- 21 hours ago
Category
🎥
Short filmTranscript
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00:00:28Are you ready to be a star today?
00:00:38I think you are.
00:00:39We've got to make some art here, people.
00:00:41Okay, that's it.
00:00:42All right, let's go.
00:00:43Bring that light right into it.
00:00:44Down here.
00:00:45All right, that's not it.
00:00:46No, I need more light than that.
00:00:47I'm ready.
00:00:48You're in the spa.
00:00:49It's about here.
00:00:50Okay, I'm ready.
00:00:51Right there.
00:00:52Did it go?
00:00:53All right.
00:00:54Okay.
00:00:55Good boy.
00:00:56Yeah.
00:00:57Let's go.
00:00:58Come on.
00:00:59No, I told you.
00:01:00It's too hot.
00:01:01Turn it over.
00:01:02Give me the other flat side, idiot.
00:01:03Come on, let's go.
00:01:04Come on.
00:01:05Oh, Jesus Christ.
00:01:06Come on.
00:01:07Oh!
00:01:13Good.
00:01:14Back in it.
00:01:15Back in it.
00:01:16That's a good dog.
00:01:17That's such a good dog.
00:01:27Good.
00:01:28Good.
00:01:29All right.
00:01:30That's fine.
00:01:31That's a good town.
00:01:32Gotcha.
00:01:33Hang on.
00:01:34Right there, buddy.
00:01:35Hang on.
00:01:36Gotcha.
00:01:37Very nice.
00:01:38That was good.
00:01:51All right.
00:01:52I think he looks good, don't you?
00:02:08Yeah, we're out of film.
00:02:09All right, take five.
00:02:10We're reloading now.
00:02:11This is the dumbest dog in the whole world.
00:02:13Where the hell did you get such a dumb dog?
00:02:15It's my dog.
00:02:16I trained that dog.
00:02:17I love this dog.
00:02:19Then you are as dumb as the dog.
00:02:22All right, is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:52This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Valari, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion,
00:03:40and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:20When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:27No.
00:04:29Yes, I did.
00:04:29I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:39Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:47Things are changing.
00:04:53Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:11Jesus.
00:05:12Good morning, ladies, and welcome to a man's world.
00:05:20Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:45And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:53This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:11All I want is for us to have a piece of the pie.
00:06:18And when I'm talking peace, ladies, I don't mean a little one.
00:06:24I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:54Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:12Let's go, man.
00:07:14Oh, my Lord.
00:07:15I will tell you you should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:25Yes, 50-50.
00:07:2650%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50-50.
00:07:37All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45When I'm talking peace, ladies, I'm not talking a small piece.
00:07:51I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Just get the back of it.
00:08:01Just get them, honey.
00:08:02Come on.
00:08:03I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:41I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by four this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:50Okay.
00:08:50For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:54Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:07No, come on.
00:09:07You can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23I know you're a very good boy.
00:09:53I know you're a very good boy, but it won't be me.
00:09:57You're a very good boy.
00:10:00Girl, you're not a ton of art.
00:10:03You're a very good boy.
00:10:06Oh, girl, I can't see you with somebody else.
00:10:13Gotta have you, darling, now.
00:10:19Hold me at nobody else.
00:10:22Gonna make you laugh.
00:10:25Hold you through the night.
00:10:32Look what you've just done to my heart.
00:10:35Gotta love and tell her about.
00:10:37Look what you've just done to my heart.
00:10:41Oh, girl.
00:10:41Look what you've just done to my heart.
00:10:45Yeah.
00:10:46Look what you've just done to my heart.
00:10:48Gotta love and tell her about.
00:10:50Look what you've just done to my heart.
00:10:54Oh, baby.
00:10:55Look what you've just done to my heart.
00:10:58Oh, yeah.
00:11:12Good morning, ladies, and welcome to a man's world.
00:11:17Let me tell you a little about men, ladies.
00:11:20They'll tell you anything they want you to hear.
00:11:26They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:33God, I hope not.
00:11:34Oh, Lord, woman.
00:11:38We have a problem here, Emmanuel.
00:11:43It's the word they.
00:11:45Now, we all know that they pertains to men.
00:11:48So, why don't you just come out and say,
00:11:52Men, you're blessed with great beauty.
00:11:56You should be satisfied with that advantage.
00:11:58But you're not.
00:12:00I think all you girls should remember the terminology.
00:12:04Manpower.
00:12:05Manipulate.
00:12:06The rights of man.
00:12:09Manhole.
00:12:09I mean, all you girls can climb down,
00:12:11and it's still going to be a manhole in the eyes of God,
00:12:13in the eyes of everyone.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:22You have a lot to learn, Emmanuel.
00:12:26And one Richard Tate
00:12:27is going to teach you, darling.
00:12:39Okora Hotel.
00:12:51Yes, Miss Manuel Griffith, please.
00:12:54May I say who's calling?
00:12:55Yes, tell her that our studio driver has arrived.
00:12:58One moment, please.
00:13:00Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here.
00:13:04What time is it?
00:13:05No, I'm an hour from now.
00:13:07Oh, no, but they moved the time up, ma'am.
00:13:09Did they tell you that?
00:13:11No.
00:13:12All right, fine.
00:13:14I'll be down in a minute.
00:13:15Okay, thank you.
00:13:39All right, fine.
00:13:46Okay.
00:13:46All right.
00:13:47All right.
00:13:48All right.
00:13:48All right.
00:13:49All right.
00:13:50We'll be back to the next room.
00:13:52All right.
00:14:23Hey, buddy.
00:14:31I smell some gas back here.
00:14:36Hey, guy.
00:14:37You got a leak or something?
00:14:45Can't you get the window down?
00:14:50Hey, mister.
00:14:51Hey, mister.
00:14:53What are you doing?
00:14:54What are you doing?
00:14:57Open my window.
00:14:59What are you doing?
00:15:05What are you doing?
00:15:20What are you doing?
00:15:23What are you doing?
00:15:26What is this?
00:15:27I don't know.
00:15:57Don't worry, baby.
00:16:12I'm here to help you.
00:16:16Everything's going to be just fine.
00:16:27I'm here to help you.
00:16:57Hello.
00:17:08Hello.
00:17:11What's going on?
00:17:20Where am I?
00:17:23Why do you ask?
00:17:24Who the fuck are you and why am I here?
00:17:30I don't like women who use profanity.
00:17:34You don't?
00:17:36No.
00:17:39Well, then you just tell me a few things.
00:17:43What the fuck is going on?
00:17:45Where the fuck am I and who the fuck are you?
00:17:51You'll find out, Manny.
00:17:54What the fuck am I doing?
00:17:55No way better.
00:17:56Okay, let's go.
00:17:59We're still there.
00:18:03Yeah.
00:18:03Okay.
00:18:09Agnes Nielsen, cool.
00:18:11Listen to me, you bastard.
00:18:32You let me out of here right now, or I'm going to see that you go to jail for the rest of your life.
00:18:39Well, you haven't already figured it out.
00:18:42You're the one that's in jail.
00:18:44And for how long depends entirely on you, my pretty.
00:18:50But let's not talk about depressing issues.
00:18:52Let's move ahead into a bright new future.
00:18:55Now it's lesson time, sweetheart.
00:18:57So pay attention.
00:18:59I think you're going to enjoy this.
00:19:01This is something very close to your heart.
00:19:04They'll tell you that there's no sexual harassment in the workplace.
00:19:08And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:19:17I must tell you, I love the barefoot and pregnant line.
00:19:22I'm going to play for you again and watch the smile that crosses your face just after you say the line.
00:19:28It was great.
00:19:29You were in charge then.
00:19:31And wasn't it one of them?
00:19:37Good morning, ladies, and welcome to a man's world.
00:19:41You know what?
00:19:43I think we're going to have to rethink that dumb speech of yours.
00:19:46But don't worry.
00:19:48I mean, we're going to make it right.
00:19:50You know, I want you to memorize every stupid word you say.
00:19:54I mean, I want you to see the look on your face.
00:19:57But, you know, it's like anything else.
00:20:00I want you to see every arrogant, sarcastic expression that you presented to that audience.
00:20:06But don't worry.
00:20:07It's going to be okay.
00:20:08We're going to make it out just fine.
00:20:14Now, what would you like for lunch?
00:20:18Nothing.
00:20:20I want nothing from you.
00:20:22Oh, okay.
00:20:23Well, I tell you what.
00:20:24There's a buzzer right on that table in front of the TV.
00:20:29And if you just push it, I'll bring you anything you need.
00:20:35Leave it dirty, Emanuel.
00:20:49Let me just follow you around.
00:21:18Save your breath, sweetheart.
00:21:43You'll need it later.
00:21:45You can't get out.
00:21:46No one can hear you.
00:21:47I'm in charge now.
00:21:48The sooner you get that through your head, the better off you'll be.
00:21:52Just push the buzzer if you need an exam.
00:21:56Hey, mister!
00:22:04Hey, mister!
00:22:07Hey, asshole!
00:22:14You know your fucking TV set isn't working!
00:22:17Aren't there any other assholes that live in this area?
00:22:32Are you deaf?
00:22:34I didn't hear this fucking buzzer!
00:22:37Where the fuck are you?
00:22:39Where the fuck are you?
00:22:41Fucking deaf!
00:22:43Are you deaf?
00:22:47Hello?
00:22:48Hello?
00:22:49Hello?
00:23:17Hello?
00:23:19This is your friendly chef. How may I be of service?
00:23:25I'd like something to eat.
00:23:28Well, I tell you, that sounds reasonable.
00:23:31All you have to do is use the word please.
00:23:36Please.
00:23:38Well, how do you like that, sweetcakes?
00:23:41You're finally making some progress and it hasn't even been 24 hours.
00:23:45Breakfast is served in 30 minutes.
00:23:50Breakfast in bed.
00:23:55For the only lady in the house.
00:23:58Not bad, huh?
00:23:59I make my bernet sauce with a little brandy.
00:24:03I'm impressed.
00:24:04Well, thank you.
00:24:05I studied with a great chef at the Waldorf Astoria in New York.
00:24:06Lovely.
00:24:07Well, thank you once again.
00:24:09My specialty is pastry.
00:24:10Wow.
00:24:11Wow.
00:24:12Now, I want to know who you are and why I'm here.
00:24:14Well, thank you once again.
00:24:15My specialty is pastry.
00:24:16Wow.
00:24:18Now, I want to know who you are and why I'm here.
00:24:22impressed well thank you I studied with a great chef at the Waldorf Astoria in
00:24:26New York lovely well thank you once again my specialty is pastry Wow now I
00:24:37want to know who you are and why I'm here well my dear you already know why
00:24:42you're here that's to give you time and instruction until you get your pretty
00:24:45little head straightened out as for me I am your chef and host and in due time if
00:24:53you're really nice and kind I may even be your lover you should live so fucking
00:25:02long I told you that I don't like that kind of language from a woman I don't
00:25:06have to say it again
00:25:09what's your name my name is Richard hello Richard what did they call you in
00:25:22school did they call you Ricky did they call you Dickie
00:25:31or did they just call you dick
00:25:39you
00:26:09Oh, my God.
00:26:39you're about as dumb as a boxer rocks i mean what the hell made you think you could get your ass
00:26:56through that small open huh please help me honey you just said a magic word please my neck gun is
00:27:04caught on something here at the waist i can't pull back out oh well that's no problem
00:27:09okay try it again go on i can't do it why not you got in there well that's obvious but now i can't
00:27:24get back out okay well i'll tell you what let me check out the situation let me check this out okay
00:27:29okay all right i'm checking it out you know the only thing i can figure is that your tits got
00:27:37bigger you are a disgusting pig well i'll tell you what i can take this thing off its hinges and
00:27:44you'll be wearing a door for the rest of your life please that's better you know what you're starting
00:27:54to get to me the possibility exists is that you may even be getting better but i don't
00:28:03i don't believe this children
00:28:13healing with children
00:28:17oh this is that fake butter i hate this shit don't you
00:28:28all right all right this is the gold we have been searching for
00:28:40yes oh yes
00:28:44yes oh yeah come on come on come on move over a little bit i see a touch of you babe come on
00:28:54come on honey come to daddy that's it that's better that oops not enough just get your magic oh come
00:29:02on get in the view come on let me strike a close-up on your magic spot
00:29:10oh what are you doing to me come on come on come on come on come on
00:29:26come on
00:29:27come on come on come on come on come on yeah now i wanna i wanna go someplace where i can totally
00:29:30be lost but at the same time if i wish to uh escape into some excitement
00:29:35It's some excitement. It's, uh, it's nearby.
00:29:39Oh, I understand, I think.
00:29:42But I want it to be magnificent. First class all the way.
00:29:45Of course.
00:29:47I like the ocean, but it has to be more than that.
00:29:51I want something that oozes love.
00:29:56Oozes?
00:29:58I beg your pardon?
00:30:00Oh, excuse me, oozes. I was just flashing on something.
00:30:04Alright, uh, what do you have in mind?
00:30:07Well, the, uh, people in the travel business might call me Mr. T because T stands for travel, of course.
00:30:15So you've come to the right place.
00:30:17What I'm about to show you, young man, is splendor in the sand.
00:30:23Oh! Hold your breath, you'll be screaming for oxygen.
00:30:27This. This is Antigua. The island of beaches. Five years ago, very dear.
00:30:38Well, close, intimate. A friend of mine and I spent five glorious days there.
00:30:45It was magnificent. I'll never forget it. We'd lay on the beach and write love poems to each other.
00:30:52And put them in a seal.
00:30:55An empty orange juice, bond, and hiding under this rock.
00:30:58Look, this is the very rock. And the knights...
00:31:02Don't ask, the knights were magical.
00:31:07The wind, the people. The island, the beaches. The love poems.
00:31:15Then when the mood struck us, which was quite often, we would adjourn to our magical suite.
00:31:24Yeah. This is the actual suite. Just between us. We did it everywhere. Upstairs, downstairs, in my lady's chamber.
00:31:36So to speak. It was magnificent.
00:31:42I bet. What a memory. Yes.
00:31:48Oh, excuse me. Now tell me, will you be traveling alone?
00:31:52Uh, no, I'll be traveling with my wife. Your wife?
00:31:59Of course. Sorry. No harm done. Now you want me to write that up?
00:32:06Yeah, sure thing, pal.
00:32:09Like I said, I want a first class all the way. I'll take the beach, I'll take the sand, I'll take the nightlife.
00:32:15But, I definitely do not want that wrong.
00:32:19Oh!
00:32:21Hello? This is Dick. What can I do for you?
00:32:39Look, Richard. I have nothing against you. Please let me go.
00:32:48Not until your act is together, my darling.
00:32:51Okay. You're right, I'm sorry.
00:32:55Let me explain something to you, darling. Okay? I kidnapped you. I kidnapped you. You know what that means?
00:33:02The FBI is involved with this as we speak even here. And I'm not going to let you out until you get your head straight.
00:33:10And that, my love, is quite up to you.
00:33:14Look, Richard. I have nothing against you. Please let me go.
00:33:21Not until you get your act together.
00:33:25I know. You're right, I'm sorry.
00:33:29Not only do I hate women who use foul words, but I hate women who lie.
00:33:34Good night, sweetheart.
00:33:36Oh no! Richard! Richard, come back!
00:33:42Oh please, don't go away.
00:33:46Oh please, you gotta come back.
00:33:50You've gotta talk to me, Richard, please!
00:33:54Oh God.
00:33:57Oh God, no, go away.
00:34:03Please, Richard.
00:34:07Please.
00:34:11Yes, my darling.
00:34:13I can hear you.
00:34:14Isn't it nice to see a friendly face?
00:34:17Look, Richard.
00:34:20I have money.
00:34:22I have a lot of money.
00:34:25I don't need new money.
00:34:28What do you want then?
00:34:31I want you to be a nice little girl.
00:34:32I want you to be nice to the men who support you.
00:34:36I want you to be barefoot and not pregnant.
00:34:39I hate kids.
00:34:42Look.
00:34:44I will do whatever you want.
00:34:49I have got to get out of here. I am going crazy in here.
00:34:54Okay.
00:34:56Take off the towel.
00:34:58I want to see you.
00:35:04You can see me?
00:35:06You've been watching me?
00:35:09Just relax, baby.
00:35:10Just relax, baby.
00:35:13How do I turn off this fucking thing?
00:35:16It's locked. I control it from here.
00:35:18Just relax, okay?
00:35:20What is it?
00:35:22Is it a peephole dick, you prick?
00:35:24Oh, no, not a peephole.
00:35:27Not for Dickie Boy.
00:35:28Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:37And when I find it,
00:35:39and I will find it,
00:35:42I am going to smash the shit out of it.
00:35:45Don't even give it a thought, baby.
00:35:46You'll never find it. Never.
00:35:48You bastard.
00:35:50You sick son of a bitch.
00:35:51Who do you think you are, anyway?
00:35:54You listen to me, and you pay attention.
00:35:56I'm the guy with the key to your mind.
00:35:59God, I hate you.
00:36:01You are the lowest of the low.
00:36:04You listen to me, Dickie Boy.
00:36:07When I get out of here,
00:36:09you are dead meat!
00:36:14Don't do it! Don't do it!
00:36:21That was a bad idea, baby.
00:36:24You best plug that back in.
00:36:26Fuck you!
00:36:31Good night, sweetheart.
00:36:33Oh, this is just perfect.
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality gets to be too much for you, huh?
00:36:42Reality gets to be a little tough,
00:36:43and you can't take it.
00:36:44You've got to turn off the sound, huh, buddy?
00:36:48Well, let me tell you something.
00:36:50I'm still going to find it.
00:36:52And when I find it,
00:36:54you can watch yourself for the rest of your fucking life!
00:36:56Yeah, pues.
00:36:57This is your fucking life!
00:36:58que de...
00:37:05ahahahahahahahahahahahaha
00:37:10Ahahahahahahahahah!
00:37:12Ahhahahahahahah Digi
00:37:15Ha, ha, ha!
00:37:45Ha, ha, ha!
00:38:15Ha, ha, ha!
00:38:45Well, Sam, while you were flying in, uh, first class from New York, I found the last person to see Emanuelle Griffith alive.
00:38:54Good.
00:38:55Yep, Japanese girl.
00:38:57I worked at the hotel.
00:38:59Helped her out to the phony limo.
00:39:01Okay.
00:39:02Sam, I gotta tell you.
00:39:03I run one of the best detective agencies in this area.
00:39:07Why don't we get this thing wrapped up real quick and go out and do some more business together.
00:39:12I can have her here on, uh, Wednesday.
00:39:14How's 1 p.m. for you?
00:39:16Sounds good.
00:39:17She'll be here.
00:39:18Good.
00:39:19Hello?
00:39:21Hello?
00:39:25Hello? I have no water in here!
00:39:52What's going on?
00:39:55Richard, I have no water!
00:39:58How many ways do I love you?
00:40:09I'm gonna show you now
00:40:12I'll buy you nice little things
00:40:15And a big diamond ring
00:40:19Oh wow, you said that you didn't love me
00:40:27Honey, I got class and style
00:40:31I'll make sure we're together
00:40:34This stormy weather
00:40:37Mile after mile after mile
00:40:41Yeah, how many ways do I love you?
00:40:47Let me tell the world
00:40:49Let me tell them all
00:40:52I'll buy you a rainbow
00:40:55I'll buy you the moon
00:40:57I'll buy you boats and planes
00:41:00Horses and trains
00:41:01I'll buy the sides of the hall
00:41:04Throw in the sleeves and all
00:41:07You'll be the queen of the fall
00:41:14The gown is $600 and $25
00:41:23However, if you'd wish to purchase the undergarments we discussed
00:41:28I'm sure we can come to some kind of agreement for a discount
00:41:31Let's say, um, 5%?
00:41:34Well, that sounds okay
00:41:36I'll tell you what
00:41:37Why don't, uh, why don't you have her try the brown one?
00:41:41I'm sorry, sir
00:41:42But we don't model underwear
00:41:44Why not?
00:41:47Company policy
00:41:47Who said what company?
00:41:49This company
00:41:49You in charge of this company?
00:41:51I am
00:41:52You set forth the rule?
00:41:53I did
00:41:53Why'd you come and do that?
00:41:56I mean, why is everybody gonna spoil my fun?
00:41:59Sir, this is a respectable establishment
00:42:02Are you suggesting that I'm not respectable?
00:42:08Honey, could you go over and get me the gold dress?
00:42:11I mean, I don't like this at all
00:42:12I gotta tell you
00:42:13I don't want that at all
00:42:14I deal with gold and I love gold
00:42:16I mean, look at the shimmering of this
00:42:17I mean, this is beautiful
00:42:18Well, I'll tell you what
00:42:22Why don't you throw all this shit in the box
00:42:24And, uh, oh
00:42:26Let's see
00:42:28A 10% discount seems, uh, pretty respectable to me
00:42:32Don't you think
00:42:34Oh, hell, man
00:42:55Well, look at that
00:43:02Front page
00:43:04Above the fold
00:43:05In living color
00:43:07I really am fantastic
00:43:11Good morning, Emmanuel
00:43:23I have something very special for you
00:43:39Something pink for pink lady
00:43:42How are you?
00:43:46Hey you, what's going on here?
00:43:47Plug it back in
00:43:48There's a little bra for you in black
00:43:49I've been calling you all day
00:43:51I don't have any water
00:43:52And where the hell's my food?
00:43:53Plug it back in
00:43:54And things will be quite beautiful for you
00:43:55Here's something royal for a royal lady
00:43:57Oh, yes
00:43:59Prick
00:43:59Here's some golden threads for you
00:44:01Just plug it back in
00:44:03Another thing for pink lady
00:44:04Here's a little thing for purple
00:44:05I want some goddamn water
00:44:07I don't know what the hell you're talking about
00:44:09Well, try running for the goddamn water
00:44:11With these tennis shoes
00:44:13You bet your life
00:44:14There they are
00:44:15Run for it, baby
00:44:16I'm gonna stick these shoes right up your ass
00:44:18Give me some water
00:44:19Come on, here's the little undies for the baby
00:44:21You prick
00:44:22You turned the water off, didn't you?
00:44:23You got it, sweetheart
00:44:24And if you want it back on
00:44:26Plug it back in
00:44:27What the hell are you talking about?
00:44:31Oh, well
00:44:33Jesus Christ
00:44:35I got faith in you
00:44:36I mean, I think you'll figure it out
00:44:39I'm not taking any calls, sweetheart
00:45:09And I'm going to get some water, all right?
00:45:12Jesus
00:45:39God, you are persistent
00:46:08Jesus
00:46:09Honey
00:46:16These are difficult times for both of us, okay?
00:46:19But I tell you what
00:46:20I'm going to make it as easy on you as possible
00:46:23Now all you got to do to get started again
00:46:26Is plug it back in
00:46:29Fuck you
00:46:30You better not mess your room up, honey
00:46:33You're going to be living there for a long time
00:46:35Also, I've turned the buzzer off so you can save your finger
00:46:39All you got to do is come over here and plug it back in
00:46:43You want something to drink?
00:46:45Plug it back in
00:46:45You want something to eat?
00:46:46Plug it back in
00:46:47It's that simple
00:46:48Plug it back in
00:46:49I wouldn't do that if I were you
00:46:51That's your only contact with the outside world
00:46:56What are you doing to me?
00:47:00Honey, I'm not doing anything to you
00:47:03You're doing it all to yourself, baby
00:47:06You make it all happen
00:47:08All right, Richard
00:47:13We'll do it your way
00:47:16Now you see there, sweetheart
00:47:32You've already started to learn something
00:47:36Don't bite the hand that feeds you
00:47:39And don't unplug the TV set
00:47:41Soon you'll have running water
00:47:45And tonight
00:47:46Tonight I'm going to fix you a beautiful steak with bernet sauce
00:47:51God, I love you, Matty
00:47:52I love you with my heart and soul
00:47:55And I would do anything for you
00:47:56But please cooperate with me
00:47:59Pour some for yourself, darling
00:48:09It's wonderful
00:48:10Here's looking at you, baby
00:48:15It's wonderful
00:48:21Why don't you try the steak?
00:48:25It's great
00:48:26I mean, I'd like to see what you think
00:48:29It's very good
00:48:37Later I'll share the method and the recipe with you
00:48:41As soon as we get to know each other better
00:48:43The secret is, though, that I use two egg yolks in the sauce at the end
00:48:48It makes it smoother
00:48:49It's very smooth
00:48:51Look, Richard, can we talk?
00:48:56Of course we can
00:48:57That's what I'm here for
00:48:58That's good
00:49:00I wanted to know when I could get out
00:49:03I mean, when I could be released
00:49:05That's quite up to you
00:49:08You know that by now
00:49:09Why don't you pour yourself some more wine, okay?
00:49:15You know, tonight
00:49:16I'm going to be the designated driver
00:49:18Are we going out?
00:49:22No, no
00:49:22I can't trust you to go anyplace
00:49:24No
00:49:25Oh, yes, you can
00:49:26I'd behave
00:49:27I love the word behave
00:49:30Yes, I do
00:49:31I mean, when you learn to apply that
00:49:32It'd be better for both of us
00:49:34I have learned that
00:49:35Really, I have
00:49:36Oh
00:49:37Well, here's this toast
00:49:39Okay
00:49:40Oh, it's just a little lower
00:49:42Tell me this
00:49:51What did they call you
00:49:54When you were a kid in school?
00:49:57By my name
00:49:58They called me Dick
00:50:01What did they call you?
00:50:06By my name
00:50:07How about
00:50:11Manny
00:50:12Did they call you that?
00:50:20No
00:50:21Kids can be so cruel
00:50:25You are cruel
00:50:27No
00:50:28I represent the truth
00:50:31You have a very nice voice
00:50:36Thank you
00:50:38I love compliments
00:50:40Here's looking at you, kid
00:50:47Oh, I got you back on now
00:51:09So, after that
00:51:12I invented this crazy thing
00:51:13That helps idiots program their VCRs
00:51:15And I, uh
00:51:17I made a fortune
00:51:18You're very smart
00:51:20Oh
00:51:21No, just
00:51:22Just lucky
00:51:24What about you?
00:51:26I mean
00:51:27How'd you get into your crazy business?
00:51:32That was funny
00:51:33I went to New York to become an actress
00:51:37I was 19
00:51:42What a joke
00:51:44So, what happened?
00:51:49I found out I was no actress
00:51:51Then what?
00:51:54My mom needed money
00:51:58I didn't know how to do anything
00:52:01Cheers
00:52:03I'm not ashamed
00:52:06It was in all the papers
00:52:08What?
00:52:11I did nude dancing at a Times Square bar
00:52:14Well, I mean
00:52:18How'd you handle that?
00:52:22It was easy
00:52:23I actually enjoyed it
00:52:29I got off on guys watching me
00:52:33It was a turn-on
00:52:36That's what all models do
00:52:40Turn guys on
00:52:43Doesn't matter if you're naked or not
00:52:46It's a turn-on
00:52:48It's a sexist thing
00:52:50So you're a sexist
00:52:51I didn't say that
00:52:55Yes, you did
00:52:56Well, men just take advantage
00:53:01Oh
00:53:02So
00:53:05So when you're stuck naked
00:53:08In front of those good old boys
00:53:09I mean
00:53:10Who has the advantage then?
00:53:21Why don't you play me some music?
00:53:27I want to dance for you
00:53:51I'm yours forever
00:54:08Please take these words I say
00:54:13Hold them inside your heart
00:54:19Oh, baby
00:54:24Oh, girl
00:54:29I need you, darling
00:54:33Inside my world
00:54:38I'm yours forever
00:54:44Please hear the song I sing
00:54:52Hold it inside
00:54:54I'll be down in the living room
00:55:02Just come down the stairs
00:55:04And bear to your left
00:55:05Thank you
00:55:48Hello.
00:56:07Hello.
00:56:09Come down and join me.
00:56:18Sit down.
00:56:35I got a present for you.
00:56:40It's by your side, under that pillow.
00:56:41Open it.
00:56:54Try it.
00:57:04It's very nice.
00:57:05Yeah, it blends with your body.
00:57:18It's you all the way.
00:57:19Yeah.
00:57:21Yeah.
00:57:25Yeah.
00:57:26Yeah.
00:57:28Yeah.
00:57:42So, let's go.
00:58:12Show yourself, baby. Come to daddy. If you think you can escape Richard Tate, you must be crazy.
00:58:22Not in a million years. There you are. Let's go.
00:58:42Come on, baby. Where are you? You can't hide. Come on. Come on.
00:59:06Come on, baby.
00:59:12It's over, baby. I'll find you. You know what? You lied to me, baby. You lied to me after I gave everything to you, and you're trying to run from me and hide from me.
00:59:36When you deal with Richard, you're dealing with style, class, and elegance.
00:59:44You're used to punks. You're used to no-class guys. I give you the best of wine, the best of food, the best of clothes, and the best of perfume.
00:59:56Perfume that I can smell a million miles away. I got you.
01:00:02Well...
01:00:08I got you!
01:00:12Center for Diploma.
01:00:25You're dead.
01:00:26I'll be here, girl.
01:00:28I'll relax.
01:00:29Watch us.
01:00:59Needless to say, you've upset me, and you're a liar, a thief, and a cheat, and that somewhere
01:01:11down the road, baby, somewhere down the road, you're going to come along and say, Dickie
01:01:15boy, I'm sorry.
01:01:17You got that?
01:01:19Ugh!
01:01:45You haven't had enough of me yet, baby.
01:02:01I really appreciate your help for this.
01:02:05No problem.
01:02:06There she is, go for it.
01:02:09So, I understand you helped carry her bags downstairs?
01:02:15Yes.
01:02:16Yes.
01:02:17And what time of day was this?
01:02:19Yes.
01:02:20It was about 8 a.m.
01:02:228 a.m.?
01:02:23Can you describe the limo?
01:02:26Yes.
01:02:27Go ahead.
01:02:29It was, it was wrong.
01:02:32Wrong?
01:02:33Yes.
01:02:34Long?
01:02:35Yes.
01:02:36Most of them are.
01:02:38Kim, do you remember the color of the car?
01:02:42It was a brake.
01:02:44And, and the driver, do you remember what he looked like?
01:02:49Yes.
01:02:51Well, describe him.
01:02:56He was tall.
01:02:59He had on a brake jacket and a brake hat.
01:03:03Was it a brake man?
01:03:04No, a brake man.
01:03:06Let's go back to that long limo.
01:03:09Uh, do you remember what kind it was?
01:03:12Oh, you mean, um, a Cadillac or Lincoln?
01:03:16Yeah.
01:03:17Oh, I don't know.
01:03:23Miss, I've come a real long way to talk to you.
01:03:27Thank you very much.
01:03:29Thank you very much.
01:03:32Is there anything you can do to, uh...
01:03:36Jerry, she's your witness, ma'am.
01:03:38Jump right on in here.
01:03:40I want to concentrate on what this man looked like.
01:03:45Hmm?
01:03:46Yes.
01:03:47Can you handle that?
01:03:49Handle what?
01:03:52What the guy looked like?
01:03:54Oh, yes.
01:03:55Yes, I can.
01:03:56Well, great.
01:03:57What did he look like?
01:03:58He had a brake hat.
01:04:01Oh, wait, wait, wait.
01:04:02Please, please.
01:04:03Let's forget about the hat, okay?
01:04:04Let's just try this real quick.
01:04:07Picture yourself standing in front of the hotel, okay?
01:04:10That morning, alright?
01:04:11You see the guy.
01:04:13He's standing right in front of you.
01:04:14You got it?
01:04:15Yes.
01:04:16Okay.
01:04:17Picture it there now.
01:04:18Yes.
01:04:19Now, tell us.
01:04:20What do you see?
01:04:23I see a big round head of a face.
01:04:26Yes.
01:04:27Thank you very much.
01:04:29Jesus Christ.
01:04:30Thank you very much.
01:04:32You're a very nice lady.
01:04:36Thank you very much.
01:04:38It was a big head.
01:04:39Good morning, Mr. Richard.
01:04:40Estella, I called you.
01:04:41I left you a message.
01:04:42I'm not going to need you for a while.
01:04:43I told you that.
01:04:44I got no message, Mr. Richard.
01:04:45Yes, but you don't understand.
01:04:46I'm not going to need you for a while.
01:04:47I already been paid for this, so I clean up when I can today.
01:04:50Yeah, but nothing is dirty, can't you?
01:04:51See around, everything is clean.
01:04:52I do dishes and I change sheets.
01:04:53Yeah, you did.
01:04:54Well, listen, I'm going to wait for a month or so, so come on, I'll tell you what, I'll
01:05:10give you a buzz as soon as I get back.
01:05:12Okay, I'll give you a buzz.
01:05:13Please, please.
01:05:14No, no, Mr. Richard.
01:05:15You do not take money for something you do not do.
01:05:18Estella, you've been good to me.
01:05:19I mean, you do good work and I'll be in touch with you as soon as I get back from the vacation.
01:05:22No, no, Mr. Richa, here. I got a tent, and I got some ones.
01:05:28God, I don't want money. I don't want money from you.
01:05:30Okay, I don't want money from you. Here, here.
01:05:32You're going to die in there, Mr. Richa.
01:05:34If it weren't for me, you would die like a rat.
01:05:36Oh, God, Mrs. Estella, I'll be in touch with you, okay?
01:05:38I promise I'll be in touch with you.
01:05:40As soon as I get back from the vacation, all right, darling?
01:05:41All my best. God bless. God bless.
01:05:52You better not take much longer, baby, or we're going to die like rats in here.
01:05:58You're fucking up my life here. Do you understand that?
01:06:01Huh?
01:06:02I had a fire to goddamn aid. You know what that means?
01:06:06No clean laundry, no clean dishes, garbage up the yin-yang, dust everywhere.
01:06:12Come on, honey, get your eyes together.
01:06:15We're living like pigs here.
01:06:17Come on, lady, you're going to have to make some son-of-a-bitch contribution here.
01:06:20Do you know that?
01:06:21I mean, come on, get in your head.
01:06:23I supply the food, the clothes, the shelter, the clean sheets, the clean towels, the toilet paper, and the best of kind.
01:06:30And complete attention to your selfish ass.
01:06:34Come on, get your act together, goddammit.
01:06:37Or else I'll never lay on this goddammer.
01:06:38Have you got that?
01:06:40Now you get it together, lady, or you're on your way out.
01:06:42And I mean way out.
01:06:51Here's my gun permit from New York, North Carolina, Texas.
01:06:58I got a whole bunch of them things if you want to look at them.
01:07:00That won't be necessary.
01:07:02May I call you Sam?
01:07:04I've been called a lot worse.
01:07:07Sam, we're doing everything we can to find this girl.
01:07:10I'm sure you are.
01:07:10But I don't feel that there's anything that you could possibly do that would add anything to the situation.
01:07:18That might well be, but I've been hired by her mother, who's paying me a lot of money to come on out here and help your boys locate her baby girl.
01:07:25Now, I know you don't want me to lose out on good money.
01:07:29And I know you don't want me backing out an employment line, do you?
01:07:33What I want is for you to keep us informed of everything you're doing and anything that you might come up with.
01:07:40No problem.
01:07:42Used to be a cop.
01:07:43I know what it's like.
01:07:44We don't want no double work, do we?
01:07:47No.
01:07:48All right.
01:07:49My goodness.
01:07:50All you've got to do is tell me what you boys have found out so far.
01:07:55Nothing.
01:07:58Well, there you go.
01:07:59Then there's absolutely nothing for me to interfere with since you boys got nothing to start with.
01:08:04But you'll let us know if you come up with something.
01:08:07May I call you Jim?
01:08:08Why not?
01:08:10Jim, you're the first name on my list.
01:08:16It's a hot day today, isn't it?
01:08:21Richard, I feel weak.
01:08:24Oh, come on.
01:08:25Women give birth.
01:08:25It's got to be worse than this.
01:08:27Well, that makes me feel a lot fucking better.
01:08:30I'm sorry.
01:08:31I didn't mean to swear.
01:08:33Come on.
01:08:34I want to believe.
01:08:35But you make it hard.
01:08:36You make it hard on both of us.
01:08:37I know I'm sorry.
01:08:39Yeah, I know.
01:08:41Good.
01:08:42It's just that sometimes you can't seem to control it.
01:08:46You have to help me.
01:08:49All right.
01:08:50I will.
01:08:52Have to pan up, you know.
01:08:57You know, perhaps it's something in your childhood.
01:09:01Maybe it's your parents.
01:09:03I mean, did you have any brothers and sisters?
01:09:05Yes, my brother is a lawyer, and my sister, she's a teacher.
01:09:11Mm-hmm.
01:09:12And what about your mother?
01:09:15My mother?
01:09:17She's fine.
01:09:18Did she swear a lot?
01:09:20No, never.
01:09:22Oh.
01:09:23All right.
01:09:24Well, what about your father?
01:09:25My father died in Vietnam.
01:09:29The service?
01:09:30Yes.
01:09:31What branch?
01:09:33The Navy serving with the Marines.
01:09:36The Marines?
01:09:37I knew it.
01:09:38I knew it.
01:09:39I know all about them.
01:09:40All they're trained to do is drink, swear, and kill, and not necessarily in that order.
01:09:44My father was a chaplain.
01:09:48A chaplain?
01:09:52Well, I tell you what.
01:09:55I'll get you some water.
01:09:56I'll get you some clothes, and even through too much.
01:10:05Yeah, my name is Sam Weston.
01:10:08Now, you people rent limousines, right?
01:10:11Say that again?
01:10:12I'm sorry.
01:10:14I don't understand you.
01:10:17My question is, you people rent limousines, right?
01:10:26Well, let's try this one.
01:10:29Do you have anybody who works for your company that speaks English?
01:10:36Comprende English?
01:10:37Well, can I talk to your boss?
01:10:44I want to talk to the guy that you work for.
01:10:46Comprende?
01:10:52Yes, sir.
01:10:54And how are you?
01:10:55Well, thank you very much.
01:10:57Sam Weston here.
01:10:59Now, I understand you people rent limousines.
01:11:01Big, long cars.
01:11:07Yes, I'm a private detective, and I'm trying to track down a black limo rented on April 5th of this year.
01:11:12I don't understand you, sir.
01:11:19Where are you from?
01:11:22Korea.
01:11:23Yes.
01:11:25That's a nice town, sir.
01:11:26I just love that place.
01:11:28You got anybody else who speaks English at your place?
01:11:51What's wrong?
01:11:54What's wrong?
01:11:55I'm alone here.
01:11:58I don't like being alone.
01:12:00I hate being alone.
01:12:03Look, calm down, okay?
01:12:06Richard, I'm trying.
01:12:09I can't take any more of this.
01:12:13I'm trying, but I just can't take any more.
01:12:17Everything's going to be fine, okay?
01:12:19Richard, this is not fine.
01:12:22This is weird.
01:12:23When it's fine, it's fine.
01:12:25When it's weird, it's weird.
01:12:26This is weird.
01:12:27Just don't cry anymore, okay?
01:12:29I can't stand it when you cry, all right?
01:12:30Just stop it.
01:12:32I need some space.
01:12:35I need something for me.
01:12:36I tried to make a statement.
01:12:40I was wrong.
01:12:42I tried to say some things.
01:12:43I was wrong.
01:12:45You know what?
01:12:46I think we're making some headway here.
01:12:50Headway?
01:12:50Mm-hmm.
01:12:52I am dying in here,
01:12:54and you are talking about headway!
01:12:56I am going to die in this stinking, rotten hole.
01:13:07Richard.
01:13:11The night we spent together
01:13:13was the most beautiful night of my life.
01:13:16I want that again.
01:13:22I swear to you,
01:13:23I will do whatever you want.
01:13:26All I want is more of you.
01:13:30It's all I had.
01:13:33Is that too much?
01:13:38I have to get out of here.
01:13:40I have to see you.
01:13:46To touch you.
01:14:01I don't believe you.
01:14:10God, this is exasperating.
01:14:31Emmanuel,
01:14:32I'm sorry.
01:14:35I really am sorry.
01:14:37I feel your pain,
01:14:39and yet,
01:14:40I desperately need your love.
01:14:45I feel your strength.
01:14:48The strength of your beauty,
01:14:50even through this metal door.
01:14:52Nothing could separate us.
01:14:55And I mean nothing.
01:15:03The look of you,
01:15:06the thought of you,
01:15:07it permeates my mind.
01:15:11You know, anger,
01:15:12anger has made me say and do many,
01:15:15many ugly things
01:15:17that I'm not proud of.
01:15:23When actually,
01:15:25my heart,
01:15:26mind,
01:15:27and soul
01:15:28adores you.
01:15:30Jesus Christ.
01:15:31I am so thankful
01:15:34that you're here with me.
01:15:40So that I can tell you
01:15:41how much I love you.
01:15:44If you can find a way
01:15:45to forgive me,
01:15:47and I mean forgive me,
01:15:49and if you can find a way
01:15:51to reciprocate my love,
01:15:52I will be with you always.
01:15:56Jesus Christ.
01:16:00Jesus Christ.
01:16:00heard that.
01:16:10BillORI.
01:16:11Jesus Christ.
01:16:17Heave.
01:16:17The glory.
01:16:18Heave.
01:16:18Heave.
01:16:20Heave.
01:16:21British.
01:16:22Heave.
01:16:22Heave.
01:16:23Heave.
01:16:24Heave.
01:16:25Heave.
01:16:26Heave.
01:16:27Heave.
01:16:28Yeah.
01:16:28Heave.
01:17:31Let's go to lunch.
01:17:36You need to get out of here, man.
01:17:38Blow the snake off of you.
01:17:40Let the lady come in and clean the place up.
01:17:43Start fresh.
01:17:45A cop with a heart? I love him.
01:17:50Just brush my teeth.
01:17:52All right, my back.
01:17:54I'll make a couple of calls off your list.
01:17:56Hello, this is Sergeant Lytell of LAPD.
01:18:11Yes, do you rent limos out of your place?
01:18:15I want to know if you rented out a black limo 18 days ago.
01:18:22That would be the fifth.
01:18:24Yeah.
01:18:25Okay.
01:18:26I'll wait.
01:18:27Yeah?
01:18:28545, you say?
01:18:33A black one?
01:18:35Uh-huh.
01:18:36And do you happen to have the guy's name?
01:18:41Yeah, sure.
01:18:42I got it.
01:18:43You don't have his address, do you?
01:18:46Uh-huh.
01:18:47Yeah, got it.
01:18:50Yes, if I need anything else, I'll give you a call, okay?
01:18:54That's Stu Lush.
01:18:55Hey, I got a lead.
01:18:58You got a what?
01:18:59A lead.
01:19:00You know what a lead is, don't you?
01:19:03Talk to me, Jim.
01:19:04I called this guy up in Pacoio.
01:19:07He says that he rented a black limo to this guy at this address
01:19:11at 545 a.m. on the morning of the fifth.
01:19:16Great.
01:19:18Hey, what's up?
01:19:19You got a lead?
01:19:21Great.
01:19:23Hey, I just dialed the next number on your list.
01:19:27What's the problem?
01:19:29No problem.
01:19:31Yeah, but you're acting like there's a problem.
01:19:34Me?
01:19:35Acting like there's a problem?
01:19:37Oh, yeah.
01:19:38I just spent 27 hours on that telephone calling everybody in the world.
01:19:43You got nothing.
01:19:45Now, you make one phone call, and you got our man.
01:19:49I know exactly what you're doing.
01:19:51What am I doing?
01:19:53You people.
01:19:54How you work.
01:19:56Because I know damn well that since you know you can't go in and arrest him,
01:20:01you want me to do the dirty work for you, don't you?
01:20:03Isn't that how you people work?
01:20:05And what the hell do you mean by you people?
01:20:07I don't tell me the racial innuendos are starting.
01:20:10There was no racial innuendos.
01:20:15I just call them as I see them.
01:20:19I call a spade a spade.
01:20:21I was talking about LAPD, the way you people do business.
01:20:26I should have spoken more clearly.
01:20:29I should have been referring to you people as assholes.
01:20:33Real nice.
01:20:35Real good.
01:20:36I'm out of here.
01:20:38Sam.
01:20:41What?
01:20:42Good luck.
01:20:49You owe me 50 cents for that phone call.
01:20:52See ya.
01:20:54Come on.
01:20:55I'm okay.
01:20:56You're okay?
01:20:57Okay.
01:20:58Great.
01:20:59Gets a little rough up in here.
01:21:00Come on, mate.
01:21:01All right.
01:21:02Well, come here.
01:21:03I want you to see something.
01:21:04Look at that view.
01:21:05I don't see much of anything.
01:21:06Well, you will when I cut that tree down.
01:21:09Hey, look at this rope.
01:21:10Here, grab this over here.
01:21:11You can see anything.
01:21:13I don't see much of anything.
01:21:16I don't see much of anything.
01:21:17Well, you will when I cut that tree down.
01:21:21Hey, look at this rope.
01:21:22Here, grab this over here.
01:21:23here grab this okay because we're gonna have to pull ourselves up the rest of the hill i'm gonna
01:21:26lead the way okay okay you were behind me yeah okay here we go hold up
01:21:38where are you taking me oh you said you wanted to go out well when i said out i meant out this
01:21:43is the back of your house no out out look up there you see the sky that's out i mean you're about as
01:21:50far out as i can trust you here come on grab my hand come on swing up in here that's it way to go
01:22:04well here it is what do you think
01:22:10it's fantastic come on
01:22:13it really is nice up here isn't it yeah
01:22:24oh all it takes is a little cooperation i know that now do you
01:22:33you know i'm not going to go to jail for this i hope you know that i don't want that
01:22:38that's a relief it's a relief for me so it's uh it's you and me against the world from here on in
01:22:48huh you have to understand something what's that i'm different now from when you met me
01:22:56you gotta forget that woman she doesn't exist
01:22:59i'll tell you something let's do it together you and me let's make it happen i mean i've got the money
01:23:12i've got the power
01:23:20you've got the talent let's make it a team play
01:23:31you really mean that yes i do
01:23:34can we do it again right now let's go baby you're moving in with me everything's going to be just
01:23:47fine i know it will listen i'm going to get your clothes okay so why don't you go down there and just
01:23:52get in bed i'll be waiting for you baby all right
01:24:07let's go
01:24:15manuel
01:24:17manuel
01:24:19come on honey we made a deal don't break a deal come on open the door
01:24:25open the goddamn door
01:24:37all right
01:24:57so
01:25:03hi dick how's it going hi is that you how you doing it's me richard listen it was all over baby
01:25:26i mean it was all over i was letting you go you're free to go anywhere you want anytime you want
01:25:31any place you want i love you babe thanks dick you're welcome listen to me i got us first class
01:25:41tickets to the bahamas just you and me baby just you and me i mean all the way do you understand
01:25:48that i mean are you staying with me royal danish cruise lines you don't believe me well check it
01:25:52out okay check it out i got the tickets in my tan coat i mean go ahead you see inside breast
01:25:57pocket go up there and look please for me okay please for me right now would you check
01:26:01one for me god i miss you i miss you baby are you listening to me honey you're not you're
01:26:10not gonna you're not thinking of leaving me here are you
01:26:12of course i hear you sweet cakes oh thank god jesus you made me feel alone
01:26:22what would you like for dinner for dinner for dinner for dinner
01:26:33yes emmanuel griffith yes i'm sam weston i was hired by your
01:27:03mother to find you oh well you found me hold it lady there are a lot of people worried
01:27:15about you the thing is sam i just needed a break i needed some time for myself okay so you
01:27:27tell my mom i love her everything's fine and i'll send her the money for the rent
01:27:32you tell the rest of the world i love them too
01:27:36you tell them i'll be back
01:27:39thanks a lot sam
01:27:42yeah
01:27:43good morning ladies and welcome to a man's world
01:27:56thank you
01:28:03yeah
01:28:07yeah
01:28:17yeah
01:28:18yeah
01:28:19yeah
01:28:21yeah
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