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Transcript
00:00The sun is violent today. It doesn't just shine. It strikes the white pavement of the plaza and
00:07bounces back up, blinding and bleaching the color out of everything. I'm squinting behind cheap
00:13sunglasses, trying to make myself small, trying to be just another tourist lost in the midday
00:19swelter. I'm not supposed to be here. I'm not supposed to be anywhere. I'm a ghost in a sundress,
00:26drifting through the heat, always waiting for the past to grab me by the throat.
00:32But the noise stops me. It cuts through the diesel roar of the traffic and the chatter of the market
00:38stalls, a jagged, terrifying wail. It's the sound of pure abandonment. I turn, my heart hammering a
00:47frantic rhythm against my ribs. There, perched precariously on a stone bench near the fountain,
00:53is a bundle, a car seat, abandoned in the open, baking under the relentless glare. The crowd flows
01:01around it like a river around a stone, indifferent, selfish, moving too fast to care. I shouldn't stop.
01:09Stopping means being seen. Being seen means danger. But the baby screams again, a high gasping sound
01:17that tear something open inside my chest. Before my brain can calculate the risk, my legs are moving.
01:25I'm pushing through the sweaty bodies, ignoring the elbows and the curses, until I reach the bench.
01:31Hey, I wister, my voice cracking. Hey, you're okay. I unbuckle him. He's soaking wet with sweat,
01:39his face blotchy and red. Instinct cakes over. A buried, ancient thing I didn't know I possessed.
01:46I pull him against my shoulder, tucking his sweaty head under my chin, shielding him from the punishing
01:52sun. He's shaking, his tiny fists bunching into my dress. He won't stop crying. He's hysterical,
02:00choking on his own panic. Shh, I breathe, rocking on my heels. The world is too loud. The horns,
02:08the shouting, the heat. I need a shield. I need a sound to push back the chaos. Without thinking,
02:16I start to hum. It's not a song you hear on the radio. It's a melody made of smoke and old grief,
02:22a tune that has lived in the marrow of my bones since I was a child. I don't even know what language
02:28the lyrics are in. Only the shape of the vowels my mother used to whisper before she vanished.
02:33It's a haunting, minor key thing, sounding strange and wintry in this blinding summer square.
02:41Sleep, little wolf. The ice is thin. I hum the notes, the vibration buzzing against the infant's
02:48cheek. Miraculously, the baby stiffens, then melts. The screaming cuts off into a wet hiccup.
02:55His breathing sinks with the rise and fall of my chest. For a second, just one second. I feel safe.
03:04I feel anchored. Then the air changes. It's not a temperature drop. It's a pressure shift.
03:11The hair on my arms stands up, an electric warning that has nothing to do with the static in the air.
03:17The crowd, usually so oblivious, is parting. They are scattering like fish before a shark.
03:24I look up, shielding the baby's head with my hand. Ten feet away, a man is frozen mid-stride.
03:32He is devastating to look at. Sharp jaw, tailored gray suit that costs more than my life,
03:38and an aura of controlled violence that makes the bright sunlight feel cold. He is surrounded by
03:44three other men, hulking mountains of muscle, but I don't look at them. I can only look at him.
03:51He isn't looking at the crowd. He isn't looking at the plaza. He is staring at me with an intensity
03:58that makes my knees water. His eyes are dark, dangerous, and wide with something that looks
04:04terrifyingly like recognition. The silence between us stretches, taut as a wire about to snap.
04:12He takes a step forward, and his security detail flinches, confused. He doesn't care. He walks right
04:19up to me, invading my space, smelling of expensive cologne and gunpowder. My breath catches. I clutch the
04:27baby tighter, prepared to run, prepared to scream. But he doesn't reach for a weapon. He reaches out,
04:34his hand hovering, trembling in the air near my face, as if he's seeing a ghost. His voice is low,
04:42a rough scrape of velvet over gravel, shaking with a mixture of awe and lethal suspicion.
04:49Where, he demands, his eyes locking onto mine, did you learn that song?
04:54I expected damp concrete and flickering bulbs. I expected the metallic tang of blood and rust.
05:03Instead, the elevator doors slide open to blind me with a thousand watts of pure, aggressive sunshine.
05:11The space is vast, terrified by its own openness. It's a penthouse, but it feels more like an observation
05:19deck at the edage of the world. Floor-to-ceiling glass walls wrap around the entire room, letting the
05:26Los Angeles skyline bleed in. The sun is high and cruel, reflecting off the white marble floors and
05:34the pristine, cream-colored furniture. There are no shadows here. There is nowhere to hide.
05:41I tighten my grip on the baby. He's finally asleep, a warm, heavy weight against my chest,
05:47his tear-streaked cheek pressed into the hollow of my collarbone. I feel like a stain in this room.
05:54My jeans are dusty, my hair is a mess, and my heart is hammering a rhythm that feels loud enough to
06:01crack the glass. Sit, Luca says. It's not a bark. It's not a threat. It's a request that carries the
06:09weight of a command simply because of who is speaking. He stands by the far window, his silhouette cut
06:16sharp against the blinding blue sky. He's removed his suit jacket, rolling the sleeves of his white
06:22dress shirt up to his forearms. He doesn't look like a mob boss right now. He looks like a man
06:28exhausted by his own existence. I sit on the edge of a low, white sofa, my knees pressed together.
06:35I didn't hurt him, I whisper, my voice cracking. I found him crying. That's all.
06:42Luca turns. The light catches the amber flecks in his eyes, illuminating a scrutiny that feels
06:49invasive. He walks toward me, his steps silent on the marble. He stops three feet away, close enough
06:56for me to smell the sandalwood and expensive tobacco clinging to him, far enough that I don't bolt.
07:02I know you didn't hurt him, he says, his voice low, vibrating in the quiet air. If you had,
07:10you wouldn't be breathing this air. You'd be part of the foundation of a parking garage.
07:15I swallow hard, the dryness in my throat painful. Then let me go. I can't. He crouches down,
07:24bringing himself to my eye level. The movement is fluid, predatory, but restrained. He isn't
07:30looking at the baby anymore. He is looking at my mouth, then my eyes, dissecting me layer by layer.
07:38Because of the song. My pulse stutters. It's just a lullaby. No, he corrects me softly. It isn't.
07:47It's not twinkle twinkle little star. It's not something you hear on the radio or pick up at daycare.
07:53He leans in closer, and the air between us charges with a frantic, static energy. The sunlight feels
08:01hotter now, baking the skin of my arms. My mother wrote that melody, Luca says, the words dropping
08:08like stones into deep water. She wrote it on a piano that no one else was allowed to touch.
08:15She never recorded it. She never wrote down the sheet music. She only sang it to me. And she only
08:22sang it inside the walls of this family. He reaches out. For a second, I think he's going to grab my
08:29throat. Instead, his knuckles graze my cheek, a touch so light it burns. She died ten years ago,
08:37he whispers, his eyes searching mine for a lie, for a trap, for a ghost. So tell me,
08:45little songbird, how do you have her soul trapped in your throat?
08:49The sunlight here is aggressive. It bounces off the white marble floors and the floor-to-ceiling
08:55glass walls, flooding every corner of this coastal fortress with a blinding, sterile brilliance.
09:02There are no shadows to hide in, no dark corners to catch my breath,
09:06just endless azure oceans stretching out beyond the cliffs and the oppressive perfection of Luca's
09:13world. I pace the length of the nursery, the baby finally heavy and asleep against my chest.
09:19His little fist is curled into the fabric of my shirt, a tiny anchor keeping me from floating away
09:25into full-blown panic. They call this guest hospitality, but I know what it is. I see the men
09:32standing at the edge of the manicured lawn, their linen suits crisp, their sunglasses reflecting the
09:38glare, hiding eyes that watch every move I make. This isn't a home. It's a golden cage,
09:45polished until it gleams. He likes the garden, a voice says, deep and vibrating with a roughness that
09:52scrapes against my nerves. I spin around, careful not to jostle the sleeping infant. Luca is leaning
09:59against the doorframe, looking less like a monster and more like a man, exhausted by his own existence.
10:06He's traded the suit jacket for a white button-down with the sleeves rolled up, exposing forearms
10:11corded with muscle and ink. The sunlight catches the sharp angle of his jaw, making him look
10:17devastatingly human. He likes the quiet, I correct softly, my heart hammering a frantic rhythm against
10:24my ribs. Something this place seems to lack. Luca pushes off the doorframe and steps inside.
10:30The room suddenly feels smaller, consumed by his gravity. He smells like sea salt, expensive tobacco,
10:38and danger. He doesn't stop until he's standing right in front of me, close enough that I can see
10:44the flecks of gold in his dark irises. He reaches out, his hand hovering over the baby's head, before he
10:51gently, almost reverently, tucks the blanket tighter. There is no quiet in my world, he murmurs,
10:58his gaze shifting from the child to me. The intensity of his stare burns hotter than the midday sun outside.
11:05Noise is the price of power. It's always screaming, screeching metal, shouting men, the ringing in my ears
11:13that never stops. I should back away. My survival instinct is screaming at me to run,
11:19to put distance between us, but my feet are rooted to the plush carpet. Why are you keeping me here,
11:26Luca? The baby is safe. You have nannies, doctors, guards. You don't need me. Don't I?
11:33He steps closer, invading my personal space until the heat of his body radiates onto mine. He isn't
11:40looking at me like a prisoner anymore. He looks at me like a starving man, looks at a feast he knows
11:46is poisoned. I walked past this room an hour ago, he confesses, his voice dropping to a rough whisper
11:53that feels like a secret dragged out of the dark. My head was pounding, the usual chaos. Then I heard
12:00you humming that melody again. Just three notes, and the noise inside my skull? It stopped. He reaches
12:07out, his rough thumb tracing the line of my jaw, sending a jolt of electricity straight down my spine.
12:14It's a terrified thrill, addictive and sharp. You're not just a nanny, he says, and the raw
12:22vulnerability in his tone terrifies me more than his gun ever could. You're the only silence I've
12:29found in ten years, and I'm not letting you walk out that door. The sunlight out here is aggressive.
12:36It's not the soft, romantic glow of a sunrise. It's a blinding, white gold that bounces off the ocean
12:43and slams into the windshield. We're tearing down the coastline, the jagged cliffs dropping into
12:49turquoise water on my right, and everything feels overexposed. There are no shadows to hide in. I feel
12:57peeled open, like fruit left out in the heat too long. Luca drives with one hand on the wheel,
13:03his grip loose but controlled. He's wearing sunglasses, hiding those eyes that usually dissect me,
13:10but I can feel the tension rolling off of him in waves. It's hotter than the sun beating down on the
13:16black leather seats. You didn't answer me back there, he says. His voice is low, fighting the wind
13:22rushing through the cracked windows. I pull my knees up to my chest, staring at the blurred guardrail
13:28whipping past us. I didn't think you were actually asking. I don't make small talk to Soro. The nickname
13:36sounds like a threat and a caress all at once. My heart does a traitorous little flip. I look at the
13:43baby seat in the back, empty now, since we dropped the little one at the safe house with the nanny, but the
13:49echo of that cry still rings in my ears, the cry that made me sing. I didn't learn it, I confess,
13:56the words tasting like ash. Not really. It's just furniture in my head. It's been there as long as I
14:04can remember. Luca shifts gears, the engine growing under us. A song like that isn't pop radio. It's old,
14:13ancient. It's from the system, I say, and the admission makes me feel small. Foster care, between
14:20the houses that smelled like bleach and the ones that smelled like stale beer. I don't remember a
14:26other. I just remember the melody. I used to hum it when the shouting got too loud. It was the only
14:32thing that belonged to me. The car swerves. It's subtle, a micro-adjustment of the wheel, but at 80
14:39miles an hour, I feel it in my gut. Luca's jaw is locked so tight a muscle ticks beneath his stubble.
14:46He pulls the car onto the gravel shoulder so fast, gravel sprays up like gunfire. The sudden stop
14:53throws me forward against the seatbelt. Dust clouds the pristine view of the ocean.
14:58What are you…
14:59Look at me, he commands. He rips his sunglasses off. His eyes aren't cold anymore. They look
15:06shattered, like someone threw a rock through a stained glass window. He reaches across the console,
15:12his hand hovering near my face before his thumb brushes my cheekbone. His skin is rough,
15:18calloused from violence, but his touch is terrifyingly gentle. He whispers,
15:23the sound rough, like he's swallowing glass. My mother wrote it. She wrote it for a sister I never
15:30got to meet because she was taken. The air leaves the car. The sound of the ocean crashing below us
15:37roars in the silence, but I can't hear it over the blood rushing in my ears. I stare at him,
15:43trying to find the lie, but there's only raw, bleeding truth. I didn't learn it in foster care,
15:50I breathe out, the realization hitting me like a physical blow. Luca leans in, his forehead resting
15:57against mine, closing the distance between captor and captive until we're just two jagged edges
16:03trying to fit together. You didn't just find that baby, did you? He murmurs, his breath hot against
16:11my lips. You came back to the world that broke us both. The midday sun is a liar. It bleaches the
16:19world white, convincing you that nothing can hide, that every corner is illuminated and safe. But I
16:25know better. I know that shadows don't disappear at noon. They just crawl inside people. We are walking
16:33through the open-air market, a chaotic river of noise and color. The air smells like scorched sugar,
16:39basil, and the briny tang of the ocean just a few miles away. It's blindingly bright, the kind of day
16:46that demands happiness. Luca is walking beside me, one hand pushing the stroller, the other resting
16:52casually in the pocket of his slacks. He doesn't look like a monster today. He looks like a father. He
16:59looks like a man who sleeps through the night. You're quiet, Luca says, his voice low, vibrating through
17:05the noise of hawkers, selling ceramics and lemons. He glances at me over the rim of his sunglasses.
17:11You don't like the crowds? I like them fine, I lie. It's just strange, being out, like normal people.
17:19We are normal people, he says, though the corner of his mouth quirks up, acknowledging the absurdity
17:25of the statement. I look down at the baby. He's awake, his wide, dark eyes tracking a string of
17:31colorful flags whipping in the wind. It's been weeks since that night I found him wailing in the alley,
17:37weeks since I hummed that melody that made Luca freeze and lower his gun. The baby, Leo, we call
17:44him now, is the anchor tethering us together. But looking at him, I feel that familiar ache in my
17:50chest. It's a terrifying kind of love, the kind that rips your skin off and leaves you raw to the
17:56elements. I want to get him a hat, I say, distracting myself. That sun is too strong.
18:02We stop near a stall draped in linen and straw. Luca steps back to let me browse, his posture
18:08shifting almost imperceptibly. He's relaxed, but his eyes are constantly scanning. It's a habit I've
18:15started to mimic. I pick up a tiny bucket hat, turning it over in my hands, but my focus drifts past
18:21the fabric. The crowd is a blur of tourists and locals, a wash of bright pastels. But then the rhythm
18:29breaks. Thirty feet away, near a fountain, splashing sparkling water into the air, a man stops. He isn't
18:36looking at the fruit. He isn't looking at the view. He is looking at Luca. He's wearing a light gray suit,
18:43blending in, but his hand moves inside his jacket. It's not the motion that stops my heart. It's the
18:49glint, a flash of silver, sharp and cold against the warmth of the sun. It's not a wallet. It's not
18:56a phone. Time seems to liquefy. I look at Luca, who is distracted by a vendor offering him a slice
19:03of melon. He doesn't see it. He's one second too slow. The realization hits me with the force of a
19:10physical blow. They aren't here for Luca. The man's angle is wrong. The barrel isn't leveling at the
19:16boss's chest. It's drifting lower. Toward the stroller. Toward Leo. The baby, Leo, we call him
19:24now, was the bait then, and he's a target now. I don't think. I don't calculate. The survival
19:31instinct that kept me alive on the streets vanishes, replaced by something fiercer, something
19:36reckless. Luca! I scream. Not a warning, but a command. I throw myself forward, not away from the
19:44danger, but directly across the front of the stroller. My body crashes into the handle,
19:50spinning the carriage violently to the left just as the air cracks. Pop! A ceramic vase on the stall
19:57behind us explodes, sending shards of pottery raining down like hail. The noise of the market
20:03dies, strangled by the gunshot, replaced instantly by screams. I hit the pavement hard, scraping my palms,
20:11my body draped over the baby like a human shield. My breath is coming in ragged gasps,
20:17my heart hammering against my ribs like a trapped bird. I wait for the pain, for the heat of a bullet,
20:23but there is only the crying of the child beneath me. Then, silence. A heavy, terrifying silence,
20:31right next to my ear. I look up. Luca is standing over me. The sunglasses are gone. The normal man is
20:38gone. In his hand, a black pistol is already drawn, smoke curling lazily into the bright sunlight.
20:45He hasn't fired yet, but the look on his face is pure, unadulterated ruin. He isn't looking at the
20:52shooter anymore. He's looking at me, sprawled over the child that isn't mine, bleeding from my palms,
20:59my eyes wide with terror. He sees it. He sees that I didn't run. Get up, he whispers, his voice
21:07trembling with a rage that could burn this whole city to ash. You stay behind me. You don't move.
21:14But as I scramble to my feet, clutching the handle of the stroller, I see the truth in his eyes.
21:19It's not just gratitude. It's fear. He realizes now what I just realized. I'm not just an employee
21:27anymore. And in his world, that makes me the most dangerous thing of all. A weakness.
21:34The sun isn't a spotlight. It's a judgment. It beats down on the white stone of the terrace,
21:40bouncing off the sleek tiles until my vision swims in a haze of gold and heat. There is nowhere to
21:47hide here. No shadows to slip into. No corners to crouch behind. Just the blinding Mediterranean sky,
21:54the sheer drop to the rocky coast behind me, and Marco standing in front of me.
22:00Marco. Luca's right hand. The man who poured my coffee this morning. Now he's sweating through
22:07his linen shirt, his pistol leveled at my chest. His hand is shaking, violent tremors that make the
22:14barrel dance. He's terrified, and that makes him more dangerous than a cold-blooded killer.
22:19A terrified man pulls the trigger by accident. The baby, his baby, Luca's blood, shifts in my arms,
22:28drawing a breath to scream. If he screams, Marco panics. If Marco panics, we die.
22:35Shut him up, Marco hisses, his eyes darting to the glass doors of the villa. Put him down and back away,
22:42or I swear to God. I clutch the child tighter, pressing his small, hot face into the crook of my neck.
22:49I can feel the erratic thrum of his tiny heart against my own ribs. We are one terrified organism.
22:57No, I say. My voice sounds strange in the open air. Too calm, detached. I'm not putting him down.
23:05Marco takes a step forward. The gun steadies. I need a shield. I need a wall. But all I have is a melody.
23:13I start to hum. It's a vibration in my throat, deep and resonant, intended to rattle through the baby's
23:20skull and soothe the fear. But I lock my eyes on Marco. I make it a weapon. Sleep, little wolf.
23:27The day is long. I sing the words, but I strip them of their sweetness. I push my voice out, clear and
23:35piercing, cutting through the heavy afternoon heat. It's haunting. A minor key warning wrapped
23:41in velvet. Marco blinks, his brow furrowing. The dissonance between the gun in his hand and the
23:47song in the air short-circuits his adrenaline. He freezes, caught in the surrealism of the moment.
23:54The shadows dance where you belong. I step toward him. It's insane. It's suicide. But I keep singing,
24:01my eyes boring into his, forcing him to see me not as a target, but as a woman holding a life.
24:08For three seconds, I control the world. Then, the glass doors behind him explode. It's not a sound.
24:17It's a physical blow. Shards of safety glass erupt outward like a shower of diamonds catching the
24:23sunlight, glittering and lethal. Luca is there. He isn't lurking in the dark. He steps right into
24:31the blaze of the sun, a figure carved from fury and light. He doesn't look like a man. He looks
24:38like a catastrophe. Marco spins around, but he's fighting gravity while Luca is rewriting the laws
24:44of physics. Luca moves with a terrifying, fluid grace, closing the distance before Marco can even
24:51raise his arm. I see the flash of a knife, bright silver against the blue sky. And then, I spin away.
24:58I bury my face in the baby's blanket. I cover his ears with my hands, singing louder, desperate to
25:05drown out the wet, sickening thud of a body hitting the tiles. I sing to cover the sound of a life
25:11ending. Rest your head. The war is gone. Silence rushes back in, heavier than before. The heat feels
25:19oppressive now, sticky and thick. I'm shaking so hard my teeth chatter. But then, hands are on me.
25:27Large, searingly sought hands, gripping my shoulders. I flinch, gasping, but the touch turns gentle
25:34instantly. Possessive. I look up. Luca is breathless, his chest heaving against his tailored suit. There is
25:42blood on his white cuff. A stark, violent, crimson splash. But his face is clean. His eyes, usually so
25:50guarded, are wide and wrecked, scanning me for holes, for blood, for anything broken. Did he touch you?
25:57His voice is a low growl, barely human. I shake my head, unable to speak. The song has died in my throat.
26:05He looks at the baby, then back at me, and the mask falls completely. He doesn't look like a boss. He looks like
26:13a man who just watched his entire universe dangle over a cliff. He pulls us both into him, hard. It's not a hug.
26:21It's a collision. He buries his face in my hair, inhaling sharply, shaking with the aftershocks of his own rage.
26:28I heard you, he whispers against my temple, his lips brushing my skin. It looks like war paint. It looks
26:35like a claim. Where did you learn to weaponize your voice like that, he asks, his bays dropping to my
26:41lips. Because you just bought me the second I needed to save our lives. The morning isn't gentle. It's an
26:49interrogation. The sun blasts through the floor-to-ceiling windows of the safe house, exposing everything we
26:56tried to hide in the dark. It lights up the shattered glass on the Persian rug, making the shards glitter
27:03like diamonds. It illuminates the overturned chair, the scuff marks on the pristine walls,
27:08and the dried blood on Dante's white dress shirt, turning the fabric into a map of everything we
27:14survived last night. He's sitting on the edge of the mattress, elbows on his knees, head hanging low.
27:21The monster the city fears is just a man trying to remember how to breathe. The baby is gone, safe,
27:30whisked away to the countryside with a nanny who doesn't ask questions. But the silence she left
27:35behind is deafening. It's just us now. Just the wreckage and the blinding white light of survival.
27:42I don't look away. I can't. I walk across the room, my bare feet silent on the cold hardwood. Every step
27:51feels like a decision. A final one. There's no running anymore. I tried running, and it only led me
27:58straight into the arms of the danger I was fleeing, and somehow that danger became the only place I felt
28:04safe. I see the gun sitting on the nightstand, cold and black against the light wood, but for the first
28:11time, it doesn't make my stomach turn. It's just an object. He is just a man. Don't, he rasps, not
28:20looking up. His voice is wrecked, like he swallowed smoke and glass. Don't look at me like that, Elena.
28:27The sun, it shows too much. I'm too dirty for this light. It shows exactly enough, I whisper, my voice
28:36catching in my throat. I kneel between his legs. The proximity is electric, a hum that vibrates in
28:43my teeth. He smells like copper, gunpowder, and that expensive sandalwood cologne that used to
28:49intimidate me. Now, that scent just makes my heart ache with a terrifying tenderness. I reach out, taking
28:57his hand. His knuckles are split, raw, and angry from the fight that bought us this morning. He tries to
29:04pull back, his instinct to protect me from his own violence kicking in, but I hold on tighter. I press
29:11my palm against the rough skin of his, threading our fingers together. We can't wash this off, Dante,
29:17I say, the realization settling in my chest like a heavy, warm stone. He finally lifts his head. His eyes
29:25are dark, bruised with exhaustion, but the intensity in them burns. He looks at me like a ghost, or maybe a
29:33miracle he doesn't believe he deserves. He searches my face for fear, for judgment, but all I give him
29:41is the truth. I destroyed everything to keep you safe, he murmurs, his thumb grazing my wrist,
29:49checking my pulse like he needs proof I'm still here. And look at you. You're still surrounded by
29:55wreckage. I'm not looking at the wreckage, I tell him, leaning in until I can feel the heat
30:01radiating off him. I'm looking at the builder. He closes his eyes, a violent shudder running through
30:08his broad shoulders. He's fighting it, the need to collapse, to let go. He's held the weight of this
30:15family, this empire, this war, for so long that he's forgotten what it feels like to be held. He is a man
30:22made of iron and scar tissue, but right now, under this unforgiving sun, he looks ready to shatter.
30:30So I do the only thing I know how to do, the thing that started this. I start to hum. It's the same
30:38melody, the one I sang to the crying infant in the alleyway seven lifetimes ago, the one that made him
30:44stop, turn around in the rain, and lower his weapon. It's a melody woven from my own broken childhood,
30:51a song for the lost things that no one else wants. Low and thrumming, the sound fills the bright,
30:59empty space between us. It pushes back against the silence. Sleep now, shadows fall. Dante's breath
31:08hitches. The tension in his forearms releases, the muscles uncoiling. He leans forward until his
31:15forehead rests against mine. He's hot, feverish with the adrenaline crash. Where did you learn
31:21that? He asks again, echoing the first words he ever spoke to me. But this time, it's not an
31:28accusation. It's a plea. It's a confession that he needs it more than that baby ever did.
31:35I learned it, I whisper against his skin, my lips brushing his jaw, for moments like this,
31:41when the storm is over, but the shaking hasn't stopped. I keep singing, louder now,
31:47my voice finding the cracks in his armor and pouring gold into them. I sing not for a child,
31:54but for the man who saved me by destroying himself. And as the blinding morning sun floods the room,
32:01washing us in stark, beautiful clarity, he finally stops fighting. He wraps his arms around my waist,
32:08and buries his face in my neck, inhaling sharply. And for the first time since I met him,
32:13the king of the city surrenders. We aren't fixed, we aren't clean, but in this harsh,
32:20beautiful light, we are breathing. And for today, that is enough.
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