- 4 weeks ago
Marry My Husband Janpan Ver Ep.4 Hindi
Category
🎥
Short filmTranscript
00:00What happened?
00:07No need to show you so much.
00:13Why am I going to die?
00:16I'm going to die.
00:18I'm going to die.
00:20I'm going to die.
00:22I'm going to die.
00:24I'm going to die.
00:26I'm going to die.
00:28I'm going to die.
00:30You know what I'm talking about.
00:34I was thinking.
00:36You were not going to die.
00:40What are the things going on?
00:44I'm going to die.
00:46I'm going to die.
00:58Get out of here.
01:04I am going to die.
01:08Camine sale.
01:38Camine sale.
01:43Tomoya, listen.
01:44We're going to reach Misa's house.
01:47Let me leave.
01:50I'll be with you now.
01:52Listen to me today.
01:54I'll be with you today.
01:56Alright.
01:57we are going to reach Misa's house, right?
02:00Let me also get out of it.
02:02Misa, I'll be with you today.
02:06Okay.
02:08I'm tired.
02:27Your house has also been a while.
02:33Okay.
02:35Yes, you don't keep my attention today.
02:38Oh no, there's no such thing.
02:42You've kept the house at once.
02:46Where did the picture board go?
02:48He kept it there.
02:51Oh.
02:53And where did the cactus come from?
02:56I saw a flower shop.
02:59It was cute, so I took it.
03:05Today, I'm going to get up.
03:12When you told me about the director Suzuki.
03:15Did you feel bad?
03:17Why would I feel bad?
03:20I know that you like them.
03:23But you and Miko were really excited.
03:26That day, what did you do with the director?
03:28Which day?
03:29When you were going to school reunion.
03:31You and those two were the same.
03:33What was that?
03:36I was just looking at the railway station.
03:41And I was just looking at my head.
03:43They came to leave me there.
03:45I was just looking at my head.
03:46I was just looking at my head.
03:47Yeah.
03:48You all have to be careful.
03:49If you were just looking at it.
03:51You're just looking at it.
03:52Now I've got to understand.
03:59Sir and my son have not been forced into this.
04:02That's why everyone in front of me did this.
04:05To forgive, sir.
04:07Huh?
04:08Hmm.
04:09So you were just talking about the girl.
04:12That's the director Suzuki.
04:15Leave.
04:16Leave.
04:17Leave.
04:18If it's like this,
04:21it's a bad thing.
04:24Huh?
04:25I know everyone's truth.
04:28Huh?
04:30Oh, you don't know?
04:32I don't know.
04:34I don't know.
04:37But you don't have a difference.
04:39Do you know how many girls did it?
04:42You've got to think about it, right?
04:45After that, she's the CEO's son.
04:47And using the power of her,
04:48she's the new girl's new girl's new girl's new girl.
04:50She's the real person.
04:52She's the real person.
04:54The girl always goes to her.
04:58There's no level of her.
05:00There's no level here.
05:01She's the same girl.
05:02She's the same girl.
05:04She's the real girl.
05:05She's the real girl.
05:06She's the real girl.
05:07She's the real girl.
05:08She's the real girl.
05:09So,
05:10when she's the girl's new girl,
05:12she's the real girl.
05:13I'm thinking of you.
05:14You know all.
05:15Huh?
05:16I know all.
05:17When she's the real girl,
05:19I've been with her.
05:21I've been with her.
05:22In fact?
05:23So,
05:24I'm so sorry.
05:25I'm so sorry.
05:26I'm so sorry.
05:27I'm so sorry.
05:28I'm so sorry.
05:29I'm so sorry.
05:30I'm so sorry.
05:31I'm so sorry.
05:32Look at you.
05:33One day,
05:35you'll get the best girl of the world.
05:37Speaking of About Spion
05:52Even when you sent me the message.
05:55Good morning.
05:58Hear Suzuki!
06:00Say.
06:01Say it.
06:11What's the matter, sir?
06:12Let's make it again.
06:15How many of you make it again, sir?
06:18Let's leave the report.
06:20I've made the report very small, sir.
06:23What?
06:25Please, tell me, how much you look like this.
06:27I'll just leave it.
06:29You've already told me.
06:34It's the whole report.
06:38The first thing, I've made it a month ago, sir.
06:41You've seen it before the meeting,
06:43you're saying to me,
06:44you're saying to me,
06:45you're saying to me.
06:48Okay, don't do it.
06:50You're sure, you're a big man.
06:54I don't even have to talk to these new animals.
06:58If you leave me alone,
06:59you'll never get a promotion.
07:06You're not your boss.
07:08You're in your house!
07:09You ain't your boss, sir!
07:10They're not your friends.
07:12You can't handle it.
07:13I'm not your boss.
09:09I have eaten some more.
09:16Yes, no place.
09:19Missa, wait a second.
09:22Here, Madeline's cake.
09:25This is for you all.
09:27Oh, thank you so much.
09:29This is a great pleasure.
09:31And yes.
09:33Good luck.
09:34You are going to be married.
09:37You will be happy to be married, right?
09:45Good.
09:47Anytime you are happy to come.
09:49It's your cafe.
09:51Okay, thanks for this.
09:53We'll see you soon.
09:54Bye-bye.
09:56Look, Uto has given us our favorite cake.
09:59We'll go to the office and eat it.
10:07Good afternoon, sir.
10:23Good afternoon.
10:25Good afternoon.
11:11Sono? Mi ribatto, sono?
11:41Sono? Mi ribatto, sono?
12:11Mi ribatto.
12:13Mi ribatto.
12:17Mi ribatto.
12:21Mi ribatto.
12:23Mi ribatto.
12:25Mi ribatto.
12:27Mi ribatto.
12:29Mi ribatto.
12:31Mi ribatto.
12:33Mi ribatto.
12:35Mi ribatto.
12:37Mi ribatto.
12:39Mi ribatto.
12:41Mi ribatto.
12:43Mi ribatto.
12:45Mi ribatto.
12:47Mi ribatto.
12:49Mi ribatto.
12:51Mi ribatto.
12:53Mi ribatto.
12:55Mi ribatto.
12:57Mi ribatto.
12:59Mi ribatto.
13:01Mi ribatto.
13:03Mi ribatto.
13:05Mi ribatto.
13:07Mi ribatto.
13:09Mi ribatto.
13:11Mi ribatto.
13:13Mi ribatto.
13:15Mi ribatto.
13:17Mi ribatto.
13:19Mi ribatto.
13:21Mi ribatto.
13:23Mi ribatto.
13:25Mi ribatto.
13:26Mi ribatto.
13:27Mi ribatto.
13:28Mi ribatto.
13:29Mi ribatto.
13:30Mi ribatto.
13:31Amo ragazzi.
13:32Non ciò.
13:33Io.
13:34Ni.
13:35Ho.
13:35Ci bani.
13:37What can you do with me?
13:39I don't have any problems.
13:40I haven't done it.
13:41What?
13:42You don't have to think about it.
13:45I haven't done it.
13:47But everyone has seen it.
13:48You know, I don't think I'm looking at it.
13:50But it's not that.
13:51It's not that.
13:52It's not that.
13:53It's not that.
13:54You don't have to make a mistake.
13:55What's wrong with you?
13:56What's wrong with me?
13:57What's wrong with you?
13:58Yes, this is also okay.
14:02Believe me.
14:07I don't want to think about it.
14:10I don't want to think about it.
14:15I told Rena that he doesn't really like me.
14:20Now, did you speak to her?
14:23Yes, then.
14:24She said to me,
14:25Salek, Kamine,
14:27and everyone has understood what it is.
14:29There's no laughing at her.
14:35I don't want to think about it.
14:37Sorry, sir.
14:38Your...
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21:57I have put a lot of pressure on you.
22:05I have put a lot of pressure on you.
22:27I have a lot of pressure on you.
22:29Let me just go.
22:33A bishop.
22:35Please check me.
22:37Let me answer a few questions.
22:39You want to love me?
22:41I've always had to do things by myself.
22:43There are no proof that I don't have to do alone.
22:47You're so much欲しい.
22:49You love me?
22:53How awesome people live in these houses.
22:55After the wedding, I also have to shift to a big house in this small flat.
23:00Yes, I know.
23:02But the big house is very expensive.
23:05Yes, but your work is pretty good for the shares, right?
23:10Yes.
23:16When I put the money in the shares,
23:19from now on, my money has become more than three times.
23:24Yes, so how much money did you make?
23:26This is something like a crore.
23:28A crore?
23:30In my heart, I think that I will leave a job for the first time.
23:34I knew that I will become a big man one day.
23:37You have to buy a big house.
23:39If I will keep it in the house, I will also be sure.
23:43So many beautiful things.
23:45Please come back to me.
23:47I just came in a minute.
23:49How much money can I say?
23:54But...
23:58I am not going to turn to her.
24:03How much I am going to say to you.
24:10But...
24:14I'm not going to die from him.
24:17My happiness is going to die from him.
24:20Yes!
24:25But I'm also going to die too.
24:28But what do I do?
24:34This is the best.
24:44Take this, ma'am. Your order.
25:03I'm not going to die.
25:05I don't care about the world.
25:07I'm supposed to show you.
25:10There's holes in the wall.
25:13I'm not going to die.
25:16I'm not going to die.
25:18I'm not going to die.
25:20I'm not going to die.
25:22I'm not going to die.
25:24I'm not going to die.
25:27I'm not going to die.
26:32Thank you, God.
26:34Thank you, God.
26:36It's a lot of food.
26:38Let's start.
26:42Can you eat something or not?
26:44The curry will have to eat.
26:46Yes, of course.
26:48The curry is in the table.
27:02Okay.
27:56Thank you, brother.
28:00I was like,
28:02you were forced to leave.
28:04I was very upset.
28:06I was very upset.
28:08I was sure.
28:10Yeah.
28:12That's why I don't want to leave him alone.
28:31You should be a hero.
28:34I'm sorry, I've called you like this.
28:39No problem. Misa is over time.
28:44Can you drink one of mine?
28:46Okay, sir.
28:48Today there is a lot of romance.
28:51Good thing.
28:53I remember that you had told me that
28:56that the first couple of women
28:58seems to be a little bitter.
29:00Maybe in Misa's case,
29:02that's why I have loved myself.
29:06Oh, good.
29:08To be honest,
29:10it's a good reason to be so handsome.
29:14Maybe he is showing himself for his sins.
29:19What do you mean?
29:21He started an account in social media.
29:24What?
29:26He wasn't active on social media.
29:29And he also follows Yoto.
29:32Yes.
29:39I didn't know you.
29:41Don't say that he doesn't follow you.
29:44How can that happen?
29:47Yes.
29:49Yes.
29:50They use social media as well.
29:53Oh, yes.
29:55I remember the work.
29:58Misa was telling me that
30:00the director of Suzuki
30:01is putting money on it.
30:02Oh.
30:03Oh.
30:04Oh.
30:05Oh.
30:06Oh.
30:07Oh.
30:08Oh.
30:09Oh.
30:10Oh.
30:11Oh,
30:12Oh.
30:13Oh.
30:14Oh.
30:15Oh, I will tell you this.
30:16Oh.
30:17Oh.
30:18Oh, oh.
30:19Oh.
30:20Oh, oh.
30:21Oh.
30:22Oh.
30:23Oh.
30:24Oh.
30:25Oh.
30:26Oh.
30:27Oh.
30:28Oh.
30:29If you don't want to become your mother, you can also show your face in the end of your eyes.
30:38What does this mean?
30:42I don't know.
30:51The Olympics will tell you that the tourists will not come to the Olympics.
30:56What?
30:57Nothing.
31:00The tourists who were making a project, there is no chance to cancel it.
31:04What?
31:05This is impossible.
31:06There is a huge project.
31:07If there is no place, the company will lose.
31:09That's right.
31:10I'm going to pick the girl.
31:12I'm leaving too.
31:13We'll see you tomorrow.
31:14We'll see you tomorrow.
31:27Hello.
31:29I'm going to fix the date of the family.
31:30I'm going to fix the date with the family.
31:32I'm going to fix the date with the family.
31:33I'm going to decide today.
31:35What?
31:37Sorry, I'll call you later.
31:39I'll call you later.
31:40I'll call you later.
31:45Bye, sir.
31:46I'll meet you tomorrow.
31:47What do you want?
31:48Bye.
31:49Bye.
31:50Bye.
31:51Bye.
31:52Bye.
31:53Bye.
31:54Bye.
31:55Bye.
31:56M65
32:02Bye.
32:03Tomorrow, starting to finish the date.
32:04Bye.
32:06Bye.
32:07Bye.
32:08Goodbye.
32:12I're waiting for you to help you tomorrow.
32:14You can't help me.
32:35If you can't help someone else's hands,
32:38then you will be able to help me when I was the first time.
32:44But that's what I'm going to do, Jaiya.
33:15Hello
33:23Have you come here?
33:25A little bit
33:28You can't meet with your family
33:31I am very busy at the Olympics tasting event
33:34Why don't you make a plan after that?
33:37It's okay
33:39I know that your work is necessary
33:41Okay, now you go
33:44I want to come to the house
33:46Let's go, what's so fast?
33:47What?
33:48These are your new chabies and these are the ones
33:51Thank you so much
33:52It's okay, now I'm going to go
33:53Misa, this is not a duplicate chabies in the table
33:56It's a good thing
34:02You're welcome
34:05My chabies are broken
34:07So I need to make a new chabies
34:09Okay
34:11I was looking for you
34:12I was looking for you
34:13I was looking for you
34:14I was looking for you
34:16What?
34:19I was looking for you
34:20The second planning department
34:22Where you were standing in the hand of the director Suzuki
34:28What are these chakras?
34:30Look
34:32Whatever you can see
34:33Now go to your house
34:36Come on
34:37I was looking for you
34:38I'm looking for you
34:39Why are you hiding in the house?
34:40Why are you hiding around me?
34:43Why am I hiding in the house?
34:44Why do you leave with me?
34:45Why are you leaving?
34:46Why am I leaving with you?
34:47Why did you see the love that day?
34:48I was looking for you
34:49Today?
34:50I'll stay here
34:51If I come to the house, which will fall into the house?
34:54It seems that someone else is sitting in the house.
34:58It's not your love.
35:00What?
35:01You're very happy, Yomisa.
35:02You're sitting in the office.
35:04You're sitting in the office.
35:05You're sitting in the house.
35:06You're sitting in the house.
35:07What?
35:08You're sitting in the house every day.
35:12What did you say?
35:13You said the truth.
35:15Your mother was running with a friend, right?
35:21You're sitting in the house.
35:24What do you mean by that?
35:26I don't have to talk about it.
35:28I'm going to go home.
35:32What I'm asking you, tell me truthfully.
35:34Why do you get to the office?
35:36Why do you get to the office?
35:38Why do you change me without asking me?
35:40I'm not a fool, Yomisa.
35:51I'm not a fool.
36:01I'm not a fool.
36:02Why do you change my mind?
36:21I don't know.
36:51I don't know.
37:21I don't know.
37:51I don't know.
38:20I don't know.
38:50I don't know.
39:20I don't know.
39:50I don't know.
40:20I don't know.
40:50I don't know.
41:20I don't know.
41:50I don't know.
42:20I don't know.
42:50I don't know.
43:20I don't know.
43:50I don't know.
44:20I don't know.
44:50I don't know.
45:20I don't know.
45:50I don't know.
46:20I don't know.
46:50I don't know.
47:20I don't know.
47:50I don't know.
48:20I don't know.
48:50I don't know.
49:20I don't know.
49:50I don't know.
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