Su From So Telugu Pre Release Press-Meet LIVE ｜ JP Thuminad ｜ Shaneel Gautham

Mana entertainment

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Transcript

00:00:00I will come in a few weeks

00:00:07I will come in a few weeks

00:00:13I will come to you

00:00:20I will come in a few weeks

00:00:30This is my Ravanna.

00:00:33What's your name, Saita?

00:00:34Saita.

00:00:35Oh, that's my name.

00:00:36Saita, I'm Ravanna.

00:00:38Oh.

00:00:39This is my Ravanna right-hand, Satish.

00:00:41Oh, Ravanna.

00:00:43What's your name?

00:00:45What's your name?

00:00:46Satish.

00:00:47Now, this is my Ato Chandra.

00:00:49You can't get it.

00:00:50You can't get it.

00:00:51You can't get it.

00:00:52You can't get it.

00:00:53You can't get it.

00:00:54You can't get it.

00:00:55My name is Ashok.

00:00:57My name is Ashok.

00:00:58What is your name?

00:00:59Ato Chandra.

00:01:00You can't get it.

00:01:01I'm a ghost.

00:01:03Who's in the back?

00:01:05I'm a ghost.

00:01:06I'm scared, Saita.

00:01:07I'm a ghost.

00:01:08I'm a ghost.

00:01:09I'm a ghost.

00:01:10I'm a ghost.

00:01:12I'm a ghost.

00:01:14Who's in the right direction?

00:01:15Saita!

00:01:16Saita!

00:01:17Saita!

00:01:18Saita!

00:01:19Saita!

00:01:20Saita!

00:01:22Saita!

00:01:23Saita!

00:01:24Saita!

00:01:25Saita!

00:01:26Saita!

00:01:27Mamma! Mamma!

00:01:29Did you come back to Asho?

00:01:34One big mantra.

00:01:36I'll tell you.

00:01:46Who is that?

00:01:48Who is that?

00:01:49I'm telling you.

00:01:52Who is that?

00:01:54Are you here?

00:01:55I'll tell you.

00:01:57I'll tell you.

00:01:58I'll tell you.

00:01:59I'll tell you.

00:02:00Who is that?

00:02:01What are you talking about?

00:02:02I'll tell you.

00:02:03I'll tell you.

00:02:12Who is that?

00:02:23Who is that?

00:02:24What?

00:02:25Let's go.

00:02:26Let's go.

00:02:27Let's go.

00:02:28Let's go.

00:02:37Who is that?

00:02:39What's wrong?

00:02:40What?

00:02:41It's a bad...

00:02:42I've had a controlled bar.

00:02:44This is a bad thing.

00:02:47If you park the bike, you can park the inside of the bike.

00:02:59If you park the bike, you can park the inside of the bike.

00:03:02Is that right?

00:03:03Raviyanna, Chanel.

00:03:04Is that right?

00:03:05Is that right?

00:03:06Is that right?

00:03:07Okay.

00:03:08The problem is that you have subtitles.

00:03:10I don't want to talk to you.

00:03:14Sir, you can easily understand.

00:03:16Okay.

00:03:17I want to do a little bit of advice.

00:03:19Thank you so much, Chanel.

00:03:20I am here for the sports.

00:03:21My mentor is like a super fast express.

00:03:23Okay.

00:03:24How are you, sir?

00:03:25How are you?

00:03:26I am here.

00:03:27I am here.

00:03:28You have to go to Namaskara, and I am here.

00:03:30So, yes,

00:03:31Here is a person who has a motorcycle and a girl.

00:03:36He knows a girl.

00:03:37He knows a girl.

00:03:38He knows a girl.

00:03:40He knows a girl.

00:03:41He knows a girl.

00:03:42Isn't this?

00:03:43If you ask me, what is the target of the two people in the theater?

00:03:46I'm afraid of fear, and I'm afraid of fear.

00:03:49So, full, what do you mean?

00:03:52It's a beautiful, beautiful thing.

00:03:55You know, it's a beautiful thing in the theater.

00:03:59So, already, super-duper success.

00:04:01So, we're going to talk about this book.

00:04:03We're going to talk about my three movie makers.

00:04:04We're going to talk about my three movie makers.

00:04:06So, yes.

00:04:07But now, we're going to talk about this book.

00:04:12It's a blockbuster.

00:04:13It's a super-duper success.

00:04:14So, our response video is now.

00:04:16Play the video on screen.

00:04:42And we're going to talk about my three movie makers.

00:04:53So, second first two we went to talk about my three movie makers.

00:04:58Keep it tight, keep the best little world

00:05:04In the way of this world

00:05:08Helen knows you're better off the screen

00:05:12We're going to have to draw the star

00:05:16Transformers

00:05:17rolled up

00:05:21Yes

00:05:26Here we go

00:05:33We're going to do it

00:05:34We're going to have to go

00:05:37I don't know what I'm talking about

00:05:39I'm talking about it

00:05:41I'm talking about it

00:05:43Supervisor

00:05:45Supervisor

00:05:59Supervisor

00:06:01Supervisor

00:06:03Supervisor

00:06:05Supervisor

00:06:07Supervisor

00:06:11Adios

00:06:15Amm

00:06:23A

00:06:25I love you! I love you! I love you!

00:06:34Thank you so much!

00:06:36Love you!

00:06:44So, we've never been able to get to the Adbuthang,

00:06:47so, they've been able to get to the Adbuthang.

00:06:50So, Adbuthanga was super successful.

00:06:53So, I wanted to go to Manandar.

00:06:56So, I wanted to go to Manandar.

00:06:59Especially when I was in the cinema,

00:07:02I said, oh my god, I'm a great guy,

00:07:03I'm a great guy!

00:07:05And, I'm glad that I'm in the right direction.

00:07:08I love Manandar.

00:07:11And, first of all, thank you.

00:07:14Because, I love you all because

00:07:17you've already seen this success tsunami.

00:07:19You've already seen this.

00:07:21So, Shishidhar is not the name of Shishidhar Reddy, Shishidhar Setti Garu, one of the producers of this film.

00:07:31And also Ravi Rai Garu and Rishabhi Setti Garu, Praveen Garu also part of productions.

00:07:38Praveen Garu, Garuda, Rishabha, and D.O.P. too.

00:07:42So, everyone is a multi-tasker, multi-talented.

00:07:48I am an actor, director, producer, writer, lyricist.

00:07:53Okay, sir. Here comes, sir. Welcome, sir. Your talent is welcome, sir.

00:07:58So, besides his D.O.P. is an amazing film, Garuda Garu, Rishabha, and Raj B. Settigar.

00:08:03He is a great actor and he is a great actor and he is a great actor and he is a great actor and he is a great actor and he is a great actor and he is a great actor.

00:08:11So, yes, now I have a character and he is a great actor and he is a great actor and he is a great actor and he is a great actor.

00:08:18So, play the song on screen.

00:08:32Dance Anthem.

00:08:39Dance Anthem.

00:08:44Dance Anthem.

00:08:57Dance Marshot.

00:08:58Dance Anthem.

00:09:12Mae Nann Pondruna Gendra

00:09:15Tududnolus

00:09:18Swardakke Agtinindra

00:09:21Badiwaku ladies Metchke

00:09:24Prapudewa Jak San Mistresske

00:09:26Kudiyoke Naav Takyaru

00:09:29Naam Dekse Nauru

00:09:42I love you.

00:10:12Huh?

00:10:13You missed the field.

00:10:18You don't want to touch.

00:10:20I can't touch.

00:10:22You don't want to touch.

00:10:26It's not that big.

00:10:28You don't want to touch.

00:10:30I think I could see the

00:10:37living room for a while

00:10:43I could see the living room

00:10:47I could see the living room

00:10:50My house is here

00:10:52I could see the living room

00:10:55I could see the living room

00:12:04So,

00:12:05So, now we are going to show you the trailer with your permission.

00:12:11I have permission to give you a multi-tasker.

00:12:15So, play the trailer once again.

00:12:35This is my Ravan.

00:12:50Are you going to show me?

00:12:52Yes, I am.

00:12:53No name is Ravan.

00:12:55This is my Ravan right hand.

00:12:58I am Ravan.

00:13:00I am going to show you the same way.

00:13:04This is my Ravan.

00:13:06Yes, I am.

00:13:07You can't do it.

00:13:08I am going to show you the same way.

00:13:10I am going to show you the same way.

00:13:12My name is Ashok.

00:13:14I am one of my friends.

00:13:16But I am one day.

00:13:18I am going to show you the same way to the Ravan.

00:13:20Who are you?

00:13:22At the same time, the two or six hours.

00:13:26I am going to show you the same way.

00:13:28Who is going to show you the same way?

00:13:30Oh.

00:13:32Oh.

00:13:33Follow me!

00:13:36Tell me why.

00:13:38Tell me.

00:13:39Like...

00:13:40I am not going because...

00:13:41...who is one in anyו which one says before.

00:13:44You nobody is away.

00:13:45Dude!

00:13:46Oh.

00:13:47Why are you turning into the front теперь?

00:13:49Yeah?

00:13:51We are going to call you a big mantra.

00:14:03Who is this?

00:14:05Who is this?

00:14:06I'm going to tell you something.

00:14:10Who?

00:14:11I've come to you.

00:14:12I've come to you.

00:14:13I've come to you.

00:14:14I've come to you.

00:14:15I've come to you.

00:14:16I've come to you.

00:14:17Who are you?

00:14:18Why are you talking?

00:14:19Why are you talking?

00:14:20I'm talking to you.

00:14:29Why are you talking to me?

00:14:41Who is this?

00:14:42I've come to you.

00:14:44I've come to you.

00:14:49I've come to you.

00:14:51I'm right there.

00:14:53I'm not going to kill you.

00:14:59I don't mind.

00:15:01Maybe I'll dieelle you probably.

00:15:04What's going on here?

00:15:05lose me!

00:15:06Take away.

00:15:07Come back in!

00:15:08Wow.

00:15:15So,

00:15:16I think that in recent days,

00:15:18I have seen this engaging content

00:15:20that we have witnessed in the theatre.

00:15:22JP, you are Minard.

00:15:24You are great. Seriously.

00:15:26There is a lot of amazing content.

00:15:28And in that beautiful way,

00:15:30I am in the direction of the world.

00:15:32So, yes,

00:15:34congratulations firstly.

00:15:36I am in the direction of the world.

00:15:38And advance congratulations on August 8th.

00:15:40You also have seen this super duper

00:15:42success vibe and we are doing

00:15:44the entertainment.

00:15:46We are definitely looking for content

00:15:48in the trailer, especially.

00:15:50And now, if you are invited to

00:15:52Maitri Movie Distributors

00:15:54Sheshitar Reddikaru, I request you.

00:15:56Sheshitar Reddikaru, welcome to Sheshitar.

00:15:58So,

00:16:00Maitri Movie Make Us,

00:16:01the biggest blockbusters we have.

00:16:03Maitri Movie Distributors

00:16:05Maitri Movie Distributors

00:16:07So, yes, Sheshitar Reddikaru, over to you.

00:16:09Over to you.

00:16:39Sir, this is the originality, innocent content.

00:16:46This is the as-tease audience.

00:16:49Sir, this is the as-tease audience.

00:16:53The audience is the best.

00:16:55The audience is the best.

00:17:00The audience is the best.

00:17:03The audience is the best.

00:17:11The audience is the best.

00:17:13The audience is the best.

00:17:15The audience is the best.

00:17:18The audience is the best.

00:17:20The audience is the best.

00:17:22Mark my words.

00:17:24This cinema is going to do very big in Telugu industry.

00:17:28Sir, Rajpi Settigaru.

00:17:31Sir, I have an interview.

00:17:34You are the best.

00:17:36The audience is the best.

00:17:41I feel like you are the best.

00:17:44Everybody has done a very good job.

00:17:47You have to choose the cinema.

00:17:50I have to choose the GSM.

00:17:53I have to choose the Canada.

00:17:56Yes.

00:17:57Anyway,

00:17:58But, when the sub-titles manager started, there were a few sub-titles, but after that, there were no sub-titles.

00:18:12In the flow of the cinema, every character has facial expressions.

00:18:18Every character has a female, or a female, or a female, or a female, or a female, or a female.

00:18:34We can't even do that. We can't even enjoy this.

00:18:37Every character has a feeling.

00:18:42Let's talk about Navin Garu and Ravi Garu and I will tell you about this cinema.

00:18:48That's why I have a lot of advice about Navin Garu and I will tell you about it.

00:18:54Next, I will tell you about this cinema.

00:19:01If you look at the trailer, there are not many artists in the trailer but that you will see on the screen.

00:19:10It's extraordinary, sir.

00:19:12There is a full entertainment film in the E.V. Sathya Narayan Garu cinema.

00:19:17I will miss that a few days later.

00:19:20But I will tell you about this cinema.

00:19:23Even if you look at the cinema, it will always be a good cinema.

00:19:31Even if you look at the cinema, it will always be a good cinema.

00:19:36We need good content.

00:19:39Theatres will all be very happy.

00:19:48All audience will enjoy it to the core.

00:19:51All audience will enjoy it to the cinema.

00:19:53That's why I have my time to enjoy it.

00:19:54As we watch our movies, we will see our hard work, sir.

00:19:55Thank you so much.

00:19:56Thank you so much, Sashigarhu.

00:19:57Thank you so much.

00:19:58And now, I request my three movie makers, Adheneta.

00:20:10Thank you so much. And now I request My Three Movie Makers, Adineta.

00:20:15So, Naveen Ghar Nivedmurrasnaga, Swaghatam Palgutnamo.

00:20:17So, our producer, Naveen Ghar Nivedmurrasnaga, Ahanis Namo.

00:20:20In our blockbusters, in our super-hits, in our stars,

00:20:24we have all the stars. We have all the stars.

00:20:26We have all the stars. We have all the stars.

00:20:28We have all the stars.

00:20:30We have all the stars.

00:20:33We have all the stars.

00:20:35Sir, first of all, welcome.

00:20:45Thank you. Naveen Gharu, now.

00:20:48Sir, trailer is extraordinary and that song.

00:21:01And I didn't watch the film, but

00:21:04definitely, it is sure shot blockbuster. It's proven.

00:21:08And after seeing the trailer, I truly believe…

00:21:13Kannada and Malayalam.

00:21:14Sorry, Kannada and Malayalam.

00:21:16Telugu audience will take this movie to next level.

00:21:19And good luck to the entire team.

00:21:23And good luck to us.

00:21:26Shashi and we all will do what is the best that we can do for this film.

00:21:32Naveen Gharu, thank you so much.

00:21:33Stay back.

00:21:34Naveen Gharu, thank you so much.

00:21:35Stay back.

00:21:36Naveen Gharu, thank you so much.

00:21:37Now, we invite you to the team.

00:21:38And firstly, I request,

00:21:40I need to thank the director of this film.

00:21:42And I am going to thank the director of this film

00:21:45and to our audience,

00:21:46I will invite you to the director of the film.

00:21:49J.P. to Minat Garu, I request one, to chase, please?

00:21:51So very talented director.

00:21:53So very talented director.

00:21:55So very talented director.

00:21:56And I will also be the talent and super successful director.

00:21:59So yes.

00:22:00Welcome.

00:22:01Shashi Garani, welcome to our team.

00:22:02And my director.

00:22:04I would like to introduce you to Shaniil Gautam, so welcome to Shaniil Gautam.

00:22:25Welcome to Shishikar.

00:22:40If you look at the performance, you can't say that.

00:22:44Unfortunately, the performance of the evergreen show has come to me.

00:22:51In the same cinema, we would like to thank Garuda Gamana and Rishabhava Vahana.

00:22:56We would like to thank him for his voice.

00:22:59We would like to thank him for his support.

00:23:03Now, we would like to thank him for the producer.

00:23:09We would like to thank Raj B. Settigarani Vedmidrasan.

00:23:12Of course, he produced before in Kannada, but we would like to thank him for his support.

00:23:21We would like to thank him for his support.

00:23:28After this, we have a group picture, sir. Naveen Garu, please join.

00:23:34I request one of the producers of this film and amazing revope, cinematographer, Praveen Garu.

00:23:40Please join the stage, sir, for the picture.

00:23:51and this is for the film.

00:23:53We will look there for a little moment,

00:23:54and gets the attention of the film he has been watching.

00:23:56It's interesting to see that he is meeting the film.

00:23:57We have to leave the film.

00:23:59We will see that he will see the film.

00:24:02We have to leave him for a long time.

00:24:04We will see that there are many questions.

00:24:06The film is playing in the movie.

00:24:08Having a little while we arenelling the film,

00:24:10it's quite fun, after that time.

00:24:12The film is playing on the film.

00:24:14It's going to cover it to the film.

00:24:15It's going to be a film like this.

00:24:17.

00:24:40Say, channel, sir.

00:24:47Thank you so much and I request Raj B. Seti Garani and Shanil Garani and J.P. Garani

00:24:54and J.P. Garani Vedic Media. Sheshikaru, Naveen Garu, please. Kucho

00:24:58Sindi ka korukuntunamu.

00:25:00So, we will plan a few speeches.

00:25:06So, there is a small task for you.

00:25:10That is why you should shoot a screen wipe.

00:25:13So, this is Shanil Garani and J.P. Garani.

00:25:18So, you are the Telugu heroes.

00:25:20So, we will play some pictures.

00:25:25They will act.

00:25:27So, you are the guest.

00:25:29I hope you understand.

00:25:30Okay, I understand.

00:25:31Where should I stand?

00:25:33Where should I stand?

00:25:34You stand here only.

00:25:35Okay.

00:25:36Sir, cheating.

00:25:37I think they will help.

00:25:39No.

00:25:41I can turn a little.

00:25:42No.

00:25:43I can turn a little.

00:25:44No.

00:25:45No cheating.

00:25:46No.

00:25:47No cheating.

00:25:48No.

00:25:49No cheating.

00:25:50No.

00:25:51No cheating.

00:25:52No.

00:25:53Okay.

00:25:54Hey, cheating.

00:25:55You are the judge.

00:25:56Okay.

00:25:57Let's play.

00:25:58Okay.

00:25:59So, first.

00:26:00Every pic.

00:26:01Every photo.

00:26:02Okay.

00:26:03Sir.

00:26:04Sir.

00:26:05Sir.

00:26:06Now you have to…

00:26:08Yeah.

00:26:09Who is going to first?

00:26:10First, Shanil Ji.

00:26:11Okay.

00:26:12Davianna.

00:26:13Allo Arjun sir.

00:26:15Yeah.

00:26:16Say it.

00:26:17Daghadele.

00:26:18Perfect.

00:26:19So…

00:26:20So…

00:26:21So…

00:26:22So…

00:26:23So…

00:26:24So…

00:26:25So…

00:26:26So fast…

00:26:27Okay.

00:26:28Next…

00:26:29Next image please.

00:26:30Oh.

00:26:31Okay.

00:26:32Now…

00:26:33J.P.

00:26:34Sir is done.

00:26:35If you want to take help from Shanil Garu, you can take.

00:26:40What?

00:26:41Not, not.

00:26:42Yeah.

00:26:43Ramchanan sir.

00:26:44Junior interior sir.

00:26:45Okay.

00:26:46Simple.

00:26:47Sir, you want to…

00:26:48Do this?

00:26:49No, no.

00:26:50I don't know.

00:26:51So with this…

00:26:52Especially costume.

00:26:53Costume doesn't support this.

00:26:54Yeah.

00:26:55Yeah.

00:26:56Adida problem.

00:26:57Okay.

00:26:58Now next picture.

00:26:59Super sir.

00:27:00Oh.

00:27:01Oh.

00:27:02Now…

00:27:03He's thinking.

00:27:04Awesome.

00:27:05Awesome.

00:27:06Mayesh Babu sir.

00:27:07This is so easy.

00:27:08This is so quick sir.

00:27:09You're a superb actor and tellus.

00:27:10Okay.

00:27:11Next.

00:27:12Do you have an image?

00:27:13No.

00:27:14He's doing well also.

00:27:15Oh.

00:27:16Okay sir.

00:27:17claps.

00:27:18Amazing actor.

00:27:19Hold on.

00:27:20He's doing well also.

00:27:21Oh.

00:27:22Okay sir.

00:27:23Claps.

00:27:24Do you have an amazing actor?

00:27:25Do you have an amazing actor?

00:27:26Ye...

00:27:27Oh.

00:27:28Oh.

00:27:29Oh.

00:27:30Oh.

00:27:31Oh.

00:27:32Oh.

00:27:33Oh.

00:27:38Oh.

00:27:42Prabhas sir.

00:27:43No, this was so easy, you know, entire nation and the whole world knows it.

00:27:55Exactly.

00:27:56Yeah.

00:27:57Yeah.

00:27:58Yeah.

00:27:59Yeah.

00:28:00Yeah.

00:28:02Okay.

00:28:03Okay.

00:28:04Okay.

00:28:05Okay.

00:28:06Okay.

00:28:07Okay.

00:28:08Only one second.

00:28:15Yeah.

00:28:16Already done.

00:28:19You understood?

00:28:20Yeah.

00:28:21Oh.

00:28:22Yeah.

00:28:23Every function, this slogan will be there.

00:28:26No?

00:28:27Come on.

00:28:28Right?

00:28:29The fans are everywhere, yeah.

00:28:34My Deputy CM Gharu, Andhra Pradesh, end.

00:28:41Should I turn?

00:28:42No, sir. No, no, no.

00:28:44They need to guess. It's done?

00:28:46Eh, done?

00:28:47Done.

00:28:50Next.

00:28:52Eh, Chappakandi.

00:28:54Jai Balaiya, Jai Balaiya.

00:28:57Jai Balaiya, Jai Balaiya, oppo.

00:29:01What's your name?

00:29:03One, sir.

00:29:04What's your name?

00:29:05Okay.

00:29:06I don't know.

00:29:08I thank the audience too.

00:29:11You know, I knew Telugu audience are so good, but they are very kind.

00:29:15You know, they are already...

00:29:16They didn't let me lose.

00:29:18Thank you, love you.

00:29:19Thank you so much.

00:29:20Thank you so much.

00:29:22And yes, first we'll start with Jepiso.

00:29:28He will speak in Kannada.

00:29:31I will translate.

00:29:32Because English and...

00:29:34Yeah.

00:29:35No worries, sir.

00:29:36You can speak any language.

00:29:37Yeah.

00:29:38Kannada will go here.

00:29:39I don't know how to speak in Hindi.

00:29:42Thanks for joining my name.

00:29:43Hello, sir!

00:29:44Hello, sir.

00:29:45Hello, sir.

00:29:46Hello, sir.

00:29:47I am client deal with

00:29:51Supra Aunga.

00:29:57Plotsists.

00:29:59Are you ever ready?

00:30:00Only you know,

00:30:01quoting PRMSO,

00:30:03what kind in priority is that

00:30:04people who recognize cardiovascular experience

00:30:06in Kannadan

00:30:07that happens to you,

00:30:09Thank you so much.

00:30:25Perfect, sir. You understand both of us, right?

00:30:27You understand both of us.

00:30:28Yeah, yeah.

00:30:29You don't understand how to translate it, sir.

00:30:31Perfect, sir.

00:30:33And now, Shanil, sir.

00:30:40Your turn.

00:30:41Language same.

00:30:43Hello, everyone.

00:30:45Thank you for coming.

00:30:49This cinema is a blockbuster in Karnataka.

00:30:55So, hopefully, now, this is Telugu.

00:30:59Hoping that you will love and support, like always you do to other Telugu movies.

00:31:05So, thank you for coming.

00:31:07In August 8th, this cinema is a theater.

00:31:10I want to support the cinema.

00:31:14Yes, definitely, sir.

00:31:16So, I want to take this opportunity to thank my three movie makers.

00:31:32So, one thing they gave us was, we are a small town boys.

00:31:36Like, you know, we are from Mangalore.

00:31:38We do cinema.

00:31:39We are indie filmmakers.

00:31:40So, they gave hope, maybe to the entire nation, to the young filmmakers, that if you

00:31:46do well, there will be big people who will be supporting you and trying to grow you.

00:31:52And the only reason they do that is because they love cinema.

00:31:56Thank you so much, sir.

00:31:57Thank you, Shashidhar, sir.

00:31:58Thank you, Nabeen, sir.

00:31:59Thank you so much.

00:32:00Without you, we wouldn't have been here.

00:32:02And this film is an entertainer.

00:32:05And when we released this film in Karnataka, the overall environment of the industry was,

00:32:12no big film, no small film will work.

00:32:15No film with a new face will work.

00:32:17And fortunately, this was an entertainer.

00:32:19This was a comedy film.

00:32:20And this worked wonders there.

00:32:22And I am very eager to see because every time there is a good cinema,

00:32:28Telugu audience were very kind to that.

00:32:30When Garuda Gamana released, two states which gave the highest support was Kerala and Telugu

00:32:37speaking, two states.

00:32:39Because of that, I think we felt, I am here because of that.

00:32:45Whatever validation Telangana and Andhra Pradesh gave for the film in Kannada,

00:32:50that's the reason I am here.

00:32:51And I request that you give the film a chance.

00:32:54It's an entertainer.

00:32:55You can enjoy it in theatres.

00:32:57And thank you that you gave an opportunity for filmmakers like us to come here.

00:33:02Thank you and love you.

00:33:03Thank you so much.

00:33:04Thank you so much, sir.

00:33:05So, you have a great cinema live.

00:33:07You have a super-duper success.

00:33:09You have a great success.

00:33:10You have a great success.

00:33:11You have a great success.

00:33:12You have a great success.

00:33:13And you have a great success.

00:33:14So, thank you so much.

00:33:15And the speeches I have, I have guessing.

00:33:18So, I have a great success.

00:33:20What is it?

00:33:21Dance.

00:33:22What?

00:33:23Dance.

00:33:24What is it?

00:33:25The dance?

00:33:26The dance.

00:33:27How do you dance?

00:33:28I have a great success.

00:33:29You dance.

00:33:30My dance.

00:33:31I have a great success.

00:33:32You dance.

00:33:33Bawa.

00:33:34Bawa.

00:33:35So, there is a character.

00:33:36The song is in Kannada.

00:33:37We didn't release it in Telugu because you will only relate with the song once you understand

00:33:42the character.

00:33:43The idea of the whole song is you need to understand he is a little drunker that's all.

00:33:48Okay?

00:33:49Little.

00:33:50So, you are welcoming a bawa.

00:33:52Okay?

00:33:53Yes.

00:33:54So, we are not dancers.

00:33:56Okay.

00:33:57Let's take a kick and dance.

00:34:00Ready?

00:34:01Good to go?

00:34:03Yeah.

00:34:04Play the movie.

00:34:07Okay, Nisho.

00:34:10Is there a little bit?

00:34:12One, two, three, go.

00:34:14One punch.

00:34:15Three, two, one, and then play it.

00:34:17Here?

00:34:18Three, two, one, go.

00:34:32Okay, okay.

00:34:34Okay.

00:34:35Take number 142.

00:34:36Kadu.

00:34:37Just two.

00:34:38So, again.

00:34:39Play the music.

00:34:40No.

00:34:41Three, two, one, go.

00:34:47Come.

00:34:48Come.

00:34:49Go, come.

00:34:50Come.

00:34:51Go, come.

00:34:52Come.

00:34:53Come.

00:34:54You.

00:35:08Go, come

00:35:11Wow, this is all the characters that are kicking, but they are super kicking.

00:35:21Yeah, I missed the step and he was like, brother, that was not here.

00:35:26But that was amazing, sir.

00:35:28Thank you so much.

00:35:29Fantastic, sir.

00:35:30So, yes, we have a Q&A session with media.

00:35:32So, for that, I request chair say and stage me the inta baga, inta supabga, inta,

00:35:37and I want to entertain them all.

00:35:39So, Sufrem, So, we are all together on Palakrinshra on August 8th.

00:35:43So, let's have a happy theater, enjoy it and let's say something about it.

00:35:49Let's say something super duper hit cinema and super entertainer.

00:36:00So, I request Navin and Seshigar to the Vedimdrasan for Q&A session.

00:36:07So, let's go to the Q&A session and yes, please, we have the first one here.

00:36:31Yes.

00:36:38Okay, Andy, mics already pump it, sir.

00:36:46Thank you, Andy.

00:37:01Thank you, Andy.

00:37:07Thank you, Andy.

00:37:08I feel like thanks for the film.

00:37:09Actually, I have seen a lot of people in Kannada's religion.

00:37:15I have seen a lot of movies in Kannada cinema.

00:37:18I have seen a lot of people in Kannada cinema.

00:37:20I have seen a lot of that.

00:37:22I have seen that ambience.

00:37:24But I haven't seen it yet.

00:37:26I have seen it before.

00:37:28So, thanks to Sheshikar.

00:37:31But you have seen anything.

00:37:34You can't take it.

00:37:36But we want to thank Rajigaru and the team for giving us this opportunity.

00:37:41And definitely, as I said, we will do best for the film.

00:37:47Sheshikar Pramanakaya, sir.

00:37:49It is your offer or their offer?

00:37:54Our offer.

00:37:56Sheshikar Pramanakaya.

00:37:58What are your expectations?

00:37:59What is the success range of this film in Karnataka?

00:38:11Sir, I am a man.

00:38:14We all come from villages, sir.

00:38:16So, our roots, Brahman,

00:38:19if you are missing anything from this generation,

00:38:22or if you are missing anything from this generation,

00:38:25all will be there in the film.

00:38:27So, every character will be connected to every audience.

00:38:30What is the name of Kannada cinema?

00:38:34Same ndai, Sue from So.

00:38:36Sue from So.

00:38:37Same...

00:38:38Do you think that this will pay...

00:38:40This is a title...

00:38:41Is it a title?

00:38:42Is it a question?

00:38:43Sir...

00:38:44Abrivation clarity, I am interested in that.

00:38:46Sir, the...

00:38:47Already trailer logo ndi cheper, sir.

00:38:49Sulochina from Soameswaroani.

00:38:51So, basically,

00:38:52a title is Sue from So on better.

00:38:54But,

00:38:55meir cinema kelliintra avata,

00:38:56antha super super ga ne ountat, sir.

00:38:59Johner is harar or?

00:39:01Sir.

00:39:02What kind of genre?

00:39:03Sir, it is full length har...

00:39:06I mean,

00:39:07Lofter writer,

00:39:08but

00:39:09you read it the trailer chooser,

00:39:11that is only one...

00:39:13one oka...

00:39:14oka twenty percent of the film andi.

00:39:16You know eighty percent different story on the cinema.

00:39:20Navi ngaru?

00:39:22Navi ngaru.

00:39:23Sir,

00:39:24industry loo strike zarootho andi,

00:39:26ussad the cinema kei eemair ka efekt eindhi.

00:39:29Anuk hoonennam,

00:39:30actual ussad cinma,

00:39:31manna manthi kei aipe othun nanko honnkmonga,

00:39:32anuk hoonennang, da?

00:39:33But,

00:39:34eemair ka efekt eindhi,

00:39:35eeppudu haipe ooch?

00:39:37Meyyo enka...

00:39:39Ah...

00:39:40Ah...

00:39:41Hirogarathi...

00:39:42Pounikalayangarthumko one week shoot unhandi.

00:39:44Thratta we have another...

00:39:45Twenty twenty twenty five day shoot.

00:39:47Ah...

00:39:48We are fine andi.

00:39:50Maghen effect avali ihu.

00:39:51But, ah...

00:39:52Strike Gurunji ga anna.

00:39:53We'll talk about this film.

00:39:54That's correct, but you can't see it, isn't it?

00:39:58What can you do with that movie?

00:40:01No, the movie is completely complete.

00:40:05There is a lot of time, right?

00:40:07In August, we have six months of time.

00:40:10I don't have a shoot, but I don't have a date.

00:40:14If you don't have a date, we can definitely tell you first.

00:40:17In August, we have a lot of movies, but it's not a lot of movies.

00:40:26It's a lot of movies and it's a lot of movies.

00:40:29What do you think about this movie?

00:40:32It's a lot of movies and films, but it's a lot of movies.

00:40:38It's a lot of movies and films.

00:40:41It's a lot of movies and films.

00:40:46It's a lot of movies and films.

00:40:48It's a lot of movies.

00:40:50It's a lot of movies.

00:40:52It's a lot of movies.

00:40:54There is space for two films.

00:40:56There is space for two films.

00:40:58So, there is space for both films.

00:41:00Naveengar.

00:41:02Sir.

00:41:03Naveengar.

00:41:04Sorry.

00:41:05Tell me.

00:41:06Naveengar, you're a little bit of a star.

00:41:11I don't know any questions.

00:41:13I don't know any questions.

00:41:16Raj, sir.

00:41:17Sir, here.

00:41:18Yes, sir.

00:41:19Yes, sir.

00:41:20So, what was the immediate reaction when you read the script and tell me more about your first meeting?

00:41:25It's not a first meeting, sir.

00:41:27Like, you know, we met around 2015.

00:41:30So, it's not a first meeting.

00:41:32So, he was an actor who came for an audition of our film.

00:41:36Actually, both of them came to the same audition.

00:41:38That film didn't happen.

00:41:39So, it was a Tulu film.

00:41:41So, Tulu is, you know, my mother tongue.

00:41:44So, I had to do that.

00:41:45But, because I thought, like, you know, Kannada is a big industry.

00:41:48I may not be able to do a Kannada film.

00:41:49So, let me start in Tulu.

00:41:51So, that's when they came for the audition.

00:41:53So, and then, like, you know, we all became friends.

00:41:55And he was a very good narrator.

00:41:56He used to tell stories to people.

00:41:57I said, like, you know, why do you want to waste stories like that?

00:42:00Why can't you write it and become a director?

00:42:03That's when, like, after many years, like, you know, I suggested him a book and asked him to write a screenplay about it.

00:42:08But, because of some reason, it didn't happen.

00:42:11And he worked on, worked for three months on that script.

00:42:15But it didn't happen.

00:42:16And he was heartbroken.

00:42:17That's when I said, like, you know, you write something where you have many stories inside.

00:42:21You have seen life.

00:42:22So, you do that.

00:42:23Like, you know, you write about the characters that you have seen.

00:42:26So, that's when, like, you know, he started writing.

00:42:28And I gave, you know, a few scenarios that I have seen.

00:42:31So, he kept on working for years.

00:42:33He wrote 26 drafts.

00:42:36And all the time, like, you know, he used to send me, he used to send my partner Praveen.

00:42:39It's not that, like, you know, he came and pitched the story.

00:42:42It's like, it ideated from the team itself.

00:42:45So, it's, it's, yeah, that's the way.

00:42:47So, what was the preparation for your character?

00:42:49It seems like some priest or ghost hunter.

00:42:52What was that?

00:42:54In this film, the character was a little more uptone.

00:42:59Normally, what I've done was, I have done comedy, which is subtle.

00:43:03And character, which is very intense and aggressive.

00:43:06These kind of roles I have done.

00:43:07But with this, there is a caricaturist tone that only comes from the theatre experience.

00:43:12So, he is a fantastic theatre director.

00:43:15He had done many Tulu dramas, directed.

00:43:18So, I started understanding, like, you know, what would be the body language.

00:43:22Because my character behaves in a certain way in the initial stages.

00:43:25And in the second stages, it behaves a slightly different way.

00:43:29That would be the comedy.

00:43:30So, to bring that contrast, I had to work how much to uptone in the first half,

00:43:34how much to make it, you know, little more or less in the second half.

00:43:37Those are the kind of preparations, sir.

00:43:39Yeah.

00:43:40Raj sir.

00:43:41Yeah, here.

00:43:42Yeah, hi, hi.

00:43:43Hi.

00:43:44Sir, actually, by seeing all the content,

00:43:46it is slightly related to Stree 2 in such kind of genre.

00:43:51So, by watching the trailer or the drama which is going on,

00:43:55it all looks like it is quite similar to Stree 2.

00:43:58What you will say about this statement?

00:44:00You watch the film, like…

00:44:03Because the thing is, the moment you choose the genre,

00:44:06any hit film before that, that will be, you know, considered as,

00:44:11like, you know, it looks like that.

00:44:13But it comes from his experience.

00:44:16The characters are very different.

00:44:17And the story is absolutely different.

00:44:19And the film started before Stree.

00:44:21Like, you know, six years before he started the script.

00:44:24So, if you watch the film, like, you know, your doubt will be clear.

00:44:27It is not at all similar to Stree at all.

00:44:30Raj sir.

00:44:31Raj, thank you, thank you, thank you.

00:44:33As per media reports, this budget is 1.5 crore size.

00:44:38No, no, it is…

00:44:39It…

00:44:40That's how, like, you know, people…

00:44:41Actually, when somebody does a simple cinema,

00:44:44they miscalculate the budget.

00:44:45Yes, yes.

00:44:46See, if you put…

00:44:47It was shot for 50 days.

00:44:49And there were 30 artists who were highly paid artists in Kannada.

00:44:53So, I mean, they are all theatre artists.

00:44:55If you put them for 50 days, the budget…

00:44:571.5 crore…

00:44:58Like, in 1.5 crore…

00:44:59When I did Garuda Gamana itself,

00:45:01it came around 1.8 crore or something.

00:45:03Okay.

00:45:04So, now the world has changed and everything has changed.

00:45:06And music and…

00:45:07The budget of the film was…

00:45:09Like, only the production cost came around 4.5 crore.

00:45:13And then the, you know, promotion and all costed another 1 crore.

00:45:17Yeah.

00:45:18Why you have…

00:45:19Hided your character in…

00:45:20See, that's the thing.

00:45:21I told, you know, what happened with the industry is…

00:45:23Like, you know, we always used to say, we need big faces to sell the film.

00:45:28And new faces doesn't have a space at all.

00:45:30So, that is where, like, you know, I thought, I don't think so.

00:45:33Like, we need to put a new face and I won't even market myself.

00:45:37I don't tell that I have acted in the film.

00:45:39I don't put it on my face on the poster.

00:45:41So, still, we will sell only because of the content.

00:45:44And we won't market, we won't sit on interviews.

00:45:47We don't…

00:45:48We avoided everything.

00:45:49We avoided celebrity shows.

00:45:50We showed the film…

00:45:52If it is…

00:45:53If it is releasing on 25th, we showed it on 21st.

00:45:55So, you judge the film was the call.

00:45:57So, they bought the ticket and fortunately, they judged good.

00:46:00And that's the reason, like, you know, whatever result you are seeing is because of that.

00:46:03J.P. sir.

00:46:04So, welcome to Dollywood.

00:46:08And tell us, like, which part is easy for you, directing the film or acting in the film?

00:46:13Sort of staff, acting.

00:46:29Direction… direction… direction, solpaporta.

00:46:33To handle Rad. Sir, is difficult?

00:46:35Or to handle Ravi ji…

00:46:36All the very best.

00:46:37Raj Sir.

00:46:38Here.

00:46:39No.

00:46:40I will clarify his image.

00:46:41To wake him up is the difficulty. Yes, sir. Sorry, sir.

00:46:44Sir, that means that you have helped you and helped you.

00:46:48Both, that means that you are friends and you have changed in Canada.

00:46:52So, that means that you have helped you and helped you and helped you.

00:46:57So, that means that you are doing a cinema,

00:47:00that you have to entertain the audience,

00:47:03that you have to work with, that means that you are doing a different cinema.

00:47:08Correct, correct.

00:47:10That means that you are going to fail.

00:47:13So, you have to do the script.

00:47:16You have to prepare the script.

00:47:20Sir, the only idea that we try is to do a cinema that we haven't seen in theatre.

00:47:27So, anything that becomes new to us is something that we want to do.

00:47:33For example, after Garuda Gamana, I didn't want to do another gangster cinema at all.

00:47:38The reason being, then we will fall into a trap, then we fall into a confinement that we will only do cinema for this purpose.

00:47:44So, I think I am a small town boy coming from a middle class family and I have been absolutely fortunate that I am working in cinema.

00:47:53I don't need any more rewards from cinema to work here.

00:47:56Making cinema itself is, you know, biggest joy.

00:47:59So, I can do the kind of cinemas that I do and Rakshad is also in the same trust and Rishabh is also in the same trust.

00:48:08And fortunately, audience are very rewarding, sir.

00:48:12Like, you know, when I did Wundumutta Yakate, my first film, it was a film that was done in 30 lakhs and it was shot in 16 days.

00:48:18For that, we practiced for two and a half months.

00:48:20Every single day, we used to practice.

00:48:22And everybody said, who will watch you as a hero?

00:48:25I didn't want to act as a hero.

00:48:26But when I couldn't find a person who was bald and who could speak Mangalur Kannada and who could act subtle, then I had to act in the last moment.

00:48:35But audience, even though distributors, everybody said that, you know, this film moved into work, audience showed that's not true.

00:48:41So, if they have given that freedom, then I need to be more authentic and honest.

00:48:46So, every time we do cinema, it's very simple, sir.

00:48:48Whatever we do, we try to do cinema that we haven't seen.

00:48:52So, we try to write cinema that we haven't seen.

00:48:54That's all, sir.

00:48:55Raj, sir, you, somewhere you changed the perception of the cinema making and promotions.

00:49:03And what is the idea, sir, what is the method you follow to select the scripts and stories?

00:49:10And especially costing, it's a very relatable artist, sir, you are finding, you are showcasing their talent to the audience.

00:49:19That is very big service to the industry.

00:49:23You introduced so many new faces.

00:49:25What is your method to select the stories and artists?

00:49:29Sir, the simplest thing will be, we won't sell anything other than the cinema.

00:49:34That will be the simplest thing.

00:49:35For example, from the titling, to the posters, to the song, to the trailer, everything will be in the same line.

00:49:44For example, the title Sue from So.

00:49:46Sir said like, you know, why is this title so weird?

00:49:50Because the moment the title is Sue from So, and it, once you watch the trailer, you will understand a bit why it is Sue from So.

00:49:58But still you are not convinced.

00:50:00But once you watch the film, then you take the story with the title.

00:50:04The moment that happens, then the title has more like, you know, recall value.

00:50:10So, every time we do, we carefully plan in a way where we don't sell cinema going overboard, but we sell the story of it.

00:50:20If you see the trailer, we sold the character of Ravi Anna before we released the film.

00:50:25So, we wanted the audience to connect to this character.

00:50:28That's the reason that narration comes that, okay, we had a Ravi Anna.

00:50:31And every village in our younger days had a Ravi Anna kind of a character.

00:50:35So, we relate suddenly.

00:50:36So, what we try to do is, in promotion also, we try to tell the stories, sir.

00:50:41So, why the first song was released in that way?

00:50:43Because we wanted to add the energy to the entire cinema.

00:50:46The cinema has a certain energy.

00:50:48So, we can sell the energy, we can sell the plot, we can sell the mood, we can sell the vibe.

00:50:53But everything should be in a certain way.

00:50:55But it should always tell the story of the film.

00:50:58So, that's how we plan and walk slowly.

00:51:01And fortunately, it had worked, sir, till now.

00:51:03Sir, which part do you enjoy most on writing or execution of the story or acting?

00:51:10Writing and execution I enjoy the most, sir.

00:51:13Acting is still okay, okay.

00:51:14Promotion is the hardest thing, sir.

00:51:16So, it's that. I asked, sir, like, you know, how are you posing to the photo?

00:51:19So, he said, like, you know, it's exactly whatever you are feeling, I am feeling.

00:51:23That's the hardest part.

00:51:25Raj Garu.

00:51:26Yes, sorry. Yes.

00:51:27Hi, I'm Anshli Handi.

00:51:28Hi, hi.

00:51:29So, first thing, trailer was very nice.

00:51:31And your performance right now, we say, was very nice and excellent.

00:51:35So, sir, we want to do it in a Telugu, direct Telugu.

00:51:42But you are coming like a dubbing movie.

00:51:44If you get a chance to do Su from So in Telugu remake, then ever you choose as a cast?

00:51:52I think I will cast everybody who is new.

00:51:54The reason being, see, once I cast a star or somebody, I need to place him in a way where

00:52:01he will shine or because his fans demands it.

00:52:06But this film, if you see, everybody has a certain role.

00:52:10There are 20 to 30 characters.

00:52:11If you come out of the theater, at least 10 you will remember.

00:52:14I can promise you that.

00:52:1510 name you will remember.

00:52:16So, to make this film, we need actors who can actually give space, I mean,

00:52:22where we can design every character in a certain importance.

00:52:26So, if I do a star, I mean, if I cast the same star in this film, then I need to give importance

00:52:30to that character.

00:52:31So, then I might lose all the, you know, shine of the other characters.

00:52:35So, I might audition, I might search, but I might find a new actor.

00:52:39Can I ask one thing?

00:52:41Naveengar, sir.

00:52:46Naveengar, you have the biggest blockbuster in Canada.

00:52:51You have seen film in the film, you have seen entertainment, you have seen entertainment.

00:52:56You have seen that from Maitre movie makers, you have seen that scale of movies.

00:53:01You have seen that coming days, you have seen Maitre movie.

00:53:05You have seen that.

00:53:07I mean, if you have seen film in the film, you have seen a movie in the film, you have seen a movie in the film.

00:53:17And you have seen that in this budget.

00:53:20So, you have seen that in the film, you have seen a small town boy stories.

00:53:24Two films now.

00:53:25Two films.

00:53:26Naveengar, you have seen that?

00:53:30Naveengar, sir.

00:53:32Sir, you have seen that in the film, you have seen a few questions.

00:53:39Two important events are missing.

00:53:41One is the percentage system.

00:53:44The strike is the greatest.

00:53:47You have seen the distribution, production, exhibition, etc.

00:53:52You are a perfect person.

00:53:54You are a perfect person.

00:53:56Sir, what is your opinion of the film?

00:53:58What is the percentage of theatre?

00:54:01Yes.

00:54:01We want theatres to be on a rental basis.

00:54:04We want theatres to be on a rental basis.

00:54:06I don't want to do anything, I don't want to do anything.

00:54:09I don't want to do anything.

00:54:10Okay. Your percentage system ignores.

00:54:14Okay.

00:54:15Did you strike a strike?

00:54:17Vages.

00:54:19Vages.

00:54:20See, now industry is facing a lot of problems.

00:54:24It's a very tough phase.

00:54:25So, these discussions are happening and we'll see where it goes.

00:54:33The producers also have the software record, the association and the federation.

00:54:37Do you understand how much the industry is facing the break?

00:54:41Do you understand how much the industry is facing the budget?

00:54:46Do you understand your views?

00:54:48If you break out, right now the increase is very tough, because there are no markets and non-theatrical markets, so right now it's a very tough situation.

00:55:06If you increase and decrease, the association or union are very tough, it's a problem. What is your opinion?

00:55:20Anything for us is good for us?

00:55:28What is the view of the budget control?

00:55:30It's a big deal.

00:55:32It's a big deal.

00:55:34It's a big deal.

00:55:36But if I'm a cinema,

00:55:38if I'm a dollar or a dollar,

00:55:40it's good for us.

00:55:42But then,

00:55:44it's a big deal.

00:55:46Both things.

00:55:48You have to balance both.

00:55:50Sir,

00:55:52you have to be a distribution

00:55:56and you have to expand the exhibition.

00:55:58It's a big deal.

00:56:00The last time we were in the city,

00:56:02we had to struggle with the theatre.

00:56:04It's a big deal.

00:56:06It's a big deal.

00:56:08It's a big deal.

00:56:10It's a big deal.

00:56:12It's a big deal.

00:56:14It's a big deal.

00:56:16It's a big deal.

00:56:18We're ready to leave.

00:56:20What's your opinion?

00:56:26Sir,

00:56:28I don't know.

00:56:30I'm going to study it.

00:56:32Sir,

00:56:33you're ready.

00:56:34You're ready.

00:56:35You're not interested.

00:56:36You're ready.

00:56:37You're ready.

00:56:38You're ready.

00:56:39Sir,

00:56:40you're ready.

00:56:41You're ready.

00:56:43You're ready.

00:56:45You're ready.

00:56:47You are decide in the movie.

00:56:48I'm going to preach.

00:56:50You are ready.

00:56:51One,

00:56:52is a proper release plan.

00:56:53See,

00:56:55a monopoly.

00:56:57Three,

00:56:59three theaters.

00:57:00Three.

00:57:01You have to belong.

00:57:02You have to belong.

00:57:03One,

00:57:04one,

00:57:05is one.

00:57:07that has been our presence,

00:57:08our cinema,

00:57:09that has only one,

00:57:10but that's the whole profilations.

00:57:12We don't want whole theatres.

00:57:14Mark Walker's work out.

00:57:16So, to safeguard the film which we are releasing.

00:57:19Sir, Vimal Theatre is the best theatre in Hyderabad.

00:57:24In Vimal, there is a distribution film in Vimal.

00:57:29There is a lot of film in Vimal, but a medium film is not out.

00:57:35Sir, we are studying every cinema.

00:57:38So, Vimal Theatre is a weekly theatre.

00:57:43So, if you are looking at single cinema,

00:57:48or two films,

00:57:50or medium films,

00:57:53we are looking at the basic theatre in that theatre.

00:57:58So, let's say.

00:58:00We are looking forward to the film,

00:58:02if you are looking at it,

00:58:03we are looking forward to the medium cinema.

00:58:06Sir, I think...

00:58:10I can't wait to see any time, sir.

00:58:12Look, everyone here is cinema.

00:58:16So, I have to see cinema and cinema.

00:58:20Just listen to cinema, cinema, cinema.

00:58:22Where are the people around?

00:58:23Where are the people around?

00:58:25I know that one cinema is at a time.

00:58:27Okay, thank you.

00:58:39Naveengar, Naveengaru, miru bari budget sitraal chise banner ga,

00:58:44okka wages walle maatramei cost of control jargoogtun da ane kondnara?

00:58:48Mekithaveshya ala miki ebbandu leuwa, Atene koda mirai anna ala chisthunara?

00:58:53Mar atende kondar e chalaiyaband luun naai.

00:58:57Mal atende kujij koda putu pudi it is the right time to action.

00:59:00Mena ee sinhma kuni madu kujij kodaran hu antepuduchili kaara santhar baun.

00:59:05Mene a geessun aru vahala chis thadagi ee sinnan rombo jahe.

00:59:07Meer okka prashtun samaharan ceppaka wil shift den maani.

00:59:11Eeroz na projektsnu, egzwibuicho, distribuicho moodu kodanu sara doll �aram slo unna en vezhethethanели sao.

00:59:17Baat mere aah successful producer, suksai aru.

00:59:21But getting into distribution, to what extent it is fetched to Maitri movies and what extent it is suffering?

00:59:32It is the right decision. Why did you step in the distribution?

00:59:40It is the right decision. Why did you step in the distribution?

00:59:53It is the right decision. It is the right decision.

00:59:58It is the right decision.

01:00:03We want our own distribution. That is why we started and we are very happy.

01:00:10Rajghar. Sir, director.

01:00:12Director.

01:00:13Meeru, Meeru. Sorry, Ardha. No problem.

01:00:17Welcome to Telugu. Thank you, sir. Thank you so much.

01:00:20The way your performance is fantastic. Thank you.

01:00:24And as a producer, we heard that this film is a very big success.

01:00:29But wherever, in any field, the figures will speak.

01:00:34The figures, you see, Meeru, one and one, not eight low chosen from the cinema.

01:00:39It had minted money like anything.

01:00:41This you are saying that it is done in fourteen, four or somewhere between four and five.

01:00:46Correct, sir.

01:00:47What is that you collected in Karnataka?

01:00:50Karnataka till now, till yesterday, sir, the figure was around like, you know, I see, I have this problem gross and net only, I get confused.

01:01:02You tell the gross, we can calculate the net.

01:01:05Yeah, yeah. So, we got around thirty-four, sir. Like, including this thing and all, like…

01:01:12No problem.

01:01:13And that too in ten days, huh? Ten days. Ten days. Ten days. And that's only in Karnataka.

01:01:20Okay.

01:01:21And overseas market, it collected around five crores, sir. Till now.

01:01:27And there is no person who is known. No person… So, that was a miracle there. So, that was a miracle. Yeah.

01:01:35What is the reason that you have gone for all the new faces?

01:01:38Sir, the thing is, when I came to the industry, people accepted. I still believe, like, you know, contents, if we do the best of contents, people will accept.

01:01:49The people want stories is what I feel. So, only we can take this risk because we can supervise a project. Because we are creative as well, we can market the project in the right way.

01:02:02We can spend a lot of time. And imagine this, sir. Any industry for that matter. If new heroes come, new director come, only then the industry will thrive and survive.

01:02:12It is not that only we need to act and only we need to survive. That doesn't work for an industry. And fortunately, he's a fantastic director and he's a fantastic performer.

01:02:21We need performers. And in any industry, even though there are star cinemas, the content cinema is also, like, you know, it is not competing. It is actually, it is surviving together.

01:02:31We need every kind of cinema. And this kind of cinema we can create, sir. That's the reason I go for this.

01:02:35Shetty Bros are raising and ruling. What do you say about this?

01:02:39We are slaves of cinema, sir. We are not emperors or nothing. Like, you know, we work in cinema.

01:02:43And do you think this is a ruler's costume or the way ruler talks? No, I don't think so. We work for cinema, that's all.

01:02:49And I love that I have this opportunity to work for cinema.

01:02:52Sir, Rajghar, same question, continuation of that. Yes, sir.

01:02:55There is a social media slogans are there. Shetty Mafia, Shetty Raz in that Kannada industry.

01:03:00So, what are these are in the social media or in the industry also there is a discrimination?

01:03:04I don't know, sir. Industry people haven't questioned. It's in social media.

01:03:08I think anything has a counter this thing. No, he's not a Shetty and he's not a Shetty. And they are from the day one.

01:03:16But nobody wants to cover because it doesn't look good. No. On anywhere, like, you know, if you put, that doesn't look good.

01:03:23And that's the reason, like, you know, we call Shetty Mafia and we are friends, that's for sure.

01:03:27Like, you know, I have collaborated with Rishabh. I have wrote for Kantara. I have wrote for all his films.

01:03:33And I have written for Rakshat in 777 Charlie. And he has also collaborated with Rishabh.

01:03:39But nobody calls him, like, you know, he's from that gang. Nobody calls him from my gang also.

01:03:44Because he doesn't have a tagline. That's the simple thing. But we don't have a problem with that.

01:03:49But I always call people, like, you two form gang. You two collaborate with people.

01:03:54So the moment you collaborate, no? For example, if I come and, like, you know, JP can direct, then that's a beautiful thing.

01:04:02Only me directing, only me producing, only my film. That is not right. I think you need to collaborate so that we can thrive as an industry.

01:04:10Good, sir. Congratulations. Thank you, sir. Thank you.

01:04:12Raj sir, when are you going to do Stride Telugu movie?

01:04:15I don't know. The reason being, any cinema for that matter, when I write, I don't write structure first and then dialogue and then screenplay. That doesn't happen to me.

01:04:26So I write, scene by scene I write. So the first language that comes, see, more than anything I'm a writer first.

01:04:34That is one job I don't want to leave. Other, like, you know, take every other job that I have.

01:04:38But writer is one job that, like, you know, I enjoy. To create something on a blank paper is the most joy, like, you know, that I can find.

01:04:44So when I do that, so the language might restrict. If I don't know Telugu that well, if I know Telugu that well, if I know some other language that well, I might be able to create that.

01:04:54If I don't able to create that, the primary joy that I find in cinema is lost. So when I can find it in this language, I might do it.

01:05:02JP, sir. Congratulations.

01:05:07So it was excited and super fun and rollercoaster film actually.

01:05:11Thank you. Thank you. Thank you.

01:05:12I was surprised about Telugu release.

01:05:14So we can expect Telugu sequel of Su from Su?

01:05:19Can we expect?

01:05:22Sequel? Any sequel?

01:05:25Sadiya Keenu plan is not, sir.

01:05:27Barba is not.

01:05:28Sulo Chana, Talegu, Barba is not.

01:05:32Raj, sir.

01:05:33So I am always, I don't go for, so he might have a plan, but I always tell no parto in Lighter Buddha films.

01:05:41The reason being, we are creators. We are creative people. And when we create something, that should be original and we should be done with that is what I believe in.

01:05:51Otherwise, we will find a formula and we try to replicate it. That's what I don't want to do in Lighter Buddha films.

01:05:56So that's the reason, like, you know, even if it's the most successful project, like, you know, I want to keep it aside and try it.

01:06:01Raj, sir, you have a huge fan base in Telugu states too.

01:06:05Yeah.

01:06:06When compared to Kannada, you have a lot of fans here too.

01:06:10So when will you do straight Telugu film?

01:06:12Just I answered that.

01:06:13So one more, a lot bust not released.

01:06:15You are the part of Kanthara.

01:06:17Yeah.

01:06:18Kanthara, I was a part of Kanthara. This time I couldn't work, like, you know, I had too many.

01:06:22But he is a small part of Kanthara, but he too couldn't go to shoot.

01:06:27He is also a fabulous writer.

01:06:29So, like, he is a fantastic writer.

01:06:32This time I couldn't work, but Rishabh had called me today and he said everything is going on smooth and great.

01:06:38So let's see how this film shapes up.

01:06:40So two weeks time, but in the straight time, it would release.

01:06:44Next films, I am expected.

01:06:48Simultaneous release, we can expect.

01:06:51Oh, okay, okay. Sorry, sorry, brother.

01:06:53Like, you know, I want to do that.

01:06:55Like, you know, what we believed was, we want to release the film.

01:06:58And the moment, see, the moment the film is a success, then if it travels to other land, it is more genuine.

01:07:04It is more genuine. It is true.

01:07:06Because we are not doing anything.

01:07:08People said it's a super-hit film and then it goes to another language.

01:07:12Then we can be very sure that, like, we didn't tell.

01:07:15So if someday, like, you know, we are absolutely sure that, okay, it will sell in every other language,

01:07:21we will show the film to, like, you know, sir, and we will show to the interested prospects

01:07:27and then, like, you know, if they are interested, we'll do that.

01:07:30The only thing is, we want to do cinema, brother.

01:07:32Like, you know, it's not language, that this and everything.

01:07:34We want to do cinema, yeah.

01:07:35Congratulations.

01:07:38So, experimental films released a lot.

01:07:42So, it's content-based films.

01:07:44If you release the film, you can accept the minimum content for the project.

01:07:49So, you want to release this film as a main reason.

01:07:51And now, next week, there will be a release.

01:07:55So, there is a scope for this film.

01:07:58So, let's give it to the people.

01:08:00Sir, in the chat, too, Manjumal Boys didn't have a first day.

01:08:05The content was made.

01:08:07Manjumal Boys, we brought to Telugu State.

01:08:10The same thing, Maharaja, Tamil.

01:08:12So, now, this cinema, too, I was first to choose.

01:08:15And actually, we are after the producer, actually.

01:08:19So, we will release in two states and then, we were following up.

01:08:24So, finally, they gave us an opportunity.

01:08:27So, that is how...

01:08:29What is the basic thing?

01:08:30It's the best content.

01:08:32The best content is to bring people to the people in the world.

01:08:35If we have a chance, once we have a chance, we will also have a distribution.

01:08:40We will also have one side of the slaves to the cinema.

01:08:45The best cinema is to bring people to the theaters.

01:08:48So, that is our intention, Andy.

01:08:50Shishikaru.

01:08:51Sir, actually, ten days, though, thirty-four collects.

01:08:54That's what I'm saying, sir.

01:08:55You are the right person to say.

01:08:57And guess the numbers.

01:08:59What is your expectation level?

01:09:00What is your expectation level, sir?

01:09:02If you are looking for cinema, you will have to give it.

01:09:05Please give it to you.

01:09:06Please give it to you.

01:09:07Please give it to you.

01:09:08You are the right person to say, and guess the numbers.

01:09:11Do you have a limit, ma?

01:09:17Raja, J.P. or Shenil.

01:09:20Are you happy?

01:09:21I have a happy.

01:09:22Thank you, Raja.

01:09:23I am happy, thank you.

01:09:24You are happy.

01:09:27So, what is your, like there is a rumor going on that you wrote the screenplay for 26 times.

01:09:37So, you changed that 26 times.

01:09:39He wrote.

01:09:40He wrote.

01:09:41You both collaborated on the…

01:09:42No, no, no.

01:09:43Like, you know, initially we discussed then he wrote.

01:09:46J.P.

01:09:47Yeah, he is the writer-director of the film.

01:09:49So, I just, I am a producer of the film.

01:09:52J.P.

01:09:53J.P.

01:09:54J.P.

01:09:55J.P.

01:09:56J.P.

01:09:57J.P.

01:09:58J.P.

01:09:59J.P.

01:10:00J.P.

01:10:01J.P.

01:10:02J.P.

01:10:03J.P.

01:10:04J.P.

01:10:05J.P.

01:10:06J.P.

01:10:07J.P.

01:10:08J.P.

01:10:09J.P.

01:10:10J.P.

01:10:11J.P.

01:10:12J.P.

01:10:13J.P.

01:10:14J.P.

01:10:15J.P.

01:10:16J.P.

01:10:17J.P.

01:10:18J.P.

01:10:19J.P.

01:10:20J.P.

01:10:21J.P.

01:10:22J.P.

01:10:23In that sense, we will watch the film.

01:10:26It's all changed.

01:10:28We didn't see that in the cinema.

01:10:30We didn't see that in the cinema,

01:10:32we didn't see that in the cinema script.

01:10:34They didn't see that in the cinema.

01:10:36We didn't see anything that we wanted to do for the director.

01:10:41I want to ask all that.

01:10:42Naveen, Sir.

01:10:43Sir, Naveen, Sir.

01:10:45Sir, you have had high budget films, low budget films.

01:10:50So, in different languages, hit and cinema, you don't have to choose.

01:10:55But now, I am working with other languages, here and here, here and here, here and here, here and here, here and here, here and here, here and here.

01:11:04Is there a chance to have this collaboration in different languages?

01:11:10Yes, sir. Simultaneously.

01:11:11Like you said, Drishyam Jasner.

01:11:12Done, sir.

01:11:13If there is an opportunity, we would love to do it, definitely.

01:11:17Done. Thank you, sir.

01:11:18Sir, Ra, sir. Ra, sir, here.

01:11:20Yeah, yes, sir, yes, sir.

01:11:21Actually, last time, this is Garudagrama.

01:11:23Yes, sir.

01:11:24Storytelling, presentation, slow motion.

01:11:28Brahma Vishnu maestro.

01:11:32The basic thought is, sir.

01:11:35Storytelling, presentation.

01:11:38Sir, when I was watching Yakshagana, you know Yakshagana, sir?

01:11:43Yes, sir, yes, sir.

01:11:43So, in Dakshina Kannada and Uttarakannada, there is a form of this thing called, theater called Yakshagana.

01:11:52There they play mythology.

01:11:53So, I was watching, I was a fifth standard kid and there was mythology happening there.

01:11:57Devi gave birth to Brahma Vishnu Maheshwara and she assigns a role to everybody.

01:12:03Srishti, stiti, laya.

01:12:04You know, three roles she gives.

01:12:06And after that, they all fight with each other saying that, you know, I am bigger and I am bigger.

01:12:10I am a fifth standard kid and I am watching the Yakshagana and my idea is like, oh my God, okay.

01:12:15Does God have this ego?

01:12:18Like, you know, do they fight with each other?

01:12:20But nobody answered me.

01:12:21It actually remained as a question inside my head.

01:12:24And then I did a film.

01:12:25My first film.

01:12:26What do I say?

01:12:27After that, within the team, like, you know, once it's successful.

01:12:31So, we also, like, you know, the idea comes.

01:12:34It is successful because of whom?

01:12:36Because of me, because of me.

01:12:38That ego comes.

01:12:39So, when that started coming within the teammates, I was like, you know, okay.

01:12:43Like, this ego is a beautiful thing.

01:12:45So, I wanted to explore why we become these people after success or something.

01:12:50So, that is when I didn't have the question for Brahma, Vishnu, Maheshwara.

01:12:53I took those characters and put it in a gangster world where they accidentally become gangsters.

01:12:58But I gave the attributes of Brahma, Vishnu and Shiva.

01:13:02So, that is how I tried to answer the question which I couldn't find an answer.

01:13:07Sir, I can't tell, like, I found an answer but I found a film, Sir.

01:13:10Yeah.

01:13:11Sir.

01:13:12In that cinema, you are doing a maddar, you are doing a shivathan.

01:13:17Correct, Sir.

01:13:18Excellent acting, Sir.

01:13:19Thank you so much, Sir.

01:13:20So, all the way, Sir.

01:13:21Thank you, Sir.

01:13:22Thank you, Sir.

01:13:23When is your next film, Sir?

01:13:24Sir, I am writing, Sir.

01:13:25I am writing.

01:13:26Because of this film and because of the promotion and all, I am not able to focus.

01:13:28But the moment I finish this, I want to switch off the phone.

01:13:30I want to uninstall Instagram and then I go and write and finish that script, Sir.

01:13:35That's a thriller that I am trying to do.

01:13:37Yes, Sir.

01:13:38Sir.

01:13:39You are producing?

01:13:40Yes, Sir.

01:13:41Like, you know, right now I have made a little money so we can produce.

01:13:43Rajanara.

01:13:44So, not sure to whom should I shoot this question.

01:13:47So, actually I watched it in Kannada.

01:13:49It was hilarious.

01:13:51So, yeah.

01:13:52Now the question is, like we have some blockbusters from other languages like Premalu and Jimkana,

01:14:01where they used too much of meme references and they largely depended on that.

01:14:06So, not sure who did take care of the dubbing for this film.

01:14:11So, is it a true translation or you also depended on memes and other stuff?

01:14:18Yeah.

01:14:19Yeah.

01:14:20We took care of the dubbing.

01:14:21Okay.

01:14:22So, because creatively we wanted somebody to supervise.

01:14:25It's not that like, you know, when we do cinema, as you said, you cannot just, you know, Google

01:14:30translate a word and put it and that doesn't work for a culture.

01:14:33Yeah.

01:14:34So, if you see the trailer and if you watch the Malayalam trailer and Kannada trailer,

01:14:38these three trailers looks different in three ways.

01:14:41Yes, yes.

01:14:42The intonation, the way they pronounce the name and the sound.

01:14:44For example, in Mangalur, Kannada, it is called Raviyanna and it is very soft.

01:14:48Yeah.

01:14:49And in Telugu, it Ravanna.

01:14:51It is a little more, you know, stronger.

01:14:53Yeah.

01:14:54So, only a local person can find that dialect.

01:14:58So, when I sent a person, like, you know, the moment we knew that, like, you know, we are doing,

01:15:02I sent a person and said that this is the sensibility that I want.

01:15:05I don't want them to Google translate it.

01:15:07Yeah.

01:15:08Work on it as much as possible.

01:15:10So, we didn't Google translate, sir.

01:15:11Okay.

01:15:12We did the best that we can do in the time that was available.

01:15:15Yeah.

01:15:17Thank you, Mirja, for your questions.

01:15:18If you look at the camera, there is a big ticket.

01:15:20There is a big ticket.

01:15:21There is a big ticket.

01:15:23So, yeah.

01:15:25Thank you, sir.

01:15:28Cool, you guys are.

01:15:29Oh, yeah.

01:15:30Okay.

01:15:31Say thanks to the coffee shop,

01:15:34and let's see what you've done.

01:15:37Bye.

01:15:37How are you doing?

01:15:40You guys are trying to build free content.

01:15:44You can highlight that for going on your channel,

01:15:45okay.

01:15:46Today is band- It is a great service.

01:15:48Hummer.

01:15:50And yes,

01:15:52you have garglarneoka-

01:15:53You can't wait to come in our service.

01:15:55Okay.

01:15:56Mom.

01:15:57Thank you so much, Raj sir, Shanil sir, JP sir, thank you so much and wish you good luck.

01:16:16Thank you, Naveen Garo and Sashi Garo.

01:16:26And thank you so much, Media, for your support and for your questions.

01:16:30And yes, as I said before, save the date.

01:16:33Now stay it.

01:16:34This is super, full, you all entertain us.

01:16:38So yes, this is Geetha Bhaka signing up.

01:16:41Shubratri.

01:17:00.

01:17:30.

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