Skip to playerSkip to main content
  • 2 days ago
DespuéS Del Divorcio, La Heredera Recupera Todo Completo Minicinelatino
Transcript
00:00Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Stars
00:16Movie Awards.
00:18We did it.
00:19Three years ago, I was the most sought-after screenwriter.
00:22Three years later, I fell in love with Drake, keeping my identity a secret for the sake
00:30of his pride.
00:32I thought we were happy until...
00:38Hi.
00:45Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday, and instead
00:51of helping us, he'd just disappear.
00:53What, did you bail so you could go and laze around or something?
00:56You know, people say that the only reason you're allowed to stay by Drake's side is because
01:00you're nothing more than a free maid.
01:03Otherwise, why would someone like you be allowed to marry my brother?
01:07What?
01:08A maid?
01:09I just hid my identity for the sake of this marriage.
01:13Well, I think Drake's idea is great, and it could be really good for us.
01:19But the risk is way too high.
01:21Dad.
01:23Please.
01:26Okay.
01:27And I'm sure you don't want him to know the real reason why I'm investing.
01:35Think about it, Dorothy.
01:37Since you got married, has he ever even touched you?
01:39How often does he actually come home?
01:42He doesn't even want to look at you.
01:44Let alone sleep with you.
01:46That's enough, Ellie.
01:48We're all here to celebrate Drake's birthday.
01:50I'm sure he wouldn't be happy to see us like this.
01:52Everybody knows that if it weren't for her, you would be married to Drake, instead of being
01:56my late brother's widow.
01:58Ellie!
01:59Whatever happened between me and Drake is all in the past.
02:02Besides, I'm carrying Nick's baby.
02:08It's the perfect time.
02:10Oh my god, oh my god.
02:14Dorothy just pushed Stephanie into the pool.
02:16What?
02:24Quick, save Stephanie.
02:25She's carrying Nick's baby.
02:30Quick, get in there.
02:31He chose Stephanie over me.
02:49My baby!
02:51My baby is gone!
02:53Why would you do this to me?
02:54How dare you!
02:58You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:01Are you happy now that Stephanie's baby's gone?
03:04I didn't do it.
03:05I know you don't want me here.
03:06I told you whatever happened between me and Drake is in the past.
03:10You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:14You didn't do it.
03:16You know me, I would never do that to Stephanie.
03:19Apologise to Stephanie.
03:21I'm not going to apologise for something I didn't do.
03:23Apologise to Stephanie right now or I will divorce you.
03:33Divorce.
03:34If you apologise right now, then I'm willing to give you another chance.
03:43It's been three years, Drake.
03:46I gave up everything to be your wife.
03:49You've always kept to the shadows, Dorothy.
03:51I already have a life.
03:53And right now, I just want to focus on being on my marriage or Drake.
03:59I thought you would always be by my side, but I was wrong.
04:04The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:09Since you got married, has he ever even touched you?
04:11He doesn't even want to look at you.
04:16Fine.
04:16Let's get a divorce.
04:27There's nothing left in my heart.
04:29Drake's nothing without me.
04:33My ring!
04:34My ring is gone!
04:38Well, you must have taken it.
04:39Why would I take her ring?
04:41Well, look how quickly you packed your suitcase.
04:43You're probably seeing someone else.
04:45Dorothy.
04:47Yes?
04:48We were married for three years.
04:50Were you seeing someone else?
04:51Of course she was.
04:52She's probably been cheating on you for a really long time.
04:55Couldn't wait for the divorce.
04:56So what if I was, huh?
04:59And what about you, still hung up on your so-called sister-in-law?
05:03What gives you the right to talk about me?
05:05I only look after Stephanie because she's my brother's widow.
05:10But you actually seeing someone else?
05:12Who is he?
05:12Big talk!
05:14Don't bring me down to your level.
05:16I'm not like you.
05:18Since your sister-in-law lost her ring,
05:24why don't you take...
05:26This one.
05:33You've been waiting for this for a long time, haven't you?
05:40Bye.
05:48And so I left.
05:52This is ridiculous!
05:54We, the Bennett family, are one of the four major production companies in the world.
05:59I let him marry my daughter and even invest it in his business.
06:03How dare that, Drake!
06:04Do this to my daughter!
06:07Look, it's actually a good thing, Dad.
06:11Now we know who he really is and he has no idea who I am.
06:15Still, you're my daughter.
06:16I can't let him do this to you.
06:19If it weren't for you, I would not have considered investing in his company.
06:22We're going to pull our investment immediately.
06:24Yes.
06:25It's time to cut him off.
06:27He doesn't deserve you.
06:29I'm over Drake.
06:30Drake, if we withdraw the plans now, it's going to hurt the family business.
06:35He's not worth it.
06:38Honey, why don't you just take a vacation?
06:43Just put all this aside and take some time out for yourself.
06:47Yeah.
06:47No.
06:53I've wasted too much time with Drake over the three years.
06:58You know, now I want to focus on something that actually matters.
07:03You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:09Universal, Paramount, every major studio wants this.
07:15Liar's Game.
07:16Your story on the big screen.
07:19If you're in, I'd be happy to be the one headlining it.
07:21Ah.
07:22So that's why they're making it.
07:24Because of you.
07:25I'm sorry, Christopher Santoro.
07:27See?
07:28They're not funding the film.
07:30They're funding you.
07:31Wrong.
07:33They're funding the story.
07:35It's more than good.
07:36It's phenomenal.
07:39Christopher is right.
07:40I'm taking my life back.
07:42I'm taking my life back.
07:46I'm going to adopt it myself.
07:49You are?
07:50Yes.
07:52I will.
07:53Well, good for you.
07:55I won't tell anyone I'm asking you.
07:57Congratulations to Arya Wong for winning the best director.
08:16This is my close friend from college.
08:18Arya, I need your help.
08:20I want to adopt the Liar's Game myself.
08:23And I want you to direct it.
08:25Of course.
08:27All right.
08:28Okay.
08:29There's just one thing.
08:30I want to keep my identity as the writer a secret.
08:34I don't want anyone to know.
08:37Especially not the team.
08:38SQ.
08:39Are you sure?
08:40But why keep it a secret?
08:42I just want people to focus on the story itself.
08:46Got it.
08:46Your secret's safe with me.
08:50Oh my god.
08:54Jeff.
08:55It's a bit weird.
08:57Ever since news got out about our movie,
08:59my phone has not stopped ringing.
09:02Really?
09:02Really?
09:02Really?
09:02Really?
09:02Really?
09:08It's Stephanie.
09:13Yeah, just take it.
09:18Hello?
09:19Hello, Miss Wong.
09:21I've heard Liar's Game is being made into a movie.
09:23I'm interested in playing the lead.
09:25Can we arrange an audition?
09:29I'll speak to the writer and I'll let you know.
09:32Thank you, Miss Wong.
09:35What do you think?
09:38Anyone can audition, right?
09:40As long as they're right for the role.
09:43What happened between me and Stephanie is not important here, so...
09:46Okay.
09:49I'll call her back and let her know.
09:51Mm-hmm.
10:00What about me?
10:04Can I be your hero?
10:08Oh, you mean, uh, the film, right?
10:14I've never considered anyone else.
10:18If it does mean that, I have to take this.
10:22Hi.
10:27You know, I'm not just talking about the film, Dorothy.
10:31It's okay.
10:33I can wait.
10:36I've waited this long.
10:37Well, well, well.
10:43Look who it is.
10:48Why are you here?
10:50Oh, I see.
10:51You're the production assistant.
10:54Well, do your job.
10:56Get me a water.
10:59Stephanie.
10:59Get your own water.
11:02I'm not your PA.
11:04Look, it's my first day on set, and I want to buy coffee for the crew.
11:09Why don't you be a doll and mark down everyone's order?
11:13Are you deaf?
11:14I'm not a PA.
11:17Here's your tip.
11:18Go on.
11:20Show some respect, Stephanie.
11:21Do you know who she is?
11:23Do you know who she is?
11:26What are you doing?
11:28Oh, no.
11:29She can't know.
11:30I'm askew.
11:33I want to keep my identity as the writer in secret.
11:37I don't want anyone to know, especially not the team.
11:39What do you mean?
11:45Who is she?
11:48No one but a lower PA, I'm sure.
11:54Isn't that right?
11:55Well, actually, she's...
11:59She's...
12:01Just a PA.
12:02You're right.
12:05So why don't you show me a lower PA, your acting skills?
12:09Maybe I'll be impressed even by who the gopies myself.
12:13Watch this.
12:19I loved you once.
12:21Or so I thought.
12:24But now I see that it was all just a lie.
12:28A beautiful...
12:32Painful lie.
12:36You took everything from me!
12:39My dreams!
12:42My future!
12:47See?
12:48There's no soul.
12:49That's not acting, it's just...
12:52reciting lines.
12:54When do you show her how it's done?
12:55What?
12:57Go on.
13:02Go on.
13:02I loved you once.
13:27So I thought.
13:27But now I can see.
13:31It was all a lie.
13:34A beautiful, painful lie.
13:37You took everything from me.
13:43My heart.
13:45My dreams.
13:48My future.
13:51And for what?
13:53For your own personal gains.
13:56How is that possible?
14:08Dorothy, that was perfect.
14:12The role is yours if you want it.
14:14No!
14:16This role is mine!
14:17I'm the one with the investment.
14:20Without me, there's no funding for this movie.
14:22Your investment?
14:23Do you even know who she is?
14:25Who is she?
14:32Who is she?
14:34As you know, no one but a PA.
14:37Dorothy.
14:39This movie is important to Stephanie.
14:41I mean, why are you here?
14:41You're not a real actress.
14:43What are you doing?
14:43You're trying to ruin her career.
14:44You're trying to get back at me by ruining her career.
14:47I'm not ruining anything.
14:49If she can't handle the role,
14:50that's on her, not me.
14:53You can't blame this on anyone else.
14:54You embarrassed her in front of everyone.
14:57I mean, I know what you're doing.
14:58You're the one pulling all the strings here.
15:00You're trying to make her fail so you can take her place.
15:02She's using this whole thing to get to you, Drake.
15:05She's been jealous from the start.
15:07Trying to ruin my chance just to get back to you.
15:09Okay, no.
15:10I don't want to fight anymore.
15:11Let's just take a look at the script
15:13and maybe we can work something out.
15:16You were just so damn selfish!
15:19You only care about yourself!
15:21Just give Stephanie her role back!
15:24You know what?
15:24I didn't want to do this.
15:28But I will.
15:29I'll take the role.
15:31I'll play the lead.
15:36I'll play the lead.
15:37No way!
15:38You can't be serious!
15:39She's not even a real actress!
15:44Dorothy's performance was far stronger than yours.
15:46Everyone in the room can see it.
15:50I'm so glad you've agreed to do the role.
15:54Right, it's settled then.
15:56The lead roles go to Christopher and Dorothy.
16:00I will double my investment
16:02if you give Stephanie a role.
16:09I never thought I'd see the day my ex-husband
16:12would go this far for his sister-in-law.
16:15I can always count on you, right?
16:22I will double my investment
16:24who'd give a role to Stephanie.
16:26You two are just such...
16:31If the money's on the table,
16:34there's no reason to turn it down.
16:35Let's just give her a part.
16:37We have nothing to lose.
16:39I guess that'll be fine.
16:42I'll talk to SQ.
16:43You're father's production company
16:50is already the biggest investor in your movie,
16:52so why take Drake's money?
16:54Don't...
16:54Don't still have feelings for Drake.
16:57No!
16:59He's an asshole!
17:01Come on.
17:03I've got an idea.
17:05Why don't we just give her a character
17:07that will make her miserable?
17:09Well, Mr. Santorum,
17:13I feel bad now.
17:19I only wish you didn't have feelings for Drake anymore.
17:22How did she land herself the role?
17:27She's practically a nobody.
17:29No fan base,
17:30no real experience.
17:31Just one good scene.
17:33It doesn't make sense.
17:37Find out everything you can about Dorothy.
17:40I want all the dirt.
17:41Director,
17:49there must be a mistake.
17:51I'm only a side character
17:52and not even in the main scene.
17:54You wanted a role.
17:55We gave you a role.
17:57I came in with an investment.
18:01You're more than welcome
18:02to take it back and leave the set.
18:06Even a small role in SQ's film
18:08is going to do great things for your career.
18:09Now is not the time
18:10for you to be messing around.
18:11Fine.
18:20Two take one.
18:22Action.
18:23Lily, you are my best friend.
18:24How could you do this to me?
18:26I'm sorry, but this is...
18:27What the hell are you doing?
18:32It's part of the scene!
18:37Okay, take it again from the slap.
18:40Action.
18:40Oh!
18:45Cut!
18:47Stephanie,
18:47why aren't you saying your lines?
18:49You have to keep going in the scene.
18:51I think we've had enough for today.
18:54Yeah, but we'll just try again tomorrow.
19:03Did you see her face?
19:05Absolute gold.
19:07I mean, she got what she wanted.
19:09She asks for a role
19:10and that's what we gave her, so...
19:11Seriously, her performance is all over the place.
19:15Maybe we should just cut down on her screen time.
19:19We all know the film's better without her slowing us down.
19:23You're right.
19:25I'm not going to let anyone ruin your story.
19:27So, if you can just give me something that's a bit more...
19:34Something about her death.
19:37What's going on with my scenes?
19:45Why have so many of them been cut?
19:47It's a collective decision.
19:50Fuck that.
19:52Let me talk to the writer.
19:54The writer is SQ and as you know,
19:55they never show their face,
19:57so their decision is final.
19:58I'll see you on set in five.
20:06Oh!
20:15Now it all makes sense.
20:20Oh!
20:22Now it all makes sense.
20:25That's the head of the production company.
20:28No wonder she got the role.
20:30Let's see how John's wife feels about that.
20:41Everyone, I have an announcement to make.
20:44Today will be Stephanie's last day on set.
20:52You really think I don't see through your little games?
20:55Somebody will be walking out that door today,
20:57but it won't be me.
21:00You really think you can get away with this?
21:03Sleeping your way up?
21:07John's wife is on her way.
21:09Let's see how you talk your way out of this one.
21:11Slut.
21:12That's enough!
21:13That's enough!
21:21So were you the one who was stalking and secretly taking photos?
21:25What?
21:25Scared the truth is going to come out?
21:28Someone had to expose her for who she really is.
21:31So you admit it.
21:32You did it.
21:33Damn right I did.
21:35And I'd do it again if I had to.
21:36You don't know who you just crossed!
21:41Oh, I know.
21:42Just some rich old bastard throwing a tantrum.
21:45I sent those photos to your wife, too.
21:47And now your mistress is about to be exposed.
21:51Yeah.
21:52Security.
21:54Stephanie is banned from the studio.
21:56Make sure she never sets foot here again.
21:58You can't just do that.
22:00Oh, this is insane.
22:01Well, I have right!
22:02I was only telling you the truth!
22:04She is a mistress!
22:05A loose woman!
22:06A lady of the night!
22:16Is it true that Dorothy is John's sugar baby?
22:19Well, otherwise, why would he come onto the set and get me banned from the movie?
22:22That's unbelievable.
22:24And he humiliated me.
22:25He had me dragged off the set like a criminal.
22:28You should have seen it.
22:28I'm not going to let her just ruin her reputation like this.
22:33I mean, this whole mess is just making us look like fools.
22:38Dorothy's always been trouble.
22:40I mean, first she goes off with a married man, and now this.
22:44Don't know how you put up with her for three years.
22:47You should have got a divorce earlier.
22:50Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:54It's the only explanation!
22:56She's clearly nothing but a slut!
22:58Oh!
23:00Drake, Stephanie is your sister-in-law.
23:05Now, you need to take care of her and forget about Dorothy.
23:08Can't you see she's the one behind all of this?
23:11She was sleeping her way to the top,
23:14killing Stephanie's unborn child.
23:17And John dragging her off the set.
23:19You should be sticking up for Stephanie.
23:21I'm not going to let her do this to you.
23:27Do you think you can just walk away from what you did like nothing happened?
23:44I didn't walk away from anything.
23:47You did.
23:48You chose Stephanie over me.
23:49Remember this one?
23:50And she's my sister-in-law.
23:52I'm so sick of hearing this.
23:55You have feelings for her, and I'm just tired of it.
23:58You're out of your mind if you think I'm going to let you get away with this.
24:01You do what you want to do.
24:04But for now, get out!
24:06Why?
24:12We were married for three years, and we never...
24:15No wonder you want me to go.
24:30Just look at yourself.
24:32You're not half the man Christopher is.
24:36Get out.
24:37Or I will call the cops.
24:40Just go!
24:45Are you okay?
24:56Dorothy?
24:58Remember, safety first.
25:01The lifeguard's right there if you need him.
25:03Okay.
25:06Anything you need, let the AD know.
25:08Okay.
25:08Got it.
25:09Got it.
25:10Yeah?
25:15Here's a coffee for you.
25:20It's still early before the shoot.
25:22Take your time.
25:45Thanks.
25:47Peace.
25:52Peace.
25:54Peace.
26:14Peace.
26:14Peace.
26:15Something's wrong.
26:19That's not acting.
26:21She's in trouble.
26:27Where's the lifeguard?
26:33Where's the lifeguard?
26:34Where's the lifeguard?
26:45Where the fuck is the lifeguard?
27:06Come on, Dorothy.
27:15Why did you do that?
27:32I'll do anything for you, Dorothy.
27:38Christopher risked everything without hesitation.
27:41How could I have been so blind?
27:45I wasn't expecting that.
28:15Where were you?
28:17Dorothy could have drowned.
28:18I'm sorry.
28:19I had a stomachache.
28:20I had to go to the bathroom.
28:21Make sure it doesn't happen again.
28:27Do you think that I should call Dorothy just to make sure she's okay?
28:32Are you still hung up on her?
28:35No.
28:36It's not like that.
28:37I'm just trying to be helpful.
28:38Don't you remember, Jane?
28:41She's the one who had me kicked out of the movie.
28:44She's the one who killed my baby.
28:46Not just my baby, but Nick's baby.
28:49I know I'm just your sister-in-law.
28:51Whatever happened between us is in the past.
28:53But I have no one now.
28:56No husband.
28:58No baby.
29:00What I have left is you.
29:03Don't you see through Dorothy yet?
29:06She's nothing but a slut, sleeping her way to the top.
29:08You don't know that.
29:11You know I'm right!
29:13Why else would John come onto the set and stand up for her?
29:16Not just John, but Christopher too!
29:18She's sleeping around with anyone she can find!
29:20She's a whore!
29:21And shut up!
29:31You want war?
29:33I'll give you war.
29:38Do it.
29:40And make sure Dorothy feels every bit of it.
29:43Breaking news!
29:49Unknown actress seduces Hollywood heartthrob.
29:52Rising star or opportunist?
29:55Actress Dorothy's shocking affair with Christopher.
29:57Christopher's new flame for a heartless gold digger.
30:00Dorothy!
30:02Liar!
30:02Hey, bitch!
30:05This is getting out of hand.
30:07Maybe we should just reveal her real identity.
30:11Let everyone know she's not just some random actress.
30:18Christopher, no.
30:19Dorothy, once we tell them who you are,
30:21there's no reason for them to attack you.
30:22There's someone behind this.
30:25And whoever they are, I'll make them pay.
30:27Well, this can't be right.
30:44What?
30:46I die in the second scene!
30:49This must be Dorothy and John forcing S.Q. to cut me out.
30:53They won't get away with this.
30:54What?
30:57Trey, can you believe this?
31:02They've completely written me out of the script.
31:04Do you remember when Nick was lying in that hospital bed?
31:07You promised him you'd look after me.
31:10I've already lost my husband and my baby.
31:12I can't lose my career, too.
31:14Don't worry.
31:15I'll get you your character back.
31:27There's a tape of a documentary that apparently S.Q. has always wanted.
31:39So, we win this bid and we gift it to them.
31:42Should be able to get you your robot.
31:43Up next, a rare gem.
31:49The original film documentary chronicling the creative journey of none other than herself,
31:55legendary screenwriter Margaret Lane.
31:57What's she doing here?
32:03I don't know.
32:05I'm not going to let her win this.
32:07$60,000!
32:08$70,000!
32:16$100,000!
32:19This is my grandmother's documentary.
32:22It's her legacy.
32:23She's the one who inspired me to become a screenwriter.
32:26I can't let it fall into the wrong hands.
32:31$500,000!
32:38I'm trying to get you your role back.
32:47Don't worry.
32:48I've got it covered.
32:50Ladies and gentlemen,
32:52we are down to the final bid.
32:54Standing at a whopping $500,000!
32:57$500,000 going once.
33:01$500,000 going twice.
33:04So, to the lady in the blue dress.
33:08I can't believe this.
33:16You have no right
33:17to take that film reel with you.
33:24You have no right to take that film reel with you.
33:29What's going on?
33:35Ahem.
33:36Ladies and gentlemen,
33:37I've just been informed
33:39that Miss Dorothy
33:40is in fact not
33:41an invited guest.
33:43Therefore,
33:44as per our rules,
33:46this documentary reel
33:47will not be released
33:48to Miss Dorothy.
33:49This is ridiculous.
33:51I was invited.
33:52Well, in that case...
33:55May I see your invitation?
34:01I did have it, I swear.
34:02I'm sorry, Miss Dorothy.
34:04If you do not have the invitation at hand,
34:06the documentary reel
34:07has to go to the second highest bidder.
34:09This is the protocol.
34:10No, you don't understand.
34:11I'm sorry.
34:12I'm sorry.
34:13I'm sorry.
34:31These are the rules.
34:33The documentary reel
34:34will go to the honourable couple.
34:55Stephanie, wait.
34:56Just sell it to me.
35:00Name your price.
35:01I'll pay you anything you want.
35:02It's really important to me, please.
35:04Why are you doing this?
35:06Are you just trying to get my attention
35:08by going after something
35:09that Stephanie wants?
35:10No, you don't understand.
35:13Just let me buy this.
35:15Whatever it takes.
35:17Oh, Dorothy.
35:18You think this is about money?
35:21Please.
35:22This isn't something you can just buy.
35:24Dorothy,
35:25what the hell are you doing?
35:27Why do you always have to go against her like that?
35:29This reel is important to Stephanie.
35:31She can use this to help her career.
35:33Her career?
35:35Is this about your role
35:36being cut from the film?
35:39Is that why you're doing this?
35:43I'm the writer.
35:44I can fix this.
35:46We can rewrite the story
35:47and bring your character back.
35:49Just let me have the reel, please.
35:52You're the writer.
35:54Are you telling me that you're SQ?
36:00You.
36:01The writer SQ.
36:02Can you give us a break?
36:04Look,
36:05this reel is important to Stephanie.
36:08End it.
36:09Don't make this harder than it has to be.
36:12You've been with Dorothy for so long
36:14and you don't even know her.
36:15Oh, and you do.
36:16A hell of a lot more than you.
36:18Who the fuck do you think you are?
36:19Both of you, calm down.
36:20What?
36:22What's going on?
36:34Scratched all over.
36:35It's ruined.
36:36Not even fit to be a gift anymore.
36:39I can fix this.
36:40Stephanie,
36:40I know someone who can restore it.
36:42Just sell it to me, please.
36:43Just name your price.
36:44Even if I had no use for it,
36:49I'd never give it to you.
36:50No.
36:51No.
36:53I want to be a writer like you, Grandma.
37:20I want to make movies like you do.
37:23This reel
37:24has more than pictures and sound on it.
37:28Really?
37:29An entire world I've captured.
37:32But it's just one way of seeing things.
37:35The magic is creating it yourself.
37:38Someday you will.
37:39Dorothy.
37:40I need you to go apologize to Stephanie
37:55and give her her role back.
37:58Apologize?
37:58To her?
38:00She destroyed the reel.
38:01And she wouldn't have done that
38:02if you hadn't pushed her.
38:08So go apologize or I'm pulling my funding.
38:11Look, Dorothy.
38:13Let's be real here.
38:15Without Stephanie,
38:17who's going to invest?
38:19I mean, even the production company
38:20will pull out if they hear
38:21that she's not involved anymore.
38:22Her name carries weight.
38:24Let's not pretend that your reputation
38:25is exactly stellar right now.
38:28Christopher's fans hate you.
38:29Stephanie's fans hate you.
38:31Even if you actually make this film,
38:34no one's going to support it.
38:35You will be buried.
38:39If you apologize to Stephanie now,
38:42I can help you.
38:44I can control the press.
38:46I can control the narrative.
38:48I can actually give you a chance.
38:52What's so funny?
38:56What's so funny?
38:58Pull your funding.
39:00Do it.
39:01You'll see it does nothing for the movie.
39:03Okay.
39:05So what if I tell the production head
39:06to pull his funding too?
39:08Didn't I tell you that I know Mr. Bennett?
39:10Oh.
39:12Go ahead.
39:13Try it.
39:14Want me to call?
39:15Mm-hmm.
39:16Fine.
39:22Hi, Mr. Bennett.
39:23It's Drake.
39:24Drake Mossbacher.
39:25Yeah, I'm pulling my funding from Lies Game
39:27and I suggest that you do the same thing.
39:29I've seen it,
39:29and it's a sinking ship.
39:32You're pulling out?
39:34Great.
39:34I'll take full control of the investment.
39:36Not a problem.
39:43So it's that way then?
39:46That's why he's supporting you, isn't it?
39:53Is this how you see me?
39:54The type of woman who would use her body
39:55to get what she wants?
39:56What other explanation do you have?
39:59You know nothing about Dorothy.
40:01Apologize to Stephanie,
40:06cut ties with Mr. Bennett,
40:07and end this.
40:08Dorothy, come back to me.
40:09Whatever he's offering you,
40:10I'll match it.
40:10I'll double it.
40:12You must be out of your fucking mind.
40:15What makes you think
40:16I would ever go back
40:17to that living hell?
40:19Living hell?
40:19You heard me.
40:21Being married to you
40:22was a fucking nightmare.
40:25You made me believe
40:26you loved me.
40:28And then you had me
40:28waiting in vain
40:29for three years, Drake.
40:32You said you'd always protect me,
40:33but then when I need you the most,
40:36you just turned your back on me.
40:38You chose your sister-in-law
40:40over your wife.
40:44I've had enough, Drake.
40:45You were my prison.
40:47So just go back
40:48to your precious Stephanie.
40:54Let's just go.
41:05Why are you hurt?
41:07Are you okay?
41:10What are you, Steph?
41:15What are you doing?
41:15Oh, you want me, don't you?
41:17Just kiss me.
41:18I'm all yours.
41:19Steph!
41:20You're Nick's wife.
41:21I've always thought of you
41:22like a sister.
41:23Sister?
41:25Funny.
41:26Don't you remember
41:27when you came to me
41:28the night Nick and I got married?
41:29Don't you remember
41:30what you said?
41:32Remember this?
41:33Yeah.
41:34Wanna marry Stephanie?
41:37God.
41:37You were practically
41:38begging me not to marry Nick.
41:39Oh, I shouldn't have said that.
41:40I shouldn't have said that.
41:41I don't see it.
41:44What's that?
41:46Oh, it's nothing.
41:47What is that?
41:48No, Drake, no.
41:49Please.
41:52You lied about this.
41:56You lied about this.
42:01You said that Dorothy
42:02pushed you into the water,
42:03but this shows you
42:03shoving her in.
42:05It's a glitch.
42:07A glitch.
42:09So, do you actually
42:09expect me to believe that?
42:12What's this?
42:14Buying pills
42:15off the black market?
42:17Tell anyone
42:18who hit your pregnancy.
42:20It's you.
42:21This time
42:21when you blamed Dorothy
42:22like some sort of scapegoat
42:23and she was innocent
42:24the whole time.
42:25Drake, please, no.
42:26You have to believe me.
42:27I didn't...
42:28Do you know what?
42:28I've always thought of you
42:29like a sister.
42:31I've always taken care of you.
42:32I even thought that
42:32I loved you once,
42:33but that was before
42:34you were Nick's wife.
42:37You've changed.
42:42You've changed.
42:44You're not the person
42:45I thought you were.
42:48I only looked after you
42:49because I thought it was my duty
42:50as Nick's brother
42:51to look after his widow.
42:53I guess there's no
42:54need to look after you anymore.
42:57What does that mean?
42:59Are you just going to
42:59throw me away?
43:01I'm not going to
43:01throw you away.
43:03But this is my house.
43:06When I'm back,
43:07I hope you'll be gone.
43:09But you can't just
43:10walk away from me like that.
43:11I've said everything
43:11that I need to say.
43:13Now I'm going to go find
43:13the person that I actually
43:14care about.
43:20Dorothy,
43:21this is all your fault.
43:26Let's take this bitch down.
43:33Dorothy, please.
43:42Dorothy, please.
43:46No.
43:48I was wrong.
43:51I misunderstood everything
43:52about you
43:53and about us.
43:57Can you please just hear me out?
43:58You think you can just
44:01come here
44:01and apologise
44:02after everything?
44:04I didn't mean to hurt you.
44:07Look, I understand what I did,
44:09but it was just because
44:09of Stephanie
44:10and anyone.
44:11Could you please
44:12just forgive me?
44:14I don't need your apology,
44:15Drake.
44:16You let me down.
44:18You abandoned me
44:19when I needed you the most.
44:21You used me,
44:24manipulated me,
44:25and now you beg
44:27for my forgiveness?
44:29God, please,
44:29just don't shut me out.
44:31I can fix this.
44:32I can fix it.
44:33I can do anything,
44:34Dorothy, please.
44:36No.
44:38You were never
44:39the person I thought you were.
44:41And I'm not either.
44:43I've moved on.
44:46I don't need you.
44:48I don't need you.
44:48Not like I used to.
44:53It's just not just it,
44:54but after everything.
44:56Yeah, that's it.
45:09I deserve better than this.
45:18I did it.
45:37Before you all celebrate this movie,
45:40there's something you should know.
45:42Dorothy is nothing but a homewrecker.
45:44What's going on?
45:45A glorified mistress
45:47who's been playing the part
45:49of a wonderful actress
45:50when all she's really done
45:52is ruin lives.
45:55This is true, Dorothy.
45:56Were you involved with a married man?
45:58What's your response
45:58to Stephanie's claim?
46:03This is ridiculous.
46:05Let's talk about
46:06how she got here,
46:08shall we?
46:09She didn't get here
46:10off her talent.
46:11Oh, no.
46:12She got here
46:12by clinging
46:13to powerful men.
46:15She's no real experience.
46:17No skill.
46:18Just a man's name
46:19and a man's money.
46:21Security!
46:22Get her out of here!
46:22Wait.
46:24If she has something to say,
46:25let's hear it.
46:27Dorothy,
46:28it's a trap.
46:29I'm not afraid of the truth.
46:31Let's see what she's got.
46:36What's going on?
46:37So tell us, Dorothy.
46:39How did you get here?
46:41Did you use your relationship
46:43with John Bennett
46:44to land the part?
47:01Homework, are you saying?
47:03Is there something wrong
47:04with me appearing
47:05with my own dad?
47:06You're the one
47:07who sent me this photo, right?
47:09How about you take another one?
47:10This time,
47:11of my lovely family of three.
47:13Dorothy, Dorothy, Dorothy.
47:15Are you really
47:16John Bennett's daughter?
47:17Yes.
47:18I bet you never ask
47:18my last name.
47:20It's Bennett,
47:21by the way.
47:23So, Dorothy
47:24is the producer's daughter.
47:27Dorothy,
47:27so,
47:28did you use your father
47:29to get the part?
47:30Uh-huh.
47:31So it's just nepotism,
47:33then.
47:33Yeah.
47:36Well, even if she didn't
47:38fuck her way to the top,
47:40she still only got here
47:40through her connections.
47:42Whether you like it or not,
47:43my performance
47:44speaks for itself.
47:45And everyone here
47:46saw it.
47:47She was actually really good.
47:48Yeah, she handled the mobbing.
47:50Oh, are you saying
47:51that everyone here is wrong?
47:52You think you're so clever,
47:54don't you?
47:55Fine.
47:56You can act
47:57a little bit.
47:58But let's be real,
47:59you didn't land
48:00this role on your own.
48:01You just snapped
48:02your bony little fingers
48:03and let Daddy
48:04give you a role.
48:04How else
48:06would a nobody like you
48:07have landed yourself
48:08the lead otherwise?
48:09Dorothy isn't just
48:10a nobody.
48:13She wrote
48:14Liar's Game.
48:16She is SQ.
48:22Dorothy is SQ.
48:24How can that
48:25be possible?
48:27Liar's Game is a masterpiece.
48:28There's no way
48:28you could have written it.
48:30You don't have to
48:30believe me.
48:32Just let the credit
48:32speak for itself.
48:34How can this be true?
48:41I said that
48:42happy.
48:43I love it.
48:44Dorothy Bennett,
48:45you're the daughter
48:45of the producer
48:46and the famous writer
48:47SQ.
48:48Why did you keep
48:48your identity
48:49a secret so long?
48:50Why did you keep
48:54your identity
48:54a secret so long?
48:55Stephanie Marsbecker,
48:57Linda Marsbecker
48:57and Ellie Marsbecker,
48:59I'm arresting you
48:59on suspicion of
49:00defamation.
49:01No, no, no,
49:01I didn't do anything
49:02wrong.
49:03This was all
49:03Stephanie's idea.
49:04I didn't do anything.
49:04this whole time
49:13she was actually
49:14telling the truth.
49:15Dorothy's SQ.
49:18She's genius.
49:21That's why she always
49:22had a book in her hand.
49:25Always writing something
49:26on her laptop,
49:27always lost in her thoughts.
49:28didn't even see her.
49:34Guess I was blind
49:35all along.
49:37I don't deserve her.
49:38I don't deserve her.
49:58I've missed this place.
50:01Don't you remember?
50:03Of course I do.
50:04We saw so many films here.
50:07We would just
50:07stay in our seats
50:09and talk
50:10about life and everything.
50:14But you just made me
50:15feel like I could face
50:16anything really.
50:21God, I used to be
50:22so nervous back then
50:23about everything.
50:25About the future.
50:28But you just made me
50:29feel like I could face
50:30anything really.
50:33Yeah.
50:35Someone had to be there
50:36to make sure you didn't
50:36overthink everything.
50:38I remember you used to
50:39unpick every little detail
50:41like it was a life
50:42or death situation.
50:47You know, Dorothy,
50:48life's not been the same
50:52without you.
50:55Even when we parted ways,
50:57I...
50:58I always knew
50:59that we would find
51:00each other again.
51:03I don't care
51:04what we've been through.
51:06I don't care
51:07what's happened.
51:08All I know
51:08is that I need you now.
51:14More than ever.
51:28more than ever.
51:29And the award
51:31for Best Adapted Screenplay
51:33goes to...
51:33Dorothy Bennet
51:35with Liar's Game!
51:39Wow.
51:41Best Screenplay.
51:43Well, shall I start
51:44calling you
51:44Your Majesty?
51:45I think that's a great idea.
51:47Why don't we start now?
51:48You deserve this,
51:52Your Majesty.
51:54Every bit of it.
51:56Now,
51:57since you won,
51:59I think this calls
52:00for a reward.
52:02Oh, yeah?
52:05And what would that be?
52:08Me.
52:09Me.
52:09Me.
52:09What?
52:14Me.
52:15Me.
52:18Me.
52:19Me.
Be the first to comment
Add your comment

Recommended