- 17 hours ago
- #realityrealmus
#RealityRealmUS
Reality Realm US
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Short filmTranscript
00:00All right, I am exhausted. Good luck.
00:06I'll see you next time.
00:08I'm done. I'm good.
00:14Good night, you guys.
00:15Bye.
00:26Are you coming over until then?
00:28I will let you know I might be going out with Kevin.
00:31Don't make me do dinner solo.
00:33My mom's doing my head in about dropping out of college.
00:35That is one of the many dropbacks of still living with the oldies.
00:38Yeah, but she makes me watch them, so...
00:41Here, do you want me to walk you to the door?
00:43I live two minutes away. I think I'll be safe.
00:46And I love you.
00:47Yeah, yeah.
00:49See you someday.
00:50See you.
00:58he's with me.
01:03Théo媽.
01:09The villa.
01:10Come round.
01:11Ohen, you did I?
01:13I don't know.
01:43I don't know.
02:13I don't know.
02:43I don't know.
02:45I don't know.
02:47I don't know.
02:49I don't know.
02:51I don't know.
02:53I don't know.
02:55I don't know.
02:57I don't know.
02:59I don't know.
03:01I don't know.
03:03I don't know.
03:05I don't know.
03:07I don't know.
03:09I don't know.
03:11I don't know.
03:13I don't know.
03:15I don't know.
03:17I don't know.
03:19I don't know.
03:21I don't know.
03:23I don't know.
03:25I don't know.
03:27I don't know.
03:29I don't know.
03:31I don't know.
03:33Focus.
03:34You need to not be scared.
03:35I know.
03:36It's my first time behind a wheel, all right?
03:38I'm getting there.
03:39Well, you get there faster if you're putting your foot down.
03:41Fine!
03:45Stop!
03:46Stop!
03:50What was wrong?
03:51Nothing.
03:52Just checking your emergency stop response.
03:54Are you having a laugh?
03:56You're the one that's insisting on taking an absolutely pointless gap here.
04:19All I'm asking is that you use it wisely.
04:21Well, hang on.
04:22It's not pointless, okay?
04:23It's smart.
04:24The agency is making money.
04:25I want to earn while I can.
04:27You have a place at Trinity on my old course.
04:30That's huge.
04:31And it'll still be there in autumn when I can go there at the same time as Lola.
04:35Okay?
04:36It'll all be perfect.
04:38Fine.
04:40But we're going to get you driving before you go there.
04:42So tomorrow...
04:43No way am I doing that again.
04:46Like, you know you're only torturing me because you're missing Harry B, right?
04:49Balls. I don't miss many.
04:50Well, it's been, what, four weeks?
04:51Six weeks, two days.
04:53Where is he now?
04:54Korea.
04:55Jesus.
04:56First England, then Hungary, now Korea.
04:58What is this case?
04:59I have no idea.
05:00I mean, he can't tell me anything because of this ridiculous NDA he had to sign.
05:03Anyway, I'm...
05:04Sorry.
05:05Hold that thought.
05:10Have you forgotten how knocking works then?
05:12Ah!
05:13There you are, Mother.
05:14Berg.
05:15All right, Chief.
05:16Grand.
05:17I was just, er...
05:19Leaving.
05:20So you're just coming here in order to leave?
05:23Well, clearly you have some question you want to ask me and you are having second thoughts.
05:31What is it?
05:32Something embarrassing?
05:33Questions about sex?
05:34Is something not working between you and Orla?
05:36You can talk in front of him, you know.
05:37He's 18 now.
05:38Jesus, Mother!
05:39No, it's not questions about sex.
05:40I need...
05:41Help with a case.
05:42Well, of course you do, Charlie, dear.
05:43Best we go inside, though.
05:57I just want you to be a sounding board.
06:09That's it, nothing else, a fresh pair of eyes.
06:10We do tend to have a different way of looking at things.
06:12I mean, an amateur way, obviously.
06:14Obviously, though with a pretty high solve rate.
06:17Not that we compare ourselves to the Gardie,
06:19although maybe higher percentage-wise.
06:23This was a mistake.
06:24Oh, Charlie, we're teasing you from the lofty position
06:28of having a better solve rate.
06:29So come on, tell us, what is it?
06:33Come on, come on, it's gotta be something important.
06:35And we're guessing it's something that's causing you a problem,
06:37otherwise you wouldn't have even thought to come here.
06:39Good point.
06:40So, get it out.
06:45Can't tell anyone I've told you any of this, okay?
06:48I could get in a lot of trouble for sharing this with civilians.
06:52We've managed to keep the link between these murders
06:54out of the press so far, but that won't last forever.
06:58Seven murders over 16 months.
07:01Problem is no two are alike.
07:03Well, that's odd.
07:04Serial killers usually have some sort of pattern.
07:06Not this one.
07:07The first two murders were in Dublin, then one in Galway, then back to Dublin, then two
07:12in Limerick, before coming back to Dublin once more for the latest.
07:16Someone who travels?
07:17We've thought of that.
07:18We're looking at taxi drivers, truck drivers, train drivers, sports teams, travelling salespeople.
07:26Anyone with a reason to travel around the country.
07:28But the list is very long and there's no guarantee or purpose even on it.
07:30He or she might just travel about because, well, they can.
07:35Victims are different ages, sexes.
07:37They were killed in different ways.
07:39The victims and the killings, they all seem to be totally random.
07:42And the problem with that is that when the killings are so random, there's very little chance
07:47of catching the killer unless they make a mistake.
07:48How can you be so sure it's only one killer and not seven different unrelated killers?
07:55Because they do have one thing in common.
08:00All the victims had a coin placed in their mouths post-mortem.
08:03Karen's obel?
08:04Yeah.
08:04Karen's what, Bob?
08:09It's a practice back in ancient Greece.
08:11People would pay Karen, the ferryman, to take the dead across the river Styx into the afterlife.
08:17They would place a coin in the deceased's mouth.
08:20Nothing special about the coins, only they're the old style.
08:23All have been cleaned, no fingerprints at all.
08:26Can we keep this?
08:28As long as you don't lose it.
08:29I could get severely reprimanded if anyone finds out I've done this.
08:32You're desperate then.
08:35I am.
08:36I'm under a lot of pressure from HQ to solve this.
08:40Okay, will do.
08:42You just have to give us a little time to get our thinking caps on.
08:45Okay, but absolutely no investigating.
08:47We're agreed on that, right?
08:48Absolutely, we hear you.
08:54I can't tell if I've just made a terrible mistake or not.
08:57Oh, I'm sure you haven't Charlie, do you?
09:04We're totally gonna investigate, right?
09:07Of course we are.
09:08Oh, do put her down.
09:23I'm getting into trouble for doing that sort of thing these days.
09:26Lola, could you get us some flat whites?
09:29You know, I was hoping I'd be more involved in the actual cases.
09:32But it's not what we need.
09:33You know, we already discussed that.
09:35What we need is someone to pick up the phone and pick up flat whites.
09:38Got it.
09:42So, did you manage to look at Charlie's case notes last night?
09:48Yeah, yeah, I did.
09:49And to be honest, I can't see where to begin.
09:51The killer could be just about anyone in Ireland.
09:55Well, it's not me.
09:56Or me, so there's two off the list.
09:57And I'd wager it's not Lola either.
10:01What about taxis?
10:03Victims number two and number four were both seen returning in taxis.
10:09Yeah, victim number two, Sally Casey.
10:16Her neighbour saw her come home in the early hours, dropped off by a taxi.
10:20And victim number four, Lloyd Gorman was seen getting into a taxi by a friend after a night out.
10:27Sally's body was found at her home.
10:29She'd been strangled.
10:30And Lloyd was found on waste ground in coal mine.
10:34He'd been stabbed.
10:35Well, I'm guessing there's no point in talking to Lloyd Gorman's friend,
10:38because what's he going to tell us that he hasn't already told the guards?
10:42But what about Sally Casey's neighbour?
10:46I mean, who knows? Maybe he remembers something?
10:48Or maybe the guards didn't ask the right questions.
10:58He's the killer.
10:59Based on?
11:00He's a campervaner.
11:02I think there shouldn't even be a lad on the road, especially not when I'm driving.
11:05Yeah, very forward-thinking of you.
11:07Oh, there's a special circle of cows that would be too like a campervan.
11:11Hello there.
11:14Can I help you?
11:15Oh, and Zyklis is definitely the gallop.
11:19Hi.
11:19How long have you lived here, Mr. Naughton?
11:27Oh, uh, well, my wife and I would have bought this place in 2006.
11:33Well, you and your wife must love minimalism, then.
11:50Oh, you mean the lack of furnishings.
11:52Uh, no, no, no, uh, having a bit of a trial separation at the moment, and Helen, that's my wife,
11:58she took a few things with her when she left, and, well, I didn't see the point of replacing them,
12:02because she's just going to bring them with her when she comes back, so.
12:04Did your wife see anything the night Sally Casey was murdered?
12:08The police report didn't mention her being questioned.
12:11Uh, no, no, we had already started our trial separation by then.
12:15Well, Sally Casey was killed 14 months ago, that's a very long trial separation.
12:21Yes, I suppose.
12:23She's actually living up in Donegal.
12:25With a fella.
12:26Used to be a neighbour, as it happens.
12:29I told her something that she needs to get out of her system, you know.
12:32So, uh, as we understand it, you woke up in the night, needed a glass of water,
12:40and happened to see Sally arriving home by taxi.
12:43Yep, that about sums it up.
12:45You were quite specific about the time.
12:471.36, you say?
12:50Yes, well, I remember looking at the clock and thinking that it was late,
12:55and I knew that Sally would be up for work the next day, so.
12:58Oh, you knew Sally well.
13:00No, not really.
13:03Just to nod to, she only moved in quite recently,
13:06but I like to start every day with a quick 10 miles up on a bike,
13:10so I used to see her when she was leaving.
13:12Which window did you see her from?
13:14Because I just noticed when we came in that your kitchen's at the back of the house,
13:17so you couldn't have seen her from there.
13:19Hmm.
13:20Yeah, I don't think we guys asked that question, actually.
13:23Uh, no, no, I came in here, I was looking for something to read.
13:26At 1.30 in the morning.
13:28Well, in case I couldn't get back to sleep,
13:30you know.
13:31But there were no books here?
13:34No, uh, it was a cycling magazine to which I subscribed.
13:39There's no clock in here, so how could you be so sure of the time?
13:44No, that's, uh, that's true.
13:47Ah, I remember, it was the bedroom.
13:51The curtains weren't properly closed, I noticed,
13:54and then when I went to close them, that's when I saw it.
13:56Oh, well, that explains everything.
14:00Could we take a look up there?
14:02What?
14:02Hmm, I'd rather not.
14:04I mean, it's rather messy, living alone, you know.
14:09Yeah, I mean, we should probably call the guards anyway, shouldn't we, Harry?
14:12Oh, should, yeah.
14:13If they hadn't thought to ask Mr. Norton that question,
14:15they might want to re-interview him.
14:16Absolutely.
14:19Well, I'd rather not have the guards back, actually.
14:23I was quite intrusive.
14:25You know what, maybe you could have a quick look.
14:26He's hiding something, clearly.
14:42Not very messy, Mr. Norton.
14:44Well, I shudder to think what your bedroom must look like then, young man.
14:50Anyway, there's the clock, you see?
14:53So, shall we head back down?
14:56That reminds me of something, Harry.
15:01That soap opera director who had his throat cut.
15:04Yes, I remember.
15:05The tripod from the film camera made the same marks.
15:10Do you have a telescope?
15:11Or a camera, Mr. Norton?
15:13No, no, no, no.
15:14No, nothing like that.
15:16But I really do need to get on, so...
15:19Of course.
15:20After you.
15:26I must say, you've been very helpful, Mr. Norton.
15:31Of course.
15:32Terrible business, Admiral.
15:32Where is you?
15:33What do you think you're doing?
15:34Well, it turns out, Harry, that Mr. Norton here is a peeping Tom.
15:39Naughty, naughty Mr. Norton.
15:40Now, you can either talk to us, or you can talk to the guards.
15:45Your choice.
15:46Did you video Sally Casey coming home that night?
15:51I think he's a zombie.
15:55I think he's a zombie.
15:57Oh, it turns out, Harry, that Mr. Norton here is a peeping Tom.
16:01Naughty, naughty Mr. Norton.
16:05Now, you can either talk to us, or you can talk to the guards.
16:08Your choice.
16:10Did you video Sally Casey coming home that night?
16:12Good night.
16:42What's that?
16:44The license plate of the taxi that brought Sally Casey home.
16:47You investigated, didn't you? I specifically told you not to.
16:50No, time down, Charlie. It was just a little bit.
16:53How am I going to explain this?
16:54I don't know. Anonymous tip.
16:55You may also want to go back and talk to Colin Naughton,
16:58that's Sally Casey's neighbour.
17:00See, he knows when she came home because he's a peeping Tom.
17:04You filmed her.
17:05Go back.
17:26Stop it.
17:39License plate is registered to a Barry McGaney.
17:43Oh, hello.
17:44He's got a prior conviction for manslaughter.
17:46Killed a pedestrian under the influence on us five years ago.
17:50Thank you, Harry and Fergus.
17:52You're welcome.
17:58Just had an anonymous tip-off on the taxi spotted outside Sally Casey's house.
18:03Driver has a prior.
18:04Go pick him up, bring him in for questioning.
18:06Then find out who did the initial interview of Colin Naughton
18:08and find out why they didn't discover he's a pervert.
18:12On it, boss.
18:13On it, boss.
18:13All right, McGaney.
18:41I'll get up here.
18:48Barry!
18:49This for you?
18:53Hey, hey, go around!
19:01Barry!
19:02We're supposed to be up in miles!
19:03We're supposed to be up in miles.
19:26We're supposed to be up in half.
19:27We're supposed to be up in miles.
19:29We've got an alibi.
19:37My client ran because of a misunderstanding.
19:40He assumed you were there because his taxi license has expired.
19:44Less expired and more never existed.
19:47Mr. McGinney drives a taxi illegally.
19:50On the other matter, my client has an alibi for all seven dates you've asked about.
19:57For all of them?
19:59You do realize that's very unusual?
20:02That's as it may be, but nevertheless.
20:06And what are those alibis?
20:10His girlfriend has given him an alibi for all seven murders.
20:14She's lying.
20:15Perhaps, but we have no physical evidence.
20:18We've got nothing to hold him on.
20:19Have you questioned her?
20:21She's a proper hard shot, that one.
20:23I like McGinney for this.
20:25I love Fitz, but if we can't prove it...
20:28I'll stay on him.
20:34I'll let you know if we get anywhere.
20:35A woman is like a trifle.
20:41You've got your sponge fingers, your custard, cream, cherries, flaked almonds.
20:46Think about it.
20:47I don't care.
20:50Take your sponge fingers.
20:51They're hard, right?
20:53Soak them in a drop of sherry.
20:55So I should get her drunk?
20:57No, no, no.
20:58The sherry's just a metaphor.
20:59Oh.
21:01A metaphor for what?
21:03I don't know.
21:04I lost my train of thought.
21:05Let me start again.
21:07Glenn, why?
21:08Right you are, honey.
21:09Malky.
21:11Don't listen to Glenn.
21:13Ask your side for lannies.
21:19Your father shouldn't be allowed to talk to Glenn.
21:22Very few people should be allowed to talk to Glenn.
21:25Come here, have a look at this.
21:26I think I've found something.
21:29Some kind of movement.
21:30What is it?
21:31I don't know.
21:33But there's something or someone there.
21:36I'm not seeing what you're seeing.
21:39There's something moving there, but...
21:41Hmm.
21:43Play it again.
21:52The editing.
21:53Yeah.
21:54Or nothing.
21:56Of course.
22:11Of course.
22:23Of course.
22:24Of course.
22:25It's about a man, a psychiatrist, that starts living his life according to the role of a die.
22:47He doesn't decide anything for himself anymore.
22:49The dice does.
22:51Okay.
22:52So what's your point?
22:53Well, eventually it leads to murder.
22:56The video.
22:58The glint.
22:58Oh, my God.
23:00It was on the tip of my brain.
23:01But it's so obvious what it is.
23:03It's a coin.
23:04Someone is there watching Sally Casey's house, and they flip a coin.
23:09Heads I kill her, tails I don't.
23:12Jesus.
23:13And the coin in the mouth is the one that decides their fate.
23:18Now, are killers more binary than Reinhardt?
23:21Kill or don't kill?
23:23If kill, how?
23:25Stab, strangle, drown.
23:29Um, there's no pardon to it, Fergus.
23:32The very lack of M.O. is their M.O.
23:36Wait, so hold on.
23:38That means Barry McGinney's not the killer?
23:40No.
23:40But he may have seen who it was.
24:07Mr. McGinney.
24:08Mr. McGinney.
24:10Come with you.
24:13Not private detectives?
24:15It seems unlikely.
24:16We'd like to talk to you about Sally Casey.
24:18Yeah, I got nothing to say.
24:20We don't think you did it.
24:22Tell that to the pigs.
24:23Happily.
24:24No, we think there's a possibility you saw who actually did do it.
24:27I didn't see anything.
24:28Look, we think the killer was across the road when you dropped her off.
24:31Didn't see anyone.
24:33Leave me alone.
24:35The guard that's investigating is my son.
24:38I can talk to him.
24:39I can have him back off with you.
24:42Can you get him to give me back my taxi license?
24:44Heard you don't actually have a license, so...
24:47I just want to make an honest living.
24:50You help us, we'll help you.
24:54I've nothing to tell you.
24:56You're piss off.
25:01Now what?
25:02No idea.
25:04I told Charlie our theory, but he was less than enamored with it.
25:08Do you think they have cameras in that neighborhood?
25:10Do you see anything?
25:11Ah, to residential.
25:12Oh.
25:13Well, then right now, what?
25:14Hey.
25:18He's been nagging at me.
25:19That poor girl getting murdered like that.
25:22I'm not talking to no guards, but...
25:24I didn't see anyone when I dropped her one off, but my girlfriend lied for me.
25:27Said I went straight home, but I didn't.
25:29I stayed out another couple of hours.
25:31Look, I don't know if it's any use, but my actual last fare was from the same neighborhood.
25:36I lied around the corner from where that woman died.
25:41Some fella flagged me down.
25:43I almost didn't stop.
25:45There was something about him.
25:47How do you mean?
25:49I don't know.
25:50He gave me the creeps.
25:52Can you describe him?
25:54Not really.
25:55I didn't see his face.
25:57He's a bit of my eye, but, you know, skinny.
26:01He had dark clothes on, and a hat over his head.
26:03He kept that on the whole time, but pulled down like...
26:07How did he pay?
26:08Did he use a credit card?
26:09Nah.
26:10Cash.
26:12But I can't tell you where they dropped him.
26:13To that all-night cafe with the Docklands.
26:16What time is that?
26:18Maybe 3.30 just after.
26:20There can't be that many customers at 3.30.
26:24Maybe the cafe owner, perhaps.
26:26There's one other thing.
26:27But he...
26:29He's like the Holy Heaven of Skies.
26:31You're joking me.
26:323.30 in the morning is one of our busiest times.
26:33You're joking me.
26:343.30 in the morning is one of our busiest times.
26:36Busier than now.
26:37Can I remember who came in?
26:38Ha!
26:39As if.
26:40Joking me.
26:413.30 in the morning is one of our busiest times.
26:43Busier than now.
26:44Can I remember who came in?
26:45As if.
26:46Do you have any security camera footage?
26:47Nah.
26:48Never felt the need.
26:49The person we're looking for smells strongly of cigars.
26:52Does that ring over?
26:53No.
26:54No.
26:55No.
26:56No.
26:57No.
26:58No.
26:59No.
27:00No.
27:01No.
27:02No.
27:03No.
27:04No.
27:05No.
27:06No.
27:07No.
27:08No.
27:09No.
27:10No.
27:11No.
27:12No.
27:13No.
27:14Does that ring any bells?
27:15Most of the fellas who come in here smell of something or other.
27:21Hemorrhoid cream.
27:22B.O.
27:23And tobacco.
27:24Take your pick.
27:27Now what?
27:29It's not like we can go around smelling everyone.
27:31Hemorrhoid cream, B.O. and tobacco.
27:33I don't fancy that.
27:35And there is one thing all smokers have in common though.
27:38Yeah.
27:39Lung cancer?
27:40They all congregate in the same place.
27:42in the same place.
27:54Hey, you want to buy one of those?
27:56Yeah.
27:58Thanks.
28:00I'm trying to cut down.
28:02You know what I should do?
28:04You know what I really fancy?
28:06Cigar.
28:08Any one of you smoked cigars?
28:10It did when my kid was born.
28:12It finished me at Christmas.
28:14It's not worth it.
28:16I'm asking for the good ones.
28:18I can't afford them and what I earn.
28:20So you don't know anyone
28:22who smokes cigars, sir?
28:24Well, there is this one fella that comes here
28:26from time to time.
28:28He's always puffing away.
28:30What's his name? Oh, I don't know.
28:32I've never been introduced.
28:34Seating him around recently? Nah, not for ages.
28:36It's the thing about being a trucker.
28:38Your paths cross, sir. They don't.
28:40You trucker, then, huh?
28:42Why are you so interested?
28:44No. No reason.
28:46It's Roy.
28:47What?
28:48I know the fella you're talking about.
28:50I just always call him Roy.
28:52You have a last name?
28:53Mm-hmm.
28:54Mm.
28:55Orbison.
28:56Oh.
28:57I don't actually know his real name.
28:59I know he's crazy mad about Roy Orbison.
29:01Who's Roy Orbison?
29:02Oh.
29:03Youth.
29:04Singer.
29:05Pretty woman.
29:06Only the lonely, crying.
29:08Yeah, yeah.
29:09You know, he always dresses in black,
29:10always wears dark glasses.
29:12Well, would you know where we could find him?
29:14I haven't a clue.
29:15He comes in here at the odd time to see him.
29:24Private detectives?
29:25Really?
29:26Call us if you see him.
29:33Okay, that's something.
29:35Where does he get us?
29:36I don't know.
29:38Trucker who loves Roy Orbison.
29:40Can't make it there.
29:43Uncle Charlie.
29:48Hello, Mick.
29:50Yeah, it's Tommy from the cafe.
29:53That's right.
29:54Listen, I don't want to worry you,
29:56but there was a couple here asking about you.
30:16Morning, love.
30:19I'm getting ready to go to work if you want a lift.
30:21No thanks, I'm good.
30:22I like the walk.
30:30Just on my way in and I had a thought.
30:31Look, from everything your one at the cafe was saying,
30:33our cigar-smoking serial killer is a Roy Orbison superfan.
30:37So?
30:38So, I hope we needed some bait.
30:39Something no Roy Orbison superfan would ever be able to resist.
30:42Like what?
30:43I don't know.
30:44A pair of sunglasses, a recording, a first pressing of some record or something like that.
30:50I don't mean to be an alarmist, but I think a truck is following me.
30:54Describe it.
30:55It's big, black.
30:56I can't see the driver, but the license plate is 231-WW-897-99.
31:01Okay, well, go somewhere busy and go into a shop.
31:04Or not, it's a must-talk.
31:06Sontar, I'll be making it.
31:14Ah!
31:15Ah!
31:16Ah!
31:18Ah!
31:26Okay, I think I lost him.
31:29I think I lost them.
31:30Good.
31:31Now, go somewhere where there are people,
31:33and I'll give Charlie a call.
31:34Ah!
31:57Fergus?
32:00Fergus!
32:04I was just, um...
32:29Oh, my God!
32:31Oh, my God!
32:33It's okay, it's great, didn't you?
32:37Well, did you check the plates?
32:39Yeah, um, it's a fake.
32:41We've got patrols out looking for a black break.
32:43Can't be that many of them.
32:45I just walked in on Vicki, Kiff and Gormack.
32:47Well, why not? They've been dating for over a year.
32:50What? How do you know when I don't?
32:53Oh, you can call yourself a detective.
32:56Boss, you want to see this?
33:01What?
33:07Fergus?
33:09Not Fergus, no.
33:11Have you hurt him?
33:13Nah.
33:15Little bumper than Noggle.
33:17He's fine.
33:19For now.
33:21But I want to meet with the both of you.
33:23If you want to see your young friend alive again.
33:26If I want you to come and meet us.
33:28Alone.
33:29No guards.
33:31Don't worry to kill us, you'd only kill me too.
33:33I'm not an idiot.
33:35That remains to be seen.
33:38You know, Calorie Bog, by the abandoned cottage?
33:4130 minutes.
33:42If I see anyone with you, the boy dies.
33:47Tell me how you found me.
33:57Don't lie to me, boy.
33:59I'll know.
34:01It was a taxi driver, okay?
34:04A taxi driver who picked you up after you killed Sally Gacy.
34:07You remember dropping you at an all-night cafe and we asked around for a cigar smoke?
34:11You told the guards about that place?
34:13Guess I can't go back there anymore.
34:17Damn it.
34:18Damn it!
34:19Damn it!
34:20Damn it!
34:21They do a mean chicken fillet roll.
34:23No!
34:24Right!
34:25Let's get this over with.
34:28Shall we?
34:31Heads.
34:33You live.
34:34Tails.
34:36Who die?
34:37Just hold on a second.
34:39Just hold on.
34:40Don't, don't, don't, don't.
34:41Please, please.
34:47Well, that's not bothering.
34:50Now what am I going to do with you?
34:53You stay put.
34:54Maybe we'll toss again when I get back from eating your partner.
35:03Aye.
35:04Okay.
35:05Okay.
35:06Okay.
35:07Okay.
35:09Here.
35:10Let's go.
35:11Okay.
35:13Okay.
35:15Okay.
35:41Okay.
36:11Okay.
36:25Where's Fergus?
36:27Alive.
36:29For now.
36:31But somewhere where no one will ever find him without me.
36:41Tell me.
36:57Why do you do it?
36:59Why would I tell you that?
37:01They must be frustrating, no?
37:03Committing the perfect crime that no one knows.
37:06They are indeed the perfect murderers.
37:10And as such, the guards will never be able to stop them.
37:14And that's not an admission of guilt, by the way.
37:18Just in case you're wearing a wire.
37:20We found you.
37:22The guards will celebrate.
37:24Oh, please.
37:26The guards are a joke.
37:29They couldn't catch a cold.
37:37No, no, no, no.
37:38Shit.
37:40Shit.
37:42Where am I?
37:45Oh, you've got me shit.
37:58Do you always wear this mask?
38:00No.
38:01No.
38:02This is just for your benefit.
38:06I thought it was funny.
38:15Thur the coin.
38:17In the mouth.
38:20What's the significance of that?
38:21Don't know your Greek mythology.
38:24So you are...
38:26...ferring the dead to the afterlife?
38:29Let's just say...
38:31...it's a family tradition.
38:34If you're worried about me setting you up, shooting is quite an admission of guilt.
38:51Guards would never let it go on this long.
38:52I've read up about you.
38:53I think we're alone.
38:54Don't you?
38:55Don't you?
38:56Don't you?
38:57No.
38:58No.
38:59No.
39:00No.
39:01No.
39:02No.
39:03No.
39:04No.
39:05No.
39:06No.
39:08No.
39:14No.
39:15No.
39:17No.
39:18I think we're alone, don't you?
39:37Let's see if you're as lucky as your young friend.
39:42Heads, who live, tails, who die.
39:51Did I?
40:08That's more like...
40:11...gators.
40:15Ah!
40:21zil!
40:294-1!
40:33Shout out!
40:41I'm down, I'm down!
40:43And down it down!
40:47Move it! Move it!
40:49You're not saying you know where to go.
40:56Get him up.
40:58Hands behind us back.
40:59Pat him down.
41:00We're arresting you under suspicion of multiple counts of murder.
41:03And that'll be the last time you point a gun at my mother or anyone else.
41:10Vicki, read him his rights, make the arrest.
41:12Get him out of here.
41:13You took your time, John.
41:19I think I've worked it out.
41:28Oh, yeah? Let's hear it.
41:30Okay, so you went from Ireland to England to Hungary to Korea.
41:36What do those countries have in common?
41:38No idea.
41:39Cabbage.
41:40You're on the trail of a counterfeit kimchi ring.
41:44Am I close?
41:45I'm afraid not.
41:46I could tell you.
41:49Oh, wait.
41:50Target's on the move.
41:51I gotta go.
41:52I'll talk to you later.
41:53Miss you.
41:54Miss you.
41:55Bye.
41:56Ah, there she is.
41:58Can't stay long.
41:59Date night with the old ball and chain.
42:02Oh, you're doing something different with your hair, Orla.
42:05No.
42:06Why?
42:07Well, I don't know.
42:08It's just something different about you.
42:10I like it though, whatever it is.
42:11Thanks.
42:12I think.
42:13What did you want to talk about?
42:16I don't think Mick Brady did this on his own.
42:19Based on what?
42:21He's confessed to everything, has details only the killer could know.
42:24There's nothing that suggests a second killer.
42:26But there are inconsistencies.
42:28When he was following Fergus, Fergus ran.
42:32Have you seen him run?
42:33I mean, it's ridiculously fast.
42:35How far did you go?
42:36About a kilometre or so.
42:38Well, I mean, Mick Brady is a man in his late sixties, not particularly fit.
42:43But he would have had to park that massive truck, get out of it, and then run off to Fergus,
42:49which is unlikely.
42:50That's what he says happened.
42:52And then, when I asked him about the mask, he said, I thought it was funny.
42:59No, he accented the I.
43:03Like, as if he thought it was funny, but someone else didn't.
43:07That doesn't prove anything.
43:10Enjoy your wine.
43:11Um, get some rest for her.
43:13Oh, maybe you're all right.
43:16Yeah, maybe I'm not thinking it.
43:29I don't think so.
43:31I won't let him do anything.
43:33We're staying on � arm, I should be fine.
43:34Winner, you're sitting at all 2 hours.
43:35Against a unit.
43:36Justice of his
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