- 19 hours ago
Taylor Swift The End of an Era - Season 1 Episode 5 - Marjorie
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00:00Oh, that is wonderful.
00:07She likes those higher notes.
00:11You know what this means, you're going to have to get a piano.
00:15What's that mom?
00:16You're going to have to get a piano.
00:17Are you sure?
00:18Yes, I'm sure.
00:20Yes.
00:23That's wonderful.
00:25That's wonderful.
00:30That's wonderful.
01:00That doesn't sound good at all.
01:07Once I get a cold, I just have it for a while.
01:10They just kind of linger.
01:14Do you like a coffee from the world's most depressing coffee shop?
01:22Oh, absolutely.
01:23What do you want?
01:24I mean, when you sell it that way, yeah.
01:27Have you ever heard of spatchcocking a turkey?
01:32I think I might be trying that this Thanksgiving.
01:34I don't know if we should get jazzy with the turkey.
01:37Remember when we tried to fry one?
01:38That was a disaster, but yeah.
01:41I think we had an oil patch in our yard for about six months.
01:44But besides that, it was inedible.
01:49And can you make those big ribs for Travis?
01:51I am making those big ribs for Travis.
01:52The ones he affectionately refers to as dinosaur bones?
01:55Texas-sized ribs for a Texas-sized man.
02:00Oh, my God.
02:02Touring is something that really brings my family together in a lot of ways.
02:05For me, part of the Ares tour is a celebration of my family.
02:14Ultimately, I just don't see any of this happening if all of my family hadn't been involved.
02:20That's my stage, but that's my brother.
02:23I mean, we work together.
02:25We're kind of a family business for 20 years.
02:27This next song is by the Dixie Chicks.
02:30Oh, water.
02:31Yay.
02:31Her mom gets mad when she doesn't drink water.
02:33My parents didn't know anything about the music industry, but they were like, yeah, it's hard.
02:38Yeah, we know nothing about it right now.
02:40We'll get some books and read.
02:42Like, it's pretty insane.
02:45My mom does this every night, draws the 13 on, so now it's going to be shiny and new.
02:52In an industry as cutthroat as a music industry, learning hard lessons and experiencing ups and downs
02:59and triumphs and failures, it was a huge challenge for my whole family.
03:04But everybody was so locked in for my whole life.
03:08They all banded together to be like, no, she wants this.
03:11We want this for her.
03:13This tour, it's an honor to work on it.
03:17It's a real privilege, and we know that, because none of us would be doing anything that we're
03:21really good at doing if it wasn't for what she does that she's incredibly good at doing.
03:27It's incredible fun.
03:29But mostly, it's a way for us to be together as a family and to sort of honor this thing
03:35we've committed our entire lives to.
03:41I think me and Gracie are going to change up the thing that we're going to do.
03:45We think we want to do the song Us instead of, because we just got nominated for the Grammy
03:49for Us.
03:51So, a few days before we played Toronto, the Grammy nominations came out.
03:56We were very lucky.
03:56We got six nominations, and one of those was for a song that I did with Gracie while we
04:03were still on the Heiress tour a year ago.
04:10This time last year, she and I went out to celebrate in between shows.
04:15We ended up having a lot of drinks.
04:17Wait, what do I do about this?
04:18Okay, you're going to fire extinguishers.
04:21I think we're going to die.
04:22Just press it.
04:23I don't know.
04:24Yeah, yeah.
04:24Oh, my God!
04:26Oh, my God!
04:28I'm going to...
04:29You never end up on it.
04:33She could have learned from it.
04:35And then we ended up writing a song that we're really proud of.
04:38From you, I want it.
04:40How I want it.
04:40How I want it.
04:41How I get from you.
04:42How I want it.
04:43And just got nominated for a Grammy.
04:44So I just thought, wouldn't it be cool to do that song in Toronto?
04:49Kind of create a little kind of special moment, mash it up with one of the other songs that the fans really love.
04:55She had this idea to do Us and Out of the Woods, which, like, Out of the Woods is in my, like, top three favorite songs of all time.
05:05Hey, dude, I have a cold, so I'm just going to, like, briefly go through.
05:09So we do double chorus, like, mash-up of Out of the Woods and Us, and I think it works in this key.
05:15Are we out of the woods yet?
05:17Are we out of the woods yet?
05:18Are we out of the woods yet?
05:19Are we out of the woods yet?
05:20Are we out of the woods yet?
05:21Are we in the field yet?
05:22So, right, so, like, um, do that whole chorus, and then we can do back-to-back bridges, right?
05:28Like...
05:29Ironic accursor
05:31A miracle
05:32Cursor
05:33An orange blue
05:35You're incomparable
05:37Fuck you as camera
05:39You
05:40Plus
05:41Me
05:43What
05:44Wait for it
05:47But
05:48Remember when
05:49Breaks too soon
05:51Twenty-six
05:52Is in a hospital room
05:53You started crying
05:54Baby, I did too
05:55Sun came up
05:57I'm speaking to you
05:58Anyway, so we do double bridges, and then we go into, like, a double chorus, like, mash-up of Out of the Woods and Us, and it'll be so, so cool.
06:08Uh, then what does she do, though? The first chorus...
06:18It's just insane.
06:22She just, like, can do that in her sleep, where it's like, I'm gonna chop up two to five songs and make them all...
06:27How did she mastermind that?
06:28I don't know, because she's just a mastermind.
06:30I need to, like, write in sharpie on my arm, like, don't pass out. Don't pass out. The structure of the song, be like, me verse, me chorus, Taylor verse, Taylor chorus, me bridge, Taylor bridge, Taylor verse, me, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, catch me projectile vomiting on the Ayers stage.
06:54Catching my breath, staring out and up and into catching my death.
07:14And I couldn't be sure I had a feeling so peculiar So that this pain would be forevermore
07:29I don't, for the life of me, understand how she does it.
07:54I have no idea. Because I couldn't do it, if my life depended on it. I couldn't do it.
08:01There wasn't a creative bone in my body.
08:05It's like the background music for, like, a horror flick.
08:19I agree.
08:26You want me to sign that now?
08:28Yeah.
08:29I was completely the opposite. I went into business in school.
08:33I don't have a musical background or play instruments, but I do have this sort of intimate knowledge of the psyche of someone who really has to do this.
08:46Then it goes back to my mother, Marjorie.
08:53She was an opera singer. She was a music major out of college and went straight to work live radio performing out of New York.
09:11But she married my dad and they started moving around the world. So wherever they were living, she would star in local operas.
09:20Everywhere we went, she was absolutely beloved.
09:26My sister and I were often brought along and put in the front row, listening. And on the way home, I remember she would say to me,
09:37Andrea, during that part of the delivery, did it make you want to cry? And I would say, well, mom, a little bit, a little bit. You know, she was always looking for feedback, but from an eight year old, like opera.
09:56So I would give her what I could, but I knew that I had a job to do because I was going to be quizzed on the way home.
10:12It was a beautiful relationship I had with my mom, but it was all with a full awareness that my mom was this person who loved singing, who loved to perform and that people love.
10:25So it began with my mother. And I think that that prepared me probably better than anything that could have for having a child like Taylor.
10:46Taylor, who pretty much wanted to follow in my mother's footsteps. Taylor always knew she wanted to perform. And she was already writing her own music without any co-writers.
11:03This is a song I wrote yesterday. I wrote this song yesterday. This is a song I wrote like a week ago. It's called One Sided Goodbye. This song is called Beautiful Days. And the title is kind of self-explanatory, so.
11:15And then at 11 is when Taylor looked at me and said, we got to go to Nashville. Please, please take me to Nashville. That is where Faith Hill went.
11:26Very quickly, I realized this is where my past with my mother was going to really, really come into play.
11:39I think Taylor wanted to experience something that she thought was, I hate to say the word, but destiny. I do think that at a very young age, we tend to know where we're going in life.
11:56And it's good to listen to them and where their dreams are, even at that age.
12:03So we're in Toronto, in my hometown. Everything that I own, I don't realize because it's just always here. It's a part of the fabric of my life. But truly everything is dance related. Everything is dance. This is a, I believe a Christmas tree ornament. I'm such a dance geek. I think more than just loving dance. I'm a true dance nerd. Yes.
12:31Too much. I think you have to have a certain personality to tour. Truly. It's like one thing to be a dancer or a musician, but it's another thing to be able to handle what a tour entails. And it's not for everybody. It was always for me. I did great. I loved being on the road.
12:51My whole life. It was my dream to tour like this. And I loved performing in this show. But after this tour, my dance career is coming to an end. It's like that beautiful bittersweet, I think is how, how it'll end for me.
13:10Everything that I saw had dance on it. So I knew from a young age that this is what you wanted to do. Before you could even write, you drew yourself dancing.
13:23Dancing. And the teacher wrote, Amanda wants to be a dancer.
13:29Oh, I like dancing because it is fun. I dance good. My mom takes me to dancing. And sometimes my dad does. Thanks for sometimes taking me, dad. Thanks for always taking me, mom.
13:43You're welcome. Are you guys excited to come? Oh my gosh, of course. On Saturday. I'm going to try to wave to you guys a little bit. Yeah, yeah.
13:52But watch your step though. I'll fall. Thanks, dad.
13:56So as we go into these last few shows here, I can't help but think that this is potentially the last time that I will ever do this in front of my family and friends, you know.
14:17But I think we all know how rare and special opportunities like this are. And Tay, you are, oh God.
14:31You are all things kindness and all things grace. And absolutely my life is different from now moving forward because of you. So have an incredible show.
14:42Me too. I love you guys. Let's enjoy. Thank you for unretiring. Oh, my favorite pop star. You are my favorite pop star.
14:55Let's go out there. Fuck shit up. Fuck it up. Up. Up. Up. Up. Up. Up. Up. If you love like that, love like that.
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15:33For Taylor, it's always been about the audience, making sure that she felt an intimate connection
15:45with them, meeting people, talking to them, hugging them.
15:50But with the Ares Tour, that could no longer be possible because of COVID and the risk
15:58that it brought to everybody backstage that, you know, you've got this massive production
16:02production, having it shut down would be a disaster.
16:05I decided that if I couldn't meet fans in the crowd, in the show, then I have to come up
16:15with different ways to still give people an intimate experience.
16:21Ethan Tobeman is a brilliant production designer.
16:26I've been working with him, mainly I started on music videos.
16:30This was the biggest undertaking that we had.
16:32I'd like to build worlds around a storyteller, their relationship with their fans, our relationship
16:40with the songs.
16:41If every idea that you have creates an emotional response, you are able to make people in the
16:47last row feel like they're in the first row.
16:49I wanted to make sure that our production was accessible from every part of the stadium.
16:59Well, these people are all the way up here.
17:01So we make the floor video and the video screen on the floor.
17:05So now as they look down, they get this incredible view, but other people on the floor can't see.
17:11And so we're going to get a camera that's overhead.
17:13We'll be able to shoot the floor and put up on the screen.
17:15I mean, we have a cinematographer for this tour, which we've never had before.
17:20So many people are going to be watching those screens.
17:23So we know which shots are cooler than other shots.
17:38And then also I was like, do some wild card stuff, Ethan.
17:42I want there to be a moment where the fans are like, what just happened?
17:45And that's when he comes up with things like me diving into the stage, at which point I'm like, Ethan,
17:50I mean, that is not going to work.
17:54How does that even work?
17:56You have red lights until you get the green lights.
18:02Green lights tell you that you're not going to run into anything.
18:04Oh, my God.
18:04And then you're into a bag.
18:06I don't know what that looks like from the top.
18:09You have red lights.
18:10I'm on the downstage.
18:11From the top?
18:12Yes, yeah.
18:13And it looks cool.
18:14It looks even better.
18:15Favoring the downstage.
18:16Like as if I'm coming back from the piano, I'm walking here, and I just, look at you.
18:23Did it look good?
18:24Yeah.
18:25I love it so much.
18:26Can I do it again?
18:27Yeah, if you're comfortable with it.
18:32People scream.
18:53It's happening right in front of your eyes.
18:58That creates joy.
19:00And that's, I think, what great shows do.
19:08Make adults feel like children.
19:16What we were trying to do with this tour was make it the biggest thing we've ever done.
19:23Truthfully, none of it happens without a song and a person up there willing to sing it.
19:30Right.
19:31I love songs.
19:32I love songs.
19:33I love songs.
19:34I love songs.
19:35Okay.
19:36Storytelling for me is one of the key aspects that makes me feel like life is worth living.
19:48Cause our song is a slamming screen door.
19:50Sneaking out late tapping on his window.
19:53Okay.
19:54When we're on the phone and he talks real slow.
19:57It's just, it's that important to me.
19:58It gets better than this.
19:59You take my hand and drag me head close.
20:04Fearless.
20:06And crafting a song is just the happiest I ever am.
20:12Hi.
20:13Okay.
20:14So let's go.
20:15I liked it better when you were on my side.
20:21Sorry.
20:22Hold on.
20:23I just wrote this 15 minutes ago.
20:27If you're in a writing session with me, like I'll go into my lyric space and it's just
20:30sort of like just rocking back and forth in a corner, muttering.
20:37What if you start over with the same melody, so it's, so it's in the middle of the night.
20:44Yeah.
20:45So it starts over.
20:46It's very, I've never lost that sense of just like, I don't know, it's for me, it's,
20:54it's endlessly fascinating.
20:56I never get bored of it.
21:01Songwriting happens, whether I'm on tour or not.
21:08Because my life has just always been a kind of free flowing state of, you live it, you
21:15feel it, you wonder about it, you write about it.
21:20I started going to Sweden in between my shows and it just felt like the most exciting way
21:27to make a secret album.
21:28It would just be the three of us and we would write and we would record.
21:35Do you want to hear the vocals?
21:36Yes, please.
21:37All right.
21:38You don't, don't have to hold back on the violence.
21:41So go, go more violent.
21:42I mean, it was always like you were a little, I think I was trying to be in tune.
21:47I didn't have the click track.
21:48Yeah.
21:49I can be more violent.
21:50Yeah.
21:51Trust me.
21:52All right.
21:53Making the album while I was on the Ares tour, I was in a place in my life where life felt
21:59so full of possibility and it felt like I was figuring things out and it felt like so romantic
22:05and magical and passionate and I wanted to encapsulate that feeling on this album.
22:30We hadn't made any music together since Reputation, which came out in 2017.
22:35So going back and working with Max and Shellback, our relationship is very much that I feel like
22:42they've always been mentors and I've always felt like their apprentice and they are so brilliant.
22:49Good job, everyone.
23:04Mostly dog.
23:06It's really a very respectful relationship that you would have with people that you,
23:10you know, they're your peers, but you also look up to them.
23:13Okay.
23:14So this is a Swedish Christmas dinner?
23:16No.
23:17What is this?
23:18This is a...
23:19I don't know about dinner, but...
23:21I mean...
23:22Station Trues is included.
23:23This is the first station.
23:25First station of Swedish Christmas.
23:28So we put nuts and raisins in the cup and then we put the spiced wine in there and it's
23:38hot and we drink it.
23:39Yes.
23:40I'm excited.
23:41That's absolutely delicious.
23:42This is...
23:43This is incredible.
23:44Yeah.
23:45Good year.
23:46Good year.
23:47Good year.
23:48Good year.
23:49Good year.
23:50Merry Christmas.
23:51Good year.
23:52Good year.
23:53I was really ready for that sort of challenge to go back in with these two people and really
23:58try to stretch and challenge myself as much as possible to make hopefully the best album
24:05that I could possibly make.
24:06I think it should be high.
24:08Good thing.
24:09You know what I mean?
24:10Like so that it's got something weird and creepy about the high.
24:13Oh, I'm obsessed with this.
24:14Jesus.
24:15I usually hear about new music within five minutes of it being written.
24:28That is the best thing I can possibly think of and also the scariest.
24:43Because now I know something that nobody else knows other than the people who are in
24:47that room.
24:48And that's a massive responsibility.
24:49It's like, I don't...
24:50No, don't send...
24:51No, don't send it to me.
24:52I don't want it on my phone.
24:53No, no, no.
24:54Or like, I'm immortal now, baby dolls.
24:56Like that you're still talking to all those girls.
24:58Yeah.
24:59But I'm immortal now, baby dolls.
25:03I couldn't if I tried.
25:06Nah.
25:07I like that other one that you went to.
25:09Yeah.
25:10I couldn't if I tried.
25:13Thank you for the lovely bouquet.
25:18I think you put bring the beat back on bouquet.
25:22Yeah.
25:23Damn it.
25:24I just love it.
25:25I love being hyper detailed and having several overarching themes that are woven throughout.
25:35And I think the fans have really gotten into that obsessive nature of my storytelling, too.
25:42I think for a lot of people, they feel such a personal connection to her.
25:46Her deeply personal writing.
25:49The drama that she's been through.
25:51The heartbreak and regret that she's shared with people.
25:54And I think it must be meaningful to her for that to resonate.
25:58Woo!
25:59Yeah.
26:00All right.
26:01This is going to be my last song for today.
26:04Taylor Swift is one of my favorite singers and inspiring me to sing one of her songs.
26:09I think a lot of people can relate to this.
26:12I wanted to give a compilation of lyrics that I still have yet to recover from.
26:15When you were young, they assume you're nothing.
26:22One of the things that sets her apart from a lot of other people is how she writes.
26:26You choose stars around my scars, but now I'm bleeding.
26:33So I knew you, stepping on the last train on me like a last day night.
26:42I knew you, leaving like a father, running like water.
26:49I knew you, handing on my sweater, baby, guess you'd better run.
26:57Her writing is personal and it's vulnerable and it's very specific.
27:01But in that specificity, people see themselves.
27:05Cause there we are again when I loved you so.
27:12Back before you lost the one real thing you've ever known.
27:18I don't remember a time existing without her music.
27:20Every chapter of my life is marked by an album of hers that came out around the same time.
27:27I started writing music when I was eight.
27:29I remember my friends saying, would you rather have $10 trillion or like write a song with Taylor Swift?
27:38I'm like, write a song with Taylor Swift.
27:40Taylor Swift.
27:47Oh, this is going to be a fun one.
27:49Hello.
27:50Hi, hi, hi.
27:51Hi.
27:52How are you dressed?
27:53Thanks, man.
27:55How are you feeling?
27:56I'm, you know, I'll, I'll get there.
27:58This is going to pull me through my cold.
28:00This is a medical thing for me.
28:03Um, so what I would do is I'd start out by like talking to them about how we're so excited.
28:09Cause we just got nominated for a Grammy together.
28:12So we thought what better than to play a little song for you now.
28:16And then I'll be like, Gracie, come out.
28:20What?
28:22Oh, it's crazy.
28:23No, the double bridge is going to send me off a cliff.
28:26It still feels surreal to be here.
28:39You know, she is just the easiest person to be around.
28:42She's such a dear friend.
28:43I fucking love her.
28:44And then sometimes I'm like, how is it that we're singing this song?
28:49For me, this is like a dream.
28:51I always get like some smile.
28:52It's going to be great.
28:53I'm going to tell you how did you miss us, us, us, wonder if you regret the secret of us, us, us, us, us.
29:06I think you'll remember the genius young lady you saw earlier tonight, Gracie Labings.
29:34So will you please welcome to the stage, once again, Gracie Abrams.
29:41I know you know, it felt just like a joke.
29:55I'll show you don't want to know what I'm talking about.
30:00There's something that happens between friends who make music.
30:05It's this kind of like undeniable bond that you have.
30:09With Gracie, we've had so many special moments.
30:15Us, us, us, looking at it now, but I seem so simple, we were lying on your couch.
30:31I love you, Grace.
30:32You know, my opening acts on this tour are kids that were like 10 years old at my show.
30:39And now that we're singing together, like, you just can't believe the way that everything's falling into place in the way you never could have dreamed it would.
30:48Toronto, give it up again for Gracie Abrams.
31:08You know, I look forward to seeing the different ways that the fans react from night to night.
31:27You see the tears and you see the hugging each other and it's just, I love it.
31:32For me personally, watching the show, that moment that Taylor appears and there she is.
31:39That to me is absolutely worth everything.
31:46It makes me feel like this was my calling in life.
31:52Whether it was Taylor or my mom, it was to be around someone who loves entertaining and is extraordinarily talented.
32:01It was just, just ditto.
32:05It just happened all over again.
32:07You know, Taylor sings Marjorie, which is dedicated to my mother.
32:14And, you know, we...
32:17I knew I was going to do it at some point.
32:23The experience writing Marjorie was, I was kind of a wreck at times writing it.
32:38I would sort of break down sometimes.
32:41But I didn't know better.
32:44I think you were talking to me now.
32:48She died when I was 13, when I was on a trip to Nashville to try and make it.
32:54So, I've always just sort of felt like she was, um, seeing, seeing this, you know.
33:02One of the things that still rips me apart when I listen to it is that she's singing with me on this song.
33:08I wrote these lyrics.
33:09And if I'd be no better, I'd think you were singing to me now.
33:19Then you hear her actually sing.
33:21It's things like that that just make you feel like your whole heart is in this whole thing.
33:31During the tour, she does Marjorie.
33:36And I said to her, God, Taylor, I don't know if I can make it through the tour crying every night when you sing that song.
33:45It just gets me.
33:50It started off as something very simple.
33:53You know, we didn't even have lights prepared for that song.
33:58We didn't know that the fans were going to honor that song with the reverence that they do.
34:07That they were going to hold their phones up.
34:16It just became a very loving tribute to her grandmother.
34:22We do Marjorie every night.
34:24You know, I think about family.
34:28My dad passed away last year.
34:30She's singing about her grandmother, but those of us that have gone through something similar in the recent years,
34:36like that's always kind of an emotional moment in the night.
34:39My papa was a big part of the family, my favorite person in the whole world.
34:45And he unfortunately passed.
34:47Every single time I'm on that stage, I definitely feel his presence, especially the first night.
34:52Just this big rush fell over me and I was like, it's my grandpa.
34:57Marjorie is about Taylor's grandmother, but it's personal to me.
35:02And I think that's a testament to Taylor's writing because it really feels like it's your own experience.
35:11The idea that you have a loss and yet they are still here with us is kind of what I need to cling to in every night.
35:23I've been performing with Taylor for 12 years.
35:35And truly, the Aeros tour was a surprise to all of us.
35:41We had had COVID.
35:43We all wanted to be together to make music again.
35:45I know I very much needed to be here to make music again.
35:53I lost my mother September of 21.
35:55So when rehearsal started, not only did I need music and need to be with my band family,
36:03I needed to heal.
36:13Music is the thing that is the most healing to me.
36:20I, for the past few years have been really learning to accept and lean into that two different things can be true at one time.
36:41And last year that really smacked me in the face because we started this tour and we were all making memories and falling in love with each other.
36:53And I was the happiest I had been in some time.
36:58And at the same time, I was heartbroken every moment because my mother wasn't here to experience this joy and to see the Aeros tour.
37:16Yeah, like if you saw me sobbing somewhere, you would never know that I was the happiest I had been in a while.
37:23And, um, if you saw my joy, it was often that I was pretty devastated.
37:31And so knowing that I just want to, I don't know, give permission to feel both.
37:41To be here, feel what we feel, be as present as you can in these next four shows.
37:48Thank you to all of you.
37:49Thank you to all of you.
37:50Thank you to all of you.
37:51Thank you.
38:00All right.
38:01All right, guys.
38:02You heard her.
38:03Let's go out there.
38:04Fuck it!
38:05Fuck it!
38:06Up!
38:07Up!
38:08Up!
38:09Up!
38:10Up!
38:11Up!
38:12Up!
38:13Up!
38:14Up!
38:15Up!
38:16Up!
38:17Up!
38:18Up!
38:19Up!
38:20Up!
38:21Up!
38:22Up!
38:23Up!
38:24Up!
38:25Up!
38:26Up!
38:27Up!
38:28Up!
38:29Up!
38:30Up!
38:31Up!
38:32Up!
38:33Up!
38:34Up!
38:35Up!
38:36Up!
38:37Up!
38:38Up!
38:39Up!
38:40Up!
38:41Up!
38:42Up!
38:43¡Suscríbete al canal!
39:13¡Suscríbete al canal!
39:43¡Suscríbete al canal!
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42:01Ayana, estamos en el final de esta tour, así que tú haciendo eso...
42:05...no entiendo cuánto significa...
42:08...me y a mi...
42:19...y a mi band y a mi crew y a todos los que han puesto tanto de esto...
42:23...y a estos tours, en su...
42:25...no sé lo que estoy diciendo.
42:27Estoy solo teniendo un momento.
42:31...no sé lo que es...
42:34...no sé si es la última de la show...
42:36...no sé lo que...
42:38...no sé lo que te amo, te agradezco tanto por eso...
42:47...y a mi bandera...
42:49...y a mi bandera...
42:53...y a mi bandera...
42:57...y a mi bandera...
42:59¡Gracias!
43:29It was nice of you just saying that.
43:32You know what got me was like Camila made this speech before the show
43:38where she was talking about how her mom died, like her mom died recently
43:42and she was just saying like how heartbroken she is that her mom
43:46never got to see the arrows for her and never got to see her do this
43:49and I was just thinking about it all night.
43:51And I knew that and we always used to like make eye contact on Marjorie and me and Camila because of her mom
43:57but it put it in perspective like I don't know like the fact that mom did get to see it
44:04and like Travis got to see it and dad got to see it
44:09and like I just felt so lucky and that's what it's like cracked me.
44:14It cracked me wide open.
44:18Oh my god it was unreal. It's just incredible.
44:22It really was and I think you have every right to feel emotional because it has to be hitting you honey.
44:26that this has been the dream tour of your life.
44:30Yeah, it has.
44:31I just never thought, I never thought we'd ever do something this good.
44:35I mean it's going to be an emotional time from here on out to the end.
44:39It's so crazy that like all this has happened and we all got to experience it together.
44:44We love you.
44:44Love you.
44:45Love you too.
44:45Love you too.
45:15Love you too.
45:45Love you too.
46:15Love you too.
46:17Love you too.
46:45Gracias por ver el video.
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