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Short filmTranscript
00:01When we reached the last night at Wembley Stadium in London,
00:05all of us felt such satisfaction.
00:10We've had so many special moments where just, like,
00:13it just reminds me what a concert can do
00:17if you give it your all.
00:22Then again, no matter how good a tour is,
00:25it's a huge, massive undertaking.
00:28It's hard work.
00:30That's the challenge, that's the adventure,
00:33and that's what every person on this tour is doing.
00:41Every single night, no matter what's going on,
00:45we're gonna do everything in our power to blow your mind.
00:58You're, you're, you're, you're, you're, you're, you're, you're.
01:00You're, you're.
01:01You're, you're, you're, you're, you're, you're, you're.
01:04You're, you're, you're.
01:08My goal for the ERAZ TOUR is that I didn't want the fans to leave
01:16thinking that they missed out on anything.
01:18one thing i've always tried to do is like give something to the fans that they didn't expect
01:23when we had done the first half of the tour what the fans didn't know at the time was that i was
01:29writing a brand new album the torture poets department and in the middle of me releasing
01:34the album we had to be all hands on deck creating a brand new era to put into the show to represent
01:40that album doing all of this completely secretly all in like a tiny little break that we had between
01:55asia and europe are there sounds from fortnite that are not the synth sound or do we go into like
02:02strings like this feels like a highly elevated chapter we build this top secret rehearsal
02:11facility for us to lock in the set list go who's afraid a little bit of down bad
02:19probably a verse and a chorus or a pre-chorus and a chorus that might be it like i would kind of do
02:25surgical tweakings to each song be like okay these songs but cut out the bridge and the second verse
02:30of this and then so tell me everything is not about me to make it so that we could fit this many
02:40songs in the show and say they didn't do it to hurt me everyone in and i want and and double as big for
02:51i want a snarling i'm gonna have a mental breakdown during this song like it's gonna be so fun
02:56and then we put together all new choreography learning choreography all just hearing it in our heads
03:05because they can't play the music on speakers because it's not out yet the first line is did you
03:10really beam me up what i want is for a light to spotlight right on me like it's the alien ship
03:18right into this like crazy like alien light and then down that way yeah there's an entirely new order
03:32of the chapters so i'm relearning the entire show essentially it feels crazy to like take all the
03:38pieces apart and then put them together in different order yeah and i think i'd rather feel this way
03:44where i'm a little bit confused a little bit like what what then being like on autopilot yeah
03:51because i could do the show we were doing in asia i could do with my yeah at first we're all like we
03:55all fear change but then we're like we got this yeah we're here because we accepted challenges our
04:00whole lives oh my god that was a risk that could have gone so bad there was the danger that we it could
04:06have felt like we had sort of shoehorned something in or that you know people didn't like the new show as
04:12much as they like the old show i swear to god if i heard people online being like i missed the old
04:16show i was going to be like oh my god you have no idea how hard this was to do we're going to get
04:22to watch 45 000 people experience the fact that they're seeing something that's never been seen
04:28before i went out to play our first show of the new set in paris the crowd has no idea that we've added
04:36a completely new section and rearranged things and and i am so so excited i love having a good secret
04:44when we brought out this new show in paris it was so rewarding because all of that secrecy and
04:53all of that working during our only time off paid off so much because the fans were so excited it was
05:00such a dynamic new addition to the show now going into the last show in london i have the opportunity
05:09to add to their experience even on top of that taylor wants to make the last london show as powerful
05:19as possible she's like i want to blow this thing out we're going to do this right she wants to do florida
05:24with florence welch florence the machine performing florida with florence is something i've wanted to
05:32do ever since the two of us wrote that song and then it just so happened that she was going to be
05:36available in london you're not nervous about the show you know you know how it runs and suddenly
05:41something like florence coming to do florida the choreography meets the music meets automation which
05:50is the stage movement and is starting from scratch again i know that when i say to them i want to
05:56perform florida with florence and i really want to do it with full production i know that it's some kind
06:00of creative brainstorming sessions but i know it's doable because all the dancers the choreographers the
06:07production designers the crew the entire band every person we have is the best one doing it in the entire
06:14industry this is kind of funny uh we have to rehearse the song we kind of do what we usually do in the
06:32comfort of a studio from the road but also trying to keep things from leaking before the surprise it's
06:39a stadium with no roof so there's like fans outside and say i have to turn the pa off and
06:44we have to do it quietly you know it is so much extra work to keep things a surprise let me tell
06:56you i i need a nap just thinking about it but it's so worth it when it when we can actually pull it off
07:04your programming sounds at soundcheck the dancers are finding a place to work on choreography for it
07:10where people can't find out what's happening you know before you know it i'm in a random ballroom in
07:16the middle of the hotel with amanda at like 9 30 at night maybe then maybe you come off there
07:24florence open up on the into the diagonals maybe yeah with choreography i asked one of my friends emma
07:33stone who's done a lot of work in dance in her films you know who have you worked with that you would
07:38recommend for this and she's like there's only one person that needs to be on your list and it's mandy
07:41moore i never would have thought that i would be in the same sentence as taylor swift ever in my life
07:48you know i've always been a big fan but i funny enough i come from really more film and television
07:53i don't really do artists performance now i understand why i was brought in because she really
07:58wanted to do something different and she likes the storytelling i mean her songs are mini movies so
08:05when i listen to them it's just lyrics and melody swirling with ideas in my head and then you just
08:11start making something yeah is there something about that like thought that yeah and then all of a
08:16sudden it comes out good yeah do you want to do seven beautiful gorgeous man love like one two
08:29amanda balen the first time that i saw her do her thing here we go she was choreographing the tour
08:36she was not a dancer her job was to show me what i'd be doing with the dancers
08:45i would just get so much inspiration from what she was doing as a performer
08:49i just kept saying like you're such a pop star amanda
08:52this was my dream truly it was my dream to do live shows and tour like this more so than broadway
09:02or anything i just i always was drawn to this i actually haven't looked at these i just keep
09:08throwing them in i started out by doing small things and then i booked a job as a swing for a janet
09:16jackson tour which was i'd always wanted to dance for her i went on to tour with celine dion uh what
09:23else have i done oh oh i danced for lady gaga for five plus years i toured for five years straight
09:30i worked on glee which was a long-standing dancing tv show for a while that was a wonderful job i went
09:35on to do some films like la la land i've performed at probably every major award show with different
09:42artists and i've been a part of many tours as much as you want it to last forever dance isn't a forever
09:53career the demand on your body is not sustainable we can get this strong when you do all those
09:59you know wild movements then this can stabilize your spine helping i have two labral tears and my
10:06hip flexors like things were just breaking down i kind of just decided it was a very tough decision
10:12but to gracefully start to peel myself away from being a professional dancer and to do things
10:19behind the scenes i remembered asking mandy i wonder if amanda would ever dance with us and
10:28mandy was like ah she's she's retired she hung up her dancing shoes a while ago at some point mandy
10:35came to me and said hey the team wants to know if you want to do the show my first response to being
10:40asked to the tour was a chuckle and oh hell no i don't even know if i could do it being involved
10:46in the behind the scenes and then doing it on stage those are two different things i had doubts in my
10:52ability i was worried that i wasn't going to be as good as i was when i was dancing but at the end of the
10:59day even though there was a lot of fear it was just too wonderful of an opportunity a second chance i get
11:06chills it was a second chance that most people don't get to have
11:15we're counting this song in fast state so it'll be a one two three four five six seven eight oh one
11:21two three four five seven eight she says um and a five two three four on five it's the word weed and
11:29you guys are going to kind of do like a little bit of a deflate and my friends all smell like weed
11:34yeah yeah weed or little babies and you'll roll up uh-huh and on the five of the fifth and my friends
11:43all smell like weed or little one two three four five six seven eight okay just so you have an idea and then
11:51guys wet loose hey dewey amanda and i were in like an empty ballroom last night just like okay it's
12:03just gonna hope like idiots you're just just saying amanda and i as you can imagine it's the normal
12:08okay florida won gang gang gang gang it's a hell of a drug it is always weird i think with choreography
12:17because it is true it's like literally a week ago this thing didn't exist and my friends all smell
12:21like weed okay so with the exact oh do you want to do this just roughly but oh freaking great i was
12:27like why do they all just do this and then like the dancers become the accessories to taylor and to
12:34the stage and to the whole experience so it's a really important thing and i take it very seriously
12:41you know i always get nervous when i'm showing taylor something for the first time because i
12:45i ultimately i just want to do well you know like i want to make her happy because i just you know
12:51so much respect for her i love her i mean i was really terrified the first time i had to show her
12:56something we can figure this out together but luckily you know since the very early stages of this
13:05her and i have a really nice communication something in here together we'll figure this out
13:11actually i'm going to need to travel back to a stage during this part okay taylor can give me
13:16thoughts or colors or ideas and i think i'm able to understand what she wants visually i want to kind
13:21of channel like uh rights of spring florence machine like like like it's taking our body yeah like like
13:28fully like like reaching you know like love it like kind of like um like girl in an insane asylum
13:36slash wood nymph love it yeah i love it so i mean yes wasn't nervous i'm always nervous i'm always
13:41sweating i'm like oh god did i make the right thing is this bad choices hello how are you really
13:48good how are you doing all right do you want to watch one i would think kind of see i'll do a
13:52foreign to track uh we're just doing the speaker right here yeah i love it yeah okay guys ready to
13:57move okay go from 43 to six one two three you can stand by 4306.11
14:16and my friends all smell like we little baby oh i love that go and the city
14:27little did you know your home's really only a town you're just a guest in
14:36so you work your life away just to pay for a time shed down in destin
14:49oh my god
14:50Oh, my God.
14:55Then whenever it's here, Taylor, I'm like...
15:05I didn't feel like you guys can play here.
15:09And then, yeah, we made this, like, wave.
15:12Wow.
15:13Couldn't be kind of cool, huh?
15:14Kind of cool.
15:15I hate that it's happening without us there.
15:17You could do it earlier if you want.
15:20Just didn't know if it was...
15:21Whoa!
15:22So epic back there, and no one's gonna look at it.
15:25No, because they're gonna be looking at you.
15:27And I almost wish that me and Florence could be on that.
15:31I mean, that would be fucking amazing.
15:33Do you know what I mean?
15:34And she's up for it, yeah.
15:35I'm worried if me and Florence are here,
15:37there's people aren't gonna look at it,
15:39and that bothers me.
15:41And also, I think Florence is, like, gonna be really...
15:43She's totally down for, like, being in the mix.
15:46And doing cool stuff.
15:47And I did my best...
15:49Like, in there.
15:50To rest all of the bodies and...
15:52Yes.
15:53Yes.
15:54Oh, it'd be awesome if it goes down.
15:59Good, too.
16:00Then it rises.
16:03Did you know...
16:04Yes.
16:05Totally, right?
16:06Then it all rises at the same fucking time,
16:09and it's awesome, and everyone sees it.
16:11Good.
16:12Okay.
16:13Let's run one more time,
16:14and now that I've had this chat with Taylor,
16:16then I can fix all...
16:17We have all the elements.
16:18I just now need to rework them, okay?
16:20Good job, guys.
16:21Thank you so much.
16:22Great job.
16:23This was amazing.
16:24Every time when you are casting for a tour,
16:27you know, choreographers will sometimes have it in their head
16:31that they want a specific body type.
16:34They want a specific look.
16:36They want only women.
16:37They want only men.
16:38It's...
16:39People can get very opinionated about things looking very uniform.
16:44That's not what I wanted to do with the Errors tour.
16:46I feel like when you look up on stage as a fan,
16:49if you see people that represent you, your friends,
16:53the people you see in the world,
16:55that's, I think, much more emotional and more connective
16:59and powerful.
17:00I really wanted everyone to look up on that stage and think,
17:03I see myself in that person.
17:08Spaces like the space that Taylor is curating
17:11on a day, on a night-to-night basis.
17:14I wish we had more of that, right?
17:17Even outside of entertaining,
17:20it's so important to be seen,
17:23to be heard, to be understood.
17:28My background as a dancer,
17:31I had a lot of teachers and professors who were not so kind,
17:35mostly around my size.
17:37And if I wanted to be a professional dancer,
17:40I would need to lose weight.
17:42I remember doing an audition,
17:44and the director of the company said to me,
17:46okay, so what are we going to do about your body?
17:49In life, some people are going to try to tear you down.
17:52They want you to do something else
17:54other than the thing that you are in love with.
17:57And then there are kind people who ground you.
18:01And in my experience, that's my mom and my brother.
18:04It's important to know I came from a family
18:08with an excess of love, right?
18:11My mother sacrificed a lot for my brother and I
18:15to just have experiences.
18:17And so my brother, he fell in love with sports.
18:22I fell in love with dance,
18:24and we were sort of navigating our training
18:27at the same time, middle school, high school, college.
18:30And it has been the joy of my life to watch him thrive
18:38in something that he loves so, so much.
18:41Now he plays in the NFL,
18:43and I watched my brother go to the Super Bowl three times.
18:47I graduated college and thought I was going to be teaching dance
18:51for the rest of my life.
18:52And I remember getting an email that said,
18:55there's a closed audition.
18:57We cannot disclose who the artist is,
18:59but it's being choreographed by Mandy Moore.
19:01I didn't have like a dollar to my name at the time.
19:04And I called my brother.
19:07I was like, listen, I don't know what this is,
19:12but something is telling me that I have to be in this room.
19:19He was like, okay, we will make it happen.
19:22And he bought me a flight.
19:30When he came into the audition,
19:32I was just like, he's magnetic.
19:34I mean, he's a great dancer.
19:35His smile is like the thousand-watt smile.
19:38You know, he's really well-trained.
19:40He just embodies what I felt was like the spirit
19:44of what these people need to be.
19:46Cam is someone who absolutely lights up not only the stage,
19:51but just our entire vibe as a tour.
19:54He's just so himself.
19:57I don't want dancers that blend in.
19:59I don't care about them pulling focus.
20:01I want them to pull focus.
20:02I want you to feel like you saw an entire crew
20:06of individual stars on the stage.
20:09Now, knowing that spaces like this do exist for me,
20:16that allow me to be the fullest version of me
20:22with all I have to offer in this body as it exists right now,
20:26this feels like my Super Bowl.
20:31I didn't leave my hotel room.
20:41Yeah.
20:42I woke up with a cat on my head.
20:44Oh, it's a cat.
20:45Can we get your temporary one?
20:47Good morning.
20:48Hi.
20:49Hi.
20:50Hi.
21:00Bonus day is so important because setting a precedent
21:04with the Heiress tour is really important to me
21:06because people who work on the road,
21:08if the tour grosses more, they get more of a bonus.
21:11And these people just work so hard,
21:13and they are the best at what they do.
21:15So every single person on the crew,
21:18I've handwritten them a note.
21:20It took me a couple weeks,
21:22but it's fun to write the notes.
21:24It's, like, fun to think about everybody's lives
21:27that they're going to go back to
21:28and the time off they're going to have
21:30and, you know, the kids they haven't seen
21:31because they've been away for months.
21:33And just making that worthwhile for them
21:36is, like, really...
21:38It just feels like Christmas morning
21:40when you finally get to say thank you.
21:44I love bonus day.
21:45I love bonus day, huh?
21:47So each one is in its own baggie,
21:49and I was thinking we can lay them out.
21:52Oh, let me see the wax seal.
21:56You wax sealed every one of these things?
21:59Yeah.
22:00You've got to be kidding me.
22:01And the fire department almost had to come.
22:03I want to show you this, Taylor.
22:05Six of the audio guys got this tattoo.
22:08It says Cruel Summer, 152 shows.
22:10Oh, my God.
22:12And then, I don't know...
22:14That's crazy.
22:15I don't know if you remember,
22:16but on Reputation...
22:17Why is it a grim reaper?
22:18I have no idea.
22:19They have to keep it, like, scary.
22:21They can't, like, have, like...
22:22It goes with their...
22:23A tattoo of, like, a butterfly and a kitty cat.
22:25I think what that means is 152 dates
22:28almost killed them, but they made it...
22:30Oh, my God.
22:31That is exactly what it is.
22:32You know, that's what it means.
22:33That's the reality of it.
22:34Yeah.
22:35Jesus.
22:36I'll go behind you guys.
22:37Get rid of the bags.
22:38It's a bit forensic.
22:39You got only three numbers on me.
22:41Close, sir.
22:55Everybody has the same message on their card,
22:57so I was hoping you could open it.
22:59But before you look at yours,
23:01I just wanted to say, guys,
23:02this leg of this tour has been harder
23:06than anything I've ever done in a live setting.
23:09And you guys have taken this on
23:11with such excitement and such curiosity
23:13and such the endurance you've shown.
23:16But the spirit you've shown,
23:18how much you've given to these crowds,
23:20that gives to me every single night.
23:22The tour has done really well,
23:24thanks to all of our hard work.
23:26So if you will kindly read this message.
23:30Taylor Swift.
23:34Okay.
23:35Oh.
23:36Oh.
23:38Dearest Cam,
23:39we've traveled the world
23:40like we set out to do.
23:42We've dazzled the crowds,
23:43but we've missed family, too.
23:45My full gratitude doesn't come from a bank,
23:48but here's...
23:49I love you so much.
23:50I love you so much.
23:51This is crazy.
23:52My father was the one that presented the checks to our drivers,
23:57and he presented handwritten letters from Taylor.
24:02It's incredible.
24:03I know tour truck drivers,
24:04and I've asked, do artists usually give out these big bonuses?
24:06Unheard of.
24:07What's wrong, Matt?
24:20He's emotional.
24:21Oh, my God.
24:22Do you need a hug?
24:24Are you okay?
24:26You know how I'm gonna pass out?
24:28Come on.
24:29Yeah.
24:30Come on here!
24:31Oh, my God, do you need a hug?
24:33I'm gonna fall, I'm gonna pass out.
24:34I love you guys so much.
24:56The first walks, you know, it felt nice
24:59if you were gonna slow first,
25:01and then you round the corner.
25:03Good.
25:04Everybody's got their things they're good at.
25:06Uh, it's taken me a really long time
25:09to be even fine at choreography.
25:12Mandy knows how to approach teaching me choreography
25:17from a lyrical perspective.
25:19What were you doing?
25:20These little step touch things?
25:21Yeah, they're just steps.
25:22Um, yeah, so just starting with your, uh,
25:24did you think?
25:25Oh, yeah.
25:26Oh, it's really...
25:27I don't do eight counts.
25:31I learn based on what syllable of the lyric
25:34I'm attaching a movement to.
25:36And I can't really learn any other way.
25:38I've tried.
25:39Texas, Florida...
25:40Yeah, I didn't know if it should be...
25:41Yeah, I didn't know if it should be, like...
25:43Sing it, then throw to them, or sing...
25:46Florida...
25:47There you go, that's what I thought.
25:48Yeah, yeah.
25:49Oh!
25:50Sorry.
25:51To get out there and learn the choreography
25:53in 30 minutes, and remember to hit this spot,
25:56hit this mark, this dancer's gonna come over
25:59and stand next to me for this moment,
26:01in front of 90,000 people,
26:03like, my brain would explode.
26:06It's an absolute challenge.
26:11Not to mention, the whole time she's doing this,
26:13she's singing and doing all these things
26:15at the same time.
26:17So it's a lot like juggling for three and a half hours.
26:20Learning the choreography,
26:21it's not just doing a step for the sake of doing a step,
26:24it's all very visual, and it makes sense to me, narratively.
26:30It also is interesting to be in a position where, like,
26:33you know, this is a team of experts,
26:35and there's something about that
26:37that keeps me on my game and focused and locked in.
26:41It's one of the elements of, like,
26:43where that kind of pressure is a privilege,
26:45because they're not messing up,
26:49so it better not be me.
26:51Um, okay, so, uh, I feel good.
26:55Is it okay if I...?
26:56Yeah, because we're gonna put Florence in tomorrow,
26:58so we'll have you with her there.
26:59Yes, okay, perfect, perfect.
27:00We're happy if you guys...
27:01I love it, I love it, I love it.
27:03I think it's gonna be so special.
27:04Beautiful job, guys, beautiful job.
27:06Thanks for the song.
27:08Yay!
27:09Yeah, you guys rock.
27:10It's my only job.
27:16I'm excited about seeing the show again.
27:18Yeah.
27:19The driver asked me,
27:20oh, is this your first time to the show?
27:22I was like, uh, no.
27:23No.
27:24Yeah.
27:25I don't...
27:26You know, my knee is doing better,
27:28and I don't really wanna be in the wheelchair.
27:31I need it a little bit, but...
27:33To get you there.
27:34Yeah, but I wanna dance.
27:36Tell them.
27:37I'mma tell them,
27:38because I feel like a hypocrite
27:39if I'm sitting in the wheelchair section,
27:40and I start popping off, you know.
27:42Mm-hmm.
27:43I think they'll come and take the wheelchair.
27:44You're gonna start what?
27:45Popping off.
27:46And is that the move?
27:47Something like that.
27:49And what?
27:50Sometimes it's a shimmy.
27:51Uh-huh.
27:52Sometimes it's a roll.
27:53And when does that...
27:54When do...
27:55It is.
27:56I have so many.
27:57And a lot of times,
27:58it's you guys' choreography, too.
27:59Like...
28:00It's this way.
28:02It's that.
28:03That.
28:04I do that.
28:05For Shake It Off?
28:06Yeah.
28:07Shake it off.
28:08Shake it.
28:09I do that move, too.
28:10Oh!
28:11Are you ready for it?
28:12Doom.
28:13Doom.
28:14Doom.
28:15Doom.
28:16That.
28:17That's my song.
28:18I love that one.
28:20This experience has been really amazing.
28:23For me.
28:25It's okay.
28:26It's okay.
28:36I've watched you make so many sacrifices.
28:42It's okay.
28:43So many for us to be able to do what we're doing.
28:50Uh-huh.
28:51And to follow those dreams with every part of us.
28:57Yes.
28:58And...
29:02I am grateful that you're here to see it.
29:05Uh-huh.
29:06Yeah.
29:07Because Collin and I, being able to do what we love to do,
29:12and such grand spaces.
29:15Uh-huh.
29:16Uh-huh.
29:17It's a product of how you love us.
29:21And do.
29:23So, I'm grateful that you're able to see the fruits of your labor in this way.
29:34Uh-huh.
29:35And I will never not have you in these spaces with me,
29:40and celebrating with me.
29:42Uh-huh.
29:43Because just as hard as I've worked,
29:46I'm very clear and very conscious of how hard you've worked for us to be able to do so.
29:54Which is why I try my hardest to take so much care of you.
29:57I know.
29:58I know.
29:59I know.
30:00I love you so much.
30:01I love you.
30:02It's going to be a good show.
30:03I know.
30:04You're going to enjoy it.
30:05I know.
30:06I'm going to dance.
30:07I know.
30:12Oh, yay!
30:16You're here.
30:17You made it.
30:21Hi.
30:22I'm Mandy.
30:23Oh, my gosh.
30:24What an honor.
30:25Hi.
30:26Hi.
30:27I saw this show on the other night, and it was so amazing.
30:29And this is Flo.
30:30These are the dancers.
30:31Yeah!
30:32It's so nice to meet you.
30:33This is going to be amazing.
30:34So big.
30:35It's crazy, right?
30:36This is so big.
30:37No, it is.
30:38It is.
30:39And it's also, it's like a lot of ground to cover here.
30:41So, we're going to show you.
30:42And then, like, the choreography is like, we do something and it affects them.
30:46Like, well, we're just like, Florida, but, and they're like, bleh.
30:50I have performed on big stages, but this is not, like, I thought I'd just show up and
30:56I run around.
30:57Like, because that's what I do at my own shows.
30:58I just show up and I run, like, I just run around.
31:01You're going to come up on that back lift, but you'll see it.
31:04I have never done a lift.
31:06You haven't?
31:07Oh, they're so fun.
31:08You're going to have so much fun.
31:10When I got there, I was like, okay, now this is your choreo.
31:13I was like, oh, no, no, wait, wait, you want me confused.
31:15I don't do this.
31:16Like, I'm going to fuck this up.
31:20Jenny, one, two, three.
31:23You split.
31:35Good.
31:36You're good.
31:37I'm feeling just fine.
31:38All my girls got their links and their crimes.
31:42I'm watching my husband this year.
31:44No one asks any questions.
31:47Great.
31:48Okay.
31:49Great.
31:50So now, this is Karen.
31:51And Nat and Tamia's behind you and Raph here.
31:54So you guys are nice and safe.
31:56This is going to start rising up on So I Did My Best, okay?
31:59Oh, great.
32:00She's going to lay down or she's going to kind of come into if you're okay with this.
32:03Yeah.
32:04And she's just going to lay her head here.
32:05And it'd be great if you wanted to connect to her head.
32:07On like, I did my best to lay to rest all of the bodies that have ever been on my body.
32:12So it kind of makes sense.
32:13So I did my best to lay to rest all of the bodies that have been on my body and in my mind.
32:21Raise your arm up.
32:22Beautiful.
32:23Oh, no.
32:24Sorry.
32:25Is that a bad thing to say?
32:26Okay.
32:27Sorry about that.
32:28Yeah.
32:29So sink into the swamp.
32:30You're still down.
32:31Yes.
32:32Yes.
32:33Sink into the swamp.
32:34Song up.
32:35I've got it.
32:36Okay.
32:37Good.
32:38Now.
32:39Good.
32:40Now you're going to initiate this.
32:43Boom.
32:44Beautiful.
32:45Back center.
32:46Do it again.
32:48What a treat.
32:55We're similar in that the persona is huge, but the person is soft.
33:00And so I think that's why we get along.
33:03Externally, the thing is really big.
33:06But like when we're together, we're just like silly and goofy.
33:11Seeing the show, the most beautiful thing was the crowd.
33:16I like, it was just like the love and the vibe.
33:19Yeah.
33:20I was just like this, all the pockets of like girls in their dresses like dancing.
33:25I was like this is so amazing.
33:26There's so much joy and like, like femininity that's not, there's no shame around it.
33:33No, it was so beautiful.
33:35Natalie and Odie are standing right here.
33:37So you just head to the back two girls.
33:39And then you're going to have your footprints right there.
33:42And you just got to go in the middle.
33:43And I think turn back front.
33:45Yeah.
33:46And then we'll take you down.
33:47And then Dewey will be there to get you at the end.
33:50Okay.
33:51Yeah.
33:52Oh God, this is going to be so fun.
33:54Can we?
33:55Yes.
33:56I would love.
33:57Taylor, are you good to run this too from a top with the lifts and everything?
33:58No, that was all we got.
34:00Can you imagine you're like, Florence, good luck.
34:02It's going to be great.
34:03Yeah.
34:04I'm sure you'll be fine.
34:05Good.
34:06You want to try one?
34:07All right.
34:08Yes, Florence.
34:10Ready?
34:11Ready to go down?
34:12Let's go in my first lift.
34:14And are you okay if I kind of talk you through and I say go right?
34:17Yes, please.
34:18Perfect.
34:19What?
34:20Oh!
34:30Oh, oh.
34:31Oh.
34:32Oh, oh.
34:33Oh, oh, oh, oh.
34:34Oh, oh, oh.
34:37Oh, oh, oh, oh.
34:38Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
34:39Oh, oh, oh, oh, oh, oh, oh, oh.
34:40Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
34:41Mommy, you're saving me.
34:42I've been feeling so alone.
34:43I keep waiting for you.
34:45But you never comments this in my head.
34:48I don't know what you think.
34:50Emailed to the promise.
34:53Pulled out away and said.
34:55Marry me, Juliet, you never have to be alone.
34:59I love you and that's all I really know
35:03I talk to your dad, go fit
35:05Out of white dress, it's a love story
35:09Baby, just let me
35:12Never, ever, ever, ever
35:15Getting back together
35:17Yeah
35:20Yeah
35:22Oh
35:26I used to think that we were forever, ever
35:33And I used to say
35:36Never, say never
35:38He calls me up and he's like, I still love you
35:42And I'm like, I'm just, I mean, this is exhausting, you know
35:45Like, we are never getting back together
35:47Nah, bruv
35:49No
35:50Getting back together
35:56We can beat the heat
36:04We can beat the charges too
36:07They said I was a chick
36:11I guess it must be true
36:14And my friends all smell like weed or little babies
36:20And the city reeks of driving by succincts
36:27Little did you know your home's really only a town you're just a guest in
36:34So you make your life no way just to think for a time shed down in Destin
36:41Florida
36:42Florida
36:43Florida
36:44Florida
36:45Florida
36:46Florida
36:49Florida
36:50Come here to you
36:52London
36:56Wembley Stadium
36:58My friend Florence showed up to surprise you
37:01How does that make you feel?
37:31So I did my best, too late to rest
37:36All of the bodies that have ever been on my body and in my mind
37:40They sink into the swamp
37:44Is that a bad thing to say in a song?
37:48Better did you know your home's really home
37:52In a town you'll get arrested
37:55So you'll pack your life away just to wait
37:58Like a shitstorm back in Texas
38:01Florida
38:03It's one hell of a drug
38:07Florida
38:10Can I use you?
38:14The feeling of coming up for the first time in that lift
38:18It was kind of like landing on Mars
38:20Because I'd never seen the stage lit up before
38:22The sound of the crowd
38:24That was really extraordinary
38:26You know, it's like you see this cultural moment from the outside
38:29And I suddenly was inside of it
38:31It was wild
38:32But it was really fun and completely terrifying
38:36Also, Taylor's my friend
38:39And I know her as this very cozy person
38:41And I came out of that lift
38:43I was like, oh my god
38:44It's fucking Taylor Swift
38:46But what we are
39:00Wembley Stadium
39:02Make the most amount of noise possible for national treasure
39:05The extraordinary
39:07Flores in the Machine
39:09You know, I used to kind of be leaving the shows and seeing people walk up the planet
39:13You know, I used to kind of be leaving the shows and seeing people walk home and think,
39:39I really hope they got what they've been waiting for.
39:45I hope they got what they've been saving up their money for.
39:52There's a feeling I have of such pride and satisfaction because when I leave the Ares tour,
39:59I never wonder that.
40:05There's just like this magic in the air.
40:08All these particles of shimmer and glitter and confetti and girlhood and friendship bracelet
40:15beads and, you know, magic in the Ares.
40:20And I'll see you next time.
40:27I'll see you next time.
40:35I'll see you next time.
40:42I'll see you next time.
40:49I'll see you next time.
40:56I'll see you next time.
41:04I'll see you next time.
41:11I'll see you next time.
41:13I'll see you next time.
41:20I'll see you next time.
41:22I'll see you next time.
41:30I'll see you next time.
41:32I'll see you next time.
41:34I'll see you next time.
41:43I'll see you next time.
41:45I'll see you next time.
41:46I'll see you next time.
41:55I'll see you next time.
41:58I'll see you next time.
42:07I'll see you next time.
42:10I'll see you next time.
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