Calendar (1993) Full Movie | Armenian Drama
The movie follows a photographer and his wife as they travel across Armenia photographing churches for a calendar project, accompanied by a local guide. As the project nears completion, the distance between the husband and wife grows, and the wife finds herself drawn to their charming guide.
Cast: Arsinée Khanjian as the Wife
Ashot Adamyan as the Guide
Atom Egoyan as the Photographer
#Calendar1993, #AtomEgoyan, #ArsinéeKhanjian, #ArmenianCinema, #IndependentFilm, #movies, #film, #movie, #cinema, #films, #hollywood, #actor, #s, #love, #art, #cinematography, #netflix, #horror, #actress, #moviescenes, #music, #filmmaking, #cinephile, #tv, #horrormovies, #bollywood, #comedy, #movienight, #photography, #cine, #instagood, #instagram, #director, #moviereview, #drama, #AdultMovies, #RomanceMovies, #SexMovies, #XXX, #XX,
The film is a thought-provoking exploration of love, identity, and cultural heritage, directed by Atom Egoyan.
The movie follows a photographer and his wife as they travel across Armenia photographing churches for a calendar project, accompanied by a local guide. As the project nears completion, the distance between the husband and wife grows, and the wife finds herself drawn to their charming guide.
Cast: Arsinée Khanjian as the Wife
Ashot Adamyan as the Guide
Atom Egoyan as the Photographer
#Calendar1993, #AtomEgoyan, #ArsinéeKhanjian, #ArmenianCinema, #IndependentFilm, #movies, #film, #movie, #cinema, #films, #hollywood, #actor, #s, #love, #art, #cinematography, #netflix, #horror, #actress, #moviescenes, #music, #filmmaking, #cinephile, #tv, #horrormovies, #bollywood, #comedy, #movienight, #photography, #cine, #instagood, #instagram, #director, #moviereview, #drama, #AdultMovies, #RomanceMovies, #SexMovies, #XXX, #XX,
The film is a thought-provoking exploration of love, identity, and cultural heritage, directed by Atom Egoyan.
Category
🎥
Short filmTranscript
00:00:00Hore hore hore hore
00:00:29Hore hore hore hore
00:00:59Hore hore hore hore hore
00:01:29Hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore hore h
00:01:59I'm sorry, I'm sorry, I'm sorry.
00:02:29And then after this, they were told to kill him.
00:02:34He taught him to kill him.
00:02:37He taught him to kill him.
00:02:40But he did not want to kill him.
00:02:44Tell him.
00:02:46Tell him, keep going.
00:02:48The king of the king of the army,
00:02:53I'm going to take care of it.
00:02:55I'm going to take care of it.
00:03:23I'll take care of it.
00:03:53I'll take care of it.
00:04:23I'll take care of it.
00:04:53I'll take care of it.
00:05:23I'll take care of it.
00:05:53I'll take care of it.
00:05:55I'll take care of it.
00:05:57I'll take care of it.
00:05:59I'll take care of it.
00:06:01I can't hear you.
00:06:03Can you speak louder?
00:06:05Thanks for calling.
00:06:07Hello?
00:06:09Yes?
00:06:11Yes?
00:06:13I'll take care of it.
00:06:19I'll take care of it.
00:06:21I'll take care of it.
00:06:23I'll take care of it.
00:06:31I'll take care of it.
00:06:33I'll take care of it.
00:06:35I'll take care of it.
00:06:45I'll take care of it.
00:06:47He says the location is really great, but the story behind it is really sad.
00:07:04Apparently, 40 virgins came here in order to spread Christianism.
00:07:17Three of them, Shohagat, Hripsime and Kayane, were really beautiful women.
00:07:27And the king fell in love with Hripsime.
00:07:38So he wanted to court her and have an affair with her.
00:07:42Excuse me, is your camera going?
00:07:45My camera?
00:07:46The video.
00:07:47No.
00:07:48You want to check?
00:07:49I think it's still on.
00:07:51Yeah.
00:07:52You know, it's ridiculous.
00:07:53Okay.
00:07:54We only brought so many batteries with us and it's just going to, you know.
00:07:57It's just a few seconds.
00:07:58It doesn't matter.
00:07:59It's not a few seconds.
00:08:00It's the third time you've done that.
00:08:01Okay.
00:08:02Do you want to hear the story?
00:08:03No.
00:08:04Well, I would prefer, first of all, if you let me do the videotaping.
00:08:07You know.
00:08:08Okay.
00:08:09Okay.
00:08:10I want to use it too.
00:08:11I told you.
00:08:12Okay.
00:08:13I mean, you're taking the photographs.
00:08:14I'll show you the video, okay?
00:08:15Okay.
00:08:16Okay.
00:08:17It will be fine.
00:08:18Okay.
00:08:19Okay.
00:08:20Okay.
00:08:21Okay.
00:08:22Okay.
00:08:23Okay.
00:08:24Yeah.
00:08:25Okay.
00:08:26Okay.
00:08:27Okay.
00:08:28We're getting to go.
00:08:29We'll do that later.
00:08:30Okay, let's go.
00:08:31We'll do that later.
00:08:32Can we switch?
00:08:33I'm using the php.
00:08:34Okay.
00:08:35I got to turn that far out for you.
00:08:37Look at this corner.
00:08:38That's really interesting.
00:08:39Apparently, they built it and then they realize it was really very harsh as a corner,
00:08:45as a structure, so they made a sculpture out of it.
00:08:49Are you talking about this section here?
00:08:53Hi, are you there?
00:08:56Hello?
00:08:58Well, I finally received a calendar.
00:09:02It turned out really great.
00:09:06But I'm very upset though. You just send it without a letter or anything.
00:09:13I really want to know what's going on in your mind.
00:09:19We've known each other too long to play these games.
00:09:25We've loved each other for too long.
00:09:28It's very mean to send me something that, I don't know,
00:09:31something that meant so much to both of us
00:09:34without letting me know how you feel about it.
00:09:42I know you must be so angry at me.
00:09:46But I try not to be cruel to you.
00:09:49Why are you being so cruel to me?
00:09:52Just share with me whatever there is to share.
00:09:56Please?
00:09:58Please, write to me.
00:10:00I do miss you.
00:10:03May I use your phone?
00:10:05Yeah, it's just on top of the water.
00:10:06I'll come back.
00:10:07I'll come back.
00:10:08I'll come back.
00:10:09I'll come back.
00:10:11I'll come back.
00:10:12I'll come back.
00:10:16May I use your phone?
00:10:18Yeah, it's just on top of the water.
00:10:20I'll come back.
00:10:21Let's go.
00:10:24It's me.
00:10:25It's me. I love you very much, I think about you every minute.
00:10:53I listen, I hear your voice all the time.
00:11:00Yes. I don't know what I'm doing all the time.
00:11:08It's a wonderful idea that you're making pictures of the churches. In true?
00:11:15Oh, because apparently the churches are supposed to be completely in a relationship.
00:11:22Oh, because apparently the churches are supposed to be completely in relation with their...
00:11:29...their...
00:11:36...their...
00:11:38...their...
00:11:45...their...
00:11:46...their...
00:11:47...their...
00:11:48...their...
00:11:50...their...
00:11:51...their...
00:11:52...their…
00:11:53...their...
00:11:54...their...
00:11:55...their...
00:11:56that it is a dominant place to be a dominant place.
00:12:03It is a good thing to do with it.
00:12:06Actually, the spot has something to do with the actual importance of that place,
00:12:15so it had to be in a particular landscape,
00:12:18but regardless of if it's beautiful or not,
00:12:21it was more based on where the actual energy of that place is.
00:12:25So is there a specific energy associated to this place that we're seeing now
00:12:29or that I'm looking at?
00:12:45What's he saying?
00:12:55How do you think about this place?
00:13:00Oh, apparently, like before actually building the church or the complex whatever,
00:13:07they would bring in people who had like actual ability to sense the energy
00:13:14and they would sort of show or specify where that particular spot of energy is.
00:13:20So they would locate it and then they would build...
00:13:23So I guess he must place a lot of importance as to where I put my camera right now
00:13:27to take this image or something.
00:13:29Well, I can ask him. Do you want me to ask him that?
00:13:32Well, yeah.
00:13:33He says, if you have put your camera in a specific place, it's really not accidental.
00:13:50I hope not. I hope not.
00:14:04I hope not.
00:14:05I hope not.
00:14:06I hope not.
00:14:07I hope not.
00:14:08I hope not.
00:14:09I hope not.
00:14:10Because he says that the link between heaven, the skies and the church
00:14:14is a very strong specific kind of relation, so it has nothing to do with chance.
00:14:20Well, speaking of chance, you know what?
00:14:22The light is really perfect for me right now.
00:14:24So if you guys could just move out of the frame that way and so I could just take the picture.
00:14:30No, the light, the sun.
00:14:32So, yeah.
00:14:33I got it. I got it. Okay.
00:14:45This way?
00:14:50I got it.
00:14:55Hi. It's April 24th and I'm working in the dark room all day.
00:14:58Please leave a message at the sound of the tone.
00:15:00Thanks.
00:15:20Do you have a phone I could use?
00:15:21Yeah, sure. It's just on top of the water cooler.
00:15:22Thanks.
00:15:50It's a dwelling dating from the 13th century.
00:15:57At the same time as the church.
00:16:02Does this mean anything to you?
00:16:05The things he's saying?
00:16:06No.
00:16:07The history behind the things he's saying.
00:16:11Well, they're interesting stories.
00:16:15Just interesting?
00:16:17I guess.
00:16:19What does it mean when you hear me tell your stories?
00:16:22What does it mean?
00:16:26Yeah, it's practical, right?
00:16:28What's practical?
00:16:30My services as a translator.
00:16:33I guess.
00:16:35I guess.
00:16:43They started the construction in 12, 13.
00:16:45It's good.
00:16:46Hi, Schatz.
00:16:50I have so a great desire for you.
00:17:02He finds it very special as an architecture.
00:17:07Why?
00:17:09Should I ask him?
00:17:10Yeah.
00:17:11I apologize, Schatz.
00:17:12A greatest problem?
00:17:14Yes.
00:17:18I will take you right away.
00:17:28Very special solution.
00:17:30A very special solution to what?
00:17:33To the difficulty of the architecture, I guess.
00:17:36I guess.
00:17:37Do you?
00:17:38I hope it's the Friday's at the end.
00:17:43Ah, good.
00:17:46You guess?
00:17:47I mean, I want specific answers.
00:17:49I can refer.
00:17:50Hold, hold.
00:17:51What is it?
00:17:52What is it?
00:17:53What is it?
00:17:54What is it?
00:17:55What is it?
00:17:56What is it?
00:17:57What is it?
00:17:58What is it?
00:17:59What is it?
00:18:00What is it?
00:18:01What is it?
00:18:02What is it?
00:18:03What is it?
00:18:04What is it?
00:18:05He has told the story apparently, but I wasn't listening, obviously, so I wasn't translating.
00:18:11So is he upset?
00:18:12I don't know.
00:18:13Why don't you ask him?
00:18:15Yes?
00:18:16Yeah.
00:18:17Yes.
00:18:18Yes.
00:18:23I would.
00:18:24Got any tickets?
00:18:28Love it, man.
00:18:31Magnusian.
00:18:32See, Ros césegabo.
00:18:37That's why it's not now.
00:18:3915th century.
00:18:41Probably the 10th century at the same time as the church.
00:18:45Obviously the village was built at the same time as the church.
00:18:48They would put them wherever they could, Abadal.
00:18:54hologram built up.
00:18:55Oh!
00:18:57Yeah.
00:19:13Well, first of all, I have no idea who Mama Khatun was.
00:19:25A prince from the times of the Khatun.
00:19:31Who were?
00:19:33Who were?
00:19:35What kind of dynasty?
00:19:45Have you received my letters?
00:19:49Have you received my messages?
00:19:53Are you receiving this message?
00:19:57Why aren't you answering?
00:19:59Don't you feel like letting me know what you're feeling?
00:20:05Why aren't you writing?
00:20:09Yes, I've received all your letters.
00:20:13Yes, I've listened to all your messages.
00:20:17And yes, I feel I can now begin to write to you.
00:20:21It's May 23rd.
00:20:23And I've been in the dark room all day.
00:20:25So, finally I get to his office and I go into his room and he looks at me at all strange places, makes me sit down and then goes, well, I have an audition script for you.
00:20:43I'm really excited at this point.
00:20:45And then he gets up, comes next to my chair and says, how willing are you to go, you know, do different things?
00:20:53And I'm really, you know, fix what to say to this man.
00:20:57And finally I start doing the stuff and he's just telling me, he's narrating the script to me and saying, you're meeting your long lost lover after seven years and you're walking this.
00:21:09Oh, excuse me, do you know where the phone is?
00:21:19Yeah, um, just on top of the water cooler.
00:21:23I'll be just over there.
00:21:39Oh, this is my thing.
00:21:41Hi.
00:21:42I'm a person.
00:21:43What are you doing?
00:21:45Whatever you do, take away.
00:21:46There's nothing, right now, right now.
00:21:48Why?
00:21:50My heart, my body, everything is your soul.
00:21:56If you want, then we can arrive at our phone.
00:22:03I also see a dark room in the body.
00:22:05I desire to leave near me.
00:22:08What can you tell me about these, the facades here?
00:22:23What can you tell me about these?
00:22:37It's Momik who did also the decoration and what you're seeing is Jesus on the side.
00:22:44Wait, where am I seeing that? Could you ask him to move for a second?
00:22:48This is Jesus and that's one of them is Peter and Paul.
00:22:55Okay, so that's Jesus and Peter and Paul on the sides.
00:23:08I positioned myself by the entrance and pointed my camera at the two of you,
00:23:14waiting to see how long it would take you to notice me standing there.
00:23:26Two minutes and 54 seconds.
00:23:31I tried to convince myself that it might take that long for someone to notice their loved one waiting a few yards away.
00:23:44Two minutes and 54 seconds.
00:23:51You have to understand yourself and I will never forget.
00:23:55Yes, now it's a different time.
00:23:58If you're so big, if you're not here, I don't know what's going on.
00:24:03You know, I've been missing a lot.
00:24:05Yes, it's less than you.
00:24:07It's a different time.
00:24:09Hmm.
00:24:10He says he was watching how hard you were trying to come up on these rocks and try to settle your camera.
00:24:22Well, I'm trying to find the right composition.
00:24:23Well, I'm trying to find the right composition.
00:24:27Yes, yes, yes, yes.
00:24:28Yes, yes, yes, yes.
00:24:29You understand.
00:24:30You understand?
00:24:31to come up on these rocks and try to settle your camera.
00:24:36Well, I'm trying to find the right composition.
00:24:45You understand?
00:25:01What do you think?
00:25:04She says you seem to be interested in what you're seeing.
00:25:07You're asking a lot of questions.
00:25:09Well, I guess that's part of why we're here.
00:25:18Don't you feel the need to come closer?
00:25:22Feel, like, actually touch and feel?
00:25:26Touch and feel the churches?
00:25:27Realize how it's made, constructed.
00:25:30To touch and feel the churches?
00:25:32Yeah?
00:25:35Hasn't occurred to me.
00:25:37Hasn't occurred to you?
00:25:38No.
00:25:40You didn't feel the need?
00:25:42Well, what?
00:25:43What, he'd like to caress them or something?
00:25:45No, you know what he means.
00:25:48Well, no, I don't really.
00:25:51What do you think?
00:25:53Why?
00:25:54Let me ask you, someone in my room.
00:25:57I'll give you the cushion of our church,
00:26:00I'll give you the detachments
00:26:01I'm not sure.
00:26:02No, I won't.
00:26:04No, I'm not sure.
00:26:05What!
00:26:06What, what?
00:26:07What's your comfort?
00:26:08What?
00:26:09What was your comfort?
00:26:10What was your comfort when you're looking at?
00:26:12He says if you had seen someone else's photograph of these places you wouldn't have wondered
00:26:18like what it must be inside what what it would look like inside I just think that they were
00:26:24very very beautiful places and I'd I think that they were very very well composed beautifully
00:26:31lit and very seductive is that what he wants to hear I'm
00:26:37hi it's Julia I'm just calling to say that Eva cannot speak Turkish will Macedonian be all right
00:26:58please let me know
00:27:07could you excuse me for a moment so I can use the phone oh sure
00:27:17I'll just order that
00:27:18I'm just
00:27:20No
00:27:20I'm just
00:27:36what is this you don't know
00:27:39I can't do it, I can't do it, I can't do it.
00:27:47Yeah, I can't do it.
00:27:51But when you're at home, I'll tell you to know you're right.
00:28:00If you're right, I'll tell you to know you're right.
00:28:04I know you're right.
00:28:06I know you're right.
00:28:12I know you're right.
00:28:15I know you're right.
00:28:19You're right.
00:28:21You're right.
00:28:23You're right.
00:28:25You're right.
00:28:27He's wondering why you're taking a picture of the place.
00:28:31Well, it was on a list of the things I had to photograph.
00:28:33It's not a church.
00:28:34What do you mean?
00:28:36It's just not a church.
00:28:40It's a pagan temple.
00:28:44A what?
00:28:46A pagan temple.
00:28:48Looks like a bank.
00:28:49What do you mean a pagan temple?
00:28:51Well, he says it's a temple.
00:28:52What is the place?
00:28:54What is the place?
00:28:56The place is where I'm at the place I have to eat.
00:29:01I have to go to the place.
00:29:03I have to go to the place.
00:29:06Listen, before he keeps talking, I mean, is it possible that we make clear as to whether or not he sees himself as sort of a guide or just a driver?
00:29:14because I just don't have this impression what do you mean well it keeps telling
00:29:17these stories and they're great stories but I mean I just sort of yeah so I just
00:29:20don't really know whether or not he's expecting at the end of this that you
00:29:23know he's gonna get you know something extra well I don't know if he's gonna be
00:29:26expecting more money or something like that it ah you know it's
00:29:30more money I just want to clarify things I just find that you know I want to
00:29:50clarify the situation what clarify what situation explaining that the place it
00:29:55has a history okay okay okay that's fine that's fine
00:29:59but to tell him I'm sorry tell him I'm sorry I didn't mean it that way just
00:30:03tell him I'm sorry
00:30:04okay no it's not it's fine I should have brought it up it's okay you don't want
00:30:26him to it's okay it's okay you move towards him like a beaten and punished
00:30:35animal begging for forgiveness forgiveness of what who is he to forgive you
00:30:45she's a rocker
00:30:56she's a rocker
00:31:01That you want to get up to check, huh?
00:31:08Yeah. It's been quite a night.
00:31:31No, just the first woman I actually touched was an oriental dancer.
00:31:38Well, I mean, it was this...
00:31:41My father had taken me for my birthday to this restaurant.
00:31:46It was a Greek restaurant, and there were some of his friends there.
00:31:49And at a certain point, he gave me a $2 bill,
00:31:52and he said, you're supposed to put this in her waistband.
00:31:55So I went, waited until the dancer came to the table,
00:31:58and I took the bill, and I kind of, like, opened up her,
00:32:02you know, kind of pulled back her waistband,
00:32:04and she wasn't really wearing anything underneath, I remember.
00:32:07It's actually kind of odd, and I kind of put the $2 bill in
00:32:11and kind of just kind of lingered there.
00:32:14I don't know. I mean, it's...
00:32:17It just left an impression on me, I guess.
00:32:20I hate when people touch me when I dance.
00:32:24I find it very intrusive,
00:32:27and I think if they want to give me money,
00:32:30they should come and shower it on my head.
00:32:32It's a compliment.
00:32:34Showering it on your head?
00:32:36Sure.
00:32:37That's what you do for a singer or a musician.
00:32:40I don't necessarily shower money on a singer's head, but, I mean...
00:32:44No, I mean, I guess it was just sort of something to happen.
00:32:48Excuse me, can I make a phone call?
00:32:50Um, yeah, it's just on top of the water cooler.
00:32:53Thanks.
00:32:54I just wanna see you on that side.
00:32:57Hey, that's the guy, that's the guy.
00:32:59Uh-huh.
00:33:00No, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:33:01Yeah, right now, no, no, no, no, no, no, no, no, no, no, no.
00:33:04Okay, let them go.
00:33:13Okay, I'm sorry, okay.
00:33:17I have a socket.
00:33:18I'm sorry!
00:33:19I have to get the one-going.
00:33:21I have to get it.
00:33:22What can you tell us about this place?
00:33:52He wants to know if you know anything about this place at all.
00:33:59Well, if I did, I wouldn't have just asked him what he could tell me about it.
00:34:05He says that he doesn't normally like giving out information about it.
00:34:17When he comes here, it's all a matter of watching it and letting your eyes discover what's out there.
00:34:28Oh, okay. Well, I guess that's what we're in the process of doing, right?
00:34:32Yeah, I guess.
00:34:34You can thank him for his help, though.
00:34:36You can thank him for his help.
00:34:39You can thank him for your help.
00:34:43Yes.
00:34:44Your name is not my name.
00:34:48Your feelings are like the river.
00:34:51Your feelings are like the river.
00:34:53Your feelings are like the river.
00:34:55Like the fire.
00:34:57Like the river.
00:34:58Like the river.
00:35:00Like the river.
00:35:02Like the milk.
00:35:04Like the river.
00:35:05Like the river.
00:35:06Like the river.
00:35:07Like the river.
00:35:08Like the river.
00:35:09Like the river.
00:35:10Like the river.
00:35:11He wants to know if it wasn't important thing to do some research about the place before coming here.
00:35:23He's telling me I should have done research?
00:35:26Well, he wants to know if there wasn't any need for it.
00:35:29Oh.
00:35:30Well, I mean, I am just doing this as a job, right?
00:35:33I mean, it wasn't my idea.
00:35:35The organization, I guess, must have done research before they gave me the list of places they weren't photographed.
00:35:40I mean...
00:35:41Well, I ask for the project.
00:36:05What's he asking?
00:36:07He says so if you didn't have the calendar project proposed to you, you would have never come to Armenia.
00:36:14Does that bother him or is that an issue?
00:36:17I don't know.
00:36:18Well, I don't... No, I wouldn't have probably.
00:36:21You wouldn't have come to Armenia?
00:36:23Well, no. I mean, not if I didn't have a specific reason to come here, no.
00:36:28How can you be so passive?
00:36:31How can you ask me to respond to these questions
00:36:35when you know all the answers?
00:36:39How can you pretend that my responses are a surprise to you?
00:36:45Why can't you refer to our history of each other?
00:36:49Why can't you tell him what you know I would think?
00:36:54You make me feel like a stranger.
00:36:58You make me believe that my answers are disappointing you,
00:37:03that I'm disappointing you.
00:37:09You leave me stranded, alone to defend myself,
00:37:15alone to convince you of so many things you must already know,
00:37:21or have you forgotten?
00:37:25Has this place made you forget our history?
00:37:29Has this place that you've dreamed of
00:37:32made you forget all of our dreams?
00:37:35We're both from here,
00:37:40yet being here has made me from somewhere else.
00:37:45how can I feel?
00:37:46What?
00:37:55He says probably the calendar project was just a
00:38:12Catalyzer or something otherwise you would have just
00:38:18like a catalyst yeah that's what I mean well I guess I mean otherwise you would
00:38:26have just done any other research about any other topic I guess yes
00:38:33have an upper
00:38:50hi it's Julia I just realized that Sarah speaks three languages and it occurred
00:38:57to me that you might like her to come with three different changes of clothing
00:39:01please let me know she's beautiful yeah she is it's how old is she uh I guess
00:39:10she'd be eight she looks angry there yeah how much does it cost you well just went
00:39:15up it was $28 a month now it's about 30 what do you get you get a picture well
00:39:21yeah they send a picture about a videotape yeah and no it's it's it's nice it sort of
00:39:30makes you I don't know I like it I like the it's funny because I I started I wrote a letter
00:39:39did she answer yeah you have children oh yeah how much would they cost you about a month
00:39:48there I mean I have no idea that's a ridiculous question you don't think about those things
00:39:55yeah but if you had to ballpark it I mean I have no idea do you want children
00:40:01I don't know it's uh do you mind if I make a phone call um the phone is just on the water cooler
00:40:21okay
00:40:21hey
00:40:23okay
00:40:24okay
00:40:27okay
00:40:28okay
00:40:28okay
00:40:30okay
00:40:30okay
00:40:32ah
00:40:33okay
00:40:33okay
00:40:36Where are you?
00:40:38Are you at the same time?
00:40:41I want to be with you.
00:40:43Yes.
00:40:44I want to show you all your hands and your hands.
00:40:48Yes.
00:40:49I want to know that I'm going to get you.
00:40:52The pain of you has broken me.
00:40:55Yes.
00:40:57I want to know that you're in your hands.
00:41:01It's good, right?
00:41:03It's so good.
00:41:05I feel the pain of you, right?
00:41:10Yes, yes, yes.
00:41:13Yes, yes, yes.
00:41:15Yes, yes, yes.
00:41:16I'm in the way.
00:41:18There are many messages.
00:41:21There are many messages for you.
00:41:23Yes, yes.
00:41:25Yes, yes.
00:41:27Yes.
00:41:35Yes.
00:41:36Yes, yes.
00:41:49I'm going to need to learn how I was.
00:41:51I'm using drugs that I didn't want to do this,
00:41:55but I have to go to the end of the day.
00:42:01You're not going to kill this?
00:42:03Yes, you're not going to kill this.
00:42:06I'm not going to kill this.
00:42:08I'm not going to kill this, but I don't care.
00:42:11I'm going to kill this, but we'll have to kill this.
00:42:15Ha ha ha!
00:42:30Well, what are you talking about?
00:42:33Children.
00:42:35Children.
00:42:38What does he have to say about children?
00:42:42He says if we had children we would have had better reason to come establish ourselves perhaps in Armenia.
00:42:50He thinks that if we had children we'd come to live in Armenia?
00:42:53What's he saying now?
00:43:11He says probably it would have been the best thing for the child to live in his ancestors.
00:43:22Land, no?
00:43:24And do you think that?
00:43:26Me?
00:43:28Well, you know what I think.
00:43:30Which is what?
00:43:32I mean it's a good night.
00:43:34Come on.
00:43:36What are you saying?
00:43:54I'm saying exactly what we've been always saying to each other.
00:43:59That it's a big problem for me to have a child that I don't know which culture could be best for him or for her.
00:44:08Dear Lucene, how are you?
00:44:14I miss you very much and I think about you all the time.
00:44:18I showed your picture to a very nice lady today who told me how pretty she thought you were.
00:44:27I hope your English lessons are going well.
00:44:30It's my dream that one day we'll be able to speak to each other.
00:44:36You can come and visit me and stay as long as you like.
00:44:41I like to have guests.
00:44:43Now I have a question to ask you.
00:45:01Do you ever see my wife?
00:45:04I gave her your address and she promised she'd come and visit you.
00:45:10Does she come alone?
00:45:13Does she bring a man with her?
00:45:18Does he have a mustache?
00:45:23What does she call him?
00:45:26A friend?
00:45:28A boyfriend?
00:45:30Please let me know what she calls him.
00:45:33You must promise that she'll never tell my wife that I'm asking you to do this.
00:45:40It must remain our little secret.
00:45:47A secret between Lucene and her loving foster daddy.
00:45:54He says perhaps the spot, the image is really nice.
00:46:03It can't be a great person.
00:46:06I have to go to the school.
00:46:08He says perhaps the spot image is really nice, but he's not really sure about something.
00:46:38He says every time he comes here, he has the feeling that he knows so much about these places, but he realizes also every time that actually he doesn't know much.
00:47:08He says perhaps you didn't really need him to be around, because you could have found the right spot and make the perfect image for people to look and appreciate it anyhow.
00:47:20He says that he feels that he has actually really become...
00:47:48...a very insignificant man to compare to the rocks and the stones and their history and the people who made that history.
00:48:07He says don't pay attention. He's saying dumb things.
00:48:18He says, why would that interest you anyhow, the things that he's saying? He doesn't know why he's really telling you those things.
00:48:29He says everything is fine, don't worry.
00:48:33I don't want to...
00:48:52He says again, he says parents are bald, look at him.
00:48:54.
00:48:55So, do we have to get back?
00:48:57You can have to get back.
00:48:59Yes, it goes.
00:49:01Yes, yes.
00:49:09How do you think?
00:49:11How are you, how are you?
00:49:13Yes, I think.
00:49:15How are you talking about it?
00:49:17How are you talking about the new people?
00:49:19I am not sure how you are.
00:49:21What are they saying?
00:49:51What are you doing?
00:49:54Are you going to get off?
00:49:59You're going to get off?
00:50:03I'm going to get off!
00:50:07I don't know!
00:50:11Where are you going to get off?
00:50:13I'm going to get off!
00:50:15Do you know anything?
00:50:18I'm not very good at all.
00:50:22How are you doing?
00:50:23If you want me to be hosting.
00:50:25I'm not a fan of Martin.
00:50:32If it's not rich, you'd have to think I'll be fine.
00:50:48How much longer are you going to be?
00:51:06Well, it's hard to say.
00:51:07The light is really kind of flat right now.
00:51:09And the sun should be about an hour, I guess.
00:51:14So do you want to come along with us?
00:51:15We're taking just a walk.
00:51:18A walk?
00:51:19Yeah.
00:51:20I don't know.
00:51:21I guess around.
00:51:24Well, no, I better stay here.
00:51:26I mean, the camera is here.
00:51:27It's all set up.
00:51:29So?
00:51:30Well, I'm not going to take it with me.
00:51:34Well, nothing is going to happen.
00:51:36You want me to leave the camera here?
00:51:38Yeah, so what?
00:51:40Are you joking?
00:51:42No, I'm not.
00:51:43It's beautiful.
00:51:43Let's just take a walk.
00:51:45There is no one around.
00:51:46No, I know it's beautiful, but I'm not going to leave the camera here.
00:51:49I'm not going to carry it around with me.
00:51:50Who's going to take it?
00:51:52I don't know.
00:51:52Anyone could take it.
00:51:53I mean, anyone could just show up and do it.
00:51:54Come on.
00:51:55There is no one else.
00:51:56Just the three of us.
00:51:58No, no.
00:51:58Come on.
00:51:59You enjoy it.
00:52:01It's not a question of wanting to go or not.
00:52:05It's much stranger than that.
00:52:06Are you sure?
00:52:07Yeah.
00:52:09What I really feel like doing is standing here and watching.
00:52:14Change your mind.
00:52:14Calm around.
00:52:15Watching while the two of you leave me and disappear into a landscape that I'm about to photograph.
00:52:23No, no, no, no, no, no, no.
00:52:53A strange thing happened a day.
00:53:13As I was letting this woman in, our neighbor crossed the street, that old Polish man called
00:53:19your name. I have no idea why he would think she was you. The only thing you have in common
00:53:26is your hair, your long, beautiful hair, which I still dream of running my fingers through.
00:53:32A church and a fortress, a fortress in ruins. All that's meant to protect us is bound to fall apart,
00:53:55bound to become contrived, useless, and absurd.
00:54:02All that's meant to protect is bound to isolate, and all that's meant to isolate is bound to hurt.
00:54:32All that's meant to protect us, and all that's meant to protect us.
00:54:37All that's meant to protect us, and all that's meant to protect us, and all that's meant to protect us.
00:57:14Do you know what he's talking about?
00:57:19Do you want me to explain?
00:57:49Do you want me to explain?
00:58:19Do you want me to explain?
00:58:21Do you want me to explain?
00:58:23Do you want me to explain?
00:58:25Do you want me to explain?
00:58:26Do you want me to explain?
00:58:27Everything they've found out it is to the museum.
00:58:31He wants to know if you mean, or you wish to exactly know how he feels about me, if he
00:58:42has any desire towards me or not.
00:58:46Is that what you want to know?
00:58:47I want to know how, yes, I guess I want to know where this is all going to lead.
00:58:53I mean, I've obviously lost something very close to me and I want to know what, how he
00:59:00feels about that.
00:59:05He feels that you are too adventurous man.
00:59:21That I'm too adventurous?
00:59:23No, the two of you are very adventurous men.
00:59:29Why?
00:59:30Why would he feel that?
00:59:34He says, because we know that we are talking about something where within it you can find many
00:59:54other things such as evil and the divine.
00:59:59I don't understand.
01:00:01What do you want to know?
01:00:02What do you want to know?
01:00:03What do you want to know?
01:00:04What do you want to know?
01:00:05What do you want to know?
01:00:06What do you want to know?
01:00:07What do you want to know?
01:00:08He says that...
01:00:37...that the human mind is such that many thoughts may come...
01:00:44...and many deliberations might happen in one's thought.
01:00:51And the truth of the mother is that he has to confess that...
01:00:54...yes indeed he has had a feeling of desire towards me...
01:00:59...but he also has consciously, not unconsciously...
01:01:03...tried to get rid of those thoughts.
01:01:10...but he has to confess that...
01:01:17...but he has to confess that...
01:01:20...but he has to confess that...
01:01:22...but he has to confess his own mind...
01:01:25...that he has to confess that...
01:01:27...but he has to confess that...
01:01:31...and he has to confess that...
01:01:33To give up the
01:01:59Can you hear me?
01:02:01Yes, I'm sorry.
01:02:02Can you hear me?
01:02:03Yes, I can hear you.
01:02:05I can hear you.
01:02:07I can hear you.
01:02:17It was really difficult in the beginning
01:02:19because I actually didn't speak any English.
01:02:21I remember this one time
01:02:23where I was on the beach
01:02:25and there were all these kids
01:02:26and they were all singing like a yellow submarine.
01:02:28And I didn't know the words
01:02:30and all I could hear was like,
01:02:31Yalla, submarine.
01:02:32Yalla, submarine.
01:02:33So I started singing with them
01:02:34and I was going like,
01:02:35Yalla, submarine.
01:02:36Yalla, submarine.
01:02:37It was completely ridiculous.
01:02:39I mean, you're so vulnerable to that, right,
01:02:41when you're a kid.
01:02:42I mean, you just sort of like,
01:02:43you just sort of imitate
01:02:45like what you think other people would want to hear
01:02:47but it doesn't necessarily have anything to do
01:02:49with what you're feeling
01:02:50or, you know, what's going through your mind
01:02:51or anything like that.
01:02:55Is there a phone that I could use?
01:02:57Oh, yeah.
01:02:58Um, just on top of the, uh,
01:03:00the water cooler there.
01:03:02Oh, so cold.
01:03:06I don't know
01:03:08another way to go.
01:03:11I'm living my life
01:03:19without you.
01:03:20I miss you, baby.
01:03:33I miss your soul.
01:03:35How much I love you, baby.
01:03:37How much I love you, baby.
01:03:40What's so funny?
01:03:41This is great.
01:03:42He knows how to do a KGB thing.
01:03:44What do you mean?
01:03:45Checking your passport.
01:03:46You want him to do it?
01:03:47Yeah.
01:03:48You want to see that?
01:03:49Okay.
01:03:49Okay.
01:03:50No, I'm discussing, no, I'm discussing.
01:03:51I'm just saying...
01:03:52No, I'm fine.
01:03:53It's just for the kitchen.
01:03:54It's just for the kitchen.
01:03:56So this is going to be him
01:03:57checking my passport
01:03:58like he's a KGB agent.
01:04:00He's checking my passport
01:04:01as he was a KGB agent.
01:04:03Okay.
01:04:03Okay.
01:04:04Okay.
01:04:05Okay.
01:04:05It's too good.
01:04:06It's too good.
01:04:07It's too good.
01:04:08No.
01:04:09But let him do it to me.
01:04:11Let him do it to the camera.
01:04:13Let him do it to the camera?
01:04:14Yeah.
01:04:15Okay.
01:04:16Yes, that was good.
01:04:18Now I didn't do
01:04:19camera image night.
01:04:20That is KGB agent
01:04:21to deny her
01:04:22camera and passport.
01:04:23Try it.
01:04:24Yeah.
01:04:25Okay.
01:04:26Okay.
01:04:27Okay.
01:04:28Okay.
01:04:29Okay.
01:04:30Two minutes.
01:04:31Oh, yeah.
01:04:32He does.
01:04:33He does.
01:04:34He does.
01:04:39Who wants your passport?
01:04:41My passport.
01:04:42Okay.
01:04:47Here we go.
01:05:02Surrounded by darkness.
01:05:13Even in broad daylight.
01:05:14I keep on trying, but I feel like I'm losing to find.
01:05:16I keep on trying, but I feel like I'm losing the fight
01:05:21Tell me what's right, tell me what's wrong
01:05:27Only got one life, it's only for so long
01:05:32I'm living my life
01:05:35Without you
01:05:46Without you
01:05:51I'm still listening
01:06:10I'm still listening
01:06:15You can put it on the phone now
01:06:35Yeah, it's okay
01:06:37It's enough
01:06:39Is everything all right?
01:06:48Yeah, no, everything's fine
01:06:50So when you said before that your father was Armenian
01:06:55I mean, he's not really Armenian
01:06:56Or like
01:06:57Well, he considers himself to be
01:07:00But why would he, I mean, it's ridiculous
01:07:02It's like saying I consider myself to be Yugoslavian or Inuit or something
01:07:07I mean, it's like
01:07:08I mean, I mean, it's just because he has
01:07:10I mean, I mean, because his grandfather was Armenian
01:07:14Or, you know
01:07:15Yeah, I suppose it is strange
01:07:17Yeah
01:07:17Yeah, I mean, my, I don't know
01:07:20It's kind of weird
01:07:22I mean, I consider myself to be Egyptian
01:07:25And I grew up in Canada
01:07:26I was born in Canada
01:07:27And I still trace myself, you know
01:07:29Yeah, but you act Egyptian
01:07:31And like the way you walked in here and stuff
01:07:32And, you know
01:07:33How does one act Egyptian?
01:07:34No, I don't know
01:07:34Just sort of like the way you sort of like moved around
01:07:36It's kind of like
01:07:37I can tell
01:07:37I mean, it's sort of, you know
01:07:39It's kind of
01:07:39Kind of the way you
01:07:41I don't know
01:07:42Just the perfume
01:07:42Well, the perfume and stuff
01:07:44And kind of, I don't know
01:07:45And just sort of
01:07:46You know, there's a kind of a tendency you have towards
01:07:49Kind of appearing in profile all the time
01:07:53You know, like
01:07:54You know, like the other one
01:07:55You know, kind of like
01:07:56Kind of cryptic
01:07:56Well, sort of, yeah
01:07:58Sort of
01:07:58Oh, I see
01:07:59Yeah
01:08:00I see
01:08:01But you wouldn't probably get that in me
01:08:04Or anything
01:08:04Like
01:08:05Well, I can
01:08:07I can see it in you
01:08:07I mean, I wouldn't
01:08:08You conceive in me?
01:08:10I can see it in you
01:08:12I wouldn't think that you are Canadian
01:08:13Hi
01:08:13I'm not in at the present time
01:08:15Please leave a message
01:08:16At the sound of the tone
01:08:16Thank you
01:08:18Today is the last day of the year
01:08:24I'm about to take our calendar off the wall
01:08:28I looked at all the pictures again
01:08:32I was trying to remember what happened at each place
01:08:36It's strange
01:08:39But the strongest memory I have
01:08:41Has nothing to do with any of the churches
01:08:44It was that time we drove into that huge flock of sheep
01:08:49The one that never seemed to end
01:08:52You took out your camera
01:08:56And as you were taping
01:08:58He placed his hand on mine
01:09:02I remember
01:09:06As I gripped his hand
01:09:09Watching you grip your camera so tightly
01:09:13Like you knew what was happening behind you
01:09:17Did you know?
01:09:19No
01:09:20Were you there?
01:09:22Are you there?
01:09:23Are you there?
01:09:25Hi, dear.
01:09:55Hi, dear.
01:10:25Hi, dear.
01:10:55Hi, dear.
01:11:25Hi, dear.
01:11:55Hi, dear.
01:12:25Hi, dear.
01:12:55Hi, dear.
Be the first to comment