10 Great Movies That Inadvertently Ruined Cinema

Australian Cinephile

And Steven Spielberg is the biggest culprit, apparently.

Transcript

00:00Just like if I won a car on a TV game show and then accidentally smashed it into an

00:04aquarium, sometimes good things can bring about negative consequences.

00:08This rings true in the world of cinema as well, with films that are praised for innovation

00:12or success giving birth to a string of copycats which ultimately harms the overall experience.

00:17It's a weird dynamic, as the films on this list are legitimately great, but have unfortunately

00:22done more bad than good in the long run.

00:24With this in mind, I'm Jules for WhatCulture.com and these are 10 great movies that inadvertently

00:29ruin cinema.

00:30Number 10.

00:31The Godfather Part II brought about the use of numbers to denote sequels.

00:35Having a Part II tag on the end of a movie title might seem like something that has been

00:39around since the dawn of time, but it's a little-known fact that Francis Ford Coppola's follow-up

00:43to The Godfather was the first movie in history to make blatant use of this subtitle.

00:48Before Coppola used Part II for the Godfather sequel, movie sequels tended to have different

00:52names.

00:53Once Coppola opted to do it this way, however, a new movie trend was born in that studios

00:57realized that it was a neat way to market sequels.

00:59After all, it's a lot easier to cash in by telling people this is the same experience

01:03as the first one that they enjoyed, which a differently-titled movie wouldn't be able

01:06to do so well.

01:07The difference was, though, that The Godfather was titled as such because it was an indication

01:11that you needed to see the first film in order to understand the second, which, as we

01:15know today, doesn't exactly mean the same thing now.

01:18Number 9.

01:19Jaws became the first blockbuster but inspired relentless marketing tactics.

01:23The success of Jaws is many-fold, it's a great film for a start, but one of the reasons

01:27that everyone saw it back in the day was because instead of being rolled out one territory at

01:32a time in the US as was the norm, it was released in theaters everywhere on the same day.

01:37This meant that the marketing budget and exposure people had to these adverts was excessive,

01:42and as a result tons of people went to see it.

01:44This widespread campaigning of adverts was quickly adopted by other studios and is now the reason

01:49why every billboard, bus, and electronic service is smeared with film adverts.

01:53It was always going to be the way that cinema was heading, but Jaws did it first.

01:57Number 8.

01:58Heaven's Gate changed the way that movies were made forever and the death of independent

02:02auteur-driven films.

02:03Heaven's Gate has become something of a fable of cinematic disaster.

02:07After its budget rose to astronomical levels and the director became notoriously difficult

02:11to work with, the film flopped so hard that United Artists actually had to close down.

02:16Now around this time there was a boon of independent films financed by big studios, the idea being

02:21hundreds of small investments to offset the risk of a project failing.

02:25The issue was that this failure sparked panic within the big boys and then they pulled the

02:29funding.

02:30This led to tighter control of budgets, which are still huge now, but now have much more

02:34executive meddling than before.

02:36Number 7.

02:37Jurassic Park pretty much put an end to the usage of practical effects in animatronics.

02:41Stan Winston and Phil Tippett were the animatronic experts who worked on Jurassic Park, but

02:46neither of them had a truly positive experience on set.

02:49CGI was experimental at this point, but definitely on the rise.

02:53And in Jurassic Park it looked phenomenal.

02:56It was still expensive, but could move beyond the scope of animatronics.

02:59This led Tippett to utter the line,

03:01I've just become extinct.

03:03And when you look at the landscape of today's cinema, you can see that unfortunately, he

03:06was right.

03:07CGI is now standard practice with films.

03:10And in fact, they go overboard to sell any time that they actually have a real thing in

03:13real life on a real set.

03:15How bizarre.

03:16Number 6.

03:17Saving Private Ryan made shaky cam a staple of mainstream cinema.

03:21So the concept of shaky cam is in no way a technique invented by Spielberg, but it was

03:25one of the first blockbusters to incorporate this method into its shooting.

03:29Before this point, the wobbly viewpoint was seen as unprofessional, but Spielberg used it

03:33to great effect to disorientate his audience, especially during the Normandy Beach assault.

03:38But as with all good examples, there have been countless times where this technique has either

03:41been misused or just done to hide shoddy action sequences.

03:45It's gotten so bad that in some fight or action scenes, it's near impossible to tell what's

03:49going on.

03:50What was so immersive in one film, it's just cutting corners in others.

03:54Number 5.

03:55Titanic brought the movie song back to popularity.

03:57My Heart Will Go On is one of the biggest selling singles of all time, and we have one

04:01of the biggest grossing films of all time to thank for it.

04:04For a long time prior to Titanic, the whole song from the movie had just died out.

04:09Yet James Horner convinced James Cameron that a cash cow needed to be milked for all it was

04:13worth, and that they should pop this track in.

04:15Thus breathing life back into the whole, movie should have their own song phenomenon once

04:19more.

04:20And for a while, it was okay.

04:22It was cheesy as hell, but it was just okay.

04:24And now, it's just really annoying.

04:28Number 4.

04:29The Sixth Sense Inspired Endless Left-Field Twist Movies

04:31M. Night Shyamalan didn't invent the shocking twist with The Sixth Sense, of course.

04:36But he damn near pioneered it as a marketing technique and selling point for motion pictures

04:40in general.

04:41With The Sixth Sense, audiences were so impressed with the twist that they began clamouring

04:45for more, and Hollywood obliged.

04:47Which is to say, in the aftermath, Hollywood began to flood theatres with shocking left-field

04:51twist movies, motion pictures that would market themselves on being built around twists

04:56you'd never see coming.

04:57The problem with this is obvious, with the now expected twist becoming more and more over-the-top,

05:02and declining dramatically in impact.

05:05Number 3.

05:06The original Star Wars trilogy implies that all sequels have to have weird names.

05:10Earlier in the video, we touched upon The Godfather Part II's distinction of having been

05:13the first mainstream movie to include Part II in its title.

05:16Though the numbering system is irritating in an oh-my-god-it-reaks-of-corporate-greed way,

05:21it's at least clean.

05:22But we have the original Star Wars trilogy to thank for an even worse trend, the ever-weirdly-named

05:27sequels.

05:28Since The Empire Strikes Back, the movie industry has literally been throwing lame and often

05:32very arbitrary subtitles onto anything and everything.

05:36Thor The Dark World?

05:37G.I.

05:38Joe Retaliation?

05:39Jack Ryan Shadow Recruit?

05:40What do they even mean?

05:42Well, Hollywood would say, well, we're being creative, guys.

05:45But what it really means to us is…

05:47What?

05:48Number 2.

05:49Avatar Made 3D Cool Again, But Is Responsible For Increased Ticket Prices

05:53After several ailing attempts throughout cinematic history to make it relevant, Avatar was the

05:58first movie that finally made 3D cool in the eyes of the movie going public.

06:02James Cameron set out to have the audience feeling like they were right inside the world

06:06of stupidly-named precious resources.

06:09Even now, the achievement stands tall.

06:11Gravity aside, Avatar is still probably the best and most accomplished 3D film ever.

06:15However, the films that followed in its wake were not as well incorporated, and even lower-ranked

06:20flicks offered 3D as a way to cash in.

06:23As a result, prices rose to accommodate this new, viewing experience, and viewers were subject

06:28to films shot in 2D but awkwardly bumped to 3D in post-production, and let's just say,

06:33it showed.

06:34Number 1.

06:35Harry Potter and the Deathly Hallows Part 1 and 2 Show That You Can Just Chop An Ending

06:38In Half

06:39If somebody told you that your film would make millions of dollars, you'd be pretty happy.

06:43Now, imagine if that same person told you that you could take your film, split it in

06:47two, pad out some bits to fill in the runtime, and make double.

06:50Well, if you have standards, then you'd probably be okay not doing this, but Harry Potter proved

06:54that splitting your final arc in two really could bring in the muggle money.

06:58The split arguably was never needed from a storytelling perspective, and encouraged countless

07:03other titles to follow suit.

07:04The problem with this, of course, is that moviegoers are now having to fork out twice as

07:08much to see two parts of a story that only needed one part.

07:11Twilight and The Hunger Games are guilty of this as well, and while it's so obvious

07:15what they're doing, they still get millions of people to go in and see it.

07:19And that's just annoying.

07:21Where am I?

07:22Where am I?

07:23Where am I?

07:24Where am I?

07:25Where am I?

07:29How would you guys like to start a Star Trek channel?

07:36Have we any idea what came through the rupture before we were able to shut it down?

07:39We seek new life and new civilisations, but mess with us.

07:43Real life dolphins that you have seen in a nature documentary, and I have dated at least two

07:48women with tattoos on them.

07:50The violence falls for reasons, not just because it's fun.

07:53Wheeeee!

07:54Ride the hole there.

07:55I'm the wisecracking first officer who kisses hot alien babes first, asks questions later.

08:00Chris is the chief engineer because he makes things work and look nice.

08:03Marcus is the captain, obviously, as he's the only one who's verified on Twitter.

08:06Which is great, but then Ahura and Sulu end up dead.

08:35Because that's who you go get sex advice from on the Enterprise.

08:39This one may lean a little heavy on the conspiracy theory side of things, but they just haven't

08:46showed it to us yet.

08:47Terry Farrell grabbed my hand and said how proud that made her, and that is a memory

08:52I really just wanted to share with everybody today.

08:55Take a walk with me as we go and do some cetacean observations.

09:01Hi, Dad.

09:03With that in mind then, I'm Ellie with Trek Culture, and here are 10 examples of Star Trek

09:09story arcs you can binge in a dance.

09:11The show is, to quote a famous Trek Culture voice, Piss Funny.

09:15So, so, so stupid.

09:19Yeah.

09:20Wait, what?

09:22Guys, guys, we are, we are, we're cutting live, live to Adam Cleary right now.

09:27Actually, like you, I've been doing so动star on the World, the 17th century arc comprising.

09:35If anyone Wonderful's旅azon is, well…

09:37…

09:38…

09:39…

09:40…

09:41…

09:45…

Category

Transcript

Be the first to comment

Recommended