- 28 minutes ago
"Shadows of Separation" tells the story of two souls torn apart by distance and circumstance. Filled with emotional depth, longing, and the pain of heartbreak, it explores love, loss, and the hope that lingers even when apart. A moving and heartfelt journey into the complexities of human connection.
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🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30Driver
00:01:41Driver, stop!
00:01:44What trouble is in there?
00:01:45Why do you want to stop?
00:01:47The man up there, he's bleeding to death.
00:01:51Can't stop.
00:01:52Not here.
00:01:53Brakes won't hold.
00:02:00The end of the day.
00:02:29Orderly, orderly.
00:02:54And just as guilty as a soldier would be who deserted his post under fire.
00:02:59Now, in making an example of you, I...
00:03:07I beg your pardon, sir. I have some wounded outside. I'm looking for the...
00:03:10Oh, yes, yes, yes. You want the Italian unit. We're the English here, you see.
00:03:14Yes, number 207.
00:03:16They're in the other wing. Moved in today.
00:03:18Yes, out that way. Straight ahead.
00:03:20Thank you, Major.
00:03:22Yes.
00:03:24Yes, I know.
00:03:29Shh.
00:03:30Let's go.
00:03:32What's the girlfriend been doing?
00:03:42Typical male conceit.
00:03:50What's the girlfriend been doing?
00:03:52Typical male conceit.
00:03:55What's the girlfriend been doing?
00:04:01Typical male conceit.
00:04:03I think they're going to send her back home.
00:04:04That's a dirty shame. She'll be disgraced.
00:04:05Shh. Here they come.
00:04:06Well, is it necessary for us all to be here at one time?
00:04:10Get back to your posts...
00:04:12You will be packed and ready to leave within the hour.
00:04:15Molly?
00:04:17What's the girlfriend going in?
00:04:18I don't think it's necessary.
00:04:19I don't get anything inside.
00:04:20I don't think he's going to be here.
00:04:21I don't think he's going to send it back home.
00:04:22I don't think it's a shame.
00:04:23It should be disgraced.
00:04:24Shh. Here they come.
00:04:26Well, is it necessary for us all to be here at one time?
00:04:28Get back to your posts.
00:04:31You will be packed and ready to leave within the hour.
00:04:35Molly?
00:04:36Whoa.
00:04:37What are you going to do now?
00:04:38Oh, he's going to try to live in the air.
00:04:39I don't know who I'm going to do so.
00:04:40Can I help you, Pac?
00:04:45I guess so.
00:04:47If you want to.
00:04:49Why, of course I want to.
00:04:52Good girl.
00:04:53I'll beg you, Father.
00:04:55I say she's the only human being in the whole lot of us.
00:05:00I'm sorry, Miss Barclay appears to sympathize with one
00:05:03who has disgraced the uniform we all wear.
00:05:10Baby!
00:05:12Rinaldi!
00:05:13Federico!
00:05:14Get away.
00:05:15You're filthy.
00:05:16You Anglo-Saxons.
00:05:17You're not to clean yourself.
00:05:19Did you bring me some good cases, baby?
00:05:21Did you have trouble finding us?
00:05:22No.
00:05:23How do you feel?
00:05:24Is there going to be an offensive?
00:05:25Were you under fire?
00:05:26Madonna, but I want to.
00:05:27I want to.
00:05:28I want to.
00:05:29I want to.
00:05:30I want to.
00:05:31I want to.
00:05:32I want to.
00:05:33I want to.
00:05:34I want to.
00:05:35I want to.
00:05:36I want to.
00:05:37I want to.
00:05:38Were you under fire?
00:05:39Madonna, but I worried about you.
00:05:41Yes.
00:05:42I can see how much you've been worrying.
00:05:43Seven operations today, baby.
00:05:45And one of them was beautiful.
00:05:47I took the heart out.
00:05:50It lay in my hand and it beat like this.
00:05:53You should have seen it.
00:05:55It was lovely.
00:05:57Soon Rinaldi will be the best surgeon in all the corps.
00:06:00Then in all the army.
00:06:02And someday in all of Italy.
00:06:04Why not in all the world?
00:06:05Why not?
00:06:08You will like it here, baby.
00:06:10What sort of a town is this?
00:06:11Any girls?
00:06:12Many beautiful English nurses.
00:06:14The most beautiful is Miss Barkley.
00:06:16I am in love with her.
00:06:18Does she know it?
00:06:20Not yet.
00:06:21Have you any money?
00:06:22Yes.
00:06:23Lend me fifty lire.
00:06:24What for?
00:06:25I want to make on Miss Barkley the impression of a man of sufficient wealth.
00:06:29All right.
00:06:31You're my great and good friend and financial protector.
00:06:34You're an ass.
00:06:35And now we will eat and drink and I will take you to meet Miss Barkley.
00:06:39But you must make for me a good impression upon her.
00:06:42Now listen.
00:06:43But you must.
00:06:44And you can have a nurse too.
00:06:46There is another one named Miss Ferguson.
00:06:48She is also very, very nice.
00:06:50No.
00:06:51No?
00:06:52First we will eat and drink.
00:06:55And then we will go and see the girls.
00:06:57Yes?
00:07:00Yes.
00:07:04You see.
00:07:05She doesn't know.
00:07:10Neither do I.
00:07:11Oh, you got too much wine.
00:07:13It's filthy wine.
00:07:14It takes the enamel off your teeth and leaves it on the roof of your mouth.
00:07:18Where was I?
00:07:19Architecture.
00:07:20Oh, yes.
00:07:21Look.
00:07:22I'll explain.
00:07:23This, my dear, is called an art.
00:07:27Woo!
00:07:28Woo!
00:07:29Woo!
00:07:30Woo!
00:07:31Woo!
00:07:32Woo!
00:07:33Woo!
00:07:34Woo!
00:07:35Woo!
00:07:36Woo!
00:07:37Woo!
00:07:38Woo!
00:07:39Woo!
00:07:40Woo!
00:07:41Woo!
00:07:43Woo!
00:07:44Woo!
00:07:45Woo!
00:07:46Woo!
00:07:47Woo!
00:07:48Woo!
00:07:49Woo!
00:07:50Woo!
00:07:53Woo!
00:07:54Woo!
00:07:55Woo!
00:07:56Woo!
00:08:13Woo!
00:08:14Woo!
00:08:15The arch, my dear, is perhaps the oldest of architectural devices.
00:08:25Arch. Architecture.
00:08:28The very word will tell you how inextricably the two are one.
00:08:33In a word, my dear, architecture is the most ancient of the arts.
00:08:39Better put your shoe on, you'll get cold feet.
00:08:46If you please, I'd like to go now. The air raid seems to be over.
00:08:50Catherine! Catherine! Catherine!
00:08:55Here I am, Fergie. I'm coming.
00:08:57Oh, I was so worried.
00:08:59Oh, you think I've been blown away?
00:09:01I didn't know what to think. Nobody saw where you went.
00:09:03Who's that man?
00:09:06Oh, I don't know. Some lunatic.
00:09:08Come on.
00:09:15There he is.
00:09:18What if we take the mountains to the north?
00:09:20Behind them are more mountains, and behind those, more yet.
00:09:24And we take them all.
00:09:25Only if the Austrian stop fighting.
00:09:27One side the most stop.
00:09:29Stop? It'll go on forever.
00:09:31Like him.
00:09:32It means for the Austrian to win the war.
00:09:45Oh, no, no. It is not true.
00:09:47But you don't want us to attack.
00:09:49If we must have war, I suppose we have to attack.
00:09:53Oh, but so many die that way.
00:09:55But what is death to a Christian?
00:09:57Don't encourage him, Fergie.
00:10:13Federico.
00:10:14Oh, you are back safe.
00:10:16Hello, Father. I am so glad.
00:10:17This friend has prayed for you, Federico.
00:10:19Every time you go up, he does the same.
00:10:21Oh, I pray for you all.
00:10:22You are late, baby. How is it of them?
00:10:24Quiet.
00:10:25You nearly missed the party.
00:10:27But it is very dull.
00:10:29But Miss Barkley is here, and her friend, Miss Ferguson, the one you will like.
00:10:34Come.
00:10:37Miss Barkley, permit me to present to you my friend and war brother, Lieutenant Henry.
00:10:43He has just returned back from the front.
00:10:45How do you do?
00:10:47How do you do?
00:10:48And this is Miss Ferguson.
00:10:52How do you do?
00:10:53How do you do?
00:10:53He begins again, that fellow.
00:10:57Quick, let us go into the garden.
00:10:59Now, you stay here.
00:11:20I will find something for us to drink.
00:11:23Asti, grappa, vermouth.
00:11:25Which do you like?
00:11:26All of them.
00:11:27Then you shall have all of them.
00:11:28Nice out here.
00:11:47Hmm, isn't it?
00:11:48We seem fated to bump into each other in the dark.
00:11:56I'm sorry about that.
00:11:57I mistook you for someone else.
00:11:59So I gathered.
00:12:01I'd been drinking.
00:12:02I gathered that, too.
00:12:05Mad?
00:12:06No.
00:12:08You're an American, aren't you?
00:12:10Yes.
00:12:11Well, then what are you doing in the Italian Army?
00:12:13Well, it's not really the Army.
00:12:15It's only the ambulance.
00:12:17It's very odd, though.
00:12:17Why'd you do it?
00:12:19I don't know.
00:12:20Why did you?
00:12:21Oh, I joined up in England.
00:12:24Besides, the boy I was engaged to had gone across.
00:12:32Where is Miss Ferguson?
00:12:34Why don't you go see?
00:12:36Yes, do bring her out, Captain Rinaldi.
00:12:38Why don't you go see me?
00:12:50Have some?
00:12:52Thanks.
00:12:56He's sore.
00:12:57What for?
00:12:59Because I'm here with you.
00:13:01Women prefer him, as a rule.
00:13:02Shall we take a walk?
00:13:10Yes, let's.
00:13:14Where is he now?
00:13:16Who?
00:13:17The boy you're engaged to.
00:13:19He's dead.
00:13:21Oh.
00:13:22He was killed in the Somme.
00:13:24Were you engaged long?
00:13:26Eight years.
00:13:26We grew up together.
00:13:28Why didn't you marry?
00:13:30I didn't know what the war was like then.
00:13:33If I had it to do over again, I'd marry him.
00:13:42When I joined up, I remember having this silly idea that he might come to the hospital where I was.
00:13:48With a saber cut, I suppose, and a bandage around his head.
00:13:51Shot through the shoulder.
00:13:53Something picturesque.
00:13:54This is the picturesque front, not France.
00:13:57He didn't have a saber cut.
00:14:00They blew him to bits.
00:14:01This is the incident with abot.
00:14:03Good.
00:14:03Look.
00:14:04Batteries.
00:14:06Much a lot to hear about her.
00:14:07I remember walking.
00:14:08Neither one.
00:14:09I remember walking.
00:14:10I remember walking.
00:14:10I remember walking.
00:14:11I am growing.
00:14:12I remember walking.
00:14:25I when I went my backpack.
00:14:26I remember walking.
00:14:27This was satu括.
00:14:27We gave them a bicycle route.
00:14:29Penny took him to thebang.
00:14:30What are you thinking about now?
00:14:52About whiskey.
00:14:53What about whiskey?
00:14:56About how nice it is.
00:14:58And you're nice, too.
00:15:00Hmm.
00:15:05No.
00:15:06Why not?
00:15:07No, don't.
00:15:08Yeah.
00:15:08No, please.
00:15:16I'm sorry.
00:15:16Did I hurt you?
00:15:18It's all right.
00:15:19I'm dreadfully sorry, really.
00:15:22I just couldn't bear the nurse's evening off aspect of it.
00:15:28It's quite all right.
00:15:29I don't mind at all.
00:15:31Poor man.
00:15:33You see, I've been leading a funny sort of life.
00:15:37Besides, you're so very beautiful.
00:15:40You don't have to talk a lot of nonsense.
00:15:41I said I'm sorry.
00:15:45We could get along.
00:15:48Couldn't we?
00:15:49You're sweet.
00:15:50You're sweet.
00:15:52No, I'm not.
00:15:53Yes, you're a dear.
00:15:56I'd be very glad to have you kiss me now, if you don't mind.
00:15:59I mean, oh, my God.
00:16:13I've been so sorry.
00:16:15You may be God.
00:16:18I'm sorry.
00:16:19You're so sorry.
00:16:20I'm sorry.
00:16:21Did you have a nice time, baby?
00:16:43You made progress with her, eh?
00:16:45We're friends, if that's what you mean.
00:16:47I mean, was she nice to you?
00:16:50Shut up.
00:16:51I am a man of extreme delicacy, but was she...
00:16:54Brinoli, will you please shut up?
00:16:57If you want to be a friend of mine, shut up.
00:16:59I am your best friend and your war brother.
00:17:02Then shut up.
00:17:06Miss Barkley prefers you to me.
00:17:09That is very clear.
00:17:11But Miss Ferguson is very nice, too.
00:17:15You like her?
00:17:18No.
00:17:18You like her?
00:17:19That's not me.
00:17:21That's not me.
00:17:21No.
00:17:23I don't know.
00:17:24I don't know.
00:17:25It's not me.
00:17:25It's not me.
00:17:26I don't know.
00:17:26I don't know.
00:17:27You like her?
00:17:28I don't know.
00:17:58Good luck.
00:18:28Turn back.
00:18:54Back.
00:18:55Yes, back.
00:18:56Good luck.
00:18:58Good luck.
00:19:03I want to see Mr. Barclay.
00:19:29She's on duty.
00:19:31Wait, you can't go in there.
00:19:33Hey, why did we come back here for?
00:19:58The tenant knows what he's doing.
00:20:00Please.
00:20:00What's wrong, Barani?
00:20:01Don't we ever get started here?
00:20:02We've got plenty of time.
00:20:04Hold it.
00:20:06I thought you started.
00:20:07What are you doing here?
00:20:08We come back, signor Capitano.
00:20:10Tenente, he forgot something.
00:20:12Oh.
00:20:12You're all right, aren't you?
00:20:36Yes, I'm all right.
00:20:37Yes, I'm all right.
00:20:39I came to...
00:20:41I thought...
00:20:43You see, I'm going to be away for a while, and I didn't want you to think that I'd just
00:20:52gone away.
00:20:53No, I...
00:20:54What I mean is, I'd hate to have you feel that it wasn't important to me about us.
00:21:06I don't exactly know how to say it.
00:21:08Well, you said it very nicely, dear.
00:21:13No, I don't mean...
00:21:14You mustn't feel...
00:21:16Will you be gone long?
00:21:19No.
00:21:20Only a few days.
00:21:21There's going to be a show above...
00:21:22Up above Plava.
00:21:24Nothing much, I guess.
00:21:25A show?
00:21:26You'll be careful, won't you?
00:21:27I won't get hit.
00:21:30Hold it.
00:21:37Here.
00:21:40It's a St. Anthony.
00:21:47They say a St. Anthony is very useful to guard you from harm.
00:21:52I'll take good care of him.
00:21:57I wish I could kiss you.
00:22:18He is my friend and a good soldier.
00:22:20I do not like to see him lose his head over a woman.
00:22:24Aren't you exaggerating a bit?
00:22:26I think not.
00:22:27Couldn't we send her back to the base, Major?
00:22:29No, if you could send her away, it would simplify everything.
00:22:33Could perhaps send her to Milan?
00:22:35Excellent, my dear Major.
00:22:37Magnificent.
00:22:37No wonder the English are first in diplomacy.
00:22:44What did you say her name was?
00:22:54We won't get anything else to eat once the attack starts.
00:22:57This is all they give me.
00:22:58This is all they give me.
00:23:00Starting to eat at the night?
00:23:01No, we'll all eat together.
00:23:03Come on, sit down to it.
00:23:11Look at this.
00:23:12Look at this.
00:23:12This is going to be here.
00:23:13Take it.
00:23:14Take it.
00:23:15Oh, boy.
00:23:16All you want.
00:23:18Here.
00:23:19Take it.
00:23:20All you want.
00:23:21Good night.
00:23:22Here.
00:23:23Take some cheese.
00:23:24That's good.
00:23:27Wash it down with wine.
00:23:28Tell him.
00:23:29Who goes to the attack?
00:23:30Nobody would attack.
00:23:31The war would be over.
00:23:32Nobody would attack.
00:23:33The war would be over.
00:23:34Nobody would attack.
00:23:35The war would be over.
00:23:36Nobody would attack.
00:23:37The war would be over.
00:23:41There was a big one.
00:23:44420.
00:23:45That was a big one.
00:23:50420,000 pounds and a half.
00:23:54There was more than a half.
00:23:56Very bad.
00:23:57Good night.
00:23:58No, it's behind the fives. Sounded like a scoter to me.
00:24:14Scoter? That's what I say.
00:24:28It was a scoter gun. Easy now.
00:24:54Lacerations of the scale and possible
00:24:58pressure of the skull. Multiple superficial wounds of the left and right thigh, left and
00:25:04right knee, and right foot. Profound wounds of right knee and foot incurred in line of
00:25:10duty. Antitetanus, please.
00:25:12Come on, lift them up a little more. All right, go ahead. Yeah, please.
00:25:27Hurry, hurry. How do you feel, baby?
00:25:33Rinaldi, what are you doing here? Bonello telephoned to me. The Major gave me permission to come.
00:25:37No one shall hurt you, baby. I won't let you. No butcher is going to touch my war power.
00:25:50Only Rinaldi can take you and never hurt you. You must forgive me, baby, for talking so much,
00:25:54but I am... I am very moved to see you badly wounded. How did it happen? I will see you are decorator
00:26:01for bravery. Perhaps we can get you the medaglia d'agento, but surely the bronze one.
00:26:07Did you carry somebody on your back? I didn't carry anybody. I couldn't move.
00:26:12Surely there was something heroic. Tell me what you did.
00:26:15I was blown up eating cheese.
00:26:19Now, don't worry, baby. I will fix you so that you are as good as new. You will see.
00:26:22Every day I learn to do things smoother, quicker. Soon, very soon, you will be walking again.
00:26:28I will be walking again.
00:26:31I will be walking again.
00:26:34I will be walking again.
00:26:37I will be walking again.
00:26:39You will find it under your blanket next to your heart.
00:26:42It is a bottle of brandy, baby. Very good brandy.
00:26:46The infantry captured it from the Austrians on San Gabriele.
00:26:49I have another surprise for you.
00:26:51Take a deep breath.
00:26:53Where do you think you will go from here?
00:26:55To the Italian hospital where they have the male nurses, the witty beards?
00:26:59No.
00:27:00I will arrange everything with my friend, the British Major.
00:27:04I will arrange everything with my friend, the British Major.
00:27:07You will go to Milan to the beautiful Miss Barclay.
00:27:13That makes you happy, eh?
00:27:15Think of Rinaldi.
00:27:17Left all alone with the war.
00:27:19No one to make fun of.
00:27:21No one to lend him money.
00:27:23While you...
00:27:25While you are in Milan with the beautiful Miss Barclay.
00:27:28Making love in Milan to the chase of Miss Barclay.
00:27:31Look out for the steps.
00:27:54Look out for the steps.
00:27:55Why do you stop?
00:27:56I am the superintendent.
00:27:57May I have your medical papers, please?
00:27:58They're in my coat. In the button-down pocket.
00:27:59Take him up those stairs, down the corridor.
00:28:00Then he will be back in the middle.
00:28:01I am the superintendent.
00:28:02I am the superintendent.
00:28:03May I have your medical papers, please?
00:28:04They're in my coat.
00:28:06In the button-down pocket.
00:28:07Take him up those stairs, down the corridor.
00:28:08His room is the one at the end.
00:28:09You show them, Giulio.
00:28:10Who are you?
00:28:13I am the porter, signor Tenente.
00:28:18Come.
00:28:19Come.
00:28:20Come.
00:28:22Come.
00:28:23Come.
00:28:24Come.
00:28:25Come.
00:28:26Come.
00:28:27Come.
00:28:28Come.
00:28:29Come.
00:28:32Come.
00:28:33Come.
00:28:34Come.
00:28:35Come.
00:28:36Come.
00:28:37Come.
00:28:38Follow me.
00:28:50Now, Senor Tenente, we must lift you off the bed.
00:28:52All right.
00:28:53But keep my legs straight.
00:28:55Si, si, Senor Tenente.
00:28:59Anything more, Senor Tenente?
00:29:01Get me some brandy.
00:29:02No, it is not allowed, Senor Tenente.
00:29:04Wasn't I wounded, fighting for the glory of Italy?
00:29:07You'll find some money in my pocket.
00:29:09As you wish.
00:29:16So it's you.
00:29:18Ferguson.
00:29:18Is Catherine here?
00:29:19As if you didn't know.
00:29:21I believe that's why you got wounded.
00:29:22Where is she?
00:29:23You ought to be still.
00:29:24Here's your chart.
00:29:26Now I must take your temperature.
00:29:27Does she know I'm here?
00:29:30Under the arm, please.
00:29:36Hello, darling.
00:29:41Catherine.
00:29:44You're lovely.
00:29:45Are you badly hurt?
00:29:46You're lovely.
00:29:48Well, my poor darling, it's your leg, isn't it?
00:29:50You're the loveliest thing I ever saw.
00:29:52Oh, no.
00:29:56I have to go now, darling.
00:29:57I can't stay.
00:29:58You'll come back?
00:29:59Later, but we'll have to be awfully careful.
00:30:01You've got to come back.
00:30:02Oh, well, when I can.
00:30:03Tonight.
00:30:04I'll try.
00:30:06Somebody's coming.
00:30:09Tonight.
00:30:15I'll take that thermometer now.
00:30:21Good gracious.
00:30:23Pitch the doctor.
00:30:25It's a miracle you're not delirious with such a fever.
00:30:29I haven't got any fever.
00:30:31Stay quiet, please.
00:30:33It's not what you think.
00:30:55I've brought you a few little things.
00:31:01This is mosquito netting, and this is a bottle of vermouth.
00:31:04You like vermouth, huh?
00:31:06And these are English papers.
00:31:08Thank you, Father.
00:31:09It's very good of you to come.
00:31:11Oh, but I mustn't stay long.
00:31:12They warned me not to tire you.
00:31:13You seem very tired yourself.
00:31:15I am tired, but I have no right to be.
00:31:18You have the war disgust.
00:31:19Oh.
00:31:21I hate the war.
00:31:23I don't enjoy it.
00:31:24But you do not mind it.
00:31:25You do not see it.
00:31:27You must forgive me.
00:31:28I know you are wounded.
00:31:29That was an accident.
00:31:31Still even wounded, you do not see it.
00:31:33I can tell.
00:31:34I do not see it myself, but I feel it a little.
00:31:38Come in, Cap.
00:31:42Don't go yet, Father.
00:31:43It's still early.
00:31:44You are sure?
00:31:45In the operation in the morning, he should rest?
00:31:47Oh, he's strong.
00:31:49He has such a lovely temperature.
00:31:50It's always normal.
00:31:51I'm very proud of his temperature.
00:31:53Maybe all our children will have fine temperatures, too.
00:31:56Our children will probably have beastly temperatures.
00:32:00Don't mind us, Father.
00:32:01We're in love.
00:32:03I know.
00:32:04I could see it in your faces.
00:32:07You're a groove, don't you, Father?
00:32:08Father, you spoke of children.
00:32:15This, too, is the war.
00:32:16Without the war, you would live married in God's grace.
00:32:22Is it not so?
00:32:28And you?
00:32:28Well, I hadn't thought about it like that, but yes, I suppose so.
00:32:38Father, are you?
00:32:59Is that the marriage service?
00:33:24poor chap such a crazy marriage at least i'm in white
00:33:36no orange blossoms i can smell them
00:33:41no organ music i can hear it playing
00:33:54it has made me happy to do this for now from my heart i can say i bless you in his name
00:34:07thank you father
00:34:08goodbye and be happy both of you thank you father
00:34:14give my regards to the mess i will and get well soon i will come again the next time i am in milan
00:34:23goodbye my dear
00:34:24goodbye
00:34:25oh
00:34:27THE END
00:34:57THE END
00:35:27THE END
00:35:57THE END
00:35:59THE END
00:36:01THE END
00:36:05THE END
00:36:07THE END
00:36:09THE END
00:36:11THE END
00:36:13THE END
00:36:17THE END
00:36:19THE END
00:36:21THE END
00:36:23THE END
00:36:25THE END
00:36:27THE END
00:36:29THE END
00:36:31THE END
00:36:33THE END
00:36:35THE END
00:36:37THE END
00:36:41THE END
00:36:43THE END
00:36:45THE END
00:36:47THE END
00:36:49THE END
00:36:51THE END
00:36:53THE END
00:36:55THE END
00:36:57THE END
00:36:59THE END
00:37:03THE END
00:37:05THE END
00:37:07THE END
00:37:09THE END
00:37:11THE END
00:37:13THE END
00:37:15THE END
00:37:17anyone. That's right, darling. What were they like? I don't know anything about it. You're just mine,
00:37:25that's true. You've never belonged to anyone else. I don't care if you have, though. I'm not afraid of
00:37:31them. Only don't tell me about them. You never told them you loved them, did you? No. I knew you
00:37:37wouldn't. Oh, darling, I do love you. Then kiss me. Right here in the street? Yes.
00:37:47I'll go in first.
00:38:11So, what is this, if I may ask? What was in it?
00:38:17That's Kimmel. That's the best kind. It comes in those bear-shaped bottles from Russia. And these?
00:38:24That's brandy, wine, and whiskey. And I've been pitying you for being wounded. Pity is something
00:38:31that is wasted on you. Thank you. If you're so anxious not to go back to the front, I should
00:38:36think you'd try something more intelligent. Not self-inflicted alcoholism. What? I said
00:38:41alcoholism. And I also say that I'll see your convalescent leave is cancelled. You'll go back
00:38:48to the front tomorrow night.
00:38:49Have I time for a drink before the train leaves? For the front? Yes. About twenty minutes,
00:38:55Senor Capitano. Right. You're a fine, simple girl. I am a simple girl. Nobody but you ever
00:39:02realized it. At first, I thought you were a crazy girl. I was a little crazy at first.
00:39:09Is that your train? Maybe. It makes up a turn, but it stays in the station here till time to
00:39:16look. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry.
00:39:22Nobody but you ever realized it. At first, I thought you were a crazy girl. I was a little
00:39:27crazy at first. Is that your train? Maybe. It makes up a turn, but it stays in the station
00:39:38here till time to leave. There's really lots of time. But at my back, I always hear time's
00:39:50Wicked Chariot hurrying near. I know that poem. It's by Marvel. Listen. It's only the rain.
00:40:12I hate the rain. I like it. I'm afraid of the rain. Afraid? Why? I... Oh, well, perhaps
00:40:21it's silly. What? Tell me. No, don't make me. Tell me. All right. I'm afraid of the rain
00:40:29because sometimes I see me dead in it. No. And sometimes I see you dead in it. That's more likely.
00:40:37Oh, now, darling. Don't say that. That is your train. Time's Wicked Chariot.
00:40:50I'll come with you, hmm? No, please. I don't want you... not at the station. All right,
00:41:01darling. How often will you write? As often as I can. Do they read your letters? They can't
00:41:07read English enough to hurt any. Well, I'll make them very confusing. But not too confusing.
00:41:11Oh, I should have got you a going away gift. A whistle to make you feel better in the dark. Or
00:41:16a sword. I'm sure we could get a used sword very cheap. Swords aren't very useful at the
00:41:20front. Oh, I see. They get in the way of your legs when you're running. Well, they might
00:41:24be useful at masses, though. I'm afraid I have to start, darling. I hate to leave our fine
00:41:34house. So do I. We never stay settled very long in a home, do we? We will. I'll have a fine
00:41:46home for you when you come back. Say I'll come back to Catherine. I'll come back to Catherine.
00:41:55I'll always come back. Maybe this time you'll be hurt just a little in the foot. Or the
00:42:12lobe of the ear. Oh, no, no, no. I want your ears just the way they are. Your feet have
00:42:16been hurt already.
00:42:46some killer.
00:42:53BYE. BYE. BYE. BYE.
00:42:59BYE. BYE. BYE. BYE. BYE. .
00:44:33But, Fergie, I was afraid you wouldn't come.
00:44:34Would you mind telling me what this is all about?
00:44:36I'm going away.
00:44:37So I gathered by this, but...
00:44:38You didn't tell him?
00:44:39Well, what would be the good?
00:44:40It would only worry him.
00:44:41He'd have to go anyway.
00:44:42Aren't you going to tell him?
00:44:44Well, not yet.
00:44:45I may write him from Switzerland.
00:44:48You're a fool.
00:44:49Here, signora.
00:44:51On track three.
00:44:53But what's the hurry?
00:44:54Why tonight?
00:44:55Couldn't go back to that hospital.
00:44:56I couldn't stand it.
00:44:57Not with him gone.
00:44:58But you'll be all alone in Switzerland.
00:44:59Don't worry, Fergie.
00:45:01I'll be all right.
00:45:01You're not afraid of anything, are you?
00:45:07Only of going back to that hospital.
00:45:10Don't scold me, Fergie.
00:45:11I'll carry you.
00:45:15I'll carry you.
00:45:19I'll carry you.
00:45:25I'll carry you.
00:45:27To his sip.
00:45:49I've always told you I was a crazy girl.
00:45:55I couldn't bear my land without you away.
00:45:57So I've chucked the war and come to live in this little Swiss town
00:46:00as near as possible to the Italian border and Hume.
00:46:03And, darling, it's an adorable place.
00:46:05I'm going to be very happy here.
00:46:07I've taken a suite.
00:46:12Suite.
00:46:13In the best hotel and I'm fairly wallowing in luxury.
00:46:17The bed is ampere and fit for an empress.
00:46:21There's a maroon velvet carpet, ankle deep,
00:46:24and a bathroom.
00:46:25Oh, darling, the bathroom.
00:46:26Oh, it's a black marble with silver fittings.
00:46:31I've just dined in state at my sitting room window
00:46:34from which there is a divine view of the lake shimmering in moonlight.
00:46:39I'm an awful liar, darling.
00:46:54It's not really a nice place at all.
00:46:56It's mean and cheap and horrible.
00:46:58But it doesn't matter where I live
00:47:00because I don't really live at all when I'm not with you.
00:47:03Oh, darling.
00:47:09What I really want to tell you is that
00:47:12that I shall lie awake in the dark and cry
00:47:15because you're not here.
00:47:17I'm lonely and frightened.
00:47:20And I love you both.
00:47:23Hurry, baby.
00:47:36Why?
00:47:36Time to go.
00:47:37Go where?
00:47:38But I told you before, to the Villa Rosa.
00:47:40New girls, everybody's going.
00:47:42Not me.
00:47:43But you must.
00:47:44It would be a fine party.
00:47:45And besides, I said you would go.
00:47:47I can.
00:47:47I've got to write some letters.
00:47:50Oh, to that little...
00:47:52Every day more letters.
00:47:53You might as well be married.
00:47:54That's my business.
00:47:56Oh, baby.
00:47:58How you have come back to me.
00:48:00Serious like a shopkeeper with a liver.
00:48:03Where is my war brother who used to get drunk with me
00:48:05and go to the Villa Rosa every night?
00:48:07Leave me alone, will you?
00:48:10Why?
00:48:11Isn't she just a girl?
00:48:14Keep her out of this.
00:48:16Sacred subject.
00:48:17Believe me, baby.
00:48:19Sacred subjects are not good for soldiers.
00:48:23Why don't you be like me?
00:48:25All fire and smoke.
00:48:26And nothing inside.
00:48:29Come on, baby.
00:48:30You're drunk.
00:48:31Stop it.
00:48:31Of course I am drunk.
00:48:33You come with me and you will be drunk, too.
00:48:35Come on, baby.
00:48:37Oh, I am sorry.
00:48:38Now you must come.
00:48:40There is no more ink.
00:48:41Get your hands off me and...
00:48:43Get out.
00:48:45Poor baby.
00:48:51Tomorrow I will get you drunk
00:48:52and I will take out your liver
00:48:54and I will put you in a good Italian liver
00:48:56and make a man of you again.
00:48:58Ciao, baby.
00:48:59You're going out, signor Capitano?
00:49:13Yes, why?
00:49:15The mail just came, signor Capitano.
00:49:17You censor it.
00:49:18Signor Capitano.
00:49:20The officer's mail, too?
00:49:25Very well.
00:49:26Are you going to open them, signor Capitano?
00:49:41No.
00:49:42I'm going to hurry.
00:49:43Send this one back.
00:50:02Yes, signor Capitano.
00:50:04I do not like to see him lose his head over a woman.
00:50:07Yes, signor Capitano.
00:50:31And today my letters came back.
00:50:33Every one I'd ever written on.
00:50:34Came back?
00:50:35Just marked return to sender.
00:50:37Person unknown.
00:50:38Well, that's very strange.
00:50:4032 letters.
00:50:41She never got one.
00:50:42Well, that's why she never wrote you.
00:50:44No.
00:50:45She'd have written me anyway.
00:50:46Something's happened to her.
00:50:48Have you tried to...
00:50:49I can't get any information at all.
00:50:51I've got to go and find her myself.
00:50:53Now, can you?
00:50:54I'm going to Milan.
00:50:55I'll find her.
00:50:56But aren't all leaves of absence forbidden
00:50:58since that battle in the north began?
00:51:00I'm going anyway.
00:51:01Well, that's desertion.
00:51:02I don't care.
00:51:04I'm going.
00:51:05You'll be caught.
00:51:06Oh, you mustn't do this, Federico.
00:51:08Yes, I must.
00:51:10That's what I wanted to tell you, Padre.
00:51:12What does this war mean to me anymore?
00:51:14What does anything mean but finding her?
00:51:16But, Federico, consider the...
00:51:18I can depend on you, Padre.
00:51:24Say goodbye to Rinaldi and the others for me.
00:51:27When are you leaving?
00:51:28Now.
00:51:28While we're at dinner.
00:51:30And by morning, when they miss me,
00:51:31I'll be halfway to Milan.
00:51:33If they ask me what...
00:51:34What do you say, I...
00:51:35Anything you like.
00:51:37Goodbye, Padre.
00:51:39Goodbye, Federico.
00:51:41May the Lord bless and preserve you.
00:51:43I'll be right back.
00:52:13I'll be right back.
00:52:14Goodbye, Padre.
00:52:15Goodbye, Padre.
00:52:15Goodbye, Padre.
00:52:16Goodbye, Padre.
00:52:16Goodbye, Padre.
00:52:17Goodbye, Padre.
00:52:17Goodbye, Padre.
00:52:18Goodbye, Padre.
00:52:18Goodbye, Padre.
00:52:19Goodbye, Padre.
00:52:19Goodbye, Padre.
00:52:20Goodbye, Padre.
00:52:20Goodbye, Padre.
00:52:21Goodbye, Padre.
00:52:21Goodbye, Padre.
00:52:22Goodbye, Padre.
00:52:22Goodbye, Padre.
00:52:23Goodbye, Padre.
00:52:23Goodbye, Padre.
00:52:24Goodbye, Padre.
00:52:24Goodbye, Padre.
00:52:25Goodbye, Padre.
00:52:25Goodbye, Padre.
00:52:26Goodbye, Padre.
00:52:26Goodbye, Padre.
00:52:27Goodbye, Padre.
00:52:27Goodbye, Padre.
00:52:28Goodbye, Padre.
00:52:28Goodbye, Padre.
00:52:29Goodbye, Padre.
00:52:29The End
00:52:59The End
00:53:29The End
00:53:59The End
00:54:29The End
00:54:59The End
00:55:29The End
00:55:59The End
00:56:29The End
00:56:59The End
00:57:29The End
00:57:59The End
00:58:29The End
00:58:59The End
00:59:29The End
00:59:59The End
01:00:29The End
01:00:59The End
01:01:29The End
01:01:59The End
01:02:29The End
01:02:59The End
01:03:29The End
01:03:59The End
01:04:29The End
01:04:59The End
01:05:29The End
01:05:59The End
01:06:29The End
01:06:59The End
01:07:29The End
01:07:59The End
01:08:29The End
01:08:30The End
01:08:38The End
01:08:39The End
01:08:59The End
01:09:29The End
01:09:59The End
01:10:29The End
01:10:30The End
01:11:00The End
01:11:01The End
01:11:02The End
01:11:03The End
01:11:04The End
01:11:05The End
01:11:34The End
01:11:35The End
01:11:36The End
01:11:37The End
01:11:38The End
01:11:39The End
01:11:40The End
01:11:41The End
01:11:42The End
01:11:43The End
01:11:44The End
01:11:46The End
01:11:47The End
01:11:48The End
01:11:53The End
01:11:54The End
01:11:55The End
01:11:58Tell him what?
01:12:00That I'm going to die.
01:12:06No, you won't stand it.
01:12:12Doctor.
01:12:15Have I long enough?
01:12:17Don't you see? I have to know.
01:12:29Enough, you don't.
01:12:37Let him come in.
01:12:40No way.
01:12:43Could I...
01:12:45Could I have my bag first?
01:12:58Oh, such a mess.
01:13:05He never liked me to be pale.
01:13:15You can go in now.
01:13:35Captain.
01:13:36Darling.
01:13:45You're all right?
01:13:46I'm fine.
01:13:48Did you worry about me?
01:13:51I came as soon as I found where you were.
01:13:54Poor darling.
01:13:56Let me look at you.
01:13:57Oh.
01:14:00I feel wet and tired.
01:14:03Sit down, darling.
01:14:05Here.
01:14:13You're going to be all right, Captain.
01:14:14You want me to do anything, Captain?
01:14:15Can I get you anything?
01:14:16Hmm.
01:14:18Just talk to me.
01:14:20Tell me you haven't stopped loving me.
01:14:22You know I couldn't stop.
01:14:23I like to hear you say it, too.
01:14:24I'll never stop loving you.
01:14:25Never?
01:14:26Never?
01:14:28Not even if I died?
01:14:30Never.
01:14:32I want you to have other girls, honey.
01:14:35I don't want them, too.
01:14:36That's right, darling.
01:14:38I don't want them.
01:14:40That's right, darling.
01:14:42That's right, darling.
01:14:44I'll never stop loving you.
01:14:46Please.
01:14:48Tell me you haven't stopped loving me.
01:14:50You know I couldn't stop loving you.
01:14:53I like to hear you say it, too.
01:14:56I'll never stop loving you.
01:14:57Never?
01:14:59Not even...
01:15:00Try to, try to sleep carefully.
01:15:12When I get Will, we'll take a little house in the mountains.
01:15:19We always planned a house of our own, remember?
01:15:23I'll get you a fine house.
01:15:27And we'll live in it until the war is over.
01:15:31And then you'll go back to America and be a splendid architect.
01:15:36We'll be married all over again.
01:15:39In a church.
01:15:41In a church.
01:15:45Oh, darling.
01:15:47I'm going to die.
01:15:49Don't let me die.
01:15:51Carol.
01:15:52Take me in your arms.
01:15:54Hold me tight.
01:15:56Don't let me go.
01:15:57Carol.
01:15:58It's dark out there alone.
01:16:00I don't want to leave you anymore.
01:16:02I've been alone so much.
01:16:06You, you can't die.
01:16:08You're too brave to die.
01:16:10You're a fine girl.
01:16:17A brave girl.
01:16:19Yes.
01:16:21I am a brave girl.
01:16:24Whatever happens, you'll not be afraid.
01:16:27I'll not be afraid.
01:16:29We've never been apart.
01:16:31Really.
01:16:32Not since we met.
01:16:34Not since we met.
01:16:36And never can be.
01:16:38Never parted.
01:16:39In life and in death.
01:16:42Say it, Kath.
01:16:44In life and in death.
01:16:47We'll never be parted.
01:16:49You do believe that.
01:16:52Don't you, Kath?
01:16:56I believe it.
01:16:59And I'm not afraid.
01:17:00manchmalah.
01:17:01I'm not afraid.
01:17:01I may be trying to surprise you.
01:17:02And I'm a brave girl.
01:17:03Oh, yeah.
01:17:05No.
01:17:05No.
01:17:06No.
01:17:06No.
01:17:07No.
01:17:08No.
01:17:09No.
01:17:09No.
01:17:10No.
01:17:11No.
01:17:11No.
01:17:12No.
01:17:13No.
01:17:14No.
01:17:14No.
01:17:17No.
01:17:18No.
01:17:18No.
01:17:19No.
01:17:19No.
01:17:19No.
01:17:21No.
01:17:22No.
01:17:23No.
01:17:25No.
01:17:25No.
01:17:26No.
01:17:27No.
01:17:27Peace.
01:17:52Peace.
01:17:57Peace.
01:18:08Peace.
01:18:12Peace.
01:18:16Peace.
01:18:18Peace.
01:18:20Peace.
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