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Short filmTranscript
00:00I'll give it some consideration, Pascal.
00:03But your own commentary is very accurate.
00:06No, I think you've got some superb footage.
00:10Really.
00:12In fact, when I was watching the film, I thought,
00:15if I'd been one of the Muffer,
00:18and I'd seen you and your crew and all the gear,
00:22what would I have felt?
00:25Well, you might have tried to hurt me.
00:29There are many beautiful women in history who have been very cruel.
00:38You're imperturbable, aren't you?
00:41Why would you want to perturb me?
00:44A compliment.
00:48No, I think you had a lot of courage going down there.
00:51I don't think I could have done it myself.
00:54Sorry it's been a bit of a strange day.
01:03I didn't really feel that going home.
01:06I'd like to see you.
01:07I'm not sure if you were going down there.
01:09I'd like to see you.
01:10I'd like to see you.
01:11I'd like to see you.
01:12I'd like to see you.
01:13I'd like to see you.
01:14Still, there you go.
01:15I'll read it later.
01:16So, there you go.
01:22I'll read it later.
01:32Can I give you a lift?
01:34The studio?
01:36I can take you nearby.
01:42No, no, it's all right.
01:46It's all right.
01:56Professor Hoeninger?
02:02What office is it going to be?
02:04I'll be living here.
02:06Nobody lives here.
02:12I don't understand why they sent you.
02:14It's just offices here.
02:16It is empty, isn't it?
02:18For three years.
02:20There's a plan to convert it, but it all takes time.
02:22I think it'll suit my needs.
02:24I'd wait until you've seen it.
02:26It's not a place to live.
02:28See?
02:30See.
02:32I usually have the reason to be worried when you're being secretive.
02:48I appreciate that.
02:50But I can promise you this is not the same.
02:52I have to be alone with him.
02:54Because it's absolutely essential that he feels safe.
02:56And, unfortunately, at this point in time, I'm the only person that he trusts.
03:00Yes, I may not be qualified, but I am his brother.
03:02And, unfortunately, at this point in time, I'm the only person that he trusts.
03:06Yes, I may not be qualified, but I am his brother.
03:08And I feel quite sure that, after a few weeks, then I can make him feel wanted.
03:12And that's enough.
03:13Is this the reason why you took the lectureship, by any chance?
03:15No.
03:16No.
03:17No.
03:18No.
03:19No.
03:20No.
03:21No.
03:22No.
03:23No.
03:24No.
03:25No.
03:26No.
03:27No.
03:28No.
03:29No.
03:30No.
03:31No.
03:32No.
03:33No.
03:34No.
03:35No.
03:36No.
03:37No.
03:38No.
03:39No.
03:40No.
03:41No.
03:42No.
03:43No.
03:44Why?
03:45He seems to be on your mind more than anything else.
03:48Even when we're alone.
03:51I don't think so.
03:54What shall we say for the past six months, which is since we've been here?
03:59I think that's probably because it's legal to discharge him here.
04:05But the point is, do I have your approval?
04:10You'll do it with or without my approval.
04:13Oh, go and make your private experiment.
04:16But personally, I think you're being extremely arrogant going against medical advice.
04:19Come on, Sarah.
04:20Bed.
04:21You need specialized attention.
04:22You can't know what's best.
04:23No, I don't approve.
04:24You need specialized attention.
04:25You can't know what's best.
04:26No, I don't approve.
04:28I don't approve.
04:29I don't approve.
04:30I don't approve.
04:31I don't approve.
04:32I don't approve.
04:33You're a optimist.
04:34You get a하지.
04:35I don't approve.
04:36I don't approve.
04:37Yeah, I don't approve.
04:38Yeah.
04:39Try again.
04:40I don't approve.
04:41I don't approve.
04:42You really?
04:43You really?
04:44You really?
04:45Here, I'm fine.
05:46Thanks, it's okay.
05:49All right.
05:54Whoa.
05:58You frightened you?
06:01Come on, let's go.
06:16I tried to switch the heating off.
06:21Radiators are rusty, I'm afraid.
06:23It's been so long since anyone was in there.
06:26I've tried to clean it a little bit.
06:29Well, my wife.
06:32That's very kind.
06:33This is my brother, Lawrence.
06:36Of course.
06:40You know the way, Professor?
06:42Yes.
06:50It's the largest place that I could find for us.
06:52Everywhere else seems so cramped.
07:17Come on in, Lawrence.
07:18It must be hot and all that.
07:40Let me take your coat.
07:41I'm sorry.
07:51I'm sorry.
07:51I'm sorry.
08:11I'm sorry.
08:11I don't want you to be quiet.
08:41I don't want you to be confined anymore.
08:44It's all in pretty good condition.
08:51Well, a few minor repairs.
08:57I'll spot a paint here and there, but I think we can fix it.
09:02I know we can fix it.
09:05Get some lights this afternoon so we can see what we're doing.
09:10What do you think, Lawrence?
09:14Perhaps you'd like this as your bedroom.
09:17Well, you don't have to decide now.
09:21There are plenty of rooms to choose from.
09:23All the walls are solid.
09:25No one can harm us here.
09:27No one can harm us here.
09:31All the walls are solid.
09:33No one can harm us here.
09:35No one can harm us here.
09:37All the walls are solid.
09:42No one can harm us here.
09:44All the walls are solid.
09:48No one can harm us here.
09:50All the walls are solid.
09:51You're right.
09:52I'm so sorry for this.
09:53You need to go to a refrigerator.
09:54You need to understand.
09:55All the walls are solid.
09:56All the walls are solid.
09:57You need to go out.
09:58You're in the room.
09:59All the walls are solid.
10:00I need to capture the height of your bedroom.
10:01You need to pan the window.
10:02You need to go out.
10:03What's in there?
10:33I think it's a cupboard.
10:49Yes, it must be a cupboard.
10:57It's just a cupboard.
11:03It's just a cupboard.
11:07It's just a cupboard.
11:09It's just a cupboard.
11:11I think it's a cupboard.
11:13I think the cupboard is a cupboard.
11:15So, let's take a look.
11:47Tell me.
12:07I'm with you.
12:12There's nothing to fear.
12:17I'm with you.
12:47There's nothing to fear.
12:49Come on.
12:51Please.
12:53What am I doing here?
13:03What am I doing here?
13:17Why have I been brought here?
13:19Lawrence?
13:21My bed's more comfortable than yours.
13:25Yes.
13:27I should imagine it is.
13:41It's a very fine bed.
13:51Couldn't you sleep?
13:53I don't know where I am.
13:57Home.
13:59Home.
14:01Home.
14:03Home.
14:05Home.
14:07Most residents should come and support him.
14:09I don't want to miss all the family save you.
14:12Jack.
14:13Jan?
14:26Do I stand before the king?
14:36I know you're here.
14:39Peter is with us now.
14:43And let him know you're here.
14:45It's a secret, okay?
14:46It's a secret.
14:58Hello.
14:59You finished up there yet?
15:01Yes, for today.
15:03How many has he got, then?
15:05Aquariums. Eleven.
15:08Why? What's he want with all those?
15:11He likes fish.
15:13It's a safety risk, isn't it?
15:15It's too many.
15:17We have people.
15:19Okay. See you next time.
15:20Bye-bye.
15:21Bye-bye.
15:22Bye-bye.
15:23Bye-bye.
15:25Bye-bye.
15:27Bye-bye.
15:29Bye-bye.
15:30Bye-bye.
15:31Lawrence, you're staring at a chair.
15:55Do you understand?
15:57Now, surely you can't be frightened of that.
15:59You see?
16:02An object.
16:03That's all.
16:04And the noises you hear come from outside.
16:07Now, just listen.
16:09No.
16:10It's in here.
16:12What is?
16:14Is it voices you hear?
16:22Why are you questioning us?
16:26You.
16:29You don't know me.
16:31Tell me, for God's sake, I'm on your side.
16:35What do you want from me?
16:38Who do you talk to in your room?
16:41It's a tape recorder.
16:42It's to do with my work.
16:43Am I your work?
16:44Am I your work?
16:45Don't creep up on me.
16:46Now, look.
16:47The voices you can hear are from the offices downstairs, and that is all there is.
16:49So there is nothing to be frightened of.
16:53What does he see?
16:54What does he see?
16:55What does he see?
16:56Sickness is so difficult to define, to identify.
17:00He persists with the fantasy that Jan is here, with us.
17:01Here's an example of how he uses his persona.
17:03Yesterday, a jar of honey-wilds and honey-wilds and honey-wilds and honey-wilds and honey-wilds.
17:05I'm- he's right off.
17:06What does he see?
17:08What's his face, isn't it?
17:09What does he see?
17:10The sickness is so difficult to define, to identify.
17:16He persists with the fantasy that Jan is here, with us.
17:25Here's an example of how he uses his persona.
17:28Yesterday, a jar of honey was broken, Jan was blamed.
17:32Later, Jan put a letter under my door asking me not to be angry.
17:38However, it seemed that if I deny his existence,
17:43it only serves to alienate me.
17:54I can only get close to him.
18:02Entry, 25th of July, my birthday.
18:29Sounds good.
18:32How does it taste?
19:02Can you ask me to describe this?
19:04MarÃa, la muchacha tiene una fotografÃa del sitio.
19:14Trata de describirnos algo de ese lugar.
19:26Es oscuro.
19:38It's dark.
19:39No logro ver a nadie.
19:43I can't see anybody.
19:45Hay algunos árboles.
19:48There are some trees.
19:50Parecen juguetes de madera.
19:52They look like wooden toys.
19:53I feel those verdes.
19:54There are some green plants.
20:04There are some green plants.
20:16Beautiful colours.
20:18He speaks English.
20:19Beautiful.
20:20Why do you pretend not to see?
20:25Hey, MarÃa, no te distraigas con los árboles.
20:30Sigue describiendolo.
20:32You know he's here.
20:34You can't expect me to play by myself whenever you're away.
20:38Who are you?
20:41I'm your work, aren't I?
20:45No.
20:46Do I stand before the king?
20:52Why are you doing this?
20:55You hear me?
20:57Cut it, Pascal.
21:02Hello, Peter.
21:03Are you alone?
21:16Yes, but I'm leaving in a minute.
21:19That was interesting.
21:21The child.
21:22Yes, wasn't it?
21:23Yes.
21:24Convincing.
21:25Except that the interpreter was prompting her.
21:28She told her that it was a garden.
21:30Speaking in English?
21:31A subconscious memory is very common in children of that age.
21:34What did you want?
21:35Common.
21:36She did affect you.
21:38It's riddled.
21:39It just makes me nervous.
21:41That's why.
21:42Why are you dismissing it now?
21:44I'm sorry, what did you want?
21:46To see you.
21:47I need a commentary.
21:48I got to have the film completed by the end of the month.
21:51You should have told me.
21:54In my letter.
21:58It's just so busy.
22:00Can we discuss it now?
22:03Well, I would, but I've got to run.
22:05I've got to pick up my daughter from school.
22:07Come on, I've got to pick up my daughter from school.
22:37Let's see you.
22:39Don't do this.
22:41Do you know what I mean?
22:42I do know.
22:43I need a doctor.
22:44I need a doctor.
22:45I can't do this.
22:47I can't wait.
22:48I can't wait.
22:49I can't wait.
22:50No.
22:51So I can't wait.
22:52There'll be a doctor.
22:53I can't wait.
22:54Yeah, I can't wait.
22:55If you want your daughter, he'll come back.
22:56I can't wait.
22:57I can't wait.
23:58Professor?
24:28Well?
24:30Oh, no, don't just disregard me, Lawrence.
24:31I'm talking to you.
24:35well oh no don't just disregard me Laurence I'm talking to you
24:50see what you're doing to me please tell it's the only way that we can make anything any better
25:08Jan oh no Jan died didn't he in the sand you saw and we stay together until dark it's the two of us
25:25he's here and he wants me dead too oh look at me look look at me
25:34he can't harm you there is no threat but don't you see he doesn't exist
25:44help
25:51help
25:53help
25:55help
26:05help
26:06help
26:07help
26:08help
26:09help
26:10help
26:13help
26:14Dad
26:16help
26:18no no no no no you mustn't see
26:22Dad no no no no no no no no
26:26Dad no day
26:28Dad No
26:30face you must otherwise it'll never be all right look at me you must know the truth
26:42stop it
27:12you
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