Ameer Log Team Q&A Session With Media at Trailer Launch

Mana entertainment

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Transcript

00:00Manchaneel Tavithnar, Shadhu Therrandi, Chala Kastabadi Cinema Teaser, Chala Kastabadi Cinema Teaser, Chala Pedda Heat, Nijanga Manasapurthika Korkunnei,

00:13In the young spirit, you are a little elder to them, but you are a little elder to them.

00:23Your trailer is really good, really fascinating. Hyderabad flower is in every frame.

00:31I wish all the team, it is so really so exciting to watch it. I wish you all the very

00:41very very best.

00:42You know all the names, you are a red girl, you are a red girl, you are a red girl.

00:51You are 100% of the film. What kind of a kind of film you are doing with this kind

00:59of film?

01:02You are a red girl, you are a red girl. What kind of a kind of film you are doing

01:05with the dollar dreams?

01:11What kind of film you are doing with the dollar dreams?

01:16We are holding you to dollar dreams.

01:17We are very lucky. We would see a pure emotion in the world.

01:20If you don't talk about dollar dreams, you speak about the blues.

01:23You are in半 years and even though you don't talk about the blues,

01:30I know that there is a lot of famous dialogue.

01:36Yes, yes.

01:37So, I don't think there is a lot of the vibe.

01:40I think that was a very crazy film.

01:43It was a beautiful film.

01:44It was a very beautiful film.

01:45But it was a complete fun zone.

01:48But in Hyderabad, nobody tapped the whole life.

01:54Nobody tapped the whole life.

01:55Just touch and touch.

01:57Just touch the whole life.

01:59I didn't see a pure Hyderabad vibe.

02:02I don't know exactly what I was born until 1997.

02:05I had to go back to Hyderabad in 1997.

02:07And then after that, I had to go back to Hyderabad.

02:09That's what I wanted to be,

02:11That's what I wanted to be.

02:14So, then I started to go back to Hyderabad in 1997.

02:17I had to go back home.

02:20I died in the private store and started,

02:22and then I saw the grandmother was coming back.

02:25I am not going to be able to do the same thing.

02:28I am not going to be able to do the same thing.

02:32I will not be able to do the same thing.

02:39I have to have a lot of ideas about it.

02:45First, I am going to start with Amir.

02:50I started an interesting note from Manoj Bajpayee in Bollywood.

02:57One day, I had an interview with him.

02:59I was very curious.

03:04I had a beautiful title on Amir Logue.

03:07I asked Amir Logue.

03:09I asked Amir Logue.

03:16We made this Amir Logue.

03:18Very good, very good.

03:20However, if you are in Hyderabad,

03:23there is a soul in Hyderabad,

03:25and that's all fine.

03:27You have captured all that.

03:31But there is a general universe,

03:34and you are connected to the other areas.

03:37What is it exactly that you presented in this film?

03:40It's about three boys and their families

03:43and their neighbourhood.

03:45There is a problem.

03:51After that, there is a problem.

03:53There is no problem.

03:55There is no problem at all.

03:56In class, Amir Logue,

03:58there is no problem at all.

03:59This is what Amir Logue is, sir.

04:01They will become finally rich,

04:03and they will become rich in the cinema.

04:05They will become rich in the cinema.

04:06Very nice, sir.

04:07And you will become rich in the cinema.

04:09Exactly.

04:13You have been working for many projects and all that.

04:17Correct, sir.

04:18You have been working for many projects and all that.

04:18You have been working for these kind of films

04:19every day.

04:21That means,

04:22youth spirit,

04:24scattered youth,

04:25and all that.

04:26You have been working for them in the cinema.

04:28Do you have to comment on this film?

04:30You have to comment on this film.

04:32It's a sincere soulful film.

04:35You have to comment on this film.

04:37What is your final comment?

04:42More than me commenting on the film,

04:45it feels like Nala aunty's story.

04:49So, I have been one of those boys.

04:51Okay.

04:52I grew up in a busty.

04:53I had a moment where I had to take a few decisions.

04:57So, it's a very honest film,

04:59and I've also said it.

05:00It's a very personal film.

05:01I'm a Hyderabad here myself.

05:03So, it felt like watching one of my stories.

05:07Okay.

05:07But will it really appeal to all the

05:12areas?

05:14How do you categorize that?

05:16So, I can't talk about everybody else.

05:18If I watch any other culture,

05:20I'm actually very fascinated.

05:22So, when they watch the exact Hyderabad people,

05:25how they talk,

05:25how they walk,

05:27how they behave,

05:28I'm sure they'll be fascinated by the language,

05:31by the food,

05:32by the behavior,

05:34maybe through the songs also.

05:36Fantastic.

05:38Thank you sir.

05:38All the very best.

05:39Thank you sir.

05:40God bless you with a great success.

05:41Thank you sir.

05:43Director,

05:43Number two

05:44I have to see you in the area.

05:48You can't see,

05:49You can't see,

05:50You'll see tonight,

05:51how are you feeling?

05:52and you're feeling good,

05:53and you're feeling good.

05:54The flavor,

05:54I mean a Hyderabad Biryani, I mean a Hyderabad Biryani.

05:58Sir, the origin of the story is all starting.

06:01What are you talking about?

06:02What is the backstory?

06:04Backstory is not. Backstory is my life actually.

06:07In 1997, I was looking at the Jannal.

06:09Backstory is not.

06:10I was looking at the characters like this.

06:13In the day, as I said,

06:16there were 85 characters.

06:19So, almost like 85,

06:21there were 75 characters in full circle.

06:25See, in my life,

06:27there was another one.

06:28There was a relationship with each one.

06:30So, this is how it works.

06:32And any society,

06:34there is no way.

06:36So, there is one character in full circle.

06:38That is how Amir wrote.

06:39You mentioned that Angriese Gana, Hyderabad Blues,

06:43Hyderabad Nawabs.

06:44Now, if you're looking at Hollywood,

06:46you're looking at independent films.

06:47So, not full-fledged movies in Hollywood.

06:51It's a full-fledged Talbid movie.

06:53So, what do you think about Talbid movie?

06:55How do you think about Talbid movie?

06:57What are you talking about?

06:59What are you talking about?

06:59It's independent only.

07:02In that way, there are so many producers

07:04who are producing independently.

07:06So, there is no real meaning.

07:07But, what is it?

07:09It's different from the scale.

07:10It's different from the independent film.

07:14It's different from the first time.

07:17It's different from the producers.

07:17It's different from the independent film.

07:20It's different from the independent film.

07:21But, not by the way of the budget.

07:24There is a local fraternity.

07:26There is no war in the state-wide.

07:28Where is it?

07:28There is a long-range audience in Hyderabad.

07:30In that way, it is um…

07:32In our audience, we learn how to continue to choose.

07:33No, we also can see the Malayalam cinema.

07:36We appreciate the Tamil cinema.

07:38Why not, Hyderabad?

07:39So, yeah!

07:42That's why I think it's a lot of odyssey.

07:46Most of us are neglected.

07:48My point is that Hyderabad has a unique flavor.

07:51So, we have a mixture of mixed culture.

07:54Yes, that is the beauty of Hyderabad.

07:56Ganga, Gemini, and I have no city in India.

08:00That is only for Hyderabad.

08:02So, that is where it is beautiful.

08:03There is a lot of harmony in Hyderabad.

08:06I believe.

08:07So, that is what we have shown in this film.

08:09Yeah.

08:10Size.

08:13Directly.

08:14Directly.

08:15Okay.

08:15Sorry.

08:16I mean, what is independent film?

08:18I mean, what is independent film?

08:20Yes, sir.

08:20I mean, I don't know how to do it.

08:23Yeah.

08:24True meaning.

08:25Anyways, what does it take to make such an independent film?

08:31I mean, without no backing, I mean.

08:34I mean, many will be watching.

08:37I mean, many will be drawing inspiration, right?

08:41Correct, sir.

08:41So, what it takes to make a film called independent film?

08:45Okay.

08:47In that sense, I am an architect, actually.

08:51I am very much successful in my profession.

08:53But when I started a cinema, when I started a film,

08:59I did a film, who did all the film?

09:01So, the film was fantastic.

09:04So, I have a technician's friends, artists friends.

09:07But the producers didn't support me.

09:09And so, I started to produce this film.

09:12I decided to make a film for the first time.

09:15If you want to make a film for independent film,

09:16you will be able to do this budget.

09:21There are technicians and artists.

09:23Because they are my friends and they are very

09:27passionate about their craft,

09:29so we could be able to pull it in this specific budget.

09:32So, I think that is an anthology about the scale of cinema.

09:36Because people will draw inspiration

09:38for them to understand the range.

09:43We can make it in 3-4-4-4-4.

09:48It depends on the subject again.

09:50Here, the locations are free.

09:53If you don't have any money,

09:55you can give them permission.

09:57It's like a guerrilla shooting.

10:00With limited crew.

10:02Yeah.

10:04So, if you do marketing,

10:06you bought spirit media on board.

10:10Is there any advantage of this film?

10:13Is there any better business to do this film?

10:14Definitely.

10:15Spirit backing,

10:16spirit media release,

10:18you can get a release,

10:20you can get a release,

10:21you can get a release,

10:21you can get a release.

10:23So, banner value definitely has.

10:25Yes.

10:26So, yes.

10:28Business value?

10:30Business value?

10:31I don't know, sir.

10:32We are releasing it directly.

10:33Through the best.

10:35Thank you, sir.

10:37Smarangar.

10:40Sir.

10:41We are going to go to the cinema in the music.

10:43I thought,

10:44January 1st,

10:45I saw it in the theater.

10:47Oh, wow.

10:48Super.

10:48I thought,

10:49I felt,

10:50I felt,

10:51I was on stage,

10:52how many of you have to do this film?

10:54What did you say?

10:56What was the question of this film?

10:57I was wondering,

10:57this film is not a question for a audience.

10:59Actually,

11:01there are many stars,

11:02there are 50% to 50% open out,

11:06there are many people in the film.

11:07Correct.

11:08In the situation,

11:09they are all not getting involved.

11:11If you do,

11:12each film has a scale,

11:15How did you talk about the theatre?

11:20Primarily, I wanted to do music.

11:27I wanted to do something really nice.

11:34I got the opportunity.

11:39The rapper we have.

11:42His associates Shashi and Rohit are very good friends of mine.

11:46I am very sure...

11:48See, when you watch films like Little Hearts,

11:52people, if they actually like it,

11:55word of mouth is actually very underrated.

11:58It will spread like wildfire sometimes.

11:59No, no, no.

12:01Accept it, sir.

12:02I don't want to talk about it.

12:03I don't want to talk about it.

12:05If I tell you,

12:06there is a gripping point.

12:09What is that?

12:11The working class, sir.

12:13The working class is actually mostly side characters.

12:17Here, the working class is the main character.

12:19It has the main character energy.

12:21So, I think people will relate to that main class

12:24just how I was related to it.

12:27Very good, sir.

12:28Congratulations.

12:29The Myrtle, you are a little bit more of a movie

12:32about this movie for the moonellum.

12:34What are you doing here?

12:39I believe it's a dream of a movie.

12:43Right?

12:44I like it.

12:44It's a very fast career, isn't it?

12:45Yeah, yeah.

12:46I can take a shoot in the movie.

12:49I was in a shoot.

12:58I mean, Ramakrishna Theatre, I mean, if you want to do anything, you can give it all.

13:03I'll give it all.

13:05I'll give it all.

13:06I'll give it all.

13:07I'll give it all.

13:08Clarity is the bound.

13:10That's all.

13:10Audience is great.

13:12Audience is great.

13:12Yeah, it's great.

13:14There's a lot.

13:15What's wrong with it?

13:16That's right.

13:17So, congratulations and all the various.

13:19Thank you, sir.

13:20Thank you very much.

13:23Thank you very much.

13:24Thank you very much.

13:27Your music has a lot of cult fans and band bands.

13:31So, recently, Rao Badhur is also a film.

13:33So, it's a grander scale.

13:35What's your touch and point?

13:38Correct.

13:38What's your music?

13:39Hip-hop.

13:40So, in Hyderabad, Rao Badhur has a different soundscape.

13:45Basically, as a musician, I'm very selfish.

13:47I'm very selfish.

13:49If I find a film where I can do some really cool things,

13:54cool music, then definitely I would want to do.

13:56Hyderabad, especially for Ameer, I wanted to do a song,

14:02which we did.

14:04And fortunately, there's a beautiful situation in this film,

14:07which made us reach out for the Oscar-winning composer,

14:13Kirawani sir.

14:15And there are these, my friends, who are very Hyderabadis.

14:18So, we did some songs.

14:20MC Harry did one rap song.

14:23Like that.

14:24Good.

14:25Boys,

14:26Yes.

14:26Your mother,

14:27your name,

14:28your name.

14:30That is Hari, sir.

14:31The dais was so thick with the people,

14:35too many people.

14:36Correct.

14:36But what was identified,

14:39your emotional spirit when you're talking about the film,

14:43that is really highly commendable.

14:45Commendable.

14:46That shows how much you enjoyed the characters and the travel in the film and everything.

14:52But, you are asking yourself,

14:55what is your contribution to the success of the film tomorrow?

15:00What is your contribution to the success of the film tomorrow?

15:02Because you are almost uncharacterization to all youth.

15:09What is your contribution to the film tomorrow?

15:12What do you mean, your mother?

15:14I mean,

15:18I don't know what I am doing.

15:19I am doing the best for the film tomorrow.

15:20I am doing the best for the two very good friends.

15:23So,

15:25I am doing the best for the film tomorrow.

15:27I don't know what I am doing today.

15:28Not you.

15:29Your character.

15:30Your character.

15:31Oh,

15:31I am doing my character.

15:32I am doing my character.

15:33Basically,

15:34I am doing a lot of Hindi.

15:35Okay.

15:36I am doing a lot of Hindi in this film.

15:36So,

15:37I don't know what I am doing as a Hindi or Hindi,

15:41or something I am doing.

15:43I am doing a lot of Hindi talking about Hindi.

15:44Okay.

15:44But,

15:44I felt very happy.

15:47Because I was so happy as I am in my own language,

15:50what I am interested in Hyderabad's language,

15:53what I am doing in the right language.

15:54I am doing a platform.

15:56Also,

15:56a very good platform.

15:57Not,

15:57not on your own.

15:59But my character has a very strong presence in the film.

16:04What is that strong presence?

16:06We'll watch it in the theater.

16:08Okay.

16:09Yourself?

16:10Sir.

16:11When I was talking, I was talking.

16:14I was talking.

16:16I was talking.

16:17I was talking.

16:19So, actually, there are a lot of specials here.

16:23I have a lot of specials here.

16:24I have a lot of specials here.

16:26I have a lot of specials here.

16:28At this point, I was shooting there.

16:30So, I am talking about...

16:35You're talking about the same thing.

16:38You're talking about the same thing.

16:39I'm talking about your character.

16:40I'm talking about the same thing.

16:44Character...

16:49Character...

16:50Character is great.

16:51Yes sir, but if you have a lot of characters,

16:57there's a lot of characters.

17:02There's a lot of characters.

17:06There's a lot of characters chaotic.

17:09But every one of those characters,

17:11there's a lot of characters.

17:14There's a lot of characters in this film.

17:17Okay, okay.

17:18Ramana Reddiger.

17:20Ramana Reddiger.

17:22As an actor,

17:23you don't want to be so mature, sir.

17:26One minute.

17:28Reddiger, how many times do you shoot?

17:3030 days?

17:3130 days.

17:3230 days.

17:32How do you tell your character?

17:34No, sir.

17:36As an actor,

17:37you don't want to answer your maturity.

17:41I'll just...

17:41Sir, sir.

17:42You also have a mood.

17:43You also have an ad.

17:45Very much.

17:45I'll talk to both actors.

17:48Please.

17:49I want to ask you a question in the interview.

17:52What I'm asking is,

17:54I'm the first character.

17:56I'm the fourth character.

17:58I'm talking another analogy.

18:00I'm talking about it.

18:03I've talked about it,

18:05You can see an external enemy and you can see a lot of unity in the cinema.

18:14In our cinema, we are looking at differences in characters.

18:20We are looking at uniqueness in the village and uniqueness in the village.

18:27That's not my character, I don't have any character in the cinema.

18:32That's why I have talked about this in an interview.

18:36You can see the lead heroes in the poster.

18:39You can see the character of every audience member.

18:45That's why our characters contribute to the universality.

18:50Now, you can see a lot of people related to the youth cinema.

18:54That's not my father.

18:57I can see a lot of people in the screening.

18:58I can see a lot of people in the cinema.

19:01So, every audience member has a character in the cinema.

19:05So, it's not my father.

19:08It's not my father.

19:09It's not my father.

19:10It's not my father.

19:10It's my father.

19:14It's not my father.

19:24It's my father.

19:32It's not my father.

19:41it's a great combination

19:43it is so hostile

19:50to the girls

19:52in some parts

19:54not I don't blame each and every boy

19:56but it is happening

19:58sporadically

19:59now and then

20:00how do you

20:03view these characters

20:05these characters

20:20characters and as a girl I'm asking

20:23from point of view

20:26so

20:27am I am I

20:29am I

20:30I am a key.

20:34Great.

20:35Because in a single life and stage, there is a realization.

20:41That's right.

20:42What do you do this or do this?

20:44What do you do this?

20:45What do you do this?

20:45What does it do?

20:48But, when you talk about it, you can talk about it.

20:50You can talk about it, and you can talk about it.

20:55Characterization.

20:57So, we will...

21:00They are innocently responsible.

21:07I can talk about it.

21:10I can talk about it.

21:13Do you have to say anything about it?

21:16No, sir.

21:17It's not a guidance.

21:19It's not a guidance.

21:19It's not a little clueless.

21:24Youth.

21:25Youth.

21:25Yeah, but they are very rich at character, heart.

21:33So, that is the real flower of Hyderabad.

21:36Yes, yes.

21:37Right?

21:37True ameers.

21:38Yes.

21:39All the boys are very good in Hyderabad.

21:41Some gangs, but all the rest.

21:45And I wish you, really, that spirit catches and captures everybody through auditoriums.

21:51All the very best.

21:52Sir, Ramna Radhigaru.

21:53Ramna.

21:54Actually, Hyderabad is the best film.

21:57Hyderabad is the best film for friends.

22:01Food, Cricket, Gally Cricket.

22:23But there are four heroines like characters.

22:34One single parent.

22:35Single parent.

22:36Thalli.

22:37Thalli.

22:38Thalli.

22:39Thalli.

22:40Thalli.

22:41Thalli.

22:42Thalli.

22:45Thalli.

23:02Thalli.

23:03There are fights in the teaser, trailer, etc.

23:09But, emotion-wise, I can say that

23:11there is a little bit of a shake and a little bit of a blend in the cinema.

23:19That's why I am a little different film.

23:21If it's not a love story, it's also a love track.

23:23But even if it works on the internet, it's also a film.

23:26All the very best, Andy.

23:27Thank you, sir.

23:28Tyler looks good.

23:29Sir, I'm ready.

23:30Sir.

23:31Sir, here, here.

23:33Sir, you have been told me for 40 years.

23:39It's only one piece of paper.

23:41One piece of paper is only one piece.

23:43One piece of paper is only one piece of paper.

23:45I can't believe it.

23:47But, in terms of your team,

23:50I can tell you about your opinion.

23:52Please tell me in terms of your opinion.

23:57First of all my director has a lot of meaning.

24:12Chillaing is in point of view, philosophy, rich anger, rich amongst emotions,ир

24:19그 тулов Velour는 slide says, There

24:32are different meanings of what Amir log is. Hey

24:35veda jalendra, maybe you treat it with me and I am here who?

24:39What do you think about this film?

24:41What do you think about this film?

24:49I personally feel that if we are in our life,

24:55we are in our life.

24:58We are in our relationships,

25:00we are in our parents.

25:02What do you think about this film?

25:11Because they can live with a lot of satisfaction and happiness.

25:14If we are in our lives,

25:15we are in our lives.

25:18Yes, sir.

25:21You can tell us about this film too.

25:23We are in our lives.

25:27Sir, correction.

25:28I am not asking to settle for less.

25:33If we are happy,

25:35it is very important to boost ourselves

25:38to move forward, is my point.

25:41If you have said that,

25:42I will tell you about this film.

25:44Okay.

25:46Basically, Amir is a true translation.

25:48It means prosperity.

25:50So,

25:53If you are people of Nizanga Asrimanthu,

25:55in our lives,

25:56to be able to be loved and loved,

26:00it is to be a true religion,

26:05every time they are owned,

26:18each to their own.

26:19I am a Ameer.

26:22I am a Ameer.

26:25I am a Ameer.

26:27I am a Ameer.

26:30Anyway, the title of the Ameer is

26:34I am a Ameer.

26:38I am happy.

26:40I am happy to be with you.

26:45Thank you, sir.

26:46Thank you so much.

26:49Thank you, sir.

26:52Actually, you have released a release on the 21st August, right?

26:55Yes, sir.

26:55So, Aroju has released a lot of cinema.

26:58So, Ameer is able to reach out to you.

27:01What do you expect?

27:03What do you plan to release in any theatre?

27:07We are not able to release in APN Telangana.

27:11Also, we are looking at overseas.

27:14US releases definitely.

27:16MC Harigar.

27:18So, actually, my father is also on stage.

27:21So, if you look at the cinema,

27:22I would like to have a flat flat.

27:25All the best.

27:26Thank you so much.

27:35Thank you so much, Press and Media.

27:56Thank you so much, ma'am.

27:57Thank you so much.

28:02Thanks for joining us.

28:03Thank you so much, ma'am.

28:04You

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