- 1 week ago
A Deadly Heist Turns Into a Game of Betrayal | Among Thieves | Full Movie
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Short filmTranscript
00:00This is not true, is it?
00:05We're visiting his dad's family.
00:18Run!
00:30Art themes.
00:32We fell in love.
00:34That was the biggest mistake I ever made.
00:39It started four months ago in France.
00:42Darren and I were partnered with a man named Barnes Billups.
00:45He'd stolen a painting by the Dutch master Vanderloo.
00:48Darren didn't want to cut Billups out of the deal.
00:50I did.
00:51And Billups found out.
00:53I'd dispose of Billups, tell Darren he took off and was going to screw us over.
01:00Darren would never know I killed him.
01:05I had the location and the plans.
01:07We'd get the painting and be together.
01:09It would be a new challenge to live up to Darren's expectations of me.
01:12However mistaken they were.
01:14I just never thought Darren would come over that day.
01:18Chloe?
01:23Hi.
01:24Hi.
01:25Are you okay?
01:26Yeah.
01:27Are you sure?
01:28You look a little...
01:29I've always been honest with you, right?
01:30Yeah.
01:31I always told you the truth.
01:32What's going on with you?
01:33What's going on with you?
01:34Hello.
01:35Hello.
01:36Hello.
01:37Hello.
01:38Hello.
01:39Hello.
01:40Hello.
01:41Hello.
01:42Hello.
01:43Hi.
01:44Hi.
01:45Hi.
01:46Are you okay?
01:47Yeah.
01:48Are you okay?
01:49Yeah.
01:50Are you sure?
01:51You look a little...
01:52I've always been honest with you, right?
01:53Yeah.
01:54I always told you the truth.
01:55What's going on with you?
01:56Let's turn off the lights please.
02:19This is what we know.
02:21Lawrence Billups, a.k.a. Nathan Haverhill, art thief, found dead in the south of France.
02:28If he was killed in France, what do we care?
02:31We don't care about Billups.
02:32We care about a painting he stole 18 years ago from a museum in Amsterdam.
02:36That's the artist's signature.
02:39A 19th century Dutch painter named Vanderloo.
02:42When Billups stole the Vanderloo painting, he also took all the archival information about
02:45it from the museum.
02:46So we don't know what it looks like?
02:48No.
02:49We know it's a landscape in oil, early 1800s.
02:52But all we have to go on is the signature and these measurements.
02:57That's not enough.
02:59That's all we have.
03:00The Rijksmuseum in Amsterdam is doing what they can to get us more information.
03:04So, how do we know it's in L.A.?
03:07Billups had this passport on him when they found him.
03:11Some other artwork he stole was recovered around L.A.
03:14But the big prize is the Vanderloo.
03:16Do we have any leads?
03:18Suspects.
03:19Possibles.
03:21Best bets would be Darren Aginla, also known as Bruce Radke, and Chloe Tushel.
03:28They're known associates.
03:30Darren's M.O. is working on the inside, usually as an employee.
03:33Chloe works on the outside, usually as a buyer.
03:36She was spotted in the south of France at the time of the murder.
03:39So they killed Billups, alias Haberhill.
03:42Well, we don't know.
03:43Interpol thinks it's murder, but we have our doubts.
03:46Billups' fingerprints were found on this switchblade on the scene.
03:49Let Interpol deal with Billups' death.
03:52Finding the Vanderloo painting is what we're here for.
03:54That's it.
03:55You all have your assignments.
04:00So where do we start?
04:01Storage facilities.
04:02That's where they found the other pieces Billups stole.
04:05So it could be anywhere.
04:06Well, Haberhill, Billups, whatever alias he used was no dummy.
04:10He could have hidden the Vanderloo anywhere.
04:12You think whoever killed him knows the Vanderloo's in L.A.?
04:15Probably already on your way.
04:19Welcome to Los Angeles.
04:20Local time is 9.05.
04:21We hope you enjoyed your flight with us and we look forward to serving you in the future.
04:45We hope you enjoyed finding out of them.
04:53The a-
06:02See you tomorrow.
06:06Dear Mr. Hale, I'm a partner of Lawrence Billups.
06:09Unfortunately, Mr. Billups has died recently.
06:11He has a painting by Vanderloo stored at your facility.
06:14I will pay generously for your assistance in obtaining it.
06:17I'll call you when I arrive in Los Angeles.
06:19Best regards, Chloe Tushel.
06:22Phillips?
06:26Haverhill?
06:29Same locker.
06:31Huh.
06:32Lewis, please come to the office.
06:36There's someone here to see you.
06:40Stay tuned.
06:52Lewis, please come to the office.
06:53There's someone here to see you.
06:55you know there's motion detectors in a time lock alarm system it's very sensitive so if you get a
07:14false alarm that's how you disarm it how do I reset it sets itself within five minutes for
07:19security purposes I am the only one that can override it Chuck this is the new assistant
07:26manager Bruce Rathke hey how you doing hey don't forget the clean women's John rest is fairly
07:34routine you have to learn as you go I'll be busy with some other things well whatever I can do to
07:40help let me show you payroll it will be the Vandaloo me I know may make a trade in
07:51too mm-hmm I'll say yes I'm on a rivet so funny d'accord
08:00I'm
08:03there anybody I could talk to about a Vanderloo
08:20No.
08:21Who?
08:22From the room?
08:23I have no information on your Vanderloo.
08:25No one has seen a factory in 60 years.
08:50It's got to be one of these.
08:57Bruce, meet me at ILG.
08:59We have some things to go over.
09:04Does Lewis have access to the locker room?
09:09No.
09:10Nobody does.
09:11So the owner of Lewis in Europe?
09:13Yeah.
09:14Whenever he calls in, everybody jumps.
09:16Open the red locks.
09:17Red locks means the tenant is passed.
09:19We won't pay him on a lien.
09:21Anyways, you open the door locks and the tenants have a key to their own lock.
09:36Fine art and wine.
09:37Blue as hail.
09:38Get my note?
09:39Hey.
09:40I've been expecting you to call.
09:41Hey, what do you want me to do with this?
09:42I'll be right out.
09:44I have to be able to trust you.
09:47Well, I have a buyer, so let's do it.
09:48I think it's going to take a little bit longer to materialize.
09:51Tomorrow.
09:52That should be long enough to materialize.
09:53What's wrong?
09:54Ever since I got here, you've...
09:55Have you ever been afraid?
09:56I mean, really afraid.
09:57Yeah.
09:58When?
09:59When?
10:00When?
10:01When?
10:02When?
10:03When?
10:04When?
10:05When?
10:06When?
10:07When?
10:08When?
10:09When?
10:10When?
10:11When?
10:12When?
10:13When?
10:14When?
10:15When?
10:16When?
10:17When?
10:18When?
10:19When?
10:20When?
10:21When?
10:22When?
10:23When?
10:24I don't know if it's fear exactly, but I don't like what we're doing.
10:28Look, I know Billups is a thief, but he's harmless.
10:32Let him keep the Vanderloo.
10:34The only thing he's got in his life is that painting.
10:37I don't want to take him.
10:39We don't need it.
10:40Let's just walk away.
10:41Who cares?
10:42I thought you did.
10:44We've had pretty good luck so far.
10:47Let's not risk it.
10:49There's always a risk.
10:51That's what scares me.
10:53I don't know if it's guilt or what, but I don't think that I could live with myself if
11:03somebody ended up getting really hurt or worse.
11:07For the first time in my life, I have something that I could lose.
11:15You.
11:16After he said that, I knew Darren would never accept me killing Billups.
11:22Excuse me, is Lewis Hale here?
11:36He's inside.
11:52Darn Art and White Storage.
11:57Uh, look, I'm gonna have to call you back.
12:00We closed at 6.30.
12:05All set.
12:06Great, let's go.
12:08Uh, we haven't talked about a price yet.
12:09So?
12:10Well, you know it's worth two million dollars.
12:12Not to you it isn't.
12:13Excuse me?
12:14It's not yours to sell.
12:15Or yours to buy.
12:17You know, your name's never been mentioned in the circles I know.
12:20Nine hundred.
12:21Nine hundred.
12:22What?
12:23Nine hundred thousand.
12:24It's worth.
12:25What the market will bear.
12:30Yeah, you wanna tell us why we're back here freezing our asses off?
12:33Because I'm your boss and I say so.
12:35I just did an inventory of this.
12:37Well, I want a new one, is that clear?
12:40Asshole.
12:43I need a little time.
12:44Time for what?
12:45I can't just bring this out in the open.
12:47Someone could see it.
12:48I thought we were just gonna talk.
12:51We talked on the phone.
12:53Well, I, I, uh...
12:55I'm beginning to lose interest.
12:58Look.
12:59Look.
13:07It was clear Lewis was going to be an irritant.
13:09So I kept my options open.
13:12You read the instructions open.
13:15I need five measures to open.
13:21Live motionis open.
13:22L verdict.
13:23We checked the capacitor in the windows to open the windows.
13:27Correct?
13:28Well, I can check it out and hold it down the door,
13:29we canlish the medic of the muder into.
13:30But here is a mess with the pediatrician.
13:31oscopeora orado on to use the ora-grave into his and or有an on-aper fuera to enter their
13:32Darren was always predictable.
13:48He was going to ingratiate himself with Chuck to get information.
13:55Hold on.
14:02Hey, what are you doing here?
14:04I got some beer. You want one?
14:09Do you like Lone Star?
14:11Never had it.
14:14They got an opener?
14:15First drawer.
14:20The place is kind of a mess.
14:22I wasn't really expecting anything.
14:29Did you find it?
14:30Yeah, I had to find out where I lived.
14:34I got off the payroll roster.
14:37Hope you don't mind.
14:40No.
14:43This is some place you got here.
14:49You do all this?
14:50Yeah.
14:52What are you working for Louis for?
14:54What do you think he was doing with that woman today?
15:00I don't know.
15:09What are you afraid of?
15:11Trusting someone.
15:13What do you mean?
15:15I've never done that before.
15:18Do you trust me?
15:23Good.
15:25Because I'm in love with you.
15:28You mean that?
15:44I don't know.
15:45I don't know.
15:54I had a feeling we'd see each other again.
15:57I didn't think it would be like this.
15:59No, I think it's perfect.
16:02What do you want?
16:04In two days I'm gonna be on a plane with the Vanderloo and my carry-on.
16:07Is that why you call me?
16:09Yes.
16:11You don't even know what it looks like.
16:13Not many do.
16:15Too obscure.
16:17But I know the signature.
16:19Signature?
16:21You've got a pretty sad aesthetic for an art thief.
16:24I didn't know aesthetics were part of the job.
16:27Just stay out of my way.
16:29So you get it all figured out, huh?
16:32It's simple, really.
16:34You work for Lewis and he thinks I'm his partner.
16:39He's not the only one who works, though.
16:42I know.
16:44The janitor.
16:59Where are you going?
17:00Get my shorts.
17:03What's wrong?
17:07Honey?
17:10Where's your gun?
17:11In my purse.
17:23Don't fucking move!
17:30It's good to see you again, Chloe.
17:35Have you been?
17:37Um...
17:41I'm having trouble concentrating on my work.
17:45Tell me about it.
17:47I think this...
17:49This is gonna be the last job I do.
17:54What happened seven months ago?
17:56Can't really go into that.
17:58Okay.
18:00Okay.
18:02Okay.
18:04Did Darren come with you to L.A.?
18:08No, we're over.
18:14Would you like to talk about that?
18:16No.
18:17Holy shit!
18:19What the fuck?!
18:21No, no, no, no.
18:22It's okay, honey, because I'm gonna take care of it.
18:24What are you saying?
18:25He's dead!
18:27I know.
18:28I know.
18:29I didn't know what to do.
18:31And then you came over, so...
18:33What?
18:34I didn't mean to.
18:35It was an accident.
18:36He...
18:38He found out about us.
18:39And then he...
18:41He came at me.
18:42And I don't know.
18:43I don't know what happened.
18:44I just didn't...
18:45I didn't know what to do.
18:47It was about the painting.
18:48Remember?
18:49We planned it.
18:51What a fucking murder we didn't!
18:53I know!
18:54But thank you.
18:55I didn't know what happened.
18:56I just didn't know what to do.
18:59It was about the painting.
19:00Remember?
19:01We planned it.
19:03What a fucking murder we didn't!
19:04I know!
19:05But things happen!
19:07God, do you think that you think that I wanted this?
19:09I can't believe you.
19:15So that's it?
19:17Huh?
19:20So that's it!
19:21You just told me you loved me!
19:26Where are you going?
19:34Hey, who are you to judge me?
19:35Where were you?
19:36What would you have done?
19:37Not that.
19:39That is so unfair.
19:41You ask him if it's fair.
19:44Would you rather that it was me lying there?
19:49No one had ever seen through me so completely.
19:53That was a feeling I would never forget.
19:56Any word from Amsterdam?
20:01Not yet.
20:03Great.
20:04Try to find a painting when nobody knows what it looks like.
20:06Yeah, well, Billups did.
20:08The Vanderloo is the exact type of painting both Chloe Tushel and Darren Aginla would go for.
20:12It's obscure.
20:14Unusual.
20:16But they're almost not killing people.
20:18It's getting over on them.
20:19Well, we know Darren and Chloe are partners.
20:22And lovers.
20:24You know, if you were a thief, how could you be in a relationship with another thief?
20:29I mean, you couldn't trust them. You'd always have to watch your back.
20:32Maybe it's... maybe it's the opposite.
20:35Maybe it's all trust.
20:38What do you mean?
20:40They might feel like it's the two of them against the world.
20:42The only ones they can trust are each other.
20:45Maybe.
20:46One thing that bothers me is Billups' death.
20:49What about it?
20:50They found the switchblade.
20:52Billups' switchblade.
20:54His prints were on it. No one else's.
20:56So?
20:58He was shot, right?
21:00If someone pulls a gun on you, you wouldn't pull a knife on them.
21:03That would be suicide.
21:05But if somebody pulls a knife on you, you'd pull a gun.
21:08If Chloe and Darren were in on this, something went really wrong.
21:11I thought Billups was Interpol's problem. Ours was finding the Vanderloo.
21:17Yeah.
21:25Find our wine storage.
21:27Is Louis there?
21:28No, he just stepped out.
21:29Could you take a message?
21:31Sure. Go ahead.
21:32Please tell him he can meet Chloe at my gallery at 10 o'clock.
21:36Okay. Sure.
21:38So please don't forget to give him the message.
21:40Oh, no. Yeah, sure. I'll tell him.
21:42Okay. Thank you.
21:51Fine artist.
21:52Drop the office boy shit.
21:54Is he there?
21:55No, ma'am. I think you have the wrong number.
21:57What do you think?
21:58What do you think?
21:59I want one 19th century Vanderloo. What's this other show?
22:00I want one 19th century Vanderloo. What's this other show?
22:01I want one 19th century Vanderloo. What's this other show?
22:02Well, I just thought that—
22:03What are you doing?
22:04No, no. I just thought that—
22:05I want one 19th century Vanderloo. What's this other shit?
22:23What are you doing?
22:25One 19th century Vanderloo, what's this other shit?
22:29Well, I just thought that...
22:30What are you doing?
22:31No, no, I just thought that since you wanted the Vanderloo,
22:34you might be interested in one of these too.
22:35This is not a garage sale.
22:42Am I gonna see it or not?
22:43Yes, of course, I...
22:45When?
22:47Tomorrow evening, the weekend now.
22:49Good.
22:54You can go now.
22:55Okay, asshole, you're next.
23:08What did you say?
23:09Asshole?
23:10No, the guy's name.
23:11Haverhill?
23:12That's him.
23:13Who?
23:13The guy from the news.
23:15The thief?
23:16Yeah, I knew that guy was a tenant here.
23:18Hang on, let me check the files.
23:20Bingo, Haverhill, Nathan Haverhill.
23:32This guy's still on my accounts receivable.
23:33What's he doing in the move-outs?
23:35Oh, man.
23:37That big shit has that painting.
23:41It's like 33.
23:42The alarm sets in five minutes or so.
23:47If we got it, I'd have enough to quit this job, right?
23:48Yeah, that's safe to say.
23:49Yeah.
23:50That's safe to say.
23:51Yeah.
23:52That's safe to say.
23:53Yeah.
23:54That's safe to say.
23:56That's right.
23:57Yeah.
23:58It's safe to say.
24:26Fuck you, Lewis.
24:34I got you now.
24:56You sure you don't want me to lock up?
25:06I'll do it if you want to cruise.
25:08Uh, thanks.
25:08I have some paperwork to finish.
25:11You have a good night.
25:12We will.
25:19Let's go get a drink.
25:21Meet you about nine?
25:22Oh, let's go now.
25:24Give me a break, man.
25:25I haven't showered.
25:25I got no laundry.
25:27Come on, nine o'clock.
25:28All right, good night.
25:41You did bring cash, right?
25:46I mean, not to be rude.
25:47Why didn't you sell me the painting yesterday?
25:49Well, I had to check on its value with an expert.
25:52Oh, an expert.
25:53I am an expert.
25:55And I told you its value.
25:58You told me $900,000.
26:01The price has now gone up.
26:04That's what we agreed on.
26:05Hey, how you doing?
26:13Hey.
26:16Hey, two beers on me.
26:17Oh, you're feeling generous, huh?
26:19I feel like I get fucked up.
26:22Thanks.
26:22It's the type of genius since I started working there.
26:24It was the first time in a long time I feel really good about things, you know?
26:27I'm focused.
26:27I know what I'm doing.
26:31I feel good.
26:32Pain, huh?
26:34Yeah, yeah, pain, yeah.
26:36Yeah.
26:37Yeah.
26:38Well, it was right here.
26:48At least I thought it was.
26:50You have no idea where it is, do you?
26:52Oh, I, uh...
26:52Well, look, man, not to dampen your enthusiasm, but we're still going to figure out where we
27:02hit it.
27:03Yeah, I'm not worried about a thing.
27:05Really?
27:06Yeah.
27:06Last call, guys.
27:33Two more.
27:33Thanks a lot.
27:38We should have a drink of all of my medication.
27:42What medication?
27:46Knock on me.
27:47Forget it.
27:49Okay.
27:51So where's the logical place Lewis had hide it?
27:56We've got to come up with a plan before he was selling the thing.
27:59Don't worry.
28:00He's got to find it.
28:01He's got to find it.
28:04He doesn't know where it's at.
28:05He's got to find it.
28:07You okay, man?
28:10Yeah.
28:13Okay.
28:14Okay.
28:15It took me a moment to realize, but I had just put Darren exactly where I wanted him.
28:25Well, no sign of Lewis.
28:38You want to start looking at some of the lockers near Haverhill's?
28:44Good morning.
28:44Fine art and white storage.
28:45Can I help you?
28:46You and your friend are very fine.
28:49Now where's the painting?
28:50Gee, ma'am.
28:51I don't know.
28:52Is Lewis there?
28:53Who is it?
28:54I want that painting.
28:56They want that painting.
29:00I've just spoken with my associate, and we've decided that you should get fucked.
29:04What'd you say?
29:09Look at C-31.
29:15Lewis?
29:17Hey.
29:47Good morning.
30:15If I don't get that painting, the police are going to receive a call about a missing manager.
30:19You're the reason he's dead, Chuck.
30:25What?
30:27What?
30:29She wants a painter. She's calling the cops.
30:31Shit.
30:33We're gonna call the cops.
30:35Are you crazy?
30:37We'll tell them everything. We'll end up in jail.
30:41They'll get us for manslaughter, maybe even murder. No way.
30:45Well, what else are we gonna do?
30:47We got a dead body and a stolen painting.
30:49We've gotta find that painting.
30:51Fuck the painting!
30:53What are we gonna do with the body, huh?
30:55What else are we gonna do?
30:57You wanna end up in prison?
30:59Do you?
31:01What?
31:03Don't you get it?
31:05There's a two million dollar painting in this place.
31:07Only you and me had keys.
31:08Who looks good for it?
31:09Try explaining that.
31:11Fuck!
31:13Shit!
31:19But this can't be manslaughter, right?
31:21It can't.
31:22Look, we go to the cops and it is over.
31:25Shut up a minute.
31:27What?
31:30Look, we'll dump him.
31:34We'll dump the body.
31:36What are we gonna do till then?
31:57We'll dump him.
31:58We'll dump him.
31:59We'll dump him.
32:00We'll dump him.
32:01We'll dump him.
32:02We'll dump him.
32:03We'll dump him.
32:04We'll dump him.
32:05Now you tell me.
32:08You don't know me.
32:13Tell me something.
32:18Why?
32:19Was this needlessly nothing to me?
32:24How can nothing be so easy?
32:31If something tell me?
32:34How can nothing be so easy?
32:35If something tell me?
32:37Now you tell me.
32:40You don't know me.
32:45Tell me something.
32:50Was this needlessly nothing to me?
32:57Tell me something.
33:00Was this needlessly nothing to me?
33:06Tell me something.
33:11Well, if you do remember anything, please give us a call.
33:16I will.
33:17Sorry I couldn't help.
33:18Well, she doesn't know shit.
33:20Still have five other places.
33:21I know.
33:22Two old addresses and three storage facilities.
33:27Where's Lewis?
33:28He's not here, Bill.
33:29His car is?
33:30No, he went up the coast and, um...
33:33What are you guys pulling?
33:35Oh, wait.
33:36No.
33:37No?
33:38Look, shithead.
33:39I want to talk to him.
33:56I can't waste any more time with you morons.
33:59Tell him I need that Lafitte.
34:00Promise me.
34:01Yeah.
34:02So, basically, you and Darren have gone from being partners and lovers to competitors.
34:18Yes.
34:19What does that feel like?
34:20Feels like an even playing field.
34:34Why is that important to you?
34:35Why is that important to you?
34:44When he left me, I...
34:49I doubted everything.
34:50I mean, this is an opportunity to reclaim what I gave away.
34:54You know?
34:55To get back in control.
34:56To, uh...
34:57Succeed.
34:58Without him.
34:59Why did you doubt yourself?
35:01Because I allowed him in.
35:04Um...
35:05I've never done that.
35:08Why did you with him?
35:11I don't know.
35:14Because I trusted him.
35:18And then he betrayed me.
35:21You're both thieves.
35:23What were your expectations?
35:26Don't people in your line of work get others to trust?
35:30Then fool them?
35:31Use them?
35:32This is different.
35:34Why?
35:35Because you were the one who got fooled?
35:37No, because I don't go around telling people I love them.
35:40I see.
35:43So, that's a line you won't cross.
35:45But he did.
35:46Look.
35:47I have lived my whole life, so I...
35:52I'd never have to depend on anyone.
35:54I'd never ever need anyone.
35:55Okay?
35:56Describe your relationship with Dara.
36:01He was funny.
36:07Made me laugh a lot.
36:09I mean...
36:11Great sex.
36:13You know.
36:14Good listener.
36:16He accepted me.
36:20Loving me the way I was, so that's about it.
36:30That's quite a bit.
36:32Look.
36:33It's over, okay?
36:35I mean, talking about it is not going to change that.
36:38Okay?
36:39I just want to get back to the way I was.
36:43Alone, you mean?
36:45Yes.
36:47Yes.
37:17Jesus Christ, he's just.
37:44FBI, sir.
37:45Can we talk with you a minute?
37:47I'm Agent Cooper.
37:54This is Agent Bauer.
37:56You guys looking to store something?
37:57No, but we are interested in art storage.
38:00Can we speak with the manager?
38:01I'm the manager.
38:02I mean, I'm not the manager.
38:04I'm in charge.
38:05He went up the coast a couple days ago.
38:07He won't be...
38:08Who's he?
38:09Lewis.
38:09He's the manager.
38:10Lewis Hale.
38:12I'm sorry.
38:14So I'm in charge.
38:16And the owner, he lives in Europe, so...
38:18Slow down, sir.
38:19We believe you had a tenant here who was storing stolen art.
38:28You want to tell me what's going on?
38:31Waiter.
38:33Latte, right?
38:35Yes?
38:36Can we have a latte, please?
38:37Yes, thank you.
38:42What the fuck are you doing?
38:48He didn't have it.
38:50I had no idea what it even looked like.
38:52Neither do you.
38:53I know it's in one of those lockers.
38:55I guess the janitor is our only hope.
39:03There's only hope, too.
39:07We'd like for you to take a look at this list of aliases he might have used.
39:10See if you recognize any of them.
39:17No, I don't see anybody.
39:19Do you recognize the picture?
39:20No.
39:21Mind if we take a look at your list of tenants?
39:25You have a warrant?
39:26What?
39:27Well, I mean, you need a warrant to look at that, don't you?
39:30Are you a lawyer?
39:32No, but I know the law.
39:34Do you?
39:35Well, then you know if we come back here with a warrant and we do find something, you could
39:38be charged with obstruction.
39:39You know that, right?
39:40Look, I'm just trying to do my job, okay?
39:42I mean, they're real big on privacy here.
39:46And if my boss finds out, I let you see the list, I'm fired.
39:50He's up north, right?
39:51We won't tell him.
39:52All we need to do is see if we're on the right track.
39:54It'd save us time.
39:55If we find something, we'd have to get a warrant anyway.
39:57I can't.
39:58I'm sorry.
39:59We get him to give us the painting.
40:02I don't think so.
40:04Then I guarantee you won't get it.
40:06You gave it to me, remember?
40:21Mind if we take a look around?
40:22Yeah, actually, I do.
40:25The people here, they get really freaky, so...
40:28There's no one else here right now.
40:31What if somebody comes in?
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