Bunny Vasu With Isha Movie Team Q & A With Media

Mana entertainment

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Transcript

00:00So okay, we will start our Q&A session.

00:03Vaskar.

00:05Yes sir.

00:08Vaskar, since the cinema is a bad thing.

00:12What is it?

00:13Why is it bad?

00:15He is a bad thing.

00:17He has a bad thing.

00:18He has a bad thing.

00:20He has a bad thing.

00:22This is one of the new models and this new model is a lot of people.

00:26So, one is the same.

00:28One is satisfaction.

00:30Two is money.

00:31Three are also helping.

00:33I'm afraid I have a chance.

00:37I have a chance.

00:38This model is good.

00:40You know what?

00:42Yes.

00:43This model has a lot of people in the cinema.

00:46At the same time,

00:48you are a god.

00:52100% of the cinema is good.

00:55But the cinema has a lot of revenue in the world.

00:58There is a lot of luck and factors in the world.

01:01Vaskar, I have released two films.

01:04First, Little Hearts is a universal genre.

01:08In the world,

01:09I am so proud of it.

01:11As the film has been well done.

01:13The film has been a good film.

01:14In the OTT,

01:15they have been enjoying the drama film.

01:18People have always played the role of a small subset of an audience.

01:22I have always played a small subset of an audience.

01:23If you have a journey of a single film,

01:25there will be a change genre.

01:28So, that is the confidence.

01:31Confidence.

01:32Do one thing Andy.

01:33The first time universal appeal.

01:36Yes.

01:37And a cinema ending mother you know.

01:40Slap lundi.

01:41And ever over.

01:42Generally and into.

01:43Okay.

01:44It lands in my land and into main on the.

01:46Anta goda.

01:47A bypass to me though.

01:48Layton to kitchen.

01:49Thriller.

01:50Layton to chin.

01:51Okay.

01:52Ghost background.

01:53May do it like help.

01:54Founder.

01:55The last 20 minutes of the feeling.

01:57No challenge.

01:58Gripping story.

01:59Good particular.

02:00The last 25 minutes.

02:01The last 25 minutes of the film.

02:02The last 25 minutes.

02:03The last 25 minutes.

02:04Which one is a scary film.

02:05And it's 100% more.

02:07What kind of promotion has to be?

02:10Is that a lot of promotion?

02:11No challenge.

02:12But my name is Mr. Bhamsi Krishna.

02:15I don't know.

02:17I don't know what I mean.

02:19I don't know.

02:20I don't know.

02:21I don't know.

02:22There's a lot of promotion.

02:23And we have to do a lot of promotion.

02:25How I do.

02:27I don't know.

02:28Well, I mean,

02:30I was concerned about you,

02:31you need to be a person of India.

02:32That's right.

02:33That's right.

02:35Vasughar,

02:37Banala Ganesh,

02:38Bhanala Ganesh,

02:39from that age of 11,

02:41came to me,

02:42Shah Ashley,

02:43I am very excited about it.

02:44I am very excited about it.

02:45They are not going to be able to get the people.

02:47You are notYanish,

02:48but in any world,

02:49they are not going to accept them.

02:51But,

02:51now,

02:52they are going to be able to get them.

02:53They have just a few people to discuss it.

02:54I understand they are doing the attack.

02:55They have to accept it.

02:56They are going to accept it.

02:57I asked you to double the number of these people.

03:04That's true.

03:05I have not been told you.

03:07You are also the one.

03:08I think Ganesh is the one who is the one.

03:09Are you another?

03:11What do you think?

03:12I think you are the one who always feels like Ganesh.

03:16However, I don't know if you are the one who is the one.

03:18We have to teach them.

03:20if you are a teacher, you can't take a name or ask yourself.

03:27But you can take a good thing for the people's success.

03:32You can benefit from the dance, but you can benefit from that.

03:36That's why I have a teacher.

03:37If you take a stage to the stage,

03:40you can do it, you can do it, you can do it.

03:43You can do it in a short time.

03:49In short time, you can click on that.

03:51You can see that, that is not the success.

03:53You can see the chance to find that,

03:55maybe you can see it.

03:57I always feel like that is a great thing.

03:59It is not like that is a great thing.

04:01It is not like anything that is not like anything.

04:03If you are working on the stage,

04:05that is a great thing.

04:07That is why I always feel that.

04:09That is why I am a good thing.

04:11In the basic discussion,

04:13you can do what you want to do with the cinema.

04:15You can do what you want to do with the production,

04:17the distribution and the exhibition.

04:19I am going to ask you what you want to do with the cinema.

04:21I am going to ask you what you want to do with the cinema.

04:23Number 1.

04:25If you want to do that,

04:27you will have a little bit of success.

04:29You will have the success.

04:31You are the best.

04:33I am the best.

04:35Now,

04:37you can see that.

04:39You can see that.

04:41You can see that.

04:43You can see that.

04:45You can see that.

04:47You can see that.

04:49It is a positive thing.

04:51They are encouraging small films.

04:53That is what I am saying.

04:55What I am saying is that,

04:57you can see that

04:59you are the best.

05:01You are the best.

05:03You are the best.

05:05You can see that.

05:07you have the best.

05:08I am the best.

05:09You are the best.

05:11You can see that.

05:13I am the best.

05:15You are the best.

05:17You are the best.

05:18And this planning is not for many people.

05:22The so-called anathagosan distributors, many of them don't adapt to their own system.

05:28So they adapt to their success, but people want people like that.

05:34I know that $10 will be able to pay attention to them, and they will be able to pay attention

05:39to them.

05:40If they want to pay attention to them, they will be able to pay attention to them.

05:48So there are so many small film producers, how do you understand that?

05:52I can choose nearly 60 to 70 films, if they want to pay attention to them, but they won't be able to pay attention to them.

06:04Just a little bit, if they want to pay attention to them, they will be able to pay attention to them.

06:10So they will be able to pay attention to them.

06:13And then last 15-20 days, they will not get paid attention to them.

06:18They will not get paid attention to them.

06:19This is a huge issue in the publicity team.

06:22There are also many customers who will pay attention to them.

06:26No, sir.

06:27There is a lot of people talking about the cinema.

06:42Sir, actually, if you're doing cinema, I'm telling you that.

06:48I'm telling you that.

06:51If you're interested in the production,

06:53you're interested in the subject.

06:56I have no idea how to do it.

07:00I have no idea how to do it.

07:04I have no idea how to do it.

07:08I have no idea how to do it.

07:12I have no idea how to do it.

07:16Till we live, we are going to live in this industry.

07:22We are launching a push-par-2.

07:26Congratulations.

07:28Japan also has released.

07:30But you have been using many film.

07:32You have been using many commercials.

07:34You have been using many big commercials.

07:36You have been using many commercials.

07:38But you have been using many commercials.

07:40Is that one of the point in any case you are making?

07:44It depends on that.

07:46I don't agree.

07:48I don't agree. At the same time, we will have a prize for 99 rupees.

07:58We will have a lot of problems with technical problems.

08:01We will have a lot of calculations.

08:09I always prefer to go with 99 rupees.

08:15First of all, I want to congratulate the director and the music director.

08:19If the director did this film, it can't go out.

08:26First of all, congratulations.

08:29Visual also.

08:30Visual, of course.

08:32But it takes to the next level where the music can move.

08:36So, at what point of time you have joined this?

08:40You can't get judgment.

08:43You can't get judgment.

08:45You can't get judgment.

08:47You can't get judgment.

08:49At what point of time you got the confidence that it will click?

08:52No.

08:53Now, you can't manage to come out.

08:55If you don't like to have a film.

08:56You can't even get to a film.

08:58Then you can't get to a film.

08:59You can't even work.

09:01Then you can't even brush the full amount of benefits.

09:02You can't make a film.

09:03You can't get to a film.

09:04public I'd oral top nature to couldn't take over it I eat a total first of my

09:11first mother first copy I pay the entire product name I should be in zero and so

09:16that marker easy than any end then we get set on it

09:21very soft person very soft but what is your experience in the field in the

09:35middle of the first time does not and actual in first Kata film Jason sir

09:42Janil Yagaru Prakashra's got a film Janil Yagaru special

09:47but I don't have any reasons but I don't have a lot of reasons

09:53I have done a lot of work on Damugart and I have done a lot of work on that

09:58at that time this is an immediate project

10:00we have a mix scale but we have a film in this gap

10:06this is only a horror and there is a lot of emotion

10:13In the last 15 minutes, there was an emotion in the last 15 minutes.

10:20It was the same strength in the film.

10:25There are 100% horrifying scenes.

10:27But if anyone wants to get a jump scare,

10:30that's why the demand is made.

10:33The last coach says exactly the emotions, the pain and the pain in our lives.

10:39If anyone wants to get a jump scare, that's why we get a jump scare.

10:45If anyone wants to get a jump scare, that's why we get a jump scare.

10:49If anyone wants to get a jump scare, that's why we get a jump scare.

10:53Mostly, such films are fictional only.

10:57Is there any real incident?

11:01We have seen a lot of things about the Atma,

11:04but if you have an incident,

11:07we have seen a lot of things in our lives.

11:13I am showing you that

11:14how to do things happen.

11:15If you don't have any chance for the situation,

11:18you have to think about it.

11:20You've got to think about it.

11:21There's 100% real incidents.

11:24It's a problem.

11:25But we are ignoring it.

11:27We know that.

11:28We know that.

11:29Here we know that.

11:30However, when we look at this, we always have a perception.

11:34If we look at an incident, we would say,

11:36oh, this is not going to happen, this is not going to happen.

11:38That's why we have a lot of lives and all of our lives.

11:41That's why.

11:43Drubhan.

11:44Hi.

11:45Hi.

11:46So, there are some horror films.

11:47Technically, there are high standards expectations in the channel.

11:49Because of the recent outings.

11:51D.A.C. and Lensinmalanil.

11:53So, sound design or sound creaks, what is the kind of care you have taken?

11:59Drubhan.

12:00Firstly, this score started in almost 15 to 20,

12:04the same genre of classics.

12:07I have to give that credit to my director here only.

12:12Because he made sure,

12:14that when he did a sound design,

12:17he did a specific care risk.

12:19He did a lot of time investing.

12:21So, luckily, that time is also set.

12:24So, the understanding is set.

12:26So, recently, when we had to revisit,

12:31after a certain point of time,

12:33like after Vasugaru, Vamsigaru came in also.

12:37So, now, we have to separate the care.

12:40We have to look at different films.

12:43We have to look at the best you watch.

12:46And I hope you will experience this on 12th in theatres.

12:50Do you have sound design as well?

12:52Yes, we have to look at the sound design as well.

12:55Yes.

12:58Sir,

12:59Mr. Chamber Council,

13:01you are active.

13:03We have to close this platform.

13:08But,

13:10now,

13:11we will see a lot of film releases.

13:14We have to discuss some discussions.

13:17There is a lot of discussion about piracy and the audience is also talking about support.

13:24They are talking about piracy and increase.

13:28What does the industry perspective mean?

13:31It is also a debate about every cinema.

13:34Now, I'm going to say that I have a reno-all cinema.

13:38Average. Approximately.

13:41I know that I have a reno-all cinema.

13:44That's right.

13:47If you have a reno-all cinema, the rate will go.

13:50But still, piracy is happening, no?

13:53That cannot be an excuse.

13:57I am talking about this here.

14:00If you have a reno-all cinema, you will die.

14:06If you have a reno-all cinema, you will die.

14:09That's the subject.

14:11If you have a reno-all cinema, you will die.

14:14That's the secondary subject.

14:15That's the subject.

14:16You cannot link both.

14:18If you have a reno-all cinema in social media,

14:23for whatever reasons,

14:25for whatever reasons.

14:26that is...

14:27That's the one of the things you do,

14:28That's the two months of piracy.

14:30Maybe it'll die.

14:31Drowan is physical.

14:33Because it is so much...

14:35It is all the羅.

14:36But את this f인지...

14:37If something you have in the most identified...

14:38you know what,

14:39anyone...

14:40that's the top hierarchy.

14:41That looks like...

14:42CO drummer is in the first day of evening's life.

14:45That's the first day of折 będęن Andreas.

14:47You'll still see pike except psi.

14:48So, what is happening?

14:55People feel it's a right to watch.

14:59Maybe today they are able to watch.

15:01Tomorrow the rules are going to be a law.

15:04If you don't want to do anything,

15:06if you don't want to do anything,

15:07you don't want to do anything.

15:09So, slowly things are changing.

15:11If you don't want to make the industry 100% of films,

15:15we have to save ourselves.

15:18We are going to work in the Piracy Department.

15:21We are going to be in operation.

15:24Sir, sir.

15:25We are going to talk about what is happening with Rabinu.

15:27What is the meaning of Rabinu?

15:29What is it?

15:30I am going to say,

15:32I am going to say,

15:33why is Rabinu being called?

15:35He is going to take a step.

15:37I am going to say,

15:39I am going to take a step in France.

15:42The army is going to be in the Caribbean.

15:44There is a citizenship in the Caribbean.

15:47I cannot really guess it is a subject matter.

15:51Where is the subject matter?

15:53So many assets, such as much of the stuff is there.

15:55So, the problem is,

15:56if they are trying to do it,

15:58I may not do it.

16:00Maybe other pirates are trying to fund it,

16:03and getting it done.

16:04I have no clue.

16:05I don't know.

16:06But what is happening is not right.

16:08Sir, in fact, there is a debate in the press.

16:13There is also a debate in the press.

16:18Actually, there is a debate in the press.

16:21Including from the chamber also, none of us are trying to press the press.

16:26That is a different fight which is going on.

16:29If there is a debate in the press, then there is a debate.

16:34If there is a debate in the press.

16:37There are some of the press.

16:39The press is not as high as the cost.

16:41You are also going to press the press.

16:43That is also going to be the premiere show.

16:47You are going to say,

16:49I am going to say,

16:51the press rate is going to go to the press.

16:55That is true.

16:59What happens if you are going to go to the press?

17:03It is going to go to the press.

17:05By themselves, they are doing it voluntarily.

17:07There is no reaction. Right now there is no reaction.

17:21There are a few things which I don't think we should discuss on this stage.

17:25Back to cinema.

17:27We have an exchange.

17:32In the press, we have a family and film-related people.

17:38We have to calculate very clearly.

17:45The producer is taking less than 28% to the home.

17:50The producer is taking less than 28% to the home.

17:57The film is taking less than 35% to the home.

18:02Apart from that, we have to take less than 28% to the home.

18:06But the producer is taking less than 60% to the home.

18:10The producer is taking less than 60% to the home.

18:13The producer is also taking less than 30% to the home.

18:23The producer is taking less than 60% to the home.

18:28I have a question.

18:30I think there are a few people who work for the poor.

18:33There is a few people who work for the poor.

18:34The newwhy is the case.

18:36The newfortunate incident.

18:38No.

18:39I want to clarify.

18:41There are multiple reports that there are no problems,

18:45or you have the same problems.

18:49What are your actual status?

18:52Listen, there are only people behind.

18:55Everything is wrong.

18:57There are also people.

18:59We are not wrong with them.

19:03If we are not satisfied,

19:06we are following a particular guidelines.

19:09I don't want to discuss that on this stage because it's a totally different stage.

19:35For the present occasion, we are such a veteran person in the industry.

19:50It's such a great legacy.

19:52We are creating a great platform for Raju Vets Rambayala and Brahma in film audience.

20:02First of all, as a media person, I am really congratulating both of you for the taste you are displaying for the small film.

20:10Fantastic, really.

20:12After that, the question is to the director, sir.

20:16Now, the soul concept of parapsychology and bipolar disorder is a worldwide believed notion.

20:34That's all.

20:35That's all.

20:36That's all.

20:37That's all.

20:38That's all.

20:39Perceptions.

20:40That's all.

20:41That's all.

20:42That's all.

20:43It's only a notion.

20:44What we discussed about this is that you handle the human point of view.

20:50Human mind point of view.

20:52Are you or otherwise?

20:53Are you depicting from your side?

20:59Just, that's exactly what you are saying, sir.

21:04Is it my perception?

21:06I am.

21:07Is it your perception?

21:08Is it your perception of human mind concept?

21:11Yeah.

21:12Did you think it's your perception of the assumed angle?

21:18I am talking about it, sir.

21:20Maybe we are in Hindu, or Quran.

21:26There is nothing to do with Atma, or a bit scary.

21:32Now, we are talking about something like this.

21:35But there is no way to do it with just like the paranormal.

21:39100% is a normal experience in our lives.

21:45It's not a regular thing that's happening. It's not a concept that's happening in our life.

21:58We believe that it's divinity. What is divinity? What do we do? What do we do?

22:05It's an extreme layer.

22:08How did you bring the director's lenience?

22:12That's right sir.

22:13We've said that.

22:15We've said that.

22:17We've said that.

22:19We've said that.

22:21Human soul is immortal, infinite, omniscient, and does not die with the death of liberty.

22:26That's right sir.

22:28That's what it is.

22:31That's what it is.

22:33That's what it is.

22:35That's what it is.

22:37But if there is a soul,

22:39why do we choose to be a general?

22:41There is no proof that there is no general.

22:43There are many things.

22:45But I accept that science.

22:47There are proofs that there is no science.

22:50But now, sir, I'm not in America.

22:53I'm not in America.

22:55I'm not in America.

22:57Is that correct?

22:58I'm not in America.

23:00Since we know many things in our lives,

23:03we wouldn't be able to see everything else.

23:05We shouldn't be able to see anything for us.

23:07Even if we have all such things.

23:09Even if we have any nature,

23:10even if we can see it in human times,

23:12there are many things we should do.

23:18A person can read a story.

23:20That's what it is.

23:21Maybe there is a story that happened.

23:23If a person with a person might have a title,

23:24or someone might have a title,

23:25etc.

23:26That's what I believe.

23:27Atma and Paramatma are actually parapsychology aspects.

23:34But horror is not parapsychology.

23:37It is bipolar disorder, it is scientifically proved

23:41treatment, empirical.

23:46That's why I am talking about divinity point of you.

23:51That's what I am asking.

23:52And finally you are ending or concluding the cinema

24:00that saying that souls are not existing and that's why I am talking about it.

24:05That's why I am talking about it.

24:07Why are you taking God as the final verdict?

24:12That's why I am talking about it.

24:14That's why I am talking about it.

24:18Isha is good or bad?

24:21Actually faith is the God.

24:24I am afraid of it.

24:26Now you are fighting against the evil spirits.

24:29The film is about the evil spirits.

24:32Fighting about the evil spirits.

24:33Isha means protector.

24:35Isha means god of death.

24:39Isha means god of death.

24:40It's the name of the girl?

24:43It's not true.

24:44What is it?

24:45You're a cinema student sir.

24:46You're a cinema student sir.

24:47That's why I am talking about it.

24:48That's why I am a cinema student sir.

24:52Sir, maybe because of projection and maybe because of colour is not a scary scene.

25:00more of a philosophical ending that's what really I like it in the film.

25:30What kind of devils or atmal you are going to deal with and what kind of show you are going to give?

25:44Yes sir, your answer is the film.

25:50I do not have these questions.

26:00Isha is a protector.

26:04It could be anybody.

26:07Direct meaning is protector.

26:10Oskar, every time you have a ticket rate in the film, you are going to get a ticket rate.

26:15You are going to get a ticket rate in the reverse.

26:18If you are going to get a ticket rate in this film, you are going to get a ticket rate in the release.

26:22That's how your plan is.

26:24Yes, but the first thing is, there are a lot of technical problems.

26:28GST is not set off for the distributors or exhibitors.

26:35There are a lot of technical problems.

26:38But we will try our best to give it for a reasonable price.

26:42At least for the government prices, it is reasonable enough.

26:46Government prices.

26:47Government prices are probably fixed prices.

26:50That's why JPNIT is a lot of GST issues are there.

26:52It is not easy.

26:53We will accept it.

26:54GST is not accepting.

26:56They are saying once the rate is fixed, you have to sell it for that.

26:58If you are going to get a ticket rate, you are going to get a ticket rate.

27:02If you are going to get a ticket rate, you are going to get a ticket rate.

27:06The ticket rate is less than 18% of the record.

27:08No, it is about 5% of the record.

27:10But if you are going to get a ticket rate, you are going to get a ticket rate.

27:12If you are going to get a ticket rate, you are going to get a ticket rate, you are going to get a ticket rate.

27:30If you are going to get a ticket rate, you have to get a ticket rate.

27:49When we have a bill, the equivalent of the government is paid.

27:52Let me go on, my father was the first secretary.

28:00There are some letters, so that is the system of, that's our system, right?

28:10So I don't want to, at some point of time I was telling all these guys I'll give an interview,

28:15I'll go into depth of all that with names.

28:18But what I'm saying is, a system I told you.

28:21And then I'll ask you, actually was all 99 rupees later.

28:26Is there a ticket in the US?

28:27There is no.

28:28There is no.

28:29There is no.

28:30There is no.

28:31There is no.

28:32There is no.

28:33There is no.

28:34There is no.

28:35There is no.

28:36This ticket in multi-place, I don't know how much it is.

28:38150?

28:39In multi-place, I don't know how much it is.

28:42So we can choose one of that.

28:44Yes.

28:45So then you can take.

28:46I don't know.

28:47Mr. Simaal, what is the basis of the out-right basis or business law?

28:51What kind of support we are giving materialistic the producer's entertainment?

28:56Business secret.

29:00Mr. You are a wonderful film, sir.

29:01Mr. You saw all the

29:08issues?

29:09Isn't it

29:10about the rightcover main

29:13any.

29:14Mr. Tom a nice

29:16any.

29:17Mr. Is it

29:18about the time

29:19Alam

29:20I have taken three-year break and my last film didn't do well.

29:27There used to be affordable losses for me.

29:36Last film, Ranjit movie is a principle.

29:42It's not that I couldn't afford or something like that, but it made me think about content.

29:49About the content, are things changing? The generation changed the way they are viewing films.

29:55I am conscious that I am going to break three years.

29:59I am trying to educate myself again.

30:09You have to keep educating yourself on a daily basis, film to film.

30:21That's exactly what I have done.

30:23I am taking a break and educating myself.

30:25Now I am getting back.

30:27I have decided to get back to my core business again.

30:31Yes.

30:32Vasugaru.

30:33As you said earlier, I have said that I am going to change.

30:37I am going to change.

30:39I am going to change.

30:40Now you are afraid.

30:41Now you are going to change the four films.

30:43You are going to change the genre to genre.

30:45You are going to change the content.

30:47You are going to change.

30:49But I am going to extreme.

30:50This movie is a part of the film.

30:52If you have an independent film, you are going to change.

30:55No.

30:56It's independent.

30:58independent this film is I know Vengitgaru produce

31:01and Dhammugaru present

31:04when Dhammugaru

31:06chubhich and I think that

31:08bound

31:10ETV and Dhammugaru

31:12bound

31:13bound

31:14no sir

31:15double-bet

31:16knowledge

31:17100% work out

31:19and confidence

31:20Dhammugaru

31:21said

31:22we will take it and we will take it forward

31:24a little clarity

31:26and we will try to get it all that

31:33you ask him

31:36you ask him

31:37go to his office and ask him that question not on this platform

31:39you know

31:40I have a clarity

31:41about this question

31:43why is this question

31:45this film

31:49is the actual shooting

31:52shooting chastain

31:53what are you doing

31:55from here

31:56won't be a place

31:57lol

31:58but

31:59what are you doing

32:00while we are doing this

32:01in this film

32:02first time

32:03why

32:04the title

32:05is

32:05what are you doing

32:07for the money

32:08also

32:09once

32:10the whole thing was over

32:11VASO

32:12they were able to point it

32:14So, we didn't market it yet. Once these people have joined, this is the first phase we are going through.

32:22We have not marketed it yet.

32:27We are going to try the best. But we are going to see this one.

32:34So, you gotta keep the best and keep the best.

32:38You don't just have to keep the best.

32:42And you don't have to take the best and get the best.

32:46And if you ask...

33:18Oskar, sir, 10 years back, the horror film was a lot of demand.

33:23Your friend, Maruti Garucci, Ramakadha Chetra, is a horror comedy.

33:27Yes, sir.

33:28And when you're back, the horror film is a horror film.

33:31What's horror comedy?

33:33Rambav, this is a horror film.

33:36It's not a horror film.

33:38It's interesting that it's about 10 minutes.

33:43But if you ask me, the last 20 minutes is the film.

33:47I would like to ask the director to select a screenplay horror film.

33:53This is not a horror film.

33:55Last 20 minutes, what is the story reflecting on the film?

34:00I believe that works out more than horror in the climax.

34:04It's more of a thriller, Ramav.

34:06More components of thriller.

34:08It's a thrilling film.

34:09With a tinge of horror.

34:11I'm believing last 20 minutes.

34:13Super.

34:14Hey Omshigar.

34:15My career start is a polymer.

34:17You're a polymer.

34:18You're a polymer.

34:19Three.

34:20It might go on.

34:21Two sets.

34:22Two sets.

34:23Yeah.

34:24Director Garu.

34:25Last Chivari.

34:26Director Garu.

34:27Yes.

34:28Director Garu.

34:29Yes.

34:30Director Garu.

34:31Yes.

34:32Director Garu.

34:33Thank you very much.

34:34I'm sure we'll see it.

34:35You see it very interesting.

34:36Do you find the name of the Eesha?

34:38No.

34:39Any name of the starting Eesha?

34:40No.

34:41Very frustrated.

34:42I am sure he's registered that Dada Puga with a film style.

34:47Yes.

34:48It's amazing.

34:49There were many films released on December 12th, so this genre is a very different genre, it's a horror genre.

34:56So, how confident is it that the 12th is a lot of blockbuster?

35:02It's tough because there's a very short time competition.

35:07There are 9 days in this day.

35:10Once you also requested for the rest, from last to 2 months,

35:16we don't have a season.

35:20After February 15th, we don't have exams.

35:25So, the producers, because it's already copyrighted for 2 months,

35:30so everyone is correct.

35:33So, we are taking all our...

35:38Bannivaz,

35:40I have had a hat-trick in this film.

35:43So, Bannivaz, you have a lot of stories.

35:50So, what's your point in this film?

35:56What's the point in this film in this film?

35:59I'm going to show the director.

36:02More than a story,

36:04but I'm going to show the director of the film.

36:07And the last 20 minutes of the film, I'm believing it.

36:11Directive.

36:13Now, the horror genre of film is a lot of the films.

36:18What a movie looks like.

36:21Like, a face is a little bit.

36:23Like, it looks like a face is a thing.

36:25Do your ideology?

36:26Like, the trend follows?

36:28Yes, the trend follows.

36:30We have a unique character.

36:32We have a regular character.

36:34We have a regular character.

36:35We also have a regular character.

36:38It is a very unique character. It is a very unique character. It is a blend.

36:57Director, sir.

36:59Director, sir.

37:01Last question.

37:03Okay, sir.

37:04Isha already has a foundation in Coimbatore.

37:08It's called Sivuni Italic's name.

37:11We're talking about one thing.

37:13Do you have a reason for the title or a horror subject?

37:18Yes, sir.

37:19It's a horror subject.

37:21We're talking about a horror subject.

37:23We're talking about a good thing,

37:25we're talking about a good thing,

37:27we're talking about a horror subject.

37:30We're talking about 2000,

37:32we're talking about 2000 at the time.

37:34It's about 12 hours of comedy.

37:36If you can see and enjoy it.

37:38This is some horror comedy.

37:40This is...

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