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Short filmTranscript
00:00:00Death by guillotine for Maria Antoinette!
00:00:05If only I had another chance,
00:00:08I will do everything, anything,
00:00:11to be with you again.
00:00:15See you in the next life, my love.
00:00:25Lafayette!
00:00:27Is that who?
00:00:29The year is 2024,
00:00:31more than 230 years into the future.
00:00:34I reincarnated as Antonia Levine Fontaine.
00:00:37Me?
00:00:39What the fuck is going on?
00:00:41I can stick a bitch too.
00:00:44You asked me to forget about the divorce
00:00:46and give this marriage another shot.
00:00:48This here is my second chance.
00:00:52Nick, put me down!
00:00:53We're going home.
00:00:59I can't remember what's going on.
00:01:02Dude!
00:01:03That shit's going on!
00:01:05Yeah!
00:01:08That shit's wrong, man!
00:01:11My life ends today...
00:01:13My enemies, I do not care for them.
00:01:19They're screaming or they're scrimples.
00:01:28My love, the only thing I will miss from this world.
00:01:32You've been found guilty.
00:01:34Death by guillotine.
00:01:37For Maria Antoinette.
00:01:38If only I had another chance.
00:01:43I will do everything, anything, to be with you again.
00:01:49Pardon me, sir.
00:01:50Shut up.
00:01:51Take the bus.
00:01:57I see it now.
00:01:59If only I could do it all differently.
00:02:02See you in the next life, my love.
00:02:13Stay with me, Antonia.
00:02:33Breathe.
00:02:34Don't leave me like this.
00:02:35Please.
00:02:36Stay with me.
00:02:39Antonia.
00:02:40Wake up.
00:02:41Come on.
00:02:45There was no heartbeat.
00:02:47Quiet.
00:02:47She's awake.
00:02:50Where am I?
00:02:51What is happening?
00:02:54My love, you were here.
00:02:55My love, you were here.
00:03:02Breathe, Antonia.
00:03:03Just breathe.
00:03:06Lafayette.
00:03:08Is that real?
00:03:12My wife's still here.
00:03:13Just call an ambulance.
00:03:15Wife?
00:03:16Wife?
00:03:16Wife?
00:03:19To Lafayette?
00:03:22Hello?
00:03:23I need an ambulance here now.
00:03:26Your wife shows no signs of lasting damage.
00:03:29No broken bones.
00:03:31Her brain functions stable.
00:03:33Heart rate is steady.
00:03:34You're sure she was dead for five minutes?
00:03:37But what happened to the woman I'm supposed to be?
00:03:43Her blood alcohol level was a 0.3%.
00:03:46If it was a fraction more, it would not have been the fall that would have killed her.
00:03:50Wait.
00:03:51I understand.
00:03:51Antonia was an alcoholic?
00:03:55Is that the reason for her fall?
00:03:59Nick.
00:04:00Oh my gosh.
00:04:01I'm so sorry.
00:04:03I tried to get her to stop drinking, but she's a problem.
00:04:08She looks so familiar.
00:04:27Bye.
00:04:30your majesty those bracelets are to die for those bracelets are to die for oh you're so sweet
00:04:44to still wear your wedding ring you're gonna count as Lamott she's my nemesis in this life too
00:05:00but that we end on fair my auntie
00:05:09my sister inside non Mercier I shall wait for the carriage carriage
00:05:19the return of the drama queen that should be the title of your next film should she be in school
00:05:38I'm on break duh besides I wouldn't miss this for the world so Antonia I heard
00:05:49you kicked it Sadie I did kick it as you put it but I'm back now and I'm here to stay well if you
00:06:01hurt my brother again I know how to stick a bitch Sadie that's enough I gotta take this look after
00:06:12it for me understood general he's a general in this life too what is this seriously you don't
00:06:28remember this how hard did you hit your head well technically it wasn't my head just say hey Siri hey
00:06:40Siri huh Marie and controversial spendthrift I was wronged in the world still doesn't know
00:06:59hey Siri huh tell me one thing good that came from the French Revolution
00:07:07this led to the sexual revolution of the 1960s oh that's promising tell me more you've come a long
00:07:19way baby you've come a long way baby
00:07:21you've come a long way baby
00:07:21baby
00:07:21you've come a long way baby
00:07:25General Lafayette my queen
00:07:39you're a brave chevalier but I beg you to change the uniform
00:07:46you no longer fight for the Americans you are home now Lafayette
00:07:50what are you doing
00:07:57something I've wanted to do for a very long time
00:08:01what the hell is going on are you not my husband
00:08:12and in this time a woman pursues what she wants
00:08:15trying to seduce me won't delay the inevitable
00:08:19I'm tired of the games we're over Antonia
00:08:23what
00:08:23darlings what is going on
00:08:28looks like I got here just in the nick of time
00:08:40it is time Antoinette
00:08:50can I not take mops with me
00:08:55the French want nothing from a foreign court
00:08:58but I'm from a foreign court
00:09:00does that mean they do not want me
00:09:03there is something you must keep on your person
00:09:13at all times from this day forward
00:09:15this pendant
00:09:18has protected our family for over a thousand years
00:09:23keep it close Antoin
00:09:25I fear your rule will be sorely tested in the years to come
00:09:39I came as soon as I could but what is this I hear now about divorce
00:09:49do not become a Hollywood cliche my darlings
00:09:54I'm sure you mean well Vivian but can you butt out
00:09:57oh Nick you know me
00:10:00so you know that's impossible
00:10:02you two are my favorite people in the world
00:10:05let me help you
00:10:06I know
00:10:07both of you need to spend more time together
00:10:11remember why you fell in love in the first place
00:10:16wow
00:10:19well you look much better Antonia
00:10:23then again
00:10:25you were dead last time I saw you
00:10:27uh
00:10:28thank you
00:10:30dude
00:10:31you sure her head's okay
00:10:33doctor said there's nothing wrong with her physically
00:10:35what are you doing here Finn
00:10:40can't I stop in and say hi to my big bro
00:10:44fine
00:10:45the auction's tomorrow
00:10:47I wanted to stop by and see if you were going
00:10:50it's a marvelous idea
00:10:52hmm
00:10:55this one is more ribbon than dress
00:10:57this one shows the buttocks
00:11:01where's the back on this one
00:11:05Nick darling
00:11:07where are you hiding
00:11:09good evening Vivian
00:11:12Jake
00:11:14hey hey
00:11:14have you two set a date for the wedding yet
00:11:16you're not getting any younger
00:11:17we're planning a winter wedding
00:11:19I can't wait to lock this one down
00:11:22enough you two
00:11:24hi Nick
00:11:27I'm so excited for this auction
00:11:30should be incredible
00:11:31some never before auction items by the queen herself
00:11:34her royal highness
00:11:55queen marie
00:11:57antoinette
00:11:58of flops
00:12:00To be continued...
00:12:30Darlings, I will be acting on my deathbed.
00:12:35The devil himself couldn't tempt me offstage, so that is a resounding no.
00:12:41Wish I'd known how to handle vultures like that.
00:12:45Mr. Fontaine, can we expect antiques from tonight's auction to grace your upcoming period drama?
00:12:51Fontaine Studios prides itself in its historical accuracy.
00:12:54When we heard about the auction, it felt like fate.
00:13:00Wow, Antonia, you look incredible.
00:13:05Definitely better than your usual skank couture.
00:13:09Uh...
00:13:10Tim.
00:13:12Oh no, big brother tone.
00:13:15You know, I was running lines with Oliver earlier today, and he seemed really worn out.
00:13:20What are you doing to that poor bastard?
00:13:21It's not me, Max.
00:13:23He's been an unsufferable tool since he won the National Book Award.
00:13:27There they are now!
00:13:33Death by guillotine.
00:13:35For Marie Antoinette!
00:13:36Terror is nothing other than justice.
00:13:49The king and queen must die so that the country can live.
00:13:54The king and queen must die so that the country can live!
00:14:00Never die!
00:14:00My queen!
00:14:12The mob is priest's gates.
00:14:14They are coming, my queen.
00:14:15Well, where do I go?
00:14:16It's too late to escape now.
00:14:17I told you to run, Antoinette.
00:14:18Why didn't you run?
00:14:29Antonio, you all right?
00:14:30Just breathe.
00:14:35Just focus only on my voice.
00:14:37There we go.
00:14:40Breathe.
00:14:41Nice and slow.
00:14:45There we go.
00:14:48I'm okay now.
00:14:50Thank you, Nick.
00:14:53That was a panic attack.
00:14:55Can be brought on by post-traumatic stress.
00:14:57What set you off?
00:14:58I thought I saw a ghost from the past.
00:15:04Good evening, ladies and gentlemen, and welcome to the Versailles Royal Collection, featuring pieces from Louis XVI and Marie Antoinette.
00:15:13It can't be.
00:15:16Our most prized item of the evening is one that is shrouded in the annals of history.
00:15:22A pendant said to have belonged to the Habsburg Empire.
00:15:24My God, it's here.
00:15:26The family of Marie Antoinette herself.
00:15:28This pendant has protected our family for over a thousand years.
00:15:34I must get it back at all costs.
00:15:39The starting bid on this item will begin at a higher price of $1.5 million.
00:15:45Do I hear $1.5?
00:15:47$1.5.
00:15:48Do I hear $2 million?
00:15:51$2 million.
00:15:52How about $2.5 million?
00:15:54$3 million.
00:15:55Going once.
00:15:58Going twice.
00:16:03And...
00:16:04$3 million!
00:16:08$3 million.
00:16:11Sold.
00:16:11Thank God.
00:16:12I got it back, my mom.
00:16:22Are you out of your mind?
00:16:25That little stud of yours cost me $3 million.
00:16:28I can't explain it, but this pendant is important to me.
00:16:36So I thank you, husband.
00:16:41Antonia, what are you doing?
00:16:43I know it was a lot of money, but I will find a way to pay you back.
00:16:52Antonia, I don't believe you've met Max Keller,
00:16:55the novelist and screenwriter of Queen of Diamonds.
00:16:59Mr. Keller, I'm afraid I know nothing of your work.
00:17:02I wouldn't expect you to, Mrs. Fontaine.
00:17:05It's a biopic on Marie Antoinette, the last Queen of France,
00:17:09and the death knell of the monarchy.
00:17:10You are telling her story?
00:17:13My story?
00:17:14There's no greater living expert than I on the French Revolution.
00:17:20I'm sure.
00:17:22I may say, Mrs. Fontaine,
00:17:25I feel we may have met before.
00:17:28You're mistaken, sir.
00:17:30Now if you'll excuse me.
00:17:31Well, she actually thinks she knows anything other than clothes and jewelry.
00:17:43That man, that petty evil man,
00:17:47I fear he's still a danger to me.
00:17:49Is that why you're here?
00:17:50To guide me?
00:17:52And to warn me?
00:17:53You know, I finally figured out why you've been acting so strange.
00:18:06This is your sad, pathetic attempt to win Nick back.
00:18:12But you're gonna fail.
00:18:17I'm going to steal your husband, Antonia.
00:18:20Even your own mommy likes me more than you.
00:18:23She's already asked me to call her mother after the wedding.
00:18:26You're gonna have nothing left when I'm finished with you.
00:18:28Lana, I'll accept that stupid glass pendant.
00:18:33Let me pass.
00:18:35Make me, bitch.
00:18:36Oh, Lana.
00:18:37No matter how much time goes by,
00:18:38you're still a tacky, social-climbing nobody.
00:18:41Oh!
00:18:48Ah!
00:18:52Ha ha ha ha!
00:18:54Ah!
00:18:56Ah!
00:18:56What the fuck is going on?
00:19:23What the fuck is going on?
00:19:27I can stick a bitch, too.
00:19:38She's spinning out of control.
00:19:44Antonia, wait.
00:19:47What crazy thing are you gonna do next?
00:19:49I don't even know who you are anymore.
00:19:51Maybe you can give me a chance and find out.
00:19:53Has she truly changed?
00:19:55She does not seem like the same person at all.
00:19:58When can he understand?
00:19:59I'm not that Antonia he knew.
00:20:04Ali, I just heard from the Ministry of Culture.
00:20:06They've granted us access to a second unit of Versailles for exteriors.
00:20:09What should I do with you, Lafayette?
00:20:17This dress was so beautiful, I know it's ruined.
00:20:20Nick must think I'm a barbarian, but punching Lana in her smug face was worth it.
00:20:25Hey Siri, call Sadie.
00:20:43Calling Sadie.
00:20:44What's up, champ?
00:20:50Who is this champ?
00:20:53Inside champ.
00:20:54What do you need?
00:20:56How does one remove the claw?
00:20:58What claw?
00:20:59The thing holding my bosom in place.
00:21:02Bra?
00:21:03Antonia?
00:21:04Feel her on the back.
00:21:05There should be two little hooks holding it together.
00:21:06I feel something.
00:21:13We...
00:21:14We...
00:21:14We...
00:21:18We...
00:21:22We...
00:21:26We...
00:21:27We...
00:21:41...
00:21:41We...
00:21:47We...
00:21:48We...
00:21:52...
00:21:52We...
00:21:53Cover yourself, woman.
00:22:02We are getting a divorce.
00:22:05Your accident and Vivian's meddling are the only reasons we're still living under the same roof.
00:22:09You are not the man I once knew.
00:22:11My loyalty reminds unwavering, my queen,
00:22:14under whichever uniform this high will be the same.
00:22:16You once had a heart that beat true.
00:22:23Until you tore it from my chest.
00:22:26Antonia, what did you do to this poor soul?
00:22:31Nick, I'm not sold.
00:22:34Ormana has the lead.
00:22:35I want to discuss holding up and casting.
00:22:37Understood.
00:22:38I'll meet you at the studio to go over details.
00:22:43You're wrong about me!
00:22:45I will find a way to prove it to you.
00:22:50I'll believe it when I see it.
00:22:54And believe it, you shall.
00:23:01Good with animals, gardening,
00:23:03adept in the social graces required for court life and diplomacy,
00:23:07speak several languages,
00:23:09performing in plays at my little theater.
00:23:14Cows chew.
00:23:16Ladies don't.
00:23:18And your posture, Sadie.
00:23:20You're a beautiful young woman.
00:23:21Why do you slouch?
00:23:24You think I'm pretty?
00:23:26Of course.
00:23:27You have good bones.
00:23:29No amount of powder and paint can compete with nature's gifts.
00:23:33Promise me you won't go back to your old self.
00:23:35What a horrible person you were, Antonia,
00:23:40to hurt this child.
00:23:41I promise, mon lapin.
00:23:46These are all the things I'm good at.
00:23:49I plan to pay your brother back for my pendant,
00:23:52but I'm not sure where to start.
00:23:55Performing.
00:23:57It's kind of obvious to me.
00:24:00Talk to Finn.
00:24:01He's the actor in the family.
00:24:03Maybe he knows a role that'd be right for you.
00:24:06Lovely.
00:24:07Lovely.
00:24:08I shall write him a letter.
00:24:10Or you can, like, text him.
00:24:15Grandma.
00:24:16Okay.
00:24:25Guess who got the most delicious food for our date?
00:24:30So why did you suddenly want to break into acting?
00:24:37I need three million dollars fast to pay your brother back.
00:24:42Nick can be such a hard ass sometimes.
00:24:44I blame that on his military training.
00:24:47Nick was also a soldier.
00:24:51Just like Lafayette.
00:24:53Nick was a Green Beret.
00:24:54He was career military.
00:24:57Then, our father took over the studio after our grandfather died.
00:25:02In just 15 years, it went bankrupt.
00:25:06Then Nick stepped in.
00:25:08That must have been hard on him.
00:25:11Yeah.
00:25:12But he didn't complain.
00:25:15Parents can really fuck you up.
00:25:17Which is why I assume you didn't try acting,
00:25:19given that Dame Vivian is your mom.
00:25:21So, I need to ask,
00:25:25are you any good?
00:25:27I was the lead in plays on and off for about five years.
00:25:30My most recent role was Rosine in the Barber of Savi.
00:25:34Beaumarchais was quite impressed with my performance.
00:25:37Beaumarchais?
00:25:38As in the 18th century playwright?
00:25:42I guess a theater job would make the most sense,
00:25:45given my experience.
00:25:46Or you can try movies.
00:25:48I'll be in the studio tomorrow prepping for my role as King Louis XVI.
00:25:52You should come with and check it out.
00:25:55Why not?
00:25:58Try this pizza.
00:26:00Okay.
00:26:04Oh my.
00:26:05Where did you find this?
00:26:06This is where the magic happens.
00:26:23The burden of the crown.
00:26:26So heavy upon one's head.
00:26:29What is a queen,
00:26:31if not the epitome of splendor?
00:26:34Jewels that rival the stars.
00:26:38Gowns that whisper the secrets of the loom.
00:26:41And feasts that would make Bacchus envious.
00:26:48They say the kingdom weeps.
00:26:50But shall I not weep?
00:26:54I know.
00:26:55You eat chocolate things unseen.
00:26:57I can't believe I'm going to be stuck with her.
00:26:58Bravo, Lana.
00:27:03You just nailed the frivolous queen.
00:27:05Yeah.
00:27:05Very well, Lana.
00:27:07You may step down.
00:27:11Does anyone else care to audition for this role?
00:27:16Does anyone else care to audition for this role?
00:27:21Anyone?
00:27:22You tarnished my name once.
00:27:24I will not let you do it again.
00:27:26Anyone?
00:27:28Yes.
00:27:30I would like to read.
00:27:35Are you sure, Antonia?
00:27:37You know this is for the lead role, right?
00:27:39Perhaps you may try something as small as a background actor.
00:27:43I'm quite sure.
00:27:46The role is yours.
00:27:48Read.
00:27:48Read.
00:27:48Read.
00:27:48Read.
00:27:48Read.
00:27:48Read.
00:27:48Read.
00:27:49Read.
00:27:50Read.
00:27:50Read.
00:27:50Read.
00:27:50Read.
00:27:51Read.
00:27:52Read.
00:27:52Read.
00:27:52Read.
00:27:52Read.
00:27:53Read.
00:27:54Read.
00:27:54Read.
00:27:55Read.
00:27:56If we could stop everything we're doing to pander to the Nepo baby and the producer's
00:28:02trophy wife.
00:28:03Back in school, people used to say her performances were devoid of a soul.
00:28:09The role is yours, Lana.
00:28:10You've got nothing to worry about.
00:28:13What in the world is she thinking?
00:28:16A Levine acting gene totally skipped Antonia.
00:28:19She wants to try, Vivian.
00:28:21Oh, for heaven's sake, stop this nonsense.
00:28:23Before it's too late, she embarrasses herself and me.
00:28:29I'm ready, Oliver.
00:28:31Max, can you go read Robespierre's lines with her, please?
00:28:34My pleasure.
00:28:35All right, everyone.
00:28:37All right, everyone.
00:28:38Hit the spotlights.
00:28:46Okay, guys, so this scene is about Marie Antoinette and the trial and, you know, the tribunal.
00:28:51So let's just get to it, okay?
00:28:52Madame, you stand before us accused of conspiring with the foreign powers, the depletion of the
00:28:59state treasury, and committing high treason by acting against the security of the French
00:29:03state.
00:29:05Yesterday, I did not know the witnesses.
00:29:07I knew not what they were going to depose against me, and no one has presented any proof
00:29:12to support my arrest.
00:29:13I was only the wife of King Louis XVI, and it was required of me to follow his lead.
00:29:22The sentence of death has been pronounced.
00:29:25What shall you say to your defense?
00:29:27In my defense?
00:29:29Nothing.
00:29:30For your scruples, much.
00:29:33I was a queen, and you dethroned me.
00:29:36I was a wife, and you killed my husband.
00:29:40I was a mother, and you tore me from my children.
00:29:42My blood alone remains.
00:29:47Take it and end this suffering.
00:30:04Yes, everyone!
00:30:05We found our queen!
00:30:07God!
00:30:08It's a miracle!
00:30:10The Levine acting dynasty lives on for another generation.
00:30:14My brother won't know what hit him.
00:30:16Where did that come from?
00:30:17The bitch I know can't act to save her life!
00:30:20Well, the performance was touching.
00:30:22Marie Antoinette is a shallow, empty-headed spender.
00:30:25A puppet for her mother's ambitions, and in the end, an Austrian spy.
00:30:29You sound just like the man of 1793.
00:30:33Huh.
00:30:34Quick to dismiss a woman's power, and at the same time, fear it.
00:30:38Has the world not advanced since then?
00:30:40Does Marie Antoinette not deserve to be treated with the same complexity and nuance we would show to a male in her position?
00:30:46Okay.
00:30:47Yeah.
00:30:48No way can that woman get the role.
00:30:53Mr. Fontaine, you need to be on the set of Queen of Diamonds.
00:30:56Sir, it's about your life.
00:30:59I'm on my way.
00:31:00No way can that woman get the role.
00:31:04I think you need to rethink your role.
00:31:05No, absolutely not.
00:31:06Yes, this woman right here is...
00:31:07She is going to be hit on her.
00:31:09She's never done this before.
00:31:10She's been in Maryland alone.
00:31:10You cannot make this kind of change.
00:31:11I'm the director, Max.
00:31:12That's exactly what I can do.
00:31:14I don't care.
00:31:14Calm down, guys.
00:31:17Antonio, what are you doing here?
00:31:18I brought her.
00:31:20You need to have an open mind for what you're about to hear, brother.
00:31:23What the hell is going on?
00:31:24If your wife gets the role of Marie Antoinette, I'm going to walk.
00:31:27Antonio's portrayal humanizes the Queen.
00:31:29That's what this film lacks in.
00:31:30Desperately me.
00:31:31Ollie, Ollie, I'm with Max on this one.
00:31:33It's ridiculous to consider Antonio for the role.
00:31:35Can you really not see past the fact that she's your wife?
00:31:41Gentlemen, there is a simple way to resolve whether or not Antonia has the chops to play Marie Antoinette.
00:31:52Watch her audition tape.
00:32:00Nick, I was born to play this role.
00:32:08I am Marie Antoinette.
00:32:15She's in.
00:32:19You won't regret this.
00:32:20Oh, my darling, I am so proud of you.
00:32:30You are a Levine after all.
00:32:32Thanks, mother.
00:32:33Do you know what this means?
00:32:34We're going to be in scenes together.
00:32:36Husband and wife.
00:32:37King and queen.
00:32:39I'll come over tomorrow.
00:32:40We're going to start running lines.
00:32:42Oh, I'm so excited.
00:32:43I'm just grateful for the opportunity to tell her true story.
00:32:49Come on, I'll buy us all a drink.
00:32:51Oh, I can use a drink.
00:32:53Let's go.
00:32:53Enjoy it now, Antonia.
00:32:55It won't last.
00:33:02This isn't over.
00:33:03Hey, Siri, play Mozart.
00:33:10Hey, Siri, play Mozart.
00:33:33Good, you're here.
00:33:45What are we doing?
00:33:47We're celebrating, silly.
00:33:48Where's Sadie?
00:33:49She's out with friends.
00:33:51We have the house to ourselves.
00:34:03Lovely.
00:34:14Very nice.
00:34:26You are so solemn, General.
00:34:29The world is a solemn place.
00:34:31Some things are beyond our control.
00:34:35It does not help to fixate on them.
00:34:38That is when we dance.
00:34:39Yes.
00:35:01Oh, you're too tight.
00:35:04Sit down and relax.
00:35:10Oh.
00:35:11You're too tight.
00:35:13Sit down and relax.
00:35:14You've never given me a massage before, Antonia.
00:35:31Why do you hide so much of yourself from me?
00:35:33I know a lot of things don't make sense, Nicholas, but my life flashed before my eyes when I died.
00:35:46I saw what led me there, where I went wrong, what I could have done differently if given a chance.
00:35:52This year is my second chance.
00:35:59You're asking me to forget about the divorce and give this marriage another shot.
00:36:03Yes, that's right.
00:36:11I let you in once, Antonia.
00:36:12I don't know if I can do it again.
00:36:28Morning, Sadie.
00:36:30What you working on?
00:36:32The script.
00:36:33I would never say that.
00:36:40Or do that.
00:36:45What was that?
00:36:52Oh.
00:36:56Hello.
00:36:58Hi.
00:37:00Goodbye.
00:37:03Where do you think you're going?
00:37:08Catch him before he escapes.
00:37:13Where do you think you're going?
00:37:16Okay, I got it.
00:37:22At 14, I had to leave my family behind.
00:37:25Even my dog, Mops.
00:37:27You mean, when you went to boarding school?
00:37:31Sure, boarding school.
00:37:32I missed him so much.
00:37:38What should we call him?
00:37:40How about Mops the second?
00:37:44I like that.
00:37:47I like it.
00:37:48What do you think, Mops?
00:37:50Would you like to be my dog, Mops?
00:37:52Yes.
00:37:53I can't fall for her again.
00:37:55This madness must end.
00:37:59Okay, you're free.
00:38:00Yay.
00:38:00I know it's a lot to take in.
00:38:20The whole acting thing.
00:38:26It's not just that.
00:38:28The old Antonia ignored Sadie.
00:38:30It was only a focus on being an influencer.
00:38:33She hated animals.
00:38:35Now her and Sadie are inseparable.
00:38:37Today she rescued a stray dog.
00:38:39Hell, even you've been won over by her.
00:38:43What can I say?
00:38:44I like Antonia 2.0.
00:38:46She's one cool chick.
00:38:49Call.
00:38:49Are you kidding me?
00:38:52A royal flush?
00:38:54Was she really changed?
00:38:56Or was this just another ruse to suck me back in?
00:38:58Dude, she died.
00:39:00Maybe she has changed.
00:39:02You know, I think the bigger question is, will you regret it for the rest of your life if you don't give her one last chance?
00:39:08I hear you.
00:39:11But I don't know if I can forget about everything she's done in the past.
00:39:15Can't or won't?
00:39:16Hey, Moms.
00:39:34Here we go.
00:39:35Good boy, Moms.
00:39:36There you go.
00:39:42She looks like an angel, but I've seen the devil in her as well.
00:39:46Which one is the real you?
00:40:09Huh.
00:40:10I don't remember coming to bed last night.
00:40:12Come on, Moms.
00:40:23What's all this?
00:40:24My all-time favorites.
00:40:26Croissants and hot chocolate.
00:40:27Since when has hot chocolate become your favorite?
00:40:30Always that was champagne, the way you guzzled it.
00:40:33Nick, don't be such a killjoy.
00:40:36I'm outie.
00:40:37Bye.
00:40:37Bye.
00:40:37All right.
00:40:41Behave.
00:40:42Mommy will be back soon.
00:40:43You really do care for him?
00:40:45Of course.
00:40:46Why would you think differently?
00:40:49Oh, I don't know.
00:40:50Maybe because last time a dog came near, you kicked it for trying to dirty your dress.
00:40:54What a cold witch Antonia was.
00:40:56How can I undo the damage she did so he will let me in?
00:40:59Antonia, with your mother being the iconic Vivian Levine, do you feel her influence had anything
00:41:18to do with you getting the role?
00:41:19Could you explain to us why somebody who's never even booked a minor role now has the most
00:41:24coveted role in Hollywood?
00:41:25Antonia, did your husband, Nicholas Fontaine, pull some strings?
00:41:29No comment.
00:41:31Please, please, could we just get this?
00:41:32No comment.
00:41:33Please.
00:41:34They're like vultures in every century.
00:41:36Nick.
00:41:36Please, we just want to know.
00:41:38We want to know your friends.
00:41:40For anyone who wants to know more, if you have anything to say, I'll be doing it.
00:41:45So, Countess Lamont was like the ultimate single white female.
00:41:50I mean, it's a very challenging role to play.
00:41:53I think you'll be good at it.
00:41:54Okay, but I was supposed to be the lead.
00:41:56Not some society thief who's always on the outside looking in.
00:42:06Okay, fine.
00:42:07I'll do it.
00:42:15Hi, Finn.
00:42:18Hey, Nick.
00:42:20Lana.
00:42:21Hey.
00:42:21Can I help you?
00:42:25I guess not.
00:42:31Sorry.
00:42:32So, what brings you here, Nick?
00:42:35Fifteen million reasons.
00:42:36Okay, let's dive right in.
00:42:40Top of page 30, scene 15.
00:42:42Antonia, start us off.
00:42:45If the peasants and commoners cannot afford bread, then I say, let them eat cake.
00:42:51The problem is, I never said that.
00:42:53Rousseau first wrote those words in 1765.
00:42:56I was only nine years old.
00:42:57And that's what you call in this day and age fake news.
00:43:05She's correct, sir.
00:43:06Murray Antwana never said let them eat cake.
00:43:08How didn't you catch that?
00:43:12How didn't you catch that?
00:43:13The world thinks she said it.
00:43:15What's the difference?
00:43:15We are doing a definitive biopic on the woman, Max.
00:43:18It matters.
00:43:22Antonia seems to be the only one that gets that.
00:43:24Anything else but for you, girl?
00:43:28Oui.
00:43:28Let's start with page 18, the hunting scene.
00:43:32The script says that I wore a petticoat while riding, but I found them too limiting, and I wore breeches.
00:43:38Come on, what do you think?
00:43:39She's correct.
00:43:40Murray Antwana was one of the first women to do so.
00:43:44So she was like this early day feminist?
00:43:46Oh, that's groundbreaking.
00:43:48Antonia, you are quite the history, bub.
00:43:50Um, costumes?
00:43:52Can you make those changes?
00:43:53Antonia, any other big catches for you?
00:43:55I wouldn't call wearing breeches a big change or a catch.
00:44:00Why don't you share some of your pearls of wisdom with us, Antonia?
00:44:04You've got a few there on your neck, don't you?
00:44:06I will.
00:44:07Since the film is called Queen of Diamonds, let's talk about the affair of the necklace scandal.
00:44:12What about it?
00:44:12You commissioned a very expensive diamond necklace and refused to pay for it.
00:44:17That's untrue.
00:44:17Louis XV, my grandfather-in-law, commissioned it for his mistress.
00:44:22Then he died, and I refused it.
00:44:24Oh my God.
00:44:25What's this?
00:44:25What's this?
00:44:26What's this?
00:44:31Merde.
00:44:32Madame Deficit?
00:44:34Austrian spy?
00:44:36Feed your vanity and we starve.
00:44:38It was Countess Lamott who fabricated my signature on the purchase, then impersonated me.
00:44:46It was Countess Lamott who fabricated my signature on the purchase, then impersonated me.
00:44:51Oh, great stuff.
00:44:53Let's get into that on page 50, okay?
00:44:54You copied my hair, my gowns, then became a thief in my name.
00:45:01You paint me a villainous when we all know who the real one is.
00:45:05Have you no shame?
00:45:07Your greed has sparked a chain of events that led France towards revolution.
00:45:10Oh, I love it, ladies.
00:45:12Keep up that energy.
00:45:13But Oliver, my vision, she's twisting my words.
00:45:16I wrote the quintessential book of Marie Antoinette, and I'm the only expert here.
00:45:20I'm not interested in producing another pop history flick that oversimplifies things.
00:45:27There's a direction with more dimension.
00:45:29Agreed.
00:45:30Max, we're overhauling the script.
00:45:32Antonia, work with Max to get it right.
00:45:34Let's get past the slander and the politics and get to the heart of the real Marie Antoinette.
00:45:40Yes.
00:45:42Why did you become a method actor?
00:45:45What's a method actor?
00:45:47Okay, everybody, I think we're in a good place.
00:45:49Let's start.
00:45:50It's not factual.
00:45:52It's not about facts.
00:45:52It's not about facts.
00:45:52It's about box office.
00:45:53You take it to.
00:45:56Okay.
00:45:57I like that.
00:45:58I guess I wouldn't have.
00:46:00It's good.
00:46:15All right, everybody.
00:46:17The first day of printable photography is tomorrow.
00:46:20And I decided we're going to go with the ballroom scene first.
00:46:23I know, I know, it may be hard, but let's just get it out the way with, okay?
00:46:28Our call time is 8 a.m.
00:46:29And call sheets are right here.
00:46:31I believe you and I share a common goal, the complete and total ruin of Antonia Levine Fontaine.
00:46:59What did you have in mind?
00:47:02Plenty.
00:47:03Plenty.
00:47:04Plenty.
00:47:05Plenty, plenty.
00:47:06I've not missed this at all.
00:47:12Nice digs.
00:47:20But don't get too comfortable in your fancy dressing room.
00:47:23You won't be leading lady for long.
00:47:26Get out or I will put you on the ground like last time.
00:47:28I can't wait any longer.
00:47:43I want that bitch gone.
00:47:47It's been taken care of.
00:47:48Soon she'll be deader than Marie Antoinette.
00:47:50All right, quiet on set, everybody.
00:48:03And action.
00:48:06Her Royal Highness, Queen Marie Antoinette of France.
00:48:11Her Royal Highness, Queen Marie Antoinette of France.
00:48:30The Royal Highness.
00:48:34Have a great day.
00:48:35We welcome home our brave men
00:48:47Who helped turn the tide for the Americans
00:48:49And defeat the British
00:48:52Cheers
00:48:53My drink has been poisoned
00:49:05Cut
00:49:07All right, everybody, take five
00:49:14We'll resume shortly, okay?
00:49:16Take five, everybody, take five
00:49:18Damn, this thing is itchy
00:49:24I don't know how the old people did it
00:49:26Get lost, Ben
00:49:27That's a nice way to greet your baby brother
00:49:29Go
00:49:30Okay, all right
00:49:31What's wrong?
00:49:33I can't explain it
00:49:34But I know my drink has been poisoned
00:49:37It's okay, I've got you
00:49:38You're not going to say I'm crazy?
00:49:41I learned to trust my instincts on the battlefield
00:49:43And right now they're telling me something's wrong
00:49:45I know I can trust you
00:49:48Act natural, I'll tell you
00:49:50I'll get the glass, get it tested
00:49:51But for now, don't eat or drink it
00:49:53In the meantime
00:49:53Okay, thank you
00:49:55Detective Ortiz, it's Nick Fontaine
00:50:02I'm listening
00:50:04We've got a situation here at the studio
00:50:06I wish we could just stay like this forever, my dear Louis
00:50:23For as long as I live
00:50:25I'll always remember this one
00:50:27The smile on your face
00:50:29The light in your eyes
00:50:30Cut!
00:50:36That's a wrap, everybody
00:50:37Don't you just love, young love?
00:50:40Are you okay, Antonia?
00:50:42Just a really long day
00:50:43I'm looking forward to a hot bath
00:50:45After getting out of this corset
00:50:47You're telling me
00:50:48My corset's killing me
00:50:50I grew up so fast
00:50:59Somebody's jealous
00:51:02Antonia
00:51:07Don't bother
00:51:10It's not like you haven't seen it before
00:51:12Got the results back
00:51:14Drink had enough cyanide in it to kill a horse
00:51:17Antonio
00:51:20You do understand
00:51:21Someone's trying to kill you
00:51:23You know how many people have wanted in my head?
00:51:26You could fill a coliseum
00:51:27This isn't a joke
00:51:29One little poisoner isn't going to stop me from telling Antoinette's story
00:51:32I'm meant to be here
00:51:34Besides
00:51:35I have three million dollars, Darren
00:51:37Forget about the money
00:51:39I have
00:51:39No
00:51:40I will pay back the debt
00:51:41Wait
00:51:43Nick, put me down
00:51:46Yes, for it
00:51:46Put me down
00:51:47We're going home
00:51:48I will not be sent to Scurry
00:51:50And hide like a mouse
00:51:50You're too much in character
00:51:52Ow
00:51:54Okay
00:51:56Fair enough
00:51:57Fair enough
00:51:57Ow
00:51:58Hey, hey, why aren't you going inside?
00:52:05I thought we were going over the changes for tomorrow
00:52:07I don't think now's a good idea
00:52:09Nick and Antonia
00:52:11Oh, I need to talk to him too
00:52:12I mean
00:52:12Here we go
00:52:16How about another time?
00:52:21Good idea
00:52:22Good idea
00:52:22I feel like I'm a little crazy that I'd say
00:52:30Oh, we've made quite a mess
00:52:33What is ours?
00:52:36Handmail
00:52:37Can you believe it?
00:52:38I've got fans
00:52:39The detective said there's usually a warning in these cases
00:52:42A threatening phone call of...
00:52:45A letter
00:52:45Fuck
00:52:47Fuck
00:52:47You should have died a long time ago
00:52:52Your end is coming, internet
00:52:54Where did this come from?
00:52:56I don't know
00:52:57It's not just anybody
00:52:58It was just right to your dressing room
00:53:01That's it
00:53:02We're out of here
00:53:03Nick
00:53:06Nick
00:53:07This is so hard
00:53:10Nick, put me down
00:53:12Seriously
00:53:13This is ridiculous
00:53:17I'm trying to protect you, woman
00:53:19This is not my chamber
00:53:41I know
00:53:42It's mine
00:53:43It's mine
00:53:43It's mine
00:53:44It's mine
00:53:45Let's go.
00:54:15This has never been like this for me before.
00:54:18Me neither.
00:54:35Why?
00:54:38None for me. I don't drink.
00:54:41Since when?
00:54:45I've been meaning to tell you forever, but I knew you wouldn't believe me.
00:54:51Do you have everything that's happened? I'm willing to try.
00:54:54I don't think...
00:55:04I don't think...
00:55:05I don't know.
00:55:35I don't want you going to set today. It's too dangerous.
00:55:40If I don't, there will be no Queen of Diamonds.
00:55:43At least until we catch the stalker.
00:55:45You know I have to be there.
00:55:48Besides, the studio will suffer.
00:55:51Fifty million dollars is on the line.
00:55:52You're funny.
00:55:54I am.
00:55:54You are?
00:55:59You need to be careful, Antonio.
00:56:01I don't want you leaving the house without Sanson.
00:56:02He's a trained bodyguard.
00:56:05That makes sense.
00:56:06I mean, he's big enough, but I don't think he likes me much.
00:56:10He's seen you at your worst.
00:56:12Give him time to come around.
00:56:13Looks like I'm not the only one that got a soup over last night.
00:56:33Get a room.
00:56:35Let's go, mobs.
00:56:36Is that...
00:56:52Those are photos of you from our house.
00:56:58Double security on set.
00:56:59No one in or out without being vetted by guards.
00:57:02Do it now.
00:57:03What do we do?
00:57:11I got you.
00:57:12You'll be fine.
00:57:16I do not understand.
00:57:18I supported the American Revolution.
00:57:20Now my people want to rebel against me.
00:57:22There is no truth anymore, Louis.
00:57:25Only public opinion, which is as fickle as a fart in the wind.
00:57:31You have been amongst your farm animals too much, ma chérie.
00:57:34Am I wrong?
00:57:35If I revel in grand soirees and balls, they brand me as indulgent.
00:57:40If I retreat to the countryside, they spread rumors of my hidden vices and secret romances.
00:57:48In their tribunal, we stand condemned, Louis.
00:57:51No one cares if we truly are guilty.
00:57:54I pray you are mistaken, Antoinette.
00:57:56I pray as well, my king.
00:58:01Cut!
00:58:02Ooh, we got it.
00:58:04Ooh, great work, you two.
00:58:06That totally rocked.
00:58:07If you weren't my sister-in-law, I would kiss you.
00:58:09You don't have to pretend with me, Finn.
00:58:15How long have you known?
00:58:18You don't have to pretend with me, Finn.
00:58:20How long have you known?
00:58:22I grew up around artists and musicians.
00:58:25But I take it Nick doesn't know?
00:58:28He wouldn't understand.
00:58:30He's such a manly man.
00:58:32I think you're underestimating him.
00:58:39For accepting me as I am.
00:58:42Always, Finn.
00:58:52Now let's get out of this corset.
00:58:54Oh, please.
00:58:56She's even better than Vivian in her prime.
00:58:58My God.
00:59:00The camera loves her.
00:59:01Ooh, brace yourself, Nick.
00:59:04Your wife is gonna be a star.
00:59:06Ooh.
00:59:09Antonia Levine Fontaine's forbidden romance with Finn Fontaine.
00:59:18Oh, good boy, Mops.
00:59:21I'm sorry, what?
00:59:22She was, like, my age when her parents married her off?
00:59:27That's beyond cray-cray.
00:59:30Aww.
00:59:31Anyone caught the latest headlines?
00:59:34Nick.
00:59:35It's not what you think.
00:59:36Look, I've been trying to tell you...
00:59:38Finn, Finn.
00:59:39I know.
00:59:39You're my brother.
00:59:40I love you.
00:59:41Besides, there's the fact that you're gay.
00:59:43You know?
00:59:45How?
00:59:45When?
00:59:46I was a soldier.
00:59:48I'm trained to notice details.
00:59:50And you don't care?
00:59:51Why would I?
00:59:57I love you.
00:59:57I love you too, man.
00:59:59There's gonna be some fallout from this stupid scandal, but we'll manage.
01:00:02Or I could just tell them...
01:00:04No.
01:00:04No, Finn.
01:00:05This is for you to decide when you're ready.
01:00:07Not like this.
01:00:08Never like this.
01:00:09Never like this.
01:00:09Never like this.
01:00:13I love you guys.
01:00:18Oh, Mom!
01:00:23You don't have to say it back, but...
01:00:26I love you.
01:00:30Tonya.
01:00:33I just wanted you to know in case something happened to me.
01:00:36I just wanted you to know in case something happened to me.
01:00:46No one's gonna hurt you.
01:00:55Not on my watch.
01:00:55No one's gonna hurt you.
01:01:03You don't have to cry.
01:01:04No one's gonna hurt you.
01:01:06K.R.A.I.S.A.S.A.S.A.S.A.S.
01:01:08Just a nightmare go back to sleep only be a minute
01:01:38Oh, Sanson, you scared me
01:01:50What's going on?
01:01:56Sir, it's been a break here
01:01:59I chased them when they got away
01:02:02I'm glad you were here
01:02:03Why didn't the alarm go off?
01:02:05Seems where Sadie forgot to reset it on the way in
01:02:08Detective Ortiz, I need a crime scene unit at the house that does for fingerprints
01:02:15It's been a break-in
01:02:31How long have you been sleeping with Penfartan, Antonio?
01:02:35I'll leave your husband for your brother-in-law
01:02:37Nick, are you divorcing your cheating wife?
01:02:41Detective, talk to me
01:02:42We weren't able to get any working fingerprints from the attempt to break in
01:02:45So that's a dead end
01:02:46Whoever's behind this is a pro
01:02:47What about the pictures themselves?
01:02:50For instance, it's confirmed that the camera angles, the technique
01:02:53They're identical
01:02:54We have a lead
01:03:00Whoever sold the pictures to the tabloid is our stalker
01:03:03It's time to follow the money
01:03:05Antoine
01:03:09Your subservience to the French court is unbecoming
01:03:13I fear they distract you with trivial pleasures
01:03:16But Mother, what was I to know of courtly intrigues and royal duties?
01:03:21I was a mere teen when I was placed in this gilded cage
01:03:25Embrace your destiny, Antoinette
01:03:28It is now time to rise to the occasion
01:03:31It is the lot of women and queens
01:03:35To be strong
01:03:36To dig deep
01:03:38And to face the darkest of moments unflinchingly
01:03:42Lying
01:03:45Oh, um
01:03:46That is when you know who you truly are
01:03:50That is when you know
01:03:53Who you truly are
01:03:55Cut on rehearsal, everyone
01:03:58That was beautiful
01:03:59Let's take ten, okay?
01:04:01While we go sit
01:04:01Thank you, Elizabeth
01:04:02Of course
01:04:02No!
01:04:05No!
01:04:06Jake says this scandal with you and Finn isn't blowing over
01:04:12Antonia
01:04:13You need to be seen out with Nick
01:04:16Secure your marriage in the eyes of the public
01:04:18Seriously, Mother?
01:04:20You're on what?
01:04:20Your eighth walk down the aisle?
01:04:22Well, it is because I am on my eighth
01:04:24That I can tell you
01:04:26Nick is one of the good guys
01:04:28Don't fuck it up
01:04:29I appreciate the maternal advice
01:04:32But Nick and I are good
01:04:34I'm good, Mother
01:04:35For the first time in my life
01:04:37It's alright then
01:04:39Three days before we wrap
01:04:49Time is slipping away
01:04:51Just say the word and I'll make it happen
01:04:54Just say the word and I'll make it happen
01:05:03You can count on me
01:05:05You can't be in here, Miss McBride
01:05:18Oh, sure I can
01:05:19You need to unwind a little
01:05:22I can't drink on the job
01:05:24I won't tell if you don't
01:05:26Hmm, thank you
01:05:41Nick, this whole scandal
01:05:47Antonia is such a fool for cheating on you
01:05:50Especially with your own brother
01:05:51But I want you to know
01:05:53I'm here for you
01:05:54Day in and day out
01:05:57That won't be necessary, Lana
01:05:58Ever
01:05:59Just wrapped my last scene
01:06:05I am burning this damn thing
01:06:09God
01:06:11Nice place
01:06:13It's been done
01:06:15Cheers
01:06:16It's showtime
01:06:19This one's yours
01:06:22That's right
01:06:23You smell gunpowder?
01:06:26Hmm?
01:06:28There shouldn't be live rounds on set
01:06:30Action!
01:06:31There shouldn't be live rounds on set
01:06:35Action!
01:06:39Mary Antoinette
01:06:40You cannot escape
01:06:41Nick!
01:07:06Are you okay?
01:07:09No
01:07:09Oliver, lock down the set
01:07:12Secure the evidence
01:07:13Call the police
01:07:14You're not on my wife
01:07:16Where's the goddamn weapon, Matt?
01:07:17Lock down the set, everybody
01:07:18Let's go
01:07:19It wasn't me
01:07:21It was all her
01:07:22You can go
01:07:23Let's go
01:07:23No!
01:07:24No, I'm innocent!
01:07:25It was Mr. Price!
01:07:27You've been terrorizing my wife
01:07:28Antonia didn't fall under the stairs
01:07:31You pushed her
01:07:32She was so wasted
01:07:34It was easy
01:07:35The shoplifting
01:07:36The poison
01:07:37Now switching live ammo
01:07:38It was you this whole time
01:07:39Wasn't it, Lana?
01:07:40You're so clever, Nick
01:07:42But I've been toying with Antonia
01:07:45Ever since high school
01:07:46The girl who had it all
01:07:48And acted like it was nothing
01:07:50So, I decided to take it all away from her
01:07:53You're psychotic
01:07:54It should have been me you married
01:07:56Me you fucked!
01:07:58I'm just as beautiful and talented as her
01:08:00Nick, please
01:08:03Let's not rush to criminal charges
01:08:05A mental facility is what she needs
01:08:07Enough, Jake
01:08:08Your daughter is a sociopath
01:08:10What she needs
01:08:11Is to face the consequences for her actions
01:08:13No
01:08:13I will show her the mercy she never showed me
01:08:17Are you sure?
01:08:19I'm sure
01:08:19Oh
01:08:21Antoinette
01:08:23This doesn't end with me
01:08:25Your day with the executioner is near
01:08:29I can't believe it's finally over
01:08:46I'm sorry I didn't realize what Lana was up to
01:08:49If only I'd know she was bad years ago
01:08:51Lana did some evil things
01:08:54But the Antonia you married was also a bad person
01:08:57You do know you're talking in third person, right?
01:09:03Because that wasn't me
01:09:04I don't know how
01:09:08I don't know why
01:09:10But I believe you
01:09:11Thank you
01:09:18Please let my friends know that they occupied my thoughts
01:09:31To be torn from you all
01:09:34From your joys and woes
01:09:36Is the greatest sorrow I bear as I face my end
01:09:40You've come for me
01:09:44Cut
01:09:48That's a wrap everybody
01:09:50That's a wrap
01:09:51You are extraordinary
01:09:56Thank you
01:10:01Thank you
01:10:01Working with this team
01:10:10Has been amazing
01:10:11And Antonia
01:10:12I can't imagine anyone else
01:10:14To play Marie Antoinette
01:10:15Such an old song
01:10:17Cheers to Antonia everyone
01:10:20Cheers
01:10:20You know I hope Lana's actions
01:10:27Doesn't deter you from signing with me
01:10:30You're a massive talent Antonia
01:10:32And it would be my honor to represent you
01:10:35Where's Nick
01:10:49I always thought you were a smart man Max
01:11:03The smart man turned greedy
01:11:06And greed turns them into fools
01:11:08You should have never sold those pictures to the tabloid Max
01:11:14You have your stalker
01:11:15It was Lana
01:11:17My men track the 30 grand to the photos
01:11:20To your offshore account
01:11:22She stole my life's work
01:11:23Like she steals everything
01:11:26Antonia merely showed just how petty
01:11:28And irrelevant you are
01:11:30Your reign of terror is over
01:11:31It ends now
01:11:33You're a silly little boy Nick
01:11:35You're too late to save her
01:11:38You're always too late
01:11:41What have you done Max
01:11:43What have you done
01:11:43Tell me what you've done
01:11:44You're running out of time Nick
01:11:46You're running out of time
01:11:48Nick are you back here
01:11:56Pardon me sir I meant not to do it
01:12:13The blood of the royal executioners flows through my veins
01:12:19You shall not cheat death my Antoinette
01:12:22Be Antoinette fair
01:12:24Liberté
01:12:25Are you okay
01:12:29Nick
01:12:30Antonia watch out
01:12:36Antonia watch out
01:12:39Antonia are you okay
01:12:46I thought I'd lost you
01:12:47Never
01:12:49Sansa that son of a bitch
01:12:56You couldn't have known
01:12:57He's been plotting this for a long time
01:12:59What about Max
01:13:02His body may be here
01:13:04But his soul
01:13:05It's gone
01:13:07Maximilian Roche Pierre
01:13:09You have been condemned
01:13:11To die
01:13:13There's been a mistake
01:13:14I'm Max Keller
01:13:15The famous writer
01:13:16Wait no
01:13:18No
01:13:19No
01:13:19Don't you
01:13:42được
01:13:44Hey Siri take a selfie I've created a monster who's taking the selfie Marie Antoinette hello
01:14:03hello are you two a thing what does it look like
01:14:08Antonia the reviews are in
01:14:15Marie Antoinette redeemed the misunderstood historic queen is vindicated
01:14:38she's all yours darling did you hear the reviews I did you did amazing
01:15:03like me did you just
01:15:15I did my queen
01:15:25those who have wronged me may God have mercy on their souls
01:15:29that rat bitch Antonia I should be with the head daddy help me
01:15:39one pendant paid in full
01:15:50well it's just gonna go into a trust fund for our kids
01:15:54then you better get to work Mr. Fontaine challenge accepted Mrs. Fontaine
01:16:06through this life and the next I will be by your side and I yours
01:16:10and I yours
01:16:12and I yours
01:16:15and I yours
01:16:22I'll see you next time.
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