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Tum se Tum take
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00:00I had a parcel office here for Anu.
00:03There was a Punjabi suit for him.
00:05He had to wear it at the party.
00:07But Anu had a different dress.
00:10He had to wear it at the party.
00:12I don't know how the dress will change.
00:19Sir, if you tell me this first,
00:22then I will make sure Anu has a different dress.
00:24But why didn't you tell me?
00:26Why didn't you fear me that I felt bad?
00:35Was my fear right?
00:37No, sir.
00:38Anu and my life are different.
00:41I am mature.
00:43And how to handle these things,
00:45I know how to handle these things.
00:47Meera, I'm going to tell you what I'm saying.
00:50I hope that you will handle it with the maturity.
00:56This parcel is your signature.
01:00That means that parcel you have received.
01:15Sir, in this office,
01:17I will receive thousands of parcels in the office.
01:20Maybe you feel like you will change this dress.
01:22Right?
01:25No.
01:26Nothing like that.
01:27Sir, it's not a person's name,
01:28but clearly it's a person's fault.
01:31They have a lot of packages.
01:33They will have a wrong label.
01:35And the dress that you have to send Anu,
01:37will have another dress.
01:38And Anu will have another dress.
01:40Maybe you are right, Meera.
01:42Thank you so much.
01:43Thank you so much.
01:44Thank you so much.
01:45You can't expect Meera's wrong, but Meera's wrong again.
01:58Why am I trying to kill you every time?
02:02Yes, Kapu Saab, send your address.
02:08We are leaving.
02:10Yes.
02:12Sharmiji, where are you from?
02:16How many orders are you coming from?
02:18We have to go to the top of the sardines.
02:22You want me to go.
02:24I'm going.
02:26How can I go alone?
02:28I'm very strange.
02:30I'm alone.
02:32I'm very strange.
02:34I'm very tired.
02:36What?
02:38I'm tired.
02:40I'm tired.
02:42I'm tired.
02:44I'm tired.
02:46I'm tired.
02:48I'm tired.
02:50Whatever you understand.
02:52I don't understand.
02:54Why are you tired?
02:56Why are you tired?
02:58I'm tired.
03:00I'm tired.
03:02I'm tired.
03:03I'm tired.
03:04I'm tired.
03:06I'm tired.
03:07I'm tired.
03:08I'm tired.
03:10I've got a handful of things.
03:12What?
03:13I don't think it's too much.
03:14Oh, that's $1,000.
03:17I was asking for $7,000,000.
03:19Then I had a lot of problems.
03:22Then I told him that we will use our car.
03:25And whatever the petrol and the petrol will be our job.
03:28That's our duty.
03:30But Pushpa ji?
03:31No, but nothing.
03:32Look, I'm stuck on the pedal.
03:35I want to sit in the car.
03:36And I have to learn driving for that.
03:40So, I'm going to be driving from today.
03:45You don't need to take the petrol.
03:48Why?
03:49This is Pushpa ji.
03:51Once you get the petrol,
03:52you'll get more petrol.
03:56You have to take the petrol,
03:57you have to take the petrol,
03:59you have to take the petrol,
04:00you have to take the petrol,
04:01you have to drive.
04:03What do you want to do?
04:04Take the name of God and do your work.
04:07I'm doing it.
04:08Let's go.
04:09Sharma ji,
04:10you'll come soon.
04:12And in the evening,
04:14I'll take some good stuff for the food for the evening.
04:19What's that?
04:21Hmm.
04:22Let's go.
04:23Anu has worked on your job.
04:26And Sharma ji's business is good.
04:28Now, I'm going to sit in the car and drive.
04:32Sometimes she takes to help.
04:35I'm going to give her the first time.
04:36Today I will be the first time at home.
04:38I also work with my mom to tell me to inform,
04:41that they should be the very welcoming of me.
04:42And I ask her to help with her.
04:44What should I do?
04:51Hello?
04:53Hello, Anno?
04:55Mom, you're at home, right?
04:57Yes, he's at home, but your father is for an order.
05:00Yes, so tell him that he's lost his home in the evening.
05:03Why?
05:04Because my mother is the first time...
05:06I mean, my mother is the first time to come to our house.
05:11My mother is the first time to come to our house.
05:12Wow, this is a good thing.
05:14But why is she here?
05:16She didn't tell her.
05:17But yes, mother.
05:18If she comes to the first time,
05:19then we have to welcome her very well.
05:21No need to go to the community.
05:22Please.
05:23Don't worry about it.
05:24I will set my house properly.
05:26And I will make it a good thing for her.
05:28Thank you, my name is Pashpa Rani.
05:34I'm going to go to our house.
05:37But why?
05:42Yes, she's in her house.
05:47Where are you?
05:48Where are you?
05:49What?
05:50I mean, the car is fine.
05:51But this car is less than the car.
05:53But this car is less than the car.
05:55Do you really want to learn the driving of this town?
05:57You don't need to be in this town.
05:59you don't have to worry about it.
06:01But let's talk about it.
06:03This is not a car.
06:05This is my family.
06:07And what is bad in this tuk-tuki?
06:09Look at its color.
06:11Look at its headlights.
06:13Look at its bumper.
06:15This tuk-tuki will be seen by cars.
06:17So it will be a duplex.
06:19And I think this is a good thing.
06:21This is a little old life.
06:23It's a spiritual life.
06:25Like today's advanced kids.
06:27I don't like it.
06:29I don't like it.
06:31I don't like it.
06:33Madam, you know the features of advanced cars.
06:35In which car I was supposed to be sitting in the car.
06:39If you don't sit in the car,
06:41you don't have water in the car.
06:43If you sit in the seat,
06:45you would feel like you were sitting in the car.
06:47And there was a dual control system,
06:49two clutches, two brakes.
06:51And there was all safety in that car.
06:53Brake,
06:55What is this?
06:57What is this?
06:58Other things.
06:59You don't even know the brakes and the clutch.
07:01If you all know,
07:02why do I give you 500 rupees?
07:04This is the same thing.
07:05You can teach it.
07:06Come on.
07:07Come on.
07:08Come on.
07:09Come on.
07:10Put the belt on the belt.
07:14Yes.
07:15Yes.
07:16Yes.
07:17You can't give it the weight of that.
07:18That's what I'm telling you.
07:19Yes.
07:20Yes.
07:21Do it.
07:22You can take a break.
07:23Yes.
07:24You mean the gear.
07:25Yes.
07:26Yes.
07:27You don't know the gear.
07:28Yes.
07:29Yes.
07:30Yes.
07:31Yes.
07:32Yes.
07:33Yes.
07:34Yes.
07:35Yes.
07:36Yes.
07:37Yes.
07:38Yes.
07:39Yes.
07:40Yes.
07:41Yes, yes.
07:42Yes.
07:43Yes.
07:44He said, I didn't say anything about Meera Ma'am.
07:53Sir, you're here to call me.
07:56When it's wrong,
07:57it's a good job that he's going to ask me for forgiveness.
08:04I'm sorry for you.
08:07That's why I tried to figure out what happened.
08:10It was probably because of the career man function.
08:14Sorry.
08:16Okay, sir.
08:17It's my fault.
08:18After seeing the dress, I had to confirm you.
08:21I'm very sorry.
08:23If it's my fault, you're asking me for forgiveness.
08:25Sir, it's my fault.
08:28I had a lot of expectations.
08:35Whatever happens,
08:36I can't forget you.
08:38I can't forget to forget to forget it.
08:40But...
08:41It's not necessary, right?
08:42Every time we're trying to do it.
08:46I'm sorry, sir.
08:47I'm sorry.
08:48I'm sorry.
08:49But...
08:50Today, I'm going to come to my home.
08:52Can I go to my home now?
08:55Sure.
08:56But...
08:57Who is a special guest?
08:58Who is your mom?
08:59Mom.
09:01I'm sorry.
09:02I'm sorry.
09:03You should not get into it.
09:04I don't have to know anything about it.
09:05This thing should be only you and I.
09:08My home should be ousted.
09:09So...
09:11It's clear.
09:14Thank you, sir.
09:20Nice.
13:43After Kushpa Ji comes, he will give up a full of karma.
13:48But where is Kushpa Ji?
13:50He will tell me to come soon.
13:54I'll ask you to call me.
14:08Kushpa Ji.
14:10What happened? You're fine.
14:13What do you feel like?
14:16No. Where?
14:18Kushpa Ji.
14:19Kushpa Ji.
14:20You're not hurting.
14:23It's very warm.
14:26It's very warm?
14:28Here, you're getting out of sweaters, toupiers, mufflers and bags.
14:32And you're getting warm.
14:35I'm going to get out of the pot soon.
14:38And they're going to come here.
14:40Kushpa Ji.
14:42Kushpa Ji.
14:43Huh?
14:44Why are you looking at her eyes?
14:46Why are you doing murder murder?
14:48Why are you doing murder murder murder?
14:56I was like, I'm a jerk.
14:58Kushpa Ji.
14:59Kushpa Ji.
15:00Kushpa Ji.
15:01I'm a serial type lady.
15:03I'm a serial type lady.
15:04Yes.
15:05That's not serial.
15:06It's serious.
15:07My English is my brother.
15:09You don't have to be a queen of Eljabet.
15:12You should do work.
15:13Come on.
15:14No.
15:15No.
15:16No.
15:17No.
15:18No.
15:19No.
15:20You're not going to get the car.
15:21No.
15:22No.
15:23No.
15:24No.
15:25Okay.
15:36Anu, son.
15:39What happened? Why did you feel so angry?
15:42Why are you losing your blood?
15:49Why did you put the time?
15:51You were giving expressions like you were going to be the police.
15:54Police?
15:55The police don't come after this.
15:58Which one?
16:04Mom and Dad, leave them all.
16:06I told you that you are going to call.
16:08They are going to come.
16:09They have to welcome you very well.
16:10No need to stay in the community.
16:11They have to be ready.
16:13Don't tell me.
16:14They are ready.
16:15They are ready.
16:16Now they are just going to kill me.
16:20The bus was coming.
16:23Now her mother is also coming.
16:29Hello?
16:30My mother's mother is coming home.
16:33So you have got a news.
16:35I was going to call you for this.
16:38Whatever happens,
16:41but the mother's mother should not reach her home.
16:45She is your responsibility.
16:46Madam, you told me.
16:48It's been a work.
16:53I'm not going to call her mother's house.
16:55I'm not going to call her mother and her mother's love story.
16:59I'm not going to call her mother's house.
17:00I'm not going to call her mother.
17:01I'm not going to call her mother.
17:02What is your family?
17:03I don't like her mother.
17:04No, but it's like her mother.
17:05Our mother is a favourite.
17:06What are you doing now?
17:08I'm going to go out and take a drink.
17:11A drink?
17:13What's that?
17:14Do you like Ariya Sir's mother?
17:16No, I don't like her.
17:18She's her favorite.
17:20But without going, I'm a little surprised.
17:22Without going,
17:24if the thing is Ariya Sir's mother's mother,
17:26then without going,
17:28she's got us three times in the temple.
17:30Without going, she helped us.
17:32Without going, she gave us all of us.
17:35I don't know,
17:37who is the right person to meet her and her?
17:47Mom, are you going?
17:49Yes.
17:50Where?
17:51She's...
17:53a person who knows her.
17:55Mom, she's gone out.
17:57I'll leave you alone.
17:59No, no, no.
18:00You've come to the office now.
18:02You're tired.
18:03I'll take the driver.
18:05I'll take the driver.
18:06I'll take the driver.
18:07Okay, tell me.
18:08Did you talk about Ariya Sir's mother?
18:11We're tired.
18:13In fact,
18:14I told her that Ariya Sir's mother had a little bit of trouble.
18:17She gave her a parcel.
18:19She gave her a parcel.
18:20Look.
18:21I told her,
18:22she was angry about Ariya Sir's mother.
18:24I told her that I was sorry for Ariya Sir's mother.
18:26But Ariya Sir's mother is still angry.
18:30She's angry about Ariya Sir.
18:31I'm angry about Ariya Sir.
18:32No, no.
18:33I know.
18:34You're a person who knows me.
18:44Mom.
18:49Huh?
18:50I don't know how much I feel like I'm going to stop you.
19:06Okay, you have to go.
19:10But you have to go quickly.
19:12I don't know how much I would have done you.
19:18I'm going to go quickly.
19:32Let's go.
19:33The food is ready.
19:34The house is ready.
19:36Anu.
19:38The food is ready.
19:40Are you ready?
19:42Yes.
19:43I'm going to get out of the food.
19:46I'm going to get out of the food.
19:53Where did the house go?
19:55I didn't leave the house at the time.
20:00Where are you going?
20:02That's right.
20:03Sir, I'm coming to the house first.
20:05I'm going to get a gift.
20:07I'm not going to take it.
20:08Listen.
20:09I'm going to take the money.
20:10I'm going to take the money.
20:11Yes.
20:12Yes.
20:16Who is my mother?
20:17Hello?
20:18My mother has reached?
20:19I'm not going to reach you until the house.
20:21The driver is saying that the car is difficult to bring in the house.
20:24And no one can be disappointed in the house in the house.
20:27No one can be disappointed in the house.
20:28Do a job, son.
20:29You send me your location.
20:30Or do that.
20:31I'll guide me on the phone.
20:33Why?
20:34You're going to take the phone.
20:35I'm going to take you alone.
20:36Now take the gate outside.
20:37You're going to take the gate.
20:38Okay.
20:39Take the bathroom.
20:40I'll take the bathroom.
20:41Come on.
20:42Come on.
20:43Listen.
20:44Come on.
20:45Don't let the Frankieç”».
20:46Can I take the money?
20:47negativity songs layer.
20:49You're going to take through the doors for a child.
20:50Let me go.
20:51Hashtais them.
20:52iben the porque voa when no one's at home.
20:53li't USDT auf.
20:54Go for something.
20:55It doesn't matter.
20:56You're going to call me.
20:57You're going to ask一個 for no one of them.
20:58You're going to get over.
20:59I go.
21:00If you are getting under your face.
21:01Then...
21:02But at some other darkness,
21:03they need no matter what I do.
21:04You're going to be looking at.
21:06By reducing in the house.
21:07You're going to get over.
21:08Complexity in the house.
21:09You're going to call me.
21:10People are going to start watching the doors.
21:11century.
21:12Mom!
21:36Mom!
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