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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:01:38¡Gracias!
00:01:42¡Gracias!
00:01:46¡Gracias!
00:01:48¡Gracias!
00:01:54and Chris
00:01:56Each year, este contest...
00:01:59Just a moment, folks.
00:02:01Here comes one of Hollywood's most successful producers, Herman Klein,
00:02:05President and Guiding Genius of Superba Pictures.
00:02:08Mr. Klein, won't you please tell the folks about them this thing by not attending this band?
00:02:12Indigestion.
00:02:18Folks, Mr. Klein will have his little joke.
00:02:22You shouldn't talk like that, Herman. It isn't refined.
00:02:26Can I help it if I make sense of it?
00:02:28But millions of people are listening into that microphone.
00:02:31Why didn't you tell me that?
00:02:33Good evening, Mrs. Klein.
00:02:37How to do, everybody?
00:02:39If it's a superb picture, it's a...
00:02:43It's a superb picture.
00:02:46I am the President, Herman Klein.
00:02:49I'm much flied.
00:02:52Check up all those flowers.
00:02:54Buzz out and get a cameraman, and after that...
00:02:55Good Bob!
00:02:56I only got one pair of feet.
00:02:58That's all Napoleon had, or Caesar, or Alexander the Great.
00:03:00So hop on it. You worry about your feet later.
00:03:02All right.
00:03:04Pierre!
00:03:05I want that speaker's table set up right.
00:03:07Put your soul into this, Pierre. It's a big moment.
00:03:09Oh, oui, oui, Mr. Preston.
00:03:15Jake, keep those newspaper men from falling asleep, will you?
00:03:18Right.
00:03:19Burn these over the wires, baby, to Miss June Dale.
00:03:22Can't walk us this hotel.
00:03:23Will Rogers, Senator Barrow, Wallace Beery, Jimmy Walker, Mary Pittsburgh, Paul Muni, and Mussolini.
00:03:29They sure are a nice bunch of telegrams.
00:03:31They ought to be precious. I wrote them myself.
00:03:38Come on, come on. Get the lead out of your who's it.
00:03:40Gee, boy, she'd been running me ragged all day. Let me take a breather, will you?
00:03:43Ah, breathe on your day off. Check those music cues with Ted Fiorita.
00:03:47And Sammy, see if all the girls are in the dressing room.
00:03:52Hey, Preston.
00:03:53Hey, come here. I want to see you.
00:03:55Hi, boss.
00:03:58Hello, Miss Klein. Did you call me, boys?
00:04:00Sure, boss.
00:04:02And as I understand it, you're still working for me, ain't it?
00:04:04Why, certainly just because I've been a little busy with the wampus, I don't see why you're busy with the wampus.
00:04:08You know, your desk is already covered over with cobwebs.
00:04:11Now, what harm can a few cobwebs do?
00:04:13Do you let me worry about that, Mr. Klein.
00:04:14Tomorrow at the Quackadone, I'll be back at the studio giving my all for Superba.
00:04:17You know, I got a good mind to fire you.
00:04:20This time, permanently.
00:04:22Suppose we talk about you for a change, Mrs. Klein.
00:04:25If I may say so, you're looking exceedingly well, and the bloom of youth still lingers in your cheeks.
00:04:29Say, Preston, I pay you to soft-soap the public, not my wife.
00:04:33Herman, don't aggravate yourself.
00:04:35Remember your acidosis.
00:04:37A truer word was never spoken, Mrs. Klein.
00:04:40There's nothing like aggravation to encourage acidosis.
00:04:47Tickets, please.
00:04:49When you get an eyeful of these wampus baby scars, I'll guarantee your mind won't be on your stomach.
00:04:54I must join the gentleman on the press.
00:04:57I want to make sure they give Superba Films a plug into Morris paper.
00:05:00Good.
00:05:01Remember, Mr. Klein, the interests of Superba pictures are always closest to my heart.
00:05:07I go to sleep figuring out new ideas to glorify our product.
00:05:10I wake up in the morning figuring out new ways to spread the name of Superba over the world.
00:05:15Morning, noon, and night at Superba.
00:05:18Pictures with soap.
00:05:23I'm getting sick of these banquets.
00:05:25Ah, gentlemen.
00:05:26Hello, loudspeaker.
00:05:27Well, what's new at that mecca of the arts?
00:05:29Superba pictures, Dean.
00:05:30Oh, why bother me about that, Tintai Patrick?
00:05:32But there's the girl here tonight that's the biggest thing since Garbo.
00:05:35Get a lot of her.
00:05:36And the name is June Dale.
00:05:37And take a tip from your Uncle Abner.
00:05:39Keep your eyes on June Dale tonight.
00:05:41Never heard of her.
00:05:42Ah, but you will.
00:05:43Boss.
00:05:44Boss, one of the girls hasn't shown up yet.
00:05:47We think something's happened to her.
00:05:49Which one is it?
00:05:52I forgot to ask.
00:05:53Don't forget to remind me to punch you in the nose.
00:05:55All right.
00:06:00Two to one, the dizzy dame went to the wrong hotel.
00:06:16All right, say this.
00:06:18Who hasn't shown up?
00:06:19June Dale.
00:06:20June, where's Catherine?
00:06:21Here I am.
00:06:22Did you call her house?
00:06:23No, she left before I did, right after she got her note.
00:06:25By note?
00:06:26I didn't send any note.
00:06:27Maybe something's happened to her.
00:06:28Maybe she's been kidnapped.
00:06:29Kidnapped?
00:06:30Let me get out right here.
00:06:32Did you see the note?
00:06:33No, but she said it was from Bob.
00:06:35What's her address?
00:06:36138.
00:06:38June Dale's disappeared.
00:06:40No.
00:06:41June Dale's disappeared.
00:06:44Get the police.
00:06:46June Dale's been kidnapped.
00:06:47Who's been kidnapped?
00:06:49June Dale.
00:06:50Yes.
00:06:51Disappeared.
00:06:52White satin gowns.
00:06:53Ladies and gentlemen.
00:06:54Sorry to interrupt, but Miss June Dale, popular Walpus Baby Star has disappeared.
00:06:59If there's any hint you can give the police in our citywide search, it would be greatly appreciated.
00:07:05Look.
00:07:06June.
00:07:07June, darling.
00:07:08Where have you been?
00:07:09Oh, who is grateful?
00:07:10Two men jumped into my car.
00:07:11I screamed and I bought them, but they hid me.
00:07:12What did they look like?
00:07:13Oh, I don't remember.
00:07:14It was so dark.
00:07:15I was so confused.
00:07:16I...
00:07:17Oh, leave her alone.
00:07:18Can't you see she's upset?
00:07:19Oh.
00:07:20June.
00:07:21June.
00:07:22June.
00:07:23June.
00:07:24And Miss Dale has faded.
00:07:25And no wonder.
00:07:26There's a way.
00:07:27There's a way.
00:07:28There's a way folks.
00:07:29There's a way.
00:07:30Come on.
00:07:31There's a way.
00:07:32Come on.
00:07:33There's a way.
00:07:34I'm sorry, but you'll have to get out of the way then.
00:07:35What a story.
00:07:36The whole thing was wrong.
00:07:37Is she gonna be all right?
00:07:38Have any idea who they were?
00:07:39Have a tiny heart.
00:07:40Give her a chance.
00:07:41Get everybody out of here.
00:07:42Yeah.
00:07:43Get out of here.
00:07:44Get out of here.
00:07:45Get out of here.
00:07:46Get out of here.
00:07:47Get out of here.
00:07:48Get out of here.
00:07:49Get out of here.
00:07:50Get out of here.
00:07:51Get out of here.
00:07:52Get out of here.
00:07:53Get out of here.
00:07:54Get out of here.
00:07:59You too.
00:08:00Me?
00:08:01Yes, you.
00:08:04How was I?
00:08:05You were terrific.
00:08:09This is front page stuff, June.
00:08:10You'll have your pretty face in every paper.
00:08:12You'll be in the newsreel with the president, Max Baer and Amy.
00:08:15Oh, I was scared stiff all through.
00:08:17Oh, you gave a marvelous performance.
00:08:19Bernhardt couldn't have done better.
00:08:21Bob, do I have to keep on with these crazy publicities done?
00:08:26Of course.
00:08:27It's part of the movie merry-go-round.
00:08:29Stars aren't born.
00:08:30They're made.
00:08:31And it's headlines that make them you can do anything with the headlines.
00:08:34Oh, I'm not underrating you, June.
00:08:36You're a great little trooper.
00:08:38All you need is a break and your name will be on every marquee from Maine to California.
00:08:43I'll afford you.
00:08:44You make it sound so easy, but I'm kind of worried.
00:08:48You let me do the worrying, will you?
00:08:50Now, how about turning on a little of that sunshine personality?
00:08:53A little bit tired, aren't you, sweet?
00:08:56No, I'll be all right, dear.
00:08:57You need a little stimulus?
00:08:58Mmm, mmm.
00:08:59I was about a little chaser.
00:09:00No time to get tanked up.
00:09:01You have work to do.
00:09:02Come on.
00:09:03You girls go on in a few minutes and remember, you don't know what happened.
00:09:04Oh, but June, I don't see how you can go ahead with all this now.
00:09:15Aren't you too upset?
00:09:16No, I feel all right, Catherine.
00:09:17I wish I did.
00:09:18Well, darling, don't do that.
00:09:19You'll spoil your makeup.
00:09:20I can't help it.
00:09:21It's like...
00:09:22Yeah, I feel all right, Catherine.
00:09:25I wish I did.
00:09:27Well, darling, don't do that.
00:09:28You'll spoil your makeup.
00:09:29I can't help it.
00:09:30It's like...
00:09:33¡Suscríbete al canal!
00:10:03¡Suscríbete al canal!
00:10:33¡Suscríbete al canal!
00:11:03¡Suscríbete al canal!
00:11:05¡Suscríbete al canal!
00:11:07¡Suscríbete al canal!
00:11:09¡Suscríbete al canal!
00:11:11¡Suscríbete al canal!
00:11:13¡Suscríbete al canal!
00:11:15¡Suscríbete al canal!
00:11:17¡Suscríbete al canal!
00:11:19¡Suscríbete al canal!
00:11:21¡Suscríbete al canal!
00:11:23¡Suscríbete al canal!
00:11:25¡Suscríbete al canal!
00:11:27¡Suscríbete al canal!
00:11:29¡Suscríbete al canal!
00:11:31¡Suscríbete al canal!
00:11:33¡Suscríbete al canal!
00:11:35¡Suscríbete al canal!
00:11:37¡Suscríbete al canal!
00:11:39Ladies and gentlemen, I'm here in the guise of a fortune teller.
00:11:45I see 13 girls.
00:11:48I predict a marvellous, glorious future for them all.
00:11:52And after Don Raymond sings your song, especially written for this occasion,
00:11:55I shall interrupt from time to time.
00:11:57Take it, maestro.
00:12:09In my memory, I see a garden, a moonless garden, and the one I love.
00:12:22How I love to paint this pretty picture, for you're the one, dear, that I'm dreaming of.
00:12:37A pretty girl, a lovely evening, two dreamy eyes like stars above,
00:12:52two loving arms beyond conceiving, two willing lips that prays for love.
00:13:06Just try to picture this pretty picture, a world of romance, so full of bliss.
00:13:20A pretty girl, a lovely evening, what could be sweeter and sweeter than...
00:13:35Miss Jean Carman, Oregon's answer to the beauty problem.
00:13:38Wait until you see June Dale, boss.
00:13:40The way I feel, I ought to see a doctor.
00:13:47Miss Judith Allen, a homemade star from Hollywood.
00:13:50Miss Dorothy Drake, some more California sunshine.
00:13:53Miss June Dale, as fresh and fair as the day in June.
00:13:56Miss June Dale, as fresh and fair as the day in June.
00:14:00That was a mild recommendation.
00:14:12Miss Lucille Lund, as radiant as a flower from the hills of Washington.
00:14:16Miss Leoma Judge, society's contribution to the art.
00:14:25Miss Betty Bryson, another California flower.
00:14:31Miss Anne Hubby, of the Indiana Hubby.
00:14:35Miss Jean Gale, San Francisco glories in the Golden Gate and Jean.
00:14:50Miss Hazel Hayes, golden-voiced beauty from Paris, Kansas.
00:14:55Miss Leonor Keith, fresh breeze from Indianapolis.
00:15:00Miss Catherine Williams, a budding star from Seattle.
00:15:05Miss Lou Anne Meredith, the southern peach from Dallas, Texas.
00:15:10Miss Lou Anne Meredith, the southern peach from Dallas, Texas.
00:15:13Miss Maik.
00:15:14Miss Umaughticee.
00:15:16Miss Diane Hoffman.
00:15:18Miss Zero Jack's office.
00:15:23Toaster music in July Int씨sdale, more than that,
00:15:24Miss moved to um experiencers or a industrial forest.
00:15:26Miss Mary Hyde.
00:15:27Miss Neil organizers, Andy Peterson.
00:15:31Miss Chapel MountDR мамni.
00:15:33Who reinvented?
00:15:34Miss gewventional неп gadgets.
00:15:36Yes, yes.
00:15:37Within a fun moment.
00:15:38Miss Gene paycheck.
00:15:39Miss Whitney solutions?
00:15:40Miss Beverly Inge professor.
00:15:41Miss Joanna's office.
00:15:42¡Gracias!
00:16:12¡Gracias!
00:16:42¡Gracias!
00:17:12¡Gracias!
00:17:18Every paper in the country is giving her a break. Millions of people already know her name.
00:17:23And in addition to that, she's a natural performer. Beauty, poise, intelligence, everything.
00:17:37I tell you, boss, she can't miss.
00:17:39Say, what's the matter that all at once you've got such an interest in this girl? Are you in love with her?
00:17:44Mr. Klein, the only reason I'm talking about her is because I have superba films closest to my heart.
00:17:49I don't care what you've got next to your heart, she ain't got no boxer.
00:17:52That's what you said about Mickey Mouse when I want you to tie up Walt Disney.
00:17:56Now listen, I forbid you never to mention that to me again. Anyway, I had a good reason. My wife don't like Mike.
00:18:05All right, we'll forget Mike. You know how important publicity is, Mr. Klein. There's nothing you can't do with a headline.
00:18:11And this girl is on her way because of headlines.
00:18:14Uh-huh.
00:18:15There you are.
00:18:18See, go ahead. Have one with me. That's good for your stomach.
00:18:21Well, here's mud in your eye.
00:18:24Yours too. Both of them.
00:18:26As I was saying, Mr. Klein, I hate to see you, Mr. Beck.
00:18:40Say, did you get out the press books on the murdering Shadows Revenge?
00:18:43Everything's out, Mr. Klein. Everything's out.
00:18:46Why don't you give this girl a contract?
00:18:48How do I know she can act? What's she done? Where's she from?
00:18:51Never mind. Don't tell me. I ain't interested.
00:18:53Hello?
00:18:58What? Who?
00:19:00Wait a minute. That's for you.
00:19:03On my private telephone, too.
00:19:05Mr. Preston speaking. Oh, put him on.
00:19:09Why, hello, Mr. Hofstengel.
00:19:11Hofstengel? My worst oppositionist.
00:19:14Say, what does he want with you?
00:19:15Why, yes, I represent, Mr. Dale.
00:19:18Well, that's very interesting.
00:19:20Well, let's take for lunch.
00:19:22Thank you, Mr. Hofstengel.
00:19:24It's all right, Mr. Klein. Let's forget it.
00:19:27Sir, just wait a minute. What does Hofstengel want with Miss Dale?
00:19:30I don't know, but Hofstengel's an amortization.
00:19:32He's developed some big stars, made millions out of personalities.
00:19:35Ah, personalities.
00:19:37Fido, the dog wonder.
00:19:39Trixie, the queen of wild horses.
00:19:42That fellow's a creature, a hippoceros, a rhinoceros, a rhinoceros.
00:19:45A hippopotamus.
00:19:46Well, anyway, last year I made four times as much money as he did.
00:19:49All right, as you say.
00:19:51Uh...
00:19:52Say, wait a minute. How much is he offering?
00:19:55I thought you said you weren't interested.
00:19:57Now, don't change the subject.
00:19:59You can't take her over to that loaf of Hofstengel.
00:20:01Where's your dignity?
00:20:03Didn't you tell me you had suburban films next to your heart?
00:20:06Yes.
00:20:07Now, listen.
00:20:08Maybe we can get together on a little deal.
00:20:13That's five bucks I owe you, Margie.
00:20:15And believe me, you made a great Mr. Hofstengel.
00:20:18Okay, Bob.
00:20:20Let's try some pictures.
00:20:27Hold it. That's got it.
00:20:43Oh, Jenny!
00:20:49What's that, Brad?
00:20:51Well, if I have to pose for any more pictures, I'm gonna scream.
00:20:55I wonder what magazine will print this one.
00:20:58It'll probably wind up in Whiz-Bang, dearie.
00:21:01Well, you ought to be thrilled by all this, Catherine.
00:21:04Oh, I suppose so.
00:21:05I don't fancy myself much as being a bathing beauty.
00:21:09I've dreamed of such different things.
00:21:12Like...
00:21:14Juliet.
00:21:16Heather Gabler.
00:21:19Roxanne.
00:21:21Oh, all this is so different.
00:21:24Oh, have patience, darling.
00:21:26I've spent most of my life preparing for Grand Opera.
00:21:29Here I am in a bathing suit, too.
00:21:31Hazel, after they see you at...
00:21:33maybe they'll let you sing.
00:21:35Don't you think a highball would help take off the chill?
00:21:36No, thank you.
00:21:38I think we've taken too much advantage of your hospitality already.
00:21:41Oh, not nearly, no.
00:21:43I'll tell you something if you promise not to betray my confidence.
00:21:47The only reason I permitted Bob to use my pool was to see you.
00:21:52Oh, that's funny.
00:21:53Why, though?
00:21:55Well, Bob and I happen to be engaged.
00:21:58Oh, I'm sorry.
00:21:59I'm not.
00:22:06Hi there, girl.
00:22:07How are you?
00:22:07Hello, Jean.
00:22:08I'm looking for a gal named June.
00:22:10Won't I do?
00:22:11Jean sounds something like June.
00:22:13Not to me.
00:22:14Where's June?
00:22:16Behold.
00:22:16Oh, Bob.
00:22:17Ah.
00:22:20Hi, Bob.
00:22:22Got heaps, big news.
00:22:24Big cheap client-signed contract with Warpuss-Fampoos.
00:22:28They'll face breast in one smart guy.
00:22:30Pretty soon catch him, we'd walk in lots of Warpuss.
00:22:33They'll face breast in heaps crazy.
00:22:36What is it, Bob?
00:22:37Oh, Bob, you're marvelous.
00:22:45How did you do it?
00:22:46Believe it, another glass of Warpuss-Fampoos.
00:22:49This is just for one picture, June.
00:22:50But when the producers see you on the screen, they'll all be fighting for you.
00:22:55My grand June got a contract.
00:22:57There so?
00:22:57Uh-huh.
00:22:58Well, I've just heard the good news.
00:23:00Congratulations.
00:23:01I know you'll make good.
00:23:02Thank you.
00:23:04Were you able to do anything for any of the other girls?
00:23:06Catherine?
00:23:07Leave it to Dynamite Preston.
00:23:08I'll get them something if I have to go on a diet of my job.
00:23:11Oh, that's wonderful, June.
00:23:15I know you'll be a big hit.
00:23:16Thanks.
00:23:17I want you to know, June, I'm terribly happy for you.
00:23:21Thank you, Catherine.
00:23:22I know you mean it.
00:23:24June, I'll be congratulating you.
00:23:26Okay, girls, okay.
00:23:27Now get dressed.
00:23:28We have to hop over to the Brown Irby and take some publicity still.
00:23:30We'll probably wind up there as waitresses.
00:23:32There might be more money in it.
00:23:34Good boy.
00:23:36Bob, I want to congratulate you, too.
00:23:38Not much of a trick selling a girl like June to anybody.
00:23:41Oh, I know that.
00:23:42I'm congratulating you on being engaged to a girl like June.
00:23:46Oh, that.
00:23:47You shouldn't tell anybody about us, June.
00:23:50About us?
00:23:51Our engagement.
00:23:52It's bad dope letting the public in on the know.
00:23:54Why?
00:23:55Well, we have to make it look as though you're still doing a solo act.
00:23:58It's better publicity.
00:24:00Can't you ever get publicity off your mind?
00:24:03After all, this doesn't mean anything to me unless you and I...
00:24:06We have no right, sweet.
00:24:08I don't mean anything to anybody.
00:24:10And after all, you've got to get around to dances and parties
00:24:13and go out with big shots like Gordon Douglas.
00:24:15Oh, it's a swell copy for the columnist.
00:24:18And there's no harm in it.
00:24:21There might be a fact, Bob.
00:24:23Are you trying to arouse the green-eyed monster in me?
00:24:26Fear not, fair gal.
00:24:27Nothing shall kill daredevil Preston's love for thee.
00:24:30Oh, Bob, why don't you be yourself?
00:24:35Forget that you're a press agent and that I'm an asterisk.
00:24:37Ah, do I know how to forget?
00:24:40Mm, this is much better.
00:24:42Okay, honey.
00:24:44Tonight we go for a nice little ride.
00:24:46No publicity, no pictures,
00:24:48and I might even talk a little baby talk.
00:24:52Mr. Preston, sometimes you're almost human.
00:24:56That's the Don wanting me.
00:24:59And that's not for publication.
00:25:02Ow, look out!
00:25:04You hurt?
00:25:05No, just scared.
00:25:08Boy, what a story!
00:25:10I'm sick of being poor and wearing rags on a time at night.
00:25:35I'm sick of being poor and wearing...
00:25:38Oh, no, I'm sick of being poor, poor, wearing rags all the time.
00:25:44I don't have something...
00:25:45No, I'm so frightened I can't even think the lines.
00:25:50Oh, I've waited months for this opportunity.
00:25:54Now that it's really come, I don't see how I can go through with it.
00:25:57Carolyn, darling, you've got to get hold of yourself.
00:25:59I'm trying so hard to.
00:26:00Oh, listen here.
00:26:02When you're a big star, and you see your name in life,
00:26:05you're going to look back and laugh at this silly nervousness.
00:26:08Well, I can't help it now.
00:26:11And this means everything I ever worked for.
00:26:14Why, June, if anything would go wrong,
00:26:18it would mean I'd have to go home, a failure.
00:26:20Oh, please, darling.
00:26:22Well, I couldn't stand going back like that.
00:26:24I couldn't...
00:26:26They'd all be laughing at me.
00:26:30Salutations.
00:26:30Well, baby starlets, today's a great day.
00:26:32Starting your first picture.
00:26:33How are you feeling, honey?
00:26:34All right.
00:26:37Brakes up, Catherine.
00:26:38Your big moment has arrived.
00:26:39Why, Clarence himself is coming down to get a good look at you two.
00:26:41Mr. Clarence?
00:26:42Why, sure, give plenty.
00:26:44This is it.
00:26:45Hey, you're one of the set, girls.
00:26:46Oh, all right.
00:26:47We'll be right down.
00:26:48Come on.
00:26:54Couldn't you see the poor girl was nervous enough
00:26:59without you making it any worse by calling her attention to it?
00:27:02Oh, she'll be all right.
00:27:04Now, don't let the camera fight on you
00:27:05because after this initiation, you'll have it licked.
00:27:08I hope so.
00:27:10But after it's all over,
00:27:12couldn't we go to some quiet place?
00:27:14Just the two of us.
00:27:16Not tonight, honey.
00:27:17I've dated you up.
00:27:17You're to go to the Grove.
00:27:19Douglas is tossing a big party for the gang.
00:27:21Well, aren't you going?
00:27:23No.
00:27:23There's plenty of time for me, honey.
00:27:25Fine.
00:27:25Come on.
00:27:26Get the moves on.
00:27:27What is this?
00:27:27A picture studio or a coffee glass?
00:27:29Stop the delay.
00:27:29Let's have some action.
00:27:30Hold on, you lugs.
00:27:31Give us some light.
00:27:32Come on, hit him.
00:27:33Put a cellar on that 18th.
00:27:35Flood that spot.
00:27:36Well, what are we waiting for?
00:27:38Come on.
00:27:40Everybody's standing around.
00:27:41Here you are, boss.
00:27:45Have a cigarette.
00:27:47Thank you.
00:27:53Strike this table.
00:27:55I'll take it.
00:27:56Miss Dale?
00:27:57Miss Williams?
00:27:58Set, please.
00:27:59Darling.
00:28:03You got your lines set?
00:28:05Yes, sir.
00:28:07Okay.
00:28:07It's a simple scene.
00:28:09We'll take it.
00:28:14Places.
00:28:14All right.
00:28:21Turn him over.
00:28:33Mark it.
00:28:34File six.
00:28:35Take one.
00:28:37All right.
00:28:38All right.
00:28:38Start your action.
00:28:41If I don't find a job soon,
00:28:43I'm not going to have these shoes left.
00:28:46Can you imagine me looking for work
00:28:47at bare feet?
00:28:48And I...
00:28:49I can't stand living here any longer.
00:28:54Cut.
00:28:57Not quite so much tragedy, Miss Williams.
00:28:59We're not doing East Lynn.
00:29:00I'm sorry.
00:29:01That's a great help.
00:29:02Let's try it again.
00:29:03You have to take it easy.
00:29:08Mark it.
00:29:10One-oh-six.
00:29:11Take two.
00:29:15One-oh-six.
00:29:16Take four.
00:29:17One-oh-six.
00:29:18Take seven.
00:29:20One-oh-six.
00:29:21Take nine.
00:29:23One-oh-six.
00:29:25Take ten.
00:29:26If I don't find a job soon,
00:29:28I'm not going to have any shoes left.
00:29:30Can you imagine me looking for work
00:29:33in my bare feet?
00:29:34I can't stand being poor
00:29:36and wearing rags all the time.
00:29:38If I don't find something soon,
00:29:41I'll...
00:29:41I'll...
00:29:42I'll...
00:29:43I'll...
00:29:44I'll...
00:29:45I'll...
00:29:46Hey, wait a minute now.
00:29:47Stop it.
00:29:48We've fooled around enough with these girls.
00:29:49Oh, please, Mr. Klein.
00:29:51Give her another chance.
00:29:54Everyone's unnerving her.
00:29:55Ten takes is enough chances.
00:29:57This ain't an act in schools.
00:29:59Get out.
00:30:00Outside.
00:30:00Oh, please, Mr. Klein.
00:30:06And you're fired.
00:30:07You're both fired.
00:30:09You heartless fool.
00:30:11You don't give anyone a chance.
00:30:13Standing there criticizing and ridiculing.
00:30:16All of you looking on
00:30:17and just daring someone to make good.
00:30:21Nearly.
00:30:22Laughing behind our back.
00:30:24There's nothing human and seasoned
00:30:26about any of you.
00:30:27That's enough.
00:30:27Put her out of the studio here.
00:30:29I'd like to see any one of you put her out.
00:30:32And as for you, Klein, you old windbag,
00:30:33you keep your mouth shut out.
00:30:34I'll take out your false teeth
00:30:35and bite you in the back.
00:30:37Preston, you were through.
00:30:38You understand?
00:30:40Fight.
00:30:40For good.
00:30:41Why, you old esceptic,
00:30:42I wouldn't work for you if I had to starve.
00:30:44You've double-crossed everybody,
00:30:45including your own stomach.
00:30:46Laughing.
00:30:54Oh, Catherine.
00:30:59Local girl gets break in Hollywood.
00:31:09There it is.
00:31:10Hollywood.
00:31:13We've got to get out of here, Bob.
00:31:15Away from all this.
00:31:17Okay, honey.
00:31:19Tomorrow we'll drive to Huma and get married.
00:31:22Then it's just Mr. and Mrs. Preston
00:31:24against the whole cockeyed world.
00:31:26I won't be afraid.
00:31:28As long as we're together,
00:31:30I don't care what happens.
00:31:31Beginning right now, it's just us.
00:31:35The army with banners.
00:31:37Don't forget that.
00:31:39I won't.
00:31:41In the morning, we'll clear our stuff
00:31:42out of that cheap studio,
00:31:44and then it's just you and me.
00:31:47And the open road.
00:31:49Come in.
00:32:00Oh, hello, Dick.
00:32:07Is, um,
00:32:08this on the level?
00:32:09As level as a ruler.
00:32:11But you've been fired before,
00:32:12and you never left.
00:32:13I worked plenty hard for that time in La Green.
00:32:15All I ever got was abuse.
00:32:16What you could use is a good stiff drink.
00:32:19Why, if it wasn't for me,
00:32:20his junk would still be playing in the sticks.
00:32:22I'd build up all the talent he's got.
00:32:25I'll come back Wednesday
00:32:26when you give this with Slides.
00:32:27You'll never get this act again
00:32:28at these prices.
00:32:30Talk about an act!
00:32:32You want to get a load of yourself
00:32:33reading the riot act to his nibs.
00:32:35What do you mean?
00:32:36Well, when the fireworks broke loose yesterday,
00:32:38they kept the cameras running.
00:32:39And your pay off the climb
00:32:40came through like a, a, a second act climax.
00:32:44Well, let me get a look at that, Horacio.
00:32:48I want to hear myself
00:32:49telling that old hyena
00:32:50where he gets off.
00:32:51Come on.
00:32:56How do you feel now, huh?
00:32:58I feel high.
00:32:59Oh, boy, is that something.
00:33:03Listen, Dick.
00:33:03Has Client seen those rushes yet?
00:33:05If he ever takes a squint at that,
00:33:07all our heads will drop in the basket.
00:33:10Hennessey,
00:33:10where are you taking that film?
00:33:12Sure, and I'm burning it up.
00:33:13I have a wife and six kids.
00:33:14I'll get you a job for life
00:33:15if you run that the next time
00:33:16the time comes in the projection room.
00:33:18I can get you set tomorrow
00:33:19with Hofstangl for twice the dough.
00:33:22Well, I don't know.
00:33:24Here's a cash bonus.
00:33:30My lad, I'm beginning to think
00:33:31there's something stirring
00:33:32in that dynamic brain of yours.
00:33:34That's the file O'Van, senior.
00:33:36Come, my lad.
00:33:37Hello, Mr. Klein.
00:33:38Sure, this is Hennessey
00:33:39speaking from projection room number eight.
00:33:42Mike, why do you bother me
00:33:43in the middle of the day?
00:33:44The director didn't show up,
00:33:45Mr. Klein,
00:33:46so I'll be waiting an okay
00:33:47on the scenes we took yesterday.
00:33:49I also does a blackface
00:33:51at my honey child.
00:33:53Sure, right away, Mr. Klein.
00:33:55Thank you.
00:33:56Come on, Dick.
00:33:57Let's go.
00:33:57I won't get a peek
00:33:58at that old button
00:33:59while the show goes on.
00:34:01If I don't get a job soon,
00:34:03I won't have any shoes left.
00:34:05Can you imagine me looking
00:34:06for work in my bare feet?
00:34:08You're bare feet again.
00:34:10Stop.
00:34:10I went through all these yesterday.
00:34:13Well, I guess there's some stuff
00:34:14following that you ought to see.
00:34:17Ten takes is enough chances.
00:34:19This ain't an act in school.
00:34:20Get out.
00:34:22Outside.
00:34:22Go on, outside.
00:34:26You're both fine.
00:34:28You heartless fool.
00:34:29You don't give anyone a chance.
00:34:31Standing there,
00:34:32criticizing and ridiculing.
00:34:34All of you looking up
00:34:35and daring someone
00:34:36to make foot.
00:34:38Meary.
00:34:39Laughing behind our glass.
00:34:41There's nothing
00:34:42decent or human
00:34:42about any of you.
00:34:44Stop it.
00:34:45Stop it.
00:34:47It's wonderful.
00:34:48It's magnificent.
00:34:49She's terrific.
00:34:51By chimney,
00:34:52I've discovered
00:34:52another headbird.
00:34:53He couldn't discover
00:34:54a hole in his pants.
00:34:56She's got everything.
00:34:58Voice.
00:34:58Fire.
00:34:59I've never seen
00:35:00such an acting.
00:35:01Hit me, Bob Preston.
00:35:02Quick.
00:35:02He's been fired.
00:35:03Fired?
00:35:04Who fired him?
00:35:05Well, never mind.
00:35:07Where is he now?
00:35:08He's in his office.
00:35:09Packing.
00:35:09Packing?
00:35:10Packing?
00:35:20Oh, Bob.
00:35:23You going for
00:35:23a little weekend trip somewhere?
00:35:25I have my pride.
00:35:26You fired me
00:35:26for the last time,
00:35:27Mr. Klein.
00:35:30I fired you before
00:35:31for the last time.
00:35:32Oh, Bob,
00:35:34you take everything
00:35:35so serious.
00:35:36You've got to remember,
00:35:37you know,
00:35:37sometimes I'm a little,
00:35:39what do you call it,
00:35:40eccentric.
00:35:40There's another name
00:35:41for being eccentric
00:35:41and to put people
00:35:42like that in a bug house.
00:35:45You will have
00:35:47your little joke.
00:35:48You can always
00:35:49make me laugh.
00:35:49You know,
00:35:54yesterday,
00:35:54I guess I was
00:35:55a little angry.
00:35:56You know,
00:35:56all day my stomach
00:35:57came through,
00:35:57but that's
00:35:58dyspastic
00:35:59made me cross.
00:36:01Well,
00:36:02I want to
00:36:02apologize to you
00:36:05because
00:36:05I want to make it up to you.
00:36:07Tell you what I do.
00:36:09You send for that,
00:36:09what's that girl's
00:36:10friend of yours name?
00:36:12Who are you talking about?
00:36:13June Dale.
00:36:15You send for June Dale
00:36:16and to show you
00:36:18my heart's
00:36:18in the right place,
00:36:19I sign it up
00:36:20for a long contract
00:36:21at $150 a week.
00:36:27I say at $175 a week.
00:36:35Didn't you hear me
00:36:36say something?
00:36:37I heard like something,
00:36:38but it wasn't enough.
00:36:39$200?
00:36:40There's no use
00:36:41wasting time.
00:36:42Hawk Stangle's
00:36:43no fiker.
00:36:43He'll pay real money.
00:36:44Hawk Stangle?
00:36:46Is that your attitude
00:36:47you're selling me out
00:36:48to my worst competition?
00:36:49Of all the producers
00:36:50in town,
00:36:51you've got to pick Hawk Stangle.
00:36:54Bob,
00:36:55I didn't thought
00:36:55you'd do
00:36:56something like that to me.
00:36:59Listen!
00:37:00Bob,
00:37:01now,
00:37:02let's be reasonable.
00:37:04How do you spell reasonable?
00:37:05Hmm?
00:37:06How do you spell reasonable?
00:37:08Oh,
00:37:09that's
00:37:09T-H-R-W-E
00:37:12H-U-N-D-R-E.
00:37:13T-H-R-W-E-B.
00:37:14The wrong spelling.
00:37:18Sit!
00:37:21Now,
00:37:21now,
00:37:22listen, Bob.
00:37:23We're old friends.
00:37:25Let's sit down
00:37:26and talk it over.
00:37:28Here you are, Bob.
00:37:32Have a perfecto.
00:37:33Now,
00:37:41try them tears, gal.
00:37:47The old homestead saved.
00:37:48I got the papers.
00:37:50You are now a contract player
00:37:51with feature buildings
00:37:52for superb pictures
00:37:53at 500 smatters per week.
00:37:55Bob!
00:37:56Here it is
00:37:56in black and white,
00:37:57sealed with the emperor's crest.
00:37:59Now,
00:37:59watch our smoke, baby.
00:38:00A new star
00:38:01flashes across the heavens.
00:38:02June Dale!
00:38:05Bob,
00:38:06all this is very wonderful,
00:38:08but...
00:38:08What's that dark cloud
00:38:09on your unfair brow?
00:38:11Oh,
00:38:12how about you,
00:38:14you and me?
00:38:16And the open room?
00:38:18That'll have to wait
00:38:19a little while,
00:38:20my sweet.
00:38:21Oh.
00:38:22Now,
00:38:23relax, darling,
00:38:24and close those bright eyes
00:38:25of yours.
00:38:25Come on,
00:38:27close them.
00:38:30Now,
00:38:30open your eyes
00:38:31and say...
00:38:32Oh,
00:38:32Bob!
00:38:35Is it pretty?
00:38:36Oh,
00:38:37lovely.
00:38:39That's to show you
00:38:40I really need this.
00:38:51We'll have to work hard.
00:38:53I won't lie.
00:38:56As long as we're together.
00:38:57But I'll turn on
00:38:58that fertile press
00:38:59and imagination,
00:39:00and before I'm finished,
00:39:01they'll be naming
00:39:01streets after you.
00:39:02Lipsticks,
00:39:03powder,
00:39:04and even a good
00:39:04five cent cigar.
00:39:06Let's get going,
00:39:07baby,
00:39:07I want a crack
00:39:08that night edition.
00:39:09fall in the middle.
00:39:13Oh,
00:39:14thank you.
00:39:28Oh,
00:39:28no.
00:39:29Oh,
00:39:29oh,
00:39:30oh,
00:39:31oh.
00:39:32Oh,
00:39:32oh,
00:39:33oh,
00:39:34oh.
00:39:34¡Suscríbete al canal!
00:40:04¡Suscríbete al canal!
00:40:34¡Suscríbete al canal!
00:40:36¡Suscríbete al canal!
00:40:38¡Suscríbete al canal!
00:40:40¡Suscríbete al canal!
00:40:42¡Suscríbete al canal!
00:40:44¡Suscríbete al canal!
00:40:46¡Suscríbete al canal!
00:40:48¡Suscríbete al canal!
00:40:50¡Suscríbete al canal!
00:40:52¡Suscríbete al canal!
00:40:54¡Suscríbete al canal!
00:40:56¡Suscríbete al canal!
00:40:58¡Suscríbete al canal!
00:41:00¡Suscríbete al canal!
00:41:02¡Suscríbete al canal!
00:41:04¡Suscríbete al canal!
00:41:06¡Suscríbete al canal!
00:41:08¡Suscríbete al canal!
00:41:10¡Suscríbete al canal!
00:41:12¡Suscríbete al canal!
00:41:18¡Suscríbete al canal!
00:41:20¡Gracias por ver!
00:41:22Bien, June.
00:41:24¡Claro, vacío!
00:41:25¡Gracias por ver!
00:41:26¡Gracias por ver el video.
00:41:27¡Vamos a ver a amigos!
00:41:28¡Vamos a hacer mucho que te haga un saludo con nosotros!
00:41:30¡Vamos a divertirme y divertirme!
00:41:31¡Vamos a Hollywood!
00:41:33¡Fren!
00:41:35¡Fren!
00:41:37¡Fren!
00:41:39¡Fren!
00:41:41¡Vamos!
00:41:42¡Fren!
00:41:43¡Fren!
00:41:44¡Fren!
00:41:45¡Fren!
00:41:46¡Fren!
00:41:47¡Gracias!
00:41:51¡Gracias!
00:41:52¡Gracias!
00:41:55Y luego ir a la friday morning breakfast club.
00:41:57Es at 8 o'clock in the morning.
00:41:588 o'clock, mordi.
00:41:59No, no, no, no.
00:42:00No, no.
00:42:01You get to know it very well.
00:42:04Ok, let's take it.
00:42:05Alright.
00:42:06Deal?
00:42:07Now, on Tuesday, you go to the Pacific Golf Championship Tournament.
00:42:11But I do not play golf.
00:42:13No matter, you can wear knickers, no one will ever know the difference.
00:42:15At, uh, what time does these, uh, golf start?
00:42:18At 7 a.m.
00:42:19Mais c'est pas possible.
00:42:21When do you find time to leave in this mad place?
00:42:24You don't.
00:42:25Unless you can find a few minutes between work and publicity gags.
00:42:29People who can't take it shouldn't be in this game.
00:42:31And someone told me it was an art.
00:42:34Just one more, Harry, make it snappy.
00:42:36I have to make a publicity reel with Chris Zale and the heavyweight champ back at the studio.
00:42:45Look, the champ.
00:42:46Hiya, champ.
00:42:47It is the champ.
00:42:48What a man.
00:42:49Hi, kid.
00:42:50You're pretty lucky to work at a picture with me.
00:42:51You know that, don't you?
00:42:52Champs, this is Mr.
00:42:53Oh, never mind.
00:42:54Everybody knows me.
00:42:57What was that?
00:42:58Just the Indian love call.
00:43:00Oh, I thought it was something else.
00:43:02Come on, come on, let's go.
00:43:03I ain't good all day.
00:43:05I gotta write a story about all the dames that are nuts about me.
00:43:08Oh, so you're a Casanova.
00:43:11Oh, that guy.
00:43:12He's a pushover.
00:43:13I knocked him out and left him around last week.
00:43:17We're ready any time you are, champ.
00:43:20I want that back.
00:43:21Come on, let's go, baby.
00:43:22And don't pull your punches.
00:43:26That's the stuff, June.
00:43:27This is the honey.
00:43:28The public will eat this up.
00:43:30Movie star takes boxing lessons from champ.
00:43:33Can you hear me?
00:43:34Now watch out.
00:43:35Watch yourself.
00:43:36Whoa!
00:43:37What is this, Paderewski?
00:43:39Where are you going?
00:43:40Well, you see?
00:43:41We were told to deliver this piano to this studio.
00:43:43Now, where do you want it?
00:43:45Oh, I don't want it.
00:43:46Suppose you ask over at the...
00:43:47Oh, get out of here, will ya?
00:43:50Come on, Atlas, and pick up your feet.
00:43:53Hey!
00:43:54Wait a minute!
00:43:55Hey, what's the matter of you?
00:43:56Can't you see where you're going?
00:43:57Can we get on with this, please?
00:43:59Don't be in a rush, babe.
00:44:01I like your comfort.
00:44:02Okay, let's have the action.
00:44:03Camera.
00:44:04Cut!
00:44:06Cut!
00:44:07Now in the next one, Chance, you put your arm around the waist like that.
00:44:10Hey, I'm beginning to like this an awful lot.
00:44:12I got a good one.
00:44:13How about one of those quenches where I'm giving you that clock table business?
00:44:18Hey!
00:44:19That's no way to treat a champ!
00:44:21No!
00:44:24There he's by the bell!
00:44:29Well, Laudale is certainly letting her hair down these days.
00:44:33Maybe she'd like to play Tarzan.
00:44:35You're coming along, Joan.
00:44:36That was a great display of temperament.
00:44:37This has worked for me, too, you know.
00:44:38I can't figure out why you have any score coming.
00:44:39Don't talk to me like that, Bob.
00:44:40You've been mooning around for the last two weeks, giving me a bunch of dirty looks and acting like I was poisoned for you.
00:44:42What if I have?
00:44:43We can't go anyplace without someone yelling at me for pictures.
00:44:44I'm sick and tired of being mauled.
00:44:45I'm sick and tired of being mauled.
00:44:46I'm sick and tired of being mauled.
00:44:47Of being queen of the May and Finkel's Diamond Girl.
00:44:51Well, if it wasn't for all that, you'd be still playing bits.
00:44:54Every stunt I pull met more people who went into the movies to see you.
00:44:58That's just it.
00:45:00I'm sick and tired of being mauled over, of being queen of the May and Finkel's Diamond Girl.
00:45:09Well, if it wasn't for all that, you'd be still playing bits.
00:45:12Every stunt I pull meant more people went into the movies to see you.
00:45:14That's just it.
00:45:16Just this.
00:45:18I'm not too near your sweetheart anymore.
00:45:21I'm just a bunch of headlines.
00:45:23Nothing more than a Bob Preston creation.
00:45:26Anything you've done for me
00:45:27has been a great big build-up
00:45:29for your own great talents as press agents.
00:45:32That's a cute way of putting it.
00:45:34That's all you've had in your mind.
00:45:36And you know it.
00:45:39It's no sense trying to kid ourselves.
00:45:41We've lost something.
00:45:43Something that was really important to me.
00:45:46They'll never get it back.
00:45:48Maybe I have been a little rough on them.
00:45:50Oh, let's forget all this
00:45:52and go somewhere tonight.
00:45:53Just you and me.
00:45:59I've heard that one before, Bob.
00:46:02I'm through.
00:46:13Come in.
00:46:16Oh, hello, Gordon.
00:46:17If you're busy, I'll turn right around and walk out.
00:46:19No, don't be silly.
00:46:20Come in.
00:46:26The arena's back at the Grove.
00:46:27How am I going tonight?
00:46:29And that, if my memory serves me,
00:46:31is the 21st time I've asked you.
00:46:33All right, Gordon.
00:46:35But I warn you,
00:46:36I won't be the life of the party.
00:46:37There's not going to be a party.
00:46:39Just you and me.
00:46:40I'd like this.
00:46:43Call for me at nine.
00:46:44Right.
00:46:46I'm sorry, but I have to get ready now.
00:46:48Of course.
00:46:49Nine o'clock.
00:46:49The place to put this.
00:47:12I could think of a good place.
00:47:15Say, Stooges,
00:47:16where does this thing belong?
00:47:17Stooges?
00:47:18Say, who do you...
00:47:19Why...
00:47:19Why...
00:47:20Who are you Stooges?
00:47:22Stop drizzling, will you?
00:47:23Where does this thing go?
00:47:25Get out of here.
00:47:26Go on.
00:47:26Get out of here.
00:47:27Get out, you loafers.
00:47:28What are you arguing with the guy for?
00:47:30Come on.
00:47:31Now listen.
00:47:32You better step on it,
00:47:33because I've got lots of work to do.
00:47:37Come on, now.
00:47:38Take it easy.
00:47:38To the left.
00:47:40Atta boy, Atlas.
00:47:41Atta boy.
00:47:42Atta boy.
00:47:43Hey, what are you trying to do?
00:47:44Break the piano?
00:47:45It pushed me.
00:47:47It pushed you.
00:47:49It pushed you.
00:47:50I never saw the likes of it in my life.
00:47:54You know, you're getting away with murder.
00:47:57The only reason you got the job
00:47:59is because you're my wife's first husband.
00:48:01You.
00:48:02Well, I, uh...
00:48:04But you didn't have to divorce her, did you?
00:48:09Oh, Mr. Klein.
00:48:10Well, well, well, what do you want?
00:48:12A hundred dollars on account.
00:48:13On account of what?
00:48:14On account of the fact
00:48:15that I'm going to sell you a song.
00:48:18Are your songs as good as your jokes?
00:48:21I just pulled this one out of the fire.
00:48:23Boy, this is hot.
00:48:24I call it, uh, hush your fuss.
00:48:27Oh, get this.
00:48:29A hush your fuss.
00:48:30Hush your fuss.
00:48:31Love and kisses were made for us.
00:48:33Hey, wait a minute.
00:48:34Wait a minute.
00:48:34Did you pull that out of the fire?
00:48:36Yes, sir.
00:48:37Put it right back again.
00:48:40Look.
00:48:41A hush your fuss.
00:48:42Hush your fuss.
00:48:43Go on.
00:48:43Hush your own fuss and get it.
00:48:45Go ahead.
00:48:45Pull out.
00:48:46Mr. Klein, please hear it all the way through.
00:48:48Say, girls, you want to hear my new song?
00:48:50I just sold it to Mr. Klein.
00:48:52He's crazy about it.
00:48:54No, thanks.
00:48:56Hey, boy.
00:48:56Just a minute.
00:48:57Put that piano down here.
00:48:58I want to run through a number.
00:48:59Put her down, Atlas.
00:49:02Now, take it easy.
00:49:03Hold it a little to the left.
00:49:05Atta boy.
00:49:06Now, look out now.
00:49:07Take it easy.
00:49:08That's right.
00:49:08Now, let her down slow.
00:49:10Atta boy.
00:49:12Atta boy.
00:49:13Now, you're getting there.
00:49:14Well, take it easy.
00:49:16A little to the left.
00:49:17That's fine.
00:49:19Now, you did it, Atlas.
00:49:29Open it up.
00:49:33Where is the key?
00:49:35Huh?
00:49:35Where is the key?
00:49:37Oh, the key.
00:49:38Yeah.
00:49:39I have to.
00:49:45What am I looking for?
00:49:47The key.
00:49:48The key.
00:49:49Yeah.
00:49:49I had a key when I.
00:49:51A key.
00:49:52I have to find out a key when I.
00:49:53I can't always.
00:49:55I have to.
00:49:58I've got to find it.
00:49:59If you let go of my hand, I want to find the key.
00:50:03If you know anything about my hand.
00:50:18What's going on here?
00:50:27Oh!
00:50:29Oh!
00:50:41Oh!
00:50:48Oh!
00:50:57Oh!
00:50:58Oh!
00:50:58Oh!
00:50:58Oh!
00:50:59Oh!
00:50:59¡Gracias por ver el video!
00:51:29¡Gracias por ver el video!
00:51:59¡Gracias por ver el video!
00:52:29¡Gracias por ver el video!
00:52:31¡Gracias por ver el video!
00:52:33¡Gracias por ver el video!
00:52:35¡Gracias por ver el video!
00:52:37¡Gracias por ver el video!
00:52:39¡Gracias por ver el video!
00:52:41¡Gracias por ver el video!
00:52:43¡Gracias por ver el video!
00:52:45¡Gracias por ver el video!
00:52:49¡Gracias por ver el video!
00:52:51¡Gracias por ver el video!
00:52:53¡Gracias por ver el video!
00:52:55¡Gracias por ver el video!
00:52:57¡Gracias por ver el video!
00:52:59¡Gracias por ver el video!
00:53:01¡Gracias por ver el video!
00:53:03¡Gracias por ver el video!
00:53:05¡Gracias por ver el video!
00:53:07¡Gracias por ver el video!
00:53:37¡Gracias por ver el video!
00:54:07¡Gracias por ver el video!
00:54:37¡Gracias por ver el video!
00:55:07¡Gracias por ver el video!
00:55:21¡Gracias por ver el video!
00:55:28¡Gracias por ver el video!
00:55:30¡Suscríbete al canal!
00:56:00¡Suscríbete al canal!
00:56:30¿Is there anything wrong between you and Bob?
00:56:31¡Suscríbete al canal!
00:56:33¡Suscríbete al canal!
00:57:03¡Suscríbete al canal!
00:57:05¡Suscríbete al canal!
00:57:07¡Suscríbete al canal!
00:57:09¡Suscríbete al canal!
00:57:11¡Suscríbete al canal!
00:57:13¡Suscríbete al canal!
00:57:15¡Suscríbete al canal!
00:57:17¡Suscríbete al canal!
00:57:19¡Suscríbete al canal!
00:57:21¡Suscríbete al canal!
00:57:23¡Suscríbete al canal!
00:57:25¡Suscríbete al canal!
00:57:27¡Suscríbete al canal!
00:57:29¡Suscríbete al canal!
00:57:31¡Suscríbete al canal!
00:57:33¡Suscríbete al canal!
00:57:35¡Suscríbete al canal!
00:57:37¡Suscríbete al canal!
00:57:39¡Suscríbete al canal!
00:57:41¡Suscríbete al canal!
00:57:43¡Suscríbete al canal!
00:57:45¡Suscríbete al canal!
00:57:47¡Suscríbete al canal!
00:57:49¡Suscríbete al canal!
00:57:51I don't want to hurt you, but you see, well, right now, even the way I feel about Bob,
00:58:00if he were to come back and tell me he's sorry and promise that things would be different,
00:58:07well, I don't know just what I'd do.
00:58:11Well, let's leave it this way for the time being.
00:58:14Of course, I'm not going to stop loving you or asking you to marry me.
00:58:17Did you see the kids tomorrow?
00:58:19May I follow that later?
00:58:22Oh, boy, am I going to have a good time.
00:58:24I'll fight, are you?
00:58:26Can't we have a better table?
00:58:27I don't like this place. It ain't noisy enough.
00:58:29I think it's swell.
00:58:30Well, let's have a good break.
00:58:31Monsieur.
00:58:33Tell me, Bob, is it true?
00:58:35Is what true?
00:58:36A little bird in the studio restaurant this afternoon happened to see a rising young star, Jilt, her handsome young lover.
00:58:43Let's not talk about that.
00:58:45Oh, don't be so downhearted.
00:58:48I know a girl who would appreciate some good publicity.
00:58:50Oh, it's publicity you want, huh?
00:58:54Well, I can give you plenty.
00:58:55I can do anything with a headline.
00:58:57I can even break your heart.
00:59:00Whatever you did, I wouldn't treat you the way June has.
00:59:04Lay off the incense, Sheila.
00:59:06I know you.
00:59:07June's 100%.
00:59:07Whatever she did, she did on the level.
00:59:15Well, I don't blame her.
00:59:18I think I'd throw you over for a couple of million dollars.
00:59:21What are you saying?
00:59:24There's the reason you got your closing notice.
00:59:26Get a picture of that, Bob.
00:59:31It'll make great publicity.
00:59:34Nice headlines, too.
00:59:37Money wins again.
00:59:41Or maybe it's just because you don't look well in a high hat.
00:59:45Must feel swell to have some other guy beat your time.
00:59:48Where are you going, Bob?
00:59:51Don't leave us.
00:59:58Sir Douglas is the reason for the big farewell scene, eh?
01:00:01Please, Bob.
01:00:02You're drunk.
01:00:03Sure I'm drunk.
01:00:04That's the reason I see everything so clear.
01:00:06You didn't have nerve enough to tell me you wanted to marry us a doll, did you?
01:00:10I think you've said enough, Preston.
01:00:12You're an ideal pair, and this is great.
01:00:14Yes, sir, it's a great yawn.
01:00:17Pasadena playboy wins movies, sir.
01:00:20You're a great little actress, all right.
01:00:23I really believe what you said this afternoon.
01:00:25Sure, and I was step enough to fall for it.
01:00:27I taught you a lot, didn't I?
01:00:29There's no headlines of just marrying a guy like me, is there?
01:00:32Please, take me out of here.
01:00:34You're always running out on me, aren't you?
01:00:36Preston, that's enough.
01:00:38Wait a second.
01:00:38There's a lot more I want to say to you.
01:00:44Where's your telephone?
01:00:48I'm sober enough to know this is a great story.
01:00:50She's getting ready to leave.
01:01:15She's on stage three.
01:01:16June, we've got to talk.
01:01:41There's nothing to say, Bob.
01:01:43Yes, there's so much.
01:01:45I bet you love your staff, and I'm sorry for it.
01:01:49June, you've got to listen to me.
01:01:52Sweet.
01:01:53We've meant too much to each other.
01:01:55You can't forget that.
01:01:56I'm going to marry Gordon.
01:01:58We're flying to Yuma this afternoon.
01:02:01You're not fooling me for a minute, June.
01:02:02You're not marrying him because you love him.
01:02:03It's despite me.
01:02:05I'm marrying him for his money,
01:02:07and for all the publicity I can get out of it.
01:02:09June, darling, please listen to me.
01:02:11I'm pleading with you to forgive me for anything I've said.
01:02:15You can't marry him.
01:02:17I love you too much.
01:02:19And you love me.
01:02:20There's no sense kidding yourself about that.
01:02:23You can't run away and marry anybody just because we've had a battle.
01:02:26I don't love you anymore, Bob.
01:02:28Oh, June.
01:02:29Now, will you let me go?
01:02:30I won't let you go, do you hear?
01:02:33Please, Bob.
01:02:35June.
01:02:37I just want to ask you one question.
01:02:39And I know you'll answer me on the level.
01:02:42Do you love Gordon?
01:02:53Happy, dear?
01:02:53I want you to be sure you know that.
01:02:57Yes, I know that.
01:02:59And I am sure.
01:03:04Oh, here we are.
01:03:05Hey, entry paper, read all of that.
01:03:08I guess that's our plane over there.
01:03:14Hey, entry paper, read all of that.
01:03:17Hey, entry paper, read all of that.
01:03:18Suicide, entry paper.
01:03:21Hey, a paper, Bob, press and jump down with your head.
01:03:23Next week, read all of that.
01:03:25Oh, boy.
01:03:30Read all of that.
01:03:33Oh, Gordon.
01:03:35He's in the Hollywood Hospital.
01:03:40All right.
01:03:41Oh, hurry, hurry.
01:03:42Hollywood Hospital.
01:03:42Please, John, hurry.
01:03:48I told you.
01:03:49And you can tell it to your grandchildren.
01:03:50You can do anything with a headline.
01:03:52Here you are, son.
01:03:53Take the rest of those papers and burn them.
01:03:54Come on, let's roll up.
01:03:55I've got to get to the hospital before she does.
01:04:04I should have known he'd do something desperate.
01:04:06He's so stubborn.
01:04:08Here's some pictures up for me.
01:04:09Run a special front page.
01:04:10Cost me 200 bucks, but it's worth a million.
01:04:13Genius, I calls it.
01:04:15Genius.
01:04:15Genius.
01:04:15Genius.
01:04:15Ditch this coffee grinder.
01:04:34She might recognize it.
01:04:35I'm a sick man, doctor.
01:04:44Hurry up.
01:04:45Give me a room.
01:04:45Where do I go?
01:04:46What do I do?
01:04:47How do I know?
01:04:48I'm only the painter.
01:04:56Give me a room.
01:04:57Quick.
01:04:57I'm sick.
01:04:58Why?
01:04:58Who's the doctor?
01:04:59What is it?
01:04:59I thought Jason, I missed exhaustion.
01:05:01I've got to have a room.
01:05:02Ow!
01:05:03Oh!
01:05:04Quick.
01:05:04Ow!
01:05:05What room should we give him?
01:05:06Fire, 231.
01:05:07Right this way.
01:05:10In case anybody calls, my name is Bob Preston, and I'm a very, very sick man.
01:05:14You get into bed.
01:05:28I'll get the doctor.
01:05:32Bob Preston, what room is he?
01:05:33231.
01:05:34Do you all right?
01:05:34How is he?
01:05:35He's a very sick man.
01:05:36Bob, darling.
01:05:44I love you, June.
01:05:46Oh, Bob, my sweet.
01:05:47There never was anyone but you.
01:05:50Kiss me, honey.
01:06:04Bob!
01:06:05I love you.
01:06:06I'll admit it was just a soul to get you back.
01:06:08I love you.
01:06:09I didn't want to see you do anything that you'd be sorry for.
01:06:11Please forgive me.
01:06:12I love you.
01:06:13We'll get married right away.
01:06:14I love you.
01:06:15Please give me a little smile to tell me that you're not angry.
01:06:17I love you.
01:06:18Bob, you're a madman.
01:06:20An absolute raving lunatic.
01:06:23But I love you.
01:06:26I love you.
01:06:27What about this marriage business?
01:06:30I have it all fixed up, darling.
01:06:31I know just what you want.
01:06:32We're going to Ensenada.
01:06:34Moonlight.
01:06:34Soft breezes.
01:06:36Beautiful music.
01:06:37Just you and me.
01:06:39Oh, Bob.
01:06:40I don't want one of these movie managers.
01:06:42Sweetheart, it's just going to be a quiet little wedding.
01:06:46Goodbye.
01:06:47Goodbye.
01:06:48Goodbye.
01:06:49Goodbye.
01:06:50Goodbye.
01:06:51Goodbye.
01:06:52Goodbye.
01:06:53Goodbye.
01:06:54Goodbye.
01:06:55Goodbye.
01:06:56Goodbye.
01:06:57Goodbye.
01:06:58Goodbye.
01:06:59Goodbye.
01:07:00Goodbye.
01:07:01Goodbye.
01:07:02Goodbye.
01:07:03Goodbye.
01:07:04Goodbye.
01:07:05Goodbye.
01:07:06Goodbye.
01:07:07Goodbye.
01:07:08Goodbye.
01:07:09Goodbye.
01:07:10I, Jiminy, should be a star the first time I ever saw her.
01:07:13The first time you saw her, you fired her.
01:07:16Can I help her if I'm a little bit eccentric?
01:07:28That certainly was a quiet little wedding.
01:07:30But, Lenny, you know we have a lot of friends.
01:07:36What's that, the convoy?
01:07:40Believe it or not, I made a tie-up with the army.
01:07:46Bob, you're slipping.
01:07:47What do you mean?
01:07:48You forgot to let the Navy in on this.
01:07:51You think so?
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