In Other Words, I Love You #Dramabox
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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Short filmTranscript
00:00:00I've always described the world in words people moments places all through metaphors and margins
00:00:11okay like my mom self-made stubborn and never wrong
00:00:18what was there you excited for your first day she calls this a fresh start I call it terrifying
00:00:30you've got this just for yourself that's kind of the problem
00:01:00okay
00:01:04morning class
00:01:07and you're not seated because
00:01:11I don't have a seat
00:01:14ah a new transfer Alice Keaton right
00:01:18let's see
00:01:19now there's a spot next to Charles
00:01:24Charles case sorry
00:01:26seriously a charity case sitting next to Charles
00:01:30god what is she
00:01:32quiet
00:01:33Charles
00:01:37I've always had words for everything
00:01:40but in that moment
00:01:44I forgot them all
00:01:47look this is true
00:01:53so
00:01:53Charles move your things
00:01:56I'd rather not
00:01:58she'll be a distraction
00:01:59from what sleeping
00:02:01from everything
00:02:03if anything Charles Miss Keaton will be a positive influence on you
00:02:06she was top of her class at a previous school
00:02:08With all due respect sir, her previous school was American.
00:02:15I highly doubt that.
00:02:18That's enough.
00:02:20She can sit here, it's fine.
00:02:25Back to Golding.
00:02:27You got it.
00:02:28I'm Sherry Bourne.
00:02:29Alice Keaton.
00:02:30It's very important that we look at New York's intentions, what he's talking about, their
00:02:35experience of the time.
00:02:40Wait, you sat next to Charles?
00:02:42She didn't.
00:02:43You totally shut her down.
00:02:44Oh, knew it.
00:02:45Don't take it past me, he's impossible.
00:02:48Can everyone stop acting like the goal is getting into his pants?
00:02:51What?
00:02:52He's hot.
00:02:53Everyone kind of is.
00:02:56I...
00:02:57I've seen Connor.
00:02:58He's not my type.
00:03:00You're joking.
00:03:01I don't find bullies attractive.
00:03:03Hey, be careful.
00:03:04You're talking about the king of Ashford.
00:03:07The what?
00:03:08His family basically own the school.
00:03:10And the town.
00:03:11Maybe even the country.
00:03:13Yeah.
00:03:14Everyone's tried to get close.
00:03:15No one can get past his ego.
00:03:17You're not the first to get iced.
00:03:19Okay, first of all, I wasn't iced.
00:03:21It's more like a mutual decision.
00:03:24And second, I think he's arrogant, cold, thinks he's untouchable.
00:03:29But if you really look at Charles, he just seems isolated, like he's faking out.
00:03:33Honestly, I just think he's lonely and kind of pathetic.
00:03:40What?
00:03:41No, go on.
00:03:42No, go on.
00:03:49You were saying I'm lonely and pathetic.
00:03:56Next time, read the room before opening your mouth, American.
00:04:01We're not in Kansas anymore, Alice.
00:04:04We're not in Kansas anymore, Alice.
00:04:06Hey, how was your first day?
00:04:23Uh, good.
00:04:25Nothing exciting happened?
00:04:27Not really.
00:04:28Super uneventful.
00:04:30Really?
00:04:31How's your new job?
00:04:32Yeah, alright.
00:04:33Get this?
00:04:34They said we can stay in the servant's wing.
00:04:36Seriously?
00:04:37Hmm.
00:04:38Apparently, the young master won't mind the company.
00:04:41The young master.
00:04:44This is your boss's house.
00:04:46Yep.
00:04:47Isn't that incredible?
00:04:48I mean, I wouldn't call it a house.
00:04:50It's a museum with better landscaping.
00:04:59Wait here.
00:05:00I'll talk to the butler.
00:05:07Wow.
00:05:08Rich people.
00:05:09You've topped yourselves again.
00:05:14Stephen King.
00:05:16First edition!
00:05:27Breaking and entering now.
00:05:29How American of you.
00:05:39You've been paying rent.
00:05:40Here in my head.
00:05:41Time to fight it hard.
00:05:52You can get up now.
00:05:54I-I'm trying.
00:05:56Wait!
00:05:58Are you serious?
00:06:00Well, you said you were trying.
00:06:03What is wrong with you?
00:06:05Funny.
00:06:06I was about to ask you the same thing.
00:06:08What are you doing in my house?
00:06:11You-
00:06:12Wait.
00:06:14Your house.
00:06:15My house.
00:06:16My library.
00:06:17And now, apparently,
00:06:19my unwanted guest.
00:06:22Ah, Master Charles.
00:06:24You must be Miss Alice, Anne's daughter.
00:06:26She said you'd be moving in today.
00:06:28She what?
00:06:29There-there's been some kind of misunderstanding.
00:06:32You see, I'm not actually moving in.
00:06:35Is that so?
00:06:36Yeah, I'm not staying here.
00:06:37Like, at all.
00:06:38That's a shame.
00:06:39Your mother seemed quite pleased with the arrangement.
00:06:42Well, I just don't think it's appropriate.
00:06:45Well, if you're sure, then absolutely not.
00:06:49Come on, Alice.
00:06:50Alice.
00:06:51You.
00:06:52Must.
00:06:53Stay.
00:06:55It'll be...
00:06:56Fun.
00:06:58My dear...
00:06:59Classmate.
00:07:00I'm dead.
00:07:01I'm dead.
00:07:02Like mentally.
00:07:03Socially.
00:07:04And actually dead.
00:07:05And actually dead.
00:07:12Just trying to figure out how exactly my life went off the rails.
00:07:17Get it together, Alice Keaton.
00:07:19You've been through hell.
00:07:24Actually, no.
00:07:25You won't be the thing I need.
00:07:26They all just let me...
00:07:27This is hell.
00:07:28But baby, you saved me.
00:07:30Uh, good morning.
00:07:31Good morning.
00:07:39Wow.
00:07:40So, is that Miss Keaton?
00:07:48What thing doesn't know?
00:07:50That's what's been closed for months.
00:07:52She's going to be late.
00:07:59Okay, how long is this thing gonna take?
00:08:02Maybe I'll just walk?
00:08:04Five miles to school!
00:08:06Okay, if I sprint, maybe I'll make it before first period.
00:08:12Or die of exhaustion on the way.
00:08:18Or die of exhaustion on the way.
00:08:21What are you doing here? Didn't you already leave?
00:08:26Wait, did you come back for me?
00:08:31Relax.
00:08:33I forgot my textbook. Don't flatter yourself.
00:08:36Wait!
00:08:39Since you're already here, maybe you could be a decent person and give me a ride?
00:08:47No.
00:08:49Seriously? Your car is huge!
00:08:52Yeah. And I'm not a fan of sharing.
00:08:56Says the guy who forced me to live in his house!
00:09:03Unbelievable!
00:09:06Asher Institute, please. Thank you.
00:09:07Who needs an entitled brat anyway?
00:09:09Sir, you called the cab. Why not just give Miss Keaton a lift?
00:09:10Why not just give Miss Keaton a lift?
00:09:11Why not just give Miss Keaton a lift?
00:09:12Why not just give Miss Keaton a lift?
00:09:13Why not just give Miss Keaton a lift?
00:09:15Why not just give Miss Keaton a lift?
00:09:16Why not just give Miss Keaton a lift?
00:09:17And have the whole school go crazy?
00:09:18Who needs an untitled brat anyway?
00:09:23Sir, you called the cab. Why not just give Miss Keaton a lift?
00:09:32Why not just give Miss Keaton a lift?
00:09:34And have the whole school go crazy.
00:09:36She's new. Everybody's already talking.
00:09:39So you're worried about her?
00:09:41You're overthinking. I just don't like drama.
00:09:48Asshole.
00:09:51Who?
00:09:53Morning, Klaus.
00:09:55Back to Golding.
00:09:57Remind me what he's saying through Lord of the Flies.
00:10:04Mr. Kenwood, care to share what you found so amusing?
00:10:08Not particularly.
00:10:10Oh, I insist. You seem very entertained by Golding.
00:10:14I'm not entertained by Golding, sir.
00:10:17On the contrary.
00:10:19I think his ending is...
00:10:22Weak.
00:10:23Wait, wait.
00:10:24You actually read it?
00:10:25Quiet.
00:10:28That's an interesting take.
00:10:29Explain.
00:10:32He had the setup for something brutal.
00:10:35Something honest.
00:10:36But in the end, he backed out.
00:10:38He could have left the boys on the island.
00:10:40Forced them to confront the collapse of all morality.
00:10:43Let them choose survival.
00:10:45Or death.
00:10:46But instead, he gave them a rescue boat.
00:10:49Slaps a happily ever after on a book about savagery.
00:10:56It's a waste.
00:10:57Don't you think?
00:10:58I'm delightfully surprised, Charles.
00:11:00Didn't think you had such strong literary opinions.
00:11:03I'm always a model student, sir.
00:11:05Let's not get ahead of ourselves.
00:11:09So.
00:11:10A critique of Golding's mercy.
00:11:12Anyone disagree?
00:11:13I think Golding knew exactly what he was doing by ending the book that way.
00:11:32It's not mercy, it's irony.
00:11:34How so?
00:11:39The rescue isn't a happy ending.
00:11:41You don't just walk back into society and forget you're a monster.
00:11:44Golding didn't save them.
00:11:45He left us with the discomfort of pretending they could be saved.
00:11:48That's an interesting take, Miss Keeter.
00:11:51You still think it's a harsh critique?
00:11:53In some ways.
00:11:54But not harsh enough.
00:11:57Yes, it's a critique of toxic masculinity.
00:11:59But still, Golding sympathized with them.
00:12:02And the civilized world?
00:12:04Toxic, violent.
00:12:05He didn't call that out nearly as much.
00:12:07So yeah, I don't think Golding pushed far enough.
00:12:10But I think it's unfair to call it a happy ending.
00:12:16Thank you, Miss Keeter.
00:12:18Well said.
00:12:20Anyone else?
00:12:23Both opinions are valid.
00:12:24Okay.
00:12:25That's kind of epic.
00:12:26And let's not forget, Golding faced major backlash
00:12:28when he first published the book.
00:12:31Good literature will always divide opinions.
00:12:36What's happening to me?
00:12:43Okay, what is going on?
00:12:44Why is everyone staring at me?
00:12:47Well, you're new.
00:12:48And apparently had a thing with Charles.
00:12:50A what now?
00:12:52You two are in the middle of the most epic feud
00:12:54Asher's scene in years.
00:12:56We're not even fighting.
00:12:57Well, according to everyone,
00:12:58you confessed your love on day one.
00:13:00Got rejected.
00:13:01Begged to sit next to him.
00:13:03Got rejected again.
00:13:05And today in class,
00:13:06you broke down crying about not believing in happy endings.
00:13:09And stormed out in tears.
00:13:12You were there, Sherry.
00:13:14That is not what happened.
00:13:16Doesn't matter.
00:13:18People believe what they want to believe.
00:13:20And they want Charles to be flawless.
00:13:22Untouchable.
00:13:24Wow.
00:13:25Is misogyny like a rich kid thing,
00:13:27or just a British specialty?
00:13:28Honestly,
00:13:29both.
00:13:31But seriously Alice,
00:13:32some people already see you as a threat.
00:13:42Okay.
00:13:43Loaded.
00:13:45Looks like the new girl's in for a rough first semester.
00:13:47Looks like the new girl's in for a rough first semester.
00:13:48is his first place.
00:13:50Oh, I've been eating,
00:13:51and I'm being hungry.
00:13:52I'm being hungry.
00:13:53I'm being hungry.
00:13:54I haven't.
00:13:55Not as much.
00:13:56But I'm being hungry.
00:13:57This is not my toy.
00:13:58I awittle.
00:13:59I'm being hungry.
00:14:00I'm being hungry.
00:14:01I'm being hungry.
00:14:03I'm being hungry.
00:14:04I'm being hungry.
00:14:05I'm being hungry.
00:14:06There's something to be hungry!
00:14:07I'm being hungry.
00:14:08I'm being hungry.
00:14:09I'm having a私.
00:14:11Just one.
00:14:12Yes.
00:14:13I was getting hungry.
00:14:14Let me see you now.
00:14:15You
00:14:23Fine
00:14:39Seriously
00:14:42Shit
00:14:45What the hell?
00:14:49Anne, I thought you were having dinner with Alice?
00:14:52She hasn't come home. Her phone is off. Maybe you've seen her this evening?
00:14:59Yikes. Looks like the new girl's in for a rough first semester.
00:15:08Shit
00:15:10Hey! Alice!
00:15:15Mr Pelton, Charles Kenwood here. I was wondering if I could get the timetable for Alice Keaton. She hasn't come home.
00:15:22I'll have it sent over.
00:15:24Check the common room in the library. I'll take the rest.
00:15:27I'll take the rest.
00:15:30Alice!
00:15:31Come on, Alice. Close your eyes and jump. It's fine. You're fine.
00:15:49It's fine. We're fine.
00:15:51We're fine.
00:15:52We're fine.
00:15:53We're fine.
00:15:54Yeah.
00:15:55We're fine.
00:15:56Today, we're fine.
00:15:57I'll have some episodes.
00:15:58It's fine.
00:15:59I'm sorry.
00:16:00I'm sorry.
00:16:01This is a good one.
00:16:02I'm sorry.
00:16:03I'm sorry.
00:16:04I'm sorry.
00:16:05It's fine.
00:16:06Hey, Mr. Nonchalant
00:16:17Are you happy with how we act?
00:16:24What are you doing here?
00:16:29Can you get off me first?
00:16:36You're welcome.
00:16:43I didn't say thank you.
00:16:44I figured saving your life might only be basic manners.
00:16:47Someone just dumped swamp water on me.
00:16:50Excuse me if I'm not feeling very polite.
00:16:52You smell like a biology experiment.
00:16:54Wow.
00:16:55You should try falling out of a window into someone's arms and getting insulted for it.
00:16:59I wouldn't recommend it. You're heavier than you look.
00:17:04I hope you pull your shoulder.
00:17:06Are you okay?
00:17:13No, but I will be.
00:17:16Someone did this on purpose.
00:17:18What do you think, golden boy?
00:17:21Don't worry, I can handle it.
00:17:22You shouldn't have to.
00:17:25I'm sorry.
00:17:34Sorry.
00:17:35Did you just apologize to me?
00:17:42Don't get used to it.
00:17:43I wouldn't dream of it.
00:17:47Alice?
00:17:48Over here.
00:17:50Oh my God.
00:17:52You okay?
00:17:55Why are you drenched?
00:17:56Yeah, I just took a weird shower.
00:18:00Tap exploded.
00:18:03Come on.
00:18:04Let's get you home.
00:18:15Alice Keaton, right?
00:18:16I heard she staged the whole thing for attention.
00:18:20I heard she staged the whole thing for attention.
00:18:20I know how this place works.
00:18:41If you don't do anything about it, it's only going to get worse.
00:18:49I look into it.
00:18:51I look into it.
00:18:53Charles?
00:18:55Good on you.
00:18:56How many here would speak up?
00:18:57I can't believe someone actually locked you in.
00:19:04That's insane.
00:19:05Where the hell was the school when this was happening?
00:19:08Busy protecting their golden boys and trust friends.
00:19:11Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:19:16Please, he just didn't want a lawsuit.
00:19:36Being a scholarship student has its perks.
00:19:39Like saving a fortune on tuition and getting into schools that normally wouldn't even let you pass the gates.
00:19:45Hey, we miss you in Paris.
00:19:49Though there are enough Americans to remind us of you.
00:19:52But sometimes, being here means standing behind.
00:19:56And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:20:02Have fun.
00:20:03Bring me something overpriced and unnecessary.
00:20:11The trip cost 20 grand in pounds.
00:20:13Which translates to, mom's salary for half a year.
00:20:17So yeah, I didn't go.
00:20:19What are you doing here?
00:20:41Do you not believe in shirts?
00:20:43Do you not believe in dignity?
00:20:45It's comfortable.
00:20:46You look like a rejected Ewok.
00:20:48This, this is not even your kitchen.
00:20:51And this is not even your house.
00:20:52And yet, you're here, dressed like this.
00:20:55Just don't, look, go away.
00:20:57Hard not to, when you're walking around dressed like that.
00:21:00What do you guys call it?
00:21:02Um, buzzkill?
00:21:05Cockblock.
00:21:06You're insufferable.
00:21:07You're the one cosplaying at breakfast.
00:21:09You know what?
00:21:10I don't get it.
00:21:11Why didn't you go on that tour?
00:21:12I thought rich people live for that kind of thing.
00:21:15Why do you think?
00:21:21Where would I go?
00:21:23I could practically recite the itinerary in my sleep.
00:21:26Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci, and Titian.
00:21:32Or Titian, if you want to sound extra pretentious.
00:21:36Then Venice, because everybody loves a good canal and getting lost in the most confusing
00:21:41city on earth.
00:21:42Next stop, Napoli.
00:21:44Marvel at Pompeii.
00:21:45Pretend you're shocked.
00:21:47Ancient people had plumbing.
00:21:48The final stop, Harry.
00:21:51The ultimate city of romance.
00:21:53And, naturally, Woody Allen's favourite city outside of New York.
00:22:01That's word for word.
00:22:04I told you.
00:22:05I've done this tour so many times, I could run it.
00:22:07Okay, but still, it's Europe.
00:22:09Most people would kill for that chance.
00:22:11Most people haven't had their phones stolen in Paris.
00:22:14Twice.
00:22:16Also, I hate the accommodations.
00:22:18Aren't they all five-star hotels?
00:22:20Standard rooms in five-star hotels.
00:22:23No thank you.
00:22:25Wow.
00:22:26Some were born in Rome, huh?
00:22:27That's unfortunate.
00:22:28It's a very chaotic city.
00:22:30One word of advice?
00:22:31Shut up.
00:22:32That's two words.
00:22:35You're weird.
00:22:36You're loud.
00:22:37You're annoying.
00:22:37You're in my kitchen.
00:22:38You have three other kitchens.
00:22:40And I prefer this one.
00:22:42Just for today.
00:22:43Come back when you've got a shirt on.
00:22:45Come back with normal clothes on.
00:22:46You don't have to come.
00:22:47Don't tell me what I have to do.
00:22:49Don't tell me what I have to do.
00:22:57Master Charles, roads are flooded.
00:22:59Staff won't make it tonight.
00:23:01Will you be alright sorting dinner?
00:23:05I've got it sorted.
00:23:06Jesus, what are you doing?
00:23:20Relax.
00:23:23I'm here to make a deal.
00:23:25What deal?
00:23:25You nearly gave me a heart attack.
00:23:31You'll survive.
00:23:32I'm not selling my body.
00:23:38I'm not selling my body.
00:23:44Wow.
00:23:45I am deeply offended.
00:23:48That thought disgusts me.
00:23:50Then what are you doing?
00:23:51The staff's off tonight.
00:23:53I'm buying dinner.
00:23:54Did you seriously think I'd spend a hundred pounds on...
00:24:00No, I'm...
00:24:01Jesus.
00:24:03Wait.
00:24:04You think I'm not worth one hundred pounds?
00:24:08I'm not spending one hundred pounds to snort you back up.
00:24:11You know what?
00:24:11Dinner's cancelled.
00:24:12Are you sure about that?
00:24:18I present to you.
00:24:20Meatball spaghetti, stir-fried veggies, and french fries.
00:24:23You're welcome.
00:24:25Interesting combo.
00:24:26Well, I know we're not in Italy or France, but this will do.
00:24:31It's...
00:24:31good.
00:24:38Was that a compliment?
00:24:39Although, I am obliged to inform you.
00:24:43Meatball spaghetti isn't Italian.
00:24:45It's American.
00:24:46And french fries, likely born in South America.
00:24:50You should read more.
00:24:52Put it down.
00:24:54I paid for it.
00:24:55You really just have to win every argument, don't you?
00:24:57To be fair, you make it very easy.
00:25:02It's only easy because it costs you a hundred pounds.
00:25:05You know, if you'd ask for more, I probably would have given it to you.
00:25:07I'll make sure.
00:25:09Hey, Alice.
00:25:24It's fine.
00:25:25You're fine.
00:25:33911, look for your emergency.
00:25:35911, what's for your emergency?
00:25:41It's my dad.
00:25:42He needs help.
00:25:43He just had a stroke.
00:25:44Okay, miss.
00:25:45Hurricane's constant traffic shut down.
00:25:47We'll get to you as soon as we can.
00:25:48Please, he's not well.
00:25:50I understand.
00:25:51Can you confirm your address?
00:25:54Daddy, yes, I'm right here.
00:25:56Hi.
00:25:58My daughter.
00:25:59Please stay with me, Dad.
00:26:01Please.
00:26:06No.
00:26:08Please wake up.
00:26:13Dad, please.
00:26:14Please don't leave me.
00:26:16I'll be right here.
00:26:46What are you doing here?
00:26:53You were crying. Loudly. Kind of hard to ignore.
00:27:00Right. Sorry for the night.
00:27:03Wait, you know Snarky come back?
00:27:06Not tonight, I'm too tired. If you're here to argue, knock yourself out.
00:27:12You were calling from your dad, right?
00:27:16Hurricane hit New York. Power went down, traffic froze.
00:27:21Dad had a stroke, but he couldn't get help in time.
00:27:26I sat there with a candle while he laid there.
00:27:33Peaceful, like he was asleep.
00:27:38But he wasn't.
00:27:41So that's why you and your mum moved here?
00:27:46This used to be our hometown.
00:27:49After dad left, we had nowhere else to go.
00:27:58What are you doing?
00:28:03Come on.
00:28:06Wait, I thought the power was out.
00:28:23It is. We have our own generator.
00:28:26Wow. Rich people houses her.
00:28:28Just for tonight, I'll allow it.
00:28:33Allow what?
00:28:34You can call this place your house.
00:28:36So enjoy it.
00:28:37Stephen King's first edition.
00:28:39Alan Gisberg's handwritten letters.
00:28:41Jane Austen's notes.
00:28:43All yours.
00:28:45This is your home, Alice Keaton.
00:28:56Careful.
00:28:58Almost sounded sweet.
00:29:00Don't push it.
00:29:01Okay then.
00:29:02I have one request.
00:29:08What is it?
00:29:10Are you ever going to make a move?
00:29:11Wait.
00:29:12Give me a second.
00:29:13I'm thinking.
00:29:14You had one wish.
00:29:15Anything in the world.
00:29:16And in the middle of a thunderstorm, inside a literal mansion, you chose chess.
00:29:32Yeah.
00:29:33Got a problem?
00:29:34It's just so cool, like spies or genius villains in movies.
00:29:39It's literally a board game.
00:29:41Says the guy who owns a custom set.
00:29:44Wait.
00:29:45Does the knight go diagonally?
00:29:47For the tenth time, it moves in an L shape.
00:29:51One.
00:29:52Two.
00:29:53Then turn.
00:29:54There.
00:29:55Happy?
00:29:56Ecstatic.
00:29:57You know.
00:29:58That's suicide.
00:29:59Or a brilliant long-term sacrifice.
00:30:00You are playing checkers at a chessboard.
00:30:01Still beating you in sarcasm.
00:30:02You literally haven't won mean past arguments.
00:30:03Golding disagrees.
00:30:04It's going to be a long night.
00:30:05Oh my...
00:30:06No.
00:30:07Why?
00:30:08What's going to do that?
00:30:09You can't do that.
00:30:10You can't do that.
00:30:11No.
00:30:12Oh my god.
00:30:13No.
00:30:14Why?
00:30:15What's going to do that?
00:30:16You can't do that.
00:30:17No.
00:30:18Oh my god.
00:30:19No.
00:30:20No.
00:30:21No.
00:30:22No.
00:30:23No.
00:30:24No.
00:30:25No.
00:30:27No.
00:30:28No.
00:30:33Oh my God.
00:30:40Maybe...
00:30:41he's not so awful after all.
00:30:50Um...
00:30:51Who are you?
00:30:55What are you doing here?
00:30:58Well, your parents said you were still at home.
00:31:00Thank God you skipped that boring grand tour.
00:31:03Who needs Italy and France again, right?
00:31:05When did you get back?
00:31:06Last night, from Zurich.
00:31:08You didn't answer my messages.
00:31:12I missed you.
00:31:13Anyway, thought I'd come surprise you.
00:31:15Apparently, I'm transferring to Ashford.
00:31:18Your parents were so thrilled.
00:31:20They didn't tell me about this.
00:31:22I wanted to deliver the happy news myself.
00:31:24They said it'd be lovely for us to reconnect.
00:31:27You know, considering the engagement and all.
00:31:31Engagement?
00:31:33Oh, did no one tell you?
00:31:36He's promised.
00:31:37Old money stuff, very retro.
00:31:39I didn't agree to that.
00:31:41You didn't have to.
00:31:42It's never up to us.
00:31:45Where did you find this little toy?
00:31:47Serena?
00:31:48I didn't hear you, you know.
00:31:49Oh, an American.
00:31:52How refreshing.
00:31:58Goodbye.
00:31:59Wait.
00:32:00Where are you going?
00:32:15You still owe me breakfast.
00:32:17You only paid for dinner.
00:32:19I have homework.
00:32:21Goodbye.
00:32:22Your little toy has quite the temper.
00:32:27Serena, can you please just stop?
00:32:29What?
00:32:30Teasing the help?
00:32:37That's her.
00:32:38That's the one from Kenwood's house.
00:32:40Was she like, the maid or something?
00:32:43Oh my god, what's wrong with people?
00:33:01They're saying you live with Charles.
00:33:03Oh, and Serena.
00:33:04What about her?
00:33:05Well, apparently she told everyone you were caught sneaking into his room.
00:33:10Of course she did.
00:33:11Careful, Alice.
00:33:12You're starting to look desperate.
00:33:13Careful, Alice.
00:33:14You're starting to look desperate.
00:33:18Careful, Alice.
00:33:19Careful, Alice.
00:33:20You're starting to look desperate.
00:33:21Careful, Alice.
00:33:22You're starting to look desperate.
00:33:25I'm starting to look desperate.
00:33:26Come to the music room.
00:33:27Urgent.
00:33:28I just remembered I need to check something.
00:33:31You guys go ahead.
00:33:32Yeah, okay.
00:33:33Hello.
00:33:34Hello!
00:33:35Hello!
00:33:36Hello!
00:33:37Hello!
00:33:38Hello!
00:33:39Hello!
00:33:40Hello!
00:33:41Hello!
00:33:42Hello!
00:33:43Hello!
00:33:44Hello!
00:33:45Hello!
00:33:46Hello!
00:33:47Hello!
00:33:48Hello!
00:33:49Hello!
00:33:50Hello!
00:33:51Hello!
00:33:52Hello!
00:33:53Hello!
00:33:54Hello!
00:33:55Is someone there?
00:33:56Seriously!
00:33:57This is getting old!
00:33:58This is getting old!
00:34:11Wait.
00:34:12Music room?
00:34:13What?
00:34:16James?
00:34:17Was anybody in here earlier?
00:34:19Just Miss Serena.
00:34:20Said she was waiting for you.
00:34:22Sir?
00:34:23Sir?
00:34:24Sir, it's raining!
00:34:25Come on, Alice.
00:34:26You're fine.
00:34:27You're not that girl again.
00:34:28Wait.
00:34:29Can you remind me one more time?
00:34:30Okay.
00:34:31Rooks move in straight lines.
00:34:32Yeah.
00:34:33Bishops move diagonally.
00:34:34And knights...
00:34:35The knights...
00:34:36The knights...
00:34:37The knights...
00:34:38The knights...
00:34:39The knights...
00:34:40The knights...
00:34:41The knights...
00:35:06straight lines,
00:35:08bishops,
00:35:10diagonally.
00:35:12Hello?
00:35:30The text?
00:35:32Are you okay?
00:35:34Are you hurt?
00:35:36I'm okay.
00:35:38I saw the text and I thought...
00:35:40I didn't see the message.
00:35:42Serena took my phone. I didn't know.
00:35:44I'm sorry.
00:35:46I'm okay.
00:35:48You're gonna catch a cold.
00:35:50You're freezing.
00:35:52You didn't have to come.
00:35:54Don't tell me what I have to do.
00:36:04That wasn't a mistake.
00:36:06If that's what you're about to say.
00:36:08I...
00:36:10wasn't going to.
00:36:12I didn't know.
00:36:18That wasn't a mistake.
00:36:20If that's what you're about to say.
00:36:22I...
00:36:24wasn't going to.
00:36:26You're really bad at this, you know.
00:36:40What? Kissing?
00:36:42Hiding feelings.
00:36:44To the best.
00:36:46And the rhythm of your hope.
00:36:48But this is not beginning.
00:36:50I'm flying in the air.
00:36:52Tell me what you're saying.
00:36:54Tell me where you want to.
00:36:56Keep me high.
00:36:58Dump those Ewok pyjamas.
00:37:07Oh, you wish.
00:37:10Seriously, it's a cock block.
00:37:13You kissed me.
00:37:16That's basically consent to everything.
00:37:24Dangerous words, Keaton.
00:37:25I might hold you to that.
00:37:28You'll be working in pairs on your comparative essays.
00:37:39The list is on the board.
00:37:43One, two, three, four.
00:37:48Are you okay?
00:37:49Fly me to outer space.
00:37:54That's where I'll see your face.
00:37:58And have you with me.
00:38:04It may seem dark.
00:38:08But you always like my spark.
00:38:11You're welcome.
00:38:23They're either enemies or secretly married.
00:38:27Honestly.
00:38:28Both.
00:38:28I was sure I'd never find someone to make my head spin around.
00:38:35No one's ever gonna be the thing I need.
00:38:37They all just let me down.
00:38:39But baby, you saved me.
00:38:43Time brand new.
00:38:45Everything's so different now.
00:38:48So, the night goes in an L shape, right?
00:38:53Why is that the only one you remember?
00:38:55Because it's weird.
00:38:57And I like weird.
00:39:06Check.
00:39:07You're cheating.
00:39:14I'm winning.
00:39:15There's a difference.
00:39:16You are very distracting.
00:39:18And you like it.
00:39:20How did the fall in your day
00:39:22I'll be in the darkest days
00:39:27I'll hold you in my arms
00:39:30We need to talk.
00:39:33I expected poor judgement.
00:39:43But this in my house?
00:39:45It isn't what it looks like.
00:39:46No.
00:39:48Kissing a servant's daughter in the family library.
00:39:51Enlighten me then, Charles.
00:39:53We came back tonight after speaking with Serena.
00:39:56Imagine our surprise walking in on this.
00:39:59She isn't just...
00:40:01You have no right to barge in.
00:40:03On my property.
00:40:07I care about her.
00:40:09I'm not ashamed of that.
00:40:10That's enough.
00:40:14Why do you care?
00:40:15We're protecting our son's future.
00:40:18And our name.
00:40:20You think this protects me?
00:40:22You think she does not belong in your world?
00:40:28Then maybe I don't either.
00:40:29You're ready to give up everything
00:40:33for a girl you barely know?
00:40:38Yes.
00:40:39Then are you sure she's ready?
00:40:43I'm asking you, do you think she's ready to lose everything, regardless of how little
00:40:54that is, just to be with you?
00:40:57What are you talking about?
00:40:58You left us no choice, son.
00:41:00You shouldn't disobey your father.
00:41:01No choice, sir.
00:41:04Pelton, it's Frederick Kenwood.
00:41:07Ah, Mr. Kenwood.
00:41:09How can I help?
00:41:10If a scholarship student were to violate our behavioral code in a public setting with photographic
00:41:17evidence, would that warrant a review?
00:41:20Yes, sir.
00:41:21So, answer me again.
00:41:27Do you think she's ready to lose everything just to be with you?
00:41:41Charles, what happened?
00:41:43Did your parents say something?
00:41:44Are they mad?
00:41:44Is everything okay?
00:41:47Pack your things.
00:41:47You can't stay here anymore.
00:41:51What?
00:41:53My parents fired your mother.
00:41:55She's leaving.
00:41:57So are you.
00:41:57Wait, what, why?
00:41:59Is it because of us?
00:42:00We can fix this.
00:42:01I'll get a job, anything.
00:42:02Stop, stop it.
00:42:03You don't get it.
00:42:05If I don't walk away from this, they'll cut me off.
00:42:08Okay?
00:42:09No card, no trust, no support.
00:42:13Nothing.
00:42:14Then, then we'll figure it out.
00:42:16We don't need all that.
00:42:18We can...
00:42:19Do you really think I'm going to live like that?
00:42:24So that's what this was?
00:42:26Just fun until it got inconvenient.
00:42:30What did they promise you?
00:42:35Nothing.
00:42:35Nothing.
00:42:38They just reminded me of what's real.
00:42:44Charles, I'm not stupid.
00:42:45You don't just turn into a cold stranger because of one conversation.
00:42:49What did they threaten you with?
00:42:56What did they threaten you with?
00:42:58This is the difference between me and you.
00:43:00What?
00:43:01You think you know me.
00:43:03Or what I have.
00:43:05You don't, Alice.
00:43:07You're still lying.
00:43:08I'm not, Alice.
00:43:10Look around you.
00:43:11This mansion you thought was a museum.
00:43:14It's my house.
00:43:17My world.
00:43:18I was bored into this.
00:43:20I am not choosing between this
00:43:22and something I picked up for a moment of fun.
00:43:30Don't do this, Charles.
00:43:32You don't mean it.
00:43:33It was fun.
00:43:35But you?
00:43:37You don't compare to what I own.
00:43:39I'll survive the loss.
00:43:45Right.
00:43:47I should have known.
00:43:50Guys like you don't end up with girls like me.
00:43:55You play with them, then you throw them away.
00:43:59Go to sleep, Alice.
00:44:00This fall is a little more than I expected.
00:44:18In so deep I can barely see myself.
00:44:24Yeah, around me feels so heavy but depleted.
00:44:30But I find just a place to test myself.
00:44:43Oops.
00:44:43Oh, sorry.
00:45:01Didn't see that.
00:45:03Then again, nobody does.
00:45:05Move, please.
00:45:07Hmm.
00:45:08Try begging.
00:45:09Begging.
00:45:09Begging.
00:45:13You know what?
00:45:15Keep it.
00:45:21Poor thing.
00:45:22So dramatic.
00:45:25Don't.
00:45:26Excuse me?
00:45:27I warned you.
00:45:29Walk away, Serena.
00:45:30Oh.
00:45:32Oh.
00:45:33Oh.
00:45:33Oh.
00:45:34Oh.
00:45:34Oh.
00:45:35Oh.
00:45:35Oh.
00:45:36Oh.
00:45:36Oh.
00:45:37Oh.
00:45:37Oh.
00:45:38Oh.
00:45:38Oh.
00:45:39Oh.
00:45:39Oh.
00:45:40Oh.
00:45:40Oh.
00:45:41Oh.
00:45:41Oh.
00:45:42Oh.
00:45:42Oh.
00:45:43Oh.
00:45:43Oh.
00:45:51Last week's group assignments were mostly forgettable.
00:45:54But one pair surprised me, in a good way.
00:45:58Charles Kenwood and Alice Keaton.
00:46:01Would you mind giving us a short summary?
00:46:03If she loves the sound of her own voice, better have it.
00:46:14Our essay explored what happens when two fundamentally different voices meet.
00:46:19Like logic and chaos, or silence and noise.
00:46:23Different worlds, different rules.
00:46:28At first glance, they clash.
00:46:30But what makes the story interesting is what happens next.
00:46:34Confusion, curiosity.
00:46:36But in the end, some stories aren't about staying.
00:46:39And yes, there is no such thing as a happy ending.
00:46:52And yes, there is no such thing as a happy ending.
00:46:56Is she still talking about the essay?
00:47:01Miss Keaton.
00:47:03Dramatic as always.
00:47:05Alright. Thank you, Alice.
00:47:07That was...
00:47:09Laid.
00:47:11Are you okay?
00:47:12A reminder, that good literature always stirs something.
00:47:19Hello?
00:47:20Hi, here's Alice Keaton. This is Whitmore Press.
00:47:22We've been following your work.
00:47:23We'd like to offer you a long-term publishing contract.
00:47:26Name your price. We'll make it work.
00:47:28Sorry, what?
00:47:33That's...
00:47:34Kind of...
00:47:35Insane.
00:47:36Who's behind this?
00:47:37Your sponsor wishes to remain anonymous.
00:47:40Can...
00:47:41Can I meet them?
00:47:44I want to.
00:47:45Please.
00:47:47Or at least tell me a name.
00:47:48Sorry, they wish to stay in office.
00:47:49So they're only interested in words, not the person.
00:47:51I'd really like to meet them.
00:47:52I'm sorry, Miss Keaton.
00:47:53They were very good.
00:47:54I think the most generous offer we've ever given a Disney writer.
00:47:58I see.
00:47:59Congratulations again.
00:48:00You got the interview?
00:48:01It's just an interview. I haven't gotten it yet.
00:48:02Still, Alice Keaton at Oxford. That's iconic.
00:48:03You okay?
00:48:07Yeah.
00:48:08I'm so excited.
00:48:09I'm so excited.
00:48:10I'm so excited.
00:48:11I'm so excited.
00:48:13I'll see you in the chat.
00:48:15You okay?
00:48:16I'm so excited.
00:48:26I'm so excited.
00:48:28I'm so excited.
00:48:33It's done, Mr. Kenwood. Miss Keaton signed the contract.
00:48:45Good.
00:48:47It's a generous deal. You sure you don't want her to know?
00:48:51No. No, it's better if I stay out of her life.
00:48:56I will be for you. I'll be there in your darkest days.
00:49:05Congratulations, Alice Keaton. Go live the life you were always meant to.
00:49:15Your engagement and announcement should align perfectly with the Foundation Gala.
00:49:20And the Browns already offered to host the London Reception.
00:49:25It's all coming together beautifully.
00:49:31I've lost my appetite.
00:49:36I'll go check on him.
00:49:42What's your problem, Charles?
00:49:47Disengagement is not happening.
00:49:50It's not up to you. You know that.
00:49:52No, we're not doing this.
00:49:55You've changed.
00:49:59Or maybe I finally just stopped pretending.
00:50:01I just stopped pretending.
00:50:02Tals, you're the sponsor.
00:50:32You've been funding Alice Keaton this whole time.
00:50:37So?
00:50:38You lied to everyone, including her.
00:50:41I protected her.
00:50:45You loved her.
00:50:47Still do.
00:50:49Let it go, Serena.
00:50:52There's no point.
00:51:02I need a favour.
00:51:04Find out when the Oxford interview is.
00:51:07And make sure Alice Keaton won't show up.
00:51:14Anything?
00:51:15No?
00:51:16She's not answering.
00:51:18The interview's almost over.
00:51:20Well, she won't just not show up.
00:51:22Something's wrong.
00:51:24Where's Alice?
00:51:26When was the last time you heard from her?
00:51:27Last night.
00:51:29She said she was prepping all evening.
00:51:34James, track someone for me.
00:51:38Wait, where are you going?
00:51:47Chill, okay?
00:51:48It won't hurt you.
00:51:50Yeah, we're just supposed to keep you away from the interview.
00:51:53That's it.
00:51:53Shit!
00:52:02Come back!
00:52:18Shit!
00:52:19Shit!
00:52:20Shit!
00:52:20Shit!
00:52:23I remember how I meant, didn't need a second guess.
00:52:40Hey, hey, hey, Alice, Alice.
00:52:43Alice, stay with me, stay with me, stay with me, Alice.
00:52:46Alice!
00:52:47You're awake.
00:52:54Where, where am I?
00:52:56A local clinic. Passer-by brought you in.
00:52:59Passer-by?
00:53:01He found you on the side of the road.
00:53:03He had to leave, he didn't leave a name.
00:53:07Oh.
00:53:09The interview, what time is it?
00:53:11Easy, it's okay.
00:53:13Someone already contacted the university.
00:53:15Anne sent in your writing samples.
00:53:17They've rescheduled your interview for tomorrow.
00:53:19Wait, what, who?
00:53:21No idea, but it's all taken care of.
00:53:26What did you say?
00:53:28Nothing.
00:53:29I just...
00:53:31had a dream.
00:53:33I got him!
00:53:43Oh, I knew it!
00:53:48Too bad Charles isn't here to watch you crush it.
00:53:52He's not here.
00:53:54Oh, you didn't know?
00:53:57Know what?
00:53:58He left.
00:53:59A few days ago, yeah, everyone doesn't really know where he went.
00:54:03Honestly, Astra's been quieter without him.
00:54:06It's probably for the best.
00:54:07Come on.
00:54:14Alice?
00:54:18The summer I met Charles Kenwood was loud.
00:54:21Chaotic.
00:54:23Unexpected.
00:54:24And with his absence...
00:54:25Come on!
00:54:26It ended quietly.
00:54:27Like summers always do.
00:54:28Did you feel it from across the room?
00:54:29Did you feel it from across the room?
00:54:30Did you feel it from across the room?
00:54:31Did you feel a little enchanted?
00:54:32Yeah.
00:54:33And joining us today, the Dake's most unexpected, literary,
00:54:38phenomenon.
00:54:39Alice Keaton.
00:54:40Thank you for having me.
00:54:44Now, your words moved millions.
00:54:59They say your stories feel real.
00:55:02Especially the ones about love.
00:55:05Which brings us to the most obvious question.
00:55:07How's your dating life like these days and no comment a little bird told me that the past four years has been just
00:55:15Writing and working not even a single date. Let me guess a bird named sherry. She caught me. There's still no comment
00:55:21All right. All right. No matter what you say you write love
00:55:26Like someone who's lived it if you so real because once I did with someone who felt like chaos and clarity
00:55:34And no one ever quite matched the light after that and let's give it up for Alice Keaton one more time
00:55:52Congratulations Alice the numbers just came in you broke your own record
00:55:57That's
00:55:59Incredible we're thinking celebration press photos maybe tonight
00:56:04Actually
00:56:05There's something I'd rather do
00:56:08I'd like to meet with the person who believed in me first
00:56:12My sponsor yeah, just once
00:56:30Good evening
00:56:34Good evening
00:56:38May I sit
00:56:43Hey, Mr. Nonchalant
00:56:48Hi
00:56:50Hi
00:56:53You look well
00:56:55And you look like you just stepped out of a GQ cover
00:56:58You always did
00:57:00You were expecting someone else
00:57:03I was
00:57:05Hoping
00:57:07But I guess I always knew
00:57:10I didn't come here to confuse you
00:57:12Or to reopen anything
00:57:14I just wanted to say congratulations
00:57:19Thank you
00:57:19Oh
00:57:21Thank you
00:57:22I didn't know you're still reading
00:57:26You were rich enough not to do so
00:57:28Always
00:57:30Either way
00:57:32Your sponsorship started my career
00:57:34So
00:57:35No
00:57:36No
00:57:36No
00:57:37You
00:57:37You weren't everything
00:57:38Every word
00:57:42Every page
00:57:44Every reader
00:57:46That's what I came to say
00:57:49It was good to see you again
00:57:54I hope
00:57:55Charles
00:57:55Can you just
00:57:58Wait a little longer
00:58:01I think I knew it was you
00:58:09There was one email
00:58:12You said something
00:58:14Felt familiar
00:58:16Really?
00:58:17Kind of had that
00:58:18Rich asshole with a conscience energy
00:58:20Very on brand
00:58:22I should have anonymized my grammar
00:58:25Too late
00:58:25Your semicolon usage gave you away
00:58:27Still the only girl I know
00:58:30Who flirts through punctuation
00:58:31Still the only god I know
00:58:33Who uses wiles unironically
00:58:34You've changed
00:58:38But
00:58:40Not really
00:58:42You haven't changed
00:58:45But
00:58:46Maybe you've grown into
00:58:48Who you really were
00:58:49Anyway
00:58:51I wanted to say
00:58:53Thank you
00:58:55And
00:58:57Thanks for being here tonight
00:58:59You didn't have to come
00:59:02Don't tell me what I have to do
00:59:04You didn't have to come
00:59:08Don't tell me
00:59:11What I have to do
00:59:12If you could go back
00:59:33If you had the chance
00:59:34To do it all again
00:59:35Would you do anything differently
00:59:37No
00:59:43No
00:59:48I see
00:59:53I know my answer now
00:59:57I didn't have the power
00:59:58Back then
00:59:59Not enough to protect you
01:00:01I couldn't watch you get crushed
01:00:03Because of me
01:00:04Because of my name
01:00:06My family
01:00:08I didn't want to be the reason
01:00:11You lost everything
01:00:12So you just disappeared
01:00:14Without a word
01:00:15If you had the chance
01:00:20To see the world
01:00:20Without me weighing you down
01:00:22If you still chose me
01:00:24After that
01:00:25You keep saying
01:00:30You wanted to give me a choice
01:00:31But you made a choice for me
01:00:34Did it ever cross your mind
01:00:38That maybe
01:00:38I would have chosen you anyway
01:00:43I didn't think I was the smart choice
01:00:50You weren't
01:00:52But
01:00:54I never claimed to be that smart
01:00:56This is me
01:01:06Right
01:01:07I'm still mad at you
01:01:15You know
01:01:15I'm still in love with you
01:01:19You know
01:01:20Do you want to come in for a bit
01:01:29You're asking your ex
01:01:33Who you haven't seen in four years
01:01:36To come into your hotel
01:01:38At approximately 11pm
01:01:40You were right
01:01:42You never were that smart
01:01:44You don't have to come
01:01:46Don't tell me
01:01:48What I have to do
01:01:49Stop quoting yourself
01:02:04I recycle
01:02:05It saves energy
01:02:06This feels wildly irresponsible
01:02:10You sound like a disclaimer
01:02:11You're the one who wants
01:02:12Called romance a distraction
01:02:14I said that
01:02:15Yeah
01:02:15Before calling Wuthering Heights overrated
01:02:18Still is
01:02:19You're lucky you're a good kisser
01:02:21That is cute to me
01:02:27Don't you dare quote poetry
01:02:29I wasn't going to
01:02:30I forgot all of it the day you left
01:02:32Then shut up
01:02:34And prove it
01:02:36I still can't believe this is happening
01:02:43I told you
01:02:44They're either worst enemies
01:02:46Or secretly married
01:02:47And I told you
01:02:48They're both
01:02:48I vowed to always
01:03:16Tell you the truth
01:03:18Except for when you ask
01:03:19How your cooking was
01:03:20Then I lie
01:03:22Respectfully
01:03:23I vow to keep choosing you
01:03:27Loudly
01:03:29Quietly
01:03:30Always
01:03:32Even when you forget to do the laundry
01:03:35Is he actually good at this
01:03:39I mean
01:03:40He did beat her at sarcasm
01:03:42I vow to argue with you
01:03:46At least twice a week
01:03:47Especially over Shakespeare
01:03:49I vow to write you
01:03:51Into every story
01:03:52Even when I say I didn't
01:03:54You will always be a part of my life
01:03:57If she quotes Austen in this toast
01:04:00I'm out
01:04:01No you're not
01:04:01You're going to cry harder
01:04:02No you're not
01:04:03You're going to cry harder
01:04:03For the rest of life
01:04:07For the rest of life
01:04:07For the rest of life
01:04:10For the rest of life
01:04:11I can't believe you picked Paris
01:04:27Such a cliche honeymoon destination
01:04:30Guard your phone
01:04:32Relax
01:04:34Just don't dress like a
01:04:34Walking inheritance
01:04:36And you'll be fine
01:04:36You are not wearing
01:04:40That on our honeymoon
01:04:41Please Alice
01:04:44Go change
01:04:45Don't tell me what I have to do
01:04:47No
01:04:51No
01:04:53No no no
01:04:53That is not an invitation
01:04:54Do not take off these clothes
01:04:56I've ever ruled
01:04:57You look much better without them
01:04:59To the ones who loved in silence
01:05:07In chaos
01:05:08In chapters
01:05:09You will find your way home
01:05:13Sometimes I want to be on my own
01:05:18But I don't want to die alone
01:05:21God
01:05:21God
01:05:22God
01:05:23God
01:05:23God
01:05:24God
01:05:25God
01:05:25God
01:05:29God
01:05:55God
01:05:55God
01:05:56God
01:05:56God
01:05:57God
01:05:57God
01:05:59Wow, that's incredible.
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