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https://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ
The Forsytes are a well-established, upper middle-class family. Soames Forsyte is a solicitor in practice with his father James. A handsome man, he is nonetheless something of a cold fish. His heart skips a beat however when on a business trip to Bournemouth, he meets Irene Heron. Over an extended period of time, he asks her several times to marry him. She eventually relents on the condition that should the marriage prove to be an unhappy one, he would let her go. Soames' sister Winnifred is to marry Montague Darty, someone with a reputation for the high life, despite the fact that he has no money. Another Forsyte is Young Jolyon, someone with an artistic bent who, when rumors falsely suggest he is having an affair with his daughter June's governess, discovers the true affection he has for her. After telling his wife Frances that he wants to end their marriage his father, known as Old Jolyon, banishes him from his house and his family. Many years later, 17 year-old June Soames is madly in love with an up and coming architect, Philip Bosinney, who takes an obvious interest in Irene Soames.
https://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ
The Forsytes are a well-established, upper middle-class family. Soames Forsyte is a solicitor in practice with his father James. A handsome man, he is nonetheless something of a cold fish. His heart skips a beat however when on a business trip to Bournemouth, he meets Irene Heron. Over an extended period of time, he asks her several times to marry him. She eventually relents on the condition that should the marriage prove to be an unhappy one, he would let her go. Soames' sister Winnifred is to marry Montague Darty, someone with a reputation for the high life, despite the fact that he has no money. Another Forsyte is Young Jolyon, someone with an artistic bent who, when rumors falsely suggest he is having an affair with his daughter June's governess, discovers the true affection he has for her. After telling his wife Frances that he wants to end their marriage his father, known as Old Jolyon, banishes him from his house and his family. Many years later, 17 year-old June Soames is madly in love with an up and coming architect, Philip Bosinney, who takes an obvious interest in Irene Soames.
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Short filmTranscript
00:00.
00:05.
00:10.
00:19ORGAN PLAYS
00:49Evening, sir
00:59How is she?
01:10She's still hot, but she's sleeping
01:13That's something
01:18I believe there's no danger, sir
01:23I'm sorry
01:30How is she?
01:42Much the same
01:42I still don't think the doctor, though, do you?
01:46No, though he should not go out all the same
01:48Neither of you?
01:50No
01:50I'll, um, I'll write them a line
01:54That's a poor dude
01:56They may be that side, but they're still family
01:58You can carry the flag, Dad
02:00Through the valley of death
02:03Well, I hope you know what you're doing
02:13Playing Cupid
02:14Introducing our Winifred to that darty fellow
02:18Is he a good sort?
02:20Yes, he is, Uncle
02:20At least all the ladies think, sir
02:23And you've got nothing
02:24Courage, mon brave
02:33They'll adore you
02:36Darty
02:37Not me
02:38Don't
02:38Come on, Monty
02:39You won't possibly remember everyone, Monty
02:51But Anne's the eldest, and that's her in the plum
02:54Clinging to your brother
02:56She totes on him
02:57Julie's at the green gauge
02:59And Hester's the ape
03:00Ripe old fruits
03:02But Anne's top aunt likes it known
03:04Plum
03:05Eldest
03:06Mr. Darty
03:07Do come and meet Winifred's aunt
03:09I've had the briefing, Mrs. Forsyte
03:11I've done the greengrocer's
03:12Of all people, it's Soames
03:15Who should carry on the family name
03:17Cart before the horse
03:19What are your thoughts about a wife, Soames?
03:23None as yet
03:24But I assure you, Cousin George
03:26You'll be the first to hear
03:26That one will chime in
03:29I'm sorry, auntie
03:30Find yourself a wife, Soames, dear
03:33Young Jolian sent a very kind apology, Julia
03:37I so hope it's not serious
03:40Oh, serious?
03:42Um, little girl, Jill
03:44Oh, dear, dear, dear
03:45Slight fever
03:47I need to worry about
03:48You must be worried, Jolian
03:50Children all over, dying of diphtheria
03:52A slight fever
03:53Children get fevers
03:55Don't know why that means they couldn't come
03:57The governess is there
03:59People worry too much
04:00Very attractive there, governess
04:02June don't sit on her
04:04Oh, all right
04:05Is she fresh?
04:11I think you can go out now, after all
04:13It's, um, rather late now
04:16Cousin's engagement party
04:21It's awkward to turn up
04:22At this hour
04:23I'm sorry, sir
04:26Oh, I don't really mind
04:28And Mrs. Forsyte
04:30She will be upset
04:32I, I don't think you and mistress
04:35Particularly minds
04:37I
04:37Are you happy, Lenn?
04:46We do so want you to be happy
05:00Yes
05:03Which, of course, I am
05:08June's improving
05:20Will you go up to her?
05:24Not just yet
05:25Why?
05:27I don't wish to see Miss Hilmer at present
05:29Why not?
05:32Because, quite frankly
05:33She irritates me
05:35Whenever I see her
05:37She appears on the brink
05:38Of a spiritual collapse
05:39She wasn't born for a servant's life
05:41She's not a servant
05:42Oh, come, Francis
05:43What else is a governess?
05:46When all is said
05:47The Reverend Sculls
05:55Said in his sermon last Sunday
05:57What shall it profit a man
05:59If he gain his own soul
06:00And lose all his property?
06:03Which is fine of your Sculls
06:04As he has no property
06:05Ladies and, uh
06:10Gentlemen
06:11Look at our speech
06:13On this auspicious occasion
06:16I would like to
06:17Well
06:20The point is
06:21Winifred
06:22God bless her
06:24But she's the finest filly
06:25I've ever clapped eyes on
06:26No, won't spare her blushes
06:28She is, ladies and gentlemen
06:29More than that
06:30She has breeding
06:31And pedigree
06:32Yeah, yeah
06:33Was he brought in settlement?
06:36Jeff
06:36Further, my future father-in-law
06:40Thank you, sir
06:41For welcoming me
06:42Into your family
06:42To your daughter
06:43Your parents
06:44Had they been here
06:45Would have rejoiced
06:46Sir
06:46To join the name of Foresight
06:48To that of Darty
06:49Proud as you like, sir
06:50And so
06:52Ladies and gentlemen
06:53May I propose a toast
06:55To Miss Winifred
06:57Foresight
06:58Winifred
06:59Winifred
06:59Winifred
07:01Winifred
07:01What are the Dartys?
07:05Unfortunately
07:05Dead
07:06Morning, Mr. Simes
07:07Morning
07:08Morning, sir
07:08Morning, Mr. Simes
07:09Morning, sir
07:11Morning
07:11Morning, sir
07:14Morning, Mr. Simes, sir
07:16Mr. James and Graven
07:17Yes, in your office
07:18And with a slight dyspepsia
07:19I would say, sir
07:20Morning, Father
07:23Morning
07:23Morning
07:23Now, I'm not sure
07:25About that mutton
07:26Emily will get Welsh
07:27Now then
07:28It's Darty
07:29What do you think?
07:29Good-looking fellow
07:30There's his mind
07:31He's plausible enough
07:33Spirited
07:33Talks quite well
07:34He's bringing nothing
07:37Well, it's not his fault
07:38His parents' gone
07:39I suppose
07:39Winifred's fond
07:41What are you settling on, her?
07:45I was thinking
07:45Ten thousand
07:46To be increased with children
07:47More
07:49Less
07:51Outright?
07:56And you think
07:56Not outright
07:57Not for life, then
08:00Not for life, even
08:04You're worried about him
08:08You
08:10Question
08:12His nature
08:13When one looks around the park, Freddie
08:22One can't help thinking
08:24About your family
08:25All your uncles and ours
08:27Dotted around
08:28Feels as if
08:31Between them
08:31They own half of London
08:32I think they almost do
08:34Dash bad luck
08:36In our family
08:37All I need
08:38Is a bit of cash
08:39To start me off
08:40And you'll see, Freddie
08:40Your family
08:42Will own one half of London
08:43And I'll own the other
08:44Is that what'll happen, Monty?
08:46Once your papa coughs up
08:47The way I see it
08:50It's not so much
08:51What James' money
08:52Will bring to me
08:53It's what I'll bring
08:54To James' money
08:55Daddy's not settling on me, Monty
08:59What?
09:01No
09:02We're to find a house
09:04Which
09:04He'll rent for us
09:06And
09:07I'll get an allowance
09:08But
09:10As for basic settlement
09:11It's no go, I'm afraid
09:12I don't understand
09:14I'm afraid
09:16That's the case
09:16But
09:18What
09:20I mean to say
09:22Oh, don't be upset
09:25What is it?
09:28Doesn't trust me?
09:28What's the game?
09:29Well, we will have a house
09:31Which he'll rent
09:32So it's not ours
09:33Yes
09:34How's a fellow
09:37To make his way in the world
09:39I know
09:40It's a bit thick, old girl
09:44Are you very furious?
09:50It's not what a fellow expects
09:52The trick is to
09:56Just draw what you see
09:57No
09:59I can't do it
10:02Anybody can do it
10:03Children are the best artists
10:05They just
10:07Draw straight from the soul
10:09It's easy
10:12I'd be flattered if you drew me
10:15I'd be flattered
10:18June, are you coming?
10:25Hello, Dad
10:26I thought you were out
10:28No
10:30I wasn't
10:34We'll pick up on this later
11:04We'll pick up on this later
11:24Now
11:30The
11:32The
11:34That woman should go.
11:59I've done nothing.
12:01And if somebody has accused me, that somebody is the most despicable liar.
12:07Who is it?
12:08Nobody has accused you.
12:09Is there something to accuse you of?
12:12I swear there is not.
12:15A governess.
12:17If you mean that I show the young lady respect and consideration, then yes, I stand accused of that.
12:23She should go.
12:24She has nowhere to go.
12:26Why should she go?
12:28Can you say that your behavior towards her has been beyond reproach?
12:31Yes.
12:32Good.
12:33That's why she should go.
12:34Before there is something to question.
12:38Will you tell her to leave?
12:41Francis, what reason can I give?
12:45Your reason is that I'm asking you.
12:48She does not need a reason.
12:49Oh, my God.
13:14I'm sorry.
13:15Um, I've been asked to let you go.
13:35Oh, I'm not surprised.
13:38I wasn't born for this kind of life.
13:43I know I can be resentful sometimes.
13:45But I never expected to find myself in this situation.
13:49The quality of your work is not in question.
13:52Oh.
13:54I see.
13:57I hope Mrs. Forsyte will provide me with a character.
14:01You don't understand that it...
14:05There's been an implication
14:06that my conduct towards you has been improper.
14:11And I've denied any impropriety, which, as you know,
14:17has been the case.
14:23In my mind, I'm guilty of the egregious misconduct.
14:27I believe
14:32that misconduct can only happen
14:38where there's no love.
14:42It's my belief.
14:42Oh, shit.
14:45I feel so.
14:47Right.
14:47She wished me,
14:48and she cares.
14:52Oh!
14:55Ooh!
14:56What?
14:58Oh!
15:07Ooh!
15:38Whatever was between you, Jolyon, I'm prepared to ignore.
15:53We will not talk about it, and we will go on as if nothing had happened.
16:00Until this evening, nothing had happened.
16:07What?
16:08Be careful. Please be careful.
16:19Frances, I am truly sorry.
16:25I am leaving you.
16:28We married in haste.
16:30I am not prepared to discuss this in front of a servant.
16:32There is no servant here.
16:34You don't know what you're saying.
16:37Frances, is there love between us?
16:41Is there passion?
16:42We have a daughter.
16:51Do you all do well?
16:53You are an excellent mother.
16:55Do you intend to leave her, too?
16:57Well, how could I take it from you?
16:59Why are you doing this to me?
17:00Why have you brought her in here?
17:06I would give anything not to be cruel.
17:14I feel more for Helene than I have ever felt for you.
17:17That is such a disgusting thing to say.
17:23But you feel nothing for me.
17:25We can at least have honesty and respect.
17:28The master and the governess.
17:39I love him.
17:40You love him.
17:42And yet you say there's been nothing between you.
17:43Yes, I cannot believe it.
17:48Until tonight, there's been nothing between us.
17:53Except...
17:54Except...
17:56A recognition.
18:02What do you mean?
18:04We recognized.
18:05We recognized.
18:10There is a bond existing between us.
18:13Is it really so easy?
18:19What do you mean?
18:21Is that all it takes?
18:24A recognition.
18:28We must be honest.
18:30You never wanted me.
18:32Of course I wanted you!
18:34But how can one show it when one is certain to be rejected?
18:38Don't touch me!
18:39I need you to leave me, Julian.
19:01I will stay at my club.
19:07Frances, I am so sorry.
19:10No.
19:11It was not your fault.
19:16There was no recognition.
19:17Hello, Dad.
19:35I'll say this to once.
19:40You knew Frances four months before you married her.
19:42And that was on the rebound from Chloe.
19:45You've known this woman for...
19:46For how long?
19:48Six months?
19:49Yeah?
19:50And you throw out everything for her.
19:52Your wife.
19:53Your child.
19:53Your home.
19:54Your home.
19:55And then a couple of years, you see another pretty petticoat, and you'll be doing it again.
20:01You're susceptible, Joe.
20:03You need to know that and to fight it.
20:05It's not like that.
20:06If you have this sort of leanings, there are ways you can deal with them, you know what I'm talking about.
20:16You're married for life to a very good person, and you're breaking her heart.
20:26I know.
20:26A little chewing?
20:35What do you know about this woman?
20:39What?
20:40I know what I feel for now.
20:41Oh, silly.
20:44Silly.
20:45Silly fellow.
20:50Now, if you force me to chew, it should be on your own.
20:53I won't run with the hair and hunt with the hounds.
20:55I'm reducing your allowance.
20:57300 a year.
20:58No.
20:58Maybe no.
20:59You'll get what you're given.
21:00I want nothing.
21:01You must give it to Francis.
21:04How will you do?
21:06Well, I'll work for a little bit.
21:07It'll probably do me good.
21:09Go to the damn dogs.
21:10Well, I hope not.
21:15Don't do this, my boy.
21:19The whole world will know.
21:21She's a governess.
21:22Look at the scandal.
21:25I'm sorry, Dad.
21:34That's it, then.
21:37My house is barred to you, boy.
21:39Simple as that.
21:40I can't see you.
21:40God bless you, son.
21:42There's no einzelnic.
21:42I can't see you.
21:43I can't see you in the yard.
21:44Bye.
21:45Bye.
21:45Bye.
21:46Bye.
21:46Bye.
21:47I lost you, sir.
22:12Goodbye, Miss Hilmer.
22:13Goodbye, Parfit.
22:14Why is Miss Hilmer still here, Parfit?
22:17The carriage is to take her to her lodging, sir.
22:19Well, you can get her a cab.
22:21And take those things out of the hall.
22:23There's a servant's entrance.
22:24Oh, had you forgotten?
22:26Very good, sir.
22:30Goodbye, sir.
22:30It's hardly at its best in this weather, Forsyte.
22:47It's hardly at its best in this weather, Forsyte.
23:00This'll do.
23:05Watch where you tread.
23:07Hmm, rustic spot.
23:08Fine view, though.
23:10Smell that air.
23:11Now, we construct a road right the way down to the river's edge.
23:16And the first of the houses will be down there.
23:19Then we build right up to here.
23:20There'll be room for eight houses in all.
23:23Leaving enough of the woodland to retain a country fee.
23:26Will people live here?
23:28One day, Forsyte, you may care for a country house yourself.
23:32In Bournemouth?
23:34My estimation is £15,000 in site fees alone.
23:39Well, I'll need to have a good look at the figures first.
23:42What do you think of the scheme?
23:43I mean, if the figures add up, which they will?
23:46At 8.5%.
23:47It's a trend.
23:49People are moving out of the towns.
23:51I'll show you the plans tomorrow.
23:54My wife's holding a gathering in your honour this evening.
23:57You're partial to music?
24:00Yes.
24:01It's been a long time since I was at a concert.
24:04Try them.
24:04I'm sure it'll be to your taste.
24:06As long as it's not too modern.
24:08I can't stand the modernists.
24:21The girl with the dark hair and the alabaster skin.
24:26What's her name?
24:28Irene Heron.
24:29Her father died this year.
24:33No money.
24:35Would you introduce me to her?
24:37If you wish.
24:39Shh.
24:39Miss Heron, how nice to see you again.
24:56Mr. Liverswitch.
24:57May I introduce Mr. Soames Foresight?
25:00Miss Irene Heron.
25:02Miss Heron.
25:03It's a matter to meet you.
25:04Mr. Foresight.
25:05Mr. Foresight is from London.
25:07Excuse me.
25:09You've said...
25:09Oh, sure.
25:10Excuse me.
25:11We have a word.
25:11After you.
25:13You're the very man I wanted to see.
25:15I have a proposition to make to you.
25:16I think you'll find it.
25:17May I?
25:18Yes.
25:18Yes.
25:18I'm told you've recently lost your father.
25:28Allow me to offer my most sincere condolences.
25:36I've attended one or two of these gatherings.
25:50Here in Bournemouth, they're at the edge of what's respectable for those in mourning.
25:55I'm sure no one will take a face.
25:57Some would.
25:57Some do.
26:00One mourning is a delicate matter.
26:02Introduce me, Irene.
26:04Mr. Foresight.
26:06My late father's wife, Mrs. Heron.
26:09I'm pleased to make your acquaintance, Mr. Foresight.
26:11That was all mine, Mrs. Heron.
26:16Better get back.
26:19It's been enchanting, Mrs. Heron.
26:20Mrs. Heron.
26:37He seems nice.
26:39Show me.
26:50Excuse me.
26:59Excuse me.
27:00PIANO PLAYS
27:30THEY WALK MOST MORNINGS ON THE PIER
27:35I'm going to lose my hat if the wind keeps on blowing like this.
27:50It's not that good.
27:53Mrs. Heron, would you object to my walking with you?
27:56It would be most agreeable.
27:57Are you from our part of the world, Mr. Forsyte?
28:01From London, Park Lane.
28:03In business?
28:04I'm a solicitor in partnership with my father.
28:07This is my first visit to Bournemouth.
28:09We hope not your last.
28:11I could very well recur.
28:14Good.
28:14925 Apolyti
28:18Mynes, I'm a worker
28:23Huh?
28:24Go, go, go.
28:25Go, go, go, go!
28:26Bye, bye!
28:27No one
28:43Irene, I shall walk alone today.
28:52Very well.
28:56I'm sure you'll miss me violently.
29:13I'm sure you'll miss me violently.
29:43Mr. Forsyte, you have recurred.
30:01Mrs. Heron, I trust you are quite well.
30:03Thank you, yes.
30:05Your stepdaughter?
30:06A slight indisposition.
30:08Oh dear.
30:09But well enough to play the piano rather beautifully, I must admit.
30:14Well, I should very much like to hear her.
30:16We must arrange it.
30:18Did I express my condolences on your sad bereavement, Mrs. Heron?
30:21I'm sure I understood you, Dove.
30:25It was rather a shock, Professor Heron passing so suddenly and leaving us so little provided for.
30:30I have barely 50 pounds a year for Irene, for example.
30:35For a young woman, I'm sure you will appreciate Mr. Forsyte.
30:38It's rather more expensive.
30:40Yes, it must be a concern for you.
30:43Mr. Forsyte.
30:44Yes, Mrs. Heron?
30:47There is no Mrs. Forsyte, I take it.
30:51No, Mrs. Heron.
30:55There is to be an exhibition of paintings tomorrow at the pavilion.
30:58Irene and I will be attending at 10 o'clock in the morning.
31:02You're fond of art, Mr. Forsyte.
31:22Hmm, and its place.
31:24And what is its place?
31:25Well, in museums, of course.
31:30And it can look well in one's drawing room, tastefully hung.
31:32I think its place is everywhere.
31:49Do you admire this painting, Mrs. Heron?
31:53I do.
31:55You don't find it rather modern?
31:59It has vigour and honesty.
32:03But is it accomplished as a work of art?
32:06If you mean is it strictly representational, then clearly not.
32:10But look at the life in the trees and the vibrant colour.
32:15There is such a strong sense of the artist in it, don't you think?
32:18I believe that whoever painted it has a passionate feel for beauty.
32:23Yes, yes, and for life.
32:25Yes, yes, yes.
32:32I suspect that the majority of hallways would entirely disgrace it.
32:40It's a texture small.
32:42Nice stroke.
32:44Good to hear.
32:46I must leave my card at the door.
32:48He's a man of good character and considerable substance.
32:52You know nothing about him.
32:54I know a great deal about him.
32:56I've made inquiries.
32:58Clearly we're not suited.
33:03It's been a pleasure.
33:05Mrs. Herron?
33:07Miss Herron, the last London calls.
33:09We're so sorry.
33:11Well, I shall be returning to Bournemouth next week.
33:13Perhaps you will do us the honour of calling.
33:18Miss Herron?
33:21Mr. Forsyte.
33:31Oh, by the way.
33:33That landscape you admired.
33:36I've bought it.
33:39For your hallway, Mr. Forsyte.
33:47Well, until next week.
33:49Your father left us £50 a year.
33:59Do you know how much these mourning clothes have cost?
34:01And that's before we even start to think about living.
34:03What people do at times like this is we move to a larger house.
34:05Do we need a larger house?
34:06I would like to own somewhere.
34:07I'm happy to rent.
34:08But for you and the children only.
34:09I mean, if something happened to me, it'll be provided for.
34:10We can't afford to buy.
34:11Don't worry, Joe.
34:12As long as you don't let anything happen to you.
34:13It was implacable Forsyte.
34:14My father has never even seen his grandson.
34:16Probably never see this one.
34:18Yeah.
34:19Yeah.
34:20Yes, we do need to move.
34:21Yes, we do need to move.
34:22Yes, we do need to move.
34:23I can't afford to buy.
34:24I can't afford to buy.
34:25Don't worry, Joe.
34:26As long as you don't let anything happen to you.
34:27It was implacable Forsyte.
34:29It's quite clear, you see.
34:30Your grandfather's will states that the interest shall be paid to you quarterly.
34:32son. probably never see this one. yes we do need to move. it's quite clear you see your grandfather's
34:55will states that the interest shall be paid to you quarterly but that the capital must remain
35:00intact. it also states the capital can be touched in an appropriate circumstance. my point is
35:06this is such a circumstance. i'm about to have a second child and we need a larger home. well
35:11what does you say? well forgive me i can think of no more appropriate circumstance than the need for
35:18a house. for that woman? for helen and our children. quite. and you see this is where there is a problem
35:27because the will is again clear that such a circumstance should be decided at the discretion
35:31of the trustees. of course. the trustees being mr septimus small deceased and my father.
35:37discretion as you'll appreciate involves rather more than expedience. it involves conscience
35:44and uniquely in this case the good name of our family.
35:48do i take it there is a moral dimension to this discussion?
35:54you'll be paid the quarterly installments as we discussed. you have no fear in that matter.
36:06good day to you foresight.
36:08and to you foresight.
36:12are you still doing your sketching?
36:14i used to like one or two of your things.
36:17good afternoon sir.
36:42good day to you foresight.
36:43good day to you foresight.
36:44good day to you foresight.
36:45good day to you foresight.
36:46good day to you foresight.
36:47good day to you foresight.
36:48good day to you foresight.
36:49good day to you foresight.
36:50good day to you foresight.
36:51good day to you foresight.
36:52good day to you foresight.
36:53good day to you foresight.
36:54good day to you foresight.
36:55good day to you foresight.
36:56good day to you foresight.
36:57good day to you foresight.
36:58good day to you foresight.
36:59good day to you foresight.
37:00good day to you foresight.
37:01good day to you foresight.
37:02good day to you foresight.
37:03good day to you foresight.
37:04good day to you foresight.
37:05good day to you foresight.
37:36I congratulate you, Miss Herron.
37:58That really was accomplished and delightful.
38:06I don't know what the girl's done with the tea.
38:18Do you excuse me, Mr. Forsyte?
38:19Miss Herron, I have substantial income and I'm currently looking for a commodious house
38:38in the region of Hyde Park.
38:40My family are of the very best.
38:41We are all professional people.
38:43And my expectations in respect of my father's property are of the very highest.
38:47I'm in good health.
38:56I have the honour, Miss Herron, of asking you for your hand in marriage.
38:58I'm so sorry.
39:05I'm afraid I cannot accept.
39:10I'm aware this has come suddenly.
39:13Yes.
39:14But you see, I've made up my mind.
39:15You have qualities that are...
39:20Please, Miss Herron, I don't wait any time.
39:24You are charming beyond words.
39:26Your stepmother did encourage my proposal.
39:44Yes, I can believe that.
39:48I suggested she might bring you to London.
39:51My parents would be delighted to entertain you for a day or two.
39:54Has my stepmother agreed?
39:56With your approval, of course.
39:58Of course.
40:11Good morning, madam.
40:13Mrs Herron, welcome.
40:14I trust you had a good journey.
40:16Chill today, Mr Forsythe, in spite of the season.
40:18Albert, Miss Herron's luggage...
40:20Miss Herron, welcome to London.
40:23Quickly as you can, please, Albert.
40:26You're a pretty girl.
40:28My father, James Forsythe.
40:29If the journey's tired, you...
40:31Hello, my dear.
40:33We are all so pleased.
40:35My mother, Hermione Forsythe.
40:37Oh, you are quite lovely.
40:38My sister, Winifred Doherty.
40:40You're here for two days.
40:41We'll have such fun.
40:42And her husband, Mr Montague.
40:43Hey, remember a picture, no mistake.
40:45We live in Green Street, just round the corner.
40:47I call in, too.
40:49Get some champagne.
40:50Soames has such an eye.
40:52You sly old dog, Soames, what a walker.
40:55I do like whiskers on a man.
40:59Soames is far too small.
41:01I don't think I really...
41:02Well, I'm not sure I...
41:03Can I talk to her?
41:04Yes, Soames.
41:05Yes, Aunt.
41:08Mind this, whiskers and whiskers.
41:11You'll appreciate the benefit.
41:13I will.
41:13Mm, they tickle.
41:16I'm not sure I should like them to tickle.
41:19But, my dear, you see, it's where they tickle.
41:22I'm very glad you had the chance to meet her.
41:24It was lovely.
41:26I'm so glad.
41:27Are you eating enough?
41:29Thank you, Aunt, and working hard.
41:31Well, June, and what do you think of her?
41:34Oh, she's heavenly.
41:36So lovely.
41:39Julian, don't you think?
41:40Have you asked?
41:41Too lovely of herself.
41:42My waiter, but she has no money.
41:45That need not be an obstacle.
41:46My impression is that Mr. Valsight has no sense of an obstacle.
41:49Quite the reverse.
41:49Don't worry about that.
41:50The family has a case.
41:52I wish you'd look at these oil shares.
41:54She's a fessy little thing.
41:56I'm thinking Cape Copper.
41:58I'm not interested in shares.
42:00What's the secret?
42:01To you?
42:02Laudanum?
42:03What are you talking about, George?
42:04How are you?
42:05She's very beautiful.
42:06Very well, thank you.
42:07He's a dark horse.
42:08Thank you, isn't it?
42:09All right, this one is shooting up.
42:12Irene, this is Uncle Julian's granddaughter, June.
42:15How do you do?
42:16I've painted the heels on my shoes.
42:18Do you like them?
42:19Yes, very much.
42:21Did you put the bows on, too?
42:22Yes, they're my dancing shoes.
42:24Oh, I love to dance.
42:26Do you?
42:26Yes, I adore it.
42:28But I have two more months before it starts seeing me.
42:31Yes.
42:31And then suddenly your time is up, and what yesterday would have seemed a fearful callousness has become respectable.
42:36It is such hypocrisy.
42:38We must dance.
42:41We must dance now.
42:42Sam's, ask George to play a waltz.
42:45A waltz?
42:45What are you thinking of?
42:46Dancing.
42:46What else?
42:48Minifred, Miss Heron here is in mourning.
42:49It is absolutely not the done thing.
42:51Oh, Sam, you're such a stick.
42:53Monty, you ask him.
42:54Some things, old boy, are best left to the ladies.
42:57When to dance is one.
42:58George, I demand a waltz.
43:00Soames, ask Miss Heron to dance.
43:06I'm afraid this is impossible.
43:07Oh, then I will.
43:09Miss Heron, would you do me the honour?
43:17A shade of vengeance?
43:19It may, I think, answer why Soames has not proposed to her.
43:25Such recklessness means he must question her character.
43:30I'm so terribly sorry.
43:32It's not like I hurt.
43:35Wonderful.
43:35I do believe we're disapproved, are you?
43:37I believe so, too.
43:38Imagine the outrage if they knew I was in an interesting condition.
43:41Right.
43:45I see, Forsyte.
43:47We can't have this.
44:00Miss Heron, would you care to dance?
44:09Of course.
44:10Oh, you're crying, man.
44:21Right for display.
44:28Pretty, old thing.
44:29Monty?
44:30You are a sport.
44:32No.
44:57Now then, Soames, wasn't it worth it?
44:59Yes, it was wonderful.
45:03More than I can say.
45:05Well, that seems to have ruffled a few feathers.
45:08How about a polka?
45:09George?
45:11Excuse me.
45:12My blood's up now.
45:13We want something with a bit of life in it.
45:16Something to set the pulse racing.
45:17You do understand I do not intend to marry him?
45:25A man of his resources can give you everything.
45:27I do not wish to be bored.
45:29Foolish and selfish.
45:31I would rather squander every penny we have.
45:34I would rather wait and find someone I love.
45:36We cannot afford for you to wait.
45:38Ah, Mrs. Pearce, good morning.
45:52Morning, Doctor.
45:53Mrs. Darty needs plenty of rest.
45:55See she gets it, will you?
45:56Certainly, Doctor.
45:57I shall return this evening.
46:03Drive on.
46:03She has a touch of Hester about the eyes.
46:08And the forehead, of course, is James, your grandfather.
46:15And, oh, look.
46:19She has Julie's nose.
46:23And the chin is decidedly Julian's.
46:29And what is there of Monty?
46:31Were you expecting something?
46:37A true foresight.
46:42Congratulations.
46:46Goodbye.
46:47Oh, goodbye.
46:48And take care.
46:51Well done.
46:54Bye.
47:01All right, whole thing?
47:07Imogen.
47:08What?
47:09Don't you think?
47:11It's rather a sweet name.
47:14Imogen.
47:17Immy.
47:19Immy.
47:21Yes, I like it.
47:22Oh, I, um, found myself in Hatton Garden.
47:30Got you this.
47:32Monty.
47:39Oh, Monty.
47:43They're beautiful.
47:44How ever can we afford them?
47:50Ways and means, old girl.
47:52Ways and means.
47:56They're beautiful.
47:59They're beautiful.
48:00Beautiful.
48:01Hey.
48:03Oh.
48:04Oh.
48:04Oh.
48:05Oh.
48:34Miss Aaron.
48:36Good afternoon.
48:37Good afternoon.
48:38I'm a little late.
48:39That's it?
48:40Yes.
48:45It's most pleasant to see you out of mourning at Longworth.
48:48Yes.
48:50Mr. Forsyte, may I present Mr. Beach?
48:54Hello, sir.
48:56So, Ms. Forsyte.
48:57How do you like Bournemouth?
48:58Decorous but dull.
49:00But money to be made.
49:01Mr. Beach is involved in a property development.
49:04Oh, you too.
49:04Who isn't?
49:05What's yours?
49:06Towards Southbourne.
49:07Nine houses.
49:09Mine's a sanatorium.
49:11A town for invalids.
49:12They're built for health.
49:13Not gaiety, isn't that so, Miss Heron?
49:15Oh, it's certainly not for gaiety.
49:18So, we must make the most of this afternoon.
49:24Should we?
49:28I'd rather not.
49:34Miss Heron, it's been some time since we first met.
49:44I don't wish to seem important.
49:46Please.
49:47Please don't ask again.
49:48I don't want to.
50:38Forgive me, I lost my head.
50:50Yes.
50:57Your friend, Forsyte, is he encouraged?
51:01No, he is not.
51:03Remarkably beautiful woman. Why is she glum?
51:06Oh, she will pick and choose. In anyone's book, Mr. Forsyte is acceptable, and he's very wealthy.
51:13Well, it's the spark. It's the spark you need. Don't you think, Mrs. Heron?
51:17The spark is very fine, but 3,000 a year is better.
51:21You're a cynic, madam. Shame on you.
51:24She needs to meet the right fellow. Has he proposed?
51:27He has.
51:29Rejected?
51:29For now.
51:33I have the 3,000 a year.
51:35I'm encouraged to hear it.
51:36What do you think about the spark?
51:37I'm confident about the spark.
51:40She's so beautiful and captivated, Mrs. Heron.
51:42Will you excuse me?
51:55Irene?
51:56We're leaving.
51:59Mr. Forsyte, I do apologize.
52:02I'm feeling a little unwell.
52:05Is there anything I'm...
52:06No, thank you.
52:08Irene will look after me.
52:09It's the heat. I must go home.
52:12May I escort you?
52:13No, thank you.
52:15It's been a most memorable afternoon.
52:18Mrs. Heron.
52:19Good afternoon, Mrs. Heron.
52:21Miss Heron.
52:22Good afternoon, Mr. Forsyte.
52:25Goodbye.
52:36No luck with the young beauty, eh?
52:40Mind my words, you do better with a stepmother.
52:50What happened to Mr. Beach?
52:51Why are you interested in Mr. Beach?
52:53I'm not remotely interested in Mr. Beach.
52:56We should have taken a cab.
52:59This is madness.
53:00No, this is poverty.
53:01It's what you've brought us to.
53:02We are not this poor.
53:04I'm not prepared to support you for another year.
53:06If you won't marry, then you must take employment.
53:08What employment can I take?
53:10Then you shouldn't marry.
53:12It's an exceptional offer.
53:14I could never love him.
53:15You do not know that.
53:16Life is a dance we must learn.
53:43Into the night we will turn.
53:47Time holds the secrets of our song.
53:52Moments are given, then gone.
53:55Come have this dance with me, darling.
54:00I'll hold you tight till the dawn.
54:04Let the night see how I love you.
54:09So the moon can tell the sun.
54:12So the moon can tell the sun.
54:17Bye.
54:22Bye.
54:24Bye.
54:26Bye.
54:26Bye.
54:27Bye.
54:28I'll see you next time.
54:35Bye.
54:36Bye.
54:37Bye.
54:38Bye.
54:39Bye.
54:43Bye.
54:44Bye.
54:46Bye.
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