- 2 days ago
Video Title -Superhit Bangla Natok-ভদ্র ভাই-Zahid Hassan,Chanda, Abdul Kader
Category
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FunTranscript
00:00I am finished. Delayed. Always Delayed.
00:13Shafi...
00:15Sir...
00:16...Hiroke telephonie mila te bula chila.
00:18Sir, telephonie kore chalam, sir.
00:20She tuk hundra kane ka agi?
00:21No, sir. 3 minit aaghe, sir, abad telephonie kore chalam.
00:24Uni ea khuna bathruun thik bera honni.
00:26Eta khuna bathruun me?
00:27Sir...
00:28Anyway...
00:29Sir...
00:30Tiki ghat si hirou només ke mela him.
00:32Eta khuna bathruun me?
00:33I'm finished.
00:34Ahti te vole i
00:42Uni ee vasi richwui, noru ni ee vasi.
00:46Hadu...
00:47Haduna bhai?
00:48Nadu. Nadine matlovi?
00:50Motlovi!?
00:52The vasi kir llamatta ki eeh si?
00:54Kul Watlovi vin.
00:55Vilat matlovi,Reis....
00:57Yes, I am.
00:59I am the one who has a fight director.
01:04Do you have a fight director?
01:06Do you have a fight?
01:09Do you have a fight?
01:10Do you have a fight?
01:11Do you have a fight?
01:13Do you have a great fighting genius?
01:15Judo, Kung Fu, Kung Fu, long flight, rope flight, egg flight, all of the first flight you have fight.
01:21Don't give up!
01:23Don't give up!
01:29Stop! Stop! Stop!
01:31Cut! Cut!
01:32This is a simple act.
01:33The rest of us will be in the office.
01:35Okay.
01:36What's your decision?
01:37I don't have a decision.
01:39No, no.
01:40If you're okay,
01:41we'll have a whole tree.
01:42Let's go.
01:43Come on.
01:44Come on.
01:45Come on.
01:46Come on.
01:47Come on.
01:48Come on.
01:49Spheak.
01:50Spheak!
01:52Spheak!
01:53Spheak!
01:54How are you calling her?
01:56Hearankate Rummen?
01:57Hearankate Rummenman.
01:58Yes.
02:00Tell me something that's got married.
02:02How are you?
02:03You're here.
02:04How are you?
02:05I've had never heard of him.
02:06You're here.
02:08Hearankate?
02:09How are you saying that happen?
02:10Even if someone else is the tourist ей,
02:12and you might not have a resource.
02:13Hello? Yes, Mr. Amrara Amit. Yes, yes, yes. Yes, sir.
02:29What are you doing?
02:33Listen, there is a question.
02:36What is the question?
02:38Who is the question?
02:41I am saying that.
02:42It is 9 years old.
02:4414 years old.
02:46So, the acting condition is the authority of the government.
02:51Yes, sir.
02:52No question.
02:54I am not saying that.
02:56I am not saying that.
02:58I am not saying that.
03:00I am not saying that.
03:02What is the question?
03:04As I am.
03:08I am a big businessman.
03:12I will say that.
03:14And now, the gates is...
03:17If you have a great deal,
03:19that will be the people of Israel.
03:21Please.
03:22When did you reach up for the government?
03:25For many days,
03:26I will tell you,
03:27the act of the government.
03:28This is purely the stock development.
03:30I am the man.
03:31That's right.
03:32Our chest of gap…
03:34If the whole life is gone, they're going to work the medical needs.
03:39I can't hear you.
03:40I'm going to get the chair table.
03:42So what is it?
03:43Kidney disorder.
03:44All the people have been transplanted.
03:47When you tell, it is gone.
03:49If you have the skin, I will tell you the brain is gone.
03:52That's what you want to do.
03:54Yes, that's what you want to do.
03:56Raheem?
03:57Raheem?
03:59Prahaem!
04:01As well, stopgap chakrithi to, kyo paat dhe chach chena.
04:05Bara.
04:07Prahaem!
04:08Yeah, yeah.
04:09Bollam toh thikha chhe.
04:12Kotho bar bolbo?
04:13Jai chhe kora.
04:15Aami eeshe chhi.
04:18Eeshe chha?
04:19Bah, bah, bah, bah.
04:21Aamak e uththar kodhe chho.
04:23Khi bapa?
04:24Ape na ki bish.
04:25Kruutthu, kruutthu mune huch chhe.
04:27Kruutthu noe.
04:28Kruutthu noe vikkhb dho.
04:31Aachah, hilal shira ji.
04:33Tumra ki shuru kore cho balo toh.
04:35Tumra ki yama ke dhu baate chaao.
04:37Kyanu kyanu?
04:38Eko ata kyanu bool chhen?
04:39Chubhi 80% kaashees.
04:40Eko na pojoen toh, eko daanze sikho e shishko te paal le na.
04:43Tumak e daanze ndirekto raakho eche ki angal cha cha joon nne.
04:48Aapne toh aam ke gaal moan dhu gore ii khalaas.
04:51Heiro heiroin ee shidhu lna apele.
04:53Aami kaadher na chago.
04:55Balen, aapne ii balen.
04:57Aapne ii balen.
04:59Aami ni jayi khaagra ghuungun ppore.
05:02Naas te pari.
05:03Tumarai naas dhekhle.
05:06Tumarai naas dhekhle.
05:07Aarai pablik toh durer kotha.
05:08Aarai paablik toh durer kotha.
05:10Aapne ii heiro heiroin ee shidhu ljagaar korun.
05:12Bhakita aama.
05:14Shuna helal shira ji.
05:16Aagami sotaro tarik rovi bar.
05:18Aau dure nai kya konfom kore cho.
05:20Naiok as konfom kore.
05:22So get ready.
05:24Mursh ki lhe phil len.
05:26Sotaro tarik shabhaare aamra kte stage funksha na chhe.
05:29Debt a unnudin kore le hana?
05:32Absolutly not.
05:33Absolutly not.
05:34Aabhaa doftor thikhe konfom kore.
05:36Tau bhe date fix kora hohe chhe.
05:38Shiki.
05:39Aau dure shooting kore te ho le aabhaa doftor ee permission lage na ki.
05:43Aabhaa doftor jani ee chhe.
05:45Rovi bar sara dine bishhti dharphe.
05:48Aajhoor dharai bishhti.
05:50Like cats and dogs.
05:52Tumito jano.
05:53Aamadir gaaneer puroo picturization haave.
05:55Voi bishhtir motte.
05:57Bishhtir motte.
05:58Bishhtir motte naayok nai kya.
06:00Dura te dura te.
06:01Deja bhi jimaar kya najkhan gul bamdu kora jay na.
06:04Jhum chome bishhtir motte naayok nai kya udoom brittu.
06:09Aadshad jama ka po pore.
06:11Kakhonji pishle.
06:13Pagolir motte kathah boolun.
06:15Monee dhekhu.
06:16Eta hoche purely commercial film.
06:18Kintu?
06:21Doshok dir chahi da bushto haave helal.
06:24Emon naas dhiti haave.
06:26Jatuhi doshok dir chok kotur thighe beri aashe.
06:29Sir.
06:30Hero telephone is sir.
06:31At last.
06:32At last.
06:33At last.
06:34Hello.
06:35Shunarifan.
06:36Shoto tarik outdoor ee nai kya konfam korea chhe.
06:38Tumar pere naaswitra nai tu.
06:39Na na na na na.
06:41Ostar na.
06:42Shoto tarik kya aanii kokshud badar ee chhi.
06:44Haan.
06:45Na na na.
06:46Aak shat ta hara ke parbuna.
06:47Na na na na na.
06:48Aapne oi.
06:49Bish tarik tiki kya date rakhen.
06:50Haan haan.
06:51Aamaz segrination kotha boolun.
06:53Haan.
06:54Haan ustad dhustad.
06:55Please ustad naay.
06:56Ok.
06:57Protection.
07:03Shoto tarik shooting cancel hukta haave.
07:06Hero is not available.
07:08Alhamdulillah.
07:10Kii boolle.
07:19I am finisht.
07:21I don't know I'm not a jar going to the reverse and see how the document you want to conduct
07:31and keep going oh that's a brother Romania nothing in monkey boy are to take effect of the
07:38one year rather than enough to do that in common number generalistic to do me a white charlotte
07:46I was attacked at the bottom of the center of the Nambuligatee are up to touch in Romania
07:50and over again she's about the end up to push a little on I'm going to put a little
07:54I'll enter Bob and I'm not the Kalmata semester also can I'm gonna come on
07:58like a little a meeting a best person to get it I'm gonna wait for it another
08:02meeting session of the doctor dinner on the meeting about the whole dynamic
08:07the whole thing to do the heck you make me keep sending person another last hour
08:12Change the same way.
08:13Cheers!
08:15You're welcome.
08:16You're welcome.
08:17What's the reason?
08:18What's your name?
08:19Why are you here?
08:20You're welcome.
08:21I'm here to go.
08:22We are in the first place.
08:23You're welcome.
08:24I'm here to go.
08:25I'm here.
08:26I'm here to go.
08:27Why are we here?
08:28I'm here to go.
08:29Yes.
08:30It's been great.
08:31You're welcome.
08:32It's all about the money.
08:33But the money is making money.
08:36What?
08:37What's your name?
08:38You're right.
08:39I'm going to take a look at it and put on the head of the rest of the party party party
08:48up that is about the bottom half of the actual bar of a job of data going up on the right
08:53table should follow the good double up with the responsibility accountability of the mother
08:57foreign
09:27I don't know I'm a little bit of a shortage of people who don't have a question about it
09:38but please no personal question okay okay I said if you don't have me quite a
09:45little bit exactly both of them on the way money is done with a mother
09:51Thank you very much.
10:21So, you are going to go, what are we going to do now?
10:24We are not going to be a good friend.
10:26What are you asking?
10:28Madam, I am a good friend of God.
10:32I am very proud of you.
10:34I am a good friend.
10:35I am a good friend.
10:37I am very proud of you.
10:39I am a good friend.
10:41Excuse me.
10:42I am a good friend.
10:43Thank you very much.
11:08Okay.
11:09I am a good friend.
11:12say back on the table I don't know to my committee homework will be at the
11:17service is correct they get that the last minute sir here to ask what I can
11:24daughter been for June to tomorrow permanent it and last ten thought of
11:27the army to work for you to get a good girl
11:32yeah I'm a business local quality didn't take it on a game for testy
11:39send it to the moment I think I could attack it I could call a local master
11:42yeah I'm not sorry I'm on an article lucky I'm not here I should have done it
11:48here and I'll put me that's it
11:50got chairs and I mean that's it nice I can go on a ball at the husband was a
11:56Okay.
11:57All the things that you get, you get the time to take a break.
12:00Good.
12:01Good.
12:02Thank you Sir.
12:03Thank you Sir.
12:04Thank you Sir!
12:06Oh my God!
12:07This is the time we have to go!
12:09Oh my God!
12:10What are you doing?
12:11Are you dating him?
12:12What are you doing?
12:13No!
12:14Let me see.
12:15Let me see.
12:16Don't let me see.
12:18Don't let me see.
12:20Take a break.
12:21Take a break.
12:22I'm not going to die.
12:25Hello?
12:30Pani?
12:32Who is this?
12:34Stupid!
12:36I don't know.
12:37I'm sorry.
12:39What's your name?
12:41Tell me.
12:42What's your name?
12:44Who is this?
12:46I'm sorry.
12:48I'm sorry.
12:49I'm sorry.
12:50I'm sorry.
12:52I'm sorry.
12:54I'm sorry.
12:55I'm sorry.
12:56Our script?
12:57I'm sorry.
12:58Both.
12:59I'm sorry.
13:00Unfit for human consumption.
13:03Well, I'm sorry.
13:05I'm sorry.
13:07I'm sorry.
13:08I'm sorry.
13:10I'm sorry.
13:11I'm sorry.
13:13I'm sorry.
13:15What's your name?
13:17What's your name?
13:22What's your name?
13:24How?
13:26How?
13:27How?
13:28That's my name?
13:29You know what's your name?
13:30There's a name.
13:32You don't want to know.
13:33Why?
13:34Why?
13:35Why?
13:36foreign
13:48foreign
14:06Are you serious?
14:36Public, frontman, that's the one.
14:40That's the one, my brother.
14:41I'll tell you.
14:43I'll tell you, you've got a lot of action.
14:48You've got a lot of fire,
14:52and the forest, and the forest,
14:54and the forest, and the forest.
14:56You've got a lot of the climax.
14:58You've got a lot of the fire.
15:02It's medically impossible.
15:06That's right.
15:07It's a blood cancer.
15:11Blood descent.
15:17You're not alone.
15:19You're not alone.
15:21You're not alone.
15:23You're not alone.
15:24You're not alone.
15:26Why?
15:27You're not alone.
15:29You're not alone.
15:31I was alone.
15:32It's an intense journey.
15:34Thank you for your best.
15:36No...
15:37We're up to 80%.
15:39You're innocent of the hero's songs.
15:42The hero's fight.
15:45What have you happened?
15:47Oh...
15:48I'm so sorry I was here.
15:50I have really good friends.
15:52I don't know what to do.
16:22I'm sorry I'll take it back there yeah I mean study my bottom with the jump
16:28yeah I don't know please up to the kitchen cano I'm not a touchy up Nikki
16:33open at the air phone call it cancer physician yes one of the physician I'm
16:38lucky after something to privately because of the party and a little bit
16:42about it no no gonna kiss on the clock is money no no no a little bit on the
16:47chair here's a show so it past me to mission to show my name after the
16:51video about I'm very busy
16:53they're going to take a police car on my job alone and bullet it
17:04will be really investigation to give us as a chair this is a case of serious heart
17:10attack Ruggi Jodi Shustra you don't know down on top of the cake in mass complete
17:15bed rest of them.
17:17Bed rest?
17:18I mean, there is no business.
17:20I'm going to go to the hospital.
17:23That's right, I'm going to go to the hospital.
17:27What is the bypass operation?
17:30The bypass operation is not the same.
17:33No, no.
17:35No, no.
17:36When you know the bypass operation,
17:40you can't go to the hospital.
17:42heart is going to do shine a bypass C bypass now this is a form of heart operation by she
17:48don't get a give it a baby she don't get a kiss on the thing up again dr. Nassau
17:54Tassi Pagolino to Zata Bolton from Tassi at the rock party get a touchy she
18:00up in bypass operation a this is a normal procedure position normally hooker
18:05abnormally hope after a party to cut the partner give a look of course absolutely
18:11right a response I've got a mother said a picture with the cast question night
18:14as a tool or economic interest in a six sequence technology turn back yes
18:18typically only not given money one I can ask to have a jehovah when I can I get to
18:24the last of it power a jungle a column at a picture of a natural day how to take a
18:29fire cost of the bishop a hollow to miss you do not take a table to fighting
18:34sequence guilty back here say she will give a billion K jura pair latin Mary are a
18:39Don't you look to show up at you know how to do we already go to take with a
18:45blood pass Kuchina talking to you after a job I love him out of me
18:49ah ah only to a meeting are gonna so be present in Iraq and serve after the
18:54showing after the show we don't like you look better from the neck
18:57shunun as a constant physician of this actor I mean to the get the solution
19:04teacher key suggestion a room no we need to get after the show we think about
19:07the energy we can focus on Tanaholi after the show by Gilliam
19:12Gilliam you will go can't tell you can't tell you can't tell you can't tell you
19:17what deliver it man's for religion can't help our fortune can't
19:26our fortune can't tickets tickets
19:37Chitra, you've seen the same thing, you've seen the same thing, but you've seen the same thing, but you've seen the same thing.
19:45But, very bad.
19:47Sorry, sir.
19:48No, no, you've said it.
19:50Listen, look at the TV, look at the package, look at the cinema, and the talk.
19:58Sir?
20:03I'm not sure.
20:05If you ask, you would say something you'd like to say about the TV?
20:09No, sir.
20:11Because I have never seen the TV.
20:15You see the TV?
20:17What does the TV show mean?
20:19No, sir.
20:21Just to tell you about your TV.
20:24I don't want to ask you.
20:27I don't want to ask you.
20:30You can see that.
20:33You've got the wrong word.
20:36You can't even go.
20:38You've got the wrong word.
20:41You're wrong.
20:43Yes, you can't.
20:44I'm wrong.
20:48You've got the wrong word.
20:51No, no.
20:53I'm wrong.
20:55I'm wrong.
20:58I'm very happy that I'm very happy, but I'm very happy.
21:04I'm happy to be here.
21:06That's not my name.
21:10I'm happy to be here.
21:13I'm happy to be here.
21:15I'm happy to be here.
21:17Shekiy, have you been to the next three months?
21:22We are all very good.
21:25We have a great deal of things.
21:27We will keep the people of our own.
21:31What is it?
21:33I'm good.
21:34What do you want to do with this?
21:37I'm sorry.
21:38We should not be able to do it.
21:40We'll be able to do it for some time.
21:43We'll have to come in with our own actor.
21:46We're not going to do it for some time.
21:48That's right.
21:50Goodbye.
21:51Thank you, Mr. Slam.
21:57Chitra, listen.
22:00Listen to me.
22:02Don't forget everything.
22:04Don't forget.
22:14What did you say?
22:16What did you say?
22:18Are you there?
22:19Yes.
22:20If you've met God in your life,
22:21I'm not.
22:22Thank God.
22:24I know.
22:26There's nothing more than fair.
22:29We're here so much.
22:30We're here to have theทings.
22:32Nothing?
22:33Nothing.
22:34Nothing.
22:35Nothing.
22:36I've got a lot of time we have to be a lot of time.
22:38You're here.
22:39I'm here to be a lot of time.
22:41I'm here to be a lot of time.
22:42I'm here to be a lot of time.
22:45After a twist, I have to give you a twist.
22:49Give me a twist.
22:50I have to give you a twist.
22:53I can't do this.
22:54I have to give you a twist.
22:58Yes.
22:59I can't tell you what I'm talking about.
23:03Tell me.
23:05You're killed in a road accident.
23:12You're killed?
23:14You're killed.
23:16You're killed.
23:19You're killed.
23:21Yes.
23:21I can't hear you.
23:23You're killed.
23:25You're killed.
23:28You're killed.
23:31I can't.
23:34I can't tell you.
23:37to get tomorrow mother at the moment do say it alone jama's where cutting
23:41dictated the socket of what they get it to worry twist the shock happy now
23:46can you can teach Allah it always wanna they said the shocker that's a
23:50original hero is everything she original hero k chobiri mask for the
23:55total curry duplicate hero I'm the Nicola does so comma Corbina it will be a
24:01plot super top star I'm a crack machine shooting it out a cano this is a book
24:09Jimmy Germany is on short to need an ugly to me he told him I was for him all my
24:16mohabbat doyama is a little bit more lonely I'm gonna come happy but in touch in
24:22time of the knock about I'm already do show me to me of the radio show my army
24:27We will not get the same things we'll get back from the name of the camera.
24:31A lot now, very good.
24:32I will get out of the house!
24:34You shall be right, Sir.
24:35Why are you wrong myself?
24:36I am wrong, Sir.
24:36You shall be wrong, Mr. Faraday.
24:37Well, that's a good thing.
24:38You are wrong.
24:39You are wrong.
24:40What is wrong?
24:41I am wrong, Sir.
24:41I am wrong.
24:41I am wrong.
24:43But I am wrong.
24:44I am wrong, Herrera.
24:45No, I am wrong, Mr. Faraday...
24:46I am wrong, Mr. Faraday.
24:48What an example of the satsang...
24:49is not wrong, sir?
24:50I mean, your speaker is wrong.
24:51I am wrong.
24:52You know what?
24:53I am wrong, sir.
24:54I am wrong.
24:55you look into local local community who we call a crumb care of order canning
25:01what am I shot this you quickly marketed to make up the a deacon sir I'm a makeup
25:07man magician no you only exonet your ability a fun can a chair I'd up on
25:12torquera I'm a pocket some of noise the only other kids you have enough I am
25:18finished
25:21Hello, Siraz.
25:23Welcome, Siraz.
25:24Welcome, Siraz.
25:26Hey, Imran.
25:27What are you doing?
25:28I'm fine.
25:29Why are you fine?
25:30I'm fine.
25:31I'm fine.
25:32Siraz.
25:33I'm fine.
25:34I'm fine.
25:36Siraz.
25:37Please.
25:38If you're a worker,
25:40I'm fine.
25:41I'm fine.
25:42I'm fine.
25:43I'm fine.
25:45What did you say, Siraz?
25:47What's wrong with you?
25:48I'm fine.
25:49I'm fine.
25:50I'm fine.
25:52I'm fine.
25:53I'm fine.
25:54This is not my fault.
25:56You don't want to get that matter.
25:58Siraz is right.
26:00This is not my fault.
26:02By doing this,
26:03I'm fine.
26:05I guess it will be my fault.
26:06How does it kill you?
26:08You say it.
26:10You're right.
26:12So, I'm fine.
26:14Yes.
26:16All right.
26:17You're right?
26:18I'm fine.
26:19It's the same.
26:22So, it's the same.
26:25It's the same.
26:37No, madam.
26:39It's the same.
26:40We've been here for 10 days.
26:42We've been here for a while.
26:44Madam, they've been here for a long time.
26:46What's the name of the woman?
26:49The woman's name is the woman.
26:51How good?
26:52Action picture?
26:53Action, what's the name?
26:54Action, here for action.
26:56Turn, turn.
26:58For five minutes, the woman's name is the woman.
27:01She's the woman.
27:03Look, she's the woman.
27:05The woman's name is the woman.
27:08She's the woman.
27:09Okay.
27:16Hey, Jo, come on.
27:18You mean to come?
27:19Give me an angel.
27:21Okay.
27:23Did you see the woman?
27:25Look at her.
27:27What's she's the man?
27:32Alright, she's the woman.
27:34Mother, do you know she's your friend?
27:36She's the man is the man.
27:38Yes, Lord.
27:40Do you know what she is?
27:41She's also the man.
27:43She's a woman's name.
27:44Mother, mother-in-law,
27:45I've seen a lot of people.
27:47Look, it's beautiful.
27:54It's beautiful.
27:56Can you tell me something?
27:58Why?
27:59Do you have one more time?
28:01No, no.
28:02I don't have one.
28:03I don't have one.
28:04I don't have one.
28:05I don't have one.
28:07I don't have one.
28:08I don't have one.
28:10I don't have one.
28:12Yes, I don't have one.
28:14Will you Air ADAMS house?
28:16What's going on?
28:18Mr.ići?
28:20You're okay.
28:22WSME explained to me how much estániere?
28:24Yode, you're okay.
28:26Why are you eating so bad?
28:28Does it lie?
28:30I have to ask so,
28:32I have to go and get closer to this story.
28:36No, I like it.
28:39It's a few,
28:40bullpen.
28:41It's a huge experience.
28:42I will see you in your face.
28:44I am happy to see you.
28:46I will see you in your face.
28:48I will see you in your face.
28:50Madam, how are you doing?
28:52Yes, I will.
28:56Hey, have you seen it?
29:02Shriyaj, you have seen the latest news you have seen.
29:06Yes, I have seen it.
29:08Why have you seen it?
29:10Shriyaj, you have seen it.
29:12You have seen it.
29:14You have seen it.
29:16What do you think about it?
29:18It's a big deal.
29:20No.
29:22Shriyaj.
29:24Shriyaj.
29:26Shriyaj.
29:28Shriyaj.
29:30Shriyaj.
29:34Shriyaj.
29:36Shriyaj.
29:38Shriyaj.
29:40Shriyaj.
29:42Shriyaj.
29:44Shriyaj.
29:46Shriyaj.
29:48Shriyaj.
29:50Shriyaj.
29:52Shriyaj.
29:54Shriyaj.
29:56Shriyaj.
29:58Shriyaj.
30:00Thank you very much, sir.
30:02Sir, we have to do our work.
30:04Sir, what do you mean?
30:06We have to do our work.
30:08We have to do our work.
30:10We have to do our work.
30:16What do you mean?
30:18What do you mean?
30:20Yes, sir.
30:22Shiraj,
30:24we have to do our work.
30:26Yes.
30:28Now,
30:31I'm going to go to London.
30:35I'm going to go to London.
30:37We have to do our work.
30:39I'm going to go to London.
30:41I have to do our work.
30:43We are working on our work.
30:45We have to do our work.
30:47How do you do our work?
30:49How are you doing?
30:51How are you doing?
30:53You'll see the love you.
30:55Thank you very much.
31:25This is the film, the film is a commitment.
31:28After a month, the big budget is expected to be 6 years.
31:31There is no way to go back out.
31:36Do you think it's going to be a good place?
31:37Do you have to go to the other location?
31:40You can go to the other place.
31:43It's a beautiful place to go to London.
31:45I think you can go to London.
31:49Oh, yes.
31:51I'll go to the next place.
31:54That's it, my father. When I told you, I'll do it.
31:59Let's go.
32:12I'm finished.
32:15Sorry, sir. I've had to go to the hospital.
32:18I've been waiting for you.
32:20You, Imran, don't worry about that.
32:24What are you?
32:26I haven't talked about it.
32:29Your family are now looking.
32:32My son will say that,
32:35I've got annoyed that.
32:37My son will say that,
32:39I've got annoyed that,
32:42my son will say.
32:45My son,
32:47Oh, I have a man. I have a man. He has come back with a transplanted kidney. He seems to be all right now
33:00When you call it, you're going to touch him because it was the virtue
33:04Booster, which is a couple of stability. I'm
33:09Really, very sorry. Nothing. I'm sorry. Oh, I'm actually set up
33:15Oh, no, sir. What a woman. What a woman. A woman.
33:27Oh, oh, that's all.
33:31Oh, that's what you're doing.
33:35Oh God, I'll see you all day and after all.
33:40I'm not interested up to bolly holo apnibol when are I'm a child no
33:51curator level they can set up normal day is short product to open I put him a
33:58look at it into a cinema on the China I mean I'm to Janna can to cheat your
34:04good up now Shubha ago money Rasha Chattok Pakir Mototaki at soon to be more
34:10about for him all for him or be sure sir oh sorry for him on soon for him all
34:16about a touch in Turkey I'm a good old person in our kiki voltage sir
34:20namabu key up next to my title iraq to sell so in for him all the book now I
34:25assume all the book proton of the teacher sir after a marine mountain or
34:30marketable children na ha ha ha bullet chilem a moment up to normal matter
34:35will see shall be sure it people Jack ever tell me either in your orthodoxy
34:43routine I need some money very desperately attention approach to
34:50equally get you off to up to go away like it will take a video of the event
34:54What you saying sir?
34:56You're so kind of sad.
34:58In cinema line.
35:00Good.
35:01Good.
35:02Good.
35:03Good.
35:04What is this?
35:06Where are you?
35:07Where are you?
35:08Where are you?
35:10Where are you from?
35:15I'm going to be an hour.
35:16Two hours of the hour.
35:18You don't need to make up.
35:20There is no makeup.
35:21that I will see that in the end of my life,
35:23I will see the effects of the reaction.
35:25And I will see the effects of the reaction from the reaction to the reaction.
35:29I will see the effect of the reaction from the reaction.
35:51the
35:57something
36:07money for a cost of a book at the cost of a eto I don't know what you mean people
36:13and I'm going to get to get on paper it's a cool cartoon are a fair chicken to
36:19really to shop no no no no I call I will get it up at us currently not on I think
36:24it's a lot I need to come on boys not even a political party caught a bulletin
36:29sir it I took our boys airport door on a diabetes blood pressure dyspepsia cancer
36:36can a brother mother young man that for the tissue hey Columbia Columbia Columbia
36:45this is a better got to get a ticket is cano I can do it to the press copy
36:53government and you know it's a hobby do an hourly I want to see it huh
36:59By the way, it's a good joke.
37:01Go, go.
37:02I'm going to put on a car.
37:04Go.
37:05Hey, son.
37:07So if you're going to put on a car, what do you want?
37:09I'm going to start.
37:10What is your day?
37:11I'm going to put on a car.
37:13Go.
37:13You've got to put on a car.
37:15That's what you've got to do.
37:18What do you mean?
37:19That's not a good thing.
37:23I've got to call you.
37:27I've got to call you.
37:29You can do it. You can do it. You can do it.
37:32Then you have a problem.
37:35Problem?
37:36Our line will be standing.
37:38You will kindly call the manager in the room.
37:41Manager! Manager!
37:43Sir!
37:44You can call the telephone.
37:46Come.
37:47I'll go to you.
37:49Asun sir.
37:50Sir, sir.
37:51Sir, sir.
37:52Asun, Asun.
37:59Yes, sir.
38:00Yes, sir.
38:01Yes, sir.
38:03Yes, sir.
38:04Yes, sir.
38:05Yes, sir.
38:06Yes, sir.
38:07Yes, sir.
38:08Yes.
38:09Yes, sir.
38:10I'm still shooting.
38:12I'm going to go to my office.
38:14I will give you a reminder.
38:18A reminder?
38:19I?
38:20I'm going to ask my money.
38:23I'll go to my 10 days.
38:26So, I'm available for only 20 days.
38:29Okay?
38:30Oh, I know.
38:31I know.
38:32I'll give you a second time.
38:34I'll give you a quick heart.
38:36I'll give you a quick heart.
38:38What?
38:39What?
38:40Yes, sir.
38:41I'll give you another, sir.
38:43I have levels of to the
39:05I'll give you a favor.
39:08Alright, Sir!
39:13Sir, I will have to thank you.
39:17Sorry, I didn't like you.
39:20I didn't like you.
39:22I didn't like you, but I didn't like you.
39:27Why?
39:28You're like a prestige!
39:30After all, I'm like a rich, rich, rich, rich.
39:36Here, let's go.
39:38Here is Hilal Shiraji, a choreographer.
39:42We're going to show you one number of choreographers.
39:44Say a little bit.
39:45Yes, please, you're good.
39:49I'm going to show you the choreographer number one.
39:53Yes, choreographer.
39:55I'm going to show you.
39:56I'm going to show you the choreographer.
39:59Yes, dance director.
40:01In our show, we're going to show you the choreographer.
40:05What was I doing?
40:08Can you just make sure you are.
40:10I wonder if the two Yen Muslim pinks were I on her?
40:15If we talked about the dance group,
40:18we laughed at the beginning,
40:22then our shows you84.
40:24You told us that comedy?
40:28You see something dancing?
40:30My name?
40:31My name is television, cinema.
40:34did they get a TV to the kitty but nothing good to the kitty a money for in
40:38it the journey to support in it that it was primitive not a cover title and
40:43Michael Jackson and not again me key Jacksonville and Michael Jackson okay
40:48oh oh oh there should I see the Jackson by okay after a kiss and I see it's a
40:54hurry Darul raw awesome area so to go to the heart attack no I should I should
41:02look after me put me not chair stepping she got stepping
41:11a chair a necking to me she can eat that stepping a
41:19one to
41:32One, two, three, four.
41:42One, two, three, four.
41:48What do you mean the dance situation?
41:57I'll try to do it.
42:04You can practice.
42:05You can do it.
42:07Look, you can do it.
42:08Look, you can do it.
42:10Asun, you've got a lot of fun.
42:16You've got a lot of fun.
42:19You've got a lot of fun.
42:20We're not going to do it.
42:23I am a gay, but I am not going to die.
42:33Okay, okay.
42:34Do you like this?
42:35Hello, thank you.
42:36I am a gay, I am a gay dancer, but I am a gay dancer, okay?
42:42Do you like me?
42:44I will go to the hotel.
42:46I will see you in the last 2 days,
42:49I will see you in the next 9 days
42:51that I will see you in the first place
42:53dancing star.
42:55Do you see?
43:05I will see you in the next 2 days.
43:14I will see you in the next 2 days.
43:17Let's do this.
43:19Come on.
43:21Let's go with this one.
43:23Take a look.
43:24Let's practice the same.
43:26Let's start.
43:28Very good.
43:36Look at the same.
43:38દીરે દીરે બાલો ના કાછે કાણો ડાકુના
43:58મુણ કે આરે બાધા દીએ ધોરે રાખા જાએ ના
44:05ધીરે ધીરે બાલો ના કાછે કાણો ડાકો ના
44:15મોણ કે આરે માધા દેએ ધ�ોરે ડાખા જાએ ના
44:22હીરે ધીરે હીડે ના કા� 대박ા
44:33Action!
45:03Ones the last few years
45:05we also have a single last few years
45:06That's why we don't know
45:08You know the last few years
45:10You have great power
45:11You can give it to me
45:13Ultimately, you can enjoy your whole audience
45:15And you have the full audience
45:17You can enjoy that
45:18Are you doing some kind of fighting singers?
45:20Yes, I've seen it
45:21I've seen it
45:22From here, I've seen it
45:23This is a big one
45:24Hey Nadu, what is this?
45:25What is this special night?
45:27Hey!
45:29This is a cut
45:31No!
45:32Yes!
45:33Yeah!
45:34Right!
45:35A deadly past.
45:36How was that?
45:39I thought it was too funny.
45:49See!
45:50Can I see you?
45:52I'm going to transfer it to you.
46:00Where are you from?
46:02I'm going to shoot the shooting.
46:04Are you ready?
46:05Yes.
46:06I'm going to give you a shot.
46:09I'm not sure.
46:10Yes.
46:11My brother, I'm here.
46:13Okay.
46:14All the best.
46:15All the best.
46:17Welcome.
46:22Hello.
46:25Hey, hey, Moni.
46:32You said, really, it was very good.
46:35Moni is doing this for two days.
46:40I've been doing this for a long time.
46:43I've been doing this for a long time.
46:45I've been doing this for a long time.
46:47I've been doing this for a long time.
46:49I've been doing this for a long time.
46:52I've been doing this for a long time.
46:56I'm going to start off.
46:58I know.
47:00I'm going to say the truth of this.
47:03The truth is that I will not be able to see the truth as a good performance.
47:09The expression, the voice, the lip movement, everything is very important.
47:15Everyone knows how much of it is.
47:19I think the truth is, I'm going to love you.
47:24I'm going to be surprised.
47:25I'm not sure that you are very happy.
47:28What does it say?
47:29No, we haven't had a lot of trouble, but we haven't had a place to go there.
47:34Why?
47:35It's a restaurant. We're all here.
47:39No, I'm not a restaurant.
47:42Why? We haven't had a lot of trouble.
47:46No, no, it's not a lot of trouble.
47:48But we've said that we've been talking about this.
47:51We've been talking about this.
47:53As soon as we've had a lot of trouble, we have been here.
48:00Nothing.
48:01No, it's alright.
48:03I'm...
48:06That's okay.
48:08All of you come with the expenses.
48:10So I'm but.
48:12We're not.
48:13We're not.
48:15We're not.
48:16I'm not.
48:17We're not.
48:19You are me and you are me, right?
48:21Did you do that?
48:23Let's go, let's do this.
48:25Can you tell us?
48:26I'm going to go with you.
48:28I'm going to go with you.
48:58I'm a senior, but I'm very young, I'm a little bit young.
49:04Okay, what do you want to say?
49:07What do you want to say?
49:10What do you want to say?
49:11I want to say that my film is permanently, or I want to say that my profession is permanently permanently?
49:20Why? Why do you want to say that?
49:22No, not, because I've been told that I'm a member of the family, so I'm not going to call it.
49:32What, so, I'm sorry to call it.
49:36I'm sorry, I'm sorry to call it.
49:39What is it?
49:41I'm a serious, hurtful patient.
49:43I'm surprised that I have to tell.
49:45I've got to say that I forgot the entire operation over there.
49:50Oh, that's it.
49:53It's not a problem.
49:54That's it.
49:55Why?
49:56It's not a problem.
49:58You're not going to do it.
50:00You're not going to do it, it's going to be done.
50:03You can go for it.
50:05You can go for it.
50:06You can go for it.
50:08You're not going for it.
50:09No, no, sir.
50:10I don't want to do it.
50:13You're not going to do it.
50:15There's no need to get it.
50:16I am sure that the whole thing is worth the time.
50:21I will take my film.
50:24I am sure that I will be able to get a lot of work.
50:29Yes, I mean it.
50:36Listen, the whole thing is going to be the whole thing.
50:41Okay?
50:42Okay.
50:43Welcome up now, okay, take it.
50:46I'm emotional.
50:47What's your hero?
50:48What's your goal?
50:49Call Amra fighting sequences shooting original joy depo.
50:54Joy depo?
50:55Yeah, after pull over it shooting up a it a bitch of a climax.
51:01It is shit to me billion K. Chura per latim Mary.
51:06I mean flying kick Mary night.
51:08I got her company.
51:09Hey, she comes up on a for chase over shuffle.
51:12Can you say the sequence?
51:15Yeah, I mean.
51:18But I can't change.
51:20I only have to say the fact that you're able to do this.
51:23O, no.
51:24This is how you say the camera man is a good man.
51:29I'll do everything.
51:31I'll do everything.
51:33oh
51:36oh
51:40oh
51:45oh
51:47cover this me to get them key more romantic key to cut a new pepper
51:52it is a a good little talk looky curry fighting the shuttle chilo
51:57.
52:06.
52:13.
52:17.
52:20.
52:25How did you say that?
52:27Babloosh said that this hospital has been done with a company.
52:32That's true.
52:34Thank you sir.
52:48My name?
52:55I'm your male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male male
53:25So, I'm back in business.
53:55For looking after my role, during my absence.
54:25Do you want to go to the airport?
54:27Yes.
54:28Go to the airport.
54:29Okay.
54:30You've got to go to the airport.
54:32Do you want to go to the airport?
54:34No.
54:35Do you want to go to the airport?
54:36No.
54:37Do you want to go to the airport?
54:38Do you want to go to the airport?
54:39No.
54:40Do you want to go to the airport?
54:41Do you want to go to the airport?
54:42No.
54:43Do you want to go to the airport?
54:45Do you want to go to the airport?
54:46Do you want to go to the airport?
54:47No.
54:48Do you want to go to the airport?
54:50Do you want to go to the airport?
54:51No.
54:52Do you want to go to the airport?
54:53No.
54:54Do you want to go to the airport?
54:55Well, that's OK.
54:56Did you want to go to the airport?
54:57Yes.
54:58Did you want to go to the airport, sir?
54:59No.
55:00You need to go outside!
55:02You've got to go outside.
55:03You've got to go Saturday, and you have to go outside.
55:08If there's always a sleepover, you're also dreamingfully hidden at drinking.
55:09Teji Hoyashi, please.
55:39Teji Hoyashi, please.
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