- 5 days ago
Miss Scarlet and The Duke - Season 6 Episode 4 -
Bad Blood
Bad Blood
Category
😹
FunTranscript
00:00You've not fallen out with Inspector Blake. You've fallen in.
00:03When we're working together, it's best that you treat me as you would one of your men.
00:06You can be polite in our private time.
00:08For 30 years I have given to the city mortuary, and now I'm unemployed.
00:12I assume the elderly aunt you were supposedly visiting doesn't exist.
00:16Don't you trust me?
00:17Of course I do.
00:18Then why lie?
00:30THE END
01:00I'd better get back to work, Mum.
01:14Like you always say,
01:17those streets won't stay safe
01:20without your Charlie keeping an eye out.
01:30I'll be back tomorrow.
01:57Uncle?
02:00Charlie.
02:10How is she?
02:14Still the same?
02:16I hate seeing her like this.
02:18Ruled the roost when we were kids.
02:21Terrified of her I was.
02:24Yeah, it's a shadow of my sister in there.
02:26I heard about your promotion.
02:32Detective Inspector Phelps of the City of London Police.
02:35Bet your mum's proud of you.
02:37And I am.
02:39Yeah.
02:40I'll bet.
02:41No, I am.
02:43You've done well for yourself, boy.
02:46Good on you.
02:48To.
02:49Charlie.
03:01You ain't heard this from me, but, uh...
03:04The Galani's family, they're being difficult.
03:07I'll try and keep it off your patch, but there's a storm coming.
03:17You cause me any problems, I'll put you away.
03:22Family or not.
03:23Oh, is that a threat, son?
03:33Oh, is that a threat, son?
03:35Oh, is that a threat, son?
03:37Oh, is that a threat, son?
03:39Oh, is that a threat, son?
03:41Oh, is that a threat, son?
03:42Oh, is that a threat, son?
03:43Oh, is that a threat, son?
03:45Oh, is that a threat, son?
03:47Oh, is that a threat, son?
03:47Oh, is that a threat, son?
03:48Oh, is that a threat, son?
03:49Oh, is that a threat, son?
04:20I like the elephants, apart from when she went to the toilet.
04:27Yes, very unladylike.
04:29I wish I could miss school every day.
04:32My father used to say too much fun is bad for your health.
04:35I once skipped school without telling him.
04:38I spent the day with the ancient Egyptians at the British Museum.
04:41Was your papa Cross?
04:43Well...
04:44He would have been had he found out.
04:46But I never told him.
04:48In fact, you're the only person that I've told.
04:52Now, I need to do a little bit of paperwork,
04:54and then we can head home.
04:56Why don't you read...
04:58Yes, this.
05:00I hear Mrs. Banbury's making soup for tea.
05:04It's always turnip.
05:05I hate turnip.
05:06So do I.
05:08Papa!
05:09Inspector Blake!
05:10Is everything alright?
05:11Yes.
05:12Why shouldn't it be?
05:13Oh...
05:14We're a little late.
05:28More than a little.
05:30You're the only one.
05:31I don't know.
05:32I don't know.
05:33I'm a little late.
05:34I don't know.
05:35I don't know.
05:36I'm a little late.
05:38Oh. We're a little late.
05:41More than a little. You were supposed to take her home two hours ago.
05:44I'm sorry. We lost track of time.
05:47Mrs. Banbury was worried. She was expecting Sophia home for tea.
05:50Turnip soup, I believe?
05:53You should have sent a message.
05:55Oh, you're right. I'm sorry.
05:57We had a wonderful time at the zoo, didn't we, Sophia?
06:00We saw the giraffes and the elephants and...
06:02Now get your things.
06:08I really am sorry.
06:10What did you say?
06:11Thank you, Miss Garlet.
06:13It's my pleasure. We'll do it again soon.
06:15We can go back to the zoo.
06:16Of course.
06:18I'll see you tomorrow.
06:21You will.
06:38Two weeks.
06:39It's probably...
06:54No one saw anything.
06:57Not even the landlending.
06:59No, sir.
07:01The girl who rents this room, what's her name?
07:23Natalia Lorenzo.
07:31Scotland Yard switchboard, how may I direct your call?
07:42Putting you through. I have a Detective Simons from Oldgate.
07:47Yes, sir.
07:52That's me done. See you in the morning.
07:57Night.
08:00Scotland Yard switchboard, how may I direct your meeting?
08:05Hello Ivy. How's things?
08:07Oh, busy. Since we lost you, things have been more ectic than ever.
08:11But I've been promised a couple more secretaries,
08:13and I heard a rumour we're getting a manager too.
08:15How are you getting on?
08:17It's alright, but I miss you and the other girls.
08:19It's so quiet sometimes.
08:21I managed to read Little Dorrit in three days, and I'm a slow reader.
08:25I haven't even managed to take a lunch break this week, let alone read.
08:29What about your husband's book?
08:32How is it, by the way? Any better?
08:34Don't ask.
08:36Ready, is he?
08:38It's Miss Summers at work, remember?
08:40Yes, of course.
08:42Detective Willows has taken me to Barron's.
08:45Oh, very nice.
08:46Would you like us to escort you out, Mrs Potts?
08:48Oh, that's kind.
08:49But Mr Potts will be here shortly to see me home.
08:51Almost an hour I waited for Barnabas, then I came home to find him on that damn typewriter.
09:19Apparently he'd lost track of time.
09:21He wasn't the only one.
09:23I didn't get Sophia home when I should have, which didn't go down very well with Inspector Blake.
09:28That doesn't surprise me.
09:29That little girl is everything to him.
09:31Don't make me feel even more guilty.
09:34It's not like Barnabas at all.
09:36He's normally so punctual.
09:38So am I.
09:40Yet another rejection of my memoirs.
09:44Whilst we very much enjoyed your book, we do not feel that our publishing house is the right home for your work.
09:53Well, I'm utterly befuddled.
09:55If they very much enjoyed my book, why won't they publish it?
09:59I should get to work.
10:08Perhaps it's just a kind of phrase they use in all such letters.
10:11What do you mean?
10:12Well, the others all said the same type of thing, didn't they?
10:15We enjoyed your book, but we're not looking for new authors.
10:18We enjoyed your book, but we have something similar.
10:20But that's exactly my point.
10:22They enjoyed my book.
10:24Every single one of them has.
10:25Don't know what the problem is.
10:27It's an utter mystery indeed.
10:29Perhaps you should take a break from the writing.
10:32Break?
10:33Why?
10:34So you don't get too stale?
10:37Give yourself time to clear your head.
10:40Then what would I do in the meantime?
10:43Absolutely not.
10:48I will not go back to that mortuary until Mr Wormsley has offered me a full and satisfactory apology.
10:56And on this I shall not be moved.
11:11Message from Miss Carlet.
11:12Would that be me, thank you.
11:18I can't stand another day of him mooning about the house.
11:24Someone needs to speak to him about his book.
11:26I don't suppose you would.
11:27No, no.
11:28And no.
11:30Who's that from?
11:32Someone rather surprising.
11:34I want to hire you.
11:46Go on.
11:47I've got a missing chorus girl.
11:49With a lodging room that looks like Smithfield slaughterhouse.
11:51Blood everywhere and no body.
11:52The girl's name was Natalia Lorenzo.
11:57The name rang a bell so I asked around and it turns out she had two regular gentleman callers.
12:03One was a high ranking member of the Galanes crime family and the other was my uncle.
12:17My uncle took exception to his girl seeing his rival and put a bullet in her.
12:24Which makes him our prime suspect.
12:27Which puts you in a rather difficult position.
12:29Any other statements for the bleeding obvious you want to make?
12:32I see promotion hasn't improved your manners Charlie.
12:36There was a bloodied handprint left at the scene the size of a man's hand.
12:41If my uncle was going to kill someone, which no doubt he has done in the past,
12:45there wouldn't be a shred of evidence left behind.
12:48So you don't think he's guilty?
12:50That you can't share that with your men?
12:52If the coppers in London want to put Dylan Cooper away regardless of the evidence.
12:56The other half are in his pocket.
12:57There's something else.
13:04My mum, she's not well.
13:11So if I'm gonna send her little brother to the gallows I need to be sure.
13:18Which is why I want to hire you.
13:22Because for all your faults Miss Scarlet and God knows there are many.
13:26You're someone I can trust.
13:33I think.
13:37Duplicate copies of the investigation so far.
13:45One more thing.
13:46If word got out that I was trying to prove my uncle's innocence.
13:53No one's to know that you hired me.
13:57You do this job and you do it well.
13:59There'll be a lot more work coming your way.
14:01City police covers an area we've yet to tap into.
14:11Blackfriars, St Paul's, Smithfield.
14:16Could mean a whole new revenue stream.
14:18So I assume this case is highly confidential and no one must know that Inspector Phelps has hired us.
14:23You assume correctly?
14:26No one at all.
14:27Even if they're in the same line of business and we may feel compromised by our feelings towards them even though-
14:33Lawrence if you're attempting to give a coded message about myself and Inspector Blake at least try to be subtle.
14:38No, no, I'm just saying-
14:42Well don't.
14:43I'm perfectly capable of keeping client confidentiality even with Inspector Blake.
14:47But then I shall say no more.
14:52May I just say-
14:53No you may not.
14:54Thank you, sir.
15:06A single shot to the chest.
15:08I can't see an exit wound.
15:12The bullet must still be in the body.
15:15No identification.
15:19I know who he is, sir.
15:20It's Philip Galanis.
15:25You sure?
15:26He was brought in when I was at Bow Street.
15:29Twelve charges.
15:30None of them stuck.
15:31Friends in high places.
15:32Indeed.
15:36I heard of trouble brewing between the Galanis family and the Cooper gang.
15:40Philip Galanis was the top brass in the family if this is the Cooper gang.
15:44The order must have come from high up.
15:49We need to bring in Dylan Cooper.
15:54Good afternoon.
15:55I wondered if you could help me.
15:56It's about a friend of mine.
15:57Natalia Lorenzo.
15:58Don't know her.
15:59Oh.
16:00I heard it on good authority that she used to dance here.
16:02I said I don't know her.
16:03I don't know her.
16:04I don't know her.
16:05Good afternoon.
16:11I wondered if you could help me. It's about a friend of mine.
16:15Natalia Lorenzo.
16:19Don't know her.
16:21Oh. I heard it on good authority that she used to dance here.
16:25I said I don't know her.
16:35This is for a whiskey.
16:39And this is for any information that you might have.
16:43What use is money if I'm dead?
16:48Are you aware of the Hospitality and Gaming Act of 1874?
16:53It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
16:59Any failure to have said license may result in a hefty fine or indeed closure.
17:04I know this because my husband works for the licensing commission.
17:08You don't have an husband.
17:10And you don't have a license.
17:13Look.
17:16I ain't seen her.
17:19But.
17:20You know someone who has.
17:22I hate my husband.
17:23You don't have a license.
17:24You don't have a license.
17:25I mean I'm not a license.
17:27You don't have a license.
17:28You don't have a license.
17:29You don't have a license.
17:30I can't believe my husband!
17:31I can't believe my husband!
17:32Hey, make yourself known!
17:33Anything?
17:34No, sir.
17:35Doesn't look like anyone's been here for a while, sir.
17:36Anything?
17:41Yes, sir.
17:44Doesn't look like anyone's been here for a while, sir.
17:49Let's cross this place off our list.
17:51How many safe houses can one man have?
17:53Cooper's got deep pockets.
17:56Put your weapons down!
17:57Drop your weapons and get on the floor!
17:59This is your final warning!
18:00Put down your weapons!
18:01On the floor now!
18:02We are police officers!
18:03Power away, you bloody idiot!
18:06We are police officers!
18:16Philip Galanis was shot in a lodging house in Fenchurch Street.
18:20That's my patch.
18:21And his body was found in Farringdon, which is my jurisdiction.
18:24Not if the crime was committed on City of London Territory!
18:27You don't know that it was.
18:28I'm afraid I do. Ballistics report.
18:30The bullet that was pulled from Natalia Lorenzo's wall came from the same gun that fired the bullet that killed Philip Galanis!
18:42You're stepping on my toes, Inspector Blake!
18:45And you carried out a raid on Scotland Yard Turf without giving me prior warning, Inspector Phelps!
18:49Like I said, I didn't have time!
18:54We need to work together on this, Charlie.
18:56I've told you everything I know.
18:58This Natalia was shacked up with Philip Galanis.
19:02He turned up dead in an alley and her body's still missing.
19:05You've left out a vital bit of information.
19:07Your uncle was also seeing this young woman.
19:09Which is why me and my men came looking for him bloody hell!
19:13We're going round his circles here!
19:21We have checked all of Cooper's regular haunts.
19:23His house.
19:24His club.
19:27Do you have any idea where he might be?
19:29If I did, I wouldn't be raiding his safe house, would I?
19:34Hmm.
19:39If you've got something to say, say it.
19:57Blake.
19:59Yes, he's here.
20:00Hold on.
20:02It's one of your men.
20:09What?
20:16Right.
20:27I need to go.
20:29We haven't finished.
20:31Phelps.
20:33Charlie!
20:39Was that meant to be funny, ringing me at Scotland Yard?
21:04I didn't kill Galanis, and you know it.
21:06Do I?
21:08Else you wouldn't have eyed that lady detective.
21:11You've been having me followed?
21:12No.
21:13I always have you followed, Charlie.
21:25She'll be with your dad soon.
21:27That's the last place she'd want to be.
21:30Couldn't stand the old bugger.
21:31Why are you in hiding if you weren't the shooter?
21:41Well, I know what people are saying.
21:44The Galanis was seeing my girl, so I killed them both.
21:47I mean, don't get me wrong.
21:49If I'd have known that degenerate had gone anywhere near her,
21:51I'd have gladly put a bullet in him, but I didn't know.
21:54So I didn't kill either of them.
21:56So who did?
21:57Not a clue.
21:59But I need time to talk to the Galanis family.
22:03Things haven't been good lately.
22:04I need to sort it out.
22:05It's about my business.
22:06Have you asked me to stall the investigation?
22:08I'm being set up.
22:11And you know that.
22:14I'll find out who did it.
22:16I just need time.
22:19You owe me this boy.
22:23When he was a nipper.
22:25And your dad passed away and your mum couldn't put food on the table.
22:31It was it kept you out of workhouse.
22:32You're best I can do is keep this meeting to meself.
22:46But anything else that comes up, you're on your own.
22:47Even if...
22:48Get your heralds here!
23:01Come on, get your heralds!
23:03Right, Dr. President.
23:07Good afternoon.
23:09I'm looking for a friend of mine, Natalia Lorenzo.
23:12I have an ongoing authority that she dances here.
23:18I'm busy.
23:20You're aware of the Hospitality and Gaming Act of 1874?
23:24What?
23:26It states that any venue with outside drinking facility requires a public liability license.
23:32I've already told him what I know.
23:34Told who?
23:36Him.
23:42What are you doing here?
23:46What are you doing here?
23:48I'm looking for a missing showgirl.
23:51And what about you?
23:53As are you, it seems.
23:55I...
23:57I thought this case was in the City of London jurisdiction.
23:59It's more complex than that.
24:01I take it you're working for Phelps?
24:03I'm sorry, Alexander, but I think it's better that we stop this conversation.
24:07You need to tell me what you know.
24:09I can't.
24:13I'm running a business.
24:15We've been through this before.
24:17This isn't a missing horse, Eliza. This is a murder.
24:19And if we're to be together, you can't keep hiding things from me.
24:23Things?
24:25I need to get back to work.
24:27What things?
24:28Telling me you went to the seaside to visit your aunt when in fact you were meeting Patrick Nash.
24:31I knew you'd been stewing on that.
24:33I have to be able to trust you.
24:35And I have to be able to respect the wishes of my clients.
24:37This isn't about me working the case. This is about me working for Phelps, isn't it?
24:43Don't be ridiculous.
24:44Your competitiveness is clouding your judgement and might I have making you rather childish.
24:48Says the adult who forgot to bring my daughter home one time.
24:53I need to get back to work.
24:54As do I.
24:55The landlord of the Indigo Sun confirmed that Natalia Lorenzo is very much alive.
25:08She collected the wages that she was owed, but she was in a bad way. Sweating feverish a bandage across her shoulder.
25:15He asked her what had happened but she didn't want to say.
25:19He thinks that she got on the wrong side of Cooper and somehow managed to escape.
25:24The crime scene report states that a bullet was found in the wall of the room.
25:30So perhaps it passed through her shoulder and into the wall.
25:32Hmm.
25:34Well if she was shot, she'd need medical attention.
25:37And wanting to lie low, she wouldn't go to a doctor.
25:40It's the same thing.
25:42It's the same thing.
25:44It's the same thing.
25:46It's the same thing.
25:47It's the same thing.
25:48It's the same thing.
25:49It's the same thing.
25:50It's the same thing.
25:51And wanting to lie low, she wouldn't go to a doctor.
25:54It's their duty to inform the police when treating a gunshot wound.
25:57That depends on the doctor.
26:04A list of qualified doctors and surgeons who work on the wrong side of the law.
26:10This is Patrick's handwriting.
26:11Yes, that list was compiled by Mr. Nash himself after an unfortunate incident with a shotgun.
26:16And a jealous husband.
26:18Let's hope that one of these doctors treated our Natalia Lorenzo.
26:25Let's start looking in the morning.
26:32I want a list of every quack doctor with a criminal conviction.
26:36Anyone who might tend to a bullet wound and not reported.
26:38Yes, sir.
26:40Then get yourself over to city police.
26:42See if Inspector Phelps is willing to share any new information on Dylan Cooper.
26:46What?
26:50Evening, gents.
26:53This is my lawyer, Mr. Torrey.
26:56We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
27:09I'm a businessman.
27:12I own two casinos and a number of companies linked to the hospitality trade.
27:16I know exactly what you are, Mr. Cooper.
27:18In great detail.
27:22So these false allegations are costing me money, so my lawyer recommended that I come in here and answer any questions you may have so that we can put this matter to bed.
27:31How thoughtful of you.
27:34Talked me through your movements yesterday.
27:38Well, I spent a morning at my club to Silver Lane.
27:40After that, I went to visit my poor sister at St. Agatha's Hospital.
27:44Then I did a stock check at my new pub in Hackney.
27:48All of which can be confirmed.
27:50By your men?
27:52No, by my work colleagues.
27:53Tell me about Natalia Lorenzo.
28:04She's a young lady that I've known for a few years.
28:08And the nature of your relationship?
28:09My lawyer says that I'm not obliged to answer that question.
28:26Well, then I shall answer it for you.
28:32I think you were romantically involved with Miss Lorenzo.
28:35And when you found out she was betraying you with a member of a rival gang,
28:41you went to her lodging rooms and shot her and her lover, Philip Kalanis.
28:46You dumped his body in the street and left Natalia to die.
28:51But unfortunately for you, she survived.
28:57Hmm.
28:59That's quite an imagination you've got here, Inspector Blake.
29:03It's pure fantasy, of course.
29:05Has she got any evidence to back it up?
29:13No, I thought not.
29:15So, you've got my alibi, which can be easily checked unless there's anything else.
29:20I think I'm free to go.
29:22Looks like I'll only be paying you for half a day, Mr Torrey.
29:25Would you mind stepping outside for a minute?
29:33Inspector?
29:41Well, I do hope this is an end to the matter.
29:43No, Mr Cooper, it very much is not.
29:48It would be a mistake to make an enemy of me, Inspector Blake.
29:52But a friend...
29:54I would welcome that with open arms.
29:57I have enough friends.
29:58Hmm.
30:03Eight.
30:05Kempton Lane.
30:06Isn't it?
30:08Lovely place you've got here.
30:10Must be very nice for you and your...
30:13little girl to live so near the path.
30:16Get out!
30:20With pleasure.
30:21With pleasure.
30:22With pleasure.
30:52If I wanted to apologise...
30:54Would it be better in writing or in person?
30:58Um...
31:00In...
31:01Person?
31:04Well, that's a relief. I have terrible handwriting.
31:09I was angry and frustrated. I say things that don't mean when I feel that way.
31:13I can't imagine what that's like.
31:15What you said, there was some truth in it.
31:25I don't always tell you everything just like you don't always tell me.
31:29It's the nature of our jobs.
31:32Which is even more difficult to navigate now that there's an ass.
31:36Ass?
31:39I like that.
31:41I've booked that little place south of the river for dinner.
31:46Oh, sounds perfect.
31:48I'll get my things.
31:50How was your day?
31:52Rough.
31:53Which is why I wanted to see you.
31:55Do you need my help?
31:57I wanted to see you because I wanted to be with you, Eliza.
32:03To take the sting out of my day by finishing it with you.
32:11Does that help?
32:14Always.
32:16Well, that was a waste of time.
32:18Are you sure that man was even a doctor?
32:19I think he may have been a veterinarian.
32:21Well, either way, he hasn't seen our missing showgirl.
32:22You can cross them off the list.
32:24So that is three down, six left to try.
32:26Who's next?
32:27Doctor Hudson on Church Street.
32:28So, how was last night?
32:30Last night.
32:31You said you had dinner with Inspector Blake?
32:32Uh, yes.
32:33It was very nice, thank you.
32:35That was very nice, yes.
32:36Good food, good wine.
32:37Good conversation, good conversation.
32:39Good conversation, good conversation, good conversation.
32:42Good conversation.
32:43Good conversation.
32:44Good conversation.
32:46All right.
32:47Well, I'm sorry.
32:48I'm sorry.
32:49I'm sorry.
32:51I'm sorry.
32:52I'm sorry.
32:53I'm sorry.
32:54I'm sorry.
32:55good wine good conversation yes thank you conversation about what exactly i didn't
33:03tell inspector late that we're working for phelps good because he already knows what
33:09he saw me questioning that landlord that i was telling you about why is that supposed
33:13to be a confidential investigation i am aware of that what's done is done there's no point
33:19ruminating on it like you're doing now still i'd be a lot happier if you told me everything you
33:24were doing oh would you no on second thoughts let's leave things to say oh
33:36it was a lovely evening the food was delicious i've never been anywhere so fancy me neither
33:41i felt quite out of place next to all those fine ladies surprise your head wasn't turned
33:47i couldn't take my eyes off you is that true are you just trying to butter me up
33:54both give us a kiss what in here yes here
34:08detective brills mrs potts the advert for the new office manager i've got copies going up
34:13over the yard but i want you to call the evening papers with the wording for the classifieds
34:18wanted manager for the clerical office scotland yard you should apply ivy keep reading
34:24the gentleman in question why can't it be a lady you could do that job standing on your
34:29head i've got enough to worry about as it is one day a woman will run this whole place
34:33what's funny about that i'd better get on
34:50can i help you madam i need to speak to inspector blake
34:59sir
34:59mrs bernbury what's happened it's sophia
35:08so last and hopefully not least a dr marsh what do we do if he hasn't seen natalia we move to plan b
35:20which is no idea well that's the address
35:26he doesn't look like a doctor no but he does
35:30that's her that's natalia lorrento should we help he doesn't appear to be forcing her
35:46the inspector's daughter's gone missing knock on every door of every street within a three mile
36:01radius of inspector blake's house and his daughter's school on eastbury way scale of the area every
36:06inch understood yes sir off you go we heard about the inspector's little girl we've come to help how
36:20many of you well there's girls in the office about a dozen go to gladstone park it runs adjacent to
36:26inspector blake's house perhaps this little girl went there and got lost inspector blake must be out
36:30of his mind won't worry if anything's happened to that little girl oh just the person go and tell
36:34the girls i'll join you in a moment barnabas this is not a good time it should be very quick might
36:39you all i just wanted to share the most wonderful news i've decided to write a novel never mind that
36:46now i need your help sophia has long dark hair blue eyes about this tall what she was when i last saw her
37:00she's probably grown by now never fear my dear they do not call me eagle-eyed pots for nothing
37:04i don't call you that at all barnabas excuse me have you seen a little girl in her own dark hair
37:09blue eyes about this big sorry so um what do you think about my idea to write a novel
37:17barnabas as i've said many times what i think is that you need to get your old job back
37:24oh excuse me have you seen a little girl dark hair blue eyes about this big no
37:29what makes you think i need my job back my novel will be published i'm sure of it
37:35barnabas i only say this because i love you you have many skills but writing is not one of them
37:45you said you enjoyed my memoirs you said i was a wonderful writer i was being nice
37:50there's a reason no one wants to publish it i'm sorry that's the truth
38:00excuse me have you seen a little girl dark hair blue eyes that this tall no
38:07miss scarlet oh good you got my message you want to update me on the case here at scotland yard
38:23something's happened and in inspector blake's jurisdiction don't tell me blake knows i've hired
38:27you it's my duty to inform him as well as you and it's your duty to keep the client confidentiality
38:34miss scarlet we had an agreement detective willows have you seen inspector blake have you not heard
38:43heard what
38:56is it true mr figure gone missing she didn't come home from school michael simmons you're with me
39:01whatever you need just ask you want to help then tell me where your uncle is
39:06what's he got to do with him well this has got cooper written all over it
39:15could it be him
39:31have you taken up the inspector's kit what you're talking about boy
39:45where's cooper we ain't over yet all right take them outside and question them
40:02has he got my daughter
40:04how should i know but i will ask you one more time that's cooper got my daughter
40:12you deaf how should i know
40:15where is she where is she where is she the founder
40:27what's what's going on
40:42there
40:46very good we're looking for an office manager i think you should apply young lady
40:51Sophia!
40:53Papa!
41:03She went to the British Museum.
41:09She got lost on the way home,
41:11and was found by an officer wandering the streets.
41:13Thank you, Mrs. Potter.
41:15I told him who my father is.
41:17He says you're a very important man, Papa.
41:20Let's get you home.
41:26Good day, Miss Watts.
41:28Good day, Sophia.
41:50Where have you been?
41:54Looking for Sophia.
41:56I went to the zoo to see if she'd gone back there.
41:58No, they found her. She's safe and well.
42:00Ivy sent you a message to let you know.
42:02What? Ivy?
42:04Lord Inspector Blake?
42:06What difference does it make?
42:08Where was she?
42:10Wait a minute. Keep that on.
42:12I've sent a message to Inspector Phelps. You ought to join him.
42:14Why?
42:16I found something on the Cooper case.
42:34I told you I don't know nothing about a kid.
42:38We're not here about that.
42:40Lady detective, I assume.
42:44So the word is that you've been hired to prove my innocence.
42:48So I do hope your presence here means that you've done just that.
42:52Well, innocent of killing Philip Galanes, but of obstruction of justice, your hands are dirty, Mr. Cooper.
43:02It was Natalia Lorenzo that killed Philip Galanes, and you've been protecting her.
43:08We found a financial trail between you and Dr. Marsh. Your own personal doctor.
43:14You paid him to patch up your girl, didn't you?
43:20She's not my girl.
43:22Never has been.
43:24She's the daughter of an old mate.
43:27The fella did a long stretch inside, but he kept his mouth shut.
43:32Ten years' hard labour. Pretty well killed him. He died a month after he'd come out.
43:39So yeah, she's been like a daughter to me.
43:42So it didn't go down well when you discovered her affair with Galanes?
43:48Tried to warn her against it, but she's that strong young girl.
43:53I think they thought they were some kind of Romeo and Juliet.
43:57But he didn't treat her right. He was a drunk and a bad one.
44:01If she hadn't got his gun, he'd have killed her.
44:05Well, if she shot him in self-defense and there's no reason for her to go on the run.
44:09Try telling that to the Galanes family.
44:13So.
44:18You two can do what you want.
44:21I'll just deny it all.
44:22And any link to Dr. Marsh can be explained away.
44:25He'll never stand up in court.
44:27Especially as you have half the judges in London in your pocket.
44:30Where's Natalia now?
44:31She got on a boat from St. Catherine's Docks.
44:33And I don't know where. I told her it was safer that I didn't in the event that something like this happened.
44:44So.
44:46You want to waste your time chasing after a young woman who shot her drunk to stop him beating her to death?
44:53Be my guest.
44:54Boss.
44:55It's your mother.
45:00She passed.
45:01I'm sorry, son.
45:02Sorry.
45:03I'm sorry.
45:04I'm sorry.
45:05I'm sorry.
45:06I'm sorry.
45:07I'm sorry.
45:08I'm sorry.
45:09Come along ladies.
45:10There's work to be done.
45:11great.
45:12Oh, Barnabas, I am right behind you.
45:13I'm sorry.
45:15I'm sorry.
45:16I'm sorry.
45:17I'm sorry.
45:18I'm sorry, son.
45:19Sorry.
45:21Come along ladies.
45:22There's work to be done.
45:36Great.
45:39Oh, Barnabas, I am rather busy.
45:42I'll give you just a few moments, my jewel.
45:44I only wish to say how profusely sorry I am for my recent behaviour.
45:48I just want you to be happy, Barnabas.
45:51And I don't think writing makes you happy.
45:53Well, I'll give it up forthwith.
45:55Find myself a proper job.
45:56But not back at the mortuary.
45:59I believe it's time for a fresh start.
46:02And I know exactly where.
46:03Oh, that's wonderful. Where did you have mine?
46:06Here, of course.
46:09Scotland Yard.
46:12It was pinned on the notice board in the corridor.
46:15As I happened upon it, I thought, Barnabas Pots, this job is tailor-made for you.
46:22Manager of the clerical office.
46:24Who?
46:24Here, where I work.
46:27Call it fate, call it kismet.
46:30Either way, it was meant to be.
46:32And we all worked together every single day.
46:36Why, that'd be marvellous, sir.
46:39Mavvelous.
47:09Inspector Phelps?
47:17How's your little one?
47:19Happy to be home.
47:22Just got her off to sleep.
47:27I'm sorry I lost my temper earlier.
47:30I'd have done the same.
47:36Full report on Agliani's case.
47:37It was Natalia who shot him.
47:40Cooper was just protecting her.
47:42You could pursue Cooper on obstruction of justice or...
47:48You could take a look through this little lot.
47:52I've been building a case against my uncle for a few years now.
48:00My hands were tied before but now...
48:03My old mum died.
48:08Today.
48:12He's all yours.
48:13I'm sorry for your loss.
48:19Wish I'd like to come in.
48:20Well, you're not good company at the minute.
48:26But maybe a pint on a ghost next week.
48:29You're buying, of course.
48:31Don't know her always.
48:34Charlie.
48:54See, the problem that you gentlemen have got is I've got a lucky face.
48:58You, unlucky face.
49:00You, not so lucky face.
49:02You, very unlucky face.
49:03But this, look, other than...
49:05Right.
49:10Inspector Blake, please.
49:23Dylan Cooper.
49:27What now?
49:31We've got a warrant for your arrest.
49:35On what charge?
49:37You may want to get yourself comfortable, Mr Cooper.
49:40It's quite a long list.
50:07Alexander, you're early.
50:13I haven't had a chance to change yet.
50:16Would you mind if we cancelled dinner?
50:20I should be with Sophia.
50:22Of course.
50:24I could come to you or...
50:25She went to the British Museum.
50:28She said you miss school once to go there.
50:30Well, yes.
50:32But I didn't mean for her to do the same.
50:34She's a child, Eliza.
50:38She has no mother to guide her.
50:40You must realise how much she looks up to you.
50:43I'm...
50:43I'm sorry.
50:44I didn't...
50:45I didn't think.
50:48Are you blaming me for what happened?
50:55I lost control today.
50:57I could have lost my job.
50:58I can't afford to do that.
51:02I am all Sophia has,
51:04and it is down to me to keep her safe.
51:08To make sure there is food on the table
51:10and a roof over her head.
51:16What are you trying to say?
51:17I need time to think.
51:28Perhaps some time apart
51:29will do us both good.
51:33Sorry.
51:33I need time to go.
51:34I need time to go.
51:35I need time to go.
51:36I need time to go.
51:37I need time to go.
51:38I need time to go.
51:39I need time to go.
51:40I need time to go.
51:41I need time to go.
51:42I need time to go.
51:43I need time to go.
51:44I need time to go.
51:45I need time to go.
51:46I need time to go.
51:47I need time to go.
51:48I need time to go.
51:49I need time to go.
51:50I need time to go.
51:51I need time to go.
51:52I need time to go.
51:53I need time to go.
51:54I need time to go.
51:55I need time to go.
51:56I need time to go.
51:57I need time to go.
51:58I need time to go.
51:59I need time to go.
52:00What is typical foresight?
52:13Brace yourself.
52:14You're about to discover.
52:17Something rather exciting.
52:20What more does one need?
52:22How splendid.
52:30And it will be all that you've dreamed of.
52:34And more.
52:42I don't lie to you, Alexandra.
52:43Do you have any idea how hard it was for me to come and see you today?
52:47Mob is gathered outside the prison.
52:48Phone lines are dead.
52:50We are shutting down Scotland Yard.
52:51No one comes in, no one goes out.
52:53You cannot leave me in here.
52:55Blake!
Be the first to comment