31Oh, my God.
15:01I want to know the truth.
15:05If there really was a confession.
15:07If I'm to write it, condemn a man, even a dead man,
15:11I want to know he was guilty of the crime I'm attributing to him.
15:15I don't want to be sued.
15:27Did the capital master talk to you about the death of your husband?
15:30Yeah.
15:34And when was the last time you saw him?
15:37Salieri.
15:38Hmm.
15:39It was after my husband's passing.
15:42He conducted a memorial concert for him.
15:44What are these?
15:52Oh, old letters.
15:53From Amadeus.
15:54Could I...
15:55Yeah.
15:55It's a very nice apartment.
16:04And you live alone?
16:07No, no.
16:07I live with my sisters, Sophie and Aloysia.
16:11It's a comfortable life.
16:14Look, Sid.
16:17But your husband never made much when he was alive.
16:22For a while, he almost made as much as he spent.
16:25But then it dried up.
16:27Don Giovanni?
16:28The marriage of Figaro?
16:29The magic flute?
16:30How does the man who writes all of that end up penniless?
16:37Sabotage?
16:40What other reason could there be?
16:45Wolfgang, where are you?
16:48You feeling better?
16:49Get the basket I sent?
16:52The basket?
16:56Basket?
16:56Bread and eggs and milk.
16:58I left it outside the door.
17:00You didn't get it?
17:01I felt a bit distracted.
17:06Hello.
17:07Uh, Frau Cavaliery.
17:09Yes, Katarina.
17:10You remember Katarina?
17:11I wanted to bring her to see the great maestro again.
17:16In fact, we're off to see your opera.
17:19My opera?
17:20The magic flute.
17:21Katarina hasn't seen it yet, have you?
17:23No, I've heard wonderful things.
17:25Oh, it's really wonderful.
17:26I thought the masons were closing it down.
17:29No, no, no.
17:29On the contrary.
17:30Once they saw how lucrative it was, they found a place in their hearts to let it play on.
17:35Why didn't nobody tell me?
17:36Actually, you should...
17:37Where's your coat?
17:38You should come with us.
17:39No, I can't.
17:40No, I can't.
17:41Oh, come on.
17:42Three old friends and colleagues sharing the joy of your music together.
17:46When might we get another chance?
17:48No, I don't know.
18:02No, I can't.
18:07No, I can't.
22:03One night strong.
22:30Oh, no.
22:31You can't sleep.
22:33Not yet.
22:34Your work must be finished.
22:46Diminish the man, diminish the God.
23:01There you are.
23:08You took me there so people could see what I've become.
23:12I took you there because I thought it might raise your spirits to see your great success.
23:18Bailey.
23:19Oh.
23:20Dear God.
23:21Dear God.
23:22I've always wondered with Figaro, Don Giovanni, the Masons.
23:36It's always felt as though some invisible hand was steering me to the rocks.
23:51Did I offend you so much?
23:53Did the music offend you so much?
23:58Yes, you offended me.
23:59Yes, you offended me.
24:00You're obscene.
24:01Your nature, it's obscene.
24:05But your music.
24:06No.
24:07No.
24:08No.
24:09No.
24:10No.
24:11No.
24:12No.
24:13No.
24:14No.
24:15I'm afraid to come from such a creature.
24:16How could I not take it as an insult?
24:21How could I not see the provocation in that?
24:22No.
24:23But your music, no, for it to come from such a creature, how could I not take it as an
24:37insult?
24:38How could I not see the provocation in that?
24:43All this time, it just comes to you.
24:47It just comes to you.
24:48It just flows out of you like a stream running down a mountain, and you give nothing in return.
24:53You make no sacrifice.
24:54No sacrifice?
24:55Look at me, Antonio.
25:00Do you remember when we sat on that stage, and you asked me if I think music comes from
25:11God?
25:12Yes, and you said, when you write, it's not to capture the voices of angels, they're
25:15just instructions.
25:16For an oboe player or something, yes.
25:21But you were right.
25:22I knew it.
25:23That this thing is bigger than us.
25:28It's unimaginable.
25:29I knew it then, but I was scared.
25:30I was scared.
25:31Why?
25:32Why were you scared?
25:33Because I don't understand.
25:34You must understand it.
25:35You must know how you do it.
25:36I need to know.
25:37I wish I could tell you.
25:38If only to unburden myself.
25:39Unburden yourself?
25:40Yes.
25:41For music.
25:42For some peace.
25:43It never stops.
25:44Oh my God.
25:45You hear yourself.
25:46You are unbearable.
25:47I'm surprised you can't hear it in this room.
25:50I'm surprised the walls don't shake with it.
25:51I want to hear it!
25:52I want to hear it!
25:53For a moment!
25:54A minute!
25:55A second!
25:56I would do anything to have your gift.
25:57You wouldn't want this.
25:58You would not know how it feels.
25:59You wouldn't know how it feels.
26:02You would know what to do with it.
26:04You wouldn't know what to do with it.
26:05I wouldn't know what to do with it.
26:19You stalked me like I'm prey, but what would you do with this thing that you covet so much?
26:24I covered so much, I could kill him, I could kill him.
26:30What would you do with the silence I've suffered through?
26:33You will drive me mad.
26:39I couldn't stop thinking about you.
26:41I couldn't stop thinking about you writing your requiem.
26:46And so I kneeled down and I prayed to a god I hadn't spoken to in years
26:51to speak through me one last time.
26:54And if he did in return, I would offer him my own requiem for my own death.
26:59First I offered him my love, then I offered him my hate,
27:03and then finally I offered him my whole life.
27:06And you know what I heard?
27:10I heard nothing.
27:14I've heard nothing.
27:18Oh, God.
27:22Oh, God.
27:26Come here.
27:30Come here, Antonio.
27:33Come.
27:44Come.
27:51Come.
27:52Oh, man.
28:00Close your eyes.
28:04Entroitus C Minor.
28:08Requiem Maternam Dames Domini.
28:11Let us dominate, Mr. Unlew, grant them eternal rest, O Lord.
28:41Let us dominate, Mr. Unlew, grant them eternal rest, O Lord.
29:03Your requiem, Maestro.
29:15Offer that to God and see what he says.
29:21You need to talk to him, what's that?
29:25It's too late.
29:29What did I do?
29:33Why did he not let me stop?
29:39He doesn't listen to us, Antonio.
29:59For a moment, I was the only man on earth who knew, who knew that we had lost the finest composer to have ever lived.
30:13God's tongue cut from his mouth, and only jealous Salieri there to mourn him.
30:31He was the only jealous Salieri there to mourn him.
31:01My confession claims murder.
31:15And it's true enough.
31:17I'm responsible for his death.
31:19Without me, he would have lived longer.
31:21But I loved him.
31:23We wrote together.
31:25You wanted the details.
31:27You wanted the specifics.
31:29Well, there they are.
31:33The rest you know.
31:37growing.
31:55What was that?
31:57Was that how you go, okay?
32:01Okay?
32:06Okay?
32:36ORCHESTRA PLAYS
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35:24just remembered i have sat in your husband's shadow and it is cold and it is dark i have lived long
35:34enough to see myself become extinct forgotten salieri his life his music or gone
35:46they won't remember your music
35:48if this confession gets out you live on immortal trapped in a story you do not control
35:56told by people who do not care about the truth
36:00is that really what you're asking me to do i'm begging you
36:11to be forgotten is a gift
36:18so
36:25I looked up Wolfgang's burial records, his funeral.
36:55It was a modest affair. Minimal mourners. You didn't go.
37:01It was December, Herr Pushkin. It was a storm.
37:04I said goodbye to Wolfgang later, my own way.
37:08Some people did go to the burial. Did you know that?
37:10Yes, Franz went.
37:12Yes, Herr Susmeyer went. And did he ever tell you who else was present?
37:16No.
37:18A record shows six mourners present at your husband's funeral.
37:22Susmeyer von Strach, three junior members of the Viennese Opera,
37:26and one Antonio Salieri.
37:32You didn't know?
37:32What drove him there, do you think? Love? Hate? Guilt?
37:42God, I don't know.
37:44And what about Salieri's funeral?
37:47I wasn't invited.
37:48No, well, sparsely attended, I believe. Not many friends in the end.
37:53But a much more lavish affair. The old Hofkappelmeister still demands a grand send-off.
38:00He'd even prepared his own composition.
38:02His own requiem to be played.
38:10Taken from the conductor at Salieri's funeral.
38:16Played only once.
38:19At his request.
38:22Have a look.
38:22Why are you showing me this?
38:32Just keep looking.
38:40Do you see it?
38:44Both their hands.
38:52You knew this tomb meant better than anyone from outside.
39:05What is the truth?
39:22I can tell you a story, Mr. Pushkin.
39:52How Salieri killed Mozart.
39:55But the truth of it?
39:57The real truth?
40:00That will die with me.
40:02I hope your audience enjoys it.
40:22The real truth of it.
40:23The real truth of it.
40:24The real truth of it.
40:25The real truth of it.
40:26The real truth of it.
40:28The real truth of it.
40:29The real truth of it.
40:30Dawn has come.
40:34And I must release you.
40:36And myself.
40:39One moment's violence.
40:41And it is done.
40:44You see, I cannot accept this.
40:46I did not live on this earth to be his joke for eternity.
40:49I will be remembered.
40:51If not in fame, then in infamy.
40:56One more moment.
40:59And my battle with him is won.
41:03I shall be immortal after all.
41:07For the rest of time, whenever men say Mozart with love,
41:10they will say Salieri with love.
41:20Now I go to become a ghost myself.
41:25But I will stand in the shadows when you come here to this earth in your terms.
41:28And when you feel the dreadful bite of your failures.
41:34And you hear the taunting of an uncaring God.
41:40I will whisper my name to you.
41:44Salieri.
41:46The patron saint of mediocrities.
41:49And in the depths of your downcastness.
41:55You can pray to me.
42:00I will forgive you.
42:01You say that.
42:09You say Jesus.
42:09I will forgive you.
42:16God bless you.
42:19Amen.
42:26Amen.
42:27Amen.
42:27Amen.
42:28Amen.
42:28Amen.
42:28Amen.
42:28Amen.
42:29Amen.
42:29Amen.
42:30Amen.
42:30Amen.
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