- 2 hours ago
Category
😹
FunTranscript
00:00Morghiza
00:06Morghiza
00:10Zindhiki mein aaya
00:14Tum se hoke
00:18Nacita meera
00:22He temhi pe aaya ka
00:28Hau
00:32Tanhaa hi rehte
00:36Hau
00:42Hau
00:46Mai huum mashuul writer Nilufar
00:48Aur ye hai mira novel Neelikoti
00:52Jo mai isi Neelikoti ke ander peat ke
00:54Likhne ki koishish kar rhae huun
00:56There was a red color of this house.
01:01People used to say the red color of this house.
01:06But then it changed.
01:11It changed.
01:13It changed.
01:14It changed.
01:15It changed.
01:16It changed.
01:17It changed.
01:19It changed.
01:21It changed.
01:23It changed.
01:24It changed.
01:25It changed.
01:27It changed.
01:28It changed.
01:30The story of a case in which these days
01:36came before.
01:38This book's journal is what's written.
01:42I came by a coordinated letter from the book
01:46Maybe this story will be successful at this time.
02:16Really?
02:27How nice!
02:44Happy wedding anniversary to my darling Amo Jan and Baba Jan the Kruaita.
02:51My son is 25 years old.
02:53I've been 30 years old.
02:55What do they say?
02:58Just understand that my life is over in this life.
03:03I know.
03:04But my time period starts at that time,
03:07when I was in your life.
03:09What a wonderful entry you had.
03:12Do you remember that when you came to the world,
03:14what did you do?
03:15Please!
03:16I don't know anything about your children.
03:18I'll cut the cake.
03:19And I'll cut the cake later.
03:21Okay, okay.
03:22Cut the cake.
03:24I'll cut the cake.
03:26I don't know anything.
03:28I'll cut the cake later.
03:29I'm trying to figure out how to write the cake.
03:33I will go with it.
03:35All right.
07:33Please send me all my novels, my novels have been stopped.
07:36Oh, you have to study your novels?
07:38Here, someone has asked me to ask without me,
07:42and you have to study your novels?
07:45This is very strange.
07:48I don't know who has done this, who has done this?
07:53I have.
07:54What? You have?
07:56Why?
07:58You are not going to go with this green coat, right?
08:01Do you think you can sell it?
08:03Oh, okay, you can sell it.
08:05Then, you have to do another job.
08:07Our entire business, all the properties, farmhouse, etc.
08:12What will be different from a green coat?
08:17I know.
08:20These green coats are more important than all these things.
08:23My friends and relatives are special.
08:26I have my home, my city, my city,
08:30I will not leave my country.
08:34If you have to take someone, then take them.
08:37They will write your novels and articles.
08:40They can write them.
08:42That's it.
08:43Obviously.
08:44Why are you going to go?
08:45Your daughter is more important than your property.
08:48Let's go.
08:49Emotional blackmail.
08:50Okay, stop it.
08:51You are still studying it.
08:53Oh, hi.
08:54Excuse me.
08:55There is no relationship with our Neelie Koothee.
08:57Hello, excuse me.
08:59Our manhuma nani, we have had a house for Huck Meher.
09:03Huck Meher?
09:04Yes, that was Huck Meher,
09:06which was in the beginning of her husband's face.
09:08And his daughter went away.
09:10He left his daughter.
09:12He left his daughter.
09:14He left his daughter.
09:16He left his daughter.
09:18He left his daughter.
09:20He left his daughter.
09:22He left her daughter.
09:24He left her daughter.
09:26And her father also didn't even see her.
09:28Your daughter told me.
09:30He left her daughter.
09:32I couldn't tell you.
09:34I don't need to know her.
09:36She left her daughter.
09:38She left her daughter.
09:40She left her daughter.
09:42She left her heart.
09:44It was so much.
09:46She thought,
09:48what kind of things was my son.
09:50I know how much I was going to go to my house.
09:55I didn't call her. She called me. I'll tell you everything.
09:59A second.
10:00I don't want to tell you anything.
10:01I don't want to tell you before you told me.
10:04I'll tell you before I go to my house.
10:09This is amazing!
10:10I'll tell you to tell you.
10:14There will be a solution for this thing.
10:17A solution?
10:18Yes.
10:18It will be a solution.
10:20She's got a nilami on her own house.
10:24Nilami?
10:25Who told you to tell her?
10:26She had an ad in the newspaper.
10:32What happened to her?
10:35Yes.
10:36Now I'm going to change her.
10:42Nilami?
10:45My friend.
10:47This is not a decision.
10:50Three crooks.
10:513,10,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000
11:21Why are you doing this for yourself?
11:29Did you know something about your father?
11:32What did you know?
11:35This is why all the punishment has been done.
11:44If the bank is defaulted or not...
11:47...or not that we will be our best.
11:51Leave him.
11:53Come on.
11:55Come on.
11:57I don't know where the fire is from.
12:04I don't know where the fire is from.
12:13I don't know where the fire is from.
12:20You can't find it.
12:22You can't find it.
12:24You can't find it.
12:30Find someone else.
12:34Leave it, my dear.
12:40You can't leave this house.
12:42You can only take clothes from here.
12:51The rest of everything will be done.
13:07The property is more than you.
13:11What did you say?
13:13He was doing a lot of emotional blackmail.
13:16My son, we are very sensitive to you. You know that, don't you?
13:22You are like a clean man.
13:25How do you talk about this?
13:28Don't talk like that.
13:30Baba-jaan! Baba-jaan!
13:33Amhu-jaan!
13:36You seem to treat me like Akbar and Salim?
13:40Because your actions are like this.
13:43You are not in front of Anarkali.
13:46Because Anarkali will be reached to the university, where you had to go.
13:50Oh no, it was a price distribution.
13:52No, no, no.
13:53Stop, stop.
13:54I have to talk to you.
13:55Come here.
13:58Jay.
13:59You know, we love you very much.
14:02You are where you are and where you are.
14:06And don't forget you.
14:08I swear that you did in love.
14:12How will I do?
14:13I will not be in love.
14:14How are you doing?
14:15Why do you do not do that?
14:16We are also in love with a person.
14:17You are not in love with a man.
14:19I will not blame for the US.
14:23I will be in love with you.
14:24I am sorry.
14:25I am sorry.
14:26Let's not be afraid of Baba.
14:27You can't be afraid of Baba.
14:28Now, he can get away with this house.
14:30He is very emotionally attached to this house.
14:34He is sensitive to this house.
14:35I am sensitive to you.
14:37I am sorry.
14:38How many heroes are emotionally blackmailing?
14:40Here, every scene gets fit in my head.
14:43Yes, yes, you've done the first thing with me,
14:46so I'll explain you a good situation.
14:48You're taking yourself yourself, right?
14:50Silly, silly boy.
14:58Listen.
15:00Yes, what are you, Tara?
15:01All our problems and solutions are okay.
15:05Leave university.
15:06They're going to have a claim.
15:09I've told you a thousand times
15:10that we've already released our problems and solutions.
15:13We've already released it.
15:15Let's leave this selfless, Tara.
15:16Please, leave your mind.
15:18The whole life will go on this teacher scooter.
15:22This teacher scooter is better,
15:24except that I'm going to take a look at someone else's face.
15:29Life isn't like romantic novels.
15:32Everything is fine.
15:34You writers are very strange.
15:37You don't understand this.
15:39What's your problem with writing?
15:42I'm a writer.
15:42I'm a shocker.
15:43I'm a passioner.
15:44What's your problem?
15:46And at least, I'm a passioner.
15:50You were so preoccupied.
15:51I wanted to do something with you.
15:54We will listen to you.
15:55We are waiting for your phone.
15:57We will talk to you about the door.
16:00And you will not have a problem with your phone.
16:02You won't have a problem with your phone.
16:03Oh, come on.
16:07Yes, sir.
16:07Yes, sir.
16:08Yes, sir.
16:09Yes, sir.
16:09Yes, sir.
16:10Yes, sir.
16:12Yes, sir.
16:13It's breaking news in the house that it's a greener.
16:17And you didn't tell your daughter.
16:20How did you do this?
16:22No, you don't have any such thing.
16:25It's been happening.
16:27Why?
16:28I've told Nafisah.
16:30I'm telling you, if there's any such thing,
16:32I won't have this sale.
16:35You didn't tell me.
16:37I'm going to go through the wrong thing.
16:40I've told you.
16:42Zaid?
16:44And who does Zaid do all this?
16:47How are you talking about?
16:49How are you talking about?
16:51You're our son.
16:52And now you're the owner of this house.
16:54Akbar Ali.
16:56You don't become a son of a son.
16:59For yourself, let's do it.
17:02Okay, Akbar Ali.
17:04You too.
17:05Because of this,
17:07my daughter,
17:09my parents,
17:11your husband,
17:12see you?
17:13Sure,
17:14I don't think any of you are.
17:17I've been on this house.
17:18So this is a river,
17:20I've been on this house.
17:21But,
17:22that is what I've been on here.
17:24I'm on this house.
17:26This house here is awesome.
17:28What if you are on this house?
17:30You can't talk to me.
17:33I'll stop.
17:35I'll stop.
17:37You don't do anything.
17:39What do you do?
17:42What can you do?
17:44I'll get the understanding.
17:53Good.
17:55You've heard all your stories.
18:02Go.
18:04Go and talk to her.
18:13And what does it mean?
18:15What does it mean?
18:16What does it mean?
18:18What does it mean?
18:21What does it mean?
18:23What does it mean?
18:24What does it mean?
18:26What does it mean?
18:30Zaid!
18:31Zaid, what's going on?
18:32Zaid, open the door.
18:34Zaid, listen to me.
18:36Please listen to me.
18:39Zaid, open the door.
18:51Zaid, open the door.
18:52What's going on?
18:53Zaid, open the door.
18:54What's going on?
18:55What do you mean?
18:56Leave her a little bit.
18:58Don't leave her.
18:59Don't do anything.
19:00She won't do anything.
19:01I'll keep her in the door.
19:02She won't give her as easily.
19:03She won't get a charge of her.
19:04What do you need to talk to her?
19:07You don't have to understand her
19:08that only she's born mother-in-law-ers,
19:10and she's born mother-in-law-ers.
19:11What can she do?
19:12Come on, listen to me.
19:14Listen to me, listen to me.
19:16You should do something about them.
19:18I'm tired.
19:19You don't have to come back.
19:25I don't care about this job.
19:27I welcome people all day to fake smile.
19:30And they'll raise money in front of you.
19:32How many times did you tell me?
19:33If you read a little more,
19:35then you don't have to do a small job.
19:37I'm not shocked you
19:39to give a lot of books in small small books.
19:42Okay, listen.
19:46Just think about it.
19:47We're talking about it.
19:49We're talking about the case.
19:51Who else is a child?
19:53Why don't you tell us a small thing?
19:55Our father died 10 years ago.
19:59And my brother didn't give anything to God.
20:02We can't kill these girls.
20:07We're going to eat the whole life.
20:09Okay.
20:11Yeah.
20:13That's all.
20:14So.
20:15Oh, no.
20:17All right.
20:20Oh man.
20:21I don't know.
20:51I'm absolutely fine. Why are you getting worried?
20:55Because I'm your mother, but if I'm not ashamed, then what will I be?
20:59The world has a relationship between the flesh and the flesh.
21:04Your relationship is my heart. I never forget it.
21:08Why do you touch me?
21:11I get worried, son.
21:14Well, university job.
21:16And please, don't take any other thing in my heart, son.
21:20Please.
21:21My heart has come. That's Alaina's name. I'm getting late. Bye.
21:25Okay. Bye.
21:30The world can never understand my mother's insecurity and fear.
21:34Every time in our hearts, it's the same fear.
21:37That our children don't go away from us.
21:43Brode.
21:45Oh, man. I'm late.
21:48Again.
21:49Again.
21:50And you also know what this event is.
21:52I don't want to take any further.
21:54I don't want to take any further.
21:59Brode, your father-in-law has already reached the auditorium.
22:02Shh.
22:07Where's your heart?
22:08So your mood always stays like that.
22:11I'm sorry.
22:12It's okay.
22:13It's okay.
22:14It's okay.
22:15Mm-hmm.
22:18All right.
22:19What's wrong with your tango manufacturing fault?
22:23Let's go, we'll start even soon.
22:26What's going on?
22:27First price is to get Manhus.
22:29Manhus is not a hero.
22:32He is not a hero, he is a zero.
22:34Yes, that's a zero that doesn't increase his value.
22:38A value increase?
22:40My value is decreasing.
22:42You have 36% with him.
22:45Let's go.
22:49Ladies and gentlemen,
22:54it is with great pleasure
22:56to announce the first position
22:58in the market research category
23:00for this price distribution ceremony.
23:03And,
23:04the first position goes to
23:10Mr. Zaid Ali Shah
23:12and Ms. Alaina
23:14for their exceptional work
23:17on Islamic financing literacy
23:19and the intent to use Islamic financing in Pakistan.
23:22Congratulations to both of you.
23:24Thanks to both of you.
23:25Jessica,
23:47Mr. Ramon
23:49I have the same for you.
23:50Justin,
23:51did you just pull us out?
23:52I'm also delighted to announce the second position and it goes to Ms. Maheen and Ms. Zahra
24:18for their remarkable research on macroeconomic news and capital market reactions in Pakistan.
24:25Well done Ms. Maheen and Ms. Zahra.
24:48How do you know how much you have to face embarrassment when you walk out?
25:06Embarrassment?
25:07Embarrassment is not the only thing you have to face.
25:11How much do you have to face embarrassment to walk out?
25:15Embarrassment?
25:17Embarrassment needs to be the winners.
25:20Nepotism is the biggest example in our department.
25:24Why do you think that their research proposal is already approved for the H.E.C.C.
25:31Maybe I have a source.
25:36Why does he use a source?
25:39He's a topper of this university.
25:41He's a topper?
25:42I'm a topper of this too.
25:45We all know this.
25:48He's got his best friend Elayna's father.
25:52He's a dean of faculty.
25:55You can do research too, Zara.
25:58How can I do research?
26:00How much money is in research?
26:02And where will I get from?
26:04This scholarship was very necessary for me.
26:10Okay.
26:11Let's go.
26:12Don't lose your mood.
26:13We'll go to the cafeteria and go to the cold coffee.
26:16Your mood will be fine.
26:17No.
26:18You go.
26:19I want to go to the boutique.
26:21Ma'am Zunaira gave me the last morning.
26:23I'm late.
26:24He must have the power of both your children.
26:26You've managed so many tough jobs with studies.
26:31They've used to learn how to manage people.
26:35Yes.
26:36That's a good thing.
26:37Let's see.
26:39Music
26:48Music
26:56Hello?
26:57Hi Sara, I'm going to go to your restaurant.
27:02Yes, there's an emergency. Do you want to hear something?
27:05Okay, I'm going to go.
27:09Okay.
27:15I'm going to go now.
27:16Okay, okay.
27:23Hi.
27:24What are you doing here?
27:25I'll tell you.
27:26Tell me first.
27:29I'm okay.
27:31What are you doing here?
27:33I don't know.
27:36I'm okay.
27:37Okay, you're okay.
27:39This is my sister's sister.
27:42I'm sorry.
27:43I'm sorry.
27:44I'm sorry.
27:45You're okay.
27:46I'm sorry.
27:47I'm sorry.
27:48I'm sorry.
27:50I'm sorry.
27:55My house is closed.
27:57If you want to advance money for the new flag, you'll have to have less money.
28:06Yes, how much money do you need?
28:11This is about twenty thousand.
28:20What if you are like this, I'll throw it back. I've never done that before.
28:24Okay, I'll give it back.
28:31You're the best.
28:36Give it back again.
28:41Now, tell the password to her.
28:47That's the date of birth.
28:501724.
28:541724.
28:571724.
28:581724.
29:021724.
29:04You don't become a son of a son, right?
29:28Mom!
29:29Where are you from?
29:31But don't go, Scott!
29:33Look at him, look at him!
29:35Look at him, look at him!
29:36Sorry! Sorry! Sorry! Sorry!
29:39Sorry?
29:40You're success with your mind.
29:42I'm sorry, I didn't see it.
29:43I didn't see it.
29:44Why wouldn't you see four and two kids to do this?
29:48Sorry this is damaged.
29:50It's damaged.
29:51It's exactly like your mind.
29:52Please, I'll fix it right now.
29:54Next job, if you want to fix it,
29:56why don't you fix it to work better?
29:59Why do you talk to me every time?
30:01If there is a problem, we can sort it out.
30:03Who would say that I have no problem with you?
30:05I have no problem with you.
30:06We have done a whole course,
30:08but in my opinion, you are normal.
30:10You are doing this job.
30:12You are doing research on me,
30:14and you give attention to your research.
30:29You are doing research on me.
30:31You are doing research on me.
30:33You are doing research on me.
30:35I have no problem with you.
30:37In some life,
30:39we are putting our research on my own.
30:41But I am not sure about it.
30:59The blood pressure is very high, isn't it?
31:22Hmm.
31:23Inshallah, if we will be quiet, we will be fine.
31:26Okay.
31:27What happened to me?
31:29Go and see yourself, baby.
31:32I'm coming.
31:34I'll leave the doctor.
31:36What happened to me?
31:52Leave me.
31:54Tell me about the research papers.
31:56What happened to me?
31:57What happened to me?
31:59What happened to me?
32:01What happened to me?
32:02What happened to me?
32:03Why are you so upset?
32:04What happened to me?
32:05What happened to me?
32:06What happened to me?
32:07What happened to me?
32:08What happened to me?
32:09What happened to me?
32:10And the mother even said what's going on here?
32:11What happened to me?
32:12You're killing me, and I got a problem with them.
32:15Why do you think a laptop is composing yourself?
32:18It's a little difficult job.
32:20Zaid, son.
32:22I've told you a thousand times
32:24that I have to write with my hands.
32:26I don't like doing it on the computer.
32:28My novels are research-based.
32:31I need an assistant.
32:35What is the need for all these things?
32:38Relax.
32:38What a shock is it?
32:40Come on, take a look.
32:41We're going to eat and eat good shopping.
32:45Shopping?
32:46Yes, I'm going to do it good.
32:50The retail therapy is totally fine.
32:54Retail therapy?
32:56I don't have a problem, but I'm going to go.
32:59I'm not a shock.
33:01I'm going to be serious.
33:04Where are you going?
33:06I'm sorry, Baba Jihan.
33:08For what, baby?
33:09I'm going to be a shock.
33:11My son, my son.
33:13My son, you're not understanding our problems.
33:18We can't leave everything this way.
33:22I swear, I'm going to complete research and go back.
33:25I'm not going to be a shock.
33:26I'm not going to be a shock.
33:27I'm not going to be a shock.
33:27Do you think we can leave everything?
33:28No.
33:32Okay.
33:36Okay, Akbar Ali.
33:38I'm going to be a retail therapy.
33:39I'm going to be a retail therapy.
33:40But you need to be a detail therapy.
33:42You need to be a detail therapy.
33:42Detailed therapy
34:12It's too much
34:42Yeah, but it's too much
34:44I can't waste
34:45Yeah, and then it's too
34:47It's too good
34:48Yeah, it's good
34:49Mancha is also calling
34:51Listen, listen
34:52This is nice
34:53Hello?
34:54I try this
34:55It's good
34:56Yes, Mancha
34:57Where's your changing room?
34:59Come on
35:01Okay
35:02Okay
35:04No, no, I've been sent files
35:12Forty-five minutes late, are you?
35:14Ma'am, what?
35:15My bike was wrong
35:16My bike was wrong
35:17She called me and informed me
35:19Ma'am, I was going to call you
35:21But
35:22A stupid kid
35:24My phone broke out
35:26Why do I ask you
35:27I'm listening to you every day
35:29I'm calling you
35:33Get your last salary
35:35Not tomorrow
35:36Ma'am, I'm saying
35:37My phone broke out
35:38Ah
35:39I'm talking to you
35:40I'm talking to you
35:41Because I was the person
35:42Who is the person
35:43Who is the person
35:44What?
35:45I'm the class
35:46Oh
35:47Okay
35:48I'm going to take them
35:49To take their journey
35:50I'm dying
35:51But
35:52I can't do the job
35:53But I can't do the job
35:54With their journey
35:55Thank you
35:58Thank you
36:09Thank you
36:10Thank you
36:11Thank you
36:12Thank you
36:14Thank you
Be the first to comment