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00:00I want to stay in bed all day.
00:15Whatever you said, I liked it.
00:20It translates to the one who sleeps catches no fish.
00:25Well, I hate to see you go, but I like to watch you leave.
00:38That translates to I like your butt.
00:44Oh God, Mindy's on the couch.
00:48Yeah.
00:55You don't have to go, man.
00:58No, it's all good.
00:59Volando offered to put me up in a nice hotel, so why not?
01:03To spend time with your best friend.
01:05A best friend who I don't want to keep cock-locking.
01:08Marcella was basically chewing me away with his dick this morning.
01:11It does have a mind of its own.
01:13Oh, okay.
01:14So what hotel are they putting you in?
01:16The Orient Express La Minerva.
01:18Oh, nice.
01:20Oh, I think Alfie's staying there. You should text him.
01:22No, no, no. I've got so much choreo to learn for the show, and it's tomorrow.
01:26Emily, I can't believe I agreed to do this.
01:29Sorry again, Mindy.
01:31No big D.
01:34As in deal. No big deal.
01:37Your D was perfect.
01:40You know what? I'm going to go.
01:43You'll be fine.
01:44No big deal.
01:57Okay.
02:00Hello Celestino.
02:01How did you sleep?
02:03Hi Viviana, how are you?
02:06Good day.
02:07Do you have enough of my son?
02:09Oh, yes, grazie, Sisteletta.
02:10Tutto bene.
02:17Hi, buongiorno.
02:19Do you mind if we sit?
02:22Oh, yeah, no, not at all.
02:23Please, please.
02:24I told you you speak English.
02:26Hi, I'm David.
02:27This is my wife, Katie.
02:28Nice to meet you.
02:29I'm Luke.
02:30Americans?
02:31Ohioans.
02:32Our first time to Europe.
02:33Can you believe how cheap this place is?
02:36Aside from the 11 o'clock curfew and the shared bathrooms,
02:39it's as good as any hotel.
02:41Exactamente.
02:42That's why I'm here.
02:44And Sister Cristina's frittata is...
02:48I heard the eggs are blessed.
02:50Eggs Benedictine, huh?
02:54The commercial starts on a beautiful woman
02:58sitting alone in a movie theater.
03:01When the lights go down, she's joined by a man.
03:05He puts his hand on her knee,
03:07and it's clear they know each other.
03:09The movie playing on the screen
03:10will be a series of quick cuts.
03:12First of a little boy and a little girl
03:15chasing each other through Solitano.
03:17And then it's the little girl and the little boy
03:20as teenagers,
03:21flirting, stealing glances.
03:24And back in the movie theater,
03:26the man's hand begins to move
03:28to the woman's thigh.
03:30On the screen, we see the teenagers
03:32walking through the village,
03:34unable to keep their hands off each other.
03:36Eventually, they're sharing their first kiss.
03:38We cut back to the theater,
03:40and it's just the beautiful woman
03:42watching the film alone,
03:44smiling at the memories.
03:45Or was it just a fantasy?
03:49It's so good.
03:51Feels classically Italian.
03:53Almost like Cinema Paradiso.
03:54That's true.
03:55Cinema Paradiso is one of my favorite films.
03:58Umberto's, too.
04:00He loved movies.
04:02That's why we had the theater built.
04:04Well, then maybe we could call the fragrance
04:05Muratori Paradiso.
04:08Muratori Paradiso.
04:11I like that.
04:12I like it, too, but
04:13if the goal is for the brand
04:14to appeal to a global audience,
04:17then maybe the commercial
04:18should be more cosmopolitan.
04:20Maybe we shoot it in Rome or Milan
04:22or even New York.
04:24No.
04:25It doesn't feel right at all.
04:27Well, we...
04:28We do want to make sure
04:30that the commercial is something
04:32that people from all over
04:32can connect with.
04:33That's why you hired me.
04:36Don't worry.
04:36It's going to be beautiful.
04:39I know how smitten you are,
04:41but Antonia's the one
04:42we have to please.
04:43Not much, Arlo.
04:44I'm trying to please both.
04:46Well, just the one we'll do.
04:49Don't be our liability, Emily.
04:50It's been here for a while
04:55Knowing soon it will be time to go
04:59Again?
05:03Di nuovo.
05:06Okay.
05:07Okay.
05:12You know what?
05:15Let's call it.
05:16Let's try from the beginning.
05:16Okay.
05:19Turn, out.
05:21The hand.
05:22The hand.
05:23Three, two, one.
05:26Oh!
05:27Sorry, I'm so sorry.
05:28Oh, Christ.
05:28I know my knees are really sharp.
05:31Gianna, please, come here.
05:33They're trying to ball with a refrigerator.
05:35She's a principiant.
05:36Okay.
05:38Hi, Mindy.
05:39Ciao.
05:40Si, Mindy il frigorifero,
05:41che non ce la fa fare una presa.
05:43In alto?
05:44Si, una liva del primo anno potrebbe farla.
05:46Ma non è che andante su TikTok.
05:47Me ne rendo conto.
05:49Guarda.
05:57Facile.
05:58Cool, facile.
06:00I know what that means.
06:01Dai, di nuovo.
06:04Dai, ti aiuto.
06:05Oh, I don't speak Italian.
06:06Oh, I guess I can sense.
06:07Cinque, sei, sette, otto.
06:12Arm.
06:13And...
06:14Wow, that's low.
06:16Jeez.
06:16Okay.
06:18This and this.
06:19Maybe, maybe we can think of another end of the dance.
06:23Yeah, maybe, maybe we do like a deep bow.
06:26Di nuovo.
06:28Di nuovo.
06:29Di nuovo.
06:30Di nuovo.
06:33Okay.
06:37So, after the embarrassment at Fendi, we need to sign another luxury client.
06:58Not only to preserve our reputation, but also to justify keeping an office.
07:02Hello, team.
07:04Now, do you want to tell them or shall I?
07:06I was just about to tell them.
07:09Oh, well.
07:10Luckily for all of you, I was able to get us a meeting at Intimissimi.
07:14The underwear brand?
07:16Lingerie.
07:18Oh, lingerie and underwear are two entirely different things.
07:22It's form over function.
07:24Good gas mileage versus sporty handling.
07:27Are you two really mansplaining lingerie to me?
07:30I mean, have either of you ever tried any?
07:31Surprisingly, no.
07:32Panties on me is like putting a muzzle on a polar bear.
07:36But I think I should be considered for the cunt.
07:39I already have some ideas.
07:42Something dark and sexy.
07:43Do you remember the film The Night Polar with Charlotte Rampling?
07:48Huh?
07:49Mm-mm.
07:49It's about a former SS officer and she was his prisoner.
07:53We could explore themes of fascism and submission.
07:58That would be a hot take for Lingerie.
08:00I'm feeling it.
08:01Really?
08:02I think Emily is the right person for the account.
08:06You got a chance to redeem yourself after the Fendi fiasco.
08:09Oh, yes, my Jewish grandmother would say.
08:11Go home, think about it.
08:13Maybe try some things on.
08:15Send us some pictures.
08:17No.
08:18I want to prove the French can sell sex better than the Italians.
08:22But I'm American.
08:24Oh, that's your problem.
08:25Don't make it ours.
08:31Thanks for helping me.
08:37It's better than the other night watching Anton chew his wine.
08:40You're really good.
08:41I was forced to take ballroomers since I was a kid.
08:43Oh.
08:44My mom said they'd pay off one day.
08:46I actually believe she was right.
08:47You ready for the leap?
08:53Maybe.
08:55No, I can't do this.
08:57You can do this.
09:01I don't think I can.
09:03I really don't.
09:04But just stop thinking about it.
09:06Turn off your brain and jump.
09:15Okay.
09:17Let's take it from the head flicky thingy.
09:19You want to start with a sassy bitch?
09:21Stop.
09:21Stop.
09:22Stop.
09:34You ready?
09:43Yeah.
09:50Oh, my God.
09:52I told you.
09:53I did it.
09:59Finally.
10:01Finally.
10:04Get it on so he can get it off.
10:32How about just get it on?
10:38Intimissimi.
10:40Get it on.
10:41Are you working right now?
10:43Well, I could go sit alone in an office and try coming up with a lingerie campaign,
10:47but I thought this would be more fun.
10:48How about Intimissimi?
10:51Better on the floor.
10:53Not bad.
10:54What about make four play last?
10:59Make it five play.
11:01Non bene.
11:03Yeah.
11:04Yeah, non bene.
11:06See?
11:07Good ideas and good taste.
11:09No wonder you're a titan of industry in the making.
11:11Yeah.
11:12Tell that to my mother.
11:13She has no faith in me.
11:15Otherwise, I'd be running muratori by now.
11:18Yeah, well, she's probably just having trouble letting go of the reins.
11:21Yeah, because she still thinks of me as the wild, irresponsible kid who was always in trouble
11:25with the nuns.
11:26Yeah, but you know, parents sometimes project their own fears onto their kids.
11:30Seems like it's just me.
11:32I'm sorry.
11:39I know how that feels.
11:41Your parents are like that, too?
11:44Not exactly.
11:45I was thinking more Sylvie.
11:46I mean, she put me in charge of the Rome office, but she doesn't seem to have any faith
11:49in my ability to actually run it.
11:52Sylvie and my mother definitely have one thing in common.
11:56I don't want to think about either of them right now.
12:00Me neither.
12:05Is it time to take the lingerie off yet?
12:07I still have to figure out this campaign.
12:10Fine.
12:11If it's better for work, you can leave the lingerie on.
12:14It might be a little sexier.
12:20That's not a bad idea.
12:23Sexier than naked.
12:28Sexier than naked?
12:30Yes.
12:30We see a couple kissing passionately.
12:34She goes to take off her lingerie, but he stops her.
12:37Leave it on, he says.
12:39Is he gay?
12:42What?
12:42No.
12:43No, the lingerie is just so beautiful, it takes center stage.
12:46You want to see it.
12:48We want this lingerie to make people connect.
12:50This is two surfers.
12:52And a little confusing.
12:54Well, how about I take all these notes and rethink?
12:58I could have you something by...
13:00We can meet tomorrow at the same time.
13:03We are on the deadline to make our decision.
13:06Great.
13:07Well, let's make that happen.
13:08I'm not going to be able to meet tomorrow.
13:10Oh.
13:11We'll miss you.
13:21I'm losing my touch.
13:23You know, I...
13:24I don't think my ideas are translating in Rome.
13:27I mean, I thought Italians liked sex.
13:28Actually, they are very repressed.
13:30Oh, well, that hasn't been my experience so far.
13:34What's going on in here?
13:35Nothing.
13:35Just Emily intimacy issues.
13:39Oh, we are finally talking about it.
13:42From the moment you walked into the office in Paris, I noticed you had a wallop.
13:47No, Lou...
13:48No, who could blame you?
13:49I mean, a young woman in a foreign land, in a foreign office.
13:54But as time went on, I saw it was more than that.
13:57The very curated online presence, the bald outfit stealing focus from what's underneath.
14:03Maybe you've been hurt in the past.
14:04Luke, I don't have a problem with intimacy, okay?
14:06I have a problem with intimacy me, the brand.
14:10Oh.
14:11I'm misunderstood.
14:13Yeah.
14:14Or maybe not.
14:23I still have my Night Potter idea.
14:37Great.
14:38One more, just like that.
14:40No, the boy's attitude.
14:42He seems to feed it.
14:43He should act like they're playing a game.
14:46Keep rolling or cut?
14:48Uh, cut.
14:49Cut!
14:51The little boy is sad at first, and then he realizes it's a game.
14:55I think we should keep it light from the beginning.
15:02I can do a take where it starts to play for.
15:06Sure.
15:09Okay, let's do it again.
15:11Okay, back to one.
15:26Ah.
15:28Italian women, you're always late.
15:29Yes, but we're always worth the wait.
15:32Sorry, my sweet.
15:35Is that for me?
15:38Yes.
15:42It's gorgeous.
15:45Should we go see how it fits?
15:47It's your place.
15:47I have to be back at the office, but I can come over tonight after balando, balando, balando.
15:53Can I go to my place?
15:54My father's staying with me now, and his breathing machine is very loud.
15:58But I can come to your hotel.
16:00Oh, okay.
16:02Okay.
16:02But you have to be there before 11.
16:04Don't be late.
16:05I wouldn't, Jim, I bet.
16:08Okay.
16:08Are you enjoying this, or are you anxious for it to be over?
16:25I just wonder what Umberto would think.
16:28This would all be a little Hollywood to him.
16:31You always agree with what Umberto thought?
16:34Almost never.
16:36But it was nice to have someone to push back against.
16:39The success or failure of the company is all in my hands now.
16:42It's a lot of responsibility, and a little lonely.
16:47I know that feeling.
16:53What if we ended the commercial on the idea of the couple together rather than the woman alone?
17:00Oh.
17:02I like that.
17:05Bravo.
17:07Excuse me.
17:09Giancarlo!
17:10It's totally different from what I planned.
17:15Yeah, but I think it works better.
17:17I spoke to Antonia.
17:18She actually refers this version.
17:20So then, I guess I don't have a choice.
17:23No, it's still your vision.
17:24It's not if the ending's different.
17:26I didn't realize you were so precious about this.
17:28I didn't realize we were directing by committee.
17:31Giancarlo, we're here to please the client, and that's what the client wants.
17:34I think it's what you want, and you always do what you want.
17:38Isn't that right?
17:39Giancarlo, basta.
17:40You're behaving like one of the children on set.
17:43Do you want me to ask one of them to direct instead?
17:45I have a better idea.
17:50Tommaso, she's directing this now.
17:54Giancarlo!
17:56Doesn't feel great to be left, does it?
17:58She looks like she's already won.
18:20Oh, I know.
18:25And this is the girl who had debilitating stage fright.
18:28She used to have to get one before performing just to calm down.
18:31Get one?
18:32You know, orgasm.
18:36Is that what you said?
18:38Maybe.
18:38What is it?
18:47I'm just going to meet you in the seats.
18:49Okay.
18:51When I get nervous, I sweat and then things scoot around, so I just need you to spray my butt with glue.
18:57Honestly, I'm relieved that's all you're asking.
19:01Oh, I just, I'm going to make a fool out of myself, Emily.
19:04You're going to be great.
19:05I don't think so.
19:06There's a big leap at the end, and I've only gotten it right one time.
19:10Okay, well, do you remember what you did that one time?
19:12Yes.
19:13Yes, I do.
19:13Well, then just do that.
19:14Oh, right.
19:15Yeah, yeah.
19:16Okay, yeah.
19:17Yes, I, that's good.
19:19Just breathe.
19:20Okay, maybe don't breathe.
19:26Really get in there.
19:28Luke said I had intimacy issues.
19:30If only he could see me now.
19:31Well, you definitely don't have intimacy issues with me.
19:34What, you think I have intimacy issues with other people?
19:36Well, I just think you need to be pushed slightly to open up.
19:39Like, if someone were to share something personal with you, then I think you'd share something personal about yourself.
19:45Yeah, exactly.
19:46But I didn't do that.
19:48Marcella opened up to me about his mom, but then I sort of pivoted to work.
19:53Oh, that's fine.
19:55You really think that's fine?
19:56No, I don't, but can we talk about this another time, please?
19:58I have to leap over a man's head, engage my core, point my toes, and then try not to pee when his thumbs jab into my bladder.
20:04So, it's hard for me to think about anything else right now.
20:06Copy.
20:11Oh, my God!
20:17Don't worry, I practiced all night.
20:29I've got it.
20:30Bene.
20:30A ballare il tango con il suo partner, Orlando Eri, e la tantatrice, Mimmi Cerno.
20:37A ballare il tango con il suo mod a vitale.
20:38Yeah.
20:39Yeah.
22:10That was amazing.
22:12Oh, good.
22:42I hate to dash off, but Bianca is coming over and I have a curfew, so ciao, ragazzi.
23:04What does it mean a curfew?
23:07Oh, sometimes it's better not to know.
23:09Um, I'm going to go to give her a hug for me, hmm?
23:12Hey, how are you doing?
23:16I don't want to talk about it.
23:17I don't want to think about it.
23:18I'm fine.
23:19Orlando may have slipped to just though.
23:21Well, it was all his fault, right?
23:22Look, it didn't even look like he was trying to catch her.
23:24Yeah, he wasn't.
23:26I love how a translator suddenly appears after there's an incident, but not a second before.
23:30What if we walk around the city and forget about the day?
23:34Create some new memory.
23:35Oh, I'm exhausted.
23:37I think I just got to go back to the hotel.
23:39Well, we could share a cab.
23:43Marjorie?
23:44Great.
23:45Nice.
23:46Okay.
23:47See you later, mate.
23:47Bye.
23:47Bye.
23:49Thanks for coming.
23:55So, how did the pitch 20 minutes ago?
23:59Not my finest moment, but I have some more ideas.
24:03Do you want to tell them to me?
24:06Actually, I'd rather not talk about work, if that's okay.
24:10Va benissimo.
24:14See you later.
24:44Master, please.
24:46Can you wait just a few minutes, please?
24:48The Lord shows no partiality, Luke.
24:51But could you?
24:53Just this once.
24:58Come on.
25:06C'è qualcuno?
25:07It's past curfew, my dear.
25:15Curfew?
25:16I cannot let you in.
25:18God bless.
25:19Bianca, Bianca, up here.
25:31Are you staying in a convent?
25:33Yes.
25:34It's a really good rate.
25:35Very central.
25:36Okay.
25:37Yeah, I am so sorry.
25:39The curfew is very inconvenient, and I so badly want to lay eyes on you, but I also want
25:45to respect the sisters.
25:47You know what I mean.
25:48You're such a sweet mind.
25:51I don't want to leave without showing you your surprise.
25:54Oh, que bella!
26:02Mamma mia, sister, please!
26:07Oh, please!
26:08Jesus loved prostitutes.
26:12But a curfew is a curfew.
26:15David, get out here quick!
26:17There's a hooker trying to get in.
26:20This makes up for no TV.
26:30This is Mercati di Traiano, built between the years 100 and about 120-ish.
26:37It's the world's first shopping mall.
26:40Are you serious?
26:41Mm-hmm.
26:42Ha!
26:44Oh!
26:45Okay, oh my god, I totally see it!
26:48Versace, Armani, Maratori.
26:51Ah!
26:53Dancing fountain over there.
26:55Ooh, food court over there.
26:57It's beautiful.
27:04Hey.
27:07Is there a problem?
27:10I've just, I've been thinking a lot about what you said about your mom.
27:15My family's not so different.
27:18They always made me feel like, um, I had to succeed in life to matter.
27:25Good grades, good job.
27:27Yeah, and they're good people, you know, don't get me wrong.
27:31It's just existing was never going to be enough.
27:35Achieving is what life is about.
27:37So I, I try really hard, and I push to make everything work, and I want to be perfect, you know?
27:49And then I, I come to a place like this, and it is just, it's so beautiful.
27:53It takes my breath away.
27:56And it's, you know, it's because of all the imperfections.
28:00The, the cracks, and, and, and the crumbling columns.
28:04And I, it just, it makes me think that maybe I don't have to push, or fix, or try so hard.
28:15Maybe I can just let things be, and it will all be fine.
28:19Maybe even better than fine.
28:21Maybe even better than fine.
28:51Maybe even better than fine.
29:21Maybe even better than fine.
29:30Please, don'tés.
29:31Hi, Rumi.
29:32I miss you.
29:33I miss you.
29:35I didn't like leaving you alone last night without a shoulder to cry on.
29:38I feel like a horrible best friend.
29:40No, I didn't cry much.
29:42It's okay.
29:43How about, I'll FaceTime you when I'm getting ready.
29:45Okay.
29:46Ciao for now.
29:47Ciao.
29:48This campaign is about one of the most intimate things you can do with your partner talk
30:09Guess what we got another client no more intimacy problems
30:27Ah fantastic oh could you ask if they ever have any likely won returns that they want to give away to charity
30:36What charity is that? Saint Luke's house of fetishes?
30:40No for the nuns in the convent I'm staying in they're big fans
30:55Where are you staying?
30:56What?
31:04Good news Intimissimi wants to work with us
31:07Is everything okay?
31:15Giancarlo walked off set and refused to come back
31:19And I had to finish directing the entire shoot
31:23What happened?
31:24It's a mess I mean it's a mess
31:30After all the work we've done
31:32I might have ruined this entire campaign
31:34Jesus Christ
31:42Jesus Christ
31:52Jesus Christ
31:54Jesus Christ
31:57God bless you
32:01Christ
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