- 2 days ago
En este video, el elenco de La Casa de Papel recuerda los momentos más destacados de la serie. Esscenas clave como cuando se revela el plan y todos comienzan a escoger sus nombres, cuentan también sobre el cansancio psicológico y físico que tenían al final de los rodajes, entre mucho otros momentos muy interesantes.
La Casa de Papel (existió un gran robo que inspiró esta historia) es una serie española que trata sobre un robo a la Fábrica Nacional de la Moneda y Timbre en España. Es contada desde la perspectiva de los ladrones y las mentes detrás de este crimen. La serie fue originalmente estrenada en la televisión española pero, eventualmente fue tomada por Netflix en el 2017. Después de ser tomada por la plataforma de streaming La Casa de Papel rápidamente se convirtió en una de las series más vistas en el mundo, por lo que fue renovada para 5 temporadas. La parte 5.2 de La Casa de Papel se estrena en diciembre de este año.
La serie fue creada por Álex Pina y entre los actores que la protagonizan se encuentran Alvaro Morte, Úrsula Corbero, Esther Acebo, Pedro Alonso y Miguel Herran, entre muchos otros. Los actores se vieron sorprendidos por su rápido ascenso a la fama internacional de una forma completamente inesperada. La serie ha recibido varios premios como un Emmy por Mejor Serie de Drama.
La Casa de Papel (existió un gran robo que inspiró esta historia) es una serie española que trata sobre un robo a la Fábrica Nacional de la Moneda y Timbre en España. Es contada desde la perspectiva de los ladrones y las mentes detrás de este crimen. La serie fue originalmente estrenada en la televisión española pero, eventualmente fue tomada por Netflix en el 2017. Después de ser tomada por la plataforma de streaming La Casa de Papel rápidamente se convirtió en una de las series más vistas en el mundo, por lo que fue renovada para 5 temporadas. La parte 5.2 de La Casa de Papel se estrena en diciembre de este año.
La serie fue creada por Álex Pina y entre los actores que la protagonizan se encuentran Alvaro Morte, Úrsula Corbero, Esther Acebo, Pedro Alonso y Miguel Herran, entre muchos otros. Los actores se vieron sorprendidos por su rápido ascenso a la fama internacional de una forma completamente inesperada. La serie ha recibido varios premios como un Emmy por Mejor Serie de Drama.
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00:00I remember very very very very very very very very very very very very beginning
00:04the moment of all the trapos are now
00:06No, no, but in reality...
00:06Corta, corta!
00:08Hola, I'm Miguel
00:09Hola, how are you? I'm Pedro
00:11Hola, I'm Esther
00:13Hola, I'm Ursula
00:14And this is what is?
00:16Momentos enormes
00:17From the paper
00:19Oh wow
00:20We're going to be the fucking heroes of all this people.
00:46But much be careful, because in the moment in which there is a single blood, this is very important.
00:53Like there is a single victim, we will be going to be a Robin Hood to convert ourselves simply into children.
01:02Profesor.
01:05Señorita Tokio.
01:08¿Qué vamos a robar?
01:16It's been a long time.
01:17It's been a long time.
01:18It's been a long time.
01:19It's been a long time.
01:20But in the first.
01:21In 1982, right?
01:22Of course.
01:23Of course.
01:24It's been a long time in the house of the coin, so I was already...
01:27You were a rehén, still.
01:29Well, look how it has been since then.
01:31Five years.
01:32Five years.
01:33Five years.
01:34And what exactly was the scene?
01:36What do you remember?
01:37Yes.
01:38Well, it's been a little as if we were little children in a school.
01:40Because I remember the pupitres.
01:42Ah, and we chose the names of each one, right?
01:44Yes.
01:45Exactly.
01:46That first were planets, then you said no.
01:48Then we didn't know.
01:49No.
01:50No.
01:51No.
01:52No.
01:53No.
01:54No.
01:55No.
01:56No.
01:57No.
01:59No.
02:00Well, it was the first day in Toledo.
02:01It was the second day.
02:02Yeah?
02:03That was the third day, right?
02:04That was the next, right?
02:05Yes, that was.
02:06That was basically the first day in Toledo.
02:07Yes, the first one day.
02:08That was the first day.
02:09It was the aula, right?
02:10That was the aula?
02:11Good.
02:12Yeah, that was the aula.
02:13A aula, right?
02:14No.
02:15That's was actually the place.
02:16No, no, that was the place?
02:18No, no, no.
02:19That was supposed to be the aula.
02:20Well, it was about to go out.
02:21Oh, clearly.
02:22There was the first day, in Toledo.
02:23Yes, this was the episode we were.
02:24of the camera's intro that Jesus Colmenar did, and he asked us a little gesture to point out the character.
02:31Yes, and I was going to play the ball.
02:34I was going to get married in The Casa de la Moneda.
02:36You were a little more liable, cariño.
02:38I was other things, I was other things.
02:40Yes, yes, yes.
02:41Well, it was the beginning of the beginning of the beginning.
02:54And only the child, the trobato of the invasion.
03:01Tierra!
03:04Vela, chao, vela, chao, chao, chao, chao.
03:07What's that?
03:08I'm going to live in the distance, and I'm going to live in the distance.
03:13We'll get to!
03:17It's the moment when we were put on our tickets.
03:21And we were going to go for turns, right?
03:24That day was heavy, you remember?
03:26That day was terrible.
03:28That day was, I would say, one of the worst days of The Casa de Papel.
03:34That day we were in the same decorat, where you were going to go and I stayed.
03:39Exactly, that decorat.
03:41The decorat where...
03:42The day that I was dressed.
03:44And I was going to cry on my shoulder.
03:46That was terrible.
03:47That was horrible.
03:48That was very exciting.
03:50We were all the time!
03:52We were all the time.
03:54We were all the time outside.
03:55We were all the time outside of the Terror.
03:57We were all the time outside of the Terror.
03:59We were all the time outside of the Terror.
04:01We were all the time outside.
04:02But there was also a moment in the Terror of the Wire.
04:03Yes, in the Asha of Papel.
04:04There was a moment in theような place in which we were all the time outside.
04:07And physically, I know, if I don't remember correctly,
04:10I may remember otherwise, in the days of the 불�ian,
04:13They started to put in a day what could have been done in three days.
04:18Yes.
04:19Why was that?
04:20What happened?
04:21Because we were all out of the way.
04:23That was the last day?
04:24No.
04:25No, no, no, because I still haven't been with you.
04:27But it was like that we were doing and at the same time, and at the same time we were playing with that woman, do you remember?
04:34That we had to sing with the Chao, because it was the first time that we were singing.
04:38Yes, I had to sing it before.
04:40But you remember that there was a woman...
04:42Yes, yes, yes, I had classes.
04:44But it was a little bit like...
04:46Yes.
04:47And...
04:48Oh, that was very hard.
04:49It was very hard, because we were very tired, because we were very slow, because we were very slow, because it was emotionally very intense.
04:57Yes.
04:58But if we were able to record a song without cutting, because we lost time.
05:05I remember this moment of delirium.
05:07Well, it was a song that lasted like 15 minutes.
05:11Yes, they were barbarian.
05:12I remember Jesus Colmenar with a level of intensity.
05:16It was like...
05:17Jesus Colmenar with intensity?
05:18No, no.
05:19No, no.
05:20No, no.
05:21No, no.
05:22No, no.
05:23No, no.
05:24No, no.
05:25No, no.
05:26No, no.
05:27because I saw the whole team.
05:29Oh, yes, eh?
05:31Yes.
05:33No, no.
05:35Everyone had emotions very potent,
05:37because at the end,
05:39I don't know if I'm mixing the memories,
05:41but I remember...
05:43I think that we recorded several different scenes.
05:45Yes.
05:47Because I also had the horrible scene,
05:49horrible for my character,
05:51where Moscow
05:53told me
05:55that there was a black hole,
05:57where I was living, people were dying.
05:59Yes, yes.
06:01That scene was very strong.
06:03So it was a day...
06:05...complicable.
06:11Let's go.
06:13I saw a little iron.
06:15Let's go.
06:19Let's go.
06:21Let's go.
06:25Let's go.
06:27Let's go.
06:29Let's go.
06:31Let's go.
06:33This is really exciting,
06:35because I started the series
06:37with only the chapters 1 and 2,
06:39and at the end of the chapter 2,
06:41at the beginning of the chapter 2,
06:43at the beginning of the chapter 2,
06:45I received the shot,
06:47I didn't know exactly where it was or how it was,
06:49and I thought that they would be going to kill me.
06:51I was perfectly sure of that.
06:53I had a couple of times
06:54because,
06:55at the end of the chapter 2,
06:57I went into this project so good,
06:58and suddenly it was like,
06:59joder,
07:00two episodes and they were me mad.
07:01Well,
07:03then I went to a cenar with a friend,
07:04to a Mexican restaurant,
07:05and I said a chico,
07:06when I went through,
07:07you're a esteracebo and I said,
07:08yes,
07:09well, this is now more habitual,
07:10but I would not have been so good.
07:11I said, yes,
07:12you're in the place of paper.
07:13I thought,
07:14if I was watching the first episode,
07:15this person,
07:16I said,
07:17I'm from the group of guion,
07:18and I said,
07:19ah,
07:20I'm going in,
07:21I went to the scene and gave me one margarita, I went to the second margarita and I went to the mesa and said I did not pass it.
07:28And now I think it was, it was, it was, it was, it was a strong story and, like, over all how it evolved.
07:37I think I think I think we have finished, the last time we were going to record, I said here we are going to be in the fifth episode.
07:44And I thought that I would be going to be in the second episode.
07:46And that's what I want to do.
07:48And then you are dead.
07:49And you were like a parranda.
07:51You were dead, darling.
07:53You were dead.
08:05Are you going to kill me?
08:07No.
08:09I'm not going to kill you.
08:11And I'm not going to torture you.
08:19I'm not going to kill you.
08:21I'm not going to kill you.
08:23I'm not going to kill you.
08:25I'm not going to kill you.
08:27I'm not going to kill you.
08:29Let me ask you something.
08:31Why this has to be the end of something?
08:33No.
08:34Could it be the beginning of a beautiful friendship?
08:43A sequence of love, clearly.
08:45I'm not going to kill you.
08:47We remember perfectly.
08:49I remember that I was going to kill you.
08:51I was completely nervous.
08:53Yes, I remember.
08:55Because Pedro does things, you know.
08:57Pedro, in sequence,
08:59if you have to hate him,
09:01he takes care of you.
09:03And...
09:05I was not going to kill you.
09:07I was not going to kill you.
09:09I was not going to kill you.
09:11I was not going to kill you.
09:13I was going to kill you.
09:14I was going to kill you.
09:15I was going to sell you in a
09:31of anxiety.
09:33Yes, but there was a moment where Pedro, I don't know,
09:37he said things all the time and I was completely angry.
09:41Yes, there was a moment that you were clearly angry.
09:45Very angry, very angry.
09:47I mean, he was provocating it for the scene.
09:51But it also came well as a personal therapy,
09:54so to remove everything that I had been accumulating
09:57from a little while ago.
09:59And then, I don't know, I said,
10:01I said...
10:03That's awesome.
10:05But I remember a moment when you started to give up
10:07and I was going to give up.
10:09And I was going to give up.
10:11No, I was going to give up.
10:13And I said, the next time you can do this...
10:15And we were not recording.
10:17And I said, the next time you can do this,
10:19I'm going to give up.
10:21I'm going to give up.
10:23Do you remember?
10:25No.
10:27Oh, wow.
10:29We are we, we are, all in the room.
10:31No, wait, sorry.
10:33How did you do this?
10:34I am good.
10:35I am good.
10:36And we were, everybody,
10:37we were really, I am good.
10:38We are, everybody,
10:39we are all in the room.
10:40We are all in the room.
10:41We are all in the room.
10:50So fast.
10:51I don't think it evolved in a way that I would like.
11:06I think that in a situation like this, the way to react,
11:10I don't think that's what happened later in the series.
11:13But it was a character that I loved and ended up saying
11:16that I don't understand very well how you arrive after all that.
11:20I never understood why he was doing what he was doing
11:22or why suddenly he came to Tokyo and he didn't even have a sweet reaction.
11:31You and I always told us the truth.
11:35But you don't always want to listen to the truth.
11:38Tokyo, I can't continue with you.
11:50I've been thinking a lot.
11:54And I've been thinking that you've always been behind and I'm behind.
11:57Like a girl.
11:59When we go to Tokyo?
12:00When we're in the bathroom, where you have everything painted.
12:03Ah, yes.
12:04When you leave me, basically.
12:06I don't understand.
12:07The character looks quiet and looks like a girl.
12:10I've been thinking about it.
12:11There was something there that I didn't mean to fascinate
12:14or I felt a real reaction.
12:16A me.
12:17Monta this and you're a three.
12:19There it goes.
12:21There it goes.
12:22There it goes.
12:23Andres, please leave me.
12:24I've had life being a little son of the fuck but I'm not...
12:25I feel like I'm dying with dignity.
12:38Nooo!
12:43Nooo!
12:44The death of Berlin, since now, is a great news, because it generated a lot of fatigue, but I think it gave a wave to the character that did review many things from another dimension.
13:01It was a gift.
13:03Yes, it is true that when we had the series, I had a lot of fear and I had a couple of conversations, because I thought I was able to defend the character.
13:13I thought I was going to die, but not because I was dead, but because I thought I was going to defend a character that was the pure present and the pure chaos,
13:20and suddenly I was dead and I was going to be in the past.
13:23All the punch that had the character was lost.
13:26No, I didn't have thought of that.
13:28I thought, I thought I'd not. I thought I would sustain it. I thought I could survive and I thought I'd be able to.
13:34But I thought, I did, and with creces.
13:38Well, I was like to all.
13:40One has moments of insecurity, of much fatigue, and of rut, I don't hold it, I don't hold it away, I don't be able to defend it.
13:48But it's true that it took me to have to reinvent myself, to try to be, and sometimes pulling me upside down.
13:56So you never know where you can find a gift, despite your ideas.
14:03It's something that has been happened several times in television.
14:06I say, this is impossible, I'm not able to do this, this is not possible.
14:09And suddenly, there just appeared something that led you to go beyond your limitations and possibilities.
14:17And suddenly, you found a muñeca inside of a muñeca inside of a muñeca,
14:21which dimensioned what you were doing.
14:24I think that's something that has in common all the characters of The Casa de Pavel.
14:28I think that we all have been in that moment,
14:30but how can I defend this, if I can't believe it?
14:33How can I do something like that?
14:35And fortunately, thanks to that, it's like if you put on to find little gifts.
14:41Everything is so.
14:45I tell you, I've had five divorces.
14:47Do you know what are five divorces?
14:51Five times I believed in love.
14:54It's so hard for me.
14:57You see this characteristic part of the actor,
15:04all of the differences in the image as I myself have,
15:08is the.
15:12There is a moment where there is a transfer
15:14Totally
15:16Very reasonable
15:18That has a sense
15:20But it starts to have a echo
15:22With the delirium
15:24Of what is happening
15:26It is very true
15:28That in this series
15:30In some moments
15:32It was amplified
15:34There was a level of paranoia
15:36And I would say
15:38Like they can
15:40This question is very interesting
15:42Because I just remember
15:44With the click
15:46Do you remember the scene
15:48That I had with Nairobi
15:50That we had in the classroom
15:52That I would say
15:54Disculpas
15:56And she told me the story
15:58And we ended up playing
16:00And doing twerking
16:02And taking tequila
16:04Well, it happened a lot
16:06And that was always
16:08It was always a shame
16:10When I opened Alba
16:11The door
16:12When she opened the door
16:13And she was enfadada
16:14She was looking for me
16:15She said like
16:17She said you come over
16:18And she kept me
16:19And she sat down
16:20My body was a reuniative
16:21To go to the room
16:22It was a shame
16:23But it was a shame
16:24Female Ursula
16:25And now has said that
16:26And that was all
16:27And then you look at me
16:28That's amazing
16:29Because
16:30No I was done
16:32It's not from me, it's not that it has to do with the character.
17:02What happened there was a confirmation of that for me the series are living beings.
17:06There are people who say, I already have it and I'm going with the automatic pilot,
17:10which is what I never understand.
17:12But I remember that that happened.
17:14If I remember correctly, Álvaro said, we could be brothers, in Italian.
17:18We could be brothers, and...
17:21What do you think, Pedro, because we are here?
17:23The truth is that it has a level of reading that is in the air.
17:29So, we were talking a little casually and suddenly came Jesus Colmenar and said,
17:36we are talking about how we would be brothers.
17:39He said, what do you say, what do you say?
17:40But that's not a mess, it's impossible.
17:44And Álvaro said, we are going to work as if we were brothers.
17:49Because it really does, it does, it does, it does.
17:54That level we are going to work.
17:55Then if they say it or not.
17:57But we are noticing that there is a level of resonance that is much more powerful.
18:05And then the conversation went like liable a little bit.
18:09And a month later, maybe I invent some part, but a month later,
18:14the guionists began to write it and write it in the letter.
18:19So, that was something that we found in the process.
18:22Wow.
18:23And that later has configured something, because I don't know who it has occurred,
18:26that it is in the air, right?
18:28But they are things that precipitate and that they can be able to collect or not,
18:33because suddenly there is a predisposition to play with that type of accident.
18:37And that type of accident has configured something that for me is determined,
18:40that at the end, the house of paper is the story of a family.
18:44Total.
18:46For me, the story of a family is the story of a family.
18:47A me me pasa the same thing with Gandía.
18:48Yes?
18:49I said…
18:50Podríamos ser hermanos.
18:51No, I said…
18:52I said…
18:53They are the same people.
18:56I told Alex Pina, I said, I believe there is something of tension between these two people.
19:03There is something that has to happen between these two people.
19:05I think I was suddenly like, they were like, what happened?
19:07And then I said…
19:09What the hell?
19:10What happened, you know…
19:12And that was when they wrote the story of Gandía,
19:15And that was completely sexual, too.
19:20But has such a sense.
19:23You can tell you, this is a body of blood and blood,
19:26you know, the blood and blood.
19:28People, everyone, it was a pleasure to talk with you about these moments like this.
19:35It has been very emotional to remember what we have lived together,
19:40It has already been a bit of a voyage.
19:42So if you have any other super scene that you want to remember,
19:45we will be able to be with you in the future.
19:48Okay, a hug for you, thanks.
19:49Bella, ciao.
19:50Bella, ciao.
19:51Ciao, ciao.
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