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00:00Oh, come on, come on
00:30Oh, come on, come on, come on, come on.
00:32No, no, don't you sit. How about your relationship?
00:35The story is that we are fankar.
00:38They don't even go for makeup.
00:40You're you're you.
00:43When have you been fankar?
00:45I know, Choy, you've never given me the talent.
00:49What will you take on Firaad?
00:52No, I was drinking tea from Chaudhry.
00:54I was just talking to Chaudhry,
00:56why are you sitting?
00:58I don't care. I'm going to put some cool lipstick on.
01:02No, no, relax. Please sit.
01:05Look, I have a habit of seeing a queen without makeup.
01:11In your opinion, how do you feel without makeup?
01:15How do you feel?
01:16It's like you.
01:17Okay, so after makeup?
01:20It's not like you.
01:22No, no, Chaudhich.
01:24But the truth is, where are you from?
01:28Look.
01:29Look how much you have talked about it.
01:31Okay, tell me.
01:32If you go to my fashion week,
01:36if you both enter,
01:38you won't get a red carpet on the red carpet.
01:40Oh, you don't do that.
01:43You take Chaudhich.
01:45I don't want to take the other one.
01:47What?
01:49No, no.
01:51Yes, yes.
01:52Look at my fashion.
01:53Oh, yes.
01:54Look.
01:55You're not making fun.
01:57I'm not making fun.
01:58I don't know what happened to Vicky.
02:00But Vicky,
02:01I don't like a cheap guy to show you.
02:04But you can't trust any other girl.
02:06I don't know when it will change.
02:08For so many years,
02:09you've been living in England.
02:10Now, in one year,
02:11I don't know.
02:12I don't know.
02:13He was acting so weird.
02:14And he was on your side.
02:16Oh, God.
02:17Why?
02:18What was he saying?
02:19He was acting so weird.
02:20He was acting so weird.
02:21He was acting so weird.
02:22But he was acting so weird.
02:23He was asking,
02:24son,
02:25did you get married or not?
02:26Hmm.
02:27Get ready.
02:28You're also looking at the wedding's signs.
02:30Oh, please.
02:31Allah Allah,
02:32you've got to know him.
02:33Now, not again.
02:34Until he doesn't have to go away,
02:36I'm not coming to you.
02:38Oh?
02:39Why did Taiji's punishment
02:40me?
02:41Why do you have to leave me to leave me?
02:43Okay.
02:44Stop the drama.
02:45And go quickly.
02:46I'll go to the bazaar.
02:47I'm not coming to you.
02:48I'll meet you directly in the market.
02:50Laila,
02:51go straight to the house
02:52and go to foreign.
02:53Do you remember what she said?
02:55She doesn't want to be stressed in this situation.
02:57Yes, yes.
02:58Do blackmail, son.
03:00Are you, little girl?
03:02Hurry up.
03:03Bye.
03:06Dolly?
03:07Where is your mom?
03:08I don't know, Vicky.
03:09You'll know about your mom.
03:11She's not going to be finished.
03:13What's the matter of fashion?
03:15In the name of mom,
03:17she was in the list of fashion designers.
03:19The designer of mom was not coming in the first car.
03:21Now, she's taken her face on her face.
03:23I can imagine.
03:26Dolly,
03:28are you happy?
03:30What do I mean?
03:31What do you mean?
03:32In the marriage?
03:33In the marriage,
03:34she will have a big dream.
03:35She's a loaded family.
03:36You'll be a rich.
03:37Very good.
03:39Well, okay.
03:40Dolly,
03:41I think that after the marriage,
03:42they have to write your name on her.
03:44Dolly,
03:45Coaches.
03:46Okay.
03:47Okay.
03:48Let me leave.
03:49Let me tell you.
03:50What do I tell you?
03:52What do you think?
03:53What do you think about?
03:54What do you think?
03:55What do you think?
03:56What do you think?
03:57She's in charge of herself
03:59and I'm in charge of myself.
04:01Why do you think?
04:02Eventually,
04:03I won't have to make a decision decision.
04:05And she wants to live in London.
04:07I don't know when we will come in London.
04:09I can't tell you when I have to.
04:11And then you have so much fun!
04:12The first thing is,
04:13the thing is not.
04:14The thing is,
04:15the priorities.
04:16And when I have to live in London,
04:17what do I need to expand the business
04:18and lease the house?
04:19And tell you this to me.
04:21What does he tell you?
04:23That you keep running your own life?
04:25Because my wife doesn't want to come back.
04:27Let's go.
04:28If you're happy,
04:29Mom will be very happy with you.
04:32Yeah, right.
04:34She started the marriage with 30 years.
04:36That's not Vicky.
04:37Laila is not so bad.
04:39Look, Dolly.
04:40If you've done something like that,
04:41let's see.
04:42At least let me start on my first marriage.
04:44Okay.
04:45But your first baby is a big baby.
04:51The only 5 days.
04:52Dolly boo boo if you want to buy something.
04:55paperwork with her.
04:57Yes, yes, you are.
04:59ンヽラ曲 도시
05:01Dolly boo어�griff enrique
05:02You can stay there for 50 days.
05:04In this case,
05:06we can stay in this case.
05:07If she doesn't grow me.
05:08If she doesn't grow up,
05:09You don't have enough of ability to flow.
05:10When I change the dynamic to sleep
05:12And keeping rocking walks.
05:13Or my절 hair has fallen.
05:15It's very grande and wonderful.
05:17If she does good to sleep.
05:19Do you want me to go to the house?
05:26Hello.
05:29Jeep.
05:30Jeep.
05:31I'm going to go.
05:32I'm going to go.
05:33I'm going to go.
05:34I'm going to go.
05:45What did Vicky went to dinner tomorrow?
05:47I told you, I didn't have to wear a Nani.
05:51I was going to get a jet lag.
05:53We did a lot of travel.
05:55I haven't seen such a jet lag.
05:57That's how I'm doing it.
05:59Nani, it's a mistake.
06:01You should be happy that he was doing that.
06:03He was paying you a compliment.
06:04And yes, that too in Faisalabadi style, right?
06:07Yes, when do you think we're going?
06:09Let's go now.
06:10Mom, leave me and Laila.
06:12We'll take the driver in the back.
06:14Okay.
06:14Hello, my name is Salam Alaykum.
06:17Yes, hi.
06:18There are so many beautiful people here.
06:20What's your fault?
06:21No, no, no, no.
06:24What are you planning on?
06:26We were going shopping.
06:29Yes, I wanted something else to ask myself.
06:32I also wanted to go shopping.
06:33That day, you had so much shopping, Fahimidah.
06:37Saimad Chowri?
06:38Yes, sorry.
06:39Leda, that was a dolly with me.
06:40Shodhi, every place is standing.
06:42It's so sad that the person forgets their things.
06:44That's why I went to Fashion Week yesterday.
06:46So, I took a lot of love to take this decision.
06:48So, I'm forgetting to get a pump.
06:52But we're not going to go shopping.
06:54We're going to go grocery shopping, right?
06:56Yes, absolutely.
06:57So, I'm going to go grocery shopping.
07:00So, what's the difference between that?
07:02You have to go there.
07:02I have to go to the shop in two months.
07:04I have to go to the shop and get out of the shop.
07:05I have to take it and take it and take it and take it.
07:07You have so many shoes.
07:10Nobody will wear it.
07:10It will be very good.
07:11No, no.
07:12This is not Samah Chowri.
07:13It's a problem.
07:15So, what do you say?
07:16What are the designers of Samah Chowri?
07:18And it doesn't match with the shoes?
07:20It doesn't matter.
07:21Listen to me.
07:22Listen to me.
07:23The problem is that because we are going to the car, there are a lot of people who are
07:27going to go and you will be tired.
07:28I will send you the car.
07:29You will come with the driver.
07:30No, no.
07:31There is a lot of money.
07:32What do you have to pay for the petrol again?
07:34I will sit with you again.
07:36I will sit with you here.
07:36I will sit with you.
07:38And I will take you in the bed.
07:40I will take you in the bed.
07:41I will take you in the bed.
07:42As you all know, we have given the presentation for the first time of the car.
07:48We had given the initial brief, but thanks to Azar, we have given the detailed report.
07:55It was only the initial brief.
07:58But with the efficiency, we got the chance to impress the client.
08:03As soon as I have prepared the report, Azar has answered everything.
08:07Is it right?
08:08We have not answered all of them, but we have also answered the client.
08:12And today, I have also answered the question of the client.
08:17Why, madame?
08:21Because in this report, he has not told that there is no water facility on the side.
08:26Because there is no water lines there.
08:29Yes.
08:30And I have not done this.
08:31The client has raised it.
08:33And when I checked it, I realized that they are right.
08:37And if this is right, then why is it not in this report?
08:41Ma'am, that…
08:43Because we have all impressed with the client.
08:47Azar has not checked his report.
08:50Or they were so upset that they have overlooked such a big feature.
08:56Ma'am, there will surely be no misunderstanding.
09:01Mr. Azar Chaudhary, this is a business enterprise.
09:05There is no playground where there are misunderstandings or any margin of mistakes.
09:10Do you think that this is an embarrassing situation for me?
09:14When I asked you an initial brief, what was it necessary to give you a detailed report?
09:22Ma'am, I am sorry. I will make it again.
09:26Ma'am, that is not the point.
09:28Ma'am, that is not the point.
09:29Ma'am, that is not the point.
09:29Ma'am, that is not the point.
09:29Ma'am, that is not the point.
09:29The point is that you understand ourselves as superior.
09:33Please, forget about that.
09:34Just tell yourself that I am the best man for the job.
09:37It is not the best man for the job.
09:39Our results matter.
09:52Hey, the time of school came out.
09:55I was sitting in the same place.
09:58I was so much like Sila, but I was so much loved by Leila.
10:01Naveena, when you were in Sila's age, you were in school?
10:05Yes, I was talking about size, not about size.
10:07Yes, I was talking about size.
10:09I was watching the ladies' car.
10:11Is her daughter like a sister?
10:14Yes, she is two brothers.
10:16Well, she means a lonely daughter.
10:18Yes?
10:19I mean, she means...
10:21Tell me, how are you doing that?
10:22In her shoes, she is like Mercedes.
10:26She is like Mercedes.
10:28She is like Mercedes, she is like a scooter.
10:30What kind of shoes are she?
10:32Lord, please open the AC.
10:33It was very hot in Karachi.
10:35It's been a long time for a long time.
10:39Sia, don't leave me alone.
10:42Mama, please, I have to be selfish.
10:44It's your hair, it's not mine.
10:46You're my mama, right?
10:48Sia!
10:49Let's go.
10:50Yes, let's go.
10:51Okay, then, what's the matter?
10:53Yes, why?
10:54Actually, they have to do their own work.
10:57Who will help me in shopping?
11:00It's Nano and Mama, right?
11:01Why Nano?
11:02Yes, I was like that.
11:06How sweet.
11:07Okay, good luck.
11:09Good luck.
11:10Laila, my love, my mother,
11:13if you're going to get a new brand,
11:14it will be better.
11:15Yes.
11:16Okay, enjoy, bye.
11:17You too.
11:18Bye.
11:19Why don't you have to be ashamed?
11:21No.
11:22You come to the market with Saima Chaudhary.
11:24I have to take my loot.
11:26I want to take my loot.
11:28I want to take my loot.
11:32I want to take my loot.
11:34What are we talking about?
11:35No, I don't have to take my loot.
11:38Why are you saying that,
11:39I was sure you are saying that...
11:41hmmmmmm...
11:42Hera,
11:43now that white noise
11:44is getting to the meeting?
11:46You and Ashraf ready?
11:47You will just give a brief.
11:49Okay?
11:50Yes, but nothing.
11:51The detail is made to Azar.
11:53Hera,
11:54who is saying, please do that.
11:57And that's why we have to satisfy the client.
12:00We don't have to impress the office.
12:20How is this with this?
12:22I think that I'll go to Naeid from USA.
12:25Why?
12:27I won't be able to show the face in Karachi.
12:33You have to think about her husband.
12:35You have to think about her.
12:36You have to make her pride in the city.
12:39Hey, Rabiaji.
12:40Yes, yes.
12:41Is there a pajama?
12:42Is there a pajama?
12:44I think there will be a pajama.
12:46I'll ask you.
12:47Is there a pajama?
12:48No, no, no.
12:49It will happen.
12:50It will be on the side.
12:51I'll tell you.
12:57I'll tell you.
12:58I'll tell you.
12:59I'll tell you.
13:00How are you?
13:01Yes.
13:02Look at this.
13:03It's very beautiful.
13:04Yes.
13:05Yes.
13:06I'll tell you.
13:07How are you?
13:08It's very beautiful.
13:09Okay.
13:10But the thing is that I had also wearing browns.
13:12This is also wearing black.
13:14This is also good.
13:15Yes.
13:16This is also good.
13:17But I'll wear black.
13:18I'll wear black.
13:19I'll wear black.
13:20I'll wear black.
13:21Yes.
13:22Yes.
13:23And in Faislabad,
13:24I took a lot of gold in Faislabad.
13:25I took Gurgaabiyan.
13:26Okay.
13:27Let's go.
13:28You have a pair of white.
13:29Yes.
13:30How much is this?
13:31$5,000.
13:32Yes.
13:33I'll take a pair of white.
13:34I'll take a pair of white.
13:35I'll take a pair of white.
13:36I'll take a pair of white.
13:37Yes.
13:38This is a brand new thing.
13:39It's very expensive.
13:40It's a pair of white.
13:41Yes.
13:42Yes.
13:43How are you doing it?
13:44I'll take a pair of white.
13:46Oh, yeah.
13:47My wife's price fixed.
13:48Yes.
13:49Come on.
13:50Where is your manager?
13:51I'll talk about it.
13:52Let's go.
13:53Your bag.
13:59Why did you get to your wife?
14:01It's good.
14:02But the Karachi's house is very cheap.
14:04You can eat it.
14:05Yes.
14:06Yes.
14:07Yes.
14:08Hello?
14:09Yes, Sila.
14:10No.
14:11No.
14:12It's not possible.
14:13It's not possible, Sila.
14:14No.
14:15No.
14:16No.
14:17What do you say, Sila?
14:18She says,
14:19you don't have to take a pair of nomi and sari.
14:21What?
14:22Nomi and sari?
14:23Yes.
14:24He's a designer?
14:25Yes.
14:26Yes.
14:27Do you know him?
14:28He's buying clothes and stuff.
14:30If I'm dead,
14:31we'll take a pair of nomi and sari.
14:33No.
14:34We'll ask him to send the driver.
14:36It's a long time.
14:37Yes.
14:38What a long time.
14:39We'll have to get her home.
14:40When I get home,
14:41we're going to get home.
14:42We're going to get home.
14:43It's a lot of pain.
14:46Oh, God.
14:47I'm sitting in the car,
14:48I'll give you a message.
14:50I'll give you a message.
14:51Message?
14:52How about you?
14:54What?
14:55Massage.
14:56Massage.
14:57Massage.
14:58Massage.
14:59Massage.
15:00You both are my mother.
15:01I'll take my heart.
15:02No.
15:03It's one thing.
15:04Message.
15:05go to medicine.
15:06Yeah.
15:07And she's getting carried out.
15:08I don't know.
15:09I'm going to get back.
15:10I don't know.
15:11If you're going to get back.
15:12How much?
15:13You got to get back to the car.
15:14Yes.
15:15I'm getting back.
15:16You're getting back to the truck.
15:17You're getting back to the car.
15:18You got back.
15:19The new car.
15:20You're getting back.
15:21You're getting back.
15:22There are so many cars in the car.
15:23You're getting into
15:25And now,
15:26I'll get to work.
15:27And what's all I'm doing?
15:28Six hundred rupees.
15:29Yes.
15:30Well, that's not so easy.
15:31But I'm looking forもう.
15:33Good for the car.
15:34I've seen a lot of people.
15:36Let's take a look.
15:38I'm going to ask them.
15:52What are you doing?
15:54How are your goggles?
15:56Yes, they are very good.
15:58How are you feeling?
16:00It's been in the evening.
16:04It's been in the evening.
16:06It's been in the evening.
16:08I know.
16:10How are your children?
16:14I really miss you.
16:16Yes, there is a school of children.
16:24Yes, I will tell you.
16:26Okay.
16:28Bye.
16:32Hi, Sheila.
16:34Hi.
16:39Where is your auntie?
16:41She went to the store for her.
16:45Okay.
16:48How are you feeling today?
16:51Why?
16:52What are you from?
16:53What are you feeling today?
16:54What are you feeling today?
16:55What are you feeling today?
16:56What are you feeling today?
16:57I'm feeling today.
16:58What are you feeling today?
16:59What are you feeling today?
17:01What are you feeling today?
17:02I don't have a situation.
17:03I don't do...
17:05if I'm feeling it's a nightmare or I'm feeling it.
17:08I'm feeling it.
17:09I'm feeling anyuencia,
17:10I'm feeling it.
17:11I'm feeling it.
17:13Now, I got your strong answer for you.
17:14you have to prolong your nauseous mood?
17:17Why?
17:18Until you will go to the office in the evening?
17:20There is no advantage of talking to you.
17:23I don't have to talk to you!
17:25You are not talking to me!
17:29Sila, look.
17:30I'm tired of working the whole day.
17:33And the last thing I want is,
17:35your tannies.
17:36Tannies?
17:37If you look really tannies,
17:39then what's my fault?
17:40Yes, Sila.
17:41It's my fault.
17:42If I didn't go to the doctor with you,
17:44then after I asked you,
17:46you're going to sit down and sit down.
17:49The thing is not just that day.
17:51Look at yourself.
17:52Every time, work, work, work.
17:54So what do I do?
17:55I'll leave the work.
17:56Luckily, I got a good job.
17:58I'll leave it.
17:59Because I don't like my wife.
18:01Who are you doing?
18:03The way you were doing it.
18:05I'm doing it.
18:06I'm also a human.
18:07I can't listen to you.
18:08Listen to them.
18:10Listen to them.
18:11Why?
18:12It's my fault.
18:14You're right.
18:15So you understand
18:16that I won't take you in your fault.
18:18What?
18:19What is this?
18:20What?
18:21Yeah.
18:22What?
18:23Helo and I will say,
18:24it will be a good time to get him.
18:27Let's just take the moment.
18:30Hey Nabi!
18:32Hello!
18:33How are you?
18:35Hello!
18:36How are you?
18:39Assalamualaikum!
18:40Bye!
18:42Welcome, Nice чтобы.
18:44How are you?
18:45I'm glad you are.
18:46Welcome.
18:47Good to see you again.
18:49Nice to see you.
18:50I'm going to take a look at that.
18:52I'm going to take a look at that.
18:53I'm going to take a look at that.
18:55I'm Silla's wife, Saima Chaudhary.
18:57Okay, welcome. How are you?
18:59My name is Silla.
19:00Saima Chaudhary from Faislabad.
19:01He's a famous fashion designer.
19:03Oh, so you're now a designer?
19:04No, what do you mean?
19:05I'm a designer.
19:06I'm both a housewife.
19:08No, no.
19:10What do you mean?
19:11Let's go, Nanomi.
19:12Don't forget to ask Silla.
19:14We'll be back soon.
19:15We'll be back soon.
19:16We'll be back soon.
19:17We'll be back soon.
19:18I'm sorry.
19:19What's your situation?
19:20Yes.
19:21How are you?
19:22Do you know Abbu?
19:24No, I'm going to know him.
19:25Just tell me, how many people tell you about Taylor?
19:29Yes.
19:30I mean, who's the designer?
19:34Who's the designer?
19:35Who's the designer?
19:36Who's the designer?
19:37I know.
19:38I've come to the fashion meet with Faislabad.
19:40Okay, just leave it, Femida.
19:42I mean, what are you talking about?
19:45I'm not going to sit here.
19:46You just don't have to sit here.
19:47Don't sit here.
19:48Don't sit here.
19:49No, no.
19:50We can't sit here.
19:51I'm not going to sit here.
19:52I'm just going to sit here.
19:53I'm sure.
19:54I'm just going to sit here.
19:55I'll just say, wait a minute.
19:56What's the job of the designer?
19:57Yes.
19:58Let's leave the whole thing.
20:00One offer.
20:01Wait for God.
20:02Wait for me.
20:03Wait for me.
20:04I'll wait for my clothes.
20:05I'll wait for my clothes.
20:06I'll be the clothes in Faislabad.
20:07So, I'm thinking that in the next year, I'll leave my clothes.
20:10Saima de Lashkare.
20:11What?
20:12Yes.
20:13Saima de Lashkare is my clothes.
20:14So, I'll make a team of social designers.
20:16I'll leave it alone.
20:17I'll leave it alone.
20:18I'll leave it alone.
20:19I'll leave it alone.
20:20I'll leave it alone.
20:21You too.
20:22Come with me.
20:23You're basically offering me,
20:26that I, Rumi Atzari,
20:27that's also for Saima de Lashkare.
20:29Yes.
20:30What else?
20:31Good money.
20:32Yes.
20:33It's the very house.
20:35I'll leave it alone.
20:36I'll leave it alone.
20:37Oh, I'm sorry.
20:38Bye.
20:39Yeah.
20:40Bye.
20:41Bye.
20:42Bye.
20:43Bye.
20:44Bye.
20:46Bye.
20:47Bye.
20:48Bye.
20:49Bye.
21:03Yes, can I come inside?
21:08Baba, I will come.
21:17Your daughter is crying.
21:20That's the same. Baba is the memory of your father.
21:24Does your memory come after a fight after a fight?
21:29I have seen everything.
21:32Baba, you saw how he talked to me.
21:35So you also talked to him?
21:38Baba, I have come.
21:40When he came back, he is so indifferent.
21:43I know that his job is going on,
21:45but I didn't call it to him.
21:47I need him here.
21:49And when he started his new job,
21:52he is busy every time.
21:53You tell me, what is wrong with me?
21:56If I say, then?
21:59Baba, you too.
22:01You too.
22:02Look, baby.
22:03The marriage is not just from love.
22:05It's not from understanding and compromising.
22:09That's why he left you so good for him.
22:12Baba, the child is also his.
22:14Yes.
22:15He understands.
22:16That's why he left his job.
22:18And the obvious thing is that he will not forget that job.
22:23And where he is dealing with new jobs,
22:26he is young, determined.
22:28And sometimes, people get involved in their career.
22:30And sometimes, people get involved in their career.
22:34Maybe he has to sacrifice his family priorities.
22:37He doesn't want to forget it.
22:38He doesn't want to forget it.
22:39He has a new job.
22:41You and then you.
22:43I mean, everyone can give it equal time.
22:46Sometimes, sometimes, there will be less.
22:48You say, I'll become a man of a woman.
22:51And he will focus on everything on me.
22:53Look, son.
22:54This is a matter of fighting.
22:56If you explain it with love,
22:58it will be a lot of influence.
23:00And when you fight,
23:02it will be your mother's daughter.
23:04Baba,
23:05I'm sorry for her.
23:08to further go and leave.
23:09Tell us.
23:10You tell us your husband.
23:11You don't have to let anyone else out.
23:13Look,
23:14you don't have to love me.
23:16Now,
23:18go ahead.
23:19See what it will hour-kitchen looks like in the kitchen!
23:27What are you doing?
23:29It was a saucepan geram.
23:33Now,
23:34why are you doing not to the new dog
23:35brushing like this?
23:38I had to make a good one before.
23:41Now, what's going on now?
23:43Look.
23:45I feel like I'm a girl who has bad habits.
23:49I don't think I'm bad.
23:52If you behave with a mean way,
23:56then you don't feel mean.
23:58And what's the behavior of the girl's behavior?
24:00The girl's guess is that the girl is pregnant.
24:05And her mood swings are very natural.
24:08What's the excuse of the girl's?
24:10The excuse of the girl's guess is that after the whole day,
24:13when she's hungry, she doesn't look at her and she doesn't look at her.
24:16She looks at her.
24:18What should she do?
24:19Well, in that case,
24:20she should be a man who is a man who is a man who is a man who is a man.
24:24Do you have a man, sir?
24:27Don't do a drama, Azhar.
24:29It's not so bad.
24:30I'm so scared.
24:31Stop.
24:32Please.
24:33Please.
24:34Just a little bit.
24:35No.
24:36Okay.
24:37Let me take a look at her under.
24:39Oh, oh, oh.
24:51Why?
24:52You're laughing.
24:53It was such an embarrassing experience for me that I can't tell.
24:57I bought a burqa for myself.
24:59Please.
25:00Please.
25:01Please.
25:02Please.
25:03Please.
25:04What's the name of Saima Chaudhary?
25:05Saima Chaudhary?
25:06What's the name of Saima Chaudhary?
25:08She's so sweet.
25:09Saima, please.
25:11Look.
25:11It's a long hit.
25:13It's a long hit.
25:13It's a long hit.
25:15Please.
25:15Give me some juice.
25:17What are you doing?
25:20It's a grape juice for Sila.
25:22Why?
25:23Because it's a grape juice.
25:24And it's a juice.
25:25No, it's a juice too.
25:27What's going on?
25:29Sit down.
25:30It's a grape juice for everyone.
25:32It's a grape juice for everyone, right?
25:33No, no, no.
25:34This is for Sila.
25:35This is orange juice.
25:37Assalamu alaikum.
25:38Waalikums alaikum.
25:39Assalamu alaikum.
25:40Sunaya, the experience of shopping tomorrow is very interesting.
25:44Is there any boring experience with Taya?
25:47Yes.
25:49It's a life experience with Taya.
25:52Where is Sila?
25:54It's in my room.
25:56Let's go.
25:57Listen, Azhar.
25:58There's a TV on in our room.
26:00Please.
26:00Stop it.
26:01Yes.
26:03Drink.
26:05Drink.
26:06Drink.
26:07Drink.
26:08Drink.
26:10Drink.
26:11Drink.
26:15Theatr ki Malka.
26:17Theatr ki Rani.
26:19Malka Rani.
26:20Behaat Jalda.
26:21Behaat Jalda.
26:22Aapke Sheher.
26:23Aarikha Rani.
26:24Aarikha Rani.
26:27Aare?
26:28Aarikha Rani.
26:29Ye toh whoi awra ta ta joo ustin.
26:34Taya ji.
26:38Pakta was miss.
26:40Dancer ke saath.
26:41Anahaa.
26:42Aarikha Rani.
26:51Saath, Aarikha Rani.
26:53Theatr ki Hoi
26:54waiheat Jio,
26:55Why did I call it?
26:57Yes, I was at home.
26:59Let me tell you a little.
27:01If you look at your eyes, your eyes are very small.
27:03Let's see.
27:05And then, I'll give you a call.
27:07I've got a phone for all of you.
27:11Before I tell you,
27:13I'll give you a message.
27:15I'll come to Seema Chaudhary TV.
27:17I'm not coming to TV. I'm coming to live.
27:19You understand live.
27:21Yes, I understand.
27:23I'll give you a call.
27:25Mother!
27:27Mother, I've got your suit.
27:29Okay.
27:31I'll give you another one.
27:33I'll give you a call.
27:35I'll give you a call.
27:37Hey, girl, this is Karachi.
27:39Do you understand?
27:41Don't go away from here.
27:43I'll go away from here.
27:45If you look at your eyes,
27:47then you'll get a call.
27:49Hey, Abby.
27:51I'll give you a call.
27:53I'll give you a call.
27:55Hey, girl.
27:57I'll tell you what I'll tell you.
27:59Why?
28:01Don't do it, Chaudhary.
28:03You've prepared for recording.
28:05Yes, I told you.
28:07I'll record it and make CDs.
28:09Okay.
28:11Hey, Taya Ji.
28:12There will be a lot of celebrities.
28:15Hey, man.
28:16As it is, a celebrity is coming.
28:19And that's why, you will also have Malka Rani.
28:23What happened, Taya Ji?
28:24I said, I don't have time to go away today, so I'm going to be very busy.
28:28I'm going to take a drink and take a drink.
28:31So, Taya Ji, did you see Malka Rani?
28:34What do they know about Malka Rani?
28:36No, she's very famous dancer and actress, Taya Ji.
28:41Taya Ji is watching this kind of program, right?
28:44They're watching, right?
28:45There are celebrities here.
28:47There's Karachi Fashion Week,
28:49such celebrity designers.
28:51They'll come.
28:52They'll come.
28:53Then, I don't know why Malka Rani is here.
28:56Now, the water.
28:59Taya Ji, I think I've seen Malka Rani.
29:03I don't remember.
29:05I remember.
29:07When I left you to the shopping mall,
29:10I saw it in the shopping mall.
29:12What?
29:13What?
29:14What?
29:15No.
29:16No.
29:17No.
29:18No.
29:19No.
29:20No.
29:21I'm here.
29:22What?
29:23What is going on?
29:24Look at the door.
29:25What?
29:26Let me see.
29:27The door is locked.
29:28I'm here.
29:29I'm here.
29:30I'm here.
29:31I'm here.
29:32I'm here.
29:33Taya Ji?
29:34What is that?
29:37Open the door.
29:38Shahab, it's going on.
29:40It's not going on, Mama.
29:42Let's try pasta.
29:44I'm going to take it cold.
29:46Just one bite.
29:51It's very delicious.
29:53I told you, you can eat it.
29:55I'm going to eat it.
29:59Jibibiji, it's ready for a little bit.
30:02I thought it's going to go.
30:04It's similar.
30:06It's ready for a little bit.
30:08I'm going to put it in a little bit.
30:12What happened to them?
30:14I didn't do anything like that.
30:17I don't believe this.
30:19Oh, my God.
30:20I don't believe this.
30:21It's okay.
30:23I'm going to tell you.
30:25I'm going to tell you.
30:27I'm going to tell you.
30:29I'm going to tell you.
30:31Everybody is normal.
30:36Are you sure?
30:38Yes, I'm sure.
30:40I'm going to tell you.
30:42Okay.
30:43I'm going to tell you what I'm going to do.
30:46Oh, my God.
30:47How many times have you said it?
30:49Why don't you tell everyone?
30:51How many times have you said it?
30:53Tell me about it.
30:54Tell me about it.
30:55Tell me about it.
30:56Tell me about it.
30:57Tell me about it.
30:58Yes, you do it.
30:59You do it.
31:00You go to Honolulu for one year.
31:02And you say that I forgot my child in the car.
31:05I've forgotten her.
31:06I've got to take it.
31:07I'm...
31:08I think this story will be going to happen?
31:10This story is going to happen today.
31:12I'm going to make a film in Pakistan.
31:14Obviously, I'm going to make a film in which a child
31:17was lost in the middle of Honolulu.
31:19I'm going to make a role.
31:20It's going to happen.
31:21It's going to happen.
31:22I'm going to make a film in Pakistan.
31:24Where is the embassy in Honolulu?
31:26Yes.
31:27I think it's help.
31:36Look at that.
31:37I'm ready for it.
31:39Don't say no, no, no, no.
31:41Mother, what are you going to fashion dress show?
31:43You're not going to be crazy.
31:45I don't know that I'm going to fashion week.
31:47How do you feel?
31:52Very...
31:55Very...
31:56Very...
31:59Unique.
32:00Oh, thank you.
32:02When you talk like this,
32:03you've got 10 years old.
32:05Are you ready?
32:07Yes, you're ready.
32:08Where is the place?
32:09Yes.
32:10Listen.
32:11I didn't have my little place.
32:12I took it from Dubai.
32:13I took it.
32:14I took it.
32:15I took it.
32:16I took it.
32:17I took it.
32:18But I took it.
32:19Yes, I took it.
32:20I took it.
32:21I'm going to go.
32:22Hey, Fras Ji.
32:23You've also come here.
32:24Fras, give it 10.
32:25You have to keep your heart.
32:26What do you give it?
32:28How do I feel?
32:29How do I feel?
32:30I feel.
32:31MashaAllah.
32:32If you have a barbie doll,
32:33it will be like you.
32:35It will be like you.
32:37You're so sweet.
32:38I don't want sugar.
32:39I don't want sugar.
32:40I don't want sugar.
32:41I don't want sugar.
32:42I'm going to go.
32:43But you have to watch it.
32:44But I will give it to you.
32:45I will give it to you.
32:46I will give it to you.
32:47I will give it to you.
32:48Yes, yes.
32:49Don't do it.
32:50We will all see.
32:51Fras Ji.
32:52You have to watch it too.
32:53Yes, why not?
32:54I will keep it on TV.
32:56Oh, God.
32:57You have a heart attack.
32:58I will give it to you.
33:01Come on.
33:02Come on.
33:03Come on.
33:04I'm sitting in the car.
33:05Come on.
33:06Come on.
33:07Oh.
33:10Aunty.
33:11Azar is here.
33:12She's gone.
33:13She's gone.
33:14Come on.
33:15Chauzi.
33:16She's gone.
33:17She's gone.
33:18She's gone.
33:19She's gone.
33:37She's gone.
33:40Esf?.
33:57Um.
34:00From there, worship you alive.
34:01That's right.
34:02How然.
34:03Is that okay?
34:04What did you start this time?
34:06What happened?
34:07Aunty's show will start, but mom doesn't look like it.
34:10She looks like it.
34:11She looks like it.
34:12What are you doing with popcorns?
34:14It's a movie show.
34:15It's better than anyone else.
34:18And it's live.
34:20And it's not Taiji.
34:22What?
34:36It's fantastic.
34:41Oh, get up.
34:51Hey, my boy.
34:56And I love to hear you.
35:31I hope you're enjoying our coverage of Fashion Pakistan Week.
35:53That was top designer Mahin Khan.
35:55And keep watching.
35:57We're going to be covering the red carpet,
35:58meeting lots of celebs, lots of models and lots of designers coming down.
36:04Hello.
36:04Assalamu alaikum.
36:06I'm Seema Chaudhary from Kaisalabad.
36:09Hello.
36:09How are you?
36:10How are you?
36:11I'm studying my name and I'm a man in the car.
36:14I'm sitting at the car.
36:15It's like a metro pass.
36:16I'm a man who's being in business.
36:17I'm taking my name.
36:18You're a man who's being a man.
36:19All right, let's see.
36:19Do you have a life job?
36:20I have a life job.
36:21So, I'm a fashion show.
36:22So, I've seen that.
36:23I've seen a lot of people around this.
36:24It's a lot of people around that, but it's not so good.
36:26It's not like me.
36:27It's just like me.
36:28But who invited you here?
36:30What do you want to invite?
36:32I am so mature Faisalabad's fashion designer.
36:34One minute.
36:35Nuchhi, Dolly, see?
36:37I'm on my live TV.
36:39It's a manding.
36:40Let's see.
36:41I don't have to answer my clothes.
36:43I don't have to answer my clothes in Punjab.
36:45Nuchhi, see Dolly.
36:47Let's go.
36:48I've got to call my live clothes.
36:50Where are you?
36:51Where are you?
36:52I'm out of the lawn next year.
36:54I'm out of the lawn next year.
36:56Remember.
36:57Please go.
36:58This show is going live.
36:59I'm also a fashion designer.
37:00Who would I go to?
37:01Who would I go to?
37:02Why would you call me?
37:03Why would you call me?
37:04Go to here.
37:05This is a live show.
37:06Please take me here.
37:07This is my show.
37:08Let's go.
37:09One minute.
37:10Dolly, Nuchhi.
37:12This is Faisalabad's clothes.
37:14What are you doing?
37:16What are you doing?
37:18Siddiqui, first of all,
37:20I don't have to answer.
37:22I don't have to answer.
37:24I don't have to answer.
37:26Let me get out of here, please.
37:27What's going on?
37:28Come on, madam.
37:29Come on, madam.
37:30Come on, madam.
37:31Come on, madam.
37:32Come on, madam.
37:33Sorry about that.
37:34I don't have to answer.
37:35I'm sorry about that.
37:36I'm sorry about that.
37:37You're not right.
37:38You're not wrong.
37:39I'm sorry about that.
37:40I'm sorry about that.
37:41I'm sorry about that.
37:42Please.
37:43What's happening here?
37:44What's happening?
37:45Please.
37:46Please.
37:47Faisalabad's people.
37:48I'm asking you.
37:49I'm not gonna be a guy who is doing this.
37:50I'm not going to kill Karachi's designer.
37:52I'm going to call my name.
37:53Let's just take a short break
37:55and we'll be right back.
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