- 3 hours ago
Ek Jhooti Kahani Episode 19 [CC]_29_Nov_25_SPON__Lifebuoy_Shampoo___Leather_Galleria_-_HUM_TV(360p)ek jhooti kahani drama, new drama ek jhooti kahani, ek jhooti kahani drama review, new drama aik jhooti kahani, ek jhooti kahani, ek jhooti kahani 16, ek jhooti kahani 15, ek jhooti kahani 14, ek jhooti kahani 13, ek jhooti kahani 11, ek jhooti kahani 12, ek jhooti kahani ost, ek jhooti kahani new 15, ek jhooti kahani hum tv, hum tv ek jhooti kahani, ek jhooti kahani promo, ek jhooti kahani teaser, ek jhooti kahani today ep, ek jhooti kahani promo 16, ek jhooti kahani promo 15, ek jhooti kahani promo 14
Category
📺
TVTranscript
00:00If you've never had your heart in front of me,
00:03don't forget you.
00:06Today you're sitting in a woman in a woman.
00:08Some friends of Samal.
00:10If I became a philosopher and a woman behind her,
00:12it's just this way.
00:14Why don't you see a woman in front of me?
00:25Baby Horia, Baby Horia,
00:27this game is really a sacrifice.
00:28But you can't get out of this game.
00:32Okay, I'm going to keep this potlis under my mother's chest.
00:34If we keep this one, we don't know.
00:37What is God's name in the wrong works?
00:39What is wrong?
00:40What is wrong?
00:41What else is wrong?
00:42We're going to leave a house.
00:48Here.
00:50Safiya is running away, brother.
00:53Safiya is ours.
00:54She is running away.
00:56She is running away for a wedding day.
00:59Yes, all of you.
01:05What are you saying?
01:08Who is your brother?
01:09Who is this with you?
01:10This is...
01:11This is where we are.
01:14There are very beautiful lectures.
01:18Urdu Science has retired from Kalid.
01:21And now we have to write the key books of political science.
01:24Yes sir.
01:26Now we have to write the money in the house.
01:33What did you say about Safiya?
01:35Safiya is running away from Bushra.
01:37She is running away from Bushra.
01:39Miss Raath.
01:40She is running away from Bushra.
01:41She is running away from Bushra.
01:42She is running away from Bushra.
01:46This Miss Raath.
01:47The Miss Raath, everyone is growing up with disabilities.
01:48Brother Vashir, her canteen of Samosas was in her college.
01:52I remember that Habib has had a dinner for today's dinner and we all had to eat some samosa in the lunch.
02:05So, you'll be hungry, right?
02:07I'm hungry, but you won't eat some samosa, right?
02:09I'll eat some samosa.
02:10I won't eat some samosa.
02:11Don't eat some samosa.
02:12Eat it.
02:13Oh my God, it's the last grand lunch in this house.
02:16I'll be hungry.
02:17I want to talk to you.
02:21Come on.
02:22I'm mad.
02:33What happened to you, brother?
02:34Is this a house or a guest house?
02:36Every day there's a new character.
02:38Who is that?
02:40That's a brother Vashir of Akhra.
02:42Yes, that's a teacher today.
02:4410-15 days.
02:45Why?
02:46You haven't heard anything about it.
02:48You don't know what's going on in the house.
02:51Do you know?
02:52Meerape's teacher, Rizwan,
02:53he tried to kidnap him today.
02:56Hmm?
02:57What's your name, brother?
02:59What's your name, Nasra?
03:01We have time for our wives.
03:03We have something to say, right?
03:04You always go to the four of us.
03:07Your wife feels bad at home.
03:10I don't know.
03:12I know.
03:13I know that you are right.
03:15But the people who have taken away from the house,
03:18are like this.
03:19I don't even know anything about it.
03:21It's your favorite.
03:23But I know your wife.
03:25Oh, brother,
03:26the situation is at the moment
03:28that Safiya took away from the house
03:30from the house.
03:32No.
03:33She said to me,
03:35she said to me,
03:36she said to me,
03:37she didn't run away from me.
03:39What?
03:40Yes.
03:41What?
03:42When did you see Zewar?
03:43Where did you stay?
03:44After running?
03:45After running?
03:46Okay.
03:47How did you run away?
03:48When Rizwan was running away from Meerape.
03:51I feel like you had to run away from Meerape.
03:53I feel like you had to run away from Meerape.
03:54I feel like you had to run away from Meerape.
03:56No.
03:57Okay.
03:58Relax.
03:59I'll explain you.
04:00I'm going to take away from Meerape.
04:01Okay.
04:02Who did you bring in this house?
04:04Safiya.
04:06And who gave her to Mereb's camera?
04:09Bushra.
04:10Who?
04:11That's why?
04:12That's why they put the shor away from Mereb,
04:14so that she stole the shor away and gave Safiya.
04:18Oh, so she stole the shor away so that she stole the shor away?
04:20Yes!
04:21So Bushra can take her away from here,
04:23so that Bushra will be good for you,
04:25and Safiya took the shor away from the shor away.
04:28Why the shor away from Bushra?
04:30Why would she take her away from the shor away from her?
04:34Bhajan,
04:35this time,
04:36you're not sure about Bushra's love.
04:38You'll never understand me.
04:40Leave me alone.
04:42I've been very tired of the shor away.
04:45Come.
04:46I'll give you finally the samosa
04:48that I've reached Bushra's love.
04:50Come.
04:51Bhajan, you understand?
04:53You only kept the name, Muhammad Ali.
04:55You're the hero of me.
04:57What's your name?
04:59What's your name?
05:00My mother also kept my name as Zewa.
05:02But I don't have a shock to you.
05:04Now tell me,
05:05what's your name from that sherry?
05:07What's your name from that sherry?
05:08What's your name?
05:09Zewa?
05:10Begum, take a question.
05:11I'll tell you,
05:12I'll tell you,
05:13I'll tell you.
05:14I'll tell you.
05:16What's your name?
05:17What's your name?
05:18What's your name?
05:19I'll tell you,
05:20I'll tell you,
05:21I'll tell you.
05:22What's your name?
05:23Who's your name?
05:24What's your name?
05:25What's your name?
05:26And you listen to me.
05:27You're doing a drama, right?
05:28You don't think you'll become Muhammad Ali.
05:31You're doing a morning show.
05:33Don't ask Faisal Kureishi.
05:35When you're such a beautiful girl,
05:37who's your name?
05:40Okay, listen.
05:41I'll tell you,
05:42I'll tell you,
05:43after lunch,
05:44go to school.
05:45Now tell me,
05:46what's your name?
05:48Okay,
05:49I'm going to the guest room.
05:52I don't want to do lunch.
05:53I'll tell you,
05:54I'll tell you,
05:55I'll tell you,
05:56I'll tell you.
05:57Yes, I'll tell you.
06:06Why didn't you go to Rizwan?
06:07I stopped.
06:09She would be a party.
06:10I had to eat a £100 of a cup.
06:12You're gonna eat a £100?
06:13What?
06:14We all are going to meet,
06:15Oh!
06:16You're a whole family.
06:17You've just met a whole career.
06:18What did I live for?
06:19Why are you still eating a £100?
06:20What's your child?
06:21What the effect of your wife?
06:22What's your why?
06:23How are you going to give that £100?
06:25How did you get any £100?
06:26She's always topping the Salon VI bag?
06:28She's just eating.
06:30What's your £100?
06:31Is this £100?
06:33You can't get £100?
06:34Your hot £100 is such £100...
06:35You can't get £10000.
06:36That's how you can't get £100.
06:38I will give him the food that is fried rice.
06:42He also asks you to take away your food.
06:44I will go.
06:46And I will deliver the food for Rizwan.
06:48The only few people will be better than the most.
06:50Okay.
06:58I will not have Rizwan's house.
07:02He has been rich.
07:03He has been rich.
07:05He is my brother.
07:07He doesn't grow up with it.
07:09Give it to me.
07:11If he is here,
07:13then he will be able to remember his whole life.
07:16Remember?
07:17Who?
07:18I'm a fool.
07:20I'm a fool.
07:21Why would I do it?
07:22He took me with me.
07:24Why would I do it?
07:25He died.
07:26What happened?
07:27What happened?
07:28What happened to me?
07:29No, no.
07:30I was saying,
07:31go and take a screenshot with Rizwan.
07:35What happened to me?
07:41What happened?
07:42Nothing, Mom.
07:44I'm thinking about the screen time.
07:49Give it to me.
07:59Wow!
08:01It wasn't a show from those days.
08:05What happened?
08:06You weren't a fan of Samosa.
08:09Mmm.
08:10Mmm.
08:14I eat Samosa.
08:16Yes.
08:17Mirab, try it.
08:19It's not bad.
08:23Mirab, there's no trick.
08:25I can try it.
08:26I can't do it.
08:27Ahhhh.
08:28Ahhhh.
08:29Ahhhh.
08:36What happened?
08:37You remembered the story of the restaurant.
08:39We're talking about it.
08:40We're talking about it.
08:41Oh, no.
08:43Something wrong.
08:44Something wrong.
08:45We'll be quick.
08:46No.
08:47We'll have to make it again.
08:48Oh.
08:49No, I'm fine.
08:50No, I'm fine.
08:51No, I'm fine.
08:52No, I'm fine.
08:53No, I'm fine.
08:54But, I'm fine.
08:55I'm fine.
08:56But, what's up?
08:57I'm saying?
08:58No.
08:59I know.
09:00I know.
09:01I know.
09:02I'm fine.
09:03I'm fine.
09:04I'm fine.
09:05I'm fine.
09:06But, I'm fine.
09:07What?
09:08Do you want to drink?
09:09No.
09:10No.
09:11No.
09:12No.
09:13No.
09:14No.
09:15No.
09:19No.
09:20No.
09:21Hello.
09:22No.
09:23No.
09:24I'm fine.
09:25No.
09:27Mom.
09:28Oh, my God, did you throw me in the car?
09:34Yes.
09:35The car stopped from the car.
09:37He opened the bag.
09:39He had to throw the bag under the shawl.
09:41He threw the bag and sat on the car.
09:43Oh, my God.
09:45Oh, my God.
09:46I don't know what your father is doing.
09:48I don't know what your father is doing.
09:50Oh, my God.
09:52Oh, my God.
09:53Oh, my God.
09:54Yes.
09:55I don't know what your father is doing.
09:58But I think he's a good girl.
10:00I'm saying that.
10:02But when we're here,
10:03we're going to be a professional.
10:05What would be more professional than that?
10:07Would you marry a girl with a girl?
10:10I don't have to be a long time.
10:12I'm talking about a divorce.
10:14Oh, my God.
10:15I don't have to be a long time.
10:16People are going to cut the grass.
10:18They're going to be a long time.
10:20They're going to be a long time.
10:22They're going to be a long time.
10:24I think I'm going to be a long time.
10:25Inshallah,
10:26this drama will be a long time.
10:27After that,
10:29We're going to get married and the distributors.
10:31But you haven't done anything.
10:32You won't have to take a long time.
10:33You haven't got married to your brother.
10:34You have to be married again.
10:36I made it all myself.
10:39I've got my own character.
10:40Listen,
10:41I have my new job.
10:42You should be taking my new makeup paper.
10:44You should be four or more.
10:45You should take them out.
10:46You should take them out.
10:47And you should make your boat.
10:48Let me take off that time,
10:49This is the end of the day of the day of the day.
10:51We will have to go on the day of the day and the day of the day.
10:54That we will not be sure to get on the whole Instagram.
11:06Are you angry with me?
11:07Yes.
11:10I will be angry with you.
11:15I have never given you a chance to say.
11:20This is the routine of this house.
11:23It's a different way to eat.
11:27And when we go and sit together,
11:29it feels like no one's daughter.
11:33Now I have a difference between this house.
11:37Everyone knows me too.
11:39But what is the problem?
11:45I told you that
11:46I wanted to take a restaurant.
11:51But after that,
11:53we have our decision.
11:58Opening dinner on
12:00there was a man at a time.
12:03There was a woman's face.
12:05There was a woman's face.
12:07There was a woman's face.
12:08There was a man's face.
12:11There was a woman's face.
12:12It was a woman's face.
12:13Resort
12:15Resort
12:17No
12:19No
12:21No
12:23No
12:25No
12:27No
12:29No
12:33No
12:35No
12:37No
12:39No
12:41We
12:43We
12:44We
12:46We
12:49Are
12:51We
12:53We
12:54We
12:56Quite
12:58We
13:01We
13:08We
13:10She was in Bindiya's class.
13:16That girl has been approved
13:19that there are issues of anger management.
13:23They are all stupid.
13:26Bindiya was a good student,
13:28but she was probably more than that.
13:33She left her to study.
13:36And what happened, Mirob?
13:40Every time movies,
13:41food from the store,
13:43food from the store,
13:44food from the shops,
13:45and the small things on the shops.
13:49They left school before small things.
13:53So that means
13:54that they all meet and don't eat food
13:57and after eating food,
14:00it's PTSD?
14:06Why?
14:10I want to say,
14:11I want to get married.
14:12I want to get married.
14:13I want to get married.
14:14I want to get married.
14:15I want to get married.
14:16I want to get married.
14:17I want to get married.
14:18I want to get married.
14:19I want to get married.
14:20I want to get married.
14:21I want to get married.
14:22I want to get married.
14:23My daughter,
14:24I want to get married.
14:25I want to get married.
14:26Do you want to have married?
14:28Are you sure you want to get married?
14:29but he doesn't keep any blame.
14:34I don't understand.
14:38I've heard a strange story.
14:42I think it's a real problem.
14:46There's a real problem.
14:49Irfan,
14:50there's no problem with a bad thing or a bad thing.
14:54It's like people who have had a situation in their childhood.
14:59They often react like this.
15:01But I don't understand that
15:03whatever they get hurt,
15:05that's the same thing.
15:07That's the same thing.
15:09It's very strange.
15:12Honey.
15:16If it's not okay,
15:18then I'll stay with my own business
15:20and stay with them at home.
15:24What do I do?
15:26It's my wife, right?
15:29Whatever it is.
15:30Don't think so.
15:32Give one more chance.
15:34Maybe everything will be fine.
15:39Maybe.
15:47I haven't said anything.
15:50It's not like that.
15:52It's not like that.
15:54Let's eat something outside.
15:57It's not like that.
16:01It's the habit.
16:02We'll have to eat this.
16:04We'll eat this.
16:05We'll eat it outside.
16:07Maybe it's the habit.
16:10It's the habit for me.
16:11I'd like to eat this so I know.
16:12He's the habit of acting.
16:13He knows it.
16:15He knows it.
16:16He's the habit of acting.
16:17Yes.
16:23And Farid Bhai is still running.
16:25It's just like a kid and a loser.
16:28And the fun thing is that Sir Respond is totally our way.
16:31He has such a funny name for Farid Bhai.
16:34Shamil Vajah.
16:36And this game is so fun.
16:38It's so fun.
16:39Let's see.
16:40Tomorrow we'll get more fun.
16:42Stop, Jumeirah.
16:43Stop.
16:44What happened?
16:45Jumeirah.
16:46He's running very big.
16:48Farid Bhai, I don't know.
16:50That's not him.
16:51He's not.
16:52He's running away from Nassar.
16:54He's running away from Nassar and his brother Bashir's fan.
16:57No, brother.
16:59He's not.
17:00Then?
17:02He's not our brother.
17:05What?
17:15He's running away from Nassar when he goes in the shop.
17:16You don't have to run any smaller woman.
17:18He's running away from Nassar.
17:19He's running away from Nassar.
17:20Oh, I'm all.
17:21He's running away from Nassar.
17:22He's running away from Nassar.
17:23In the back of Nassar, you've to get better.
17:25We've only went to Nassar.
17:26Oh, so, what are we doing? We've been told that we've been told.
17:32You tell the story about Zewar. Now?
17:35Bewekkoofo, this story will be more easy.
17:39How is it?
17:41Zewar will be hidden in his hands.
17:45The story is gone, and when it is gone,
17:48then they will be confirmed and they will be clear.
17:53Oh, yes. That's right.
17:55The story is written.
17:57Now, take care of them.
17:59Manhoos Bushra,
18:01they were so sweet.
18:03And when I was talking to my brother,
18:05they took them.
18:07I said that it's not all right.
18:09They were just sweet.
18:11So the children came to the teacher's chest,
18:13and then they came to the village.
18:15The whole tribe had been cut.
18:17The story of the brother,
18:19which was made of the ullu.
18:21The Bushra became very sweet,
18:22but I had no idea.
18:24What do you say?
18:25Now,
18:26let me show up.
18:28Ha ha ha ha.
18:30It's not like that.
18:32The Bushra was my mind, right?
18:34I'll put the scene on her head.
18:37I'll put the scene on her head.
18:38I'll put it on her head,
18:39and then I'll put it on her head.
18:41I'll put it on her head.
18:42I'll put it on her head.
18:43I'll put it on her head.
18:44I'll put it on her head.
18:45Then I'll put it on her head, right?
18:47The whole circus.
18:49Everyone will go.
18:51I'll put it on her head.
18:52It's a very easy thing.
18:53It's a very easy way.
18:54I can't do it.
18:55It's a very easy thing.
18:56I'm gonna do it.
18:57It's a very easy way.
18:58It's a very easy way.
18:59I can't do it.
19:00It's a very easy way.
19:02Do you remember when we met the first time?
19:09The first time and the second time are two different things.
19:16But you don't have to do anything.
19:20Those things, those stories, everything is the same.
19:24If you just usted the same or who XYZ talked about it,
19:33through Espero 1,hd
19:37I always thought of using Możli survive
19:40I always thought of it.
19:41But I can't do anything in front of everything.
19:45How didn´t do anything in front of everything?
19:48Everything is okay.
19:50Everyone alone is out there at home.
19:52is Be Generation alum flour.
19:53I got a teacher.
19:54Madam Rahat is, now we're not going to die.
20:02Now we're going to die.
20:10We're going to die.
20:13We're going to see each other.
20:17We're going to die.
20:19We're going to die.
20:22Yes.
20:24We're going to die.
20:32I hope the days will not go.
20:40I mean, there are so many castes, so many people are going to die.
20:47It's going to be a sonata, but it's going to be a work.
20:54We're going to die.
20:57Hi, sorry.
20:59Are you going to die?
21:00What is it?
21:01How much is it?
21:03How are we going to do this?
21:05We have two tables.
21:07Let's go.
21:12Why are you...
21:20What happened?
21:22Let's go. We will go here.
21:24What happened?
21:26Let's go.
21:30Let's go.
21:32Let's go.
21:36What are we doing?
21:40She listened to everything.
21:42She said that she listens to her.
21:44We can't give risk.
21:46Can you tell me, have you made papers in the beginning?
21:49Yes, they are.
21:51But now we are so easy to understand.
21:53How about?
21:55Biometric and images are made to make videos.
21:59Think, think something.
22:02I just want to go to jail.
22:06And now we have a lady jailer.
22:10Yes.
22:11Irfan is angry.
22:12He is doing everything he is saying.
22:14He is doing everything he is saying.
22:16He has told his brother.
22:18He is doing the job.
22:19He is doing everything he is saying.
22:20You can get his wife.
22:21And he has done a great job.
22:24Because if he told us about Irfan.
22:26Then our marriage is not possible.
22:28I can't see you.
22:29I can't see you.
22:31Good.
22:32The day of the day of the bushtra,
22:35and now Safiya is also back.
22:38That means, our plan is coming up.
22:42Fareed,
22:44promise me that our marriage will be.
22:46It will be just our marriage.
22:48We will deal with both of them.
22:51Yes, absolutely.
22:55But, Inshallah.
22:57You know, it suits you.
22:59And it suits you very well.
23:01Actually,
23:02I remember watching you.
23:04Who was that?
23:06Who was that?
23:08Who was that?
23:10Ah...
23:11It doesn't look good.
23:12It's romantic.
23:18We should sit there with Rizwan.
23:21This plan is totally wrong.
23:23I was taking care of the hotel.
23:25When I was coming home,
23:26I was taking care of the hotel.
23:28It was really good that I would give money.
23:32I've been going to take care of it.
23:34If you were to take care of your family,
23:36if you would be taken care of your family,
23:37you would be paying for it?
23:39Do you believe that he will meet us in such a place?
23:44Look, the guy who was like the guy,
23:47the guy will take him to such a place.
23:59Hey!
24:00That guy!
24:01Look!
24:02Look at the parking in the car!
24:06The first time he went to work.
24:08Huh?
24:09Let's go.
24:10Let's go and run away.
24:12I'll break my tongue.
24:19Why did he run away?
24:20She came out there.
24:22Who?
24:23What do you need to run away?
24:24Let's talk about it.
24:25No, I can't talk about it.
24:27Run away.
24:28Let's go.
24:35Let's go.
24:38Let's go.
24:51Go!
24:52Go!
24:53Go!
24:54Go!
24:55Go!
24:56Go!
24:57Go!
24:58Go!
24:59Go!
25:00Go!
25:02Go!
25:03Go!
25:04Go!
25:05Go!
25:06Hurry, hurry, hurry!
25:08Hurry, hurry!
25:09What are you doing? Hurry, hurry!
25:11Let's leave it, let's leave it!
25:13Hurry, hurry!
25:15Hurry, hurry!
25:17Sorry, sorry!
25:19Hurry, hurry!
25:21Hurry, hurry!
25:23Go!
25:26You'll play this game quickly!
25:28Why do you think you'll have to take a race from him?
25:30I'm giving you the whole race, boss.
25:32I'm not going to play more.
25:34They're going to die.
25:36They're going to die.
25:38They're going to die.
25:40What are you doing?
25:44Go, go, go, go!
25:48What are you doing?
25:50Yes, it's gone.
25:51But what's the problem?
25:53I mean...
25:54That's right.
25:55It's the owner of the house.
25:56But...
25:57Give it to him.
25:58Give it to him.
25:59Give it to him.
26:00Why do you need to run away?
26:01Look, in the story of your story,
26:03You don't have any problems,
26:04but you can't get married normally.
26:06In the same way,
26:07we can't talk about the owner of the house.
26:12Yes, but I don't have to do that prank.
26:14I've understood the story.
26:16What are you going to do?
26:18Go home?
26:19Yes, I'm hungry.
26:20I don't know what will happen at home.
26:22I'm hungry.
26:23I don't know what will happen.
26:24I'll make a noodle with your own recipe today.
26:28And then we can listen to Lizle.
26:30Wow!
26:31What an idea!
26:32Just go to the road.
26:34Take a noodle,
26:35take an onion,
26:36take an onion,
26:37take a donut.
26:38It will be made in the house.
26:39Because I don't know,
26:40how much of a family is in the house.
26:42Okay.
26:43Okay.
26:44Take a donut.
26:45I think Nassara has been so angry.
26:49I heard so many stories.
26:51She told me,
26:52you said to Bhabara Sabara,
26:54go and take a knife from her door,
26:56and give her knife to her knife.
26:58And then she took the knife.
27:00Tell me about that.
27:04My son,
27:05I didn't understand it until today.
27:07Nassara.
27:08Sometimes they say,
27:09they're very poor,
27:10I'm only good.
27:11Sometimes they go to the house,
27:13they give their money.
27:14And someone didn't study at home,
27:16but they,
27:17without a doubt,
27:18B.S.
27:19What are you doing?
27:21That's how I am.
27:34Just wait a minute.
27:35Hold on.
27:44Hold on.
27:45Hold on.
27:46Hold on.
27:47Hold on.
28:04What's wrong with you?
28:06You're going to die with the waiver.
28:08Nasser told me.
28:10Just to say to Abba,
28:12keep your answers ready
28:14and stay in the guest room.
28:16Yes, okay.
28:34You've said that before,
28:36Hurya.
28:38She was listening to Habib.
28:40Now I'm listening to her new auntie.
28:44What?
28:46She's calling Muhammad Ali to him.
28:52Muhammad Ali?
28:54Yes.
28:56And she said Zeba.
28:58Then?
29:00And she said,
29:02what's wrong with you?
29:06You're a fool.
29:08Okay.
29:10You're a big understanding.
29:12Sir, you were talking about Rizwan.
29:14You were talking about them.
29:16You're talking about strange things.
29:18You're talking about the truth.
29:20I don't think.
29:22But I'm telling you that Bushra,
29:24our sister is not.
29:26She's talking to us.
29:28She's not talking to her brother.
29:30I heard her stories.
29:32But you're a fool.
29:34They are what they're listening to me.
29:36They're listening to me.
29:38She's not listening to me.
29:40The woman is not listening to her.
29:42You're very fast.
29:44Tell me yourself.
29:45I'll tell you.
29:46I'll tell you.
29:48Now, Nassar Abhi has become a problem.
29:51He has to take the first place.
29:53and then we have to do the same thing.
29:59Let's go, we have to ask what we have to do next.
30:03Let's go.
30:12Hey, Abhisar!
30:14The bag changed.
30:15Huh?
30:16The bag changed?
30:17Look at this.
30:18This is not my clothes.
30:21Can you see?
30:24If you have a bag of bag, you will wear a bag, right?
30:27This is not my clothes.
30:29I have to wear this.
30:30Why would you wear these clothes?
30:32Why would you wear these clothes?
30:34Like you, your daughter would have used to wear the bag.
30:37You would wear these clothes, right?
30:41You would give me a bag.
30:42You would have given me such a thing.
30:44I would give you that.
30:45I would give you a bag.
30:48Don't think so.
30:50You would leave this clothes in the guest room.
30:53I am telling you that this is not my bag.
30:55My bag is in the guest room.
30:57My bag is in the guest room.
30:58My bag and the other woman was with her.
31:00She was replaced with her.
31:01She was replaced with her.
31:02She was replaced with her.
31:03She was replaced with her.
31:04She was replaced with her.
31:05She was replaced with her.
31:06But the other woman was in her bag.
31:07She was in the guest room.
31:08She was in her bag.
31:10What are you doing in the guest room?
31:11What are you doing now?
31:12Oh God.
31:13Look at this home is a great place.
31:14What do you want to do in the guest room?
31:16Where you don't need to be.
31:17Where you don't need to be.
31:18And she is, she is still there.
31:19What will I do? What will I do? What will I do?
31:23Let me show you here.
31:30Yes, that's it.
31:31Go and keep going. You'll be very happy.
31:34But how did this guy come from his bag?
31:37Who is this guy?
31:38He's a guy.
31:39And my brother Bashir is actually Muhammad Ali.
31:44You won't always do anything.
31:46What will I do?
31:47I'll tell you.
31:48I'll tell you.
31:49If he doesn't know where he is,
31:52then he'll kill you.
31:54He'll kill you.
31:55Are these clothes?
31:57The bag will also change.
31:59Hello?
32:06He's gone.
32:16Yes.
32:17It's like this.
32:18I'll go to the gate.
32:20I'll come to the gate.
32:25How did we get out of our child?
32:27Are we here?
32:28We don't know what we're doing here.
32:30Oh, madam.
32:31The drama is that.
32:33We're just like that.
32:34We're just like that.
32:35Oh, we're gone.
32:36We're going to give something time.
32:37I'm sorry.
32:38It's good enough to do this.
32:39My book says that
32:41It's a purple eye.
32:42But come on with his eyes.
32:43We're everywhere.
32:44We're all are full.
32:45If he can see his smile on his face,
32:49then he's great.
32:50He makes an account for it.
32:51If he looks at his face,
32:52he's like a female in the face.
32:54He'll lose his heart.
32:55And he puts his praise on his own shirt.
32:57And apparently he'll lose his soul.
32:58Then he'll lose his heart.
33:00Then he puts his spine in that lace.
33:02And he loses his daughter.
33:03And he knows that this is Irfan.
33:05And Irfan leaves him behind his head,
33:07where the children of Bushra say,
33:09''Mamu, mamu''
33:11I'm going to go there.
33:15Oh!
33:17He's been very soon.
33:19He's gone.
33:21He's also going to go there.
33:23Wow!
33:25My lord!
33:27Your power, your game,
33:29his head on his head
33:31He's called the Chambeli.
34:01You've lost your life, you've lost your life
34:04You've lost your life, you've lost your life
34:07That you've lost your heart
34:10Now you've got a trap for me
34:13Ah, that's a shame.
34:14That's the way you've lost.
34:16I don't know what's happening in the two minds.
34:19Now this house is so special that...
34:22Can I tell you?
34:24What?
34:26It was strange, but...
34:32I don't have to say it without any indication.
34:36If you don't have to say it without any indication...
34:40You have to say it without any indication.
34:47Your face is very beautiful.
35:02Make notes.
35:04If you...
35:22You don't know.
35:24There was a time like that.
35:29Good.
35:31You are very bored in your heart, Shai.
35:33Shai.
35:34No.
35:35I'm confident.
35:36She has a talent.
35:38She has a dream.
35:39She has a dream.
35:41She has a dream.
35:43And you don't know.
35:44With your dreams.
35:49I understand, Bhushra.
35:51Look, you are so hard for your dreams.
35:57To understand my daughters.
35:59To take them together.
36:02To see their needs.
36:05To keep their attention.
36:07To keep their attention.
36:09I wish my daughters would be so hard.
36:12They would go.
36:14That's right.
36:16I've seen a lot of stars in life.
36:19And that's what I am doing.
36:21Stage-backing.
36:22There is no common thing.
36:24I've reached this point.
36:27I've reached this point.
36:28I've been reading and writing.
36:29Everything I've done for myself.
36:31But, I...
36:33It's like...
36:36I can't become friends.
36:40It's good, but no, I don't have to understand this until today.
36:49Hmm.
36:52When we think about some relationships, we see many relationships.
36:58And this is what we remember when those people have left our lives.
37:05This is what we remember when those people have left our lives.
37:12This is what we remember when those people have left our lives.