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00:00Thank you, please come in. A very kind gesture.
00:02Welcome, welcome, welcome!
00:04Welcome, you've brightened our day
00:05Petcop is honestly beautiful
00:07Thank you very much, thank you
00:09I am the designer myself.
00:11It looks a bit strange
00:13Oh, we're a rebellious Kabul, defying traditions.
00:15We didn't even get a china cabinet.
00:16Yes, yes, indeed
00:18So, what's the location of Hattin?
00:20gallnuts
00:22It works great with the delivery guy
00:24Yes, please, instead of sitting on the sofa, sit on the bed.
00:26Sit on the bed
00:28What kind of living room is this, and what kind of mess is this?
00:29By the way, these are the expensive family-oriented ones.
00:31Yes, you're right, but not to this extent, Abda.
00:35Let me tell you something
00:36The architecture and decor of your house influence your personality.
00:40Take it if your house is different inside
00:42Your personality will also be different
00:44That's why, for example, we use a sugarcane juicer to make our bed
00:48Airhawki table
00:50I'll pour you some sugarcane with it, 42
00:52What's up? What's the deal?
00:54Now you're all good when you want to sleep
00:56Where do you sleep?
00:58I sleep in the fish area
01:00He sleeps in a giant box of cornflakes
01:02Cornflakes the size of
01:04Okay, what's wrong, Sazenko? Can I go to the bathroom?
01:06Oh, very, very strong.
01:08The grill is on your hand, the moaning after the first two doors.
01:10Side of the worm's food
01:12It's the story of the guests who kept running away from their country.
01:14A huge need for fonts, great taste
01:16Instead of leaving his pants on
01:18A huge need for fonts, great taste
01:20Instead of leaving his pants on
01:22A huge need for fonts, great taste
01:24Instead of leaving his pants on
01:26music
01:32Hi Zi Mshaiza, peace and blessings be upon him
01:34There will be a new religious episode of the Al-Daheeh program.
01:36We'll go, my dear, in 1972
01:38We're going to St. Missouri, USA, my dear.
01:40There is a complex called
01:42Fidigi
01:44This, my dear, was no ordinary building.
01:46Designed by Japanese architect Minoru Yamasaki
01:48This, my dear, is the same designer who designed the World Trade Center.
01:50It's clear, my dear, that his works
01:52He did not recite the Qur'anic verses over her.
01:54It's clear, my dear, that he wasn't being slaughtered.
01:56After the building is finished
01:58It seems that in a moment
02:00A building is collapsing and the second building
02:02The months remain in the records of terrorist incidents
02:04Actually, my dear friend, the complex I'm talking about...
02:06No one was as upset about it as he was about the World Trade Center.
02:08On the contrary, there were people who didn't believe he was being threatened.
02:10Because after a long time and a very long period since the opening
02:12As a residential project, it is supposed to provide
02:14Famlik Housing for the Public
02:16Modern style residences
02:18So that suddenly this building would become his headquarters
02:20Criminality of the population who are on the ladder
02:22They are fixed to the stairs
02:24The criminals were holed up in the heart of the building and continued to occupy it.
02:26The building, my dear, is dangerous for the benefit of the Buraidah community.
02:28The American woman stopped arriving there
02:30Red Zone, the Uber captain will drop you off at the beginning of the street.
02:32Where is the American police, Bohamad?
02:34My dear, he was telling you that the police and ambulance
02:36In the late sixties they stopped receiving
02:38Reports from this building
02:40Why? Because their unit is the first thing they do when they arrive there.
02:42She is attacked immediately
02:44The problem is that she can't comprehend where this attack even came from.
02:46I wish the police were American, my dear.
02:48What you're starting, my dear, reminds me of the artist Hassan Al-Hilali.
02:50In the movie Bouha
02:52When Bouha doesn't tell him, "Khasht Khanq"
02:54They told her that Hassan's worker was hitting them.
02:56Too much for this chaos
02:58I can talk to you about the economic downturn and unemployment.
03:00Those who were present in Sen Louis at that time
03:02And at that time the Cold War was raging
03:04The population's gender is nonexistent in the government.
03:06To the point that some accused them
03:08They are secretly conducting biological experiments on them.
03:10And despite all these reasons, my dear
03:12Failure will be attributed to one need
03:14What? Building design
03:16What? Like I told you, the building design
03:18When he failed to escape
03:20So, who is the engineer who, despite this pilgrimage,
03:22But the need, my dear, is that in the case of this building
03:24The design was indeed the culprit.
03:26Every detail in this building, instead of carrying an environment
03:28From it, an environment was created for the residents there.
03:30Ideal for crime
03:32Let me explain this building to you, my dear.
03:34It consisted of 33 floors
03:36Of course there was an elevator, but it was
03:38Prepare what is called
03:40The elevator, my dear, is closer.
03:42It is close to the metro, stopping at stations every three roundabouts.
03:44He gets off and stops people, then you.
03:46I'll ride a tug of war, something will let you down, you'll be stuck and attached.
03:48Act on this elevator idea
03:50It wasn't just for the residents, it was because
03:52Reduces consumption idea
03:54Encouraging residents to use stairs
03:56More, but as you know, my dear
03:58The road to hell is paved with good intentions.
04:00And ask me, my dear, what idea I have
04:02Is this guidance to Hell and bad intentions? No.
04:04Do you know me? Even if I'm bad, I'll tell you.
04:06What did he do? The villain took care of himself.
04:08Eid al-Fitr
04:10In all theaters, it's possible to complete the episode.
04:12Abu Ahmed, what happened, my dear, was the engineer's aunt.
04:14She was fine, but only in reality.
04:16And with the building's neglect, the criminals, my dear.
04:18Over time they began to exploit this situation.
04:20His role is exhausting; he doesn't accept a name on three.
04:22It is dangerous if you are in
04:24The eighth one was afraid if you were in the tenth one.
04:26Exhibition of three armed gangs meeting
04:28She witnessed incidents of rape and theft
04:30Simpler details, such as usage
04:32Cheap materials for locks and latches
04:34The windows and doors will open
04:36Easily cursed, and that was what he was showing
04:38Many houses are vulnerable to burglary, in addition to the lack of
04:40Comfort is in the simplest, most basic details.
04:42For example, my dear, when we see a design
04:44The children's play area, Al Katzia
04:46Qatar's cats are good people, and God has blessed them with a kitchen.
04:48But my dear, it had a fatal flaw.
04:50It doesn't have children's bathrooms.
04:52Whoever didn't take the child from those countries would be stuck doing it on the swing
04:54It was contaminated with children's waste.
04:56everywhere
04:58Hassan, now I'm starting to understand Osama's point of view.
05:00Maybe he didn't like the design
05:02I'm talking, of course, about Osama Anwar and Kasha in his masterpiece.
05:04Arabesque 1994
05:06When Hassan Arabesque decided to destroy the building
05:08Because he didn't like the design
05:10Here, my dear, we are faced with a very important question.
05:12An interesting question focused on
05:14The building is what they tried to use for criminals, meaning
05:16Nor do feminist actions burden them.
05:18He's the one who tried to turn the place into a criminal cow
05:20Ah, Abu Ahmad, I know this dilemma, the egg dilemma.
05:22Not even a chicken
05:23That's how it is
05:24He told me, "Every two..."
05:25Mayvershi with me
05:26Most people, my dear, will tell you in a dilemma like this
05:28Guys, it's a simple thing
05:30We are dealing with irresponsible people.
05:32choices of irresponsible people
05:34No law will put the building in a trial cage.
05:36The building had an option to look for a lawyer.
05:38He goes to the land registry office to see his paperwork.
05:40I won't be able to get in because its gate is bigger than the real estate registry gate.
05:42So, it's difficult to condemn the building, right?
05:45But my dear, what will actually make the building an accused is not the law.
05:49But it is one of the most famous theories of architecture
05:52Let's go back to 1966
05:54When the academic Maurice Brodie uses the term
05:57Architectural determinism
05:59This term describes a theory that simply states
06:01Architectural design may remain the most influential element on human behavior.
06:06According to the theory, man is by nature an adaptive being.
06:09It adapts to any place it is in
06:11Its behavior is determined by the characteristics of this environment.
06:15Hassan Baya, an academic, Hassan Hayes, took a break.
06:17Therefore, human behavior will change if it moves from one environment to another.
06:21Many architects were very firm believers in the beginning.
06:23For example, we have the famous architect Le Corbusier
06:26When he designed the Savoy Villa
06:27He believed that this design could change the villa's residents from within.
06:31And this has a healing effect on them.
06:33Or at least it improves the health of the population through larger youth populations.
06:37By allowing the sun to enter them in an organized manner
06:39Modern building materials that are easy to clean and maintain
06:43If we look closely at this strange phenomenon, we'll find that it places a very heavy responsibility on the architect.
06:47Or he doesn't design a building, no.
06:49This, in one way or another, determines the behavior of the person who will be inside him.
06:52As an architect, I am responsible for the community, responsible for the generation that will enter this building.
06:57And although, my dear, this theory is difficult to prove, as I told you
06:59Because, as you know, human behavior is a very complex thing.
07:02It's difficult to attribute a specific action to a specific thing.
07:04We are a collection of memories, fungi, and accumulations
07:07Mishan, who I'm going to tell you
07:08You and your behavior are naturally influenced by many things besides your residence.
07:12It's difficult, my dear, to pinpoint exactly where the influence of architecture begins and ends.
07:15But we can define strength in a specific case, which is failure.
07:19For example, Corbusier, after he had his eyes fixed on the Savoy villa
07:21I received another reply from Madame Savoy confirming her presence.
07:24The homeowners who took over the project from him say, frankly, that the engineering is excellent and everything is in order.
07:29But what's in the house?
07:31The squirrel, for example, is in a captivating design; it makes sounds that wake them up.
07:35The house is because it uses glass excessively.
07:38The walls didn't retain heat, so it was very difficult to ward off the cold.
07:42And you know, my dear, what someone who lives in a glass house does.
07:45From you to the Lacorbusiers, they don't know that throwing people into medicine
07:48The La Corbusier building claimed that it aided in healing the sick and soothed the mind.
07:53It is said that he caused a severe deterioration in the health of the homeowners.
07:57My dear man, from Rato, began to build the house
08:00Professor Savoy guided the architectural negotiations
08:02It's easy, my dear, from the theory of architectural determinism, to judge the building I told you about at the beginning.
08:07The complex is proving popular because it's similar to the Savoy Villa.
08:10The design I finished was good in that it served people and improved their lives.
08:14But in the end, he abandoned the people, and the situation was very bad.
08:18And of course, all of this was unintentional.
08:19Surely, the man, while designing, couldn't have said, "There will be a criminal here."
08:22Here there is a rapist, here there is a murderer
08:24And this lighthouse is a huge area that the walls have encroached upon.
08:26We definitely don't think like that.
08:27And here, my dear, let me guide you to another type of building that depends
08:30He means that it affects its inhabitants and their behavior.
08:33This is what creates this effect in the strongest possible way.
08:37If you remember, my dear, what we said in the Kafka episode
08:40When I told you about the protagonist of the novel The Trial
08:42The man who was convicted continued to participate in the events without knowing his charges.
08:46If we look more closely and believe in this story
08:48We will realize that the operational element is not only important
08:50He might be the hero of the story.
08:52This is a personal statement from us, my dear.
08:54They brought him down here, a craftsman like Ibrahim, he was very clever
08:56He told a story to shut down a scary world
08:58It's a difficult world to describe the power that governs you.
09:00It's difficult even to know what you're accused of.
09:02This will make the hero move around in strange places.
09:04All corridors and slides
09:06It was like a frightening bureaucratic maze.
09:08The courtroom itself was no ordinary place.
09:10It was in the basement of a residential building.
09:12The place has a curved roof.
09:14Specially designed
09:16To distort the perspective of those who enter
09:18From the court door, obstructing the committee's view.
09:20About the truth and even the Church
09:22The symbol of spiritual salvation was her design in the novel
09:24It is a gradually built prison
09:26And this architecture will create the hero's inner self
09:28Feelings like paranoia
09:30Feelings like a sense of alienation
09:32Feelings that will change his personality forever
09:34Many novels in literature will have their main protagonist
09:36Urbanism is like, for example, my dear
09:38The giant Hogwarts trick in Harry Potter
09:40With its secret hideouts and magical places
09:42And the stairs change from place to place
09:44Depending on the timing and what makes
09:46Everyone in this world believes in magic.
09:48The power of the place you can see
09:50He's hiding a thousand truths in front of you.
09:52In many literary novels, my dear
09:54The theory of architectural determinism is very correct.
09:56For example, you want a building from Egypt, Ya Aqbian
09:58The film is comforting from the first moment, it connects you
10:00The form and location of the architecture are changing
10:02The shape of the population there and their interactions
10:04Together on the rooftops, he remains alive
10:06The poor edition, the marginalized edition
10:08People live in their homes
10:10The song and the people's family
10:12The friction of these layers in the area
10:14Conflicts are born in Cairo
10:16Beuld's drama of architecture and buildings
10:18deliberate designers
10:20Entities capable of making us feel different emotions
10:22We are experiencing various conflicts
10:24Whether they are positive feelings like magic and wonder
10:26Or negative feelings like alienation
10:28And confusion in the place
10:29Age can also lead us to different behaviors
10:31This led to many places being built in reality.
10:33So that its visitors feel and act as if they are in a fantasy world.
10:36Like, for example, Disney Werd, about which we made an episode
10:38The amusement park that receives fifty million visitors annually
10:42It's a mall in Al-Alamin, always at 5 PM.
10:44But now, for once in reality, it can be designed
10:46To be a real person?
10:48The character of Armor sometimes and deliberately
10:50The behavior of its inhabitants is determined to the same degree as the influence of works of art.
10:54My dear friend, take me on a quick trip outside of literature.
10:56And we go to history
10:57Specifically, my dear, to a place called the Killing Castle
11:021893
11:04And on the 400th anniversary of Columbus's discovery of America
11:07Architect Daniel Burnham and Frednik Olstad
11:10And with you is businessman George R. Davis
11:12Look at this time, my friend, it's a great opportunity to transform Chicago from a simple, industrial, and rugged place into a tourist hotspot.
11:18A cultural selection visited by thousands of people
11:20How will this opportunity come true? Of course, in architecture
11:22We'll bring it up in the episode, I mean.
11:24The episode about passersby turned out to be about the living beings as the heroes?
11:26No, of course not.
11:27Ahmed, I don't want anything
11:28No problem
11:29That's a million times more expensive than speed with myself
11:30From Dalma, I'm burning with it.
11:31Sick conversations that end with recovery
11:33Note that this happens even when you're not present.
11:35This makes me sicker and more in need of treatment.
11:37You saw me as sicker and in greater need of treatment
11:39And you're not treating me? That makes you a sadist.
11:41What's wrong?
11:42Mohamed Azizi, we'll get back to them in the next episode.
11:44The important thing is Chicago
11:45The men, my dear, will decide whether they design the exhibition or Expo.
11:48An exhibition the world has never seen before
11:50They wanted to build a temporary city and resort with new standards and high aesthetics.
11:54They called it The White City
12:03What kind of electricity is this? They've never seen it used before.
12:05It is possible to worship it
12:07The designers at the exhibition will impress visitors even more.
12:09For example, with needs like the world's most expensive philanthropy.
12:11And also buildings with long, huge walls
12:13And similar to Roman drawings
12:15And museums that bring together Chicago's working-class people
12:17And the cultured artists of Paris
12:19The driving force behind all this show was a basic idea
12:21Architecture, my friends, is an art that can affect the souls of its users.
12:25It might impress them and change their outlook on life.
12:27And indeed, the White City succeeded
12:29Influencing its visitors
12:31My dear, on the first day there were seven hundred thousand visitors
12:33Countries, my dear, from the visitors of the exhibition
12:35D-Fuse
12:37The most important visitors to the concept exhibition were architects.
12:39Those who returned to their cities were laden with ideas
12:41Revolutionary ideas about what cities will look like in the future
12:43The architecture of the White City was also an influential factor.
12:45In the concept of important and famous buildings
12:47State Capitol uniform
12:49Where the US Congress meets
12:51Those whom Trump's men tried to force in before
12:53I hope President Trump isn't listening to this.
12:55The elections, by that idea, were rushed.
12:57I saw Hussein doing it for Bebo
12:59And she remained satisfied for three hours only.
13:01But my dear, coinciding with the start of the show
13:03Terrifying events are happening
13:05Strange bodies appear in different places in the city
13:07Police have begun investigating
13:09The body ends its journey in one place.
13:11The place, my dear, is the HH Holmes Hotel.
13:13In late, my dear, the 19th century
13:15The pharmacist's profession was similar to that of a chemist.
13:17The pharmacies were extremely crowded.
13:19There was no time like yours; you wanted to study medicine.
13:21He brought it to you from the one you knew
13:23No, pharmacies used to be like restaurants.
13:25You place an order and someone comes in to make the medicine for you.
13:27So, my dear, people were standing in long queues.
13:29It is prepared in front of them by a specialized chemist.
13:31Now, as a pharmacist, the most important thing for you to know is...
13:33It is the alphabet, its preservation is good
13:35A thousand Agmantin Behpandol
13:37Tetramycin and so on.
13:39Then take the box
13:41And Tom put it on a device that works like a ticker.
13:43It's okay, no problem, no problem.
13:45But you're a doctor, just like the chemist who was putting the medicine in place.
13:47Of course, my dear, I know you.
13:49Pharmacy college is better than your family
13:51The infectious chemical study at the nightmare reveals that it pulls the night
13:53You say Pharma Pharma, but only with you
13:55And I'm not the only one
13:57Now let's get back to my dear H.H. Holmes
13:59His full name is Herman Webster Majid
14:01This was one of the chemists who worked at a nearby pharmacy.
14:03From the Chicago exhibition I told you about
14:05Holmes wasn't just clever, no
14:07He deliberately tried to impress customers with the way he prepared orders.
14:09Barman the Chemist
14:11The remaining check contains the active ingredient, and you said
14:13Do you want it with an echo or with ice?
14:15Talia Hassizi, many customers used to go and watch the show.
14:17They wanted him to make them a maid to break their fast like that
14:19Especially those who liked to see him strong
14:21They were the ones who wanted to sit and watch him.
14:23He works as a holmes thanks to his skill.
14:25A well-known person remained in the area.
14:27After a while, he bought the pharmacy.
14:29He also bought a piece of land near it.
14:31What was still ready and you prepare for it
14:33Holmes around the Earth Drop Hotel
14:35A hotel hosting exhibition visitors
14:37It is expected that they will come, and he is the one who supervised.
14:39He designed this hotel himself
14:41Simply put, my dear, the man decided to open his business.
14:43Collecting a successful project
14:45Sayel will still take from his customers
14:47But during the construction, Holmes was
14:49He was doing something strange; he was doing it on purpose.
14:51He creates problems with the builders and engineers.
14:53He also interferes in the building's design.
14:55So that none of them has a clear drawing
14:57Complete about the building
14:59None of them can fully imagine the design from the inside
15:01The result was that Holmes was the only person
15:03The one who knows completely
15:05Hotel design
15:07Abu Ahmed, I would like an episode about the events, please.
15:09I want to tell you that Holmes turned out to be the killer in the end.
15:11Your narrative fragility has become apparent, Abu Ahmed.
15:13He made an episode for me called "Murder Anxiety"
15:15I said the bodies were located near the Holmes Hotel
15:17The one behind me, and she told me who Holmes is.
15:19And I said, "Stay so I don't notice and forget about the novelty of you."
15:21And learning is like that for me.
15:22But you've already said your piece, hero, one of the heroes of the episode.
15:24The report also mentioned that some authorities admired him.
15:26My desire to help myself reveals that he is a narcissist.
15:28Because people like narcissistic people.
15:30And you fall for pills at first sight
15:32And Hamad, Professor Holmes, is the killer.
15:34Dear Hamad
15:35Don't you dare tell her he'll go
15:36Don't make me the naive right-hand man who gives his opinion on the crime from the very beginning.
15:40And it turns out to be not him at all.
15:41Please, I don't want you saying "my audience" in your profile.
15:43No, my dear, you're Conan
15:45Yes, Conan, for extremely foolish reasons.
15:48And I discovered the man by silencing him
15:49He's the only person who hasn't done anything to me, yet I brought him up.
15:51I'm doing all these details for you so you know
15:53Because when I say that, I'm pointing.
15:55Bestel, you exposed him, bravo!
15:57Holmes, my dear, was the first serial killer.
16:00In the history of the United States of America
16:02Serial Killer is troubled
16:04He has a tendency to control and dominate.
16:06But let's not get into a fight, my dear.
16:08We accuse Holmes alone.
16:10Let's find out who his partner in crime is.
16:12To what building, Abu Hamad?
16:13no
16:14No, Ba
16:15Oh, I'm envious! I'm in front of Ahmed Ayez in the King of Alexandria.
16:18What kind of focus are you having?
16:19You're the one who needs it, it's normal, I didn't sleep
16:20And correct, and with correct instructions
16:22And not only did I expose the killer
16:23The secret killer was revealed
16:25The killer concept
16:27The hotel, my dear, will be called Murder Castle
16:29Not just because Holmes the murderer owns the place
16:31Nor was it because he authorized the crime.
16:33But because of the hotel's design itself
16:35Holmes made it so complicated
16:37To suit his plan and his crimes
16:39You have already become an accomplice to the crime, my dear.
16:42My dear, the engineers' building that they built
16:44We don't know all the details.
16:45My dear police, when you leave the place you'll find it's a very strange place.
16:49Full of fake doors and corridors
16:51You don't understand who's leading where
16:52You'll find a room that has absolutely nothing to do with you.
16:54cell
16:55Another room with five or six doors
16:57endless corridors
16:59It leads to a maze that has no way out.
17:01Let me tell you, my dear, if there are rooms equipped with gas pipes
17:05Made especially to fatten the hungry victim
17:08The basement in the building was used for disposing of corpses.
17:11It had incinerators and basins
17:13It contains acid
17:14It's possible the bodies will dissolve within hours.
17:16And Habadi, are you going through a certain state of bankruptcy?
17:18I've already noticed you're heading towards crime.
17:20Tams Musameh Sand
17:22And with hair a little longer than yours
17:23Henz, my dear, was not an architect.
17:25Nor could we apply this to Kafka's nightmarish novel.
17:27He didn't have an architectural philosophy.
17:29He built the building with a clear purpose and function in mind.
17:32We want a place where we can kill freely.
17:34This design was specifically used to confuse his victims.
17:37They were gripped by a state of terror that made them surrender easily.
17:40Holmes, my dear, admits to killing 27 people.
17:43But a truly fair person is worth more than 200
17:45And here, my dear, we are faced with a paradox and a very complex situation.
17:48Architecture was flourishing in Chicago.
17:50Which has received visitors from all over the world
17:53Holmes takes advantage of this architectural renaissance
17:55In order to implement his plan, he built a building so complex that some considered it a living organism in its own right.
18:00And here, my dear, we are in the same place and at the same time, seeing a beautiful, useful building.
18:05And we see a building that facilitates murder.
18:08On August 19th of the same year, we hear 3 explosions from inside the Killing Castle
18:13The building caught fire from the inside and began to collapse.
18:16Police discovered a gas canister amid the rubble
18:19The report stated that one of Holmes's accomplices destroyed the building to cover up his crimes.
18:24The house is burning the evidence
18:26But the most dangerous rumor is that the residents of the neighborhood were the ones who agreed to destroy this building.
18:29Not just because they considered him an accomplice in crimes in a philosophical sense, like you and I.
18:34Not even in a truly architectural way, as I explained to you in the episode.
18:36No, countries were also afraid of having such a cursed building in their midst.
18:40This unclean building brings poverty to the area.
18:42If the rumor is true, then it means they treated this building as a corrupt entity, a corrupt human being in this society who must die and be eradicated.
18:51The building that produced this criminal behavior—who can guarantee that it won't negatively influence the behavior of other people?
18:56Buhamad, your work is excellent, great, and I already know this episode.
18:59Architectural determinism is what causes the killing.
19:01Of course, I made you say that to create a transition because we're going to talk about a very important element, which is the element of behavior.
19:07Because the matter isn't that simple; no one can change people simply by building something on their own.
19:11Now, my dear, let's take a little look at the people.
19:14If we were to define behavior, my dear, it is simply a repeated action or behavior, a series of actions that occur in a tiki-tiki-tik pattern, performing or establishing a behavior.
19:22Now, the behavioral patterns that enter a person's mind are received and absorbed through the senses.
19:27The senses primarily function to create awareness, an awareness of the space around us.
19:32A complete understanding of the place we are in so that we know how to act in it.
19:35For example, when we enter a new place, our senses begin to explore it gradually.
19:39You start looking for close-ups or well-known landmarks in the area.
19:42Things similar to well-known places or places we've been to before
19:45And here, my dear, is what you've noticed about the establishment of the place. If you entered a Korshani shop in a popular area, would you notice that you've become different, your voice a little louder compared to, for example, a restaurant?
19:55Five stars, Michelin stars, one, six, German, playing the piano for you
20:00Then your voice will be completely different, your actions will be different, your behavior will be different, your language will be different, the gang's bill will be very different, and the difference won't affect you.
20:10For example, if you were in a hospital waiting room, your behavior in that situation would be different from if you were waiting in a bank.
20:16The shape of each place will make you think and act differently.
20:20The atmosphere of the place... Should I enter this place with my voice raised or lowered? Should I move freely or take calculated steps?
20:26To answer these questions, we need to create something like a population center.
20:29Here, my dear, we focus on three things
20:31First of all, my dear, we focus on colors
20:33Secondly, regarding area and depth
20:35Thirdly, what are the distinctive features or unique objects in this place?
20:39These are the road signs I'm traveling on.
20:41This is based on a theory in ecology called ecology niche
20:44Environmental tragedy
20:45This, my dear, is a term that describes how living organisms live in and interact with their environment.
20:49The environment surrounding the object forces that object to answer questions.
20:53I'm going to get my resources
20:54My adversaries here are those who vent their frustrations.
20:56Where can I hide or distribute my resources?
20:59According to Muhammad A'an, a question
21:00We all go to the same place, but we behave differently.
21:03Is this situation not possible?
21:04Of course, my dear Ward, and this leads us to another important point.
21:06I will unlock it with you.
21:07And you opened it so I wouldn't say that I'm trying to embellish myself
21:10If Mohamed Abu Souq is satisfied, we will continue the episode.
21:11We want to finish and move on to the next cases.
21:13Every place, my dear, offers you many possibilities
21:16For the idea of how you will use this place
21:18But each of us doesn't just act according to the capabilities of the place.
21:21But primarily according to his needs.
21:23For example, when you enter your house
21:25This, for example, gives you the ability to act in several ways.
21:28My dear, we are the ones who stand in the way of interaction between two things.
21:30Your needs and the capabilities offered by the place
21:33Whatever your needs may be
21:34The place limits you to specific possibilities.
21:37It makes you subject to the environment, which is your family.
21:39Architecture, my dear, is its job and profession.
21:42It is to define the scope of possibilities
21:45What is possible
21:47What are the many possibilities that could happen in this place?
21:50And what will happen when it does cause a problem?
21:52Mohammed Al-Hass, honestly, you're exaggerating the issue.
21:54Is this architect bringing a building or bringing philosophy to our people?
21:56You said that we interact with the place according to our needs
21:59I said that the architect is the one who designs the place.
22:01He is the one who determines his capabilities
22:03the possibilities
22:04So, who among us is the one who is like this?
22:05Which one of us is the tablet?
22:06If we asked him for a strange request
22:07Will he agree to do it?
22:08And he won't tell us this is Abla?
22:10Khalil Al-Hassizi, let me tell you about the famous architect
22:12Frank Gehry
22:13He is considered one of the most prominent contemporary architects in the world.
22:16This man went through a strange experience
22:18When Layla passed away, he was in prison.
22:20How many young men were arrested on charges of possessing narcotic substances?
22:23This night will have a huge impact on Frank.
22:25And it will make him think that prisons should have special designs.
22:28This is because it simply affects the psyche of the criminal.
22:30And it is affected by society's view of him
22:32The criminal is supposed to go out into another society and deal with it.
22:35Therefore, years inside a cell or a box
22:38It will affect his behavior and tire him out
22:40This will consequently affect society itself.
22:42In 2018, Frank Cherry participated in a documentary film called Building Justice.
22:46The film tarnishes a story in which the American billionaire George Soros asked him
22:49He is overseeing the design of a prison
22:51In an attempt to create a new, more humane way
22:53We can work with criminals within the American justice system.
22:57But his response was that no one could deny that the prison was his design.
23:00His response was that the solution was to change the way Merrill thinks about prisons in the future.
23:05We need to focus on a new generation
23:07Frank will lead these thought journey experiments with a group of students from Gill University.
23:11They visit prisons in America and Norway.
23:13In an attempt to control the prisoners inside the prison
23:16And how prison design can help improve the rehabilitation process
23:20And the sunset of criminals is a state for society as better people.
23:23Here, my dear Jerry, he will play on the idea of the possibility that I explained to you.
23:26A prison is a place specifically designed to confine and imprison its inhabitant.
23:30So we can design the method a little to increase its capabilities.
23:34Jerry reprimanded the students if they thought of prison as a place for reflection and contemplation.
23:38More than just a place to isolate prisoners from society
23:40This is a common example where he asked them to avoid any bright corridors in the design.
23:44They should also avoid any dim lighting or lights.
23:47And they replace all of that with easy-to-understand spaces.
23:50The location remains clear to users
23:52The place was supposed to give the prisoners space
23:55A space where they reflect on their past lives
23:58They give the example that you are not in a maze or in a prison
24:00You are in isolation, thinking about what you have done.
24:03And that, my dear, was the idea that the students came up with.
24:05It means we need to think of this prison as a school or university.
24:09The need for the shala doesn't lead to anything else; it's what you use to express your thoughts.
24:11They need this place to have ample space for movement.
24:14Comfortable lighting
24:15Places that encourage prisoners to interact with each other
24:17Without anyone succumbing to isolation or, worse, resorting to violence
24:22At the end of this episode, my dear, let's go back to our questions.
24:25We'll find that we think about it differently
24:27For example, a question like: Does architecture affect our market or not?
24:30And how much does the architecture that builds it influence us?
24:32Its design could change the future and human behavior in the future. How?
24:37Are these architects as kind as Uncle Frank?
24:39Nor villains like H.H. Olmes
24:41This architecture focuses on people's comfort.
24:43And not because of the ideas in his head, and forget about publishing, my dear, a thousand times over.
24:46We shape the buildings, then they shape us.
24:49Honestly, my dear, this man has lost his way to the British Cabinet.
24:52If he were sitting at this book fair in London, he would spend it with his books.
24:56The latest news from the Nobel Prize in Literature
24:58If this guy had been a bit more cunning, he would have been one of the three Nobel laureates in literature.
25:01Of course, there are small chances of capturing a bed.
25:04Unless he asks for money from London, he will rule the world.
25:06The advice is that you and I will find ourselves in the sixth rest.
25:08Our episode, my dear, began with a sad story.
25:10The complex was intended to house a large number of residents.
25:13He turned into a criminal cow
25:14The same designer who created this complex
25:16He's the one who built the World Trade Center
25:18And what the architectural researcher Paul Frillot says
25:20It was logical that one of the implementers
25:22The 9/11 attack was architectural
25:24Because? According to his opinion
25:26The goal was not to inflict the greatest number of casualties.
25:29But the goal was to overturn the American architectural vision.
25:32Its most important symbol is the relief of trade.
25:34Buildings and architecture are a story written by the architect.
25:37Sometimes he writes it with his thoughts.
25:38And sometimes it's written by us, its inhabitants.
25:40And at three hours, the enemies of the place will come.
25:42He writes a completely third story
25:44By destroying the place
25:45The principle is that inanimate objects are shaped in our own way.
25:47But as we've seen many times, it's what shapes us.
25:49In the end, my dear
25:51Architecture doesn't dictate behavior.
25:52But it affects him
25:53My dear architect, he tries to draw the shape of the future.
25:55But it is impossible for him to predict it.
25:57That's why, my dear, I'm emphasizing this to you.
25:59If you're an architect trying to draw a slightly cleaner future
26:01He's a bit frizzy, as the Prophet said.
26:03Because the import of residential property turns into a crime.
26:06And also, your prison becomes a place of reflection and peace.
26:09That's all, my dear.
26:10Finally, finally, you won't see the sharp one that returned.
26:12What's the next thing you're going to fix, sources?
26:13If we're on YouTube, we'll subscribe to the channel.
26:14We had a dear neighbor a long time ago named Professor Amara
26:16Every morning when I call him, I say, "Professor of Architecture."
26:18I say what I want, my dear, or should I tell him?
26:20How many floors does he have next to you?
26:21The years have passed, and I am relying on this rhyme.
26:23Professor of Architecture, how many floors do you have?
26:25Ha ha ha, I'm laughing to myself
26:26Okay, so the man went alone.
26:28Oh God, is Abu Ahmed dead?
26:29no
26:30Ready, my dear?
26:31Handful, Abu Ahmed
26:32The man, my dear, whose name is Amara
26:34The decision came to him to remove
26:36He also had someone who gave Safoush
26:38The two roles were painful.
26:58Translated by Nancy Qanqar
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