- 2 days ago
- #realityrealmus
#RealityRealmUS
Reality Realm US
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
👉 Official Channel: />👉 THANK YOU ❤️❤️❤️❤️❤️
Category
🎥
Short filmTranscript
02:02Lola.
02:04Come on.
02:05You like it when you get in there.
02:06If I don't, can we leave?
02:08No.
02:09Isn't this exciting?
02:13No.
02:14Plus, we don't know how to dance.
02:17Nonsense.
02:18We've been watching Strictly for years.
02:19Come on.
02:20Let's introduce ourselves.
02:21Do we have to?
02:22Hi.
02:23Shh.
02:24We're listening.
02:25You drove her away so.
02:27If I was going out with a lump like you, I'd run away too.
02:32You're pushing too hard.
02:33You're desperate.
02:34It's pathetic.
02:35You're the pathetic one.
02:36She's a beautiful, vibrant, talented woman.
02:39Why would she want to be stuck with a loser like you?
02:46No.
02:47No.
02:48No.
02:49No.
02:50No.
02:51Class?
02:52Gather.
02:53What kind of person fakes his own death?
02:59I mean, I'm sure there's some sort of ridiculous reason.
03:04Martello's brains...
03:07Hold a sec.
03:08Lola and Orla here.
03:09What?
03:10Where?
03:11They're coming up the steps.
03:12Listen, I've got to go. I've got to pick up Liberty.
03:17I thought Liberty was with your mum.
03:19Can't stop. Gotta go.
03:21Hi, Granny. Where's Ferg rushing off to?
03:24Liberty? What are the two of you doing here?
03:27Wait till we tell you.
03:29So, Mum's making me go to this stupid dance class.
03:32It's not stupid.
03:34Anyway, it's run by this ex-ballroom dancer, Genevieve Lecure.
03:38Stage name.
03:39Guest.
03:40I've got these two ballroom dancers who work for her.
03:42Natasha Radu and Anthony Soriano.
03:44And they've vanished.
03:46No note. No nothing. Just...
03:48Poof. Poof.
03:50Really?
03:52I think it was a jealous boyfriend.
03:55Well, why aren't you telling Charlie all this?
03:57I mean, is there a reason?
03:59He's been in a foul mood ever since Grandad rose from the dead.
04:02It's worth checking out, right?
04:04There are taster classes all week. There's one this evening.
04:07We could go on to cover.
04:09But you've already both been there.
04:11Oh, yeah.
04:12You could go on to cover.
04:14There's no evidence. There even was a crime. Has anyone even reported them?
04:18Anyway, you know what? I'm busy. I'm going to see Harry.
04:21So, why didn't the two of you go there? And if you find out anything, you can let me know.
04:26Advanced guard, so to speak.
04:28Mm-hmm.
04:29I've got itchy feet.
04:30Well, I have a cream for that.
04:31No, it happens every now and again. I get a yearning to go traveling.
04:34I see. How long?
04:35I don't know. Maybe a year or so. But I want you to come with me. First class, the whole way. I think if God wanted us to camp...
04:44He wouldn't have invented five-star hotels. I'll pay for everything. No, you won't. Not my style.
04:49Yeah. There's a lot to think about. Could you give me some time? Take all the time you need.
04:59I'll pay for everything.
05:01No, you won't.
05:03Not my style.
05:05Sure.
05:07There's a lot to think about.
05:09Could you give me some time?
05:13Take all the time you need.
05:15Did you leave the radio on? No.
05:35Right there.
05:45What the bloody hell are you doing here?
05:50And how did you get in?
05:52I still have my key.
05:55I never gave you a key.
05:57Key lock peek.
05:59Oh, it's you.
06:01Why is the undertaker here?
06:03I'm not an undertaker.
06:05You going out in memorials picking up women?
06:07This kind of creepy.
06:09What are you doing in my house?
06:10Speak up, creepy undertaker.
06:12Not him, you.
06:14I'm making dinner.
06:16Unfortunately, it's just enough for two.
06:18You can't just break into my house
06:20and use all my things
06:21and just stop cooking at home.
06:25Oh, it won't.
06:29Oh, please.
06:31God help me.
06:32Anyone can chop a courgette.
06:34You mean zucchini.
06:35In case you haven't noticed,
06:36we're in Ireland.
06:37That is a courgette.
06:39Courgette, you know what I'm going to do.
06:41This is exactly what I want to do
06:42with this courgette for you.
06:43Okay?
06:44So, first of all, call it zucchini.
06:46Ah, for God's sake.
06:47Harry, help me out here.
06:48Harry.
06:49Harry.
06:50Get lost.
06:51Get out.
06:52Okay?
06:53You creepy undertaker.
06:54Libyam.
06:55I told you.
06:56I told you.
06:57Fergus.
06:58I may have something.
06:59I'll pick you up in ten.
07:03Harry, I can't dance.
07:04Don't be silly.
07:05Everyone knows how to dance.
07:06That's not even remotely true.
07:07You came.
07:08We've been gathering clues.
07:09Well, mostly names so far.
07:10That's Genevieve in the locker room
07:11with two young pros.
07:12Kelly Casey and Rowan O'Hare.
07:13Right.
07:14Fast gather.
07:15We're going to learn the basic foxtrot.
07:16I'm going to put you into couples.
07:17I want you with you.
07:18You and you.
07:19You and you.
07:20You and you.
07:21Ah, you.
07:22With you.
07:23You and you and you.
07:24Okay.
07:25Go.
07:26Chop, chop.
07:27Up.
07:28I'm Roger.
07:29Roger by name.
07:30Roger by nature.
07:31I like to say.
07:32Walk forward two steps.
07:33One to the side.
07:34Bring your feet together.
07:35Slow, slow.
07:36Quick, quick.
07:37I'm going to put you into couples.
07:38I'm going to put you into couples.
07:39I want you with you.
07:40You and you.
07:41You and you.
07:42You with you.
07:43You and you.
07:44You and you.
07:45You with you.
07:46You and you.
07:47You with you.
07:48You and you.
07:49You and you.
07:50And you.
07:51Okay.
07:52Go.
07:53Chop, chop.
07:54Up.
07:55I'm Roger.
07:56Roger by name.
07:57Roger by nature.
07:58Do you come here often?
08:00Steady on.
08:01Bit forward.
08:02Buy a fella drink first.
08:03Why don't you?
08:04Oh, no.
08:05No, no.
08:06God, no.
08:07I just...
08:08I'm only teasing.
08:09Just so you know.
08:10I'm a sure thing.
08:13Sorry.
08:14Sorry.
08:15It's woeful.
08:17Kelly.
08:18You're woeful.
08:19You're woeful.
08:20You go.
08:23You can try with me, okay?
08:25Okay.
08:28You.
08:29You've a lovely frame.
08:30I want you to dance with Ronan.
08:31No offence, Brian.
08:32I know how good you are.
08:33One, two, three.
08:34One, two, three.
08:35One, two, three.
08:36Are you teaching here?
08:37Should be on the circuit, surely?
08:38Well, I was planning on it, but I picked a little injury.
08:39Maybe next season, but until then, well, working here, it does pay the way.
08:45So...
08:46So...
08:47And then arms up.
08:48Check.
08:49Check.
08:50Check.
08:51Check.
08:52Check.
08:53Check.
08:54Yeah.
08:55Yeah, you're getting it.
08:56Yeah.
08:57Can I ask you a question about the downstairs who disappeared?
08:59The others were talking about them.
09:00Do you think the boyfriend did something?
09:01So...
09:02I mean...
09:03He did keep that on a tight leash, but...
09:04I don't know.
09:05I mean it could be many things.
09:06No.
09:07No.
09:08No.
09:09No.
09:10No.
09:11No.
09:12No.
09:13No.
09:14No.
09:15No.
09:16No.
09:17No.
09:18No.
09:19No.
09:20No.
09:21No.
09:22No.
09:23No.
09:24No.
09:25No.
09:26No.
09:27No.
09:28No.
09:29No.
09:30but I don't know, I mean, it could be many things.
09:33It's not easy having Genevieve's all-seeing eye on you all the time.
09:36Oh, wait, she can't be that much of a dragon, can she?
09:39Try being brought up by her.
09:41Genevieve's your mother?
09:43Yeah, thought about running away a few times, believe me.
09:47Try to focus on this, okay?
09:48Yeah, sorry.
09:51What is it?
09:53Could we have a word?
09:55Can I not wait? It's been a long day.
09:58Well, we haven't been entirely honest with you, Genevieve.
10:01We're not new students.
10:03We're private detectives.
10:06Well, if you don't mind my saying,
10:09you should quit and take up dance full-time.
10:11Oh, I'm too old with that.
10:13Oh, not at all.
10:14We've got categories from 8 to 80.
10:16We just need to find you the right partner.
10:21Tempted, are you there, Harry?
10:23We just wanted to get your thoughts on Anthony and Natasha.
10:29What do you think happened to them?
10:31Lazy.
10:32The pair of them.
10:34You think they pulled a sickie in?
10:37It's a bit extreme, isn't it?
10:39These young ones today just, they don't have the work ethic.
10:43You know, back in my day, we'd dance until we couldn't dance anymore,
10:46till our feet bled.
10:47And then, do you know what we'd do?
10:50We'd dance some more.
10:54I thought those two were different.
10:56I thought they had the fire in their belly like I did.
10:59We've a big competition coming up next month, you know?
11:03I thought they were excited for it.
11:05But they weren't ready.
11:06But I could have got them there if only they'd put in the time,
11:09and they gave me their word they would.
11:11You lazy little liars, what's the point?
11:13What if something actually happened to them?
11:16Like what?
11:17They've been kidnapped.
11:20No.
11:21I mean, who's going to kidnap them?
11:23They'll turn up.
11:24You mark my words.
11:26Full of empty apologies, no doubt.
11:28Not the first time, and won't be the last.
11:31Will you train Kelly and Ronan now?
11:33Oh, no.
11:35I mean, they're not a patch on Anthony and Natasha.
11:38No, those two were my last chance.
11:41We could have won.
11:43Isn't Kenny your daughter, though?
11:46My natural ability, that one.
11:48I mean, I swear, if she hadn't have come out of me,
11:50I'd be convinced she wasn't mine.
11:52She was a very fat baby, you know?
11:55Absolutely wrecked my pelvis.
11:58And Ronan?
12:01He's never been anywhere near my pelvis, unfortunately.
12:04But, er, no.
12:06His problem isn't physical, it's psychological.
12:09He hasn't got what it takes to win, and he knows it.
12:11So he makes up these fake injuries
12:13so he can stay within the safety of the school.
12:15To be honest, I've had enough of this whole thing.
12:18Might be time for me to pack it all in.
12:21Now, if you'll excuse me.
12:34Isn't she a bundle of happiness and joy?
12:36Isn't she just?
12:37What do you think?
12:38Do you think that they ran away because they were work show?
12:40I don't know.
12:41You remember what he said about the competition coming up?
12:43Your Aunt Kelly said they were determined to win.
12:45And Brian said that Anthony's mother had a birthday coming up,
12:47a big one.
12:48I mean, they wouldn't run away from that.
12:49But who would want to harm a couple of dancers?
12:52Yeah, the other dancers?
12:53If they were the best, get rid of the competition.
12:55Maybe.
12:56But to what end?
12:57I mean, this is a little dance school in Bray.
12:58It's hardly the Bolshoi.
13:00Welcome, fellow travelers.
13:12Uh, are we going somewhere?
13:15We are all travelers on the highway we call life.
13:19How can I help?
13:20We have a special offer on chakra balls,
13:22and it's two for one on rice cheese.
13:25We're looking into the disappearance of Anthony Soriano.
13:29And your girlfriend.
13:33Who's asked you to do that?
13:35Oh, we can't tell you.
13:36Client confidentiality.
13:38Okay.
13:39Well, I'll tell you exactly where you need to look.
13:41That bitch who runs the dance school.
13:43I can't stand that.
13:44Thanks, Jim.
13:47Pak Choi!
13:49Wagon.
13:50Total slave driver.
13:52Right, so you think she might have gone off to get away from Genevieve?
13:56Only thing that makes sense.
13:58You talk to the guards.
14:00Is this because you think she might be having an affair?
14:05No.
14:06Who told you that?
14:08She'd never do that to me.
14:10Never.
14:11Okay.
14:12When was the last time you saw her?
14:13I was in London that night.
14:15At a conference.
14:17That wasn't the question we asked.
14:19Seems like you really want us to know that you have an alibi, Mr. Carney.
14:24No.
14:25Look.
14:26She sent me a text.
14:30Athens?
14:31What?
14:32What does that mean?
14:33What, she's gone to Greece?
14:34I dunno.
14:35She's gone.
14:36She's gone.
14:37She's gone.
14:38She's gone.
14:39She's gone.
14:40She's gone.
14:41Mr. Soriano?
14:42Can we ask you a few questions about Anthony?
14:45What is this?
14:46Who are you?
14:47What do you want with my Anthony?
14:49We want to find him.
14:51And Natasha.
14:52I want to talk with you, but I have to get to work.
14:57You come with me?
14:58Yes?
14:59Yes.
15:00Yeah, sure.
15:05Anthony is a good boy.
15:07I've been sick with Wadi.
15:09You don't think he's gone somewhere for a break?
15:11Without telling me, he never would.
15:14He loved to dance.
15:16It's everything to him.
15:18When he was a boy, I worked three jobs to pay for his lessons.
15:22He would never give up.
15:24Have you called the guards?
15:26Can't go to the guards, can she?
15:29Not legal.
15:31Well, you don't have to worry about us.
15:34You haven't heard from him?
15:37He call me every day.
15:39But no, but three days now.
15:41Shit.
15:42Hold.
15:47Oh, she's very thorough.
15:49Gets in all the nukes and crannies.
15:52I worry so about my Anthony.
15:57What if he's gone like the others?
16:01Others?
16:03The dancers before?
16:05You're saying that other dancers from the school disappeared?
16:08Uh-uh.
16:09Right there, Glenn?
16:21My sister-in-law concept is due here any moment.
16:24Petra says she's a real stunner and smart as anything.
16:27What if I fall in love with her?
16:29I mean, I wouldn't mean to, of course.
16:31But what if I can't help myself?
16:33Well, hopefully she won't fall in love with you.
16:36I can't control my pheromones, Harry.
16:38Who knows what kind of chemicals are squirting out of my glands?
16:42And what they do to women?
16:44No.
16:45Just, no.
16:46No.
16:51All right, ma?
16:52My son.
16:53Did you know he was such a mover?
16:55What's this?
16:56We went to a dance class last night.
16:58Been working a case?
16:59Is everyone a detective now?
17:01I mean, I start to feel a little bit left out.
17:03They're sort of the clients.
17:05And we found out something very interesting.
17:07Natasha and Anthony aren't the first dancers to go missing
17:10from the Laqueur dance school.
17:12Genevieve Laqueur?
17:13Well, you know her.
17:15Of course.
17:16I'm a huge fan.
17:17I mean, who isn't?
17:18Oh, you should have seen her in her heyday.
17:20I mean, her and her partner, they were the king and queen of the Paso.
17:23What's her real name?
17:25I mean, it's not Genevieve Laqueur, is it?
17:29It's Jean.
17:30Jean Casey.
17:32What was her partner's name?
17:34Stephen Clancy, he goes by.
17:36What?
17:37Stephen Clancy?
17:38Not Stephane de Cabaccino or something.
17:40What happened?
17:43How come she's teaching a dance class in Brave?
17:45Gave it all up for love.
17:47Got married.
17:48Had kids.
17:49Aw.
17:50How romantic.
17:51Yeah, except hubby ran off with her best friend.
17:53I mean, by all accounts, I think she's very bitter.
17:56What happened to that Stephen thingabajig?
18:00Clancy?
18:01Oh, he found religion.
18:03Opened a church in Tala.
18:05Oh.
18:06Oh.
18:07You're a font of knowledge.
18:09Mm.
18:10How useful you are.
18:11Do you happen to know what happened to the other dancers that went missing?
18:14Do you know, I do remember hearing about that.
18:17I think it was some time when she was teaching last year.
18:21At the other place, I don't know, rumour was, they all just packed it in,
18:25because Genevieve was being too hard on them, getting ready for some big competition.
18:29I mean, they might have just gone home.
18:30I think they were Russian.
18:31Yeah.
18:32Ilya Andriva and Nadia Gakov.
18:35So, nobody knows for sure what happened to them.
18:39To lose one pair of dancers may be regarded as misfortune.
18:43To lose two pairs, looks like carelessness.
18:47Yeah.
18:49Here, what do you mean, the other place?
18:51Oh, she used to teach at the Athena Ballroom before it was closed down.
18:54The message, on your man's phone.
18:58Not Athens, Athena.
19:00Right, it auto-corrected and maybe she didn't notice if she was typing quickly.
19:04She was in a panic.
19:05Thanks, ma.
19:06Yeah.
19:07Oh, thank you.
19:13Glen?
19:15Concepter?
19:17Actually, it's Glen, not Glyn.
19:20Pet said you're a Welsh, so it's more likely it's Glen.
19:23Yeah, but it's not.
19:25And you'll get used to it.
19:26I'll have a drink.
19:27I'm perched.
19:28A tequila sunrise now would hit the spot lovely.
19:33Elton John got me onto them.
19:35The Elton John?
19:36Yeah.
19:37Used to be one of his dancers.
19:39Lovely man.
19:41Little bit handsy.
19:43Isn't he gay?
19:45Please.
19:46Doesn't matter when they want to dip their fingers in this sugar bowl.
19:49Now, don't you go getting any ideas.
19:51You try dipping, Anthony, I snap it off.
19:54Right you are.
20:03Looks like it's seen better days.
20:05It's been better days.
20:06It's been better days.
20:11Harry, maybe this isn't the best idea.
20:15Do you not think we should go, Charlie?
20:20I don't know if there's anything in there yet.
20:22Oh!
20:36What's that smell?
20:38Something wrong.
20:40It smells stronger that way.
20:43Yeah.
20:44Come on.
20:45Oh!
20:47Oh!
20:49Oh!
20:59Oh!
21:15It wouldn't hurt for us to be wrong.
21:26Occasionally.
21:28Let me get this straight.
21:30My wife and my daughter suspected a crime
21:32and they came to you two
21:33and not the chief superintendent
21:34of on-garde Xi'akana
21:36who lives in the same house.
21:37Charlie, do stop being so petulant.
21:40If they had come to you,
21:42what could you have said?
21:43What could you have done?
21:44And to be fair, in our defence,
21:46we didn't know whether or not a crime
21:47had actually been committed.
21:49Well, a crime has most definitely been committed.
21:52Have you found a cause of death yet?
21:53Not until we get the PM back.
21:55We noticed extensive burn marks
21:57are out their necks.
21:58Looked like they'd been tortured.
22:00I know there's no point saying this,
22:02but this is Gardaí business now.
22:05And I also know you're not going to take
22:06a blind bit of notice,
22:07so just let me know if you discover anything.
22:10Okay?
22:11Will do.
22:11Ferg,
22:16did you think any more about our conversation?
22:21I've thought of little else.
22:23It's not easy.
22:24What's that?
22:41That's odd.
22:42No note.
22:43Weird, isn't it?
22:45Who sent you those?
22:47Harry B., Marcello?
22:48Oh, definitely not the latter.
22:50Marcello's as subtle as a brick.
22:51He would have brought all of the flowers
22:53and the bill, too.
22:55Yeah, I'll get it.
23:02Did you notice when we were at the dance school
23:03that there was a changing room for the pros?
23:06They had individual lockers.
23:08I mean, Tyler's going to get this sooner or later,
23:09but I'd really like to see Anthony and Natasha's first.
23:13Is the class tonight?
23:14Uh, not tonight.
23:15I need to get liberty.
23:16Okay.
23:18Uh,
23:19what did you hang back and talk to Charlie about?
23:22Hang back?
23:24Oh,
23:25is it what's been on your mind lately?
23:28Yeah.
23:29Yeah.
23:29And I promise I'll tell you,
23:32but it's just something I need to work out on my own first.
23:35You've become very wise with old age.
23:39I, uh,
23:40just want you to know that
23:41I'm here
23:42however you need me.
23:48Ah!
23:49How's that for timing?
23:50There you are, Harry.
23:52Someone you can take to the dance class with me.
23:54Dance classes?
23:57Carry me in.
23:57I'm a superb dance here.
23:59Oh, yeah.
24:02Tonight?
24:06Come on, Dan.
24:07What do you think of those moves?
24:09How are you?
24:11Good.
24:11Can't wait to dance.
24:12Thanks.
24:27You did what?
24:33You invited Harry Wilde to our wedding.
24:35Why would you do that?
24:36Oh, you're in so much trouble.
24:38Bye now.
24:39I like Harry and Ferg.
24:41I thought you did.
24:42What gave you that idea?
24:44Harry is the bane of my life.
24:45Really?
24:47The bane?
24:48Seems a bit much.
24:49Fine.
24:50I'll uninvite them.
24:51Well, you can't uninvite them.
24:53She's our boss's mother.
24:54Do you have any idea
24:55what level of career suicide
24:57it would be to uninvite them?
24:59Remember you said
25:00I should tell you
25:01if you start bridezilling.
25:04Am I bridezilling?
25:06A little bit.
25:08Deep breath.
25:09There's a private dressing room
25:18just for the dancers.
25:19We need to find a way
25:20to check out the lockers
25:21belonging to Anthony and Natasha.
25:23Sounds easy enough.
25:24I have a friendly burglar
25:25who can open them up for us.
25:26Oh, don't you worry.
25:27You can leave that to me.
25:29Harry.
25:30It's time.
25:32To bugger off.
25:33I have to tell you the truth.
25:35Why I faked my death?
25:37Well, don't bother
25:37because you'll only tell me
25:38a lie or something idiotic.
25:40Wow.
25:43You are going to feel awful
25:44when you find out the truth.
25:45I'm sure I will,
25:46but I'm sure I'll get over it quickly.
25:49Have you seen our son
25:50since you've risen from the dead?
25:52Yes.
25:53Well, probably.
25:55I feel right.
25:57Well, if you'll excuse us,
26:00we have somewhere to be.
26:06Bye.
26:07Bye.
26:07Bye.
26:08Bye.
26:08Bye-bye.
26:17Let's go over there.
26:23No!
26:23Oh!
26:23Oh, I'm so sorry.
26:25I'm telling you,
26:26Mr. Bugdab, sir.
26:27Well, I may have exaggerated that a little bit.
26:29Yeah.
26:30I'm sorry.
26:30Yeah.
26:31May I cut in?
26:34No.
26:34It's fine.
26:34No, please do.
26:37You can't be any worse.
26:41Ciao, Undertaker.
26:42I was back in Italy in a little village on the coast.
26:52Beautiful.
26:53And the local was lovely with me.
26:56They took me in.
26:57They made me feel home.
26:58Oh, feel free to stop talking.
27:00Then I found out that the local couple was extorting protection money from the villagers.
27:08I could stand by and do nothing.
27:28You know I can't abide by the bully.
27:32So I stood up to him.
27:36I faced him down on the town square.
27:39Just me and him.
27:40I made him feel weak and look very weak.
27:45He couldn't forgive them.
27:46He sent men to kill me.
28:08I had no other choice to fake my death.
28:16What bollocks.
28:17What?
28:18It's the blood of a film that Ferguson's been banging on about.
28:21I mean, at least you put the thought in to come up with something that I'm likely to know
28:24other than, say, Casablanca or something like that.
28:27Oh, God.
28:27When did you become such a hard and untrusting woman?
28:31Remind me.
28:32Oh.
28:32When did I meet you?
28:33I'm all right.
28:34Oh, I need to go to the toilet.
28:39Don't.
28:40Are you coming back?
28:42Yep.
28:43Definitely.
28:51Come.
28:52Dance with me.
28:53Let's show them how it's done.
28:57Nuh-uh.
28:57We should get out of here before he realizes I'm not coming back.
29:05So I found a letter in Natasha's locker, addressed to her sister in Bucharest, but never sent.
29:10Did you take it?
29:11No, it's evidence.
29:12I took a photo, though.
29:14It's Romanian.
29:15Weirdly enough, I don't speak Romanian.
29:16Oh, that's okay.
29:17I do.
29:18Why do you speak Romanian?
29:20Well, look, that's a long story, which would require some wine.
29:22And you, well, are not being judgy.
29:24Well, I'm never judgy, but we are getting back to that.
29:27What does it say?
29:28It says a bunch of things that are, like, irrelevant, but it talks about the boyfriend.
29:32She says he's suspicious of her and Anthony and is going off to London for a conference,
29:38but Natasha suspected it was a ruse.
29:40Ruse?
29:41Yeah, she thought Jim was setting her up to catch her out with Anthony.
29:45Now, that's interesting.
29:46Yeah.
29:52Where do you think you're going, Glenn?
29:54It's still Glenn, and I'm just popping out to El Parry and Fergus.
29:59Won't be long.
30:00I don't think so.
30:02You don't what?
30:05My sister asked me to keep an eye on you.
30:08I can't very well do that if you're wandering off with your friends now.
30:11I told her I'd help.
30:12Fine.
30:13I'll help too.
30:14What are we doing?
30:15Whatever it is, it'll be better if we do it my way.
30:17I'm terrific at planning things.
30:20Now, jacket off.
30:24Looking for anything in particular?
30:37Talking to you is like talking to a doctor, right?
30:39It's confidential.
30:40No, I just run a shop.
30:42What do you have for libido?
30:44Do you have any, like, pills that could be crushed up?
30:46Crushed up?
30:47So he doesn't know he's taking them, silly.
30:49Oh, I'm not sure that's...
30:52Or better still, do you have, like, um, a juice, like, um, a sex juice.
30:56Preferably tasteless.
30:58Is this him?
31:00Is this the one you were having it away with in London last week?
31:02What if it was?
31:05Don't be ridiculous.
31:06I've never met you.
31:07Well, that story's full of holes, isn't it, boy-o?
31:10She's standing right there.
31:11You could have failed to have met her.
31:14Told you what I'd do if I ever got my hands on this gigolo, didn't I?
31:17Yeah.
31:18Rake his fingers like all the others, beaten to a pulp.
31:21To your worst.
31:23See if I care.
31:24Look, yes, of course I met her, but only five minutes ago I wasn't in London with her last week.
31:29Oh, yeah.
31:30Can you prove it?
31:32Check the security camera.
31:33I was here every day.
31:34I've never even been to London.
31:36Do you hear that, Harry?
31:37Every word.
31:39Well done, Glenn.
31:40Right, come on, steps.
31:41My work here is done.
31:44What was the point of all that?
31:46Well, easiest way to check out your alibi.
31:48You should know that Natasha didn't believe your whole conference story.
31:53I'm in mourning.
31:56Bad acting.
31:57Fine.
31:58Yes.
32:00There was one, but I never went.
32:02I told her I was going, then I followed her instead.
32:04And what happened?
32:05Nothing.
32:06Anthony picked her up.
32:07They went to the studio.
32:09You followed them?
32:09I watched them go inside, and I waited, but they never came back out again.
32:13And after a while, I went in and I checked.
32:15There was no sign of them.
32:16I assumed they'd gone home another way.
32:19So I went back to Nats and waited.
32:20She never showed.
32:21And you didn't see anybody else coming in or going out?
32:24No.
32:25Except there was a van parked outside, and it was gone when I got back out.
32:31I noticed it because it had Bible quotes on the side.
32:34Bible quotes?
32:36Yeah, like something about Jesus dying for our sins, all that kind of thing.
32:40Bible quotes?
32:41What was it your mother said?
32:50Genevieve's ex-dance partner, Stephen Clancy, found religion and started his own church.
32:55Why would he be killing Genevieve's dancers?
32:58Well, Genevieve gave up dancing.
33:00He would have had to quit.
33:01And as Paul has said, it wasn't necessarily his decision.
33:03Maybe he held a crutch.
33:08Charlie?
33:10Charlie, we think we have a lead.
33:11Can you look something up for us?
33:13Of course, Mother.
33:14I wait by the phone all day just to be of service.
33:17That's the spirit.
33:19We need you to look up someone called Stephen Clancy.
33:22He might run a church in Tala.
33:24Got him.
33:28Ah, he's not your killer if that's what you were thinking.
33:32He's dead.
33:33Took his own life six years ago.
33:35Survived by a wife, Jennifer Clancy, Neil O'Hare and a son.
33:39Ronan.
33:40Ronan O'Hare.
33:41Took his mother's maiden name.
33:43And his father's van.
33:44Charlie, we think that Genevieve will curse in danger.
33:47You need to send someone immediately to Vicar up.
33:49I'm on it.
33:51Vicky!
33:52Jordan!
33:52Frame, guys.
33:55Remember your frame.
33:56Kelly!
33:58Is Genevieve here?
33:59No, she's bloody not.
34:01She went off at Ronan and left me here on my own.
34:03Any idea where they went?
34:04It's urgent.
34:05Search me.
34:06Not as much as a buyer leave, just out the door.
34:09How long ago?
34:10An hour ago?
34:12It's Charlie.
34:14Any news?
34:15No one at her house.
34:16Neighbors say she should be at work.
34:18Oh, no.
34:18We're here now.
34:19She left.
34:20With Ronan.
34:21An hour ago.
34:22Willingly?
34:23Well, I think so.
34:25I mean, he might have tricked her.
34:27Okay.
34:27Um, I'll send a patrol out looking for the Bible van.
34:31Vicky and Jordan are heading to Ronan O'Hare's place in Tala.
34:34We'll let you know if we hear anything.
34:35What is it?
34:36The first dancers, the Russian ones, they banish at the Athena Ballroom.
34:40You know, where we found the other bodies.
34:42Maybe it's significant.
34:44We can't think of anywhere else to look.
34:45It smells like petrol.
34:54We should call Charlie.
34:57I would say, I agree.
35:15It's over.
35:27Gods are on their way.
35:31Let Genevieve go.
35:33You've got it all wrong.
35:36We know who you really are.
35:38Your real name is Ronan Clancy.
35:40Your father is Stephen Clancy.
35:42When Genevieve quit dancing, he was forced to give up as well.
35:46Those around him thought he was a man of God.
35:49But behind closed doors, he was a bitter and angry man.
35:54He took his anger out on his wife and his son.
35:59Twelve police reports on file.
36:03Then he walked into the sea.
36:04And you blame Genevieve for that life.
36:06Anytime she came close to any sort of professional glory, you'd scupper it.
36:13Genevieve thought that you would leave the dance studio because you didn't have the guts to compete.
36:17But it wasn't that, was it?
36:19You aren't interested in competing at all.
36:22You just want to punish her.
36:26You've got it wrong.
36:28He doesn't want to punish me.
36:31Smell the petrol.
36:33He wants to burn this whole place down.
36:36I know.
36:37Isn't it romantic?
36:39What?
36:40What?
36:40I never blamed Genevieve.
36:45My father was an angry man.
36:47That's for sure.
36:49My childhood was not an easy one.
36:52But that's only because he was so passionate about dancing.
36:56I never meant to kill Natasha or Anthony or Ilya and Nadia.
37:00I was trying to help them.
37:02That's all.
37:03There's a signed confession.
37:05It's in my flat.
37:07And it's how the guards were to find Ilya and Nadia.
37:09What part of that is romantic?
37:16Who wouldn't want to go out in a blaze of glory?
37:19This way I'll be remembered forever.
37:26Oh.
37:31You should probably go.
37:37Harry!
37:39No, Fox.
37:52We don't even know if it works.
37:53You can't just let them burn to death.
37:58I don't like it.
38:00I don't like it.
38:01I don't like it.
38:02I don't like it.
38:03I've changed my life.
38:04No, I don't.
38:06I've changed my life.
38:07Oh, no.
38:07I can't.
38:08No, please, please.
38:09No.
38:14Let her go, Matt.
38:16No.
38:17Let her go.
38:18No.
38:21Let her be.
38:23Oh, no.
38:24No.
38:29No.
38:29No.
38:51No.
38:51Okay.
38:52Okay.
38:53It is tradition to hold awake for seven days
39:02to honour my Anthony
39:04and then for nine days after
39:07I will pray for him with my rosary
39:10to help shepherd him to the afterlife
39:13We're sorry for your loss
39:16In my country
39:19we don't believe that death is an end
39:22It is the beginning of the next step
39:25It is a wonderful thing
39:28And I know my Anthony will be dancing
39:34Hi
39:46What's wrong?
39:59I know about Georgetown
40:01What?
40:04How?
40:06It doesn't matter
40:07I know you're not taking the place because of me
40:11I know you're going to regret that decision
40:15I won't
40:17I want to go to Trinity
40:19Trinity is a great college
40:20It is, but it's not Georgetown
40:22Is it?
40:24Come on, Loli
40:25You have to take it
40:26No, I don't want to
40:29I want to stay here with you
40:31I can't let you do that
40:39You can't let me
40:44What are you going to do?
40:47Break up with me?
40:48Oh, my God
40:52You are
40:55It's for the best
40:57It should be my choice
41:00This isn't easy for me, okay?
41:02For you
41:02Loli, it's for the best
41:04Get lost
41:05I can't let you do that
41:35I can't let you do that
42:05I can't let you do that
Be the first to comment