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00:00Music
00:20She was in the night, so I kept her protection.
00:25In the hospital.
00:27In the hospital?
00:28Why don't you tell me that you killed me?
00:38Hey, Slip.
00:40Let's go. I'll take you to the gold.
00:43You're playing with me.
00:45You're playing a black belt.
00:47I don't want to be with you.
00:49Who are you with me?
00:51I don't want to see your face.
00:53I don't know how to do this.
00:56Hey!
00:58Why are you laughing at me?
01:00Oh, he's mad.
01:01I don't mean to be that one.
01:03You might be so tough.
01:05I'm laughing at you.
01:07You're doing a big deal.
01:08You're doing a big deal.
01:10You're doing a big deal.
01:12I'm not too much.
01:13I'm not too much.
01:14Wait a minute, that's a little day.
01:16I'm not too much.
01:17What's my Bolivia's name ?
01:19La le 42.
01:21Do you think this thing is enough?
01:23You're not too much.
01:25How could I eat?
01:27Nothing.
01:29How do you feel?
01:31Much better.
01:33You're not looking at it.
01:35You're trying to call me two-three times,
01:37and you're giving me a phone call.
01:39What do I need to do something like that?
01:41Why are you doing this?
01:43You're so worried that you're talking so far,
01:45you're at least talking to them.
01:47Are you worried?
01:49Have you ever asked your father
01:51where they go out and why they go out?
01:53Why don't you go out?
01:55I've gone two miles away from the walk
01:57and you're upset.
01:59What are you talking about?
02:01This is Karachi.
02:03Can you imagine that anty and shafak anty
02:05on the road?
02:07This is not London.
02:09If you stay outside 2 o'clock,
02:11it's still Karachi, it's not London.
02:13Which car you drive, is it safe?
02:15We're not talking about me.
02:17We're talking about you.
02:19Why? I can't go out from home.
02:21You can harass your girlfriend's girlfriend
02:23and you can harass your girlfriend's girlfriend.
02:25I don't accept these kind of double standards, Mehru.
02:33I think you're new in this department.
02:37That's why you don't have to know
02:39that in this city,
02:41any kind of construction is not a big deal.
02:45They're also a lot of people, sir.
02:47Think about it.
02:49If you think about it,
02:51I don't have to do any work.
02:53They're probably going to know
02:55about their own property.
02:57I'm going to sit down for a long time.
02:59I'm going to sit down for a long time.
03:01I'm going to sit down for a long time.
03:03If you think about it,
03:05you might be the same construction company.
03:07If you think about it,
03:09you're going to sit down for a long time.
03:11You're going to sit down for a long time.
03:13I've done a long time.
03:15I've done a long time.
03:17I don't want to take a risk.
03:19Look, there's no risk.
03:21You probably forgot that
03:23this place is a commercial plaza
03:25that is a girls college.
03:27And that's the principle
03:29to understand that
03:31this building is not good for the girls'
03:33and the people's health.
03:35It's not good for the girls' health.
03:37It's not a big thing.
03:39The other question is
03:40for the girls' honor.
03:42You're going to sit down for a long time.
03:44How will you start your construction?
03:46One time,
03:48it's not good for the construction.
03:50One time,
03:52the stay order will be taken away.
03:54Then,
03:56you'll see the beauty of Babur Malik.
04:12Sir, I'm very busy now.
04:14What is it?
04:15Some people come in,
04:16you can go into it.
04:17No,
04:18you didn't get married.
04:20No sir,
04:21I remember that
04:22when I came to a new job,
04:23I was waiting for you to go into it.
04:25I can't wait for you to go into it.
04:27You can go into it.
04:28In fact,
04:29they will appreciate you
04:31how much of the girls' strength
04:33you have to do it.
04:42I can't wait for you.
04:44I can't wait for you.
04:45I can't wait for you.
04:46I can't wait for you.
04:47I can't wait for you.
04:48I can't wait for you.
04:49I can't wait for you.
04:50But sir,
04:51he was a priest.
04:52That's for you.
04:53You have thought of it.
04:54You have obeyed your job.
04:55Understand?
05:02If you are also here,
05:03why would you call me?
05:04Why would you call me?
05:05I thought
05:06that
05:07we don't have a misunderstanding
05:09but
05:10I don't want to discuss it anymore.
05:13Let's see, Baba.
05:14Can't you see
05:15that I'm in the middle of a bloody meeting?
05:17Don't.
05:18Don't.
05:19Don't.
05:20Don't.
05:21Don't.
05:22Don't.
05:23Don't.
05:24Don't.
05:25Don't.
05:26Don't.
05:27Don't.
05:28Don't.
05:29Don't.
05:30Don't.
05:31Don't.
05:32Don't.
05:33Don't.
05:34Don't.
05:35Don't.
05:36Don't.
05:37Don't.
05:40Don't.
05:42Don't.
05:43Don't.
05:50Don't.
05:55Don't.
05:56I will turn the down button to the left side of the right side.
06:03If there is a problem, then I will focus on it and then I will press the right side.
06:09Now, when the position comes, I will press the button and press the button.
06:12This is how I press the button.
06:14I will press the button and press the button.
06:17I will press the button.
06:18And then press the button.
06:50Excuse me, are you going?
07:05If I'm bored, you would tell me first, I don't have to go with it.
07:11No, there's no such thing. Sit down.
07:14No problem, I'll go.
07:16I'll leave you alone.
07:20No problem, I'll leave you alone.
07:27So, that's...
07:28You said what you're saying.
07:30No, no, you say it.
07:31I was saying that my thoughts have affected you.
07:35Okay.
07:37I'm sorry.
07:38No, no, it's okay.
07:39It's always happening.
07:40I'm sorry.
07:41No, no, it's okay.
07:42It's always happening.
07:43It's always happening.
07:44In my opinion, you and our generation are going to have a gap.
07:49Really?
07:50I don't like that.
07:51I enjoy talking to you.
07:52I don't like that.
07:53I enjoy talking to you.
07:54I don't know.
07:55Just because of my big daughter, I had a good understanding.
07:58Okay.
07:59I'm going to go outside.
08:00Yeah.
08:01Okay.
08:02I feel like we're going to measure our own gaze.
08:05But we have our standards and ideas.
08:11We don't need respect them.
08:14What's your fault?
08:15It doesn't happen.
08:16There are double standards.
08:18Whatever we do, we don't want to give others.
08:23I'm saying that.
08:25You're saying that I was saying that.
08:27You're saying that I was saying that.
08:28Except that you're seeing it from your perspective.
08:31And that's the same thing.
08:33That's the gap between two people.
08:44When was your brother?
08:45It was a flight at 4 o'clock.
08:47Where did you go?
08:51You've never asked me where I am.
08:54I have told you.
08:56Where did you come from?
09:00You can't do a straight line.
09:03I called you.
09:04Why did you take it?
09:06You got the chance.
09:09Obviously.
09:10You called me.
09:12But that was really irresponsible of you.
09:15Why?
09:16You didn't pick up my call.
09:18You came from Switzerland after 10 days.
09:20And you're just asking me why I received my call.
09:25Anyway, let me.
09:27How was your trip?
09:29Hectic.
09:30Of course.
09:32It was a pleasure.
09:34What do you mean?
09:35Nothing.
09:36What do you want to say?
09:38If you can pretend that you don't know anything.
09:42My God.
09:43You're insane.
09:44If you don't have a smile for me.
09:45You don't even have a smile for me.
09:46Then what is your reaction?
09:48You don't have a smile for me.
09:49You don't have a smile for me.
09:50You don't have a smile for me.
09:51Then what is your reaction?
09:52You only have a smile for me.
09:53No one should have a smile for me.
09:54Why would you not have a smile for me?
09:58You don't even have a smile for me.
10:01Then what is your reaction?
10:04You don't even have a smile for me.
10:07Then what is your reaction?
10:10You don't have to show me a little happy.
10:13You understand yourself that you need to be happy.
10:24I hate this woman.
10:26Come to your sister.
10:28I really get home.
10:31Assalamualaikum Sancho Saab. How are you?
10:34Hi Shafak.
10:36How are you?
10:38Fine.
10:43Hey brother, what's the matter?
10:45You haven't written anything today.
10:48I'm writing, but it's not about you.
10:51Your column has increased our sales.
10:55But now it's the intention that you solve their fashion related problems.
11:03Well, that's an interesting idea.
11:05You can think about it too.
11:07But...
11:11At this time, I'm going to ask you something else.
11:13One minute.
11:15Do you want tea or coffee?
11:17Coffee.
11:18Without sugar.
11:23Coffee.
11:24Without Chini.
11:25This...
11:26Taabinda Sharif...
11:29Can you become tea or tea?
11:35Taabinda Sharif...
11:37Sharif, she is very difficult to write.
11:42She had never written it before.
11:45She was also hidden from her husband.
11:49But now she is writing very open.
11:53She has a very open topic.
11:56But this is difficult to say,
11:59that Tavinda Sharif can become TS-Betty.
12:08What did you think?
12:11Your TS-Betty has been sent to people.
12:14She is asking me to know who it is.
12:17Simple.
12:18You say that I don't call you.
12:21How do I say that?
12:22It's a problem.
12:24She is also in your news,
12:25and I also in your news.
12:27You need to know so much about me.
12:30There is no doubt about me.
12:32I will give you some help.
12:37Hmm.
12:38Are you thinking about me?
12:40I will have to do something.
12:43You are very young.
12:53Hello?
13:07What did you call me?
13:08Yes.
13:09She was talking to auntie.
13:10Why did you call me?
13:11Maybe that's why I took my phone.
13:13I didn't ask anyone from my life.
13:14And I feel like I was wrong with you.
13:15Because you don't believe me.
13:16Maybe you don't believe me.
13:17Hold on.
13:18What did you call me?
13:19Yes.
13:20She was talking to auntie.
13:21Why did you call me?
13:22Maybe that's why I took my phone.
13:25I didn't ask anyone from my life.
13:27And I feel like I was wrong with you.
13:31Because you don't believe me.
13:36Hold on.
13:37I will call my mother.
13:38Huh?
13:39Hello?
13:45Hello?
13:47Hello.
13:48Assalam call auntie.
13:49Yes, Shanzi.
13:50Auntie, Mama called you to your auntie.
13:53Now?
13:55Is it good?
13:56Yes.
13:57She was saying something to you.
13:59She was telling me.
14:00Bye.
14:02OK, Shanzi, listen.
14:03My little brother.
14:04Yes, Auntie.
14:05I wanted to talk to you a few days.
14:08Yes, tell me.
14:10My son, thank you so much.
14:12You didn't tell me about your mother that day. I really appreciate that.
14:16And I really liked that you told me to go with my mother.
14:20Honestly speaking, my son, when I think about Meiru,
14:24I feel a lot of embarrassment.
14:26No auntie, don't think.
14:28I'm also trying to forget.
14:31And she also said sorry.
14:33Meiru apologized to you?
14:35Yes, she was here.
14:37Don't forget this story, auntie.
14:39Now talk to my mother. Okay?
14:41Okay, son. Take care.
14:43God bless you.
14:44God bless you.
14:45God bless you.
14:46God bless you.
14:47Bye.
14:53Hello.
14:56What was the problem?
14:58What was the work?
15:03I'm going to make a cake.
15:07Did you put a trolley?
15:08Yes, take it.
15:09Just, just, just.
15:11Yes, tell me.
15:12What was the work?
15:13What was the work?
15:14Do you want to wait to Meina?
15:16Okay, so we have to eat your cake.
15:18I'll go with my cake.
15:19I'll come.
15:20Really?
15:21Do you want to wait to Meina?
15:22Actually, I've given someone a tie-in, Chefs.
15:23I've given you your work.
15:24Which work?
15:25Meina, come and tell me.
15:26Then tell me.
15:27Let me tell you quickly, Chefs.
15:28What's the matter?
15:29Okay, you don't know who T.S. Buddy is.
15:30So, go.
15:31T.S. Buddy?
15:32What's all about T.S. Buddy?
15:33Is this a problem?
15:34Who is the name T.S. Buddy?
15:35Is it a gift for you?
15:36I've given you my work.
15:37Which is the job?
15:38Meina, come and tell her.
15:39Then tell me.
15:40Come, to tell you quickly.
15:41What's the matter?
15:42Okay, I don't want to know who T.S. Buddy is.
15:44So, go.
15:45T.S. Buddy?
15:46Are you saying T.S. Buddy?
15:47And you know that?
15:49T.S. Bhatti?
15:51Are you saying T.S. Bhatti and you know that?
15:54If you pass the cake for the rest, I'll take the cake with you.
15:57Mr. Vishwan, what do you want to know?
16:00Hey!
16:01The chef knows T.S. Bhatti.
16:03Who is T.S. Bhatti?
16:04Wait a minute!
16:05One minute!
16:06Rabindah?
16:10Rabindah Sharif.
16:14Rabindah Sharif, I knew it!
16:16I knew it!
16:17I knew it!
16:18I just wanted evidence!
16:19I just wanted proof!
16:20I just wanted proof!
16:21No, I can't believe it's Tavindah.
16:24It can't be so much courage.
16:26I don't think it was Tavindah.
16:28Why?
16:30It can happen, brother!
16:31You want to take a change?
16:34What's the change of change?
16:35What are you talking about, Chef?
16:37You think she's innocent?
16:40I think everyone's innocent.
16:41I don't think you're innocent.
16:43For God's sake!
16:45You're talking like Elie has beaten her
16:47and she doesn't have any hatred of her.
16:50Atiya, you're sitting here.
16:51Don't think about her.
16:54I'm sorry, Etty.
16:55It doesn't mean that I'm trying to understand
16:57what she's thinking about.
17:00Yes, yes, it's okay.
17:01I understand.
17:03I can't understand.
17:04I can't believe that a woman can think like this.
17:08For God's sake, character has to be something.
17:10Let's celebrate now.
17:11Let's celebrate now.
17:12I was going to go somewhere.
17:14Yes, but my mood isn't happening.
17:16Actually, I have to deal with someone under the table
17:18with the government.
17:19And I wanted to go with her.
17:20You know, how important things are in these moments.
17:22But I'm not going.
17:23Now, we have to do this.
17:24What do you want to do?
17:25Yes, please think about it before that.
17:26Before that, I'm going to go with her.
17:27You know, how important things are in these moments.
17:28But I'm not going.
17:29Now, we have to do this.
17:30What do you want to do?
17:33Yes, please think about it before that
17:35an article will open.
17:37What do you mean?
17:39Just joking, man.
17:40Oh my God, I'm so excited.
17:47I'll tell you about it before.
17:52I think I'll have another piece.
17:55We have to do something about it.
17:56Meena?
17:57Do you love me too?
18:17Do you love me too?
18:26Interesting.
18:29It is, isn't it?
18:31It is.
18:32And I love this combination.
18:34Do you love me too?
18:40Do you love me too?
18:45Do you love me too?
18:47I love you.
18:49Do you love me too?
18:54I love you.
19:24Let's go and take it.
19:28Oh, I understand.
19:30No, where did you go to the locker room?
19:36Are you busy?
19:38No, some.
19:47No, nothing.
19:48It's not a special thing.
19:50I thought I'd come back to you.
19:54It's not safe.
19:59Do you need a car tomorrow?
20:02No, I'm not sure.
20:07Okay, tell me.
20:09Okay.
20:11Oh, you're late at night, right?
20:15I don't want you waiting outside the gate.
20:18Okay?
20:19It's not safe, son.
20:21Okay.
20:22Okay.
20:23Okay.
20:24Okay.
20:25Take care.
20:26Um...
20:27Take care.
20:28You know, we're late at night.
20:31Yes, it was.
20:32Yes.
20:33
20:58Excuse me, I'm sure.
21:14Hello?
21:16Oh, at least you've done your phone.
21:20What are you doing?
21:21I thought I'd ask you to ask you how to do the exhibition.
21:25It's pretty good.
21:25Do you think you're going to check it out?
21:29No, it's difficult.
21:31That's why I thought I'd ask you to talk on your phone.
21:35You're just missing.
21:37I'm sure, but...
21:41I'm not just a mood.
21:42Never mind.
21:44Just a second.
21:49I think you're busy. Should I call you back?
21:52Okay.
21:55I don't know.
21:56I don't know.
21:57I don't know.
21:58I don't know.
21:59I'm not going to go to my house.
22:00I don't know.
22:01I'm not going to get home.
22:15I'm going to go to my house.
22:16I'm going to have a very important phone in this wizard.
22:19The guy is called Robert Chodan.
22:22His call ID will attend and his message note.
22:26And yes, I'm going to Naseer's party at night.
22:29So, let's get ready.
22:31Shebaas, I have to go anywhere.
22:34Okay.
22:36Let's go and go and get ready and get ready.
22:39We don't have to get ready at night at 10 o'clock.
22:42I'm going now and maybe I'll come back later.
22:46I think you should cancel your program.
22:49Because my call is really important.
22:52If it's that important, why don't you attend it yourself, Shebaas?
22:55Are you crazy?
22:57I told you I have to go. It's important.
22:59And just like that, you don't have to go to dinner.
23:01So, what's the problem?
23:03I don't want to go to that person's house.
23:06He makes me very uncomfortable, Shebaas.
23:08What are you talking about?
23:11You know that we can't miss Naseer's party.
23:14You can't do it. I can miss Naseer's party.
23:17Meena, I don't have time for all this.
23:20Please attend my call.
23:22I have to go now.
23:23My job is necessary, Shebaas.
23:26You know what, Meena?
23:29No.
23:30You don't need any work.
23:32And I know that.
23:35And I know that.
23:45Danyar, you've got something like a red colour.
23:48You know how difficult to make one thing again?
23:53I don't care. You need to make a banana.
23:56I'll try my best.
23:57Anything else?
23:58I'll tell you later.
23:59Bye.
24:00Okay.
24:06Hi.
24:08Hi.
24:09So nice to see you.
24:11What are you doing?
24:12How are you doing?
24:13How are you doing?
24:14How are you doing?
24:17What's going on?
24:21Someone hasn't come here.
24:23Who else wants?
24:25I mean, what is your exhibition today?
24:27So, I'm not a big artist.
24:31I'm not a big artist in my exhibition.
24:33Will you drink coffee?
24:35Yeah.
24:36No, no, thank you.
24:37I'm in a hurry.
24:38I'm not thinking about it.
24:39So, you'll mind.
24:40Thank you so much.
24:42So, if you wait for a while,
24:45you don't have enough time to make coffee and drink coffee.
24:48You can see a little potter.
24:51I'll make coffee.
24:56Okay.
24:58Bye.
25:05Bye.
25:31Coffee.
25:33How many hobbies do you have?
25:35What do I do?
25:36There's one life.
25:37There's so many hobbies.
25:39I can tell you a very interesting thing about pottery.
25:45First, it was necessary for people.
25:48And then, after coming to technology,
25:49it became their hobbies.
25:52So, is this a good thing?
25:54I don't know if it's good or bad.
25:57But if technology doesn't come,
25:58maybe pottery doesn't come.
26:00And many other things don't come.
26:02And we're probably sitting in stone age.
26:06But sometimes I think that if we're in stone age,
26:10we're probably better.
26:12What do you think about this?
26:14I don't know.
26:15I don't know.
26:16I don't know.
26:17I don't know.
26:18I feel like every woman
26:19feels like every woman
26:20sometimes
26:21feels like a stone age.
26:23That means that you don't know
26:24that women don't get their rights.
26:27So, what do they get?
26:29They can get.
26:31If women know where to draw the line.
26:33You know?
26:35Who can use them?
26:37Who can use them?
26:38So, what do they need?
26:39Who can use them?
26:40Who can use them?
26:44I think that women
26:46have a habit of using them.
26:49And if they don't use them,
26:52they don't understand themselves.
26:54They don't understand themselves.
26:56They don't understand themselves.
26:58I'm going.
26:59I'm late.
27:02Do you like any piece?
27:04Yes.
27:06This one.
27:10This one?
27:12Yes.
27:13This one.
27:15No, no.
27:16When I get money,
27:17I'll take it from you.
27:19Keep it.
27:20I'll take money later.
27:21Daniel.
27:23Meena, please.
27:26I'll call you Meena.
27:30I'm bigger than you.
27:32Friends, I don't see very little.
27:36I'm late.
27:37I'm going.
27:42As I told you,
27:43I make good food.
27:47Never again.
27:49Okay.
27:51Okay.
27:52Thanks.
27:53My pleasure.
27:56Yes, sir.
27:57Where is the Bigam?
27:58Where is the Bigam?
27:59He's not at home.
28:02Not yet?
28:04No, yes.
28:05Did I have a phone call?
28:06Yes, sir.
28:08Yes, sir.
28:09Some Englishman came.
28:11I told you,
28:13Mr. No home.
28:18Okay, go.
28:19Okay, go.
28:37Hello?
28:38Yes, where are you at home?
28:40Why?
28:41We're going to go to dinner.
28:42Why?
28:43Why do we need to go to dinner?
28:44What?
28:45Don't talk about it.
28:46Don't talk about it.
28:47Because of you,
28:48there's such an important call miss.
28:49Do it right now.
28:50I'll be late.
28:51I'll be late.
28:52I'll be late?
28:53I'll be late.
28:54I'll be late.
28:55I'll be late.
28:56I'll be late now.
28:57I'll be late now.
28:58What are you doing now?
29:00I'll be late now.
29:02If you have to go, Shabazz,
29:04then you go.
29:05I'll be late.
29:06I'll be late.
29:07I'll be late.
29:08Hey.
29:09You?
29:10You were telling me you're eating good food.
29:12What food will you love?
29:13Surprise me.
29:14I would have,
29:15but for that you'll have to work with me in the kitchen.
29:16You'll have to work with me.
29:17You'll have to work with me.
29:18Okay.
29:19Okay.
29:36Cheers!
29:40How do you know?
29:42I don't know if you think about yoga,
29:44you make so good,
29:46you make so good,
29:48you make so good,
29:50you eat well,
29:52you eat well,
29:54you eat well.
29:56You eat well.
29:58I don't know if you think about it,
30:00that you do so good,
30:02you make so good,
30:04you eat well,
30:06that's why.
30:08And I think
30:10that I am a joke for you,
30:12avoiding someone.
30:14So what's wrong with that?
30:16This is a good thing,
30:18that I prefer your company.
30:20Can I ask who is avoiding someone?
30:24I'll ask you.
30:26Okay.
30:34Ooh,
30:36Okay.
30:40You are often
30:41but it's not for sure.
30:44I won't ever take.
30:46And thought
30:48my love is great.
30:50And thought
30:52my love is true.
30:54You check.
30:56Go!
30:58Ummm...
31:00What is it?
31:06I was talking about this.
31:11And this plate was made in the kitchen so that you put them here.
31:14It wasn't for decoration.
31:17I put them in.
31:18Okay, tell me one thing.
31:20Do you call all the students like this to your home and eat food?
31:25Do you give them their batteries free?
31:28No.
31:30Only for those students who meditate on the mat
31:35No poop.
32:00The deep river runs its course to the warm horizon.
32:08Shadows of fallen leaves.
32:15After the moon and rusty skies, ever-changing feelings.
32:21The seeds of autumn in the night.
32:30The hiding sun.
32:33The hiding sun.
32:35Feels like it's just begun.
32:39The eyes.
32:40The only time he ages.
32:41The eyes.
32:42The eyes.
32:47Now I take care of 10.
32:50So sorry.
32:51I wish.
32:53No.
32:54So slowly, the eyes.
32:55Not twice.
32:57No.
32:58I'm sorry.
33:00No.
33:09Minos?
33:32Topping top?
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