- 5 months ago
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00:00Werbeth
00:09What are you going to tell me in a minute!?
00:10Why did you say there was something that you gave me to do?
00:16Can you tell me what you said?
00:19I just say, you think you're at a point
00:21Oh, I can sit with myself so sure
00:23How long am I?
00:24I can sit with myself
00:25How far is it?
00:26What do you mean?
00:27I am feeling like I've been
00:29I was in the cafe and I had the same way.
00:31I was in the cafe in the house.
00:33Oh, the cafe?
00:34So, I was in the cafe.
00:35So, I was in the cafe.
00:37But I had to get to the cafe,
00:39so I was in the cafe,
00:41and I was in the cafe.
00:43And I was in the cafe.
00:45Just go, go, go!
00:47I had a feeling.
00:49I didn't have a thought.
00:51I was thinking about the ice cream.
00:53Ice cream?
00:55Ice cream with chocolate.
00:57And we started to get the idea back in our dream
01:00Why did you see me in the hotel in the blue and in the blue
01:02And in the blue
01:03Is that the whole...
01:04The whole thing is like...
01:06The ice cream or chocolate
01:08I'm not sure I've seen it
01:09But I'm sure to get the idea of your dream
01:11For the creation
01:13And why is it?
01:14Is it your own way?
01:16What are you doing?
01:17What are you seeing in the future?
01:18I don't want to say that I want to
01:19Let's take your head
01:21The idea has to be done
01:23And let's give you the idea of your dream
01:26This is a thought that the .
01:29I think if I could have a better idea of this, it would be better.
01:32What do you think?
01:42Good morning, everyone.
01:43.
01:45.
01:53.
01:56.
01:58.
01:59.
02:00.
02:01.
02:02.
02:03.
02:04.
02:10.
02:11.
02:12and it was an extraordinary company in America
02:15but the fact that many of them will consider this
02:18has been affected in the end of the world
02:20and it's also a good job
02:22this is a lot of experience
02:24so it will be a lot of experience in these events
02:24because it is a lot of experience with the phenomenon
02:26this is a phenomenon that is a phenomenon
02:28or is it a phenomenon that is called
02:29The Brutalism
02:30The Wohsi
02:30I mean, don't we don't have any experience in this way
02:32but the experience of this phenomenon is in this phenomenon
02:35and it's a phenomenon that is not about the phenomenon
02:37to the phenomenon
02:37I think I should tell you
02:38that I should tell you
02:39Okay, so this is a normal image.
02:42It's a hidden image that's associated with theistencies of the
03:06And the threat will be protected
03:08The brutalism went up to tell a story
03:09Why would you say that?
03:10I'm no longer an actor
03:12The aim of the scientists
03:13The aim of theillah of the scientists
03:14The aim of the scientists
03:16Посмотрите on this map
03:17Addition with my cursor
03:19That is the map of this world
03:20This is the human being
03:21This is the human being
03:22The human being
03:24And it was Third's
03:251869
03:27The fact that I have seen
03:29This map will know
03:30That is the background of the student
03:31The human being
03:33This is the background of the human being
03:35This whole concept блин, it causes a cackling and hardwood to set up
03:37This whole concept is a big one
03:39It's also a very cool concept
03:40For example, you'll find a ton of this concept
03:42You'll get you from the top one
03:43You'll get out of the top one
03:45You'll get a type of stuff into the first one
03:46To get into the first one
03:46And going down to the third one
03:48I'm involved in this episode, and I'll speak in this episode
03:50Where are you at the top one?
03:52You're going to know that you're not here
03:53What you are doing now, you're young man?
03:54You're not here at the top one
03:55You're not here, you're not here
03:56In the first one, the other one is not there
03:58The third and fourth one
03:59Is the third one
04:00I'm talking to you
04:01A 3rd one
04:01You're saying to you
04:02doesn't look at the door?
04:02there literal
04:23the 앞
04:28of the edge
04:30the...
04:31...
04:32...
04:33...
04:35...
04:39...
04:41...
04:43...
04:44...
04:46...
04:48...
04:50...
04:52...
04:53And they will eventually reduce the pressure and prevent them from having them to be able to have a right at hand
04:57But at the discretion of what I told you
04:59But that there is a lot of definition in the case of a look at the view of a very!
05:01And to tell you that this is not perfect.
05:02And not even without a copiousness of the place
05:04And as a result, look at a result of this
05:05And the aim is to prove to them
05:07Also with these events and work
05:08In the end of the road
05:09In a way, with a Geстав in a decision
05:10But it's not that this one is the case that it is the case that we should actually
05:12In the case of an open
05:13That the rule is the case
05:14That is a huge advantage
05:15In a reason it is higher than that has been a problem
05:17To the movement of a similar path
05:18Or other than that
05:18Let me tell you one piece of the first one
05:20You can expect an example.
05:22Our aim is to use the safety of the laws of the world.
05:24How much is it?
05:25Maybe it's something that's nice or hot, or like the answer?
05:26A guess of which is what happened when the hands of the fan was supposed to be something that happened.
05:29Let me tell you about the issue of the name.
05:31I guess you should just call it out.
05:32What a means of your law?
05:33It could be seen in the world that you feelings of your rights or you think that you're just a man of a mouth with your voice.
05:37Then you will ask yourself to make it easier.
05:39But naturally, you will be using your imagination to make a happy first step and it's different!
05:42With that word, it shows you the life.
05:44You can listen to all the stuff, you can make it all that you have to do!
05:45Let that look at all the things you're interested in.
05:47what are you doing at it pensando?
05:48lower one day
05:50we can explain the topic about the mood
05:51we can talk about the mood
05:53and the mood
05:54how many memories
05:54of the day
05:55what they call
05:56is the mood
05:56the mood
05:57of the family
05:58健康
05:58and the mood
05:59is the mood
06:00but the mood
06:00is the mood
06:01isn't
06:01what you can show
06:02one of the most important
06:03its ideas
06:04that will be
06:04the heaviest
06:06two themes
06:06of the years
06:08of 2020
06:08what is the mood
06:09the brutalism
06:10is the mood
06:11the mood
06:11look
06:11look
06:12not a glad
06:13god
06:14look
06:14look
06:14look
06:15is a machine for living in
06:18.
06:20.
06:23.
06:25.
06:25.
06:26.
06:26.
06:27.
06:29.
06:29.
06:31.
06:32.
06:33.
06:37.
06:38.
06:42.
06:45.
06:45.
06:45.
06:45like the concept of the Unidehabitation
06:47or one of the second
06:48the concept of the one that was in 1950
06:50in Marseilla in France
06:52the concept of the Lucrebusier
06:53to the philosophy of the one I shared
06:55and the most important thing is that the concept of the world
06:57the world is not after the war
06:59and of course not to say that the world is before the war
07:01and the other one is not after the war
07:03and the people are not in the world
07:04and the world is in Twitter and YouTube
07:06no this is not aware of it
07:07where the world is in the time?
07:09the concept of the war
07:10is not to say that
07:11the idea of the relationship
07:12the idea of the relationship
07:13is not in the same way
07:15and the relationship
07:17that happens to be assigned to each other
07:19in the other things
07:20and I think a lot
07:21has been in the same category
07:22the fact that there is a law
07:23is a must be a secret
07:24and an important person
07:25to make sense
07:26and it is the first thing
07:27is the book of Lucrebusier
07:28will put a new one
07:29on the one
07:30in the one
07:31from the one
07:32from Scenic
07:33to the doctor
07:34from the doctor
07:35to go to the doctor
07:36and also the doctor
07:37the exam
07:38and the other one
07:39and the other one
07:40is to seek
07:41And that they use a kharisana khami
07:43Why?
07:44We use it as a kid as a kid
07:46But without any other addition
07:47Beiton Brute
07:48This is not the kharisana khami
07:49Not even though it is a Christian
07:50But because the kharisana khami
07:52Had been in the same position
07:53The thing that's been toress the rupture of the house
07:55Made a good side
07:56Not without a kid
07:57Not even if they have no addition to it
07:58The farmer's mouth was born
07:59When the S took the English
08:01After that, the kharisana khami
08:02Is to call it by it
08:03Beiton Brute
08:03Beiton Brute
08:03So that's the English
08:04Beiton Brute
08:05Or kharisana khasya
08:07And this is because of the kharisana khai
08:08Shave the kharisana khami
08:10He changed them from the khрасan in khâme to the khrasanすkhan
08:12I affidh that could be lipolves from the khrasana
08:14He said that everything has been visibly
08:16Let's see it in the end of the third place
08:19In 1995, the marketing of Drenner Banham was presented with a book to publish the artwork
08:25It wrote it at the moment in the collection of the restaurant
08:28What is that?
08:29Brutalism!
08:30This was the first time it was revealed in the article
08:32In the article, in the article after the article
08:35It was a big issue to be the movie
08:37Or the brutalism
08:38But the
09:07but their下面's part of the book we talked about
09:09brutalism seems complicated from this
09:10from the
09:17it is
09:20the
09:21it doesn't look at the
09:22the
09:22the
09:23the
09:24the
09:25the
09:26the
09:27the
09:28the
09:30the
09:31the
09:31the
09:32the
09:32the
09:33the
09:34the
09:35the
09:37and many people created them.
09:38And the bizarre thing to this point is,
09:40it's a reason why they're going to be a result of the unentourable
09:41and the brutalism will be in Europe after the war.
09:44For that, with the war,
09:45a lot of people could have bothered with them.
09:46The war was behind them many people.
09:49The war was forced on the criminals and the murderers
09:51that they were able to get up to speed.
09:53We must have to keep the issue of this issue
09:54in order to have a right-hand debate,
09:55and not just a real thing.
09:58No, this is also how it is.
10:00It is a miracle and a philosophy and a genius.
10:01This is a miracle and it has become an obstacle not a failure.
10:04So this is how the case is in the future,
10:05in the future,
10:05You can't believe it, and you can't believe it, or without any other
10:34All of a sudden, the thought of the brutalism, the thought of the brutalism, the thought that the brutalism is also broken.
10:37The brutalism of theAnga, the thought of that was in a dull, and foolishness.
10:40Thus, the facts of thebarna, began to come from a very different view, the evidence of thebarna.
10:43Some of theкaterly thick and evidence that thecoms took place in an CHANNEL, those were designed to be regarder by the Pitfall, and that it was a very rare.
10:45This one was brought to an edible one of themalarye, which was designed for Ernst Graham to deliver the image.
10:49Eh!
10:50It could be a really bad idea when you get it and use the picture by having it?
10:52No, I'm a Hello, I wanted to buy it but it doesn't seem to sleep when you get it and it's here.
10:53crafty, the 8, no.
10:54It's not anywhere there?
11:04There are many years behind us.
11:05Might be the development of the technique and development.
11:06So that's how it feels about thinking about thinking about making a difference in these ways.
11:08And what is the most common means?
11:10Well then, I'll keep you up with the people.
11:12The history of this pandemic is related to the same situation.
11:14The first one is that it's aware of the fact that you know all it is.
11:16For example, the ability of the dados that you need to get into the mirror by the account of the new Things and the barriers in the future.
11:21That's why all these are taken into account of the new solutions.
11:23There are also the various limitations that you can use for example.
11:25The potential of the limitations and the appropriately with the same resources and the values.
11:27Similarly, the additional capacity and the other one is to reintroduce the services that you want.
11:29See, for example, the first place of the Limited Way of TESLAGEE!
11:33Georgia, the name of Georgia, Georgia, Georgia
11:35The Abana which was born in the 1875, is about a massive massacre in the first place
11:39This is like this, Azizi, similar to the great
11:41The
11:45The Abana, it says, that the Abana was supposed to be able to do the Abana
11:49So you can remove the Abana from the earth
11:50That the Abana would be able to grow the Abana
11:52So you can remove them from the Abana
11:53And when you look at the Abana, you can't afford them
11:55So you can't afford the Abana
11:56And like this Abana, it's like this
11:57It's not going to be able to build an Abana
11:58But you're going to be able to build it
12:00The Abana is another
12:00primordial image of the California
12:26The plan was only made possible to create a marketplace to capture the
12:50that was the ship .
12:52The plan was also to protect his homeland
12:54so they couldn't live in the war
12:56and they couldn't live living in the streets
12:57and they couldn't live in the streets
12:59the Bible means that an argument, that it was designed to live in the society
13:01so it was a challenge
13:02also, that it's been a good thing
13:03about the war and a strong war
13:04and that it's been a struggle
13:05so that it's the resolved
13:06I have no one else has a very heard
13:07but then there's no one here, there's no doubt
13:08but we don't have a security
13:09the most important thing is the brutalism
13:10is an anvolve for the world
13:11so it's been a way to the rebellion
13:13and it's been all the way to the liberation
13:14it's been a bit emotional
13:15and it's the one that it's not quite difficult
13:15so it's been a big time to make it
13:17a lot ofSP
13:17a big part of it
13:19The neutralism will be able to use the entire country, and the region of the country.
13:23After that, it will go to Africa.
13:24Oh, that's why I am not going to be able to go to Africa.
13:26And in France, I have a lot of money for example, like the U.S.A.
13:30Like the U.S.A.
13:30or the U.S.A.
13:31or the U.S.A.
13:32or the U.S.A.
13:32or the U.S.A.
13:33or the U.S.A.
13:33or the U.S.A.
13:35or the U.S.A.
13:35This is what we can do to make it happen when we have a certain place in Africa.
13:38But if you look at something like something like this, like what we saw in the channel,
13:41you can find the U.S.A.
13:42and the U.S.A.
13:43and the U.S.A.
13:44in the country.
13:44Those who are living at eight years.
13:46But, your brother, if we have a family member,
13:48one of the best friends will give to that one.
13:50The U.S.A.
13:51is going to have one, often the U.S.A.
13:51and the U.S.A.
13:53is going to have one, to take care of the United States,
13:53because it is because the U.S.A.
13:54which is capable of the U.S.A.
13:55and the U.S.A.
13:57to that U.S.A.
13:59to the U.S.A.
14:00to the U.S.A.
14:02and look after it as an example, this U.S.A.
14:02and look after the U.S.A.
14:02F清فين المبنى ده؟
14:02عايزين منه كتير
14:03فى ونسه بقى
14:04وده طبعاً أدى إلى انتشار البروتاليزم هناك بقوه
14:07واحد من أشهر النمازج
14:08وهو
14:08الذي يعتبر نسخة محسنة
14:10وأكبر حجماً
14:11من مبنى ي eficaz تام verkّا descobтьه
14:12اسمه بالفرن تاور
14:13واللي صممهم نفس المعمار
14:14كيرني كول márみ
14:28بتستوعى حيالي 1000 ساكن
14:30المبنى عبارة عن كتلتين
14:31من قتلة صغيرة فيها السلالم والأسنسيرات
14:33كل مكان الخاص بالتدفئة والكون
14:34وكتلة sambuna ضخمة فيها الوحدات السكنية
14:37بيربط بينهم جم Affairs
14:38كل 3 دوار
14:39وده لأن الأسنسير بيقف كل 5 دوار
14:42لكي يخفف من الضغط Nick
14:43Knocked his wcześniej
14:43ساعت أックined
14:48المباني بتقديرها Lithium
14:49بتحل مشاكل السكن
14:50كمان من خلالها المعمارين يقدروا يفكرون
14:52وهي تخيلوا birskak
14:53مستقبل البيوت فيه ممكن تتحرك 몰라
14:56أaze nih
14:57حتى كده تجيب استودئو 50م
14:59And that's what you're doing with you.
15:00You can put it in the house, you're burning on your own.
15:02And who knows?
15:03Maybe you can see it's better and better.
15:04And you're looking for a look at the world.
15:05But, when you think about the future,
15:07there's a big thing about them.
15:08That's what they're doing.
15:09It's not about the future.
15:11I'm not about the fear of the world.
15:13The one who offers it to be.
15:14Mحمد!
15:14I'm not sure I'm going to give you a question.
15:16You're not going to talk about the origin of the world.
15:18And the origin of the world.
15:19The one who wants to offer it to be.
15:21I'm not a man.
15:22I'm a person from the earth.
15:23I'm a man who is a man who is a man who is a man.
15:25But I have the question, is the question, is the question, is the one that shows that the government is being able to do it?
15:29Or is it not?
15:31If you guys are interested in the world, Goldfinger, the one that I have already talked about, will find a place where I've been talking about a few times.
15:37Do you ever have a friend of mine?
15:38No, this is a friend of mine, James Bond, James Bond.
15:40He was a friend of mine.
15:41You are a friend of mine!
15:43He was a friend of mine.
15:44The friend of Fleming was a legal marriage of the building that created Goldfinger.
15:47And the one who believed in it was that Goldfinger was a major company of the building that created a house in the building.
15:51And the one who was building it is to be a large number of people from the house in the house.
15:54And there are some of the images that 제가 at the beginning of the film are made by Goldfinger.
15:57Then are the making of the mistake.
15:58Felming is the biggest films.
16:00A film from James Bond is called Goldfinger?
16:03Not that there is, but it was the name of the film.
16:06What the film is being able to?
16:09One of the most films that James Bond has been through the history of the history
16:12So as you know, you can see?
16:14When this is, you're gonna start from theestershire East.
16:16Then you can find that the Rembrandt is free from you, so I get to get to you.
16:17In a second, you'll see what happens when you get to you.
16:19You'll get to get to some of your relationships.
16:20But it's a ustive of a sentence.
16:22But anyway, you can see this story of the story.
16:24There was no one who said that it was personal and personal.
16:27The financial times,
16:28the financial times,
16:29was created in 1984
16:31as one of these
16:31is called
16:32the
16:32the
16:32the
16:33the
16:33the
16:34the
16:34the
16:35the
16:35the
16:36the
16:36the
16:37the
16:38the
16:38the
16:39the
16:40the
16:41the
16:42the
16:43the
16:44the
16:45the
16:46the
16:47the
16:48the
16:49the
16:50the
16:51the
16:52But the rest of the world is not everything else.
16:54It's not everything that is happening!
16:56The Curvusia, a policy of an expert on the Brutalism,
16:58that the Brutalism is supposed to be able to create a整体 of a nice thing.
17:02But in the real world, the Brutalism has been a very different way,
17:04and this idea of the Brutalism was to be able to improve the technology of the world.
17:07Especially in the field of theenschrifa and the inclination of the Trotism
17:09and the socials that are exposed to this era,
17:11and for all that, every thing is necessary to create a new technology
17:14and is not able to find the technology that grows faster.
17:16Even the Trotsan's 5, which is the secret of the Brutalism,
17:18which is also the secret of the Brutalism,
17:19which is also the effect of the Brutalism,
17:21and all those things are clear for the rest of the world.
17:23All this is a form of blanket,
17:25and it will allow people to think about a lot of people
17:26that make much more comfortable with their ideas.
17:27They are like,
17:28like the animal looking at the�at,
17:29the animal looking at the same time,
17:30and the animal looking at the same time.
17:31This is coming back to the other one,
17:33and it will get hurt very much.
17:34It will be a bit different than it is.
17:35So it is going to be a good example.
17:35It will be an example of an angelic,
17:37a special example on this thing.
17:39For example, at this time,
17:40one of the most likely ones,
17:41is in the same time of the underdog in the 15th,
17:43which is in the 15th,
17:44and it will have to destroy it.
17:45It will allow the water to get through the water.
17:47and it is just this strange thing,
17:48I used to kill everything in a church.
17:50And in all of you,
17:51the thing happened in the race last year.
17:52I mean, the race would be fair,
17:53and there is no one going to stand there
17:55no one going to do it or stop it
17:57and he goes to the next person
17:58to keep all the people in the race.
17:59This is the one you can't afford them
18:01and they keep getting sick
18:03and if you don't understand
18:04that they're going to get 900 degrees
18:07to use the environment
18:09that is inside the church
18:11and they get out of here
18:12and all this in the tent
18:13which is what it is doing
18:14and it is going to get out of here
18:15The Tower of Terror
18:41وده عشان ارتفاع معدلات الجريمة
18:43بغير طاعة المخدرات والدعرة وجرائم الاختصاب
18:46بحمد عندك استنى دقيقة يا عزيزي
18:48انا حاسس ان منظلق في فخك السردي
18:50الاول بدأتلي بالسلبيات
18:52وقلتلي انها عمارة تحكم وسلطة
18:54وبعد كده قلتلي انها عمارة جميلة
18:56وبتساعد المشردين من الحرب لانها ارخيصة
18:59وبعد كده بقيت تقول لي ان فيها اعطالوا عدم كفاءة
19:01وشكلها مش جميل ومتبوز مع الوقت
19:03والسؤال هنا يا بوحمد اللي هسأله لك
19:05هي حصلت للجريمة يا بوحمد
19:06خامعة عزيزي
19:07الف ساكن اللي في البرم
19:08قبل ما يكونوا موجودين في البرم
19:10هنو عاشين في بيوت صغيرة في الشارع جنب بعض
19:12فجران
19:13زي ما تقول كده كانوا كلهم شايفين بعض
19:14كان هناك حالة من الامان الاجتماعي
19:16لان فرقه با
19:16بوحمد المتكالب بصوتي
19:17اناس يا عزيزي
19:18لو حد كان ماشي في الشارع واحصل له حاجة
19:20ففي كذا حد شايفه وجاهز انه ينقذه
19:22لو محتاج مساعدة
19:23او لو حد تعرض له مثلا
19:24لو في بقى تاجر ممنوعات
19:26او حد بيحاول يسرق
19:27او حد عايز يبقى والطاجي
19:28الناس مش بس هتكون شايفاه
19:29لا ده ممكن يتجمعوه ويمنعوه
19:31او يبلغوا عنه
19:31لو فرضا الناس يحتاجت للبوليس او للشرطة
19:33هيدخلوا بالعربيات من كل ناحية من كل طريق
19:36ويطواقوا الشارع
19:37ويجيبوا اي حد خارج عن قانون بسرعة
19:39انما بقى في البرج يا حزيزي
19:40الزواج الضلمة كتير
19:41الشواء اللي مفيهاش حد عايش كتير
19:43لو حد استغاس فانت مش حارف هو وعد فان يدور
19:46ولا عني شقة
19:47مش حارف لو نزلت تساعد
19:48هل في حد هيجي يساعد معاك
19:49ولا كله هيعمل نفسه مستامع
19:51وبرضو انت ما انتش شايف المشهد كامل
19:53فانت مش حارف المجرمين دول عددهم قد ايه
19:55فتخلي كبان لو الاسنسير عطلان
19:56مستحيل تتقذ اي حد
19:57بالنسبة بقى الشرطة
19:58خيالي عزيزي معايا مجرم عامل جريمة
20:00في الدور السبع وعشرين
20:01والبوليس بقى تحت عايز يطلع له
20:02هو كل عليه يعمل ايه
20:03يفتح الباب ويعلق الاسنسير
20:05يلا طلعوا بقى
20:06البوليس يقارنوا ويطلع عالسلم
20:07البوليس هو في الدور الستة وعشرين
20:09سبحان الذي سخرنا هده
20:12الحرام ينزل بالاسنسير
20:13هم يا حباب قلبي بعد الهجرة الرئاسية اللي عملوها دي
20:16مفيش خلاص
20:16هرب الزهاء العسكري بديه
20:18الحرام ممكن يستخبق في شؤة كتير
20:20عندك مئات الوحدات
20:21كمان وحدة من المشاكل كانت ان الحكومة
20:24مبتديش الشؤة دي
20:25بس الموظفين محدود الدخل
20:26إلا حتى تم بيكونوا ناس مسلمة
20:28عايشين اليوم بيوم
20:29ولكن في بعض الأحيان
20:30كانوا بيعملوها إيواء للمتشردين
20:32وأحيان تانية بيسكنوا فيها أصحاب الثوابق
20:35خصوصا ان أصحاب العقارات الخاصة
20:36بيرفضوا ان هم يؤجروا لهم
20:38فهنا انت أمام تركيبة من السكان
20:39لا تتمناها لألد أعدائك
20:41عندك أصد بتحاول تعيش في سلام
20:43بس محاطين بكمية من المسجلين والعاطلين
20:46وأصحاب الثوابق مع بعض
20:47وبالرغم يا عزيزي
20:48ان ده ممكن يبقى نوع من الدعم
20:50لأصحاب الثوابق
20:50بحيث ان هو يرجعهم للحياة الطبيعية من جديد
20:53إلا إلا ظروف المجتمع
20:54ما كانتش سامحة
20:55ما حدش عنده استقرار رظيفي
20:56ما حدش عايش في بيئة أمان
20:57فبالتالي حتى الأصد الموظفين
20:59بقت خايفة بزيادة
21:00يمكن حالة الخوف دي
21:01فضلت مستمرة لحد سنة 1984
21:03لما تأسس اتحاد شاغلين
21:05حاجة زي اتحاد الملكن
21:06الاتحاد ده هو اللي بدأ يتولى حل المشاكل
21:08ولكن مع دخول الرأس المالية
21:09وبيع الشواء للمختادرين
21:11حال البرج عزيزي تبدل تماماً
21:13المشكلة ان المثل ده مش حالة استثنائية
21:15انتهت بشوات حلول
21:15نفس القصة حصل بالزبط في مشروع الإسكان
21:18مشروع الإسكان في بروت إيجو في أمريكا
21:20وهو مشروع إسكان منخفض
21:21مكون من 33 مبنى
21:22بيضم يا عزيزي
21:232870 شقة
21:25يقدر يستوعب أكتر من 10 تلاف ساكن
21:28مجالة architecture form
21:29وصفيته وقت بناءه في الخمسينات
21:31بأنه أفضل مشروع سكني لهذا العام في أمريكا
21:34إلا إن سكانه
21:35واجهوا نفس المعاناة
21:36اللي حصلت في البرج بتاع تريلي
21:37نفس الزيادة في معادلة الجريمة
21:39نفس مستويات الخوف
21:40إلا إن كمان نهاية المشروع
21:42كانت أكثر مأساوية
21:43لأن في مارس وإبريل سنة 72
21:45صدرت أوامر بهدم المشروع بالكامل
21:47حتى مبنى الإنسانيات اللي كنا بدأنا بحكايتنا
21:50هو كمان بقى يواجه نفس المصير
21:51مشكل المبنى بدأت من أول سنة
21:53لما تركب فيه نظام تدفئة أرضي
21:55وده كان وقتها نظام جديد
21:56إلا إنه باز بعد سنة واحدة من تشغيله
21:58المشكلة بقى مش في إنه باز
22:00المشكلة مؤخذة إنه كان
22:02نظام تدفئة ما ينفعش يتفكي من المبنى
22:04لأنك هتضطر تسر الأرضية كلها
22:06وفضل المبنى من ساعاتها لحد النهاردة من غير تدفئة
22:09نفس الحاجة بتنطبخ على العزل
22:10كل شوية المبنى كان بينقط من ناحية
22:12لدرجة إن فيه صفحة عمد على الإنستجرام
22:14بتوصق عدد الصراصير في المبنى
22:16كل ما يلاقه وصوصات جديدة يعملوا ستوري
22:17هنلاقي في المبنى قاعدة مش شغالة
22:19وده لأن الحطان شربت مية كتير جداً
22:21لدرجة إنه بقى فيه خطورة من توصيل الكهرباء
22:24فيه تضارب مرافق
22:25عشان كده كان فيه مطالبات بهدم المبنى
22:26واللي أخيراً صدر له قرار بالهدم السنة دي
22:29البروتوليزم يا عزيزي كفى التفق
22:32وكطراز بالتركز على الوظيفة والكفاءة
22:34مفروض يعني وبيحاول يشوف المستقبل في التصميم
22:36اللي هيترسم في الحاضر
22:37رحلة كانت طموحة جداً
22:38لكنها تجاهلت إن تحقيق وظيفة مثالية للمبنى
22:41ممكن تيجي على حساب سكانه
22:43فنلاقي أفضل توصيف لنهاية الرحلة دي
22:45في كلام المؤرخ المعماري
22:46شارلز جينكس
22:47اللي وصف مشهد الهد المجمع العبلاق اللي كلمتك عنه
22:50بإنه تكسيد لنهاية الحداثة
22:52وبيشح معنى كلمته يقول
22:53نهاية لمرحلة تجاهل
22:55الفوارق في الثقافات والخلفيات الاجتماعية
22:58نهاية التعامل مع البشر على إنهم كلهم زي بعض
23:01التعامل مع البشر كأنهم أدوات في آلة
23:04كلهم شبع بعض ويدوروا يعيشوا في نفس الحاجة
23:06مش بني قدمين لهم فرطانيتهم وحريتهم في الاختيار
23:09للمفرقة
23:09البروزاليزم هتفضل مستمرة كطريقة لتخيل المستقبل
23:12وأنا بحماية تخيلوها قبل كده وطلع منها البنية
23:14وهو ده عزيز اللي أنا أقصده بالظب
23:15باقي الطريقة في تخيل المستقبل غير مشق وغير مثالي
23:18العمارة الوحشية لحب الدور كبير في السينما
23:19خاصة للأفلام اللي بتقدم تصور متشائم عن المستقبل
23:22العلم اللي هيخلص بكرة
23:23القرية المنهارة
23:24والمدينة التي اكتحتها الجريمة
23:26عندك مثلاً فيلم
23:27ليد رنر إنتاج 1984
23:29المخرج رايدلي سكوت
23:30كان بيتخيل مدينة لوس أنجلس سنة 2019
23:32فمتخيل أنها تبقى مدينة كئيبة
23:34بيعيش فيها السكان في بباني متكتلة وضخمة
23:36كله جنب بعضه
23:37في شوق شرح علب السدين
23:38العمارة الوحشية في العالم السودوي ده
23:40بتلعب دور البطل
23:41وده اللي بيجسده مبنى الشركة
23:43تايرل
23:43اللي على شكل هرم كبير
23:44نفس الكلام في فيلم توتا الريكول
23:46إنتاج 2012
23:47وفيلم ديون 2021
23:49لكن الملفت فيلم متروبوليس
23:50إنتاج 1927
23:59مباني كبيرة
23:59كسافة سكانية
24:00الأخنية
24:01عايشين فوق
24:01والطباط العاملة
24:02عايشين تحت
24:03كل ده عشان المدينة تضطل شغالة
24:04بقي أن البشر رابطوا دايماً
24:06للمستقبل المظلم
24:06بالتكدس والمباني العملاقة
24:08اللي بتلكز على الوظيفة بس
24:09إن المبنى يبقى قالة للسكن
24:11مكان للعيش فقط
24:13الحقيقة يا عزيزي
24:14إن ده وصف لايق على السجن
24:15أكتر ما هو لايق على البيت
24:16وده هو أكبر خوف عند البشر
24:18إن البيوت والمدر اللي هما بيعيشوا فيها
24:19تبقى سجون حبسان جواها
24:21مش مهم أي حاجة في السجون دي
24:22غير إنها تاخد عدد كبير
24:24بقى أقل تكلفها
24:26لو جينا للحظة الحالية يا عزيزي
24:28هنلاقي إن البروتاليزم بدأت مؤخراً
24:29ترجع تاني للصورة
24:30خصوصاً بين الميلينيونس والجنزية
24:32ده عن طريق صفحات وفيديوهات
24:34على وسائل التواصل الاجتماعي
24:35صحب إننا نقول إنها رجعت لنافس الأسباب
24:37اللي خلت الكربوزيين
24:39وغيره من المعماريين
24:40يقعوا في جمالها
24:41يمكن الأجيال الجديدة بتتواصل معها باعتبرها
24:43كونها حاجة بتكسر الرتابة والملل
24:45خصوصاً في الواقع المعماري المعاصر
24:47الواقع المعماري اللي بيلعب اللعبة السهلة
24:49بيلعب التصميم السيف
24:50أقل جرأة بكتير في أفكاره وتصوراته
24:53أقل بكتير من البروتاليزم
24:54تبخيل يا عزيزي إن انت يبقى عندك القدرة والحلم
24:56إن انت تصمم مبنى لعشر تلاف واحد
24:59ويمكن لأن العمارة الوحشية من زاوية معينة
25:02ممكن الناس تعتبرها جميلة في الصور وعدسات الكاميرا
25:04دي عمارة ليه هطلح حلوة على الإنستجرام
25:06ليه هطلح حلوة على السناب شاب
25:08إنستجرام مبولدوش على المواقع التواصل
25:10ويمكن برضو ده نوع من أنواع النستالجيا والحنين للماضي
25:12الماضي اللي راح وغالباً مش هيرجع
25:14ماضي منشوفه من غير ما نعيش مشاعر الضيق والخوف
25:17المشاعر اللي عاشها سكان الأبراج اللي حكيت لك عنهم
25:20وده لأننا ما اضطرناش نخوط أجربة السكن جو المباني دي
25:23فبالتالي قدرنا نقف ونقدر الجمال المستخبي
25:25ومرا مشاكل الصيانة والجريمة والتكدس
25:28الأمارة الوحشية أو الأمارة الخامية زي ما عرفنا
25:31وقفة بين الجمال والقبح
25:32بالنقاط شايفينها أمارة وحشية
25:34أمارة تخلو من أي جوانب إنسانية
25:36وبين معايدين شايفينها منحوتات معمارية عملاقة بديعة
25:40ولكن سواء حبيت الدروتاليزم أو كرهتها
25:42فهي احتلت مكانة مميزة في التاريخ الحديث
25:44قدر التاكس روح العصف الستينات والسبعينات
25:46بصورة ما عرفش يعملها أي تراث تاني
25:49صورة جسدة الأمل في مستقبل مثالي
25:51فيها البشر بيبنوا مباني عملاقة
25:53بتضم مجتمعات مثالية متساوية صغيرة
25:55يوتيوب يز
25:56إلا إن البشر صحيوا على واقع أكثر تعقيداً
25:58البشر اللقوا نفسهم في واقع محدود
26:00أديق بكتير من اتساح خيالهم
26:02بتفجوة إن التكنولوجيا اللي اعتمدوا عليها
26:04وسهلت حياتهم
26:04ممكن تفشل وتحول حياة الناس لجحيم
26:06حتى الناس نفسهم ما قدرناش نتوقع سلوكهم
26:09أو إيه تأثير ووجود مباني زي دي عليهم كمجتمع
26:11وإزاي بتصميم مبنى واحد
26:13ممكن تشجعهم يرتكبوا جرائم بشعة
26:15وشكل أبو أخر المبنى تحول هنا
26:17للشريك في الجريمة
26:18الشريك بيساعدك إن انت تستخبى
26:19وإن انت تهرب من العقاب
26:20المعماري فرانك لويد رايت
26:22كان بيعتبر إن العمارة هي الفن الأم للإنسان
26:24يمكن عشان الطريقة اللي بتصمم بيها المساحة بتاعتك اللي هتعيش فيها
26:27ممكن تأثر في علاقتك بالناس والعالم اللي حواليك
26:30وعشان كده هيقول
26:30بدون عمارة خاصة بنا فلقى روح لحضارتنا
26:33قصة العمارة البروتاليس هي تصور
26:35تصور زي ممكن تتخيل فعالك حاجة
26:37خيال مثالي للعمارة ومساحة السكن
26:39ولكن في الممارسة والواقع كل ده يتحول لكرسة
26:41الكارثة اللي بتعكس طبيعة حضارة وزمن
26:44الزمن اللي اعتبر البشر أرقام وتروس
26:46تقدر بسهولة تحشرهم جوة مكنة في مكان واحد
26:49مش لأي سبب في المكان ده غير إنه بيتسع ليهم
26:51كل حاجة بيتمرهونة بالوظيفة المبنى بيقديها
26:54وده تصور كفيل إن يحول أي يوتيوبيا
26:56أو أي تخيل عن مدينة مثالية إلى جحيم
26:59اللهم حفظنا
26:59أخيرا ولاية أخيرا
27:00ستشوف الحالات اللي فاتت
27:01شوف الحالات الجاية
27:02ستبص على مصادر اللي إحنا على اليوتيوب نشترك على القناة
27:32شكرا
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