- 2 days ago
The Covenant-S1E4-1080P
Category
š„
Short filmTranscript
00:00You
00:15So we are experiencing a little setback
00:19Sounds more like it
00:21If your contact has been decimated
00:26Maybe you should have hired him in the first place
00:28Have you been in contact with the principal?
00:30Yes, I have
00:32And what is he saying about it?
00:34He's saying we should try again
00:36Is he sure?
00:38Do you want to ask him yourself?
00:40The principal knows best
00:42Yes, he does
00:44So that's the goal
00:46We're trying again?
00:48Is that a rhetorical question?
00:50Yes, it is
00:52What about all the sacrifices?
00:54Yes, it is
00:56What about all the sacrifices?
00:58What are you going to do about that?
01:02I'm trying to establish contact with Diablo
01:06He'd have something for us
01:08Is he still alive?
01:12Hopefully
01:14Good
01:16Reach out to him
01:18And
01:19Bella
01:20What?
01:23If you fill this time
01:25Your relationship with the principal
01:27Will save you
01:29Good luck
01:46esteemed
02:04This one has a beer
02:06Here
02:10Whatever
02:11Twenty-four hours.
02:13It's nearly fine.
02:17Don't tell me if I need information about my brother.
02:19I'm not sure.
02:21I'm not sure now.
02:23You get information from me.
02:31My son still needs to say
02:33this time we scored your attack.
02:35That your brother ain't here for my escape.
02:41Who is your source?
02:43Enough to tell you that one.
02:44Why?
02:45Because I need to protect my source.
02:47Plus, God, see the child find out.
02:51Now I ain't calling you back.
02:57Yes.
03:01And then a Celestine had a fine.
03:03The information I need.
03:07The information I guess I haven't been here.
03:11I need to talk to your source face to face.
03:13I need to talk to your source face to face.
03:15Guy. Guy. Guy. Look round.
03:17Your brother not in my bar.
03:19Who has a good friend?
03:20They focus on your matter.
03:23If India has idea why you never call Stella?
03:25Why you never call me?
03:27If you never call Luna,
03:28maybe they do everything you're supposed to do.
03:29Now I'll call me with you.
03:30I...
03:31Nothing. I'll just come see where my papa did talk.
03:33If you don't come die and call.
03:34I don't believe so.
03:35I don't know.
03:36You can everything today as a supposed day.
03:37Look at that one.
03:39I will do your part to judge you.
03:40I will go.
03:41I will go.
03:42I will go.
03:43I will go.
03:44I will go.
03:45I will go.
03:46I will go.
03:49I will go.
03:54I will go.
03:56Come on!
04:00Okay.
04:02brother, go!
04:08They won't be this.
04:09I think you don't finally they happy now as you don't they go home
04:32yes but I don't feel that way why are you not feel that way
04:46they killed my friend how do I do I say to her people I invited her out I took her
05:01away from my house I
05:03I can't I can't I just what do I say
05:20like how do I say it's like what do I tell them she didn't want to go
05:26she was telling me she didn't want to go in
05:30I took her away
05:33I can't say
05:35okay okay okay okay don't do it
05:38not be your fault I just tell you nana not be your fault now
05:42so you know nana you don't want to do it
05:45you know nana you don't want to do it
05:47no no no no no no
06:04Take your back and do it like this.
06:06No.
06:07It's nothing.
06:08Open your mouth.
06:09God knows.
06:12What?
06:14Don't.
06:18What's that?
06:29Gone.
06:31Why do you have one?
06:34Why do you?
06:37Do you see this letter within?
06:44People why you they see?
06:47In fact, almost everybody, when they did for this word, they'd be dangerous people.
06:54So I need this gadget to protect myself.
07:00Hm?
07:02hmm have you killed someone before
07:10yes but nah nah nah nah only bad people you see those type of people where killed are your
07:17friend not those kind people now they kill
07:27i want to kill those devils
07:28that's what i want most in the entire world right now i want to kill them
07:36am i a bad person no no no no i want to kill them i want to kill them
07:45you're serious about how to talk
07:49so if you're serious not to say you fit
07:51if you start by learning how to use this gun
07:58uh i can learn yes if you can learn if you're serious
08:09how did you teach me you don't already
08:12you don't know how to use this gun
08:16okay so we go start by
08:18hold on hold on hold on first
08:20let me see
08:21hold on
08:21let me see
08:22let me know no no no you're not heavy now because obviously now your first step
08:28uh so much more you go there used to her
08:31hmm so you go we go we will look for our target first
08:36then so hold on hold on with your right hand
08:38hold on hold on like this
08:40uh-huh just stretch your hand
08:43okay
08:54because you're not good to miss targets if not your targets will not miss you
08:59so you'll stretch up you aim your targets
09:02you can carry
09:03do i pull the trigger
09:09do i pull the trigger
09:10no
09:11they're not a pull trigger you'll carry this hand
09:14this one
09:16never run amonti i say go
09:17okay so carry this hand yeah
09:19it's a stretcher stretcher never touch on me
09:21okay you'll use this hand take
09:24finger the trigger until the bullets come
09:29finger the trigger
09:31yeah yeah you go finger the trigger
09:33until the bullets come
09:37no no no don't be this one within your head but
09:41yes until the bullets come so we're not ready
09:45stretcher no forget support and wear in a gun all right
09:50so we're going three
09:53two
09:54hold on well
09:56one
09:57oh yeah run now
10:01sorry sorry sorry sorry sorry sorry sorry
10:03yeah yeah yeah sorry get some get some get some
10:05yeah sorry wait wait wait wait wait
10:07yeah yeah yeah now you have a test for me sorry
10:09sorry
10:12ah ah nice
10:14you're doing okay at me
10:15real real okay see
10:17it's that trick sorry sorry
10:21he's out
10:22good good yeah congratulations you you
10:25you just found your first shot
10:27you do well
10:27it's loud yeah yeah you're supposed to do it loud
10:34i'm sexy
10:43I don't know.
11:13I don't know.
11:43I'm sorry.
11:47I don't know.
12:17I want to avenge Manuela's death.
12:34I don't know.
12:36I don't know.
12:38I don't know.
12:40I don't know.
12:42I don't know.
12:44I don't know.
12:46I don't know.
12:47I don't know.
12:48I don't know.
12:49I don't know.
12:50I don't know.
12:51I don't know.
12:52I don't know.
12:53I don't know.
12:54I don't know.
12:55But that's what I need you to help me with.
12:58I don't know.
12:59I can request such warrants for Naomi's place when she hasn't committed any crime known
13:05to law.
13:07Come on.
13:08You need to give me something to work with.
13:10All right?
13:11And I ask you, what crime are you suspecting her for?
13:18I think she's in business with that Scorch girl.
13:24Naomi and Scorch?
13:25Yes.
13:30So, where are you basing your suspicion on her?
13:36I already told you.
13:38I saw Scorch leaving her bar on what you want.
13:44When you saw a criminal leaving someone's bar, you already concluded that the criminal
13:50and the owner of the bar are colluding.
13:53I mean, you don't do things that way.
13:55All right?
13:56You need to give me concrete evidence.
13:59You need to get your facts right.
14:02Then I'll know how to help you.
14:05Come on, Patrick.
14:07Why are you working so hard to make me sound like I'm crazy?
14:10Me?
14:11Making you sound crazy?
14:13Come on, Dad, don't worry.
14:15Listen, listen.
14:16You need to tell me, you know, you need to make it believable.
14:20You need to bring concrete evidence.
14:23Give me facts.
14:24All right?
14:25Give me something to work on.
14:27Then I am writing this phone game and do the needful.
14:32Yeah.
14:35All right.
14:36Hey!
14:37Hey!
14:38Hey!
14:39Hey!
14:40Hey!
14:41Hey!
14:42Hey!
14:43Hey!
14:44Hey!
14:45Hey!
14:46Hey!
14:47Come on!
14:48Okay.
14:49I should have come now.
14:51Now we don't have a problem now.
14:58You sure?
15:01I'm sure.
15:03But they are from the Commonwealth.
15:05I see who they are.
15:08Apart from my workers,
15:10they are the smaller ones with them.
15:12The smaller ones, they are with them there.
15:15What about the other two guys?
15:18I don't know.
15:22I don't know.
15:29Maria!
15:42Everybody go!
15:44Please!
15:50Come on.
15:57I won't make you go now in my house.
16:06Savage.
16:09And ghetto.
16:10You must die.
16:17Something's done.
16:23Oh my God.
25:54Come on!
25:58Come on!
26:00Come on...
26:02Come on...
26:07Don't worry, drink it.
26:17What?
26:20Rafa?
26:21What?
26:22What happened?
26:24Papa.
26:26He's...
26:28He's dead.
26:30Who?
26:52He's dead.
26:54He's dead.
26:56Where's the airport?
26:58I've scored you.
27:00I've never had money.
27:08Naomi.
27:10Naomi.
27:22What the fuck is going on now?
27:30Not now.
27:32You go come out, I'll come find you.
27:34I'll give you details here.
27:36You should have said not now.
27:38I'll find my brother now.
27:40Give me your ass down now.
27:42Eh?
27:44I said...
27:46Not now.
27:53Oh, yeah.
27:57Oh, yeah.
28:14Oh, yeah.
28:16I'm not going to find me one gun now.
28:23I'm not going to find me one now.
28:26I'm not going to find me one now.
28:29Sting, you don't say you guys join Kater first.
28:33Before the commander will give you iron.
28:36No fear, don't worry.
28:37I go listen and want nothing, don't worry.
28:39Now one day, see, I need to do it.
28:42I need to do it badly.
28:43I don't want nothing to do it, but we'll find you one shop line.
28:47You know they use to do this business, you guys.
28:49Shop line.
28:50You call.
28:51Believe.
29:02There ain't so bad there all now.
29:04I'll get everything what you need.
29:08But the matter where the debits say,
29:10your money don't double load.
29:12Why?
29:13This is not the first time I'm doing business with you.
29:16Yes.
29:17But not the first time with me and you, they do business directly.
29:20But that does not justify anything.
29:22Now the risk, where are they think,
29:24that they do business with you might justify them.
29:27You don't understand?
29:29Because in Uncle Tay,
29:30those men when they chase you, they will begin to chase me.
29:33What are you talking about?
29:35Those guys, when I give you the last time,
29:37I know the way the matter goes down.
29:40Who told you this?
29:44You see?
29:45You don't get anything where they suffer this jungle when I know their way.
29:50I get eyes.
29:51What if I be in the jungle?
29:52And I will be what happened.
29:53So you go too happy you no go too.
29:54I will speak with my associates and I will get back to you.
29:55Sure.
29:56Commander Stelter.
29:57How far?
29:58If you tell me who told you what happened in the forest, I'll triple your price.
30:03You got nothing.
30:04Aity of the punishment.
30:05You got nothing.
30:06You got anything.
30:07You got nothing.
30:08You got nothing.
30:09You got nothing.
30:10I did.
30:11I got nothing.
30:12I got nothing.
30:13I am going to leave the house there.
30:16I know.
30:18How many of you haveliked this?
30:20I got nothing.
30:21They did.
30:22What did you do?
30:23What did you do?
30:24You know the boy that they call Sting?
30:37Sting is alive.
30:41Now, listen to me carefully.
30:53Now, listen to me.
31:22So, fall back.
31:26Now, listen to me.
31:38Now, listen to me.
31:50Now, listen to me.
32:02Now, listen to me.
32:14Now, listen to me.
32:18Now, listen to me.
32:22Is it done?
32:24Who be this?
32:30Sting?
32:32Dilemma.
32:33Where is the commander?
32:36Well, the commander has given his last command.
32:40Why wouldn't you just die, Sting?
32:48Tell me where you are so that I will come and answer you.
32:52Do you realize what you're dealing with?
32:54Do you know that these powers are way beyond your comprehension, Sting?
33:00Yes, I'm beginning to have the idea.
33:04You know what?
33:06Before I leave this town, I will find your mother and I will kill her.
33:12My mother.
33:13My mother.
33:14Yes.
33:15Stella.
33:16Isn't that her name?
33:17Thanks for telling me where you are.
33:19Sting.
33:20Sting!
33:21Sting!
33:22Sting!
33:23Where are you going?
33:24My mother's life is in danger.
33:26She needs help.
33:27Your mother is not helpless.
33:28She has your brother Dagugu with her.
33:29Dagugu?
33:30Yes.
33:31Yes.
33:32Yes.
33:33Yes.
33:34Yes.
33:35Yes.
33:36Yes.
33:37Yes.
33:38Yes.
33:39Yes.
33:40Yes.
33:41Yes.
33:42Yes.
33:43Yes.
33:44Yes.
33:45Yes.
33:46Yes.
33:47Yes.
33:48Yes.
33:49Yes.
33:50Yes.
33:51Yes.
33:52No, no.
33:53No, no.
33:54No.
33:55No.
33:56No.
33:57No.
33:58Nobody wants to.
33:59No.
34:00No.
34:01No.
34:02No.
34:03No.
34:04No.
34:05No.
34:06No.
34:07No.
34:20Are you sure of what you're telling me?
34:44Look, I have it on good authority now
34:46that that girl is involved in my brother's disappearance.
34:48Who told you that? Naomi?
34:52No. Someone else.
34:56Patrick, something crazy is going on in this town.
35:01Da Gogo, are you just realizing that?
35:04No doubt.
35:06I mean something crazier than you can possibly imagine.
35:08Well, let me get this girl to the station first,
35:10then I jump on Scott's problem.
35:14Took you long enough.
35:16I'm awaiting this show himself.
35:19Militants killing each other in the jungle that one day.
35:23That one normal for them.
35:25But shooting innocent civilians in the public?
35:27No!
35:28No, come on.
35:32That's so bad.
35:33As if your bosses had listened to me when I was talking about this.
35:36Scott will have the airfrontry to attack people in public.
35:40Da Gogo, don't forget that your friend is a prime suspect.
35:43Have some water mind your business.
35:54Right, my marriage.
35:55I need that.
35:56Miss Bellema, you don't need her at the station.
36:10No?
36:11Why?
36:12Why?
36:12Is this in some kind of trouble?
36:17Reverend, please.
36:18Let the officer do his job.
36:19No, I'm not saying he shouldn't do his job.
36:22But this is a sanctuary.
36:23Da Gogo, this is a sanctuary.
36:25And she's in sanctuary.
36:26So I need to know if she's in some kind of trouble.
36:30She's not in any trouble.
36:32She needs to...
36:32Handle this.
36:33One second.
36:37Yang Gogo, where the fuck are you now?
36:39Mad dead.
36:40Mad no labor and I walk in there.
36:41Come down, bro.
36:42I will explain everything we see.
36:44For now, Stella is in danger.
36:47What do you mean Stella is in danger?
36:49So almost a killer order.
36:51Yeah?
36:52My friend, are you sure what you're saying?
37:09Her represent.
37:11All right.
37:12I know exactly where to find her.
37:22Who are we?
37:33Who are you?
37:36Who are you doing?
37:41Who are you looking for?
37:45Who are you doing?
37:47High five.
37:48Who are you looking for?
37:51No.
37:51No matter what you do, no matter what happens to you, don't get blown in your hands.
38:21Stop.
38:28Fuck!
38:41Fuck!
38:44Fuck!
38:49Let me see your hands. Get on the floor, faceflats!
39:03Dagogo, what's going on, Patrick?
39:05My brother just called.
39:07Celeste?
39:08Yes.
39:09As a faceflats! You think I'm joking?
39:11You are hurting her now!
39:13It was you all along.
39:19What?
39:20That bloodstain on your shoe.
39:22Patrick, there's a dead nun in the store area.
39:27She couldn't have dragged her all the way there by herself.
39:30Not with one arm.
39:32She needed help.
39:33It was you.
39:34I think you're making it.
39:36On your knees!
39:38Now!
39:39Patrick, please.
39:42No job!
39:44I am waiting.
39:46Help me.
39:49Are you alright?
39:50Yeah, man.
39:51Hey!
39:56I'm watching you.
40:12One more thing.
40:26The ritual at the stone does not give you despair.
40:29It does not?
40:31No.
40:32Then why am I just hearing about this?
40:35Because it's time for you to.
40:36Papa, I...
40:37I lost good men.
40:38I lost a good friend.
40:39Trying to protect that thing.
40:40Now you're telling me it was never even there from the beginning.
40:42You see, protecting that is equally as important as protecting despair.
40:44I don't see how that is.
40:45The stone opens up for those who make sacrifices to it.
40:46And it shows them the location of the despair.
40:47Okay, then we can change where despair is.
40:48Well, it doesn't change the outcome.
40:49We can at least move it to a place where we can protect it these days.
40:50Okay, then we can change where despair is.
40:51Well, it doesn't change the outcome.
40:52We can at least move it to a place where we can protect it easily.
40:53That's true.
40:54Okay, good.
40:55So, where is it?
40:56I don't know.
40:57You see, protecting that is equally as important as protecting despair.
40:58I don't see how that is.
40:59The stone opens up for those who make sacrifices to it and shows them the location of despair.
41:08Okay, then we can change where despair is.
41:12Well, it doesn't change the outcome.
41:13We can at least move it to a place where we can protect it easily.
41:17That's true.
41:18Okay, good.
41:19So, where is it?
41:21I don't know.
41:22Huh.
41:23Papa, you don't trust me?
41:24No.
41:25It has nothing to do with trust.
41:26It's not a matter of trust.
41:27I don't know.
41:28How can you not know?
41:29You are the chief priest of the Brotherhood.
41:30How can you not know?
41:31That is by design.
41:32But the secret member of the Brotherhood, you know.
41:35That's bad news.
41:36Okay, wait.
41:37Let me get this straight.
41:38There is a member or some members that know where the stairs located.
41:42Yes.
41:43Then who are they?
41:44I don't know.
41:45Papa, I am trying.
41:46I am trying.
41:47But how am I supposed to protect something when I don't know who has it and I don't know where
41:52it is?
41:53How?
41:54Your job is to protect the altar and eliminate anyone who comes there or looking for the
41:55spare.
41:56Okay, but how do you know?
41:57How do you know?
41:58How do you know?
41:59How do you know?
42:00How do you know?
42:01How do you know?
42:02How do you know?
42:03That is where I come in.
42:04Please, Papa.
42:05I don't know.
42:06I don't know.
42:07Papa, I am trying.
42:08I am trying.
42:09But how am I supposed to protect something when I don't know who has it and I don't know
42:12where it is?
42:13How?
42:14Your job is to protect the altar and eliminate anyone who comes there or looking for the
42:20spare.
42:21Okay, but how do we know that whoever has the spare now has nothing to be using it for
42:25their own evil deeds?
42:26That is where I come in.
42:28Please, Papa.
42:31Please, Papa.
42:33Don't even think of anybody who may know where it is.
42:38Please.
42:43Is that?
42:44Oh.
42:45Stella.
42:46Do you remember Peter?
42:48Why wouldn't I remember Peter?
42:52The one who didn't see you.
42:57Is it Donna?
42:58His daughter was there.
42:59Did she see you?
43:00No.
43:01How do you not say I lied?
43:02I know why you lied.
43:03You see that girl?
43:04The girl don't come.
43:05I know why you lied.
43:07You see that girl?
43:08The girl don't come.
43:09Is she when she dies to speak?
43:10No, she's not there with me.
43:11But I know she's not there with me.
43:12You see that girl?
43:13The girl don't come.
43:14Is she when she dies to speak?
43:16No, she's not there with me.
43:17But I know she's done her way.
43:21I know she's done her way.
43:26You see that girl?
43:30The girl don't come.
43:31Is she when she dies to speak?
43:33No, she's not there with me.
43:36But I know say she don't how we came looking for the spare. I
43:43Don't know but I must say she walk on a painting a pattern a father
43:54Celestin is alive
43:56How do you know for sure that the girl in question is Peter's daughter?
44:12But I don't care where your daughter's supposed to be. Bellema
44:20What would you do when she gets to you
44:22They don't call I'm going to reduce myself properly to them
44:30Stella get the hell out of the place now
44:34Callu
44:37Goodbye
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