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Short filmTranscript
00:00What are you doing?
00:02If you want to talk more about the first semester, it's part 1.
00:07If you want to talk more about the first semester, it's part 1.
00:13Okay, sir.
00:14If you want to talk more about the first semester, it's going to be a sequel.
00:17If you want to talk more about the first semester, you can also talk more about the first semester.
00:32I wanted to tell you about the first semester to take a look at the first semester.
00:37But since we were recording at the first semester, you have to talk more about the first semester.
00:43I was a fan of the rom-coms.
00:51So, I tried this space in foreign education.
00:59In London, I was released in two countries in London.
01:04So, it was released in two or three months.
01:07I was going to pursue the first time in the university.
01:09Jessras, I love it.
01:12I was gonna talk about the two of the brilliant graduates.
01:16I was just surprised to see the the three of them.
01:17I was surprised to see the difference between the two of us.
01:22That's okay.
01:24In the 90s, I was so surprised to see the most people in the United States and the 90s.
01:28I was very surprised to see the difference between the two nations.
01:32I was worried about it, so how do you feel about it?
01:39There is a series of events and a series of things that I wrote.
01:44In the 90s, I want to give that feeling to the audience,
01:4990s especially kids, down the line, 10-15 years later,
01:54they can show as an album to their children.
01:58There is a series of events in life, school, and engineering.
02:02I want to make all the sequences.
02:05And all the sequences I have seen personally.
02:08So, the detail is very entertaining.
02:12I am going to show you how much it is.
02:16Aditya, it is very epic.
02:19It is very interesting.
02:26I have to say that the title is very interesting.
02:31It is very interesting that the character has been established in the 90s,
02:36but it is more interesting.
02:40Do you have a reference to it?
02:41Yes, it is very true.
02:43It is the same family.
02:44You will enjoy it every 90s enjoyment.
02:48With family, you can come down and watch it.
02:51There is romance. There is a lot of romance.
02:53There is a lot of romance.
02:54There is a lot of romance in fact.
02:55But if you want to watch it, you can watch it naturally.
02:58But I request everybody to watch it with your family.
03:01In the 90s, we all have friends.
03:04We all have to watch it in the theater.
03:08Same way, I request all the youth.
03:10If you really like it, the teaser trailer,
03:12and if you really like the film,
03:13get your parents and watch it in the theaters.
03:15Basically, you are a Gaddar fan,
03:17or you are a Gaddar fan?
03:19Why don't you reflect on it?
03:21I am a Phok fan.
03:23I am a Phok fan.
03:24What is your hero fan?
03:26I am a Gaddar fan.
03:27In my announcement video,
03:29there are Gaddar photos.
03:31That detailing we never missed.
03:36Our folk culture has established.
03:40There are millions of songs.
03:42There is a legendary Gaddar.
03:44There is a legendary Gaddar.
03:46There is a legend.
03:47There is a legend.
03:48So, there is a legend.
03:50There is a legend in London.
03:52I mean, you can't imagine.
03:54Do you want to see a legend in your own culture?
03:56Should we do a little bit of a culture?
03:58Or do you want to treat it?
04:00I mean, the focus has a focus.
04:03There is a lot of interest, a lot of influences internally and there is a lot of interest, but more than anything, this is a rom-com, it is a relationship between a boy and a girl.
04:25People, since they are a lot of life, they are not trying to talk to their mother, they are not trying to talk to their mother, they are not trying to interact with them, what is the equation between them, what is the aim feelings, what is the love, infatuation, love, so all of these things in a very funny way.
04:49Aditya is like this and just as a child, every little detail is like that boy, you have a very good hairstyle, you have a very good hairstyle, you have a very good hairstyle, you have a very good hairstyle.
05:03And then there is also a very good hairstyle, so there is so many similarities, but at the core of this film it is a solid rom-com.
05:12I mean, this is what you're trying to do, I mean, and what are the qualities you're trying to do in my life?
05:19It's like a teacher in my life.
05:22It's a contact point.
05:25It's a positive visual.
05:27So, what do you say in your life?
05:30The same.
05:32There's a good taste of music, trash and sins.
05:37Academically intelligent.
05:40Yes, Aditya.
05:42Your debut film is epic.
05:44For years, you have a debut film in the 90s.
05:46You have a director, a director,
05:48a writer, a producer,
05:50and a producer.
05:52And you have a debut film in the 90s.
05:54You have a debut film in the 90s.
05:56You have a producer,
05:58a producer,
06:00a director.
06:02So, what are you doing?
06:04I'm very happy.
06:06I'm very happy.
06:08And you have a success in the blockbuster, a producer.
06:12In the gap, we have a few months,
06:14we have a production of the cinema.
06:16So, we have a multi-tasking film.
06:18We have a producer,
06:20and we have a producer.
06:22That's too early to discuss, Andy.
06:24But, yeah.
06:26Still want to work in different streams.
06:28Definitely.
06:30Okay, hi.
06:32Vamsi, Vamsi.
06:34Hi Andy.
06:36Good morning,
06:38very nice and bad.
06:40I'm very happy.
06:42I'm very happy about this films.
06:44If you like the stuff in the 90s,
06:45you know it.
06:46I'd love to see that all of you.
06:48But the things we have done,
06:49you've got to say,
06:50you do love to tell me.
06:51By the way,
06:51you,
06:52you've got to tell me.
06:53I want to tell them to tell me.
06:54I want to tell them to tell me.
06:55We are a part of the film.
06:56So, we will do the film.
06:58You don't care about sympathy card.
07:00You don't care about sympathy card and A's.
07:02You don't care about it before.
07:04You don't care about it before you first.
07:06You don't care about it before you first.
07:08You don't care about it before you first.
07:10We don't care about it.
07:12We don't care about it when we get into a certificate.
07:14What are you talking about?
07:16No, not bad.
07:18To the extent of this film,
07:20the film will be released in the next year.
07:22Never did we decide once again?
07:24I decided that in 2026 it was released almost every month, at least in the first half of the year.
07:32That's why I decided to plan it.
07:34Plus, it wasn't a lot of effort in the last round.
07:37So, next time, if you have a comment,
07:40if you have a chance to get a chance,
07:42if you have a chance to get a chance,
07:44I don't have a chance to get a chance.
07:46If you have a chance to get a chance,
07:48if you have a chance to get a chance to get a chance.
07:50All the way, standing.
07:52Okay.
07:54So, I love the aesthetics of the whole teaser and the posters.
07:59So, in the 90s,
08:01you have a life story in the 90s.
08:04So, what incidents do you have a real life story in the 90s?
08:08Okay.
08:09It's very much relatable to me and to you also.
08:12It is everybody's story, basically.
08:15But it is very much relatable.
08:21In every scene,
08:23you don't feel that, okay,
08:25it's all out of the box.
08:27Very relatable.
08:29I don't know if you have a chance to get a chance.
08:31No, actually.
08:32I don't know if you have a chance to get a chance to get a chance to get a chance to get a chance to get a chance to get a chance.
08:35I don't know if I know that.
08:37It is BIOPIC.
08:38I can't believe that.
08:39It's Epic!
08:43You don't have the name of Aditya.
08:45There is a lot of inspiration.
08:47We don't want to do it.
08:49We don't want to do it.
08:51We don't want to do it.
08:53In storytelling, you broke all the rules on it.
08:57So, will it be story-wise or screenplay-wise?
09:01Screenplay-wise, dialogue-wise,
09:03the pattern of the film.
09:05It's too early, but yeah.
09:07You will...
09:09When you watch this,
09:11even this announcement video also.
09:13I tried to tell the whole story in the announcement video.
09:19I wanted to show the character,
09:23the hero character,
09:25without a dialogue, I wanted to show in the film.
09:27Basically.
09:29So, the hero came in dialogue,
09:31but whatever I could try to convey through the title,
09:33I did try to convey his characterization.
09:35So, Anand's character is actually a continuation for Anand's biopic.
09:39Is it a new introduction?
09:41A new introduction.
09:43Okay, okay.
09:45So,
09:47So,
09:49these days,
09:51you have a landing miss out.
09:53So,
09:55you have a new conceptual movie.
09:57So, what do you plan for the next release?
09:59What do you plan for the next release?
10:01So,
10:03if you have a landing miss out,
10:05it doesn't matter.
10:07It doesn't matter.
10:09So,
10:11it doesn't matter.
10:13So,
10:14it doesn't matter.
10:15If you have a new movie,
10:16your team,
10:17everyone has a character.
10:18It doesn't matter if you can run out the release of the film.
10:20So,
10:21you don't have a hit,
10:22it doesn't matter.
10:23But,
10:24it doesn't matter.
10:25So,
10:26how did you play?
10:27If you go to Japan or next year in a cinema, it will be hit and we can't miss it.
10:34Sankranti died, we can't miss it.
10:37Sankranti died in comedy film is always an advantage.
10:40So, if you go to Naveen cinema, it will be a slot.
10:43All the best.
10:48Yeah, hi.
10:50Hi.
10:51So, basically, both of you coming together again.
10:54I'm sure chemistry and friendship over the years has been built in already.
10:59So, this movie has a comfort level.
11:02And if you have something, this scene is also an improvisation of self.
11:08Even the director gives a prompting also.
11:11Self-improvisation.
11:12So, what is that in the journey that both of you started and now?
11:16What are your mindsets?
11:19I don't want to do a cinema work.
11:23One week after a week, we have a lot of time.
11:27We have to do a style of work.
11:31But after that, I always, before going to set or dialogue,
11:37I have to do a dialogue in preparation.
11:41Then Aditya will also give feed.
11:43So, we have to go on set.
11:49But it's all nice, very comfortable.
11:53Yeah.
11:54Anand, what do you have to say?
11:55I think there is a lot of advantage in my mind.
11:59I have to say dialogue.
12:01It's not a dialogue.
12:03It's not a dialogue.
12:05It's not a dialogue.
12:07It's not a dialogue.
12:09It's not a dialogue.
12:10So, in most of these two combination scenes,
12:13I have to cut out all the scenes.
12:15But in that flow, I cannot do that.
12:19So, I think that's a big up.
12:21With my own dialogue, the dialogue were a super hit.
12:25In a day, I have to go on to 10 times.
12:27A common question to all of you,
12:30I think there is magic in the 90s.
12:33It's impressive.
12:35What is that magic that's missing now?
12:38Be it people or is it digitalization?
12:40What is it?
12:41Social media.
12:42We are doing Robin Hood in the world.
12:45We are doing Robin Hood in the world.
12:47If you are doing this in the 90s,
12:49we are doing Robin Hood.
12:51We are doing it for you.
12:53We are doing it for you.
12:54We are doing it for you.
12:56We are doing it for you.
12:58What is it for you?
12:59What is it for you?
13:00What is it for you?
13:01What is it for you?
13:02What is it for you?
13:03What is it for you?
13:04What is it for you?
13:05Anand, what is your answer?
13:12Definitely,
13:13social media is important.
13:15There are many terms like brain rot, brain fog.
13:19It is important for everyone.
13:21I am doing it for you.
13:22Because when the film is doing it,
13:23especially when I am doing it for you.
13:25I am doing it for you.
13:27So,
13:28I think the magic of the theatre will always stay.
13:31Because collectively,
13:33for example,
13:34you are doing it for a little heart.
13:36You are doing it for everyone who is doing it.
13:38You do it for everyone.
13:39But,
13:40you saw when a brilliant film comes,
13:42There is a lot of food in the family.
13:45There is no real juice in social media.
13:48There is a brain rot, brain fog.
13:51This is scientific also.
13:54I feel like those beautiful times in the 90s,
13:57when I was in the 90s,
13:59I would like to play cricket.
14:01Aditya, what do you think about brain fog?
14:04Brain fog means you.
14:06What do you think about brain fog?
14:08Tell me.
14:10I don't know.
14:12I don't know.
14:14There is no brain fog.
14:19Actually brain fog is basically
14:23Over consumption of the
14:25You don't have enough focus, attention disorders.
14:28Over consumption of the real scouch or short scouch,
14:33which is not required.
14:34And then the brain has a fog.
14:36So that is the brain fog.
14:38So, Aditya tell me.
14:40With a very beautiful and a successful pair.
14:43Okay.
14:44How does it feel?
14:45Again featuring them.
14:47It feels very easy to work with them actually.
14:53Okay.
14:54And I want to know about Vaishnavi.
14:57Okay.
14:58Next.
14:59Next.
15:00Hmm.
15:01Okay.
15:02Tell me.
15:03Like already a successful pair.
15:06So now again featuring work with Aditya.
15:09How was it?
15:10You.
15:11I think you should say this.
15:13It feels very happy.
15:16I wanted a Telugu.
15:19So I didn't find anybody better than Vaishnavi.
15:24And I wanted very good.
15:43It's a proper dialogue, it's a relationship between a boy and a girl.
15:48Dialogue, delivery, drama, we need a Telugu girl and there are very few Telugu actors.
15:54This is a dialogue drama, we don't have to choose what we do.
15:57That's why we don't have to choose what we do.
15:59Why don't we choose what we do?
16:00That's it.
16:01That's it.
16:02That's it.
16:03That's it.
16:04That's it.
16:05That's it.
16:06That's it.
16:07That's it.
16:08That's it.
16:09That's it.
16:10That's it.
16:11That's it.
16:12That's it.
16:13That's it.
16:14That's it.
16:15That's it.
16:16That's it.
16:17That's it.
16:18Thank you so much.
16:19This is Shreya Srinivas girl, bachelor's.
16:21You're a failure.
16:22You're a hero, you're a spellinger.
16:24So, you can answer the metaphorical.
16:26Okay.
16:27I said, you don't have to talk about life experiences in the film.
16:32I'm talking about the 90s, but I'm telling you about my statement.
16:37So, till first my first eight movies or nine movies, I made all the movies from my personal
16:43experiences.
16:44So, I had fresh thought for it.
16:46So, I don't have enough experiences.
16:53So, will you be implying the same thing?
16:56No.
16:57That is the reason I'm trying multiple things.
16:58And for four or five years, I'm trying to collaborate with more people.
17:08One day, before people say, come back, come back, come back, come back.
17:13I have clarity.
17:14So, what I will work, it will definitely work.
17:17So, I'm very much relatable to me because I'm conscious of my own.
17:20I'm very much relatable to me because I have a lot of people who cross-checked grace.
17:24So, I have to say, I can't help.
17:27Okay.
17:28And you have set your own grace period.
17:30Yeah.
17:31I have set around ten years with almost six, seven scripts as a producer, as a director,
17:37as a writer.
17:38Hopefully, that I will crack all those and those all will work in a strong feeling.
17:45How did you do that?
17:46Yes, please.
17:47How did you do that?
17:48Yes, please.
17:49A blackbuster hit in baby cinema.
17:52Yes, it was.
17:53What you call it in the movie, it is not like a fan.
17:56Yes, it was.
17:57If you call it in the movie, the name was Kalsundals.
18:02That is an intention in my mind.
18:07If you call it, Kalsundals, you give it away.
18:09I don't have any intention of it, but I don't have any intention of it, but I don't have any intention of it.
18:18What semester are you going to do in the web series?
18:22This is the first semester, next year is the final semester, two semesters.
18:25Is it the same name?
18:26Yes, it is the same name, but it is the story different.
18:29Amishikar, you did not have any interest in the OTT series in the OTT series.
18:36The previous series was the 90's OTT series.
18:43You did not have any interest in the OTT series.
18:46You did not have any interest in the OTT series.
18:49Now, if you do not have any interest in Netflix,
18:53you will not have official announcement in a couple of months.
18:56All the best.
18:58Thank you so much, Media, for your questions.
19:00Yeah, one last question.
19:02Omshikar, Omshikar.
19:03And I want to ask you a question, sir.
19:06I want to ask you a question.
19:08No, I don't have any questions.
19:10No, I don't have any questions.
19:11I don't have any questions.
19:13I don't have any questions.
19:14No, I don't have any questions.
19:16Okay.
19:18Thank you, Andy.
19:19Thank you so much.
19:20Oh, here's another question.
19:21Omshikar.
19:22Actually, Anandgaru,
19:24we will show you a film in the banner of the show.
19:26You will show you a film in the theatre.
19:28It's not a film in the theatre.
19:30Now, there are some themes in a larger audience.
19:35Now, there are some themes in a theater.
19:39let's say we have another film in the cinema...
19:40On the screen,
19:41I mean, the OTT screen,
19:42with a larger audience in the 30 languages,
19:44in different countries,
19:45in huge span of the Netflix.
19:4830 languages.
19:49Oh no.
19:50So we wanted to show that to a larger number of audience.
19:53So that's what we're planning on.
19:57We're not talking about the theatrical film.
19:59What is it?
20:00We're talking about the director.
20:01We have a theatrical chancellor.
20:04That's right.
20:05That's the last question.
20:07What about the unfinished story?
20:09What about part 2?
20:11What are you doing?
20:13What about the semester?
20:15What are the 2, 3, 4?
20:17What are we doing?
20:19What did we do?
20:20The second semester.
20:21What are you doing?
20:23You're doing a kingdom.
20:25You're doing an epic job.
20:26That's the whole thing.
20:29Just like this.
20:31What are you doing?
20:33How are you doing a design result?
20:35How are you doing a design result?
20:37We're doing a regular job.
20:39How are you doing the design result?
20:41How do you do that?
20:43Thank you so much for your questions and thank you so much for your pictures and of course
20:54thank you.
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