- 2 days ago
Miss Scarlet and The Duke - Season 6 Episode 4 -
Bad Blood
Bad Blood
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😹
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00:00You've not fallen out with Inspector Blake. You've fallen in.
00:03When we're working together, it's best that you treat me as you would one of your men.
00:06You can be polite in our private time.
00:08For 30 years I have given to the city mortuary, and now I'm unemployed.
00:12I assume the elderly aunt you were supposedly visiting doesn't exist.
00:16Don't you trust me?
00:17Of course I do.
00:18Then why lie?
00:30I don't trust you?
00:32No, no, no, no, no, no, no, no.
00:46I don't trust you.
00:48I don't trust you.
00:50I never felt any problem.
00:52See you later.
00:54Bye bye.
00:58I'd better get back to work, Mum.
01:14Like you always say,
01:17those streets won't stay safe
01:20without your Charlie keeping an eye out.
01:28I'll be back tomorrow.
01:58Uncle?
02:01Charlie.
02:12How is she?
02:14Still the same?
02:16I hate seeing her like this.
02:19Ruled the roost when we were kids.
02:21Terrified over I was.
02:24Yeah.
02:25It's a shadow of my sister in there.
02:28Heard about your promotion.
02:31Detective Inspector Phelps of the City of London Police.
02:35Bet your mum's proud of you.
02:37And I am.
02:39Yeah.
02:40I'll bet.
02:41No, I am.
02:43You've done well for yourself, boy.
02:46Good on you.
02:48To.
02:53Charlie.
03:01You ain't heard this from me, but, uh...
03:05Piccolani's family.
03:06They've been difficult.
03:11I'll try and keep it off your patch, but there's a storm coming.
03:17You cause me any problems,
03:20I'll put you away.
03:22Family or not.
03:23Family or not.
03:29Ooh.
03:30Is that a threat, son?
03:53To.
03:59To.
04:17There's so many to choose from.
04:19But I think my favourite animals with the ****
04:22Especially when they nibble the zookeeper's hair.
04:25I like the elephants, apart from when she went to the toilet.
04:30Yes, very unladylike.
04:33I wish I could miss school every day.
04:35My father used to say too much fun's bad for your health.
04:39I once skipped school without telling him.
04:42I spent the day with the ancient Egyptians at the British Museum.
04:46Was your papa cross?
04:47Well...
04:48He would have been had he found out, but I never told him.
04:52In fact, you're the only person that I've told.
04:57Now, I need to do a little bit of paperwork, and then we can head home.
05:01Why don't you read?
05:03Yes, this.
05:06I hear Mrs. Bambury's making soup for tea.
05:09It's always turnip. I hate turnip.
05:12So do I.
05:22I'm sorry.
05:22I'm sorry.
05:23We lost track of time.
05:23Mrs. Bambury was worried. She was expecting Sophia home for tea.
05:27Turnip soup, I believe.
05:27You should have sent a message.
05:32Oh, you're right.
05:34I'm sorry.
05:35We had a wonderful time at the zoo, didn't we, Sophia?
05:36We saw the giraffes and the elephants.
05:38I'll get your things.
05:38Oh, we're a little late.
05:41More than a little.
05:42You were supposed to take her home two hours ago.
05:44I'm sorry.
05:45We lost track of time.
05:47Mrs. Bambury was worried.
05:48She was expecting Sophia home for tea.
05:50Turnip soup, I believe?
05:53You should have sent a message.
05:54Oh, you're right.
05:56I'm sorry.
05:57We had a wonderful time at the zoo, didn't we, Sophia?
06:00We saw the giraffes and the elephants and...
06:02I'll get your things.
06:09I... I really am sorry.
06:10What did you say?
06:11Thank you, Miss Garlick.
06:13It's my pleasure.
06:14We'll do it again soon.
06:15We can go back to the zoo.
06:16Of course.
06:19I'll see you tomorrow.
06:22You will.
06:27So, ah-
06:37You'll do it.
06:37Yeah, three weeks.
06:38All right.
06:53It's perfect here.
06:55Now we saw anything.
06:56Not even a landlady?
06:59No, sir.
07:17The girl who rents this room, what's her name?
07:22Natalia Lorenzo.
07:26Scotland Yard switchboard, how may I direct your call?
07:41Putting you through.
07:43I have a Detective Simons from Oldgate.
07:47Yes, sir.
07:53That's me done.
07:56See you in the morning.
07:57Night.
07:58Shhh.
07:59Scotland Yard switchboard, how may I direct your meeting?
08:05Hello, Ivy. How's things?
08:07Oh, busy. Since we lost you, things have been more ecter than ever.
08:11But I've been promised a couple more secretaries and I heard a rumour we're getting a manager too. How are you getting on?
08:17It's alright, but I miss you and the other girls. It's so quiet sometimes. I managed to read Little Dorrit in three days and I'm a slow reader.
08:25I haven't even managed to take a lunch break this week, let alone read.
08:29What about your husband's book? How is it by the way? Any better?
08:34Don't ask.
08:35Ready, is he?
08:37It's Miss Summers at work, remember?
08:40Yes, of course.
08:42Detective Willows has taken me to Barron's.
08:44Oh, very nice.
08:46Would you like us to escort you out, Mrs Potts?
08:48Oh, that's kind, but Mr Potts will be here shortly to see me home.
08:52Almost an hour I waited for Barnabas. Then I came home to find him on that damn typewriter. Apparently he'd lost track of time.
09:21Well, he wasn't the only one. I didn't get Sophia home when I should have, which didn't go down very well with Inspector Blake.
09:28That doesn't surprise me. That little girl is everything to him.
09:31Would it make me feel even more guilty?
09:34He's not like Barnabas at all. He's normally so punctual.
09:38So am I.
09:42Yet another rejection of my memoirs.
09:46Whilst we very much enjoyed your book, we do not feel that our publishing house is the right home for your work.
09:53Well, I'm utterly befuddled. If they very much enjoyed my book, why won't they publish it?
09:58I should get to work.
10:08Perhaps it's just a kind of phrase they use in all such letters.
10:11What do you mean?
10:12Well, the others all said the same type of thing, didn't they?
10:15We enjoyed your book, but we're not looking for new authors. We enjoyed your book, but we have something similar.
10:20But that's exactly my point. They enjoyed my book. Every single one of them has. Don't know what the problem is. It's an utter mystery indeed.
10:28Perhaps you should take a break from the writing.
10:32Break? Why?
10:35So you don't get too stale? Give yourself time to clear your head.
10:41Then what would I do in the meantime?
10:47Absolutely not.
10:49I will not go back to that mortuary until Mr Wormsley has offered me a full and satisfactory apology.
10:56And all this, I shall not be moved.
11:04Message from Miss Carlet.
11:05Would that have been me? Thank you.
11:21I can't stand another day of him mooning about the house. Someone needs to speak to him about his book.
11:26I don't suppose you would?
11:27No, no. And no.
11:30Who's that from?
11:31Someone rather surprising.
11:45I want to hire you.
11:50Go on.
11:51I've got a missing chorus girl, with a lodging room that looks like Smithfield Slaughterhouse.
11:56Blood everywhere and no body.
11:59The girl's name was Natalia Lorenzo.
12:03The name rang a bell so I asked around and it turns out she had two regular gentleman callers.
12:09One was a high ranking member of the Galanes crime family and the other...
12:15...was my uncle.
12:18Dylan Cooper?
12:19Word on the street is, my uncle took exception to his girl seeing his rival and put a bullet in her.
12:25Which makes him our prime suspect.
12:28Which puts you in a rather difficult position.
12:30Any other statements for the bleeding obvious you want to make?
12:33I see promotion hasn't improved your manners, Charlie.
12:37Hmm.
12:39There was a bloodied handprint left at the scene, the size of a man's hand.
12:42Now if my uncle was going to kill someone, which no doubt he has done in the past, there wouldn't be a shred of evidence left behind.
12:47So you don't think he's guilty?
12:51But you can't share that with your men?
12:53Well, if the coppers in London want to put Dylan Cooper away regardless of the evidence.
12:56And the other half are in his pocket.
12:58Hmm.
13:02There's...
13:04...something else.
13:05My mum.
13:10She's not well.
13:13So, if I'm gonna send her little brother to the gallows, I need to be sure.
13:20Which is why I wanna hire you.
13:23Because for all your faults, Miss Scarlet, and God knows there are many, you're someone I can trust.
13:32Thank you. I think.
13:36Duplicate copies of the investigation so far.
13:45But one more thing.
13:48If word got out that I was trying to prove my uncle's innocence...
13:53No one's to know that you hired me.
13:57You do this job and you do it well.
14:00There'll be a lot more work coming your way.
14:05The city police covers an area we've yet to tap into.
14:12Blackfriars, St. Paul's, Smithfield.
14:16Could mean a whole new revenue stream.
14:18So I assume this case is highly confidential and no one must know that Inspector Phelps has hired us.
14:24You assume correctly?
14:26No one at all.
14:28Even if they're in the same line of business and we may feel compromised by our feelings towards them, even though...
14:33Lawrence, if you're attempting to give a coded message about myself and Inspector Blake, at least try to be subtle.
14:39No, no. I'm just saying...
14:42Well, don't. I'm perfectly capable of keeping client confidentiality, even with Inspector Blake.
14:47But then I shall say no more.
14:52But may I just say...
14:53No, you may not.
14:57Thank you, sir.
14:58Thank you, sir.
15:06A single shot to the chest.
15:08I can't see an exit wound.
15:12The bullet must still be in the body.
15:15No identification.
15:17I know who he is, sir.
15:20It's Philip Galanis.
15:25You sure?
15:27He was brought in when I was at Bow Street.
15:29Twelve charges. None of them stuck.
15:32Friends in high places.
15:33Indeed.
15:37I heard of trouble brewing between the Galanis family and the Cooper gang.
15:41Philip Galanis was the top brass in the family, if this is the Cooper gang.
15:44The order must have come from High Arp.
15:49We need to bring in Dylan Cooper.
16:10Good afternoon.
16:11I wondered if you could help me.
16:14It's about a friend of mine.
16:16Natalia Lorenzo.
16:20Don't know her.
16:22I heard it on good authority that she used to dance here.
16:26I said I don't know her.
16:27I don't know her.
16:37This is for a whiskey.
16:39And this is for any information that you might have.
16:43What use is money if I'm dead?
16:45Are you aware of the Hospitality and Gaming Act of 1874?
16:50It states that any venue putting on music, dancing, theatrical production requires a performing rights licence.
16:58Any failure to have said licence may result in a hefty fine or indeed closure.
17:02I know this because my husband works for the licensing commission.
17:08You don't have an husband.
17:10And you don't have a licence.
17:13Look.
17:16I ain't seen her.
17:17But...
17:20You know someone who has.
17:32Please make yourself known!
17:36Anything?
17:37Yeah, sir.
17:41Doesn't look like anyone's been here for a while, sir.
17:49Let's cross this place off our list.
17:51How many safe houses can one man have?
17:53Cooper's got deep pockets.
17:56Put your weapons down!
17:57Drop your weapons and get on the floor!
17:59This is your final warning!
18:00Put down your weapons!
18:01On the floor now!
18:02We are police officers!
18:04Power away, you bloody idiot!
18:07I'm sorry.
18:08I'm sorry.
18:09I'm sorry.
18:10I'm sorry.
18:12I'm sorry.
18:16Philip Galanis was shot in a lodging house in Fenchurch Street.
18:20That's my patch!
18:21And his body was found in Farringdon, which is my jurisdiction.
18:24Not if the crime was committed on City of London territory!
18:27You don't know that it was.
18:28Afraid I do!
18:29Ballistics report!
18:30The bullet that was pulled from Italia Lorenzo's wall came from the same gun that fired the bullet that killed Philip Galanis!
18:43You're stepping on my toes, Inspector Blake!
18:45And you carried out a raid on Scotland Yard Turf without giving me prior warning, Inspector Phelps!
18:49Like I said, I didn't have time!
18:54We need to work together on this, Charlie.
18:56I've told you everything I know.
18:59This Natalia was shacked up with Philip Galanis.
19:02He turned up dead in an alley, and her body's still missing.
19:05You've left out a vital bit of information.
19:07Your uncle was also seeing this young woman.
19:09Which is why me and my men came looking for him!
19:11Bloody hell!
19:12We're going round his circles here!
19:21We have checked all of Cooper's regular haunts.
19:23His house.
19:24His club.
19:27Do you have any idea where he might be?
19:29If I did, I wouldn't be raiding his safe house, would I?
19:32If you've got something to say, say it.
19:45Blake!
19:59Yes, he's here.
20:00Hold on.
20:02It's one of your men.
20:09What?
20:16Right.
20:27I need to go.
20:29We haven't finished.
20:31Phelps.
20:33Charlie!
20:45Was that meant to be funny, ringing me at Scotland Yard?
21:04I didn't kill Galanis, and you know it.
21:06Do I?
21:08Else you wouldn't have eyed that lady detective.
21:10You've been having me followed?
21:12No.
21:13I always have you followed, Charlie.
21:25She'll be with your dad soon.
21:27That's the last place she'd want to be.
21:30Couldn't stand the old bugger.
21:31Why are you in hiding if you weren't the shooter?
21:41Well, I know what people are saying.
21:44The Galanis was seeing my girl, so I killed them both.
21:47I mean, don't get me wrong.
21:49If I'd have known that degenerate had gone anywhere near her,
21:51I'd have gladly put a bullet in him, but I didn't know.
21:54So I didn't kill either of them.
21:56So who did?
21:57No clue.
21:59But I need time to talk to the Galanis family.
22:03Things haven't been good lately.
22:04I need to sort it out.
22:05It's a bit of a business.
22:06Have you asked me to stall the investigation?
22:08I'm being set up.
22:11And you know that.
22:14I'll find out who did it.
22:16I just need time.
22:18You owe me this boy.
22:23When he was a nipper.
22:25And your dad passed away and your mum couldn't put food on the table.
22:31It was it kept you out of workhouse.
22:32The best I can do is keep this meeting to meself.
22:45But anything else that comes up, you're on your own.
22:47Even if...
22:48Get your heralds in!
22:49Come on, get your heralds!
22:50Crack your progress in this morning!
23:07Good afternoon.
23:09I'm looking for a friend of mine, Natalia Lorenzo.
23:13I have it on good authority that she dances here.
23:15I'm busy.
23:19You're aware of the Hospitality and Gaming Act of 1874?
23:23What?
23:25It states that any venue with outside drinking facility requires a public liability licence.
23:31I've already told him what I know.
23:34Told who?
23:36Him.
23:37What are you doing here?
23:46What are you doing here?
23:48I'm looking for a missing showgirl.
23:50And what about you?
23:53As are you, it seems.
23:55Well, I...
23:57I thought this case was in the City of London jurisdiction.
23:59It's more complex than that.
24:01I take it you're working for Phelps?
24:03I'm sorry, Alexander, but I think it's better that we stop this conversation.
24:07You need to tell me what you know.
24:09I can't.
24:13I'm running a business.
24:15We've been through this before.
24:17This isn't a missing horse, Eliza. This is a murder.
24:19And if we're to be together, you can't keep hiding things from me.
24:23Things?
24:25I need to get back to work.
24:26What things?
24:28Telling me you went to the seaside to visit your aunt when in fact you were meeting Patrick Nash.
24:31I knew you'd been stewing on that.
24:33I have to be able to trust you.
24:35And I have to be able to respect the wishes of my clients.
24:39This isn't about me working the case. This is about me working for Phelps, isn't it?
24:43Oh, that'd be ridiculous.
24:45Your competitiveness is clouding your judgement, and might I add, making you rather childish.
24:48Says the adult who forgot to bring my daughter home on time.
24:49I need to get back to work.
24:57As do I.
24:58Let you have all of your phones! Let you have all of your phones!
25:01Let you have all of your phones!
25:05My face is you!
25:16The landlord of the Indigo Sun confirmed that Natalia Lorenzo is very much alive.
25:21She collected the wages that she was owed.
25:23She was in a bad way. Sweating feverish, a bandage across her shoulder.
25:29He asked her what had happened, but she didn't want to say.
25:32He thinks that she got on the wrong side of Cooper and somehow managed to escape.
25:37The crime scene report states that a bullet was found in the wall of the room.
25:42So perhaps it passed through her shoulder and into the wall.
25:44Hmm.
25:46Well, if she was shot, she'd need medical attention.
25:50And wanting to lie low, she wouldn't go to a doctor.
25:53It's their duty to inform the police when treating a gunshot wound.
25:57That depends on the doctor.
25:58A list of qualified doctors and surgeons who work on the wrong side of the law.
26:09This is Patrick's handwriting.
26:11Yes, that list was compiled by Mr. Nash himself after an unfortunate incident with a shotgun.
26:16And a jealous husband.
26:19Let's hope that one of these doctors treated our Natalia Lorenzo.
26:25Let's start looking in the morning.
26:26I want a list of every quack doctor with a criminal conviction.
26:35Anyone who might tend to a bullet wound and not reported.
26:38Yes, sir.
26:40And get yourself over to city police.
26:42See if Inspector Phelps is willing to share any new information on Dylan Cooper.
26:45What?
26:49Evening, gents.
26:53This is my lawyer, Mr. Torrey.
26:54We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
27:00I'm a businessman.
27:09I own two casinos and a number of companies linked to the hospitality trade.
27:14I know exactly where you are, Mr. Cooper.
27:18In great detail.
27:21So these false allegations are costing me money.
27:24So my lawyer recommended that I come in here and answer any questions you may have so that we can put this man out to bed.
27:31How thoughtful of you.
27:32Talked me through your movements yesterday.
27:38Well, I spent a morning at my club to Silver Lane.
27:40After that, I went to visit my poor sister at St. Agatha's Hospital.
27:44Then I did a stock check at my new pub in Hackney.
27:48All of which can be confirmed.
27:50By your men?
27:51No, by my work colleagues.
27:59Tell me about Natalia Lorenzo.
28:04She's a young lady that I've known for a few years.
28:08And the nature of your relationship?
28:09My lawyer says that I'm not obliged to answer that question.
28:26Well, then I shall answer it for you.
28:32I think you were romantically involved with Miss Lorenzo.
28:35And when you found out she was betraying you with a member of a rival gang,
28:41you went to her lodging rooms and shot her and her lover, Philip Kalanis.
28:46You dumped his body in the street and left Natalia to die.
28:51But unfortunately for you, she survived.
28:57Hmm.
28:59That's quite an imagination you've got here, Inspector Blake.
29:02It's pure fantasy, of course.
29:05Unless you've got any evidence to back it up.
29:13No, I thought not.
29:15So, you've got my alibi, which can be easily checked unless there's anything else.
29:20I think I'm free to go.
29:22Looks like I'll only be paying you for half a day, Mr. Torrey.
29:26Would you mind stepping outside for a minute?
29:30Inspector?
29:33Inspector?
29:41Well, I do hope this is an end to the matter.
29:44No, Mr. Cooper, it very much is not.
29:47It would be a mistake to make an enemy of me, Inspector Blake.
29:52But a friend, I would welcome that with open arms.
29:56You might have enough friends.
29:59Hmm.
30:03Eight.
30:05Kempton Lane.
30:06Isn't it?
30:08Lovely place you've got here.
30:10Must be very nice for you and your little girl to live so near the path.
30:16Get out!
30:17With pleasure.
30:19With pleasure.
30:21With pleasure.
30:22With pleasure.
30:26With pleasure.
30:27If I wanted to apologize, would it be better in writing or in person?
30:57Well, that's a relief. I have terrible handwriting. I was angry and frustrated. I say things that don't mean when I feel that way.
31:12I can't imagine what that's like.
31:16What you said, there was some truth in it. I don't always tell you everything just like you don't always tell me. It's the nature of our jobs. Which is even more difficult to navigate now that there's an ass.
31:35Us? Well, I like that. I've booked that little place south of the river for dinner.
31:45Oh, sounds perfect. I'll get my things. How was your day?
31:51Rough. Which is why I wanted to see you.
31:54Do you need my help?
31:56I wanted to see you because I wanted to be with you, Eliza. To take the sting out of my day by finishing it with you.
32:13Does that help?
32:16Always.
32:18Well, that was a waste of time. Are you sure that man was even a doctor?
32:30I think he may have been a veterinarian.
32:32Well, either way, he hasn't seen our missing showgirl. He can cross them off the list.
32:36So that is three down, six left to try.
32:39Who's next?
32:40Dr. Hudson on Church Street.
32:45So, how was last night?
32:47Last night?
32:48You said you had dinner with Inspector Blake?
32:50Uh, yes. It's very nice, thank you.
32:52Oh, it's very nice. Yeah, it's good. Good food, good wine, good conversation.
32:57Yes, thank you.
32:59Conversation about what, exactly?
33:02I didn't tell Inspector Blake that we're working for Phelps.
33:05Good.
33:06Because he already knows.
33:07What?
33:09He saw me questioning that landlord that I was telling you about.
33:12Eliza, it's supposed to be a confidential investigation.
33:14Yes, I am aware of that.
33:16What's done is done.
33:18There's no point ruminating on it.
33:20Like you're doing now.
33:21Still, I'd be a lot happier if you told me everything you were doing.
33:24Oh, would you?
33:27No, on second thoughts, let's see if things are safe.
33:36It was a lovely evening.
33:37The food was delicious.
33:38I've never been anywhere so fancy.
33:40Me neither.
33:41I felt quite out of place next to all those fine ladies.
33:44Surprised your head wasn't turned.
33:47I couldn't take my eyes off you.
33:50Is that true?
33:51Or are you just trying to butter me up?
33:53Both.
33:56Give us a kiss.
33:58What, in here?
33:59Yes, here.
34:08Detective Rillows.
34:09Mrs Potts.
34:10The advert for the new office manager.
34:12I've got copies going up all over the yard,
34:14but I want you to call the evening papers with the wording for the classifieds.
34:17Wanted.
34:18Manager for the clerical office Scotland Yard.
34:20You should apply, Ivy.
34:21Keep reading.
34:23The gentleman in question.
34:25Why can't it be a lady?
34:27You could do that job standing on your head.
34:29I've got enough to worry about as it is.
34:31One day a woman will run this whole place.
34:33What's funny about that?
34:40I'd better get on.
34:54Can I help you madam?
34:55I need to speak to Inspector Blake.
34:59Sir?
35:01Mrs Burnbury?
35:04What's happened?
35:07It's Sophia.
35:12So, last and hopefully not least, a Dr Marsh.
35:16What do we do if he hasn't seen Natalia?
35:18We move to Plan B.
35:19Which is?
35:20No idea.
35:21That's the address.
35:26He doesn't look like a doctor.
35:28No, but he does.
35:36That's her.
35:37That's Natalia Lorenzo.
35:39Should we help?
35:41He doesn't look good to be forcing her.
35:52The inspector's daughter's gone missing.
35:58Knock on every door of every street within a three-mile radius of Inspector Blake's house and his daughter's school on Eastbury Way.
36:05Scale of the area.
36:06Every inch.
36:08Understood?
36:09Yes, sir.
36:10Off you go.
36:11We heard about the inspector's little girl. We've come to help.
36:19How many of you?
36:20One of us girls in the office. About a dozen.
36:23Go to Gladstone Park.
36:25It runs adjacent to Inspector Blake's house. Perhaps this little girl went there and got lost.
36:29Inspector Blake must be out of his mind, won't worry.
36:31If anything's happened to that little girl.
36:32Oh, just the best.
36:33Go and tell the girls. I'll join you in a moment.
36:35Barnabas, this is not a good time.
36:37It should be very quick, my chore. I just wanted to share the most wonderful news.
36:43I've decided to write a novel.
36:45Never mind that now. I need your help.
36:54Sophia has long dark hair, blue eyes, about this tall she was when I last saw her.
36:59She's probably grown by now.
37:01Never fear, my dear. They do not call me eagle-eyed pots for nothing.
37:04I don't call you that at all, Barnabas.
37:06Excuse me, have you seen a little girl on her own, dark hair, blue eyes, about this big?
37:11Sorry.
37:13So, um, what do you think about my idea to write a novel?
37:17Barnabas, as I've said many times, what I think is that you need to get your old job back.
37:23Huh?
37:24Oh, excuse me, have you seen a little girl, dark hair, blue eyes, about this big?
37:29No.
37:30What makes you think I need my job back?
37:32My novel will be published, I'm sure of it.
37:35Barnabas, I only say this because I love you.
37:38You have many skills, but writing is not one of them.
37:45You said you enjoyed my memoirs?
37:47You said I was a wonderful writer.
37:49I was being nice.
37:50There's a reason no one wants to publish it.
37:55I'm sorry.
37:57That's the truth.
38:00Excuse me.
38:02Have you seen a little girl, dark hair, blue eyes, about this tall?
38:06No.
38:07Miss Scarlet.
38:08Oh good, you got my message.
38:09You want to update me on the case here, at Scotland Yard?
38:23Something's happened, and in Inspector Blake's jurisdiction.
38:26Don't tell me Blake knows I've hired you.
38:29It's my duty to inform him as well as you.
38:31And it's your duty to keep to client confidentiality.
38:36Miss Scarlet, we had an agreement.
38:39Detective Willows, have you seen Inspector Blake?
38:42Have you not heard?
38:43Heard what?
38:44Is it true?
38:56Is the big one missing?
38:58She didn't come home from school.
39:00Michael Simmons here with me.
39:02Whatever you need, just ask.
39:04You want to help, then tell me where your uncle is.
39:06What's he got to do with him?
39:08Well, this has got Cooper written all over it.
39:15Could it be him?
39:37Have you taken her?
39:38The inspector's kit!
39:40What you talking about, boy?
39:44Where's Cooper?
39:57We ain't over yet.
39:59Right, take them outside and question them.
40:00Yes, sir.
40:02Has he got my daughter?
40:06How should I know?
40:07Right, I will ask you one more time.
40:09Has Cooper got my daughter?
40:12You deaf?
40:14How should I know?
40:22Where is she?
40:24Where is she?
40:25Sir!
40:27We found her.
40:28There.
40:46Very good.
40:48We're looking for an office manager.
40:49I think you should apply, young lady.
40:52Sophia!
40:54Papa!
40:55She went to the British Museum.
41:05She got lost on the way home.
41:10And was found by an officer wandering the streets.
41:14Thank you, Mrs. Potts.
41:16I told him who my father is.
41:18He says you're a very important man, Papa.
41:23Let's get you home.
41:25Good day, Miss Potts.
41:28Good day, Sophia.
41:29Where have you been?
41:30Looking for Sophia.
41:31I went to the zoo to see if she'd gone back there.
41:44Well, no, they found her.
41:45She's safe and well.
41:46Ivy sent you a message to let you know.
41:47What?
41:48Ivy?
41:49Lord Inspector Blake?
41:50What?
41:51What?
41:52What?
41:53What?
41:54What difference does it make?
41:55Where, where was she?
41:56Yeah, well, I'll get to that in a minute.
41:57Keep that on.
41:58I've sent a message to Inspector Phelps.
41:59You ought to join him.
42:00Why?
42:01I found something on the Cooper case.
42:31I told you I don't know nothing about a kid.
42:38We're not here about that.
42:42Lady detective, I assume.
42:45So the word is that you've been hired to prove my innocence.
42:49So I do hope your presence here means that you've done just that.
42:54Well, the innocence of killing Philip Galanes, but of obstruction of justice, your hands are dirty, Mr. Cooper.
43:02It was Natalia Lorenzo that killed Philip Galanes, and you've been protecting her.
43:08We found a financial trail between you and Dr. Marsh.
43:12Your own personal doctor.
43:14You paid him to patch up your girl, didn't you?
43:20She's not my girl.
43:23Never has been.
43:24She's the daughter of an old mate.
43:27The fella did a long stretch inside, but he kept his mouth shut.
43:32Ten years' hard labour.
43:34Pretty well killed him.
43:35He died a month after he'd come out.
43:39So yeah, she's been like a daughter to me.
43:42So it didn't go down well when you discovered her affair with Galanes?
43:47Tried to warn her against it, but she's that strong young girl.
43:52I think they thought they were some kind of Romeo and Juliet.
43:55But he didn't treat her right. He was a drunk and a bad one.
44:00If she hadn't got his gun, he'd have killed her.
44:04What if she shot him in self-defence and there's no reason for her to go on the run?
44:08Try telling that to the Galanes family.
44:13So.
44:18You two can do what you want.
44:21I'll just deny it all.
44:22And any link to Dr. Marsh can be explained away.
44:25He'll never stand up in court.
44:27Especially as you have half the judges in London in your pocket.
44:33Where's Natalia now?
44:34She got on a boat from St. Catherine's docks.
44:37And I don't know where I told her it was safer that I didn't
44:40in the event that something like this happened.
44:45So.
44:47You want to waste your time chasing after a young woman who shot her drunk
44:50to stop him beating her to death?
44:53Be my guest.
44:54Boss.
45:04Boss.
45:14Is she mother?
45:17She passed.
45:20I'm sorry, son.
45:22Sorry.
45:23Come along, ladies. There's work to be done.
45:37Wait.
45:39Oh, Barnabas, I am rather busy.
45:42I'll give you just a few moments of my jaw.
45:44I only wish to say how profusely sorry I am for my recent behaviour.
45:47I just want you to be happy, Barnabas.
45:50And I don't think writing makes you happy.
45:53Well, I'll give it up forthwith.
45:54Find myself a proper job.
45:56But not back at the mortuary.
45:58I believe it's time for a fresh start.
46:01And I know exactly where.
46:03Oh, that's wonderful.
46:04Where did you have mine?
46:06Here, of course.
46:08Scotland Yard.
46:09It was pinned on the notice board in the corridor.
46:15As I happened upon it, I thought, Barnabas Pots,
46:18this job is tailor-made for you.
46:22Manager of the clerical office.
46:25Here.
46:26Where I work.
46:28Call it fate.
46:29Call it kismet.
46:30Either way, it was meant to be.
46:32And we all worked together every single day.
46:36Why, that'd be marvellous, sir.
46:37Oh, marvellous.
47:07Inspector Phelps.
47:17How's your little one?
47:19Happy to be home.
47:22Just got her off to sleep.
47:27I'm sorry I lost my temper earlier.
47:30I'd have done the same.
47:31Full report on Aglarni's case.
47:34It was Natalia who shot him.
47:36Cooper was just protecting her.
47:38You could pursue Cooper on obstruction of justice, or...
47:42You could take a look through this little lot.
47:43I've been building a case against my uncle for a few years now.
47:59My hands were tied before, but now...
48:01My old mum died.
48:07Today.
48:12He's all yours.
48:15I'm sorry for your loss.
48:19Wish I could come in.
48:21You're not good company at the minute.
48:23But maybe a pint and a ghost snake, sweet.
48:29You're buying, of course.
48:31Don't know her always.
48:33Charlie.
48:38You see, the problem that you gentlemen have got is...
48:57I've got a lucky face.
48:59You, unlucky face.
49:01You, not so lucky face.
49:02You, very unlucky face for this.
49:04Look, have a look.
49:05Right.
49:10Right.
49:23Dylan Cooper.
49:28What now?
49:32We've got a warrant for your arrest.
49:35On what charge?
49:37You may want to get yourself comfortable, Mr Cooper.
49:40It's quite a long list.
50:05Well, it's not too early.
50:06I haven't had a chance to change yet.
50:08Would you mind if we cancelled dinner?
50:11I should be with Sophia.
50:13Of course.
50:14I could come to you or...
50:15She went to the British Museum.
50:17She said you miss school once to go there.
50:18Well, yes, but I didn't mean for her to do the same.
50:19She's a child, Eliza.
50:21She has no mother to guide her.
50:22You must realise how much she looks up to you.
50:23I'm...
50:24I'm sorry.
50:25I didn't think.
50:26Are you blaming me for what happened?
50:28I lost control today.
50:29I lost control today.
50:31I'm sorry.
50:33I didn't think.
50:35Are you blaming me for what happened?
50:36I lost control today.
50:37I could have lost my job.
50:39I can't afford to do that.
50:41I am all Sophia has and it is down to me to keep her safe.
50:46I'm sorry.
50:47I'm sorry, I didn't think.
50:49I'm sorry.
50:50I didn't think.
50:52Are you blaming me for what happened?
50:56I lost control today.
50:58I could have lost my job.
51:00I can't afford to do that.
51:02I am all Sophia has and it is down to me to keep her safe.
51:07To make sure there is food on the table and a roof over her head.
51:15What are you trying to say?
51:23That...
51:24I need time to think.
51:28Perhaps some time apart will do us both good.
51:33Sorry.
51:36Help!
51:38Help!
51:39Help!
51:53If you do not Juliet himself, you will need full time.
51:58I will just let you know.
52:00What is typical foresight?
52:13Brace yourself, you're about to discover.
52:18Something rather exciting.
52:20What more does one need?
52:22How splendid.
52:30And it will be all that you've dreamed of, and more.
52:42I don't lie to you, Alexandra.
52:43Do you have any idea how hard it was for me to come and see you today?
52:47Mob has gathered outside the prison.
52:48Phone lines are dead.
52:50We are shutting down Scotland Yard.
52:51No one comes in, no one goes out.
52:53You cannot leave me in here!
52:55Blake!
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