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Mesmerizing French Stage Performance in New Delhi | Alliance Française Cultural Event 2025

Experience the charm of French theatre and culture right in the heart of New Delhi! 🎭🇫🇷
This video captures a stunning live stage performance organized by the French Cultural Centre (Alliance Française de Delhi), showcasing the beauty of French art, language, and storytelling.

📍 Location: Alliance Française, New Delhi
🎬 Event: French Cultural Stage Performance 2025
🇫🇷 Highlights: Theatre, music, dance, cross-cultural collaboration

Whether you're a French language enthusiast, art lover, or cultural explorer, this event is a vibrant celebration of France–India friendship and creativity.

👉 Watch till the end for exclusive glimpses of behind-the-scenes moments!

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#FrenchCulture #AllianceFrançaise #NewDelhiEvents #FrenchPerformance #TheatreInIndia #CulturalExchange #FranceIndia #FrenchDrama #DelhiVlogs #ArtAndCulture #StageShowIndia #DelhiCulturalEvents

#FrenchCulture #AllianceFrançaise #FrenchPerformance #NewDelhiEvents #TheatreInIndia #CulturalExchange #FranceIndiaRelations #FrenchDrama #ArtEventsDelhi #StagePerformance

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Transcript
00:00Hello to all. So are you ready for the play? Ready or not? Yes, you are ready. So, I don't
00:14know about the play. I don't know about the play. But it is all by Farhan. Farhan is
00:24the director and scriptwriter of this play. And who is Farhan? Farhan is of course a student
00:30of Allioms and he is a very senior student of C1.2. What a great team. So, let us know
00:40that only that. Farhan is, you might not be knowing, Farhan is the winner of 14th position
00:48in the world for Plumdor competition. What is Plumdor competition? It is a competition
00:56based on French language and it is a world competition. It is not only for India, it
01:02is all over the world. And winning the position of 14th position in the world is not a matter
01:10of joke at all. And Plumdor competition is being held every year at the time of Francophonie,
01:18in the week of Francophonie festival. So this year, in the year of 2025 of March, he was,
01:27he won the 40th position in the world. So now about the play.
01:32Whatever I have come to know, I am just saying. French is rightly considered a gentle, polite
01:45and refined language. But once in a while, there are grammatical rules that seem ample bizarre.
01:54So those who are not aware of French, those who are coming from outside, and those who
01:59don't know French at all, bizarre means bit strange. Okay? An inventive young scientist
02:08is all said to be one such rule. But will she succeed? Join us here in this auditorium of
02:20the various forces of Delhi. It is by AQ. AQ means actor, amateur, dual ideas. So that
02:27is why it is three times A. And the actresses are Ruchi Rana, Ruchi Sharma, Hansika and Purimaya.
02:39And of course, the one and only Farhan, in whose direction the play is being organized. He has
02:48already organized another play, not the same play, in our library also. But that was fully
02:54in French. But here, as it is open to all, and outsiders are also coming who don't know
03:00French at all. So that is why he is mixing a bit of English and French so that everybody
03:08understands and enjoys. So this is Sherbani giving the stage to AQ. Welcome!
03:19After five long years of tolling, Anne-Marie succeeded in making a time machine. Her mission
03:44however, wasn't a scientific one. She intends to meet the grammarian Vajula who made the rule
03:56that a group with both men and women will be gendered as if it was entirely masculine. Indeed,
04:03she intends to change his mind about making the rule nervous but excited. She enters the
04:09time machine and tides the year she wishes to go to. 1620. Voila! The Story of Cloud Farb the Vajula.
04:22One Lunar Denk
04:44One, two, three, four, four, five, five, five, five, six, six, seven, seven, eight.
04:47What a catastrophic one!
04:49Et donc, pour simplifier la langue, je propose la règle que le masculin l'emporte sur le féminin.
05:06Je suis sûre que ça ne fâchera personne.
05:11Après tout, ce sont nous, les hommes, les soutiens de famille, gagnons le pan quotidien.
05:19Voilà, je crois encore mériter un petit peu de propos.
05:31Vous êtes qui ? Qui vous a employé pour me surveiller, pour m'espionner ?
05:38Personne. Je m'appelle Anne-Marie.
05:41Just the venue du futur. Just the venue d'offrir de l'année 2025.
05:46Arrêtez de m'en tirer.
05:48Arrêtez de me mentir.
05:50Il s'agit probablement de ce discours que j'ai fait l'autre jour au bar quand j'avais tellement vieux.
05:57Monsieur Bourjola, je vous prie de mes côtés. Je suis venu pour sauver votre reputation.
06:04Non, non, non, non.
06:06Ça doit assurément être en rêve.
06:09Encrochement !
06:11Alors, vous ne me laissez pas le choix ?
06:16Bourjola.
06:17Monsieur Bourjola.
06:18Monsieur Bourjola.
06:19Monsieur Bourjola.
06:21does not believe Anne-Marie
06:23thinking how to be a dream
06:26Alas, Anne-Marie
06:27does not have so much time
06:29and decides to shake
06:31Virgula to show him
06:33it's not a dream
06:34but it's my life
06:39d'accord, d'accord
06:40je me crois
06:42mais c'est quoi cette histoire
06:44de sauver ma réputation
06:46c'est à propos de cette règle-là
06:49que vous venez d'écrire
06:51à cause d'elle
06:52des milliers de gens vous détesteront
06:55on dirait que vous êtes
06:57sexistes, antifémitistes
06:59et misogènes
07:00vous pouvez
07:02on dirait que vous
07:06vous êtes antiféministes
07:07vraiment
07:08vraiment
07:10c'est pour ça que vous êtes venus ici
07:12ça m'a l'air tout à fait ridicule
07:16en fait
07:18quand on vous a permis
07:20à vous
07:21à une femme
07:23de venir nous voir comme ça
07:25alors
07:27vous simplifiez ma tâche
07:29les taux
07:30changera
07:31énormément
07:32l'amour
07:34deviendra plus
07:35égalitaire
07:36et les hommes
07:37et les femmes
07:38seront considérés
07:39égaux
07:40voudriez-vous
07:42qu'on se souvient
07:43d'abord
07:43comme un
07:44monsieur
07:45de l'égalitarisme
07:47un homme
07:50qui déteste les femmes
07:51bien sûr que non
07:53bien sûr que non
07:53je ne déteste pas
07:55toutes les femmes
07:56c'était
07:58c'était
07:59c'était
08:00seulement pour
08:01économiser l'ombre
08:03utilisé pour imprimer
08:04que je crée
08:05mais vous l'écrivez
08:06cette règle
08:07ne savez-vous pas
08:08qu'il a trois lettres
08:11alors qu'elle
08:12en a cinq
08:14et c'est la même chose
08:16pour les adjectifs masculins
08:18et les non-masculins
08:19qui sont bien plus
08:21courts
08:22simples
08:23et pour
08:24mais
08:26c'est la même chose
08:27c'est la même chose
08:29c'est la même chose
08:30la même chose
08:31et je ne veux bien
08:33que ça se trouve
08:34tu es
08:34Anne-Marie
08:40has explained
08:41to Vajula
08:42that he must
08:43act wisely
08:44to save
08:45his reputation
08:46otherwise
08:47the world
08:48would perceive
08:49him as
08:49sexist
08:50and misogynist
08:52luckily
08:52for her
08:53the old
08:54grammarian
08:55seems to
08:56understand her
08:57but
08:57the time
08:58is running
08:59out
09:00messieurs
09:03il faut que
09:05je retourne
09:05à la machine
09:06sinon
09:06elle va partir
09:08somme
09:08mille
09:08merci
09:09bonjour
09:10mademoiselle
09:13ou madame
09:14on
09:16quand
09:17alors
09:17qu'est-ce que
09:17tandak
09:18pour un
09:19pour un
09:19pour un
09:20ou
09:20pour un
09:21ou
09:21pour un
09:22Anmari is now back home in 2025.
09:44Her sister Bella is sitting on a chair in living room playing Sujuku on her phone.
09:50She now has to test whether Vajula has indeed capped his promise.
10:20She has to test whether Vajula has a visa.
10:24No, no, no! I'm not joking! I'm serious!
10:28Very serious!
10:30How did you propose your decision?
10:35Okay, so these agriculture and agriculture are interesting?
10:40Oh la la!
10:42So interesting!
10:44So, la la la proximite!
10:46Assume it too!
10:47Sa ashonje sa ashonje sa ashonje sa ashonje
10:53Indeed, the rule of proximity has survived.
10:57And Vajula has kept his promise.
11:00But...
11:04What has changed?
11:05Why are you leaving?
11:06It's okay, Ani!
11:08You're worried!
11:09It's okay, Bella!
11:11Don't worry!
11:12Do you have any other questions?
11:14No, I don't know.
11:16Well...
11:17Well, then you're agricultural and agriculture...
11:20Where were they?
11:21Where were they?
11:22Huh...
11:23They were...
11:24Wait...
11:25What did you say?
11:26Where were they?
11:27Where were they?
11:28Yes, exactly!
11:29Yes!
11:30I-E-L-S!
11:31The only pronoun for the third person.
11:36What's happening?
11:38he was
11:57alas the rule of proximity for injective survives but vajula
12:02in the bout of modernity a little too ahead of his time creates an inclusive pronoun i e ls is for
12:11the third person plural armari realizes now that the original course of history was perhaps for the
12:19best but she consoles herself thinking that french spellings are still prettier and simpler than
12:28german and as of you you have been a lovely audience thank you so much merci beaucoup
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