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Short filmTranscript
00:00Oh my god, hey, how are you?
00:04Oh, look at you, look at you.
00:06I am the doll.
00:09Hi.
00:10Hi.
00:11Hi.
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00:58Oh, my God!
01:10Claudia.
01:13Somebody just killed me.
01:28What are we doing here?
01:44I don't want to go to a true crime convention.
01:46Don't we have enough crime in our lives already?
01:49Oh, well, I heard there's something to do with us going on in there.
01:52What sort of something?
01:53I don't know.
01:53That's why I thought we should go in and find out.
01:56Oh, it's all very bloodthirst, isn't it?
01:59Ah, true crime is huge nowadays.
02:01Hundreds of podcasts.
02:04Surprising venue for a convention.
02:14Lord, what are you?
02:16It was you, wasn't it?
02:20You told Fergus to break up with me?
02:23Absolutely not.
02:23I would never tell him to break up with you.
02:27What you told him about Georgetown.
02:30I was racking my brains to work out how he found out.
02:35So obvious.
02:37How could you?
02:38Okay, Lola, you're clearly upset and I understand why.
02:43But this isn't the time or the place.
02:45I'm at work.
02:45We can talk about this when I get home.
02:48No, I don't want to talk to you.
02:51You know, you're always saying what a terrible person Grandad is.
02:57You are such a hypocrite.
02:59Which way?
03:12Uh, that way?
03:20Sorry.
03:20Wait, hold on a sec.
03:21Didn't we catch him?
03:22Okay, ready?
03:23Yeah.
03:24Yeah, we did.
03:28Lewis.
03:29Ah.
03:32Oh.
03:33Trippy.
03:37Yeah, last time we saw him, he peed himself.
03:40Indeed.
03:41Blanchardstown?
03:48In Victorian days, it was just fields.
03:50There were no dark alleys.
03:51Yeah, it's almost like this isn't all factually correct and totally believable.
03:57Have you talked to Lola?
04:00No, no.
04:01She won't take my calls.
04:02I'm pretty sure she hates me.
04:04No, I don't think so.
04:05You made a very mature decision, but you did it in a very immature way.
04:12You should have let her have some say in it.
04:14She wouldn't have gone, Harry.
04:15Well, she's going now.
04:17Next week.
04:18Oh!
04:18Excuse me.
04:20Christ.
04:21Wasn't that your one who killed her sister for the inheritance, Steve?
04:24Yeah, the spooky village, right?
04:28Come on.
04:29Oh, Barbara Quinlan, everybody's favourite bad writer and part-time prostitute in a new
04:40book, a retired history professor and a young sidekick.
04:43It's just neat.
04:44Really?
04:45I was there from the very beginning, I was.
04:48Got Harry her first taser gun.
04:50Completely illegal, of course.
04:52Actually, forget I said that.
04:53What was the inspiration for the podcast, then?
04:55Well, that was actually my wife Petra's idea.
04:57She said that we owe it to the world and to Harry and Fergus to chronicle their exploits
05:03for future generations.
05:05In the meantime, be a nice little earner.
05:07You're like the Watson to their Sherlock Holmes.
05:09Oh, I like that one, yeah.
05:10I might use that.
05:11But, Glenn.
05:13Harry.
05:14Fergus.
05:14Oh, look who it is.
05:16It's our guests of honour.
05:17Ha-ha.
05:18The real Harry and Fergus.
05:20What was your best place?
05:21Glenn.
05:21What's the actual hell?
05:23I can explain.
05:24Well, go on, then.
05:25What now?
05:26Oh, I'll tell you what, I'll just sign a couple of autographs and then I'll be right
05:29with you, Harry.
05:30Glenn.
05:31That's a bit tender, Harry.
05:35What the bloody hell are you up to, Glenn?
05:36What is all this?
05:38It's the future, Harry.
05:40Well, look, I suppose, actually, it's the present.
05:43It's right now.
05:44You two are right now.
05:47True crime's massive, isn't it?
05:49Like, I don't know, uh, Magic 8-Ball in the 70s or Tamagotchi in the 90s.
05:55I literally have no idea what you're talking about.
05:58What you do is so now.
06:02Okay?
06:03I mean, everyone's mad into murder these days and the way they want it is podcasts.
06:08The buggers can't get enough of it.
06:10You do a podcast?
06:12About us?
06:13Yes, Harry, it's called The Wild Files.
06:17Sorry, Fergus, would have tried to get your name in there, but, uh, well, Petra thought
06:21it'd scan better without.
06:23Hell of a head for marketing, that girl.
06:25Well, well, well, so we meet again.
06:29You're writing a book about us.
06:30About you?
06:31Absolutely not.
06:32My detectives are the fruits of my vast imagination.
06:35A retired professor?
06:37History professor.
06:39Couldn't be more different.
06:40Although, if you want to get in on a bit of signing action, we stop right now.
06:46This is ridiculous.
06:47No more books.
06:48And no more podcasts.
06:50Oh, come on, Harry.
06:52Be reasonable.
06:53This could be great for you guys.
06:55Bring in new clients.
06:57I mean, new cases aren't just going to drop out of the sky.
07:02Oh, dear.
07:06Somebody just killed me.
07:07Oh, dear.
07:10Good afternoon.
07:29Good afternoon.
09:27Holly Riley headed securely.
09:28Trevor, get something to cover this up.
09:30Well, may I suggest you close all the doors until the guards get here.
09:33No one in or out.
09:34Yeah.
09:35Good idea, Harry.
09:36Oh, you're with him, are you?
09:37No.
09:38Then no.
09:38You cannot suggest any such thing.
09:40Do you realise how many people we have coming in and out of here?
09:42Yes.
09:42One of them may be a murderer.
09:44So it is a murder.
09:46Oh, my.
09:47And you are?
09:48Sorry, Mary O'Driscoll.
09:49I'm the event organiser.
09:50And look, don't get me wrong.
09:52It's awful what happened.
09:53It's just awful.
09:55But an actual murder at a crime convention.
09:58Do you know how much publicity we're going to get?
09:59Look, my son's a guard.
10:02I'll get him here as soon as I can.
10:04But in the meantime, if there's a chance that the killer is here, we have to do everything
10:08we can to stop him from leaving.
10:10Well, we don't even know if this is a murder yet.
10:12And we'll find out.
10:13But right now, we're wasting time.
10:15Ooh.
10:17Barbara.
10:18Oliver, hello.
10:19Do listen to what Harry has to say.
10:21She's awfully good at this sort of thing.
10:23Oh, you know her too.
10:25Well, that's different.
10:27Trevor, I want you to get all the guys, lock the main entrance.
10:30Then get Keith and Andy, lock the east and west doors.
10:34No one gets in or out.
10:35Got it?
10:37Which one am I supposed to do again?
10:38Oh, for the love of God.
10:40Just get all the guys and lock all the doors.
10:44I don't know how he got a job here.
10:46I suspect he's someone's relative.
10:48Right.
10:49Barbara.
10:50You better come with me.
10:51I'm going to make a cordon around the crime scene.
10:55Come on.
10:56Move back.
10:56Come on.
10:58What have you done to annoy him?
11:01Me and Ollie go back donkeys.
11:03Can't remember why we fell out, to be honest.
11:05Although, I did once try and sell him a house that turned out not to be mine.
11:10Honest mistake.
11:11Do you recognize her?
11:14No.
11:15Who is she?
11:15Well, there's something about her face that's very familiar.
11:18I just...
11:19I just can't think where from.
11:22Anyway, uh...
11:23If you're phoning to see how things went with Marcello, don't bother.
11:31He never showed.
11:32Oh, you're kidding.
11:33I don't know why I even agreed to meet him.
11:35Well, as useless as he is, he is your father, Charlie.
11:37Yeah, well, listen.
11:40I'm late for a meet with Vivian, so I got her.
11:41They'll have to wait.
11:42We have a situation here, a dead body.
11:44Jesus, mother.
11:46Mother.
11:46Mother.
11:46Mother.
11:46Mother.
11:46Mother.
11:47Mother.
11:47You shouldn't be allowed out the door.
11:49Where are you?
11:49At the true crime convention.
11:51Got it.
11:52You know the routine.
11:53Don't touch anything.
11:54Blah, blah, blah.
11:56We'll be there as soon as we can.
11:59I'll try upstairs.
12:02Uh, didn't Charlie do as usual and tell you not to touch anything?
12:04Of course he did.
12:06So, Tina.
12:10I know her from somewhere, but where?
12:13Right, we're all locked up.
12:14You call your son.
12:16Yes, he's on his way.
12:17Right, what do we do now?
12:18Do we shut down the events?
12:19No, no, you can't.
12:21So, she's right.
12:22There are hundreds of people here.
12:23The news will spread, but we need to keep it as quiet as possible for as long as possible.
12:27Oh, really?
12:27Because I was about to do a tweet.
12:28No tweeting.
12:30Any event that is scheduled must continue.
12:33If you cancel anything, people are going to try and leave, and they'll realize that they can't.
12:38You know, Charlie will be here.
12:39He'll tell us what we need to do next.
12:41You must have security cameras all over the place, right?
12:43Pretty much.
12:44Why?
12:45Can we have a look?
12:47Nodded.
12:48No problem.
12:50Hello.
13:03I'm sure he won't be long.
13:14I understand you're getting married soon.
13:18Yes, that's right.
13:20In Caircdoon.
13:22Oh.
13:24I have a holiday home down there.
13:26Oh, I believe the Taoiseach does too.
13:31He does?
13:33So, when is the big day?
13:36Next month.
13:37The 5th.
13:39Oh.
13:40I'll be down there then.
13:41You must come.
13:50Apologies for my lateness, but we're going to have to reschedule.
13:53Just got a call from my, uh...
13:55Just got a call.
13:58There's been a death at the convention centre.
14:00Vicky, rally the troops.
14:02Are you okay?
14:15You remember I had a go at you for inviting Harry to the wedding?
14:18Uh-huh.
14:19Well, I've just accidentally invited the deputy commissioner.
14:23Come on.
14:24Yeah.
14:24Come on.
14:32Uh, okay.
14:35I know I'll take a minute.
14:37I won't be long, but I just need you to be a little bit patient.
14:40Okay?
14:41Okay.
14:41There.
14:45There.
14:46So, it's a fake you and a fake me.
14:55I think we're not at a camera range.
14:57Yeah, but they're about to come into range here.
15:02Oh, there's no cameras on the gantry.
15:06Fast forward to see if he comes back down again.
15:10He makes sure to keep turned away.
15:13There.
15:13He's going in there, and, oh, we are in luck.
15:17The killer can only go one way into the theatre here.
15:21He's still in there.
15:22I never wanted to be a hero.
15:32Oh, I just wanted to be your man.
15:38But when they came calling, I knew I had to make a stand.
15:49Stand up for what is right.
15:54Never back down from a fight.
15:58But the bad man's out there, and he has to pay.
16:09Catch a killer, you say.
16:14Catch a killer, you say.
16:19Catch a killer, you say.
16:21Hey.
16:23Catch a killer, you say.
16:25Catch a killer, you say.
16:33Security.
16:34Catch a killer, you say.
16:35The killer changed and snuck out of here.
16:38Look, it could be anywhere.
16:41We've got to get out of here.
16:42Can we?
16:44You're interrupting my arse.
16:47Oh, my God, it's you.
16:50Everyone, this is the inspiration for my new single.
16:53This is Harry Wilde.
16:56That single is still available for purchase.
16:59Okay, that's enough of that.
17:01Move back.
17:02Move.
17:03Move.
17:04Move back.
17:07Can I borrow that?
17:12There's no way to know which one is the killer.
17:27The dead woman, Tina Mulcahy.
17:30She's from Kilmercross.
17:32The nuns?
17:33That's it.
17:34The pub where we met Jenny, Sister Ignatius.
17:38She was the barmaid.
17:39So, what are you doing down here?
17:42The sights, the ambience, the peace.
17:48Yeah.
17:49That's a weird coincidence.
17:51Indeed.
17:51And I don't like coincidence.
17:57Lovely.
18:02Right.
18:02Hello, everybody.
18:04Thank you for coming.
18:05For those of you who don't know who I am, my name is Graham Lannigan.
18:08I'm a gardener by trade, but I have a little podcast on poison.
18:13Plant-based poisons.
18:16The rhododendron and azalea, two very common houseplants and both potential killers.
18:22Let me tell you about mad honey or graianotoxin poisoning.
18:27Its effects are not too serious generally, but for some people, those who have underlying
18:36health issues, it could be dead.
18:39I don't think so.
18:42Oh, oh, oh.
18:52Oh, oh, oh.
18:56Oh, oh, oh, oh.
19:00windows.
19:01Oh, oh, oh.
19:02Oh.
19:03Oh, oh.
19:06Who's the victim?
19:14I was assuming you two haven't been idle.
19:16If only.
19:16We have victims now, Charlie.
19:18What?
19:19We have two dead bodies.
19:20Yeah, first one you weren't sure it was murder.
19:21Could have been an accident.
19:22Second one was poison, so no doubt now.
19:25Any suspects?
19:25Oh, the woman who organized it all seems very happy about there being a possible murder.
19:29This is Ollie Riley.
19:31He's the head of security here.
19:32Chief Superintendent Charlie Wilde.
19:34Ollie secured the place after the first death.
19:36We weren't sure if the killer was still in there, but clearly he or she is.
19:41Good man.
19:41We're going to take charge of the venue now.
19:43Go with my officers.
19:44Give them what they need.
19:45No problem.
19:46We'll start a search, but do we know who we're looking for?
19:49Let's start with this organizer.
19:50Well, hello, Chief Superintendent.
20:05And in uniform this time.
20:07I do like a man in uniform.
20:10Charlie.
20:11Remember Barbara, right?
20:12Of course.
20:13Good to see you again, Barbara.
20:15The, um, organizer, what's her name?
20:19Mary O'Driscoll.
20:20Do we know where she is?
20:21There.
20:24I'm acting weird.
20:39Any reason you want to leave?
20:41I wasn't trying to leave.
20:41Well, why were you trying to pick the lock then?
20:43I was trying to let people in.
20:45Look, word is spread about what's happening.
20:47Keeping paying customers out is costing me a fortune.
20:50Bring her upstairs.
20:52This way.
20:56Okay, who are the victims?
20:57Bring me up to speed.
20:58The first one is Tina Mulcahy.
21:00She was a barmaid in Kilmacross.
21:02Kilmacross?
21:02That's...
21:03Yes.
21:03Relevant?
21:04Not sure yet.
21:05Second one, Graham something.
21:06Celebrity gardener.
21:07All right.
21:14Events were still going on after the first death.
21:19No, we thought it was best to keep people distracted until you got here.
21:22Tell them about the second victim.
21:23Oh, um, Graham Lanigan.
21:29He was a guest speaker.
21:31A gardener.
21:31Does a podcast on poisons.
21:34He was talking and he just dropped dead.
21:35Was this what he was talking about?
21:38Uh, yes.
21:40I think so.
21:41What is it?
21:42Well, do you remember we came home recently and we found one of these on the doorstep?
21:45That's odd.
21:47No note.
21:49A bit weird, isn't it?
21:51Who sent you those?
21:53Yeah.
21:54Yeah, I remember that.
21:55Tina Mulcahy, I mean, it may be a coincidence, but now, I mean, I think there's something more
22:00going on here.
22:00It's just the plant, Mother.
22:02Oh, wait.
22:03I think Harry's right.
22:05You remember you told me about that weird phone call you got?
22:08Creepy child reading an extract from a badly written book.
22:11Her third hand has always been useful.
22:14It was ambidextrous and she could have held her gun in it.
22:17And then the police didn't know if her victim had been shot by a right hand.
22:21Yes, so?
22:22Well, there's someone here who writes very bad literature.
22:27Barbara, have you ever written about a three-handed woman?
22:32Oh, yes, indeed.
22:34The mystery of the threadbare sock.
22:37Absolute page-turner.
22:38One of my Winifred Womble series.
22:40Some say the greatest literary detective ever created.
22:43Mmm.
22:44I think Barbara is a potential victim.
22:48The killer's obviously been planning this for weeks.
22:51Yeah, but to what end?
22:52To get to you.
22:54Us?
22:55I mean, we've put plenty of people behind bars.
22:58Even if they are still inside, they have family, friends, people.
23:02I mean, maybe somebody's looking for a payback.
23:04This is very elaborate for a payback.
23:06Well, maybe their dog told them to do it.
23:08The point is, we need to get Barbara to safety.
23:11And we need to figure out what all this means.
23:14I have a safe room I could take her to.
23:15Okay.
23:16We'll get you out of the venue as soon as I can arrange transport.
23:18You and Fergus should go too, ma.
23:20No.
23:21No, the killer's here.
23:23I mean, if we leave, there's no reason for him to stay.
23:25I mean, right now, we have an advantage.
23:27This is so exciting.
23:29I mean, it's terrifying, but it's exciting.
23:31I can feel a whole new series of books coming on now.
23:34Okay, so the plant, the phone call, and the taxi driver.
23:37Anything else weird happen?
23:40I don't think.
23:41What is it?
23:45I think you need to examine the body.
23:47We need to wait till crime scene.
23:48Just look in his mouth.
23:49I think you're going to find a coin there.
23:51Like the coin toss killer?
23:53You remember that night when we came back after Mick Brady was arrested?
23:56Well, I found a coin on the doormat.
23:59I didn't think anything of it, but...
24:18Shit.
24:23Mick Brady's still in jail.
24:24I was dealing with paperwork about him this morning.
24:26I told you there was a second killer.
24:29You better take a look at Tina.
24:30You're going to find another coin there.
24:32Hold on.
24:35If there is a second killer,
24:37and he or she has been planning this for weeks,
24:40Graham and Barbara were both booked to speak at this convention,
24:43so the killer could have known about that.
24:45And Tina was a punter,
24:47so maybe she knew the killer when she came here with them,
24:50but how would the killer have predicted that we would be here?
24:53Well, you're the one that brought me here.
24:55How did you hear about it?
24:56Well, Petra's sister told me about it.
24:58Receptor?
24:59Yeah.
24:59Ladies and gentlemen,
25:06if I could have your attention.
25:08We're going to get you out of here as quickly as we can,
25:10but to do that,
25:11we're going to need names and addresses.
25:13I want two orderly queues starting here.
25:15The guards will take your details.
25:18Right.
25:18This way, please.
25:22Don't worry, Barbara.
25:23No one will get to you here now.
25:26I know killers.
25:27I've written enough of them once.
25:29They've set their sights on the prize.
25:30Nothing will stop them.
25:31Yes,
25:32but he's going to have to go through me first.
25:34Well,
25:34you're very sweet.
25:35I shall be Sir Reginald Huntley Shapiro to your Lady Astrid.
25:39You've read one of my books.
25:40I have read all of your books.
25:44All 206 of them?
25:46Multiple times.
25:47I am a big fan.
25:49She never said anything when you were a client.
25:53I didn't want to come across as some sort of weird stalker.
25:56But you're not.
25:57Are you?
25:58No.
25:59Really.
26:00What?
26:01Which one's your favourite?
26:03Well,
26:03I love them all.
26:04And I'm particularly fond of Winifred Womble,
26:06of course.
26:07Who isn't?
26:09But if I had to pick one,
26:11it would be the cherry blossom of Hurstmont Hall
26:15when Sir Dennis races Captain Northumberland,
26:17even though he's been blinded by his musket misfiring
26:19so as to stop him from flogging Emily's father.
26:22I can't help tearing up.
26:24Glenn.
26:50Glenn.
26:51Glenn!
26:52I wasn't doing nothing.
26:53I was going to put it back.
26:54Where's Concepter?
26:56Oh,
26:57she went for more supplies.
26:59Well,
26:59why's she not back?
27:00Talk of the devil.
27:01Says I'm outside.
27:02Guards won't let me in.
27:04I'm on it.
27:05Um,
27:06that was Mr. Riley.
27:08Miss Quinlan has remembered something important.
27:10Says she needs to talk to you right away.
27:12Fergus,
27:13why don't you go with Charlie
27:14and I'll find out what Barbara wants.
27:15Let's meet back here.
27:17I'll take you to where they are.
27:21I'll keep an eye on this stuff.
27:22Open it up.
27:31Let her in.
27:32What's going on?
27:33Why am I not loading?
27:34Concepter,
27:35this convention,
27:36why did you mention it to me?
27:38Did you want me and Harry here?
27:39Of course I did.
27:40There's been Petra's playing all along.
27:42You're behind us.
27:42Of course I am.
27:44And you're my little puppets.
27:45I'm so confused.
27:46Are you the killer?
27:47What?
27:48Don't be so idiotic.
27:49But then why did you do any of this?
27:51Petra told me to.
27:52She left very strict instructions.
27:54See,
27:54she got talking to a fella in the goose one day
27:56and he's the one who told her
27:57how much money you can make
27:58from podcasts and stuff.
28:00Plus,
28:00he assured her he could get her spot
28:01at this convention.
28:02What guy?
28:03Do you have a name for him?
28:04And how could he get you in here?
28:05He works here.
28:06It's a security guard.
28:08Trevor.
28:10Let's go.
28:11Text Glenn.
28:11Tell him to meet us on the way.
28:12Did he tell you what Barbara
28:15wanted to talk to me about?
28:17No.
28:17I don't think Mr. Riley likes me very much.
28:20He thinks I got this job through nepotism.
28:22But I didn't.
28:34Em,
28:35what are you doing here?
28:36We were just...
28:36Well,
28:37I think I can see what you were just...
28:39Why did you call me up here?
28:41What do you mean we didn't call you up here?
28:43What?
28:43Trevor, Tom.
28:46How does no one know where this safe room is?
28:48I think that's just what Ollie calls it.
28:50It could be anywhere.
28:51Look,
28:51he's not going to be seen on these cameras.
28:53He's too clever for that.
28:54When he killed Tina Mulcahy,
28:56he didn't let himself be seen, okay?
28:58He knew where the cameras were.
29:00Suspect identified a security guard,
29:01Trevor Purcell.
29:02I want this place taken apart brick by brick.
29:05He's got my mother.
29:09You?
29:11But you're a moron!
29:13See?
29:14I told you he didn't like me!
29:17Probably likes you even less now.
29:20You.
29:22You and Mick Brady, how?
29:24Who's Mick Brady?
29:26Killed people on the flip of a coin.
29:29And this is...
29:29his partner?
29:31I was more his mentor.
29:33I taught him everything he knows.
29:35But he's, what,
29:3620 years older than you?
29:37So we were unconventional.
29:38Are you related?
29:40No.
29:41He gave me a lift in his truck one day.
29:44I was going to kill him,
29:45but the coin had other ideas.
29:47The coin knows, you see.
29:50Is it a magic coin?
29:51No.
29:52So you did all this?
29:55Tina Mulcahy?
29:56Graham Lanigan?
29:57Barbara?
29:58Just to punish me?
29:59Events were still going on
30:14after the first death?
30:15No, we thought it was best
30:16to keep people distracted
30:18until you got here.
30:19Tell them about the second victim.
30:21Graham Lanigan.
30:23He was a guest speaker.
30:24A gardener.
30:25Does a podcast on poisons.
30:27He was talking
30:27and he just dropped dead?
30:30Why Tina?
30:31Or Graham?
30:32Or Barbara?
30:34It's the coin.
30:36It's always the coin.
30:37It's the inherent beauty
30:38of chance.
30:39I could have killed you
30:40quick or slow
30:41or not at all.
30:42The coin chose
30:43to do it like this.
30:44I don't get it.
30:45You don't get it
30:46because it's nonsense.
30:47No need to be rude.
30:49Sure, it's not for everyone.
30:50Same as Catholicism.
30:51Well, it's hardly a religion.
30:53It makes more sense
30:53than most religions.
30:55After you got Mick,
30:56I followed you for a while.
30:57I was there
30:58when you're at the convent.
31:00I was watching you.
31:02You know who they are,
31:03don't you?
31:04That's Harry Wilde
31:06and Fergus Reid.
31:07They're always in the newspapers
31:08solving mergers.
31:10I love a bit of true crime.
31:13There's a convention
31:15going to be on in Dublin.
31:19Rude.
31:19So tell me more
31:41about this convention.
31:42It sounds interesting.
31:43Got anyone to go with?
31:46You mind?
31:46Tina was easy enough.
31:51Lonely.
31:52It was simple to convince
31:54it a dress like you
31:54and your partner.
31:57Why Graham or Barbara?
31:59Once the coin decided
32:00that we were coming here,
32:02I looked at the guest list.
32:03Barbara was obvious enough.
32:06She had a connection
32:07to you already.
32:08There are 16 guest speakers
32:10here today.
32:12It could have been
32:12any one of them.
32:13The coin chose Graham Lanigan.
32:15Oh, it's only as good
32:16as the question you ask it.
32:17It's mostly binary,
32:19so it's yes or no.
32:20That's where you're wrong.
32:21I was raised by the coin.
32:23My father lived by it
32:24since the 60s.
32:26The coin spoke to him
32:27in an LSD fever dream.
32:30I don't think being off your tits
32:31is a solid basis
32:32for starting a religion.
32:34The coin has
32:35a mischievous personality.
32:36Well, the coin
32:37doesn't have a personality.
32:38It's a coin.
32:39It's all in your head.
32:46You're little more
32:47than a Batman villain
32:48without the interesting
32:50facial scarring.
32:52And you
32:52are not much fun anymore.
32:56Let's get this over
32:57and done with, shall we?
33:02This place is too big, Charlie.
33:03We're never going to find them.
33:04You've got a better idea.
33:06I'm all ears.
33:11It's Harry.
33:13You won't get away with this.
33:15That's up to the coin.
33:16You're off your rocker.
33:18That still doesn't tell us
33:19where they are.
33:20Keep listening.
33:31The coin likes you.
33:34The coin doesn't either
33:36like or dislike Barbara.
33:40It doesn't have an opinion.
33:41It's a coin.
33:44After you caught Mick,
33:45I was going to vanish.
33:47Call it a close one
33:48and leave before
33:49he told the guards everything.
33:51But the coin had other ideas.
33:54The coin knew Mick wouldn't blab.
33:56The coin spoke to you?
33:57You speak coin?
33:58Yeah, I speak coin.
34:02Heads Mick will blab,
34:03tails he wouldn't.
34:04It was tails,
34:05so I knew he wouldn't squeal
34:06to the guards.
34:06Oh, you've got lucky.
34:09Did the coin tell you
34:10to bring us up here
34:11to the old staff room?
34:13I'm on it.
34:14Hey!
34:15No.
34:16They're in the old staff room.
34:18Ask one of the security guards
34:19where it is.
34:19Take the east staircase
34:23to the top of the floor,
34:24end of the corridor.
34:28You flipped for Barbara
34:30and the coin let her live.
34:34Well, she knows who you are.
34:36Everyone knows who you are.
34:39I think the coin
34:40has turned on you.
34:41That's not how it works.
34:44Are you sure about that?
34:45Have you...
34:46Have you ever asked the coin?
34:50Have you ever asked the coin
34:51if it wants you to stop killing?
34:54Heads you stop.
34:56Tails you carry on.
34:57I told you.
34:58I think you're scared.
35:03I don't think that
35:04your belief system
35:06is as strong as you'd like
35:07to pretend.
35:08I think you're like
35:08one of those
35:08evangelical Christian preachers
35:10that talks a big talk
35:12and has a string
35:13of secret mistresses.
35:18Go on.
35:20Ask him.
35:22Heads you stop.
35:25Tails you.
35:26You carry on.
35:28Okay.
35:39Shit.
35:41Best of three.
35:47Ha ha.
35:48Coin has spoken.
36:14Don't.
36:18Don't.
36:23Don't.
36:25Did you get everything logged?
36:48Not yet, sir.
36:49Okay, let's get on that.
36:52Search.
36:53Good to see you, Robbie.
36:56Charlie, I am sorry.
36:59In another life.
37:08Oh, my God.
37:10Come on.
37:18At last.
37:19Oh, no.
37:20What?
37:21Look, I've had a hell of a day, and I don't have the energy for you.
37:25Okay, okay.
37:27I tell you the truth.
37:28Yeah.
37:28Look.
37:29Yes, there is a capo involved, but I didn't so much stand up to him as sleep with his wife.
37:37Of course you did.
37:38I took a necklace that he belonged to his nun.
37:42Oh.
37:43Oh.
37:45Sex was nothing, was meaningless.
37:47He doesn't even like his wife that much.
37:50But, listen, he's here.
37:52He's in Dublin.
37:53He was at my hotel.
37:56I only just got away.
37:57Well, clearly, it wasn't meaningless to him.
37:59So, why are you telling me this?
38:01What do you expect me to do?
38:02Talk to him.
38:04Convince him to let me go.
38:06You are the smartest person I know.
38:09Well, give him back the necklace and beg for forgiveness.
38:13I would, but I kind of lost it in a card game.
38:16Oh, my God.
38:19I've seen three dead bodies today, and a serial killer tried to kill me, and you are the worst part of my day.
38:27That's earthful.
38:28You know, you've always been this way.
38:31You cheat, you steal, you let people down, and you know what?
38:35I have zero fucks left to give when it comes to you.
38:40Harry.
38:41Harry, you don't mean that, right?
38:44Harry.
38:46Harry.
38:51Harry.
39:16Harry.
39:18Harry.
39:19Harry.
39:19Harry.
39:19Harry.
39:21Harry.
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