Stranger Things - Season 5 Episode 04- Chapter Four- Sorcerer
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00:00:00Hey, I know you're scared, and I know you're angry, but I promise you, we are here to help you.
00:00:20Derek, Derek.
00:00:22If you keep doing that, you're just going to hurt yourself.
00:00:24You just calm down so we can talk, okay?
00:00:27Do you know who I am?
00:00:31An evil child kidnapper.
00:00:34Okay, I understand why you would think that, but I'm not evil.
00:00:39I'm just a mom, a regular mom.
00:00:42That's my son, Will.
00:00:45Zombie boy.
00:00:47You know why they call him that?
00:00:48Because he died and came back to life.
00:00:50But what people don't know is that when he went missing, he was taken by a terrible, scary monster.
00:00:58And now that scary monster is after you.
00:01:01Yeah, I know.
00:01:02Mr. What's It told me.
00:01:03Which is why you need a...
00:01:04No, no.
00:01:05Mr. What's It is not who he says he is, okay?
00:01:09He is lying to you.
00:01:10All these monsters, they work for him.
00:01:12Now, that's why we took you here to this barn.
00:01:14We thought this barn was safe, but he's found us, so we have to move you again somewhere he can't find you.
00:01:19So if I untie you, will you cooperate and come with us?
00:01:25Please?
00:01:27Okay, great.
00:01:29You're a very brave kid, Derek.
00:01:31I want you to know that.
00:01:33Very brave kid.
00:01:34Let me go!
00:01:43Get off of me!
00:01:44Please, the door!
00:01:45Get the door!
00:01:46Let me go!
00:01:47Help me!
00:01:49Get away!
00:01:51Somebody help me!
00:01:52Get in there!
00:01:53Get away from me!
00:01:54Let me go!
00:01:56Mom, the rope!
00:01:57I need the rope!
00:01:58Don't fool me!
00:01:59Let me go!
00:02:00Easter!
00:02:04Come try us, dipshit!
00:02:06Shit!
00:02:18Dude!
00:02:19Oh!
00:02:19She's not lying to you, okay?
00:02:21Mr. What's-It is a very bad guy.
00:02:22He sent the monsters after you.
00:02:24Suck my fat one!
00:02:26Jesus, what?
00:02:27You just signed your death warrant, dipshit!
00:02:29You're just a psycho and you're going to jail!
00:02:31There is a monster coming.
00:02:33I couldn't, I COULD.
00:02:34Derek, please!
00:02:35You got him!
00:02:36I'm killed!
00:02:37I'm not listening!
00:02:38I'm absolutely out of order to stand.
00:02:40I'm getting mad.
00:02:41I'm trying to come.
00:02:42I'm trying to kill you.
00:02:43I'm trying to kill you.
00:02:43I'm trying.
00:02:44I'm trying to kill you.
00:02:44I'm trying to kill you.
00:02:45I'm trying to kill you.
00:02:45I'm trying to kill you.
00:02:50I'm trying to kill you.
00:02:51You're gonna have to come through me
00:03:21You're gonna have to come through me
00:03:51It flipped, it headed back towards us
00:04:04Come on, what are you doing man, we gotta turn around
00:04:06Wait, the gates are kinda like peanut butter boppers, right?
00:04:08What?
00:04:09The outside is like crunchy and tough
00:04:11But then you bite down on it, it gives way to a gooey, creamy core
00:04:14Dude, what the hell are you talking about?
00:04:16I drive fast enough, I think the Beamer can punch a hole straight into the gate
00:04:18And then we can track the demo on its home turf in the upside down
00:04:22Follow it straight back to home
00:04:23We're losing the signal
00:04:24We're not gonna be able to follow anything if we crash
00:04:26We're not gonna crash if it's like a bopper
00:04:28It's almost gone
00:04:29Do it
00:04:32Oh my god
00:04:38I got it, I got it
00:04:40Oh god
00:04:42It's not gonna work, it's not gonna work
00:04:43We're not gonna make it
00:04:44It's not gonna work, it's not about to stop
00:04:45Oh my god
00:04:48Come on
00:04:49You did it
00:04:58Signal
00:05:02What's wrong?
00:05:05Oh my god
00:05:06Get you son of a bitch, we got you
00:05:08Will! Will! Will!
00:05:10Will! Will!
00:05:11Will! Will!
00:05:28I got you! I got you!
00:05:41I got you!
00:06:11I got you!
00:06:42Uh, hockety-pockety?
00:06:45Oh, yes, yes, that's right.
00:06:47Hockety-pockety-wockety-wack.
00:06:48Cards and ends and prick your brain.
00:06:50We'll be with you in just a minute, sir.
00:06:51Patton's almost done.
00:06:57Shush!
00:06:59Jelly!
00:06:59Alan Miller?
00:07:08I'm sorry, what is this about?
00:07:11It's your daughter, sir.
00:07:12Oh, bello!
00:07:15I'm sorry.
00:07:20I'm sorry.
00:07:21I'm sorry.
00:07:23I'm sorry.
00:07:23I'm sorry.
00:07:24Looks like our boy's taking us on the shortcut through our own cemetery.
00:07:46That's the most of the county lying.
00:07:47Yeah, doesn't this thing ever get tired?
00:07:49Unfortunately, it looks like the opposite.
00:07:51I think he's speeding up.
00:07:52Wait, what?
00:07:52We're losing the signal.
00:07:54You've got to be shitting me, man.
00:07:55Can you go faster?
00:07:56Let's see.
00:08:00Henderson, you've got to talk to me here.
00:08:02What do you got, man?
00:08:03Henderson!
00:08:03Wait, I'm picking up some interference.
00:08:05How is that important right now?
00:08:06It means I can't hear the signal.
00:08:07Well, then listen harder, Henderson.
00:08:09You want to try to put these on?
00:08:10I'm driving here.
00:08:11You do the driving.
00:08:12I'm driving, man.
00:08:13What is that?
00:08:14I don't know.
00:08:15Steve, slow down.
00:08:18Steve!
00:08:18Steve, watch out!
00:08:20Steve, slow down!
00:08:22Steve!
00:08:22Jonathan, it's mom.
00:08:29Answer me, please.
00:08:30Over.
00:08:32Jonathan, please answer.
00:08:34Jonathan, Nancy, Dustin, it's Joyce.
00:08:38Please answer me.
00:08:40Hey.
00:08:41Any luck?
00:08:44Well, on the plus side, I guess that means they made it through.
00:08:46You want to see where they're headed?
00:08:48You want to see where they're headed?
00:08:53You want to see where they're headed?
00:08:54What is it?
00:09:02What is it?
00:09:07I don't know.
00:09:08But I could feel it's important to him.
00:09:27It's Mr. What's it?
00:09:31His real name is Henry.
00:09:32A.K.A.
00:09:33Vecna.
00:09:33A.K.A.
00:09:34One.
00:09:34That's too many names.
00:09:36Why won't you just zip it and listen, dipshit?
00:09:39I had this feeling he didn't want me there.
00:09:43I wasn't supposed to see it.
00:09:46You've never been this close to the hive mind before.
00:09:49I mean, that thing was, like, feet away.
00:09:53Sometimes at the squawk, when a signal comes in too strong, it overloads the whole system.
00:09:59I think that's what this was, an overload.
00:10:01You didn't just tap into the hive mind.
00:10:04You jacked right into the goddamn control center.
00:10:07And Holly.
00:10:08Where was Holly?
00:10:10Holly.
00:10:11Holly, she was attached to this spire.
00:10:17She became a part of it.
00:10:19Somehow, like, it was doing something to her.
00:10:23And there were others.
00:10:25There were three others.
00:10:30I thought Vecna was just coming for dipshit.
00:10:33So did I.
00:10:33But I only knew about Derek because he walked right past me.
00:10:39Serendipitous timing.
00:10:40You hear that?
00:10:41Serendipitous.
00:10:42I don't know what that means.
00:10:43I'm really not loving all of these extra spires.
00:10:46I mean, night one, Vecna kidnaps Holly.
00:10:48Night two, he takes three more.
00:10:50He's escalating.
00:10:51And he's coming for more.
00:10:52Yeah, eight more, if this is accurate, which brings him to a total of twelve.
00:10:56What does he want with them?
00:10:57And why kids?
00:10:58And why swell?
00:10:59I don't know.
00:11:00But we have to stop him before he takes any more and buy Dustin and the others' time
00:11:03to find this place.
00:11:04To find Holly.
00:11:05Maybe if we can pinpoint his exact targets, we could get them out of Hawkins.
00:11:09And out of Vecna's reach.
00:11:10Did you forget we're quarantined?
00:11:12That's not all.
00:11:13There's another problem.
00:11:14On the way here, we saw soldiers load Debbie Miller onto a bus with a bunch more kids.
00:11:18And then we followed them for two blocks more, and they loaded more kids onto it.
00:11:21I don't think they're taking them to school.
00:11:25Vecna's not the only one that wants these kids.
00:11:33Eleven was at the Wheeler house the same night Holly was taken.
00:11:37Twenty-four hours later, we've got three more missing kids.
00:11:40There's seventy-three children in Hawkins between the age of nine and ten.
00:11:44If the pattern holds, our next target will be from this group.
00:11:48And you believe eleven has taken these kids?
00:11:52For what purpose?
00:11:53Killing them, protecting them, the reason doesn't matter.
00:11:57And these children, where are they now?
00:11:58Arriving at the Max-Z any moment, which is where I want you.
00:12:02I should be looking for Lieutenant Akers.
00:12:03I find Akers, I find...
00:12:05You'll find a dead man.
00:12:07Report to the Max-Z, Colonel.
00:12:09That's an order.
00:12:10Major General.
00:12:20With all due respect, these kids are in danger.
00:12:23To use them as bait seems...
00:12:26Seems what, Sergeant?
00:12:31Reckless.
00:12:33It's only reckless if you fail to protect them.
00:12:38Are you telling me you can't protect them, Sergeant?
00:12:42No, ma'am.
00:12:46Good.
00:12:47I'm sorry for scaring you.
00:13:02I haven't seen anyone in a really long time, so...
00:13:08I guess I got excited.
00:13:13Good news is, it doesn't look that deep.
00:13:15Not enough for stitches.
00:13:16I bet it stings, though, huh?
00:13:19You can talk to me, you know.
00:13:24I won't bite.
00:13:26You do remember me, right?
00:13:31I've been to your house.
00:13:34Like, a lot.
00:13:38You're Max.
00:13:40Max Mayfield.
00:13:41You skateboard and never take off your Walkman.
00:13:44That's me.
00:13:44But how am I in here when I'm in a coma in Hawkins General?
00:13:50That's a very reasonable question.
00:13:54We should get going.
00:13:56It's not safe here.
00:13:57Come on.
00:13:58Where are we going?
00:14:00My home.
00:14:01Well, I can't go far.
00:14:02I came here to meet Henry.
00:14:03Do you know Henry?
00:14:04Yeah, you could say that.
00:14:05Well, he left me this note here, see?
00:14:07And he told me to meet him right here at the X, right here.
00:14:09I think he's in trouble with the monsters.
00:14:10Henry is a lot of things, but in trouble with the monsters is not one of them.
00:14:13No, but look.
00:14:13Look, the note says.
00:14:14Holly, I know what the note says.
00:14:15Then how do you know he's not in trouble?
00:14:16Holly.
00:14:16He said hurry!
00:14:18Holly, I know what the note says because Henry didn't write it.
00:14:20I did.
00:14:22I don't understand.
00:14:27I'm sorry.
00:14:29I didn't want to lie.
00:14:30I just had to make sure that you came here.
00:14:34You're one of them, aren't you?
00:14:37One of what?
00:14:37The monsters.
00:14:38Do I look like a monster?
00:14:39I don't know.
00:14:40Maybe you're in disguise.
00:14:41You're dressed weird and you're in a coma.
00:14:44Okay.
00:14:45Well, would a monster know that your brother tried to get a mohawk until your sister stopped
00:14:50him, saving him from possibly the greatest social humiliation that a freshman has ever
00:14:54experienced at Hawkins High?
00:14:56What color was this mohawk?
00:14:59Hot orange.
00:15:00And personally, I think the use of the word hot is a bit ironic, but people say I'm too
00:15:05negative.
00:15:06I just think I'm honest.
00:15:08Come on.
00:15:27Come on.
00:15:31Welcome.
00:15:41Hey, it even comes with a view.
00:16:02Where are we?
00:16:27Henry, in a memory, which exists inside a world of a thousand memories, I know it might
00:16:35look nice, but it's not.
00:16:38This place, this world, it's a prison.
00:16:43Henry's prison.
00:16:51Henry's prison.
00:16:51It's okay, sweetie.
00:17:05It's okay, sweetie.
00:17:19Henry, these are the good guys.
00:17:21They're going to keep everyone safe.
00:17:23Just try and think of this as a field trip.
00:17:27Mm-hmm.
00:17:28A learning expedition.
00:17:29Cargo has arrived.
00:17:43Cargo has arrived.
00:17:44I repeat.
00:17:45Cargo has arrived.
00:17:50They're taking them into a barrack second from the library.
00:17:53Tunnels.
00:18:02Tunnels.
00:18:02Tunnels.
00:18:07Yeah, see?
00:18:08The north tunnel of the Max Z runs right underneath the barracks.
00:18:12Lucky break.
00:18:13Well, I'm having one of these days.
00:18:14We're going to need a lot more luck if we want this plan to work.
00:18:17If we're right, the military is trying to protect these kids, so this barracks is going
00:18:20to be heavily guarded.
00:18:21I mean, we have to dig up into the barracks, unnoticed, grab the kids, get them to Murray,
00:18:25smuggle them out of Hawkins.
00:18:26All before anyone notices they're gone.
00:18:28Dick.
00:18:30What?
00:18:30What?
00:18:31Oh.
00:18:33Sorry, did I say that out loud?
00:18:34I thought I was talking in my head, but you guys know Tom, Dick, and Harry, right?
00:18:38Seriously?
00:18:41None of you have seen The Great Escape?
00:18:43Well, basically, it's about these POWs, right?
00:18:46And they're stuck in a barracks just like this one, and they need to escape, so they
00:18:50dig these tunnels, and they call their tunnels Tom, Dick, and Harry.
00:18:53They have to hide the tunnels from the Nazis, so they put Tom in this dark corner, and they
00:18:58put Harry under the stove, and they put Dick in the washroom, and personally, for us,
00:19:02I like Dick.
00:19:06Oh, um, sorry.
00:19:07The washroom.
00:19:08I actually don't even...
00:19:10Never mind.
00:19:11Okay.
00:19:11Say we go with Dick.
00:19:13How do we find the washroom?
00:19:15And how do we get the kids to it?
00:19:17How do we even know which kids are being targeted by Vecna?
00:19:19We use an inside man.
00:19:21Someone who could get into the barracks, measure the distance of the washroom, find out which
00:19:24kids have actually seen Mr. What's It, and somehow avoid the military altogether.
00:19:28Well, that's a lovely plan, but isn't it a tad...
00:19:31Mission impossibly.
00:19:32Yeah.
00:19:33I mean, Mike, who are you going to get to do this?
00:19:35Bond?
00:19:36Magnum?
00:19:36No, no, no.
00:19:37We don't want a super spy.
00:19:39We want the opposite.
00:19:39We want someone no one would suspect.
00:19:42Someone that could just walk in, no questions asked.
00:19:44The one kid the military failed to wrangle.
00:19:54What?
00:19:54Who's there?
00:19:55Who's there?
00:20:09Who's there?
00:20:10two grunts in the tower by the west gate one more in the tower by the east gate one two three four
00:20:33on the ground i hope to god you're right and vekna is in there because we might just die
00:20:38trying to break in i am right well you can't be right about everything because your theories
00:20:43aren't exactly lining up why not you heard kryptonite he's affecting us in there he doesn't
00:20:48have his powers if he doesn't have his powers how could you have anything to do with holly's
00:20:51kidnapping you can ask him before i kill him how high is that fence hey you're not jumping that
00:20:59why not because this is not training this is a real world situation and that roof is metal
00:21:06you hit that on a jump you can alert the whole damn base not if i time it with the thunder
00:21:12yeah it's seven seconds
00:21:15one two three four five six
00:21:26seven okay you got lucky
00:21:32hopper you copy dustin hopper you copy dustin hey hey uh it's hop i copy
00:21:42okay well they're alive
00:21:44uh el is el with you over yes i'm here over okay yay terrific i don't know what you're
00:21:52doing right now or if you could have been something important but dust meet us meet us at rhone
00:21:56cemetery church please rhone cemetery how the hell are you contacting us from there right
00:22:01you don't know we're in the upside down what long story short we're in here to track a demogorgon
00:22:07using our telemetry tracker only to then hit a wall literally now steve's beamer is stuck so we
00:22:11need el to come and pry it loose using her power so we can then resume the search for said demogorgon
00:22:15which will in theory lead us to holly does any of this make sense do you need additional details
00:22:19questions concerns over you hit a wall what kind of wall exactly
00:22:25uh it's a bit hard to describe
00:22:31sort of huge disgusting smells like henderson's armpit
00:22:38yeah we hit the same thing but not at the rhone cemetery we hit about a quarter mile southeast of
00:22:43the old hagen bridge that's the opposite side of town fascinating we don't know what it is but we
00:22:50think that holly's behind it don't bother trying to break through you you can't we're working on a
00:22:55solution solution what kind of solution wait what kind of solution popper listen we got to keep the
00:23:05airwaves clear all right we'll come get you just stay put you think they're safe i mean compared to
00:23:12us yeah okay let's go see if that training is paid home you're gonna let me jump let's go before i
00:23:23change what i'm on
00:23:32theknis curse it never goes away never leaves you with each victim that he took he created a new gate
00:23:41the gate to the upside down when he took me he opened the fourth final gate splitting hawkins in two
00:23:50minutes later
00:23:52wait but if mr what's it i mean henry took you how are you here you mean shouldn't i be dead
00:24:01it's okay it's a fair question i definitely should be and for a moment i was
00:24:10i don't know how long i was gone but then i felt something calling to me
00:24:20so
00:24:32ah
00:24:33No!
00:25:03No!
00:25:05No!
00:25:07No!
00:25:09No!
00:25:11No!
00:25:13No!
00:25:15No!
00:25:17No!
00:25:19One night only!
00:25:21Don't miss it! Tickets are only 50 cents!
00:25:23That's two quarters for your point, Dexter.
00:25:25Joyce!
00:25:27Is that stupid play of yours?
00:25:29Better see you there, Harrington.
00:25:31Friday night? You wish.
00:25:33Nice shot, jerk.
00:25:39Somehow,
00:25:41I was in another time.
00:25:43Hawkins.
00:25:4530 years ago.
00:25:47Time travel.
00:25:49Only,
00:25:51I wasn't actually there.
00:25:53Not really. I was just...
00:25:55an observer.
00:26:01And that's when I understood.
00:26:03I was trapped inside Henry's mind.
00:26:05His memories.
00:26:07Like a nightmare prison world ruled by an evil,
00:26:11psychopathic piece of shit.
00:26:13Like Camazots.
00:26:15Cam...
00:26:17What?
00:26:18Camazots.
00:26:19From Wrinkle in Time.
00:26:21Never read it.
00:26:22You should. It's amazing.
00:26:23Camazots is like this dark planet that's under the control of it,
00:26:25which is this giant disembodied evil brain.
00:26:27Anyways, Meg's dad makes the main character.
00:26:29He gets taken prisoner there.
00:26:31So, Henry's kind of like it, and you're kind of like Meg's dad.
00:26:34Okay, well,
00:26:36I don't know if Meg's dad would agree,
00:26:38but the way I see it,
00:26:40when you're a prisoner in a messed up prison world,
00:26:44you really only have a few doors open to you.
00:26:46Door one,
00:26:48you take your own life.
00:26:50Door two,
00:26:52accept your fate,
00:26:54or door three.
00:26:55You escape.
00:26:56I chose door three.
00:26:58That seems like the best door.
00:27:00So, I kept moving from memory to memory.
00:27:05Only this place is a maze.
00:27:09I became lost.
00:27:11Turned around.
00:27:13I got so turned around,
00:27:14I actually ended up right back at the beginning.
00:27:26And that's when I heard her.
00:27:32I heard Kate Bush.
00:27:33Is she one of your friends?
00:27:37You could say that.
00:27:42Music has a way of finding you,
00:27:44even in the darkest of places.
00:27:46Lucas had used it before,
00:27:48to reach me,
00:27:49to guide me out of Vecna's mind.
00:27:51Back to the light.
00:27:56So, this music was coming from Lucas.
00:28:06From the real world.
00:28:14Even after all this time,
00:28:16he hadn't given up on me.
00:28:18If you followed this music...
00:28:21Then what?
00:28:23Then it would lead me out of here?
00:28:25Back home?
00:28:30At least that's what I thought.
00:28:35Then...
00:28:40Everything went wrong.
00:28:55Hey!
00:29:10What the hell are you doing?
00:29:12Can't you read, kid?
00:29:14No trespassing.
00:29:15Right.
00:29:16I see that, officer.
00:29:18It's just...
00:29:19My school is missing.
00:29:20What's wrong?
00:29:21Move it.
00:29:22Holy shit!
00:29:23Are those laser blasters?
00:29:24Might just be.
00:29:25And the blaster, if you don't keep it moving.
00:29:26Move it!
00:29:27Holy shit!
00:29:28Are those laser blasters?
00:29:29Might just be.
00:29:30And the blaster, if you don't keep it moving.
00:29:31Boys...
00:29:32Boys!
00:29:33Can't get me!
00:29:34Boys!
00:29:36Can't get me!
00:29:37Boys!
00:29:38Boys!
00:29:39Boys!
00:29:40Boys!
00:29:41That damn?
00:29:42Boys!
00:29:43Boys!
00:29:44What?
00:29:45Boys!
00:29:46I can't get it!
00:29:47Boys!
00:29:48Boys!
00:29:49Boys!
00:29:50If you don't keep it moving.
00:29:56Boys.
00:29:57Can't get me.
00:29:58Boys.
00:30:01All right.
00:30:02Absolutely not.
00:30:04Whoa, whoa, whoa, whoa, whoa, whoa.
00:30:06This is private chat.
00:30:08You do exactly as he says.
00:30:10Got any questions, direct them to him.
00:30:12Where might I relieve myself?
00:30:18Breaking bar?
00:30:19Shovel.
00:30:22Five safety goggles.
00:30:25A surveyor's wheel and hold for applause.
00:30:33Santa's sleigh is ready for his reindeer.
00:30:36We got built-in benches, seat belts, foam padding.
00:30:40Everything a kidnapped child could desire.
00:30:43Foam padding.
00:30:44Don't want to break any eggs en route now, do we?
00:30:48I'm in.
00:30:49Do you copy?
00:30:50Repeat, I'm in.
00:30:51Do you copy?
00:30:52Yes, yes, we copy.
00:30:53We copy.
00:30:54Where are you?
00:30:55Bathroom.
00:30:56Backstall.
00:30:57Forty-five of my patients from the front entrance.
00:30:58Good job.
00:30:59Now round up anyone who's seen Mr. Wetted.
00:31:01Mr. Wetted.
00:31:02And we'll be there soon.
00:31:03And remember, you're not dipshit Derek.
00:31:06You're delightful Derek.
00:31:07Good night, Bulldare.
00:31:08Good night, Bulldare.
00:31:19Okay, once you get that gate open and I'm inside.
00:31:23You lead.
00:31:24You lead.
00:31:25That's right.
00:31:26And you?
00:31:27I will destroy your crypt tonight.
00:31:30Don't worry.
00:31:31Okay.
00:31:32Okay.
00:32:01All right, come on.
00:32:17Come on, you got this, you got this.
00:32:31Wait, you're too early, you're too early.
00:32:57God.
00:33:01Sorry.
00:33:07You trying to give your old man a heart attack?
00:33:10Nice job, by the way.
00:33:18Pop.
00:33:20Yeah?
00:33:24For what?
00:33:25For teaching me.
00:33:28And trusting me.
00:33:31Always.
00:33:38The day of reckoning has arrived.
00:33:41With this in mind, I've been sent by Mr. What's-It to gather the chosen ones.
00:33:45If you've been visited by Mr. What's-It, speak now.
00:33:47And when night falls, follow me to the latrine.
00:33:50And I will lead you to our savior.
00:33:52To safety.
00:33:55Derek's gone mental.
00:33:58Monsters are coming and you're all gonna die.
00:34:01Ha, ha, ha, ha, ha.
00:34:03Derek?
00:34:05Were you talking about Henry?
00:34:06Anywhere from Derek yet?
00:34:20Not yet.
00:34:22Just give him time.
00:34:23It hasn't been that long.
00:34:24I just can't get over the fact that the fate of the world rests on Derek freaking Turnbow.
00:34:31When you look in the mirror, do you see a Navy SEAL looking back at you?
00:34:34Sometimes people need someone to believe in them.
00:34:38And they can do amazing things.
00:34:41Your mom and Robin are getting along better.
00:34:44Well, it didn't hurt that mom scared off that demo.
00:34:48It saved Robin's life.
00:34:49Everybody's life.
00:34:50So, when your mom, when she had her axe, you could see her, like, through the demo's eyes?
00:35:00Yeah.
00:35:01And I was so close to the hive.
00:35:03It's like I could, I could feel what it was feeling.
00:35:06Like, like this anger.
00:35:08That I was still in there too.
00:35:10And I was afraid.
00:35:11I was afraid for my mom.
00:35:13You wanted to protect her.
00:35:14Yeah.
00:35:14But, but I, I, I just couldn't.
00:35:17It was like this, this scary movie you just can't turn off.
00:35:20Open sesame.
00:35:27Oh, well, have fun.
00:35:31Thanks.
00:35:33Are you positive you didn't?
00:35:35Didn't what?
00:35:35Turn off the scary movie.
00:35:37Protect your mom, not the other way around.
00:35:38I mean, no offense, I know she's badass and everything, but you know.
00:35:41Yeah, she's five foot three.
00:35:42Yeah, and Vecna likes to control the hive mind like a puppet master.
00:35:46So, maybe when you tap into the hive, you can pull the strings too.
00:35:49Except I'm not Vecna.
00:35:51You sort of are.
00:35:52You're trying to say that I'm evil and hell-bent on destroying the world?
00:35:56Totally.
00:35:57No, I'm just saying that, you know, you're like a wizard, like him.
00:36:00In D&D, Mike, not real life.
00:36:03True.
00:36:03In real life, you're more like a sorcerer.
00:36:05Because your powers don't come from a book of spells.
00:36:07They're innate.
00:36:08Listen, as far as crazy theories go, I've had crazier.
00:36:12And with Eleven in the Upside Down, we really need some magic up here.
00:36:15And with Eleven in the Upside Down, we really need some magic up here.
00:36:45Working on a solution?
00:36:55I mean, if Hopper has a solution to get through this and to get to Hawley, he should share it with us.
00:37:01No, I just say we ignore the old man.
00:37:03We keep moving.
00:37:04Look for a door or something.
00:37:06Yeah, and, um, just curious, uh, this door of yours, why it's soft like a peanut butter bopper?
00:37:11You got something to say, Boris? Why don't you just come out and say it, man?
00:37:13I'm just saying that maybe you shouldn't be making the calls from now on.
00:37:16It was not just his call. It was mine.
00:37:18Because it's my sister.
00:37:21And I agree with Steve.
00:37:23Okay, we can't just sit here.
00:37:25I don't know about a door, but this wall can't go on forever.
00:37:29There has to be a way around it.
00:37:31There isn't.
00:37:33This wall is a circle.
00:37:35A circle completely surrounding the Upside Down.
00:37:38Oh, yeah? And how exactly do you figure that?
00:37:40Because unlike you, I didn't sleep through Algebra 1.
00:37:42So my telemetry tracker picked up a weird frequency coming from the wall,
00:37:48and it took me a bit to place, but I've heard it before.
00:37:52Rather, we have.
00:37:53You remember when we were out looking for Hop and you heard that sound off of Irwin Road?
00:37:56Yeah, you said it was an interference.
00:37:58It was.
00:37:59But this interference, it wasn't coming from a military broadcast or an EMI.
00:38:03It was coming from this wall, which is important because that gives us three known locations.
00:38:08So I connected the dots, measured the midpoints, drew the perpendicular bias.
00:38:12All right, yeah, we're not your teachers.
00:38:15We don't need to see your work.
00:38:16We get it.
00:38:16You think it's all a big circle.
00:38:18I don't think I know.
00:38:19I triple-checked and my calculations are correct.
00:38:21Jesus, whatever.
00:38:22I still don't see how this gets us any closer to finding Holly.
00:38:25Because it's not about the circle.
00:38:26It's about the center.
00:38:30The DOE, the Department of Energy.
00:38:33That's...
00:38:33Hawkins Lab.
00:38:35What are the chances that the center of this wall just so happens to be in the very place
00:38:39where all of this started?
00:38:40Where the Upside Down was created?
00:38:42So the lab created the wall?
00:38:45No idea.
00:38:46But I think we should find out.
00:38:48Don't you?
00:38:56The music, it led me to a new memory.
00:38:59Only something was different about this memory.
00:39:03I was there.
00:39:03It was the day that Henry cursed me.
00:39:08It was his first memory of me.
00:39:11I know, as if this goddamn place wasn't heady enough, right?
00:39:15But I still had the music to guide me.
00:39:19So I followed it.
00:39:23And...
00:39:23It led me through new memories.
00:39:32Terrible memories.
00:39:33Let's go!
00:39:34Follow me...
00:39:35Into death.
00:39:37And it felt like they would never end.
00:39:57But then eventually...
00:39:58They did.
00:40:00It was...
00:40:02It was...
00:40:03The night that Bekna killed me.
00:40:07The night he took me prisoner.
00:40:15I finally found it.
00:40:16The way out.
00:40:23And I was so close.
00:40:47So close that I could feel his hand on mine.
00:40:50And it was like I was there.
00:40:56Like I was with him.
00:40:58In that hospital.
00:40:59No.
00:41:06No.
00:41:08No.
00:41:08Come on, come, darling, let me see your fear in the sea.
00:41:24No.
00:41:26No.
00:41:27No.
00:41:34Lucas!
00:41:36Lucas!
00:41:37Lucas!
00:41:39Lucas!
00:41:44Hello, Max.
00:41:49I ran.
00:41:53And I kept running.
00:42:05I'll never forget the look on his face that day.
00:42:17He was scared.
00:42:18More than scared.
00:42:19He was terrified.
00:42:20There's something about this cave.
00:42:21This memory.
00:42:22He won't come in.
00:42:23I'll never forget the look on his face that day.
00:42:25He was scared.
00:42:26More than scared.
00:42:27He was terrified.
00:42:28There's something about this cave.
00:42:29This memory.
00:42:30He won't come in.
00:42:31He won't come in.
00:42:32And here.
00:42:33I'm safe.
00:42:34So I turned it into my sanctuary.
00:42:37My home.
00:42:38I took door two.
00:42:39Shitty door two.
00:42:40Shitty door two.
00:42:41I accept your fate.
00:42:43No.
00:42:44I wasn't.
00:42:45I'll take this one.
00:42:46No.
00:42:47No, no, no.
00:42:48No.
00:42:49I don't see it.
00:42:50I can't fight.
00:42:51No.
00:42:52I saved myself.
00:42:53No.
00:42:54I can't find this way.
00:42:55No, I can't do it.
00:42:57Yes, I can't do it.
00:42:58I can't do it to the other side.
00:42:59No, please.
00:43:00No.
00:43:01No, you can't do it.
00:43:02No.
00:43:03You can't do it.
00:43:04It is.
00:43:05No.
00:43:06except your fate that was until you showed up and now door three is back
00:43:18escape i have a plan a plan to get us out of here and it's gonna take time more time than
00:43:27we have now henry will return to his house soon and when he does he cannot know that you're gone
00:43:33you you want me to go back there back to him back to henry no i i know it's scary but if you want to
00:43:41get out of here if you want to escape cam as odds this is the only way it's the only way
00:43:50tell me what i need to do
00:44:03wait wait hey hi
00:44:18do you um play any chance remember tammy thompson yeah isn't she that terrible singer
00:44:27yeah but in the ninth grade i thought that she sounded like whitney goddamn houston i mean the
00:44:35first time i saw her oh my god like time slowed down it was like a scene from some label movie
00:44:43you know her hair blew in the wind and she just looked perfect so goddamn perfect and uh it was
00:44:50right then and there that i knew she was the one that with tammy i would finally be able to be myself
00:44:57you know all of myself because there was always this part of me that kind of scared me you know
00:45:02but i thought that if tammy loved me all of me you know i wouldn't be so scared anymore
00:45:10and then he showed up steve the hare hanged out oh god you probably can't guess the rest
00:45:17tammy fell for him hard and my entire fantasy life with her along with the rest of my life
00:45:26pretty much imploded before my eyes i mean my grades plummeted i got grounded i had to stay home
00:45:31every weekend doing chores but then one day i was cleaning patch it out of my parents garage and i
00:45:36found this this this eight millimeter film reel you know and it was just from this silly movie that
00:45:40i made in the fourth grade but i got it up on the projector and all of a sudden i was looking at
00:45:46this little version of myself and that little me i could hardly recognize her you know she was so
00:45:53carefree and like fearless she just loved every part of herself and that's when it hit me
00:46:04it was never about don't have to him it was always just about me i was looking for answers in somebody
00:46:14else but i had all the answers i just needed to stop being so goddamn scared scared of who i really was
00:46:26once i did that i felt so free it's like i could fly you know like like i could finally be rock
00:46:37rockin around it hey guys take your time will you
00:46:46you finally hit dick hit the dick yep let's just hope it's not too hard if it is i'll soften it
00:46:59take me to k
00:47:29make a sound it'll be your last not if you understand
00:47:44come on let's go come on
00:47:51it's not working how do we get through i i don't have clearance i didn't ask if you
00:47:59have clearance i asked how do we get through you can't dr k your boss she got clearance
00:48:05i don't know i don't know thanks for your help plan b
00:48:29so
00:48:40Oh, my God.
00:49:10We're through.
00:49:40Oh, shit.
00:49:54Close your eyes and focus on your breathing.
00:50:04Breathe in and out.
00:50:07As you continue breathing, I want you to picture yourself on a beach.
00:50:12The water is blue, blue as a smurf.
00:50:15You listen to it lap the sandy shore, like a dog slurping from his bowl.
00:50:27It's called visualization.
00:50:30Mom does it when she's out of Valium.
00:50:32Mom does it when she's out of Valium.
00:51:02Mom does it when she is out of technology.
00:51:03What are you doing now?
00:51:04It's you.
00:51:04Oh, shit.
00:51:04Look at me.
00:51:06I'm going to show you what I'm saying.
00:51:09You're going to show you how to use a 교vation from a first year.
00:51:17Howdy.
00:51:36Feel the sand under your butt.
00:51:39It feels cool and soft.
00:51:42Time. There you go.
00:51:44Good job. Good job. All right.
00:51:48Hey, sweetie. What's your name?
00:51:52Debbie. Do you work for Mr. What's-It?
00:51:55Mr. What's-It? Oh, yes, of course.
00:51:58I'm one of his elves.
00:52:00You know, like a magic elf.
00:52:02Right here. A couple more steps.
00:52:22All right.
00:52:23Nice.
00:52:24Good?
00:52:24All right.
00:52:26Great job.
00:52:27Step-by-step.
00:52:28Shit.
00:52:44Shit.
00:53:14Eleven, I have been looking for you for a very long time.
00:53:30My name is Dr. K. I know who you are.
00:53:39I know who you've taken.
00:53:45And I also know that you and your men are going to die.
00:54:09What the hell?
00:54:25What the hell?
00:54:39What the hell?
00:54:55What the hell?
00:55:10What the hell?
00:55:15It's best not to struggle.
00:55:32The greater the perceived threat, the more aggressive its response.
00:55:45Miss Robyn, what about the others?
00:55:46Uh, just Robyn.
00:55:47And don't worry, they're right behind us.
00:55:49Something's wrong, isn't it?
00:55:50No.
00:55:51No, Siree.
00:55:52Everything is going exactly according to plan.
00:55:54Carol, I'm ready.
00:55:55Just with your dad.
00:55:56I'm ready with your dad.
00:55:57Hold it.
00:55:58Hold it.
00:55:59Hold it.
00:56:00Sorry, I have a plumbing problem here.
00:56:05Are you by chance looking for Mr. What's-It?
00:56:07Right through there.
00:56:09There's a little breeze in the air telling you to see it.
00:56:24You look up at the sky, searching for clouds, but all the-
00:56:45Mr. Watson?
00:56:47Yeah?
00:56:54Oh shit!
00:56:55Officer!
00:56:56Officer!
00:56:58Whoa, whoa, whoa!
00:56:59Hey, calm down!
00:57:00What's going on?
00:57:01Oh shit, balls!
00:57:02Good job, man!
00:57:03Lucas!
00:57:04We have been spotted!
00:57:05Oh no, no no!
00:57:06Just get him out of here!
00:57:09Ashley Clyde is a stitch!
00:57:26Open a goddamn door!
00:57:34So you're the reason...
00:57:37the reason she's been so hard to track.
00:57:41The thorn in my side.
00:57:45And after all that effort to hide her,
00:57:49you bring her here, of all places?
00:57:54Why?
00:57:56Why risk her life for the other?
00:58:01What do you know that I don't?
00:58:07It's actually holding back, if you can believe it.
00:58:15That heat you feel...
00:58:18weakens it.
00:58:24But in the cold...
00:58:26it thrives.
00:58:27I can stop it...
00:58:32but you're gonna have to start talking.
00:58:34You're gonna have to start talking.
00:58:36there's a little bit of a
00:59:03In your current state, I'm afraid that won't work.
00:59:24Well, not the sharpest, are we?
00:59:33You're too late. Cavalry's on its way.
00:59:49That's all right. I'll be quick.
01:00:03Grocery delivery.
01:00:06Where's everyone else?
01:00:08Coming.
01:00:11Come on, sweetie. Come on down. Come on.
01:00:16You get down here right now or a monster's gonna eat you.
01:00:21Open the door.
01:00:22Get out of the way.
01:00:25That goddamn power.
01:00:26I got you. That's good. Good, good.
01:00:39Hey there. Where do you think you're going?
01:00:41What are you doing?
01:00:57Hey. You gotta go. Oh, you gotta go. Come on.
01:01:04We're gonna get to the woods?
01:01:06That kryptonite shit can't get you there.
01:01:08We can't. We can't leave. We came for Henry.
01:01:12Hey, you take this compass. You're gonna follow it northeast.
01:01:15That'll take you to the graveyard.
01:01:16You're gonna find Nancy and the others.
01:01:18Whoa, whoa, whoa. Hey, hey, hey, hey.
01:01:20What is that?
01:01:22It's just a failsafe, okay?
01:01:23It's a failsafe.
01:01:25If anything happens, I gotta make sure that he goes down with me.
01:01:27No. No.
01:01:28It's the only way. It's the only way.
01:01:29I'm not gonna risk losing you.
01:01:31I will not risk it.
01:01:33Oh, no.
01:01:35I want you to know something.
01:01:35From here on out, I want you to know how proud I am of you.
01:01:40I am so proud of you.
01:01:41I am so proud of what you've overcome.
01:01:45I'm proud of who you are.
01:01:47No.
01:01:49No.
01:01:50No, Hopper.
01:01:52I love you, Jane.
01:01:54Hopper.
01:01:54Hopper.
01:01:55Hopper.
01:01:56Hopper.
01:01:57Hopper.
01:01:58Hopper.
01:01:59Hopper.
01:02:00Help her!
01:02:06Help her!
01:02:09Angel!
01:02:13Help her!
01:02:19Help her!
01:02:21Help her!
01:02:22Help her!
01:02:30I'm so sorry.
01:02:32I'm so sorry.
01:02:34All right, kids, come on, find a seat in the back.
01:03:04All right, okay, let's have some fun, huh?
01:03:11This is going to be great, huh?
01:03:13Okay, let's get our seat belts on, hmm?
01:03:15Safety first, come on, time's a-wastin', huh?
01:03:17Pretty comfy, huh?
01:03:19Not really.
01:03:20Oh, sorry.
01:03:22Robin, Lucas, do you copy?
01:03:24Over.
01:03:25Copy, it's Robin.
01:03:26Lucas, I copy!
01:03:28We've got a problem here at the Mac.
01:03:30What kind of problem?
01:03:31Let go of me, you asshole!
01:03:35You want to explain to me what in God's name is going on here?
01:03:37Get the hell off me!
01:03:38We've got five missing kids, sir.
01:03:40You've lost five kids?
01:03:41How is that possible?
01:03:42This woman...
01:03:43Joy Spires?
01:03:44She broke into the barracks.
01:03:45She's been helping them escape through some kind of tunnel.
01:03:48I'm sorry.
01:03:49Can you repeat that?
01:03:50Listen, these kids, they are not safe, okay?
01:03:54They are in danger.
01:03:55And why exactly do you think they're here now, hmm?
01:03:57They're under our protection.
01:03:59If I may reject, officer, I've seen what's coming.
01:04:02And no disrespect meant, but you and your men can't protect shit!
01:04:06Hey, get off of me!
01:04:09Hey, get off of me!
01:04:09Hey, get off of me!
01:04:10Hey, get off of me!
01:04:11Hey, get off of me!
01:04:11What's the matter?
01:04:12What's the matter?
01:04:12What's the matter?
01:04:18Is that all the military guns?
01:04:19Hey, kids?
01:04:20Will!
01:04:21Will!
01:04:22Will!
01:04:23Will!
01:04:23Are you okay?
01:04:25Baby, are you okay?
01:04:26Baby, are you okay?
01:04:33They're here.
01:04:52In that moment, you'll be okay with it.
01:04:56Take the nearest threat! Engage on sight!
01:05:12We're all gonna die! We're all gonna die!
01:05:20Get behind me! Get behind me!
01:05:26you're all gonna die!
01:05:43Keep the back! I'm in the back! I'm in the back!
01:05:47I'm in the back! I'm in the back!
01:05:56We are under attack, I repeat, we are under attack!
01:06:26We got to go.
01:06:37We got to go!
01:06:38What about the other kids?
01:06:39Shit!
01:06:50Go, go, go, go, go!
01:06:54Come on, shut away!
01:06:56Please, get out!
01:07:01Come on, shut away!
01:07:05Come on, shut up!
01:07:08Come on!
01:07:10Come on, let's go!
01:07:12Come on, let's go!
01:07:17Okay, we're getting out of here, all right?
01:07:33Eyes on me.
01:07:34Stay close.
01:07:35We'll see.
01:07:36Come on, come on.
01:07:43Wait, wait, wait, wait, wait.
01:07:45I'm not running this guy.
01:07:46I'm not running this guy.
01:07:47Wait up, wait up.
01:07:48Stay close, stay close.
01:07:50Derek, Derek, Derek.
01:07:55Is everybody okay?
01:07:56Are you guys okay?
01:07:59We need to have it.
01:08:00Okay, the radio shack.
01:08:02If we move quick enough, I think we can make it.
01:08:04Get into the tunnels and get the hell out of here.
01:08:06Okay?
01:08:07Eyes on me, remember?
01:08:08Yeah.
01:08:12Go, go, go, go, go.
01:08:16All right, go.
01:08:21Get down.
01:08:22Go, go, go, go.
01:08:25Go, go, go.
01:08:27Hold on, baby! Hold on!
01:08:57What the hell just happened?
01:09:07I have no idea, but I love it!
01:09:27I love it!
01:09:29I love it!
01:09:33I love it!
01:09:38I don't know.
01:10:08I don't know.
01:10:38I don't know.
01:11:08I don't know.
01:11:38I don't know.
01:12:08I don't know.
01:12:38I don't know.
01:12:40I don't know.
01:12:42I don't know.
01:12:44I don't know.
01:12:46I don't know.
01:12:48I don't know.
01:12:50I don't know.
01:12:52I don't know.
01:12:54I don't know.
01:12:58I don't know.
01:13:00I don't know.
01:13:02I don't know.
01:13:04I don't know.
01:13:08I don't know.
01:13:10I don't know.
01:13:14I don't know.
01:13:16I don't know.
01:13:20I don't know.
01:13:22I don't know.
01:13:28I don't know.
01:13:30I don't know.
01:13:32I don't know.
01:13:34I don't know.
01:13:36I don't know.
01:13:38I don't know.
01:13:42I don't know.
01:13:44I don't know.
01:13:46I don't know.
01:13:48I don't know.
01:13:50I don't know.
01:13:52I don't know.
01:13:54I don't know.
01:13:56I don't know.
01:14:22Stay away from him!
01:14:24Danny away!
01:14:54Man, I'm back.
01:15:08Can you see them?
01:15:10William.
01:15:14Can you see the children?
01:15:16You know why?
01:15:18Why I chose them to reshape the world is because they are weak.
01:15:38Weak in body and mind.
01:15:48Easily broken. Easily reshaped. Controlled. The perfect missiles. And you...well...you were the first.
01:16:14And you broke so easily.
01:16:25You showed me what was possible. What I could achieve.
01:16:33Some minds, it turns out, simply do not belong in this world.
01:16:42Take the long of it, Mari.
01:16:51No.
01:16:52No.
01:16:53No.
01:16:55No.
01:16:56Yeah.
01:16:57No.
01:16:58No.
01:16:59No.
01:17:00No.
01:17:02No.
01:17:04No.
01:17:05No.
01:17:08Let's go.
01:17:38I was looking for the answers in somebody else, but I had all the answers.
01:17:47Do you want to be friends?
01:18:02I just need to stop being so goddamn scared.
01:18:11Scared of who I really was.
01:18:21Wow, it's so good.
01:18:30I want to do that.
01:18:51And once I did that, I was so free.
01:18:58It's like I couldn't fly.
01:19:00I...
01:19:09I can't do that.
01:19:18I can't do that.
01:19:24I can't do that.
01:19:33I can't do that.
01:19:39I can't do that.
01:19:44I can't do that.
01:19:48I can't do that.
01:19:50Let's go.
01:20:20Let's go.
01:20:50Let's go.
01:21:20Let's go.
01:21:50Let's go.
01:22:20Let's go.
01:22:50Let's go.
01:23:20Let's go.
01:23:50Let's go.
01:24:20Let's go.
01:24:50Let's go.
01:25:20Let's go.
01:25:50Let's go.
01:26:20Let's go.
01:26:22Let's go.
01:26:24Let's go.
01:26:26Let's go.
01:26:28Let's go.
01:26:30Let's go.
01:26:32Let's go.
01:26:34Let's go.
01:26:36Let's go.
01:26:38Let's go.
01:26:40Let's go.
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