- 1 day ago
Noah Centineo originario de Miami comenzó su carrera cinematográfica haciendo papeles pequeños en diferentes películas y series de Disney Chanel. Su fama llegó cuando consiguió el papel como Jesus Adam Foster en la serie de The Fosters, un poco después de eso apareció en el video musical de Camilla Cabello para su canción Havana.
Pero la película con la que realmente saltó a la fama fue en la comedia romántica original de Netflix To All The Boys I've Loved Before, la cual lo convirtió en un ídolo adolescente. Posteriormente protagonizo Charlie's Angels. Además de su carrera como actor y modelo, Noah Centineo tiene un fundación llamada Favored Nations en donde a través de la venta de mercancía recaudan fondos para diferentes obras sociales.
Próximamente aparecerá como Atom Smasher en Black Adam y como HE-MAN de Masters of The Universe. En este video Noah Centineo nos habla de los mejores momentos de su carrera hasta ahora, nos cuenta sobre como cambio su vida después de To All The Boys I Loved Before, su relación con los actores con los que ha colaborado y nos revela como ha sido su proceso de evolución como actor desde que empezó hasta ahora.
Pero la película con la que realmente saltó a la fama fue en la comedia romántica original de Netflix To All The Boys I've Loved Before, la cual lo convirtió en un ídolo adolescente. Posteriormente protagonizo Charlie's Angels. Además de su carrera como actor y modelo, Noah Centineo tiene un fundación llamada Favored Nations en donde a través de la venta de mercancía recaudan fondos para diferentes obras sociales.
Próximamente aparecerá como Atom Smasher en Black Adam y como HE-MAN de Masters of The Universe. En este video Noah Centineo nos habla de los mejores momentos de su carrera hasta ahora, nos cuenta sobre como cambio su vida después de To All The Boys I Loved Before, su relación con los actores con los que ha colaborado y nos revela como ha sido su proceso de evolución como actor desde que empezó hasta ahora.
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00:00I get a text from my manager and he was like, yo, you booked it.
00:04It was such a defining moment because you go from acting and auditioning temporarily
00:09on different shows and coming in as the visitor to stepping in and having your own show.
00:19Hey GQ, I'm Noah Centineo and these are some of my biggest moments.
00:23I actually didn't realize that Tall the Boys was going to be a big deal until it came out.
00:33It wasn't until I woke up one morning and my manager texted me and was like, yo, check your Instagram.
00:38And I started to see millions of people following me that I went, oh wow, I guess it did well.
00:45It changed the way that I go out in public. It changed the way that I get to meet people.
00:50It's been incredible.
00:51The scene that stands out to me from the first film is when Peter Kavinsky meets
01:10Lara Jean at the diner for the first time because that was the first scene that we actually ever
01:14shot for the entire franchise ever together, me and Lana. Everything that was decided from
01:18that day forward. That's how I played the character for the next three years.
01:23The Korean grocery store is all the way across town.
01:25I know. So if I went all the way across town to get you something that you like, then that means...
01:35You must really like yogurt.
01:39You are awesome.
01:40I was in the hot tub for like 12 hours that day. They were like, you can get out if you want.
01:44I went, no, I think I'd like to stay here actually. And it was crazy because it looks like we're outside
01:50at night. We're actually under this crazy tent that production had built. So it was the middle of the
01:56day and like everything was blacked out because of the tent that surrounded. And then Lana and I like
02:02made out and it was great. It was what it was. And I guess a lot of people liked it.
02:12Shannon and I got very close while filming Sierra Burgess. She's such a like a pensive and like
02:18careful and like loving, nurturing person. We spent, as you can imagine, a lot of time together
02:24and just got to connect. And I think that's one of my favorite things about acting in general is just
02:29you meet people and you get to connect with them. It was really special, really special.
02:33And Ian Samuels, the director, created such a world. You know, we were using lenses that were
02:39from like the seventies and eighties. And he really did a beautiful job of just really making that world
02:45for us to kind of step into. This is my brother, Ty, and he's deaf too. What are the odds of that?
02:53It's crazy. I'm going to make him the first four foot quarterback. I didn't learn fluent sign language.
03:03Definitely not. But I'd never acted with someone who was deaf before. And so being able to experience
03:10that and to interact with my younger brother, it was like a very warm moment, an endearing moment.
03:17But then it was also like super fun for Shannon and I, because we definitely had no idea what we were
03:22doing and your name is Shit Pizza. It was so much fun filming that scene.
03:38It was the coolest thing because Ross Butler and I had actually, we've been friends since before
03:42we shot that film. And so being able to actually work with someone that I was close with on a
03:47personal level and just added a whole nother layer. And then Jordan Fisher and I actually,
03:51we knew each other. I've known him since I was 15. We've been like walking into audition rooms
03:56and callback rooms and seeing each other. Just special, man. All the different people that came
04:01together on two and three. Reuniting with Lana. It was like going back to summer camp. You know,
04:05we had such a kick-ass time doing the first one. We got to see each other for the second one,
04:10but what was wild was like we had both gone through a transition because before no one really knew who
04:16we were. Afterwards, more people knew who we were. After a year, being able to kind of reconnect and
04:22and process that experience with each other was, I think, very helpful and healthy. And then it was
04:27also amazing to be able to work with her again. You can't think about us breaking up on our first date.
04:33I just don't want us to break each other's hearts. I promise I am not going to break your heart.
04:39The lantern scene sets up the whole promise that is the through line of the second movie. It's like,
04:44I promise I'm not going to break your heart. Which is like, why would you promise that to someone?
04:48You can't promise that to someone. In fact, sometimes love is in breaking each other's
04:53hearts and learning how to like mend that. Then that's when a bond really solidifies. At times,
04:58not always. And it's a beautiful moment too. We were in this huge park in Vancouver and like,
05:04we really did set all of these lanterns into the sky and one person's kind of burned down. It was,
05:11it was funny. It was like, ah! I don't know if I can say that. Whatever. And then, uh,
05:16at the restaurant, when I take Lana to the, the restaurant after that, we did a full one shot.
05:21We did a whole like shot for shot of Goodfellas. Didn't make it. Didn't make it into the movie. Wish it did.
05:28There's definitely a little bit of like, um, magic, right? You had to add a little bit of flair.
05:35What we did was when we were walking away from the tree house, we at some point step onto this
05:42platform and then there were people hiding away in the corners of the platform. And as soon as we
05:47step on and face each other, they like hook us with these safety lines. And then the platform
05:53goes up and the camera and everyone's on it. And we just all raise like 20 feet into the sky.
05:58We've rehearsed it like, like six or seven times the day before for like an hour,
06:02talked through it, got on set, did it. I love stuff like that. Like I want to do more stunts.
06:07I think stunts are super fun. Lana was so great. She was like,
06:12the first few times she was all nervous.
06:18I had only recurred on one show before then. Went to the callback. Then they told me that they
06:23wanted me to test for it. I don't think I'd, I had never tested for anything before. I go in,
06:28I do my thing. They asked me to leave. So I leave. I had one of those, uh, those little scooters that
06:33you stand on, not the Segways, but one of those like Hawkeye. It was like, right when those started
06:37coming out, I had my backpack and I started from Burbank. I went all the way to Camarillo,
06:42North Hollywood by the Jersey Mike's and it died right around there. And I was like, ah,
06:48what am I going to do? And I like looked at my phone and my phone was dead too. And I was like,
06:52but I remembered my homie lived right around the corner. So I just show up to his place.
06:57He wasn't there. So I sat out at his house and I waited like 30 minutes. Then he just showed up.
07:01I was like, what's up man. So I go in, I plug my phone in, I plug in my weird scooter thing.
07:06I get a text from my manager and he was like, yo, you booked it. It was such a defining moment
07:12because you go from acting and auditioning temporarily on different shows and like coming
07:17in as like the visitor to like stepping in and having your own show where you're a foundational
07:23element of the entire project. It created a lot of stability for me. It created so much confidence
07:29for me. The Foster is like, I'd consider that my collegiate education when it comes to acting.
07:34Peter Page, Bradley Bredewig, Joanna Johnson, all the writers, the cast, it was a family.
07:41The executive team had such a vision and had such a purpose for the show.
07:46It really permeates to the people that watch it, to the fans. It's one thing when people come up to
07:51me and say, oh my God, I loved you as Peter Kavinsky. Oh my God, I loved you as Jamie.
07:55But it's different when someone comes up to me and says, I'm a huge fan of the Fosters.
08:00It changed my life. I just had to say hi. Those people almost immediately, like I would sit down
08:05and just like have coffee with them because I understand the impact that that show has had.
08:10I'm going to be more grateful to have been selected.
08:18I just got a call one day and said, hey, you're the choice for this music video you want to do.
08:22And I said, absolutely. Are you kidding me? They had like a pool of people that they were looking
08:26at and I was the one that got lucky enough to be chosen. Very fun. I had done a music video,
08:32but I'd never done like a music video. Very cute. Camila's incredible. What a vibrant, loving,
08:38like energetic, positive, like person. It was very like quick. Like I think they had locked a lot of
08:45the choreo beforehand. When I got there, we would work with the choreographers and figure it out
08:51really quick. Good, good. Okay, great. Awesome. Great. We're going to go do this scene and we'll
08:54come back and then we'll do this one. I was like, all right, cool. My favorite moment of the video
08:58is when we're outside and I picked Camila up, put her on the car and she like slaps me. And I remember
09:04just being like, yo, just slap me. Like, just, just go for it. And she did. And it works. You
09:09know, it was like, and it was so funny because I don't want to hurt you. It was like, no, no,
09:12go for it. But she, she can hit. It was, it was a solid hit. Very fun. Very fun. I keep saying that,
09:19but it was, you know, that was the first studio film I've ever worked on in my entire life,
09:28the size of the production is just like, it's huge. The professionalism between the crew,
09:35the cast, EB, everyone involved. And then also the willingness to have fun with each other
09:42on and off set, to really play with each other and give each other in a scene so much. I'd experienced
09:48it with, with other films, but to see it done in such a masterful way was quite a learning experience for me.
09:56Did you, did you do that? Oh yeah. I think he finally got the point. Is that a pun? Because
10:07you impaled him? I had to keep up. I had to try to keep up as best that I could. And then Ella,
10:12Ella Balinska. Like we had so much fun together, man. She's super fresh with acting as well. And
10:18like, so she does her own stunts. Ella Balinska does her own stunts, all of them, everything.
10:24Like she's in the car, she jumps out of the car, she's shooting in the gun. It jams. It wasn't
10:28supposed to jam. She fixes it, continues going. Like it looks sick. She taught me if anything that like,
10:33yo, do your own stunts, learn how to do your own stunts. So I'm trying,
10:37but I will never be as good as Ella Balinska is.
10:45Langston, oh my God. He's been in there all the time. You hit a person in my Louis 14?
10:53Meeting Patrick, that was crazy. I was in there for, I can't tell you, maybe 30 takes. Just chilling,
11:00tied up. And then like they open it and I just fall out. It was very fun. It was very, very fun.
11:05That whole scene was hilarious. And, and I think Patrick, just the way that he like
11:10commands that moment and kind of throws me away as a character. He's like, oh,
11:16it's like really up what's happening, but you know, he killed it. Um, obviously he killed it.
11:26Your team's like, Hey man, listen, this is a film that's coming out. Like we're, we're taught,
11:30we're in talks for it. We don't know what's going to happen. And you're like, all right, cool.
11:35Like that would be insane working with Dwayne Johnson and drama. And, but I always try to
11:41manage my expectations and be like, eh, no, like I would love to, but like the odds of it happening
11:46are zero. Like why? And then you get this followup call and it's like, no, you got it. I mean,
11:52it's just an example of how my life has changed. I grew up acting when I was eight auditioning,
11:58driving like an hour to auditions every single weekend. Then I, when I came out to LA when I was 15,
12:03I was auditioning daily throughout the week, you know, just driving to auditions all the time,
12:07all the time. And like hoping to get a call back and then you get a call back and then you never book,
12:12you know, you do that for years. It's challenging work and it's good work and you have to be dedicated
12:16and consistent just to get like that one liner. Suddenly you get offers for studio superhero films
12:26with Dwayne Johnson. You know, it's like ridiculous.
12:35Favored nations. Technically we started working on it two years ago.
12:39It was an idea that started in my head as like a philanthropic apparel company.
12:44And then it's grown into something much larger and much more multifaceted than just that.
12:49The genesis of it was I was 17 years old and like I've always wanted to design hoodies or t-shirts
12:57or items and then sell them and have the money that was raised from that go to charity to support a cause.
13:03I promised myself that if I ever was successful and got a platform from acting,
13:09then I would use that to not just fuel my own interests, but like to help other people.
13:14I'd been acting on self-interest only for years and I was not happy. Like I was actually like very
13:23anxious and I had crazy mood swings and I didn't know why I didn't feel fulfilled. And it was just
13:28because I was acting selfishly. And so when Tall the Boys blew, I was like, yo, this is it. This is my
13:32opportunity to actually do something that I wanted to actually do something to help people. It's a
13:37philanthropic lifestyle brand. Instead of us raising a bunch of money and giving it to a nonprofit that
13:44would use that money for overhead, we're going to find smaller, more targeted and direct nonprofits
13:50that will actually take that money and put it towards use and good use for the cause that you
13:56care about. There's a lot of different parts to it, but that's why I created Favored Nations.
14:05So Artie's a friend of mine. His manager, Kyle McCarthy, is one of my best friends on this planet.
14:11And we've all known each other for years. When they did Save Me Tonight, they were like,
14:16we were talking about it and I was like, yeah, man, I would love to direct one of your songs.
14:19I don't know if that's a thing. He goes, that's crazy. I was literally going to ask you if you
14:24wanted to direct this one. It was a surreal experience. I'd never directed before, but being
14:29able to jump into it with such talented people and that kind of helped lead it and walk me through
14:35the process from start to finish. And to do it with someone I'm so close with, like Artie,
14:40made it just super relaxing. It wasn't anywhere near as stressful as you would think it would be.
14:45I mean, working with Lily, she is so good, so talented, and just so present and so there with
14:52you. It was a simple music video shoot with friends and she just poured her heart into it.
14:59I love her. She's so great. The theme of it is, you know, friendship, finding good people that can
15:04help you overcome challenges, because that's really what Artie and I's relationship is built off of,
15:09it was just a friendship. And so we wanted that to play out in the video as well. And we wanted a lot
15:14of color. So we did the color explosion, which was fire. So crazy when you're there in person.
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