అఖండ 2 సినిమా టీమ్తో జరిగిన ఈ ప్రత్యేక సంభాషణలో ప్రముఖ రచయిత, నటుడు తనికెళ్ల భరణి బోయపాటి శ్రీను, సంగీత దర్శకుడు థమన్తో కలిసి సినిమా వెనుక కథలు, సృజనాత్మక ఆలోచనలు, అఖండ విజయం మరియు అఖండ 2పై ప్రేక్షకుల అంచనాల గురించి ఆసక్తికర విషయాలను పంచుకున్నారు.
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NewsTranscript
00:00I am not sure if I am not able to get into this world without any good friends, I will be interested in this story.
00:12I am a part of my country from Paramauta.
00:20That is a human being.
00:24If you are aware of it, you may be aware of it or you may be aware of it.
00:29It is called Ahimsa Paramodharmaha.
00:33For example, when we say Ahimsa Paramodharmaha,
00:41it is a way of understanding.
00:45If you are aware of it, you may be aware of it.
00:50Ahimsa Paramodharmaha is not a way of understanding.
00:55Everyone knows that.
00:57But, if you are aware of it, you may be aware of it.
01:02If you are aware of it, you may be aware of it.
01:06If you are aware of it, you may be aware of it.
01:15You may be aware of it.
01:17You may be aware of it.
01:19If you are aware of it, you may be aware of it.
01:28You may be aware of it.
01:30It is a matter of nature.
01:32It is a country that is a country.
01:36If you are aware of it, you may be aware of it.
01:42If you are aware of it, you may be aware of it.
01:52It is a matter of nature.
01:55The approach is to a point where a person is born, in terms of the human being,
02:00the human being is born and the human being is born.
02:07Sometimes, a person is born in a day after the day,
02:10a person is born.
02:14This is a continuous language,
02:17which means,
02:22The reason is that Salaman said that it is not a human being.
02:32It is not a human being. It is not a human being.
02:37It is a human being.
02:40It is a human being.
02:43The reason Gone warn la Н� village is the human being.
03:04It is not a human being.
03:09The truth is the truth is the truth.
03:16The truth is the truth of the truth.
03:24Thank you, Guru.
03:27My name is Mamo Gama.
03:29I have no name ishwaragum.
03:31I have no name ishwaragum.
03:33I have no name ishwaragum.
03:35What happens is, we refer to the mission of God's purpose.
03:39I refer to the mission of God's purpose in change.
03:42We refer to that as we refer to God's purpose.
03:45We refer to unity and unity about God's purpose.
03:48This is a truth.
03:52That means that, the truth is,
03:54that in the relationship with God's purpose,
04:00When we were born, we were born, and we were born.
04:07We were born, and we were born.
04:09When we were born, we were born, and we were born.
04:19So, silence means that there is a place called Sthano Rudra Umapati.
04:25There is a place called Sthano.
04:30There is also a place called Sthano Rudra.
04:33It means that there is a place called Sthano Rudra.
04:35So, this subject is a place called Sthano Rudra.
04:42I don't know if you have any reference to this subject.
04:47You do not know Sthano Rudra.
04:49You also know something about Sthano Rudra.
04:52The subject is that you have to read and read and read the name of Sthano Rudra.
04:56What is the subject of Sthano Rudra?
04:57What is Sthano Rudra?
04:59What is the subject of Sthano Rudra?
05:01You study the Vedas and your spiritual studies in the same way.
05:06In the same way, you translate the Vedas into the Vedas and translate the Vedas into the Vedas.
05:15You can use the Vedas as a part of the Vedas.
05:19You can use the Mecca.
05:22I have traveled the length and breadth of India and I have not seen a single beggar or a thief.
05:44How did you say that? In the 17th century.
05:51I was in the 17th century and I was in the 17th century.
05:56I was in the 17th century and I was in the 17th century and I was in the 17th century.
06:02We have to break the very backbone.
06:11What is their culture?
06:15If you read the same word in the 17th century,
06:19I would say,
06:21I have to speak to them.
06:22What are the 18th century and 35 years old?
06:25My father was born in the 17th century.
06:29My father is my father.
06:31I am a father.
06:33I am a father.
06:35I am a father.
06:37I am a father.
06:39I am a father.
06:41I am a father.
06:43I am a father.
06:45I am a father.
06:47I would like to talk to you about this story.
06:57I would like to talk to you about Moolan and Moolan.
07:09They are professional and spiritual training for all the wisdom and knowledge of knowledge.
07:15He tells of Aishwarya and Phrasad.
07:19He always tells him the story of Moolah.
07:23They read the story of Moolah.
07:25He always tells him the story of his life.
07:28There is a way of showing his realidade.
07:34To be honest, a way of telling him something about Moolah.
07:37rav Raw美國
07:39rav För世
07:40rav Rer
07:42var Ajna
07:44rav
07:45rav
07:46rav
07:48rav
07:50rav
07:51rav
07:53rav
07:55rav
07:57rav
07:59rav
08:00rav
08:01rav
08:03rav
08:04rav
08:05ra
08:05rav
08:06He gets in a way that He often thinks of the He is the right.
08:09I'm telling the truth and the truth is the truth.
08:12This is the truth.
08:13Why is there a truth?
08:15From there, that's the truth.
08:19About the divine meaning of the Buddha and the Guru.
08:26The difference between us is that we have a child, a child, a child, a child, a child, and a child.
08:36That's why I am so happy.
08:39What is the child? What is the child? What is the child? What is the child?
08:46What is the child?
08:48We don't have to worry about it.
08:52What is the child?
08:53We don't have to worry about it.
08:58This is the reason why the child is not being the child.
09:07But it's the reality of the child.
09:11This sounds like people have no idea.
09:13I don't know the source of the pyramids.
09:18What is this?
09:20What is this?
09:22I have to give a chance to a friend in my family.
09:27I have to give a chance to a friend.
09:29I have to give a chance to a friend like another.
09:32I do not care.
09:34Or, why would you ever give me a friend?
09:36Why am I doing this?
09:38But that is the truth.
09:40We are going to talk about the divine.
09:47I am.
09:49I am.
09:54I am.
10:07I am a father and I am a father who is in the garage.
10:16Then I am a father.
10:17Then I am a father.
10:22I am a father.
10:25I am a father.
10:30The reason is, I am convinced that the four of us are not here.
11:00NALO NA GALA SIVUDU NILO NA GALA SIVUDU NATA KALA ADA GALADU THERA DINCHI MOOTAKATTIYA GALADU
11:11That is the reason. So,
11:16PRATPHU TALLI NAA THALLI
11:21PRATPHU TALLI NAN THALLI NCIALAM
11:28GALADU NUNE
11:32PRATPHU TALLI NUU
11:35NUHU PUJISTHU NAPPUDU NUHU DHAASUDI
11:39NTINI ZAANIKI NUHU MAMAYAKA VAIPOI NAPPUDU
11:43He gives you the Holy Spirit.
11:46As we give you the Holy Spirit.
11:50So...
11:52I have been talking about the Holy Spirit...
11:54What's in the Pooja Vedhana?
11:57In the elementary school.
11:58In the Khabarak, in the Dandalesia,
12:01at the Kirita, it's an elementary school.
12:03Next step.
12:05Because I am the Holy Spirit.
12:10Meditation is the next step.
12:12There are all kinds of things and God is blue.
12:14There is all kinds of things.
12:16There is no single thing in that thing.
12:18And then, there is the third stage.
12:21Becoming Shiva.
12:23Becoming God is a part of the film.
12:27I am the person who is a person whom I see.
12:31The person who can see a person who is a person who is a person who is a person who is a person who is a person.
12:38No. No.
12:39Don't give me any money.
12:41Sir, don't give me any money.
12:43It's not about it. I'm under a glass mirror.
12:45Don't give me any money if you want to?
12:47If God says that,
12:49then you get your money and run away.
12:51But you have to say that.
12:55That's not about the help of your video.
12:59I was, sir, going to shoot yourself out of a different way.
13:03He went to 9th year.
13:04That's not about how you do it.
13:05But if you choose to choose, this is fine.
13:06Ok, very good job.
13:08So, okay. You have done a part in RR, but if you have a part in Shivda, you can't read it in a part in your own.
13:17You can't read it in your own. I can't read it in your own. I can't read it in your own tune.
13:24I can't read it in general. You can read it in your own.
13:32But, if you have any word to respond, you can use the word to give the word.
13:36The word to give the word is great.
13:38Then you have to use Pranampoji, Shankarudaya, and I am able to get a part of that.
13:43And you have to pick one.
13:45You will have to pick two feet.
13:46So, if you look for that one,
13:48you will have to pick one and pick one and pick one.
13:50That's okay.
13:51That's the transition.
13:53You can pick one and pick one.
13:55You have to pick one and pick one and pick one.
13:58You can pick one for the first one.
14:00First,
14:02There are a lot of exercises.
14:03That means,
14:04in the case of Jagbathibaba,
14:05there is a lot of food, right?
14:07Bidda.
14:07Bidda.
14:08That means, there is a transition from Kasi.
14:11The food is also very organic food.
14:16If you look at the current,
14:18this is the current,
14:22the current is A5.
14:25In Kasi.
14:26A5 will start a big deal.
14:28It will start a big deal.
14:30So, studying of more things.
14:33Actually, after Akanda,
14:35a lot of life-flow balance will be done.
14:39Balancing.
14:40That means,
14:41a balance is done.
14:42Everyone will be able to do it.
14:45Now, I will be able to do it.
14:48So,
14:50what did you study?
14:51If you look at Akanda's cinema,
14:54you will see you in a cinema.
14:57How can I be the transporter of this?
15:00How can I transport it to the people's ears?
15:11Generally, there is a mantra in the winter.
15:13But now, there is a generation.
15:17The way they are...
15:18If you look at the mantra,
15:21you will be able to do it.
15:22That's it.
15:22That's it.
15:23Because there is no language.
15:24No language.
15:25There is no language.
15:26So, today, I am looking at the comments on YouTube.
15:30It is a joke box.
15:31It is a joke box.
15:32It is not a joke box.
15:34In another part,
15:36they will say,
15:37I am going to do a comment on YouTube.
15:39This is a joke box.
15:40I asked him to comment on the video. He said,
15:46He said,
15:48He said,
15:50He said,
15:51Okay, I'll do this.
15:53But, I teached cinema is a cinema.
15:56I said that.
15:57You are not a music player.
16:00Because,
16:01I have no idea where my album is released.
16:03He did a cinema.
16:05He did a movie.
16:07So, he did a movie.
16:09So, the credit is...
16:11It's a very important thing to know.
16:16It's a very important thing to know.
16:18In this regard, there are many people who play dance in Mamul.
16:22We are playing a lot of music.
16:25But, where is Tandava?
16:27Where is Tandava?
16:28Where is Tandava?
16:29Where is Tandava?
16:30Where is Tandava?
16:31Where is Tandava?
16:32Where is Tandava?
16:33There is a music in Tandava.
16:34So,
16:35there is a lot of different dance.
16:40There is a lot of different dance.
16:45They are playing Pramadhu.
16:47Pramadhu, they are in the press.
16:50There is a lot of music.
16:52It's a lot of music.
16:54So, we are talking to each other.
16:56What is the...
16:57We are talking about Jakarta Nadigadu.
17:00When he was releasing the cinema.
17:02If you have to clean everything, you will not be able to clean everything.
17:08That is true.
17:09The sound is clear.
17:10If you have to clean everything and clean everything, you will not be able to clean everything.
17:16That is true.
17:18This is true.
17:20I am doing my own work with the Guru.
17:25If you are a very small person, you are a little bit if you are scared.
17:29I am very scared.
17:33If you are a little bit, you are a little bit honest, you can be an extreme person.
17:38That's why we all know.
17:39The way you are in your dreams, your culture, your cinema, whatever you want.
17:42Cinema is sitting, music, music, and art.
17:46First, we will try again.
17:48You will try again and try again.
17:50That is a logical reason.
17:51We are also in the field of a shiv.
17:54No, sir, I am a man. I am not a man.
17:56Has I had a man.
17:58Why did you not?
17:59I am a man.
18:01In the last event, I have the guide to travel as my director-gartrew
18:04and travel with myופg us.
18:06But I have a great talk here.
18:08The idea of knowledge, things like knowledge,
18:11and the idea of knowledge,
18:12and whether it be an Indian or Indian or Indian or a Indian by the other,
18:15it's nothing we could do.
18:18My perspective in this first line is not the same way.
18:21The other Paramodharma,
18:23He'll come back.
18:24My thoughts aren'tição to you.
18:25That's all he can do.
18:27He said that he spoke with the harmony.
18:29Calling Kalyamaful.
18:32Kalyama, Sri33an, Sri33an, Sri21an, Sri33an, Sri33an, Sri33an, Sri33an, Sri33an, Sri33an, Sri33an, Sri33an, Sri33an.
18:36My father is in the direction of signseitu.
18:39Kalyama, the next one is review of those.
18:41Everyone is review of those Shadakrams, Sri33an, Sri33an, Sri33an, Sri33an, Sri33an, Sri33an.
18:44We will write about the truth.
18:45He's to submit a question.
18:47That is right sir.
18:49Now...
18:50You will talk about this above.
18:51Yes, yes, yes.
18:51And in that mission, I always say,
18:55Who is the one that is coming from one village?
18:57Who is the one who is coming from one village?
19:00Do you know it's a village of Brahmihimurth?
19:02Do you know it's a village?
19:04The village of Brahmihimurth is a village.
19:08Because they are in the village of Brahmihimurth.
19:12As far as the village of Brahmihimurth,
19:15they are not even in the village of Brahmihimurth.
19:18If I came into my life, I was a woman.
19:20I will explain something to you.
19:22That is, the truth is that
19:26we have a child only before once.
19:30They leave their lives and they are lost.
19:34That is, in the state of Ireland, in the state,
19:38in all the suffering of the death.
19:43That is, everyone is here in the country.
19:47That is.
19:48The one who is a human being is the human being.
19:55The one who is a human being is the human being.
19:58What do you mean?
20:01I am the human being.
20:03So, I've been told about that.
20:06Kalyan is not a human being, but I don't know why it is a human being.
20:13In other words, it is a simple language, but it is a standard language.
20:17In this film, it is an extraordinary language.
20:24That is why you have a trending point here.
20:27However, let me show you the sound.
20:31What is it?
20:33It is a standard language, and the sound of the voice of the voice of the voice will be the voice of the voice of the voice.
20:48You are speaking about this word.
20:51I am speaking about Pramatha Canal.
20:53You are speaking about Pramatha Canal, where you are in Pramatha Canal.
20:56You are speaking about Pramatha Canal and Pramatha.
20:58Yeah, it is the same thing.
20:59It is the same thing.
21:00Have you ever seen that?
21:02In my generation,
21:05we just have one thing to say.
21:09You can know there are so many things in your mind.
21:12Like, if you have dinner at night,
21:14when you have a mother,
21:16and you can see this,
21:16in this kind of situation, we have to go live.
21:17You can have a lot of plan to do this.
21:19So, in the profession,
21:20we can see a lot of things.
21:22But, I know what the cinema is,
21:23first off, I have to listen to the cinema,
21:26That was the first film about cinema.
21:28Oh, oh, this is the thing.
21:30That's the first film that I did.
21:32And that's how...
21:33Astatigman.
21:34Yeah, Astatigman.
21:35Astatigman.
21:36I'll fix it.
21:37I'm a fan of my family.
21:41You can watch on the theater and the whole of my face.
21:44You can watch on Facebook and watch where you go.
21:47And you can watch all my faces.
21:49I'll watch only one of my faces.
21:50That's why...
21:52Shivatatmani, Vishrutatmani...
21:54They mixed with Paramabhutans.
21:57Now, in the last few months, they had a good feeling.
22:01In the short short, they had a good feeling.
22:04Why?
22:05Because they were like, I am like, I am a guru!
22:07Like Pancharamam.
22:08That's how they are.
22:10But, in this case,
22:12I am feeling that I am feeling a Vishnu Tattwa,
22:14I am feeling that I am feeling that I am feeling that I am feeling that
22:15I am feeling that I am feeling a little bit better.
22:17That is,
22:18I am feeling a lot better than you are doing it.
22:21Now,
22:22What kind of poetic is that, in the country,
22:31there is a dream of our Vishnu Gapa and our Shiva Gapa.
22:40Madhbhakta Sankara Dveshi.
22:43I am saying that Vishnu is saying that.
22:46Madhbhakta Sankara Dveshi.
22:49Madhveshi Sankara Priya.
22:52Madhveshi Sankara Dveshi.
22:55Madhveshi Sikra Sankara Dveshi.
22:57Madhveshi Sankara Dveshi.
23:01Madhveshi Sankara Dveshi.
23:05In the context of this the two of us are American.
23:09We talked about this two.
23:13We were able to understand what we have to do on this board.
23:19It is very easy to have access to the account.
23:21That is not the same, it's a very easy to have access to the account.
23:26I would like to add a little bit more to that.
23:28In the cinema, the first half of the movie,
23:31I realized that Narasimha Swami was a very small guy.
23:35He could start a little bit of a second off of a Lincoln.
23:39I was watching a little bit of a little bit.
23:41Because every time I was working on the planet,
23:44This is where the Father created in this way and how the power creates a fire, and how the power carries a fire from the others.
23:57That's why the Father created an issue with the two lines of the film.
24:01This means the one entry, or other entry.
24:04The one entry from Narsimha Swami is the one who has a strong name.
24:08He has made a promise to accept God as he is now, and has also made a promise.
24:16God is saying,
24:18God is saying,
24:22I am looking for the Dios and the Lord.
24:24He is saying,
24:26I am asking,
24:28God is saying,
24:30I am saying that he is a gift.
24:32He is saying,
24:34These two are Narasimha Swami's own pathology in the Shibudi and Aghavara.
24:44So, we shouldn't have done it on the show.
24:47So, there is a lot of research into the Bhujan Thetna from Bhujan Thetna.
24:52Barely we have this Tirumashkar, but the Bhujan Thetna has to be able to take a long time together.
24:57The day in the theatre there is a very good thing in the theatre.
25:01I was like,
25:02I don't remember,
25:03I was like,
25:04I have a better idea of the world.
25:08I was like,
25:09I was like,
25:10I was like,
25:11I was like,
25:12I was like,
25:13I was like,
25:14I had a consistent character.
25:16I was like,
25:17I need to draw a character.
25:19I was like,
25:20I don't know.
25:21I have to say
25:22I have to say
25:23to a person who was a person
25:25He is a person who has been born in the world and has been born in the world.
25:36He is being born in the world.
25:41And he is a person who is being born in the world.
25:46I was like, I was doing this very well.
25:53When I was watching this film, I was watching the film.
25:59I was watching the film.
26:02What is that?
26:04I'm not sure how many people are.
26:08I'm sure they're doing nothing.
26:11I'm not sure how many people are doing that.
26:14Even if your Salvator diets aren't a weapon of Olav Enterprises.
26:18They can show each other than their 및que studios.
26:21Why are you seeing these?
26:22But what is important for all that we are visiting, is that we really sing today.
26:25They act like villainous design, threatening from anima, drama and mohima,
26:30I guess, right down the gate is miraculous.
26:35This is his harius.
26:36Vibhud, evenunion tuning in as Aishwaji.
26:37Vibhud, even thought of Francesca.
26:39Vibhud, even though I am Patienten asking about Mohammedan,
26:41Thanks for assisting me.
26:42What kind of mistake you believe is that you have to write a special letter in the Alttimate's name?
26:50What kind of mistake you believe in the Alttimate's name?
26:57The example of that is because of a few objects.
27:04Himalayas is very famous, and you will call them the name of the name of the Himalayas.
27:11They call it the name of the BANGARU, the name of the BANGARU.
27:16The name of the BANGARU is called the BANGARU, the name of the BANGARU is called the BANGARU.
27:22I used Souskutu and asked him,
27:24what is that?
27:26He said,
27:28He said,
27:35He said,
27:37we wanted to give up of our own body.
27:40He said to me,
27:42I like it.
27:44I asked him,
27:46he said,
27:48that's not good.
27:48This is not a cinema, a nature, a nature, a nature.
27:58It is a sense of the nature of it.
28:01It is a sense of the nature of it.
28:03It is a sense of the nature of it.
28:06But I am not the nature of it.
28:11It is a captain of the ship.
28:14The producer is the owner of the sheep.
28:18So, everyone is the name of the sheep.
28:21That's why we have a group.
28:24One artist, who is a young man who is a young man who is a young man who is a young man who is a young man.
28:34Yes, Ramadu.
28:36In this world, we see each other in the times over.
28:39For a year, we were living in this city in a place in the God's place.
28:43And that is, if we do it, it's just a vision,
28:47we can see it in a way that we can see it in our lives.
28:51I see a director, Rasha.
28:54They are making an impact on the Mughimphu.
28:56We have always heard a lot of a great impact on the Mughimphu.
28:58What is the most important thing to say?
29:00Shibudu Sathya, our Sathana.
29:04That's the first thing, isn't it?
29:07That's the first thing, isn't it?
29:09We're talking about Guru Gaurakha.
29:12It's like, if there's a place in that collection,
29:15there's also a place in that collection.
29:17That's right.
29:19We're talking about Mosheva, who is?
29:22Who is Gowardhanagirvi Chittikana Vela?
29:25Who is there?
29:27But we're talking about Mahabharata.
29:29I was like,
29:31you knowisco covenant,
29:33Who always says that themusic seems so
29:35Even the argument of this,
29:38that's my word.
29:39What happens now?
29:41Perfect.
29:42He's like the design
29:44Today we just show you the bus and L.
29:46I mean,
29:47the bus is here about something.
29:49Here it comes a bus.
29:51The bus says that,
29:53you're record devotional Need aahu.
29:54So here there is a design.
29:56There's a document here,
29:58There is a eligibility in the cinema.
30:02So, okay, there is a power for the boy body.
30:05Yes.
30:06In this cinema, I will tell you how much it is.
30:08There is a power for the world.
30:10Oh, no.
30:10You can take it.
30:11Because, the mantra is a part of the Agora mantra.
30:16That energy is fresh.
30:19Fresh.
30:19I am not fresh, but fresh.
30:21You need to say it.
30:23You need to say it.
30:24There is no apple in the fridge.
30:27We should go to the Aghor, go to the gold, go to the gold.
30:36Aghor means a ghost.
30:39That means we can take care of everything in our society.
30:44We can take care of everything.
30:46That is the real thing.
30:49And then when you begin with a bit of a word from the word from Plappthir Dhaar,
30:54You end up with a moment as you play a moment, it's like you could save yourself.
31:01Not just how you play it, I mean what you say.
31:03One was, even though you saw Ramalakshmala where you came here,
31:07And that's why I suffer from a place in Himalayas.
31:10Because you're not the only thing, I've ever seen you.
31:12That means, you're not the only person girl.
31:16How did you do this film?
31:18When I was doing this film, I was doing two social films.
31:27When I was doing this film, I didn't want to do anything else.
31:33I didn't want to do anything else.
31:35I was doing an Agora character.
31:37I was doing an Agora character.
31:40I was doing an Agora character.
31:50I was doing an Agora character.
31:54I was doing an Agora character.
31:56I had to say, how would you do it?
31:58Is this a test?
32:00You don't know.
32:02You're confident.
32:04I'm a mad.
32:06I was doing a test.
32:08I don't have a discussion about this.
32:12So, what is it, Guru?
32:15I'm going to ask you about it.
32:18What is it?
32:19I'm going to ask you about this film.
32:21I'm going to ask you about it.
32:23It's not a big deal.
32:25It's a big deal.
32:27It's not a big deal.
32:29It's not a big deal.
32:31It's not a big deal.
32:33It's not a big deal.
32:35It's a big deal.
32:40It's a big deal.
32:42We are so many, many people.
32:44I'm going to ask you about it.
32:48I'm talking about the book.
32:50I told you n the first time.
32:53It was my lord.
32:55I was going to ask you about what you had before.
32:58I was going to ask you about it.
33:00But they found out that way.
33:03When the Chinese did not learn about the Chinese.
33:10The Chinese is the general of a retired Chinese.
33:14When they say,
33:17what about the meaning of the Indian Jacques?
33:23It is a motivational Bhagavad Gita.
33:46It is a motivational Bhagavad Gita.
33:50It is a motivational film.
34:04It is a motivational film.
34:09It is a motivational film.
34:15It is a motivational film.
34:21It is a motivational film.
34:23It is a motivational film.
34:25It is a motivational film.
34:31It is a motivational film.
34:37It is a motivational film.
34:38It is a motivational film.
34:39It is a motivational film.
34:43It is a motivational film.
34:44It is a motivational film.
34:49It is a motivational film.
34:59The first thing is the thing that I am thinking about.
35:01The same thing is about the cinema.
35:04Even though about the cinema, I was able to listen to it.
35:07I was aware of it and about how I wrote it.
35:11My character is so important.
35:13If I forget about the part, I will be able to close the conference.
35:16I will tell you any further information about this.
35:19I would like to think about this event,
35:21but I would like to think about this event.
35:22I will explain that event in the book.
35:25It is not also about the subject of the book.
35:26This event is the region of the book.
35:28The question is,
35:30when they begin training a daily basis of a daily basis of a daily basis,
35:36one of the reasons why they say the typical life character is in a daily basis.
35:42They're using this vampire character to be a daily basis.
35:45That is true.
35:47Every human man is a daily basis and you can say that there are actual physical characters in Japan.
35:53The human beings are living in a daily basis.
35:58That means I am a seed.
36:01He's born again.
36:05He is a family of parents.
36:07He is a Christian.
36:11I am a son of this son of aезд.
36:16The Bible is talking about this, Guru.
36:18I speak very widely to the time, Guru in the world.
36:26This is what we have to do with our children.
36:31We also have an energy, a commercial, mass-adge.
36:35We also have to talk about the dharma.
36:39We have to answer the question of the dharma.
36:44This is our dharma.
36:47This is our dharma.
36:49There are so many powerful people in the world.
36:51This is our dharma.
36:57This is our dharma.
36:59This is our dharma.
37:01We have seen this film in the world.
37:05We have to do a lot of negative things.
37:10We have to say that we are not a bad word.
37:13We are not a bad word.
37:15We are not a bad word.
37:16We are not a bad word.
37:18We are not a bad word.
37:19We are not a bad word and we know that we are not a bad word.
37:21About another person know this film is absolutely true.
37:23Which means that like we say we don'tержive it миллиdon in any sense .
37:25We are a bad word.
37:26We are not alone, any other person in the world cannot be the business as it is.
37:30De趟 isn't all alone.
37:31This is what we say.
37:32We are equal to our advice.
37:33All alone is to weigh better.
37:35This one is becoming less invested a thousand.
37:38We are still in the same way, but we are still in the same way.
37:42We are still in the same way, but we are still in the same way.
37:47Thank you very much.
37:49How did you explain the part in the part?
37:53The part in the part is ok.
37:55The length is 4-5cm.
37:57It means a piece, a piece, a piece, a piece, and a piece.
38:00It means that it doesn't exist in the same way.
38:02It means that if we are only considering the background,
38:09that is the case.
38:10It means that the director has a dialogue version.
38:13They have a dialogue version.
38:15They have a dialogue version.
38:17They will avoid that dialogue version.
38:19And they will avoid that treatment.
38:21Why do they do that?
38:23They are here.
38:25They are here.
38:26They are here.
38:27They have a lot of space.
38:28He has used the editor to do that.
38:30In editing. His trust is very big.
38:33Oh, this space isn't it?
38:35Okay, I've got a lot of space and I've got a lot of space.
38:39So, in that gradation, I'm...
38:41Okay, if we can understand English, we can understand.
38:44We can understand that.
38:47But, in this case, the Shivu is here.
38:50He's here. He's here. He's here.
38:52He's here. He's here. He's here. He's here.
38:56He's here. He's here.
38:58He's here. He's here.
39:00Raman said,
39:01Hey, this is a great place.
39:02He's here.
39:03So, I'm going to ask him,
39:07What's the place?
39:09He's here.
39:11So, he's here.
39:13He's here.
39:14I'm going to ask him to ask him.
39:16Exactly.
39:17Exactly.
39:19So, he's here.
39:20He's here.
39:21He's here.
39:23He's here.
39:25He's here.
39:26He's here.
39:29He's here.
39:30He's here.
39:31He's here.
39:32He's here.
39:35So, you know,
39:36you're not really going to be around the world.
39:37So, he's here.
39:40He's here.
39:41To tell him that...
39:43that's a very special.
39:43Boy, Bodyguard cinema is in full.
39:46That's why I think the world is really cool.
39:47You can tell me from me.
39:49I think it's been a problem.
39:51I can give you the hand.
39:52Let me give you a hand.
39:53You can make it.
39:54We will be successful.
39:55I have a few spaces in my life.
40:07I have a few spaces in my life.
40:10I have a few spaces in my life.
40:16I am a space.
40:19I will talk about the space.
40:21I want you to know that this space is my idea.
40:25This is my idea.
40:26This is the space.
40:28And this is the ambience.
40:31If you look at the back,
40:35if you hear a drum,
40:36you can hear a drum.
40:38The frame is the ambience.
40:42The situation is the demand.
40:44We discuss all the time.
40:46I'm going to talk about this.
40:49I'm going to talk about this.
40:51To ask the question of the things we can do, if you have an opportunity to take it,
40:58you don't have to be familiar with them.
41:02You don't have any information there.
41:07We came to Google about it.
41:10The knowledge itself is knowledge.
41:13The knowledge itself has to be applied and made it in order to improve.
41:17It doesn't mean I am aware of it.
41:20Just a few days ago.
41:21Yes, just a few days ago.
41:23Just a few days ago.
41:24But we were just a few days ago.
41:27So, we will talk about this.
41:29Superhuman.
41:30How now?
41:31We will talk about this.
41:32I think in the cinema, I think the background is also good.
41:38I think there is a lot of energy in general.
41:43It is a lot of energy.
41:45Yes, sir.
41:46We will talk about it here.
41:51How do we listen to the tune of feedback?
41:55Why?
41:56I really do.
41:57After that, you know,
41:59And I can't wait for you to find your CEO.
42:01I just have to tell you.
42:02You don't understand?
42:03I know, sir.
42:04When you push to the cinema,
42:07you say that you have a boy party.
42:09You say that you have a boy party.
42:11You have a boy party.
42:12You have to write a boy party,
42:13but you do understand your own and own access.
42:15That's what I have seen, because of so much because of the work that I am doing the role of,
42:21it is theério for the position of the director to do some of this work where he is going to the public.
42:26We have to continue the conversation with him, sir.
42:29Yes, sir, no, sir, I am.
42:31You are going to distract him on the…
42:34You can't distract him around my head, I am.
42:36You can't understand him, I amerei, it is…
42:40No, sir, he's they are standing around my head.
42:44You say Alexa, don't you?
42:46Alexa, you can have a light.
42:49Sir, do you want my mother?
42:51Alexa, don't you?
42:52I'm not.
42:53Alexa, don't you?
42:54Alexa, don't you?
42:55Let's go and do something in a cup.
42:58Because what I am doing is,
43:01I am going to tell you the dialogue.
43:03Now, first dance is,
43:05I am doing dialogue,
43:07you all are talking...
43:09Yes, this is your show.
43:10I should know you all are talking.
43:12It's a lot different.
43:13So, if you want to make a correction for me,
43:17you can understand the point in the film.
43:21If you want to make a difference here,
43:24you can understand the difference here.
43:26The logic is very simple, understanding.
43:28So, it is not just me.
43:30So, my team, everyone is 25-30 years old.
43:35So, the size of the wheel,
43:38the size of the film, the angles of the film,
43:41you can tell me, you can't do that.
43:44So, you can understand the ground level.
43:47You can do the same size of the monitor.
43:51But, we can make a sound in the 70s.
43:54In the 70s, there is no sound.
43:56In the theatre, in the 2nd,
43:58we can do the 75-77 days.
44:02But, generally, it is not the same.
44:06It is not the same.
44:06In the 2nd, we can travel.
44:10So, we can't balance the science.
44:15It is not the same.
44:16It is not the same.
44:18It is not the same.
44:20It has to come inside.
44:22It is not the same.
44:23It is not the same.
44:24I talked about the fact that I have a lot of time.
44:26With the same idea,
44:29we can learn both cinema,
44:30and learn how to learn,
44:30and learn how to learn.
44:32It can be the same.
44:33It can be one of our artists to learn.
44:33The reason is that we will continue to learn more about the first thing.
44:36If you want to learn more about the first thing,
44:38if you want to learn more about the first thing,
44:42you will start to learn more about how your first thing is.
44:45You may not have to say that you should listen to this video.
44:46Shree Krishna should talk about this.
44:49It is a success.
44:50It is a success.
44:52You should do the same as one of the best.
44:54You should be able to make this physical situation.
44:57Yes, you should be able to learn more about how the aim is.
45:02In the music side, Shri Krishna Gaur, Advitia, Shrutiya, Prakurthi, Vagdevi, Pranati.
45:10We all have a lot of...
45:12We all have a lot of time to do it.
45:16So, we all have equal respect to this.
45:19We all have a lot of time to do it.
45:21So, we all have a lot of time to do it.
45:25We all have a lot of time to do it.
45:26We all have a lot of time to do it.
45:31So, we all have a lot of time to do it.
45:33We all have a lot of time to do it.
45:35So, we all have a lot of time to do it.
45:38We all have a lot of time to do it.
45:40So, it's fantastic.
45:43Super team is a positive team.
45:45Exactly.
45:46I am a positive team.
45:48That's the Guru Gaur.
45:49This cinema is Bharata-Desh on Atma.
45:51First, we all have said that.
45:53This cinema is Bharata-Desh on Atma.
45:55So, when the Atma flow of the theatre,
45:59we all have a lot of time to do it.
46:01The cinema is mutual respect and mutual belief.
46:04Belief.
46:04Mutual belief and mutual respect.
46:06We all have a lot of time to do it.
46:08Throughout.
46:09Basically, I am the only one of my friends.
46:13Throughout.
46:14If you all have a lot of time to do it,
46:16that energy is...
46:17And when you leave a glorified voice,
46:18whether you have the human force,
46:20you look at your voice,
46:21you do not have any pressure.
46:23You are supposed to call him the physical force.
46:24Yes.
46:25You are supposed to call him the physical force.
46:26Yes.
46:26Yes.
46:26For anything.
46:27Mr. Rup?
46:27No.
46:28Just the question here.
46:29I am sure it is.
46:30If you do not have an competitor's career,
46:30you cannot find yourself a fight in a career
46:31like you and at the other person.
46:32Just do not have an option.
46:33You cannot find yourself.
46:34You cannot find yourself a good person.
46:35I am sure you are a good person.
46:37Do not you know?
46:38Do not know.
46:39The name is Adi, Adi, Adi.
46:43Because there is a positive energy and negative energy.
46:48That is the performance of Adsoft.
46:51That means, it is not a manama massage.
46:55It is a good thing.
46:57It is a good thing.
47:00Yes, Guru.
47:01Adi, what did you say about Vibudhi?
47:08And that's the result.
47:09I am very concerned about Vibudhi, but my attention was the result of the energy you've ever seen.
47:16But my attention is nothing.
47:17Theought is for Vibartha, I am very concerned.
47:20We went back to Docs at the very top.
47:21And as I said, my attention is very clear.
47:22But I am very clear that the lack of a message is an alarm that we are seeing.
47:29It is the original message for example.
47:32We don't even get an alarm that we are seeing.
47:37CG is not.
47:38That was.
47:39One person has to hold the compression and then
47:40just go to the zoom.
47:45This is the Guru Gar.
47:46It's open to the phantom camera.
47:48Find out that 700 is not.
47:50Clung is not.
47:51Clung is not.
47:52Clung is not.
47:54Okay.
47:55I can, I will just mention this.
47:58Clung is not.
47:59Okay,
48:00we studied this language
48:03We can use this language as a Sanskrit language.
48:06That's why we use Hebrew language.
48:08So, Hebrew is the most against Sanskrit language of course.
48:14So, we use that language in our team as a Hebrew language.
48:18That's why we use music.
48:20So, that's why we use the design.
48:23It's a very important thing to say, Guru Gauru.
48:27This is a very important thing to say in the next generation of cinema.
48:34How many people are able to use this language?
48:37This is the first thing to say.
48:39This is the first thing to say.
48:43This is the first thing to say.
48:45This is the first thing to say.
48:48One thing to say is that we have a negative question.
48:54This is the first thing to say.
48:57This is the first thing to say.
48:58This is the first thing to say.
49:01This is the first thing to say.
49:06If you don't have a negative question,
49:10you don't have a negative question.
49:12You don't have a negative question.
49:14Do you have any justification for this?
49:17Overall, there is a chemistry with a hero.
49:23You have enough of any other than a director.
49:27There is a chemistry with a different chemistry.
49:28So, we're talking about physics in the real chemistry.
49:36So, you have a physics,
49:38media informants,
49:40and it will take you to share in the real physics.
49:44But, it is correct.
49:45It's also a real one.
49:46Sir, please.
49:48It's one of the things that the Guru is like me,
49:55because society is not just here.
49:57You're just like thinking about the pundra,
50:01so we can clean it.
50:03But in this area, some of our children are not working on this stage.
50:05But we need to figure out how to do it.
50:09And we need to set an end to it.
50:11It's one of the main areas where we have this exercise.
50:14When we have this exercise,
50:17What is the meaning of mantra or sastra?
50:19This is the dialogue that we have discussed.
50:21In Google, there is also an understanding of it.
50:23It is clear.
50:24It is clear.
50:25So, that is what we have done in the past.
50:29He is a superhuman.
50:31He is a very famous guru.
50:34He is a very famous guru.
50:39He is a very famous guru.
50:42So, that is what we have done.
50:44This is the question that everyone who trained yourself across the world should have dúned and evoked that.
50:50If it's in the way, he will explore you, but he will explore you.
50:53After that, people didn't want to go to chuyście.
50:56I don't want to think about all kinds of things.
50:59I don't know whether it's a part of the group that is committed.
51:01If you ever knew, you would have committed.
51:03I will not be committed.
51:05If only your friends came in as a part of the group, they would have committed to the building fast.
51:09That's the power of the group.
51:11Thank you, Guru.
51:15Now, I'm going to tell you,
51:19I'm not a film.
51:23It's a surprise.
51:25It's not a country,
51:29but it's a God.
51:31It's a surprise to you.
51:34It's a surprise to you.
51:36Because the next generation is a question,
51:42it's a surprise to you.
51:44It's a surprise to you.
51:46And you'll get to the answer.
51:48Otherwise, you'll get to the next generation.
51:50So, if you're a teacher,
51:52you'll get to the answer.
51:54You'll get to the answer.
51:56I'll tell you.
51:58I'll tell you,
52:00I'm going to tell you about this.
52:02I'll tell you about this.
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