00:00How did I get hurt?
00:02I'm going to find out what I'd find in this long way of destiny.
00:31But you also use old school stuff
00:41like the zooms and the wipes
00:43and all that stuff, you know,
00:44because, and if you're a film student,
00:46I mean, we go out to a lot of film schools
00:48as teaching tools as well.
00:50It just shows that you can be very original
00:52and yet pay homage to so many things.
00:55We love that kind of movie.
00:57And we, it's like if we ate a lot
01:02and we digest them
01:04and now it becomes our language.
01:10A part of us.
01:10Yeah, a part of us.
01:11So for us, it's natural,
01:12natural way to make movies.
01:17And, you know, it's the movies
01:18who gave us a lot of pleasure
01:20when we were children
01:21and we try to find that feeling again
01:25and to try to share it with the audience.
01:36Everything is changing.
01:37If you don't mind me asking,
01:54like when you guys were younger,
01:56like say like formative,
01:58like teenage years or something like that,
01:59what were the films that you both were watching?
02:02They were probably both individual differently,
02:04but what film comes to mind for each of you
02:08that was that kind of sort of,
02:09wow, I want to make films
02:10or that really moved me?
02:13Teenager for me,
02:14it was La Dolce Vita of Fellini,
02:20Deep Red of Dario Argento,
02:23Lost Highway by David Lynch
02:25and A Clockwork Orange by Stanley Kubrick.
02:29Ah, yes.
02:30And A Nightmare on Elm Street.
02:32That's the first one.
02:33I loved it.
02:33Me, I was more,
02:38I liked Chaplin's movies,
02:43Charlie Chaplin's movies
02:43because there were no sounds
02:46and I was really looking for
02:50making my own way to express myself
02:56and the mute cinema really fed me.
03:01To express yourself, mute cinema.
03:03Because without words.
03:05Without words.
03:06You know, how you guys both work,
03:26interact as obviously together as spouse,
03:29but also as creative courses,
03:31has that evolved?
03:32Because every genre you take on is a different challenge.
03:36challenge.
03:37It's 25 years that we're working together.
03:39It's very complicated.
03:41Each time at each movie,
03:43we try to do the new solutions
03:45to have a better collaboration,
03:48but it's not always easy because it's not always easy because, you know,
03:52we have two different universes.
03:54The movies we are making are very subjective,
03:59based on the sensoriality.
04:03And, you know, it's like talking colors.
04:05It's a big, difficult.
04:06So we have to be on the same waves.
04:10Right.
04:11And so we work a lot on preparation
04:14before the shooting
04:16because on the set,
04:17we had to be on the same wave
04:18to talk with just one voice
04:20to the crew,
04:22not to our view.
04:23But if there wasn't love,
04:26we couldn't do it.
04:29Your films are very existential in that way.
04:53If you want to talk,
04:54there's a Nietzsche element.
04:55There's a Sartre.
04:55There's so many ways you can look at it.
04:57You can look at it as just a beautiful painting.
05:00Could you talk about finding those different layers,
05:03looking at those different layers
05:04and how those ideas continue to creatively inspire you?
05:08Honestly, as you said,
05:10everything is on the title
05:11because we have tried to make the movie like a diamond.
05:16And when you,
05:19depending on the angle you see the diamond,
05:25you will have another reflection.
05:28So not two person can see totally different movie.
05:33Yeah.
05:34It's that.
05:34Because we try to give the audience
05:38a place for its imagination.
05:43Like books.
05:45When you read,
05:46when you read,
05:46you know,
05:46as a reader,
05:47your imagination,
05:49your mind's eye.
05:50Yeah.
05:50Yeah.
05:51And we try to have the same thing.
05:53We had this experience
05:54with a millennium actress from Satoshi Kon.
05:57It was a big storytelling experience for us.
06:01It was a big blast.
06:02And we try to follow his road
06:05in the storytelling
06:07and the way to watch the movie,
06:09to write the movie.
06:11Smile.
06:12Smile.
06:12Smile.
06:20Smile.
06:21Smile.
06:22Smile.
06:22Smile.
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06:24Smile.
06:24Smile.
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06:25Smile.
06:26Smile.
06:26Smile.
06:27Smile.
06:27Smile.
06:28Smile.
06:28Smile.
06:29Smile.
06:29Smile.
06:30Smile.
06:30Smile.
06:31Smile.
06:31Smile.
06:32Smile.
06:32Smile.
06:33Smile.
06:33Smile.
06:33Smile.
06:33Smile.
06:34Smile.
06:34Smile.
06:35Smile.
06:35Smile.
06:35Smile.
06:35Smile.
06:36Smile.
06:36Smile.
06:37Smile.
06:37Smile.
06:37Smile.
06:38Smile.
06:38Smile.
06:39Smile.
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