Watch Season 6 Episode 04 “The Art of Deception” of Miss Scarlet & The Duke — full English dub. In this episode, Eliza Scarlet and Inspector Blake are drawn into a web of lies when a renowned art dealer is found dead under suspicious circumstances. As they delve deeper into the world of art forgery and deceit, they uncover a dangerous conspiracy that threatens their investigation and their lives. Don’t miss this thrilling mystery filled with betrayal, secrets, and high stakes.
#MissScarletAndTheDuke #VictorianDrama #CrimeMystery #PeriodCrime #EnglishDub #S6E04 #ArtOfDeception #DetectiveSeries #TVSeries2025 #MysteryDrama
#MissScarletAndTheDuke #VictorianDrama #CrimeMystery #PeriodCrime #EnglishDub #S6E04 #ArtOfDeception #DetectiveSeries #TVSeries2025 #MysteryDrama
Category
🎥
Short filmTranscript
00:00I'd better get back to work, Mum.
00:15Like you always say, those streets won't stay safe
00:22without your Charlie keeping an eye out.
00:31I'll be back tomorrow.
00:55Uncle?
00:58Charlie?
01:00How is she?
01:11Still the same?
01:13I ain't seen her like this.
01:16Ruled the roost when we were kids.
01:18Terrified whoever I was.
01:20Yeah, there's a shadow of my sister in there.
01:25Heard about your promotion.
01:27Detective Inspector Phelps of the City of London Police.
01:31Bet your mum's proud of you.
01:33And I am.
01:34Yeah.
01:35Yeah.
01:36I'll bet.
01:37No, I am.
01:39You've done well for yourself, boy.
01:41Good on you.
01:44Tom.
01:48Charlie.
01:49You ain't heard this from me, but, uh, the Galamis family.
02:01They've been difficult.
02:02I'll try and keep it off your patch, but there's a storm coming.
02:11You cause me any problems, I'll put you away.
02:16Family or not.
02:17You'll know.
02:22Ooh.
02:23Is that a threat, son?
02:29There were so many tattoos from, but I think my favourite animals were the giraffes.
02:33Especially when they nibbled the zookeeper's hair.
02:36I like the elephants, apart from when she went to the toilet.
02:41Yes, very unladylike.
02:44I wish I could miss school every day.
02:46My father used to say too much fun's bad for your health.
02:50I once skipped school without telling him.
02:53I spent the day with the ancient Egyptians at the British Museum.
02:56Was your papa cross?
02:58Well, he would have been had he found out, but I never told him.
03:01In fact, you're the only person that I've told.
03:06Now, I needed a little bit of paperwork, and then we can head home.
03:11Why don't you read?
03:13Yes, this.
03:15I hear Mrs. Banbury's making soup for tea.
03:18It's always turnip.
03:20I hate turnip.
03:22So do I.
03:31Papa!
03:32Inspector Blake!
03:33Is everything alright?
03:34Yes.
03:35Why shouldn't it be?
03:37Oh.
03:38We're a little late.
03:39More than a little.
03:40You were supposed to take her home two hours ago.
03:41I'm sorry.
03:42We lost track of time.
03:43Mrs. Banbury was worried.
03:44She was expecting Sophia home for tea.
03:45Turnip soup, I believe?
03:46You should have sent a message.
03:47Oh, you're right.
03:48I'm sorry.
03:49We had a wonderful time at the zoo, didn't we, Sophia?
03:50We saw the giraffes and the elephants and...
03:51I'll get your things.
03:52Hi.
03:54I'll get your things.
04:01I really am sorry.
04:03What did you say?
04:05Thank you, Miss Garlit.
04:06It's my pleasure.
04:07We'll do it again soon.
04:08We can go back to the zoo.
04:09Good.
04:10OK, I'll get your things.
04:12I'm sorry.
04:22I'm sorry.
04:23Of course. I'll see you tomorrow.
04:28You will.
04:53No-one saw anything. Not even a landlady.
05:03No, sir.
05:06The girl who ranks this room, what's her name?
05:26Natalia Lorenzo.
05:36Scotland Yard switchboard, how may I direct your call?
05:43I'm putting you through. I have a Detective Simons from Oldgate.
05:49Yes, sir.
05:54That's me done. See you in the morning.
05:59Night.
06:01Scotland Yard switchboard, how may I direct your call?
06:05Hello, Ivy. How's things?
06:08Oh, busy. Since we lost you, things have been more active than ever.
06:11But I've been promised a couple more secretaries,
06:13and I heard a rumour we're getting a manager, too.
06:15How are you getting on?
06:17It's all right, but I miss you and the other girls.
06:19It's so quiet sometimes.
06:21I managed to read Little Dorit in three days, and I'm a slow reader.
06:25I haven't even managed to take a lunch break this week, let alone read.
06:29What about your husband's book?
06:31How is it, by the way? Any better?
06:33Don't ask. Ready, Izzy.
06:37It's Miss Summers at work, remember?
06:39Yes, of course.
06:41Detective Willows has taken me to Barron's.
06:43Oh, very nice.
06:45Would you like us to escort you out, Mrs Potts?
06:47Oh, that's kind, but Mr Potts will be here shortly to see me home.
06:51Almost an hour I waited for Barnabas.
07:01Then I came home to find him on that damn typewriter.
07:05Apparently he'd lost track of time.
07:07Well, he wasn't the only one.
07:09I didn't get Sophia home when I should have, which didn't go down very well with Inspector Blake.
07:11That doesn't surprise me. That little girl is everything to him.
07:15Don't make me feel even more guilty.
07:17It's not like Barnabas at all. He's normally so punctual.
07:19So am I.
07:21Yet another rejection of my memoirs.
07:25Whilst we very much enjoyed your book,
07:27we do not feel that our publishing house is the right home for your work.
07:31Well, I'm utterly befuddled.
07:33I'm utterly befuddled.
07:35If they very much enjoyed my book, why won't they publish it?
08:01Perhaps it's just a kind of phrase they use in all such letters.
08:06What do you mean?
08:07Well, the others all said the same type of thing, didn't they?
08:10We enjoyed your book, but we're not looking for new authors.
08:13We enjoyed your book, but we have something similar.
08:15But that's exactly my point.
08:17They enjoyed my book.
08:18Every single one of them has.
08:20Don't know what the problem is.
08:21It's an utter mystery indeed.
08:24Perhaps you should take a break from the writing.
08:26Break?
08:27Why?
08:29So you don't get too stale?
08:31Give yourself time to clear your head.
08:35Then what would I do in the meantime?
08:40Absolutely not.
08:42I will not go back to that mortuary until Mr Wormsley has offered me a full and satisfactory apology.
08:49And of this I shall not be moved.
08:51Message from Miss Scarlet.
09:04Would that have been me?
09:05I can't stand another day of him mooning about the house.
09:15Someone needs to speak to him about his book.
09:17I don't suppose you would.
09:19No, no.
09:19And no.
09:21Who's that from?
09:23Someone rather surprising.
09:24I want to hire you.
09:39Go on.
09:40I've got a missing chorus girl with a lodging room that looks like Smithfield slaughterhouse.
09:46Blood everywhere and no body.
09:48The girl's name was Natalia Lorenzo.
09:51The name rang a bell so I asked around and it turns out she had two regular gentleman callers.
09:58One was a high-ranking member of the Galaness crime family and the other was my uncle.
10:06Dylan Cooper?
10:07Word on the street is my uncle took exception to his girl seeing his rival and put a bullet in her, which makes him our prime suspect.
10:16Which puts you in a rather difficult position.
10:18Any other statements of the bleeding obvious you want to make?
10:22I see if emotion hasn't improved your manners, Charlie.
10:26There was a bloodied handprint left at the scene the size of a man's hand.
10:30If my uncle was going to kill someone, which no doubt he has done in the past, there wouldn't be a shred of evidence left behind.
10:36So you don't think he's guilty?
10:38But you can't share that with your men?
10:40If the cop was in London, why not put Dylan Cooper away regardless of the evidence?
10:43The other half are in his pocket.
10:48There's something else.
10:55My mum.
10:56She's not well.
10:59So, if I'm going to send her little brother to the gallows, I need to be sure.
11:06Which is why I want to hire you.
11:09Because for all your faults, Miss Scarlet, and God knows there are many, you're someone I can trust.
11:18I think.
11:22Duplicate copies of the investigation so far.
11:25One more thing.
11:32If word got out that I was trying to prove my uncle's innocence.
11:37No one's to know that you hired me.
11:41You do this job and you do it well.
11:44There'll be a lot more work coming your way.
11:45City police covers an area we've yet to tap into.
11:56Blackfriars, St. Paul's, Smithfield.
11:59Could mean a whole new revenue stream.
12:02So I assume this case is highly confidential and no one must know that Inspector Phelps has hired us.
12:07You assume correctly?
12:08No one at all, even if they're in the same line of business and we may feel compromised by our feelings towards them, even though...
12:16Lawrence, if you're attempting to give a coded message about myself and Inspector Blake, at least try to be subtle.
12:21No, no.
12:23I'm just saying...
12:24Well, don't.
12:25I'm perfectly capable of keeping client confidentiality, even with Inspector Blake.
12:29But then I shall say no more.
12:33May I just say...
12:34No, you may not.
12:39Thank you, sir.
12:46A single shot to the chest.
12:49I can't see an exit wound.
12:52The bullet must still be in the body.
12:55No identification.
12:59I know who he is, sir.
13:00Philip Galanis.
13:04You sure?
13:06He was brought in when I was at Bow Street.
13:08Twelve charges.
13:10None of them stuck.
13:11Friends in high places.
13:12Indeed.
13:15I heard of trouble brewing between the Galanis family and the Cooper gang.
13:20Philip Galanis was the top brass in the family, if this is the Cooper gang.
13:23The order must have come from high up.
13:28We need to bring in Dylan Cooper.
13:29Good afternoon.
13:50I wondered if you could help me.
13:51It's about a friend of mine.
13:53Natalia Lorenzo.
13:57Don't know her.
13:57I heard it on good authority that she used to dance here.
14:03I said I don't know her.
14:13This is for a whiskey.
14:15And this is for any information that you might have.
14:19What use is money if I'm dead?
14:20Are you aware of the Hospitality and Gaming Act of 1874?
14:29It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
14:34Any failure to have said license may result in a hefty fine or indeed closure.
14:40I know this because my husband works for the licensing commission.
14:43You don't have an husband.
14:44Then you don't have a license.
14:45Look, I ain't seen her.
14:53But...
14:54You know someone who has.
14:56Please, make yourself known!
15:13Anything?
15:14No, sir.
15:18Doesn't look like anyone's been here for a while, sir.
15:22Let's cross this place off our list.
15:23How many safe houses do one of mine have?
15:25Cooper's got deep pockets.
15:28Put your weapons down!
15:29Drop your weapons and get on the floor!
15:31This is your final warning.
15:32Put down your weapons!
15:33On the floor now!
15:35We are police officers!
15:36How are we, you bloody idiot?
15:37Philip Galanis was shot in a lodging house in Fenchurch Street.
15:52That's my patch!
15:52And his body was found in Farringdon, which is my jurisdiction.
15:55Not if the crime was committed on City of London Territory!
15:58You don't know that it was.
15:59Trade, I do!
16:00Ballistics report!
16:01The bullet that was pulled from Natalia Lorenzo's wall
16:09came from the same gun
16:10that fired the bullet that killed Philip Galanis!
16:13You're stepping on my toes, Inspector Blake!
16:16Have you carried out a raid on Scotland Yard Turf
16:17without giving me prior warning, Inspector Phelps?
16:19Like I said, I didn't have time!
16:21We need to work together on this, Charlie.
16:26I've told you everything I know.
16:29This Natalia was shacked up with Philip Galanis.
16:32He turned up dead in an alley
16:33and her body's still missing.
16:35You've left out a vital bit of information.
16:36Your uncle was also seeing this young woman.
16:38Which is why me and my men came looking for him!
16:40Bloody hell!
16:42We're going round his circles here!
16:43We have checked all of Cooper's regular haunts.
16:52His house, his club.
16:55Do you have any idea where he might be?
16:57If I did, I wouldn't be raiding his safe house, would I?
17:02Hmm.
17:09If you've got something to say,
17:11say it.
17:13Blake!
17:26Yes, he's here.
17:27Hold on.
17:28It's one of your men.
17:35What?
17:42Right.
17:43I need to go.
17:54We haven't finished.
17:56Phelps.
17:58Charlie!
17:58Charlie!
17:58Was it meant to be funny, ringing me at Scotland Yard?
18:25I didn't kill Galamis, and you know it.
18:30Do I?
18:32Else you wouldn't have hired that lady detective.
18:34You've been having me followed?
18:35I always have you followed, Charlie.
18:36I should be with your dad soon.
18:49That's the last place she'd want to be.
18:51I couldn't stand the old bugger.
18:53Why are you in hiding if you weren't the shooter?
19:02Well, I know what people are saying.
19:05The Galamis was seeing my girl, so I killed them both.
19:08I mean, don't get me wrong.
19:10If I'd have known that degenerate had gone anywhere near her, I'd have gladly put a bullet in him, but I didn't know.
19:15So I didn't kill either of them.
19:16So who did?
19:17Not a clue.
19:18But I need time to talk to the Galamis family.
19:23Things haven't been good lately.
19:24I need to sort it out.
19:25It's about my business.
19:26If you're asking me to stall the investigation.
19:28I'm being set up.
19:30And you know that.
19:32I'll find out who did it.
19:35I just need time.
19:37You owe me this boy.
19:40When he was a nipper.
19:43When your dad passed away and your mum couldn't put food on the table.
19:47It was it kept you out of the workhouse.
19:51The best I can do is keep this meeting to myself.
20:04Anything else that comes up, you're on your own.
20:06Even if...
20:17Get your herald here!
20:19Come on, get your herald.
20:20Get your herald.
20:21Get your herald.
20:22Get your herald.
20:23Get your herald.
20:24Get your herald.
20:25Get your herald.
20:26Last noon.
20:27I'm looking for a friend of mine.
20:28Natalia Lorenzo.
20:29I have it on good authority that she dances here.
20:35I'm busy.
20:37Aware of the Hospitality and Gaming Act of 1874?
20:40What?
20:42It states that any venue with outside drinking facility requires a public liability license.
20:48I've already told him what I know.
20:50Told who?
20:51Him.
21:00What are you doing here?
21:02What are you doing here?
21:03I'm looking for a missing showgirl.
21:04And what about you?
21:05That's a you, it seems.
21:06I thought this case was in the City of London jurisdiction.
21:07It's more complex than that.
21:08I take it you're working for Phelps?
21:09I'm sorry, Alexander, but I think it's better that we stop this conversation.
21:10You need to tell me what you know.
21:11I can't.
21:12I can't.
21:13I'm running a business.
21:14We've been through this before.
21:15This isn't a missing horse, Eliza.
21:16This isn't a missing horse, Eliza.
21:17This is a murder.
21:18And if we're to be together you can't keep hiding things from me.
21:19Things?
21:20I need to get back to work.
21:21What things?
21:22Telling me you went to the seaside to visit your aunt, and in fact you're meeting Patrick
21:23Nash.
21:24I knew you'd been stewing on that.
21:25I have to be able to trust you.
21:26And I have to be able to respect the wishes of my clients.
21:29This isn't about me working the case.
21:30This isn't about me working for Phelps, isn't it?
21:31Don't that be ridiculous.
21:32Your competitiveness is clouding your judgement and my job.
21:33And a bad thing.
21:34I care, I don't care not.
21:35I can't.
21:36I can't.
21:37I can't.
21:38But if you're out.
21:39I can't find all of it.
21:40I can't find all of it.
21:41And well, not be honest.
21:42You don't have to be the thing.
21:43I'm not talking.
21:44This is a bad thing.
21:46I'm not talking.
21:47I guess.
21:48You're not talking to him.
21:49I want to be the thing.
21:50You're not talking to him.
21:51No, not telling him to be.
21:53I am not talking to him.
21:54I'm talking to David you.
21:56Oh, don't be ridiculous.
21:57Your competitiveness is clouding your judgement and, might I add, making you rather childish.
22:00Who says the adult who forgot to bring my daughter home one time?
22:06I need to get back to work.
22:10As do I.
22:27The landlord of the Indigo Sun confirmed that Natalia Lorenzo is very much alive.
22:32She collected the wages that she was owed.
22:34She was in a bad way, sweating feverish bandage across her shoulder.
22:39He asked her what had happened but she didn't want to say.
22:42He thinks that she got on the wrong side of Cooper and somehow managed to escape.
22:47The crime scene report states that a bullet was found in the wall of the room.
22:52So perhaps it passed through her shoulder and into the wall.
22:55Hmm.
22:56Well, if she was shot, she'd need medical attention.
23:00And wanting to lie low, she wouldn't go to a doctor.
23:03It's their duty to inform the police when treating a gunshot wound.
23:06That depends on the doctor.
23:13A list of qualified doctors and surgeons who work on the wrong side of the law.
23:18This is Patrick's handwriting.
23:20Yes, that list was compiled by Mr Nash himself after an unfortunate incident with a shotgun.
23:24Daniella's husband.
23:28Let's hope that one of these doctors treated our Natalia Lorenzo.
23:33Let's start looking in the morning.
23:34I want a list of every quack doctor with a criminal conviction.
23:43Anyone who might tend to a bullet wound and not reported.
23:45Yes, sir.
23:46Then get yourself over to city police.
23:48See if inspector Phelps is willing to share any new information on Dylan Cooper.
23:52What?
23:56Evening, gents.
24:00This is my lawyer, Mr Torrey.
24:02We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
24:07I'm a businessman.
24:17I own two casinos and a number of companies linked to the hospitality trade.
24:22I know exactly what you are, Mr Cooper.
24:24In great detail.
24:25So these false allegations are costing me money, so my lawyer recommended that I come in here and answer any questions you may have so that we can put this matter to bed.
24:36How thoughtful of you.
24:38Talked me through your movements yesterday.
24:40Well, I spent a morning at my club, the Silver Lane.
24:44After that, I went to visit my poor sister at St Agatha's Hospital.
24:48Then I did a stock check at my new pub in Hackney.
24:52All of which can be confirmed.
24:54By your men?
24:55No, by my work colleagues.
25:03Tell me about Natalia Lorenzo.
25:05She's a young lady that I've known for a few years.
25:11And the nature of your relationship?
25:22My lawyer says that I'm not obliged to answer that question.
25:29Well, then I shall answer it for you.
25:31I think you were romantically involved with Miss Lorenzo.
25:38And when you found out she was betraying you with a member of a rival gang, you went to her lodging rooms and shot her and her lover, Philip Kalanis.
25:47You dumped his body in the street and left Natalia to die.
25:52But unfortunately for you, she survived.
25:55She survived.
25:58Hmm.
26:00That's quite an imagination you've got here, Inspector Blake.
26:03It's pure fantasy, of course.
26:06Has she got any evidence to back it up?
26:08No, I thought not.
26:13No, I thought not.
26:15So, you've got my alibi which can be easily checked unless there's anything else.
26:20I think I'm free to go.
26:22Looks like I'll only be paying you for half a day, Mr. Torrey.
26:26Would you mind stepping outside for a minute?
26:32Inspector.
26:33Inspector.
26:40Well, I do hope this is an end to the matter.
26:43No, Mr. Cooper, it very much is not.
26:47It would be a mistake to make an enemy of me, Inspector Blake.
26:51But a friend, I would welcome that with open arms.
26:55I have enough friends.
26:56Hmm.
27:01Eight.
27:03Kempton Lane.
27:04Isn't it?
27:06Lovely place you've got here.
27:08Must be very nice for you and your little girl to live so near the path.
27:13Get out!
27:17With pleasure.
27:18With pleasure.
27:19With pleasure.
27:20With pleasure.
27:21With pleasure.
27:22With pleasure.
27:23With pleasure.
27:47If I wanted to apologize, would it be better in writing or in person?
27:52Um, in person?
27:56Well, that's a relief. I have terrible handwriting.
28:01I was angry and frustrated. I say things that don't mean when I feel that way.
28:07I can't imagine what that's like.
28:09Well, what you said there was some truth in it.
28:19I don't always tell you everything just like you don't always tell me.
28:23It's the nature of our jobs.
28:26Which is even more difficult to navigate now that there's an ass.
28:30Ass?
28:32I like that.
28:33I've booked that little place south of the river for dinner.
28:38Oh, sounds perfect.
28:40I'll get my things.
28:42How was your day?
28:44Rough.
28:45Which is why I wanted to see you.
28:47Do you need my help?
28:49I wanted to see you because I wanted to be with you, Eliza.
28:54To take the sting out of my day by finishing it with you.
28:56Does that help?
29:07Always.
29:09Always.
29:18Well, that was a waste of time.
29:20Are you sure that man was even a doctor?
29:22I think he may be the veterinarian.
29:24Well, either way, he hasn't seen our missing showgirl.
29:25He can cross them off the list.
29:27So that is three down, six left to try.
29:30Who's next?
29:31Dr. Hudson on Church Street.
29:35So, how was last night?
29:36Last night?
29:37Last night?
29:38You said you had dinner with Inspector Blake?
29:40Uh, yes.
29:41Very nice, thank you.
29:42That was very nice, yes.
29:43Good food, good wine, good conversation.
29:47Yes.
29:49Conversation about what, exactly?
29:51I didn't tell Inspector Blake that we're working for Phelps.
29:54Good.
29:55Because he already knows.
29:56What?
29:58He saw me questioning that landlord that I was telling you about.
30:01Why is that?
30:02It's supposed to be a confidential investigation.
30:03Yes, I am aware of that.
30:04What's done is done.
30:06There's no point ruminating on it.
30:09Like you're doing now.
30:10Still, I'd be a lot happier if you told me everything you were doing.
30:12Oh, would you?
30:14No, on second thoughts, let's see if things are safe.
30:23It was a lovely evening.
30:25Food was delicious.
30:26I've never been anywhere so fancy.
30:27Me neither.
30:28I felt quite out of place next to all those fine ladies.
30:32Surprised red wasn't turned.
30:34I couldn't take my eyes off you.
30:37Is that true?
30:38Or are you just trying to butter me up?
30:41Both.
30:43Give us a kiss.
30:44What, an Eve?
30:45Yes, here.
30:46Yes, here.
30:54To take to Brillo's.
30:55Mrs Potts.
30:56The advert for the new office manager.
30:58I've got copies going up all over the yard,
31:00but I want you to call the evening papers with the wording for the classifieds.
31:04Wanted. Manager for the clerical office, Scotland Yard.
31:06You should apply, Ivy.
31:07Keep reading.
31:09The gentleman in question.
31:11Why can't it be a lady?
31:12You could do that job standing on your head.
31:14I've got enough to worry about as it is.
31:17One day a woman will run this whole place.
31:20What's funny about that?
31:25I better get on.
31:36Can I help you, madam?
31:39I need to speak to Inspector Blake.
31:42Sir.
31:45Mrs Bambury.
31:48What's happened?
31:50It's Sophia.
31:55So, last and hopefully not least, a Dr Marsh.
31:59What do we do if he hasn't seen Natalia?
32:01We move to Plan B.
32:02Which is?
32:03No idea.
32:04Well, that's the address.
32:06He doesn't look like a doctor.
32:11No, but he does.
32:18That's her.
32:19That's Natalia Llorente.
32:21Should we help?
32:23He doesn't appear to be forcing her.
32:37The inspector's daughter's gone missing.
32:39Lock on every door of every street within a three-mile radius of Inspector Blake's house and his daughter's school on Eastbury Way.
32:45Scale of the area.
32:46Every inch.
32:47Understood?
32:48Yes, sir.
32:49Off you go.
32:50We heard about the inspector's little girl. We've come to help.
32:59How many of you?
33:00One of us girls in the office.
33:01About a dozen.
33:03Go to Gladstone Park.
33:04It runs adjacent to Inspector Blake's house.
33:06Perhaps the little girl went there and got lost.
33:08Inspector Blake must be out of his mind, won't worry.
33:10If anything's happened to that little girl.
33:12Oh, just the person.
33:13Go and tell the girls.
33:14I'll join you in a moment.
33:15Barnabas, this is not a good time.
33:17It should be very quick, might you all.
33:19I just wanted to share the most wonderful news.
33:22I've decided to write a novel.
33:23Never mind that now.
33:25I need your help.
33:33Sophia has long dark hair, blue eyes, about this tall what she was when I last saw her.
33:37She's probably grown by now.
33:39Never fear, my dear.
33:40They do not call me eagle-eyed pots for nothing.
33:42They don't call you that at all, Barnabas.
33:44Excuse me, have you seen a little girl on her own dark hair, blue eyes, about this pig?
33:48Sorry.
33:49So, um, what do you think about my idea to write a novel?
33:54Barnabas, as I've said many times, what I think is that you need to get your old job back.
34:00Huh?
34:01Oh, excuse me.
34:02Have you seen a little girl, dark hair, blue eyes, about this pig?
34:05No.
34:06What makes you think I need my job back?
34:08My novel will be published, I'm sure of it.
34:10Barnabas, I only say this because I love you.
34:13You have many skills, but writing is not one of those.
34:18You said you enjoyed my memoirs.
34:23You said I was a wonderful writer.
34:25I was being nice.
34:26There's a reason no one wants to publish it.
34:31I'm sorry.
34:32That's the truth.
34:35Excuse me.
34:37Have you seen a little girl, dark hair, blue eyes, about this tall?
34:41No.
34:42Miss Scarlet.
34:43Oh, good.
34:44You got my message.
34:45You want to update me on the case here, at Scotland Yard?
34:47Something's happened, and in Inspector Blake's jurisdiction.
34:48Don't tell me Blake knows I've hired you.
34:49It's my duty to inform him as well as you.
34:51And it's your duty to keep the client confidentiality.
34:55Miss Scarlet, we had an agreement.
34:56Detective Willows.
34:57Have you seen Inspector Blake?
34:58Have you not heard?
34:59Heard what?
35:00Is it true?
35:01Is it true?
35:02Pacific on Mississippi?
35:03No.
35:04No.
35:05No.
35:06No.
35:07No.
35:08No.
35:09No.
35:10No.
35:11No.
35:12No.
35:13No.
35:14No.
35:15No.
35:16No.
35:17No.
35:18No.
35:19No.
35:20No.
35:21No.
35:22No.
35:23No.
35:24No.
35:25No.
35:26No.
35:27No.
35:28Is it true?
35:29Ci Spencer's gone missing?
35:30She didn't come home from school.
35:31Michael Simmons here with me?
35:33What have you need, just ask her?
35:35You want to help, then tell me where your uncle is.
35:38What has he got to do with him?
35:39He's got Cooper written all over it.
35:41Could it be him?
36:07Have you taken her?
36:09The inspector's kit!
36:10What's he talking about, boy?
36:25Where's Cooper?
36:27We ain't over yet.
36:28All right, take them outside and question them.
36:30Yes, sir.
36:32Has he got my daughter?
36:35How should I know?
36:36I will ask you one more time.
36:37Has Cooper got my daughter?
36:39Sir, you're dead.
36:43How should I know?
36:50Where is she?
36:52Where is she?
36:53Sir!
36:55We found her.
36:56There.
37:13Very good.
37:15We're looking for an office manager.
37:16I think you should apply, young lady.
37:19Sophia!
37:21Papa!
37:21Papa!
37:30She went to the British Museum.
37:35She got lost on the way home.
37:37Was found by an officer wandering the streets.
37:40Thank you, Mrs. Potter.
37:42I told him who my father is.
37:44He says you're a very important man, Papa.
37:46I'm sorry, I did.
37:49Let's get you hurt.
37:51Good day, Miss Watts.
37:53Good day, Sophia.
37:55Good day, Sophia.
37:59Good day, Sophia.
38:12Where have you been?
38:19Looking for Sophia.
38:20I went to the zoo to see if she'd gone back there.
38:22Well, no, they found her.
38:23She's safe and well.
38:24Ivy sent you a message to let you know.
38:27Ivy?
38:28Lord Inspector Blake?
38:29What difference does it make?
38:31Where was she?
38:32Yeah, well, I'll get to that in a minute.
38:33Keep that on.
38:34I've sent a message to Inspector Phelps.
38:35You ought to join him.
38:36Why?
38:38I found something on the Cooper case.
38:42I told you I don't know nothing about a kid.
39:00We're not here about that.
39:04Lady Detective, I assume.
39:07So the word is that you've been hired to prove my innocence.
39:10So I do hope your presence here means that you've done just that.
39:15Well, innocence of killing Philip Galanis, but of obstruction of justice, your hands are dirty, Mr Cooper.
39:23It was Natalia Lorenzo that killed Philip Galanis, and you've been protecting her.
39:28We found a financial trail between you and Dr Marsh.
39:32Your own personal doctor.
39:33You paid him to patch up your girl, didn't you?
39:40She's not my girl.
39:42Never has been.
39:44She's the daughter of an old mate.
39:47The fella did a long stretch inside, but he kept his mouth shut.
39:52Ten years' hard labour.
39:53Pretty well killed him.
39:54He died a month after he'd come out.
39:56Tell you, yeah, she'd been like a daughter to me.
40:02So it didn't go down well when you discovered her affair with Galanis?
40:06Tried to warn her against it, but she's that strong young girl.
40:11I think they thought they were some kind of Romeo and Juliet.
40:15But he didn't treat her right.
40:17He was a drunk and a bad one.
40:19If she hadn't got his gun, he'd have killed her.
40:21Well, if she shot him in self-defence, and there's no reason for her to go on the run.
40:26Try selling that to the Galanis family.
40:31So.
40:35You two can do what you want.
40:38I'll just deny it all.
40:39And any link to Dr Marsh can be explained away.
40:42He'll never stand up in court.
40:44Especially as you have half the judges in London in your pocket.
40:50Where's Natalia now?
40:52She got on a boat from St Catherine's docks.
40:54And I don't know where I told her it was safer that I didn't in the event that something like this happened.
41:01So.
41:02You want to waste your time chasing after a young woman who shot her drunk to stop him beating her to death?
41:08Be my guest.
41:10Boss.
41:10Boss.
41:10Boss.
41:10Boss.
41:10Boss.
41:10Boss.
41:21Boss.
41:28It's your mother.
41:31She passed.
41:32I'm sorry son
41:35Sorry
41:37Come along ladies, there's work to be done
41:49Oh Barnabas, I am rather busy
41:54I'll give you just a few moments my jaw
41:56I only wish to say how profusely sorry I am for my recent behaviour
42:01I just want you to be happy Barnabas
42:03And I don't think writing makes you happy
42:05Well I'll give it up forthwith
42:07Find myself a proper job
42:08But not back at the mortuary
42:10I believe it's time for a fresh start
42:13And I know exactly where
42:15Oh that's wonderful, where did you have mine?
42:18Here of course
42:19Scotland Yard
42:21It was pinned on the notice board in the corridor
42:26As I happened upon it I thought
42:28Barnabas Pops
42:29This job is tailor made for you
42:31Manager of the clerical office
42:35Here
42:36Where I work
42:37Call it fate
42:39Call it kismet
42:40Either way it was meant to be
42:42And we all work together every single day
42:46Might that be marvellous
42:47Marvellous
42:50Call it kismet
42:52Call it kismet
42:54Call it kismet
42:55Call it kismet
42:55Call it kismet
42:56Call it kismet
42:57Call it kismet
42:58Call it kismet
42:59Call it kismet
43:00Call it kismet
43:01Call it kismet
43:02Call it kismet
43:03Call it kismet
43:04Call it kismet
43:05Call it kismet
43:06Call it kismet
43:07Call it kismet
43:08Call it kismet
43:09Call it kismet
43:10Call it kismet
43:11Call it kismet
43:12Call it kismet
43:13Inspector Phelps
43:25How's your little one?
43:28Happy to be home
43:29Just got her off to sleep
43:32I'm sorry I lost my temper earlier
43:37I'd have done the same
43:43Full report on a Galani's case
43:45It was Natalia who shot him
43:47Cooper was just protecting her
43:49You could pursue Cooper on obstruction of justice or
43:53You could take a look through this little lot
43:59I've been building a case against my uncle for a few years now
44:05My hands were tied before but now
44:12My old mum died
44:13Today
44:15He's all yours
44:19I'm sorry for your loss
44:22Wish I'd come in
44:26Not good company at the minute
44:29But maybe a pint and a ghost snake sweet
44:34You're buying of course
44:36Don't know her always
44:37Charlie
44:39Thank you
44:42See the problem that you gentlemen have got is I've got a lucky face
45:02You unlucky face
45:04You not so lucky face
45:05You very unlucky face
45:07Look, have a look
45:08Look at that
45:09Right
45:14Dylan Cooper
45:26Dylan Cooper
45:26What now?
45:34We've got a warrant for your arrest
45:35On what charge
45:39You may want to get yourself comfortable, Mr Cooper
45:41It's quite a long list
45:43I don't know who I'm going to get you
45:44Any amount of time
45:47You may want to get you
45:49I'm going to get you
45:50You may want to get your show
45:51You may want to get some stuff
45:52You may want to get some stuff
45:52I'm going to go
45:53I'll give you
45:54I'll give you
45:56I'll give you
45:57I'm going to be
45:58Why are you going to get me
45:59It's not too early. I haven't had a chance to change it.
46:16Would you mind if we cancelled dinner?
46:20I should be with Sophia.
46:22Of course. I could come to you.
46:24She went to the British Museum.
46:26She said you missed school once together.
46:30Well, yes, but I didn't mean for her to do the same.
46:34She's a child, Eliza.
46:37She has no mother to guide her. You must realise how much she looks up to you.
46:41I'm sorry. I didn't think.
46:47Are you blaming me for what happened?
46:53I lost control today.
46:54I could have lost my job.
46:57I can't afford to do that.
47:00I am all Sophia has and it is down to me to keep her safe.
47:06To make sure there is food on the table and a roof over her head.
47:13What are you trying to say?
47:15I need time to think.
47:25Perhaps some time apart will do us both good.
47:29Sorry.
47:30Up.
47:30I'm sorry.
47:31I'm sorry.
47:32I leave you alone.
47:44Okay.
47:47Up.
47:51Up.
47:53Up.
47:53Up.
47:54Up.
47:54Up.
47:54Up.
47:54Up.
47:55Up.
47:57Up.
47:58Amen.
Be the first to comment