It Welcome To Derry Episode 6

Teaser Trailer

It Welcome To Derry Inside  Episode 6 Season 1 Trailer HD - The cast and crew discuss Leroy and Will’s relationship, Ingrid’s delusion, Dick Hallorann’s visions, and the making of the Black Spot. :

Transcript

00:01There's a lot in this show about interpersonal conflict

00:04and personal trauma.

00:05It's not about a bunch of people fighting a clown.

00:07It's the everyday fights of a family,

00:10of a group of friends, and a community.

00:15In my episode, the darkness of the sewer

00:18has certainly affected the Hanlon family

00:20as it has affected everyone else.

00:22So from now on, you don't leave your room

00:24without my permission.

00:25Do you understand?

00:27No.

00:28I love that scene.

00:29It's probably the first time that Will has ever said no to his father.

00:33He's finding his own strength.

00:34No!

00:35He's finding his own identity.

00:37When Leroy strikes him...

00:39I would never let my friends die!

00:41The ground is just taken out from under him.

00:44Blake has a beautiful relationship with both of his parents.

00:46We used his relationship with his own parents

00:49to sort of find a way that none of that existed

00:52with his screen father.

00:55Mr. Javon, I remember him.

00:57He didn't want to, like, come off as, like, abusive

01:00or anything like that.

01:01So he kind of made that change to his character,

01:03which I admire.

01:04I'm sorry, Sean.

01:05I had to find a way to justify Leroy striking Will.

01:08Leroy was stung by what Will said.

01:11Having to carry Polly's dead body out of the sewers,

01:14that was the beginning of Leroy's unraveling.

01:18It's one of the big arcs of the series.

01:21It's a family that is not perfect.

01:22A family that has dysfunctions.

01:24Stuff that families are made of.

01:27Lily?

01:30We had a lot of conversations about this Ingrid character.

01:33But the more we sort of built out Ingrid,

01:35the more we said, well, wait a second.

01:36What if she's, like so many things in Derry,

01:38what if she's not who she seems to be?

01:40Have you seen him?

01:42Oh, sweetheart, you did it.

01:45Ingrid has this delusion that it possessed her dad

01:50and that she will be able to liberate him.

01:53This poor kid started her life in a circus,

01:56performing with her dad as little Perry Winkle.

01:59When she realizes it's time for him to come back,

02:02she basically helps Pennywise get what he wants

02:07with the sole intention of being with him

02:09and seeing him.

02:14The 1935 sequence was a great opportunity

02:17to shift the style of the show.

02:19The camera's often very active in the 1960s story.

02:24It felt exciting to move the camera less,

02:28to make it about stationary frames that tell the story

02:32in a heightened way that references film history.

02:35We weren't going for sheer realism in this sequence.

02:38There's an air of melodrama to it

02:40that I thought was appropriate coming from Ingrid's perspective.

02:44Once Lily finds out Ingrid was plotting against all the kids,

02:48it takes a big toll on her.

02:49The entirety of the relationship wasn't real.

02:51That was really hard for her.

02:53You have two characters who seem very bonded

02:56and have great trust in one another.

02:59And suddenly you see their parallel tracks go a different way.

03:03It's quite beautiful and it's terrifying at the same time.

03:06Lily!

03:08This thing I got, let me see things.

03:18What kind of things?

03:20Dead ones.

03:21After the sewers, Dick is never the same in life.

03:24Like it breaks him in a way

03:26and it makes him have to put up a different kind of guard.

03:28In the torture of seeing all the worst things on earth at once

03:32that you were hiding from.

03:34And that's what Dick is living.

03:36It was just an incredible opportunity to sort of explore Dick's new predicament.

03:43He sees dead people.

03:45So the lensing on Dick changed.

03:47If he looks up, he sees dead people.

03:49If he listens, he hears dead people.

03:52I wanted it to feel claustrophobic.

03:55You good?

03:57Yeah.

03:58The black spot was Dick's attempt to find a safe space for black soldiers.

04:02It's a loud space.

04:03So even when the demon's awake, when he starts to see people,

04:06the noise helps keep it quiet for him.

04:09So it's just a place where he can feel a little bit normal.

04:15We wanted to be very careful to honor the book,

04:17take Easter eggs and expand upon them

04:20to really honor the fans and their dedication to the lore.

04:24In the book, the black spot is a space for fun, for music, for dancing.

04:30So it's a space of unity that is unusual in the era.

04:34I love the black spot because, first of all, that's like our hangout.

04:38Our community is a black community.

04:40And it's like a really fun party place.

04:42I was playing the drums.

04:44I had a drum coach.

04:46And I kind of got the hang of it.

04:48Everybody's having like a fun time, you know, singing, dancing.

04:53Marge is drinking.

04:55I loved filming the dancing part, like doing the 60s moves.

05:00Marge has just told off the patty cakes and had her moment.

05:04And she's feeling it.

05:05And Rich and her are kind of having their moment.

05:08Our characters are feeling joy like we've not seen them experience so far in the season.

05:12I wanted to create a sense of impending doom.

05:19Grogan.

05:20I know where he's hiding and it ain't the rail yards.

05:22The masked men, led by Clint, are coming.

05:27It was all about graphic compositions.

05:29We have a high angle shot as all the cars pull in.

05:33Our characters don't even know who they are, but they come out of these trucks and cars with guns and terrifying masks.

05:40You can see all the pieces moving.

05:42You can see the wheels turning.

05:44Everything is an orchestration.

05:46This trajectory is about to collide and it becomes very tense.

06:10That's why I'm so confused.

06:12You can see how many people are currently running around for the next day.

06:15You can see them at the end of the night.

06:19You can see them at the end of the night.

06:22Let's see how they're in the night.

06:23My details are the utmost.

06:25Mm-hm.

06:26It looks very tense.

06:28I could not see what they're in the night.

06:29I could see them.

06:31You can see it.

06:32I can see them having fun.

06:34Yeah.

06:35I could see them at the end of the night.

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