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Ek Jhooti Kahani Episode 17 CC]_15_Nov_25_SPON__Lifebuoy_Shampoo___Leather_Galleria_-_HUM_TV(360p)ek jhooti kahani drama, new drama ek jhooti kahani, ek jhooti kahani drama review, new drama aik jhooti kahani, ek jhooti kahani, ek jhooti kahani 16, ek jhooti kahani 15, ek jhooti kahani 14, ek jhooti kahani 13, ek jhooti kahani 11, ek jhooti kahani 12, ek jhooti kahani ost, ek jhooti kahani new 15, ek jhooti kahani hum tv, hum tv ek jhooti kahani, ek jhooti kahani promo, ek jhooti kahani teaser, ek jhooti kahani today ep, ek jhooti kahani promo 16, ek jhooti kahani promo 15, ek jhooti kahani promo 14
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00:00I don't think it's a good thing to do with Busha and Irfan.
00:17Who's going to school?
00:19I'm going to call a sir.
00:20Meet him.
00:21I'm happy to meet him.
00:22Sir Rizwan Salim.
00:23I'm going to keep him with my brother.
00:25Then, I'm going to give him four of them.
00:29What happened to me?
00:31Who's going to die?
00:34I'm going to cry a lot.
00:37I'm going to tell her that she will be angry.
00:39My house?
00:40My purpose?
00:41I'm going to sleep.
00:42No.
00:43Go!
00:44Go!
00:45Go!
00:46Go!
00:47Go!
00:48Go!
00:49Go!
00:50I don't think it's going to happen.
00:53It won't be fine.
00:55It won't be like this.
00:59I'm going back after the raping of the raping.
01:04I'm going to get out for you.
01:06You leave me alone.
01:08You leave me alone.
01:09Pindi, you leave me alone?
01:10Not your phone call.
01:11He didn't raise my phone.
01:12He made my puppy money.
01:13Yes.
01:14I'll leave you alone.
01:15You leave me alone.
01:16Go!
01:17Yes. I'll take care of myself. You go.
01:20I have met the team, and I think it's dangerous.
01:50allah khair kare
01:55abaj kaha phasadiyye
01:57har kadem pere naya amtihahan
01:59mujhe anadaza hai
02:03ye
02:05amir ghar ki bachyyaan hai
02:07aur inke dhin bade naasuk hontai
02:09maabaap ka gham ham nne bhi sa
02:13lekin
02:15is gham nne
02:17in bachyyaan ko eek ladhi
02:19bachyyaan
02:21aap dhrust karen hai bhai bashier
02:23jab yeh gham ham pere pada
02:24to hem apni apni jaga toot gaya
02:27aur is gham ka bhojh berdash na kar sakye
02:30aisa bhi hota hai baas jaga
02:32meinhe puri košish ki
02:33kye tootnay ke baat kahin yeh ghar bikhar na jaye
02:36mein ab tuk joh bhi kar raha ho
02:38is mein miri yehi košish hai
02:39ki meri beheni acchhe
02:40aur positive insano ki tera behave
02:43karay aur
02:44mein aapni zimedari
02:45puri tariqe se nibaas kou
02:47kuch aise zimedari
02:48mujh pere bhi padi yeh
02:49aam alat me
02:51ager kisi bhai ke sámeni
02:52aise situation
02:53hoti
02:54kye ek amir admi
02:55uski bhen se
02:56is tarihan
02:57ananfalan
02:58shadhi kerta
02:59shayid woi isse ananha ka
03:00msla bina lena
03:01jih jih
03:03haa aap
03:04aise hi situation
03:05me hai
03:06jiasse
03:07kye mein
03:08shayidari
03:09aapni
03:10shayid
03:23shaykspere
03:24nne kaya na
03:25haa
03:26kye yeh dunia eek
03:27stage hi to hai
03:28aise hi hai
03:29aur
03:30jis tera
03:31samiyah ko aap
03:32uske shok ki teraf laaray
03:34yaa apki nek niyat hi hai
03:36aapki saysan ka badla mein shayid Allah na kar sako
03:39vashir bhai
03:44samosi
03:45hari samosi
03:47mein bhi chalta ho sas
03:49kya
03:50lunch mein samosi ho sakti
03:51yun hi jayegi guzar
03:55chal diyeh wahan
03:57jahan pe lhe gai ndagar
04:02kya samosami ka rand eek katha
04:05yyes
04:10yas
04:11mera to hoe gya
04:12ab ek kilomemiter ki don
04:14mein tu pehel et padeÙˆÚº gue
04:15phir patay ikhche karo ngay
04:17jaisa lukha eo eesa ni karoegi tuh nukhsaan hoega
04:20kya nukhsaan hoega
04:21game ke kuch rules hay
04:23rules follow nii karoegi tuh nukhsaan hoega na
04:25ab chup ka roug mein ek dhfko or paellon
04:28phir doll lagao enge
04:29abhi to hot time ne
04:30chup
04:31move on zip
04:32Zip!
04:53I've never cleaned anything, but it will remain good.
04:56Let's go, Kamal.
04:58Today, this is going to be done.
05:02Do I get out of the car or get out of the time machine?
05:17Why did everything change?
05:24I won't leave it! I won't leave it!
05:26I don't know how many people make me a soldier!
05:29Open the door!
05:31Open the door!
05:34God!
05:36Open the door!
05:38God!
05:39After that, my son of a son of a son of a police came to the door!
05:43I didn't think I would go to the police in this age.
05:47God!
05:48What will you do?
05:50God bless you!
05:54Where are you?
05:56I won't leave it today!
05:58I won't leave it today!
05:59In the house, brother!
06:00Let's get inside!
06:01Let's get inside!
06:02Hey Sherry?
06:03Yes!
06:04You!
06:07You!
06:08You are great!
06:09And where are you?
06:12You're falling very Macht d anche to destroy!
06:15Uncle Ji, you are a fagra.
06:18I know you are making a fool.
06:21This is Uncle Ji.
06:23This is a fagra.
06:24And you.
06:25Yes, you.
06:26You are a fagra.
06:29What happened?
06:30You don't want to make a sweet tea today.
06:32What are you doing?
06:41What are you doing?
06:43What are you doing here?
06:45Uncle Ji.
06:47Don't harm me.
06:48You are wearing a dupatta.
06:50Hey!
06:51You put my dupatta in the hand.
06:53I am with your mother.
06:54It is harm to you.
06:55Hey, Iswan.
06:56I will ask you for my bad luck.
06:58I will ask you.
06:59Let's go.
07:00Wait.
07:01Wait.
07:02Wait.
07:03Wait.
07:04Wait.
07:05I will tell you.
07:06What did you call the lady?
07:08What did you call the lady?
07:09I am a lady.
07:10I don't want to harm you.
07:11I will ask you.
07:12Hey, my lady.
07:13What did you tell the lady?
07:14You will kill me.
07:15You will kill me.
07:16Hey, my lady.
07:17No, my lady.
07:18I am a lady.
07:19I will tell you.
07:20I am a lady.
07:21You are a little bit.
07:23Yes.
07:24Yes.
07:29When I saw you first,
07:30I felt very much of your personality.
07:34I am a lady.
07:35I am a lady.
07:36I am a lady.
07:37I am a lady.
07:39Can you see my own face?
07:41Yes.
07:42Where I entered from her,
07:44there was a girl.
07:45She was senior from home economics.
07:47She is a face of you.
07:49She is a real face.
07:51She is a real face.
07:52And the hands are like this.
07:54Okay.
07:55I asked him if you are cutting and slicing, how does your hands hurt?
08:03What did he say?
08:05He said in the kitchen, there are very basic and important rules.
08:11You should have cutting on a cutting board.
08:15It should not be cutting.
08:17And every chef should have a cutting knife set.
08:22It should be cut and cut.
08:34My mother also said this.
08:36They had so good knives.
08:40Yes.
08:42I asked him if your hands are so beautiful,
08:45How did he tell me that in the kitchen,
08:49lemon peel,
08:50and lemon peel?
08:52I put it on my hands.
08:53It's beautiful.
08:54My mother also had a lemon and rose water.
08:59Wow.
09:00Do you have a knife set for your mother?
09:04Yes.
09:05I kept it very well.
09:09I can see.
09:12I know that I call you 25 times in a day.
09:15Then why don't you keep your phone like that?
09:17You're not going to call.
09:19It's not a matter of all.
09:21The next time the phone will be on.
09:23It's okay.
09:24And if you don't call me, I'll send you a text.
09:27And if you don't send a text, I'll send an emoji.
09:30Actually, I thought I'd design you a custom emoji.
09:33It's okay.
09:34It's okay.
09:35It's okay.
09:36Are you enjoying it?
09:37No.
09:38Yes.
09:39But,
09:40we don't have to understand that we can have a lot of fun.
09:45I don't know.
09:46The little ones are stuck in your mind.
09:49What are you saying?
09:53That day,
09:54when you were thinking about your plans,
09:56you were thinking about your plans, right?
09:59So,
10:00I'll tell you something else?
10:03Hmm.
10:04I don't know.
10:05I'm thinking about it.
10:07Are you joking me?
10:09No.
10:10Why am I joking?
10:12No.
10:13No.
10:14So, what does this mean?
10:16What did you say in my mind?
10:18You said something in my mind.
10:19You're the truth.
10:20You're the truth.
10:21You're the truth.
10:22Hmm.
10:23I know.
10:24Yes.
10:25And that's the truth.
10:26That's the truth.
10:28How is that?
10:29That's the truth.
10:30That the sobriety of the ***
10:48Great stuff.
10:50Really,
10:50that's the truth to me.
10:52So,
10:53what did you say to him?
10:54That's exactly what the hell he was doing.
10:55I mean, there are two commandments in front of me.
10:57Yes, Third World War.
10:59Don't worry about it.
11:00On one side, Mirab.
11:01On the other side, Bushra.
11:02And on the other side, he said,
11:04that, no, no, I don't want to leave you.
11:06But Mirab attacked on Bushra,
11:09that, on the other side, he hit Guldean,
11:11and he hit Twin Towers.
11:12Oh, no.
11:14What did you miss this show?
11:16Yes, it was a very worth watching scene.
11:19Then, Mirab came and, according to Nasrha,
11:22he said, sorry, and renewed his agreement.
11:26I mean, Bushra and his brother, Vashir,
11:29are only a few people.
11:31Hmm.
11:32Now, there is no doubt in this plan.
11:34We do work.
11:36We do work.
11:37We sell their showroom.
11:38We take care of each other.
11:40And we take care of each other.
11:42Hmm.
11:43Hmm.
11:44Come here, Mirab.
11:46Try it.
11:49Hmm.
11:51Hmm.
11:52I mean, I've told you a joke.
11:54How do you do?
11:56I mean, I've never been to the kitchen.
11:58I mean, you've come to the kitchen,
12:00and you've also come to the cooking.
12:02I'm not a professional,
12:04but I'm so happy that I have to do something.
12:06When I was saying,
12:08I was saying,
12:09I was saying,
12:10I was saying,
12:11I was saying,
12:12I used to make French doors,
12:13I used to make an oven,
12:14and I used to make an oven.
12:16So, Mirab,
12:17I mean, you're a hero.
12:18You're a hero.
12:19I don't know.
12:20I don't know.
12:21I don't know.
12:22But I must be happy that
12:24my friends are happy.
12:25I'm a big brother.
12:26My friends are double.
12:27My family is double.
12:28My family is also double.
12:30I can't do it.
12:32I can't do it.
12:33I can't do it.
12:34I'll be with you.
12:35Then my friends will make an oven.
12:37That's right,
12:38Rufan.
12:39I was also left for the children.
12:43And when I was a friend,
12:46I asked my heart,
12:48I asked myself a question.
12:52I asked him,
12:53I asked you,
12:54today is your friend.
12:55Is your friend's happiness
12:57or your own?
12:59You know what's the answer?
13:01My friend's happiness.
13:03I asked him,
13:05I asked him,
13:06Oh my God.
13:07I asked him,
13:08I asked him,
13:09I asked him,
13:10I asked him.
13:11Today is your friend,
13:12I asked him,
13:13I asked him,
13:14I asked him,
13:15I asked him,
13:16I asked him,
13:17I asked him,
13:18a few hours.
13:23What's his name?
13:24Yes, I don't have to show the doctor's appearance.
13:33Okay, go.
13:35I'm glad.
13:38Why are you so burdening?
13:40I'm going to explain, sir.
13:42This is the case.
13:44Which case?
13:45It's the case of the married family.
13:47Oh, that's it.
13:49Oh, this is the case of the brown.
13:52Yes.
13:54Are you ready?
13:56Yes.
13:57What did you do?
13:58Did you do that?
13:59I was trying to make the same thing.
14:01He's doing it and doing it.
14:03He's doing it.
14:05We're doing it.
14:07Why should I do it?
14:09Are we going to do it?
14:10I'm going to do it.
14:12We'll be coming in a situation.
14:14He's doing it.
14:15I'm going to do it.
14:17I'm going to do it.
14:19What do I mean?
14:21That's a film.
14:22This is a filmy dialogue, I've said that. Why are you going to leave the house outside?
14:27Okay, let's go.
14:28Look at me, I'll go outside and open the door, meaning the main gate.
14:33If you go outside, you'll be able to come outside.
14:35I don't know if I'm going to see who she is, and I don't know if I'm going to tell you what the work is.
14:38Oh, it's all about your intentions and your rules.
14:42Sorry.
14:50This is good for me.
14:53I'm going to kill you in the main gate.
14:57And I'm sitting here alone.
15:02Hey, Mom.
15:04Don't say anything to me.
15:10Hello, Mom?
15:13What?
15:15What did she say, Mom?
15:17She arrived there.
15:20She killed her.
15:21She killed her.
15:23She scared her.
15:25What did she do?
15:32What are you doing now, Nand and Baba?
15:34Look at this.
15:35What did she do?
15:37I had to give up on my hand.
15:40I had to put it in my hand.
15:42Okay.
15:43Put it in?
15:45Yes.
15:47What was it supposed to be?
15:49We had to do normal things.
15:51It's a house.
15:53There's no plant atopies.
15:55We'll leave no way.
15:57The mission is this.
16:03Okay.
16:04Hi, Vashir.
16:05And Vashir and Vashir are coming?
16:07I can never go.
16:09I have to keep them.
16:11The show is over, Vashir.
16:15Go back.
16:17What did you want to do?
16:19That's what I wanted to do.
16:21That's what I wanted to do.
16:23That's not possible.
16:25Whatever it is,
16:27that's what I wanted to do.
16:29And Vashir,
16:31that's what I wanted to do.
16:33Okay.
16:34Confirmish you.
16:35Confirmish you.
16:36That's what I wanted.
16:37I had to do.
16:38That's what I wanted to do.
16:39The children are sure, but they are not self-evident.
16:52If you have to take care of them, you will be able to take care of them.
16:56Otherwise, you will be very happy.
17:04Oh, this steering competition will show you something new.
17:09I'm going to play. I'm going to play.
17:24Yay!
17:31Oh, good to see you.
17:33This is a very scary situation.
17:36Abba Ji, you have to die in your face.
17:40You're going to die from the middle of the street.
17:43You're going to die from the middle of the street.
17:45You're going to die from the middle of the street.
17:47Stop!
17:48Sorry, God bless me.
17:51I'm going to die.
17:53I'll tell you what to do.
17:55I'll tell you what to say.
17:57I'll tell you what to do.
18:00You're running from one kilometer.
18:02You'll have to reach home to your house.
18:04I'll tell you what to do.
18:06Hey!
18:07Mr. Nizhwan!
18:08Come on!
18:09Come on!
18:10Come on!
18:11Come on!
18:12Run, Nizhwan.
18:13Run!
18:28Come on!
18:29Come on!
18:30Come on!
18:31Follow us!
18:32Follow us!
18:55Jesus Christ!
18:56Well , now we are done.
18:58GARAM GARAM SAMOSA
19:01Wow! What a good smell!
19:03Today, there are many people in the kitchen.
19:10Mr. Bashir, I've spoken to you.
19:14What does it mean?
19:16It means that after marriage, I'll also come to the kitchen for help.
19:22What is the matter of hiding in it?
19:24In fact, you said that in front of your family,
19:29if you have been in front of your family,
19:32then you'll get knocked out.
19:35But now you're still looking at your face.
19:37What?
19:40Knock?
19:42It doesn't knock from this.
19:45Now, what's inside it?
19:48There's a lot of chatting,
19:51Let's go to the place.
19:52Take your indulgence.
19:55чит it right there around.
19:57Here you will close the crowd.
19:59Take it to the days.
20:00Please let it push you over.
20:05Pause the crowd with tap at the outside.
20:08medianarnerие,
20:10taking 1 minute of outdoorasi.
20:12InSofted to smile,
20:16Hello again, I'm going to help you.
20:26What's the plan for you?
20:28Tell us, the city is 만들어.
20:30He's treating me, beating me a game,
20:32and the pressure is not that if I got to lower myself
20:34then I will destroy everything again and remove everything.
20:36Yes.
20:38We will leave you on our own house.
20:40How are you going to live here for Rizwan and Abba's?
20:42Yes, I'm going to keep training all my work.
20:44What was the need to give this guy to the house?
20:46My head is so heavy.
20:48My head is so heavy.
20:50And what was it?
20:51I didn't want to make a sweetie.
20:52Who is this sweetie?
20:54What was it?
20:55When I left my house,
20:57my husband had to open the theater.
20:59We were going to play the drama here.
21:01So what will happen?
21:03The guy will come.
21:04The police will come.
21:05He wanted money for any college.
21:08He will have money from his family.
21:11What do you mean?
21:13Who is it?
21:14No one.
21:15No one.
21:16No one.
21:17I tell you,
21:18we will send them to him to him.
21:23Yes.
21:24There is such a big house.
21:26There are so many houses.
21:27There are so many houses.
21:28There are so many people.
21:30There are so many people.
21:32What is it?
21:33Listen to me.
21:34I will also take your own knowledge.
21:36I will also take my own knowledge.
21:37I will not dance on stage.
21:39I will not dance on stage.
21:41This is a very decent,
21:43a decent house.
21:44He is living with five young children.
21:46Snow White?
21:47It is so serious.
21:48It is a very poor story.
21:49It is a very poor story.
21:50I will not do any work.
21:51I will not do any work.
21:52Seven boys,
21:53taking the girls and singing in the jungle,
21:54what is it?
21:55It is a wrong way.
21:56It is so wrong.
21:57It is so wrong.
21:58The girl tells her how to save her.
21:59How to save her?
22:00I will not do anything in the world.
22:01I will not do any work in the world.
22:02I will not do any work.
22:03You ask for your own mind.
22:04You will not do anything in the world.
22:05You will not do any work in the world.
22:06You will not do any work in the world.
22:08But,
22:09you will leave here.
22:10Otherwise,
22:11the protein shake will come back.
22:13Yes.
22:14Yes.
22:15Yes.
22:16We have a phone call.
22:17We will take it away from him.
22:18Take it away from me.
22:19Take it away from me.
22:20Good luck.
22:26Sir?
22:27What is your name?
22:28What is your name?
22:29I am the girl.
22:30What?
22:31What?
22:34Who is the alien?
22:35That's a ghost.
22:36I have a ghost.
22:37I am angry at the school.
22:38He is looking for you.
22:39You have to be taken away from me.
22:40Do you have to take him?
22:41Sir, Nizwan.
22:42OMZ, Sir.
22:43Stop.
22:44Stop.
22:45Sir, Nizwan.
22:46Stop.
22:47Sir, Nizwan.
22:48Stop.
22:49Sir, Nizwan.
22:53This is Sir Nizwan.
22:54Who is your tutor?
22:55You understand?
22:56Do you understand this?
22:58This?
22:59Cuter?
23:00Yes, yes.
23:01This is Farid brothers.
23:03What?
23:04I listen to myself.
23:06I've called my machine in the bag.
23:08I'm going to put a new cell.
23:10Myself, Rizwan Salim.
23:12M-A-M-Z.
23:17I'm doing my job.
23:19If you want to join in, I'll be right.
23:21I'm going.
23:23You might want to join in.
23:25My method is like this.
23:28I understand.
23:29A healthy body carries a healthy mind.
23:32Are you going to join us?
23:43What's that, Fakhra?
23:44Why did you take me here?
23:46Now, Samia's track is a positive track.
23:49She was showing her face of Irfan's mother.
23:51She was supposed to be there with Irfan.
23:53She was supposed to be there with me.
23:55Why did you take me here?
23:56Why did you take me to fix my career?
23:59It was an emergency.
24:01She was in the house.
24:03She was in the house.
24:04She was in the house.
24:05She was in the house.
24:06She was in the house.
24:07I don't know.
24:08I don't know.
24:09Yes.
24:10I was like that.
24:11She killed her.
24:12She's in the house.
24:13She was killed by her.
24:14The tone of her head broke out, Abadir.
24:15You haven't walked away.
24:16I'm not going to take her.
24:17I'm going to take her.
24:19I'm going to take her.
24:20I'm taking her.
24:21Why?
24:22Go, go.
24:23You take them.
24:24My mother took him with her.
24:25She took him with a hammer.
24:26She took him with a hammer.
24:27She took him and shot him.
24:29She was the dumbass.
24:31She was the dumbass.
24:32She was the dumbass.
24:33She was the dumbass.
24:34And all the tales that she's characters are in the character.
24:37I will take her to my mother.
24:40Stop, son.
24:41Stop.
24:42Look, at this point,
24:44there is a lot of joy in the scene.
24:46You need to take my mother and take her to my mother.
24:50Take me.
24:51Don't handle it.
24:52I will take her to my mother.
24:53It's a drama.
24:55I won't leave her family drama alone.
24:58Abba Ji,
25:00you don't have any role.
25:02My child was killed.
25:04Look, this child.
25:05Because of her mother,
25:06she's going to die.
25:08Wow.
25:10Vishmilakhan.
25:14She's still here.
25:16If she will get the gift from her daughter,
25:18she will come.
25:19She'll be gone and walk a little.
25:21She will be able to take her to my mother.
25:22She will tell her.
25:23Yes.
25:24Go and drink the kitchen.
25:26This churri.
25:27She used to dice the vegetables.
25:29And she used to roast roast the vegetables.
25:31And she used to roast the vegetables.
25:34and she was making a roast.
25:40And this is for the chopping.
25:46How did she make a fish?
25:51She never had a feeling of feeling like
25:55that she never had a bad idea.
26:01When she was walking,
26:04He tells us about the fact that what is going on.
26:11It's like that.
26:17Did you understand?
26:21We've never talked about them about them.
26:26The rest of the restaurant in the restaurant,
26:30there was an affair.
26:32If you don't understand her, what do you think?
26:37Investigation should be done.
26:40Investigation was also done by accident.
26:43What happened?
26:49Why are you crying?
26:54My father is dead.
26:56I am not your father.
26:58You are not your father.
27:00You are not your father.
27:01You are not your father.
27:02Come with us.
27:03What is your job?
27:04No, we are not your father.
27:05We have to go to the emergency.
27:06You have to go to the emergency.
27:07I am talking to Samiyya.
27:08We are talking to Samiyya.
27:09We are talking to Samiyya.
27:10We will talk to Samiyya.
27:11Brother, you will go.
27:12It will be important.
27:13See.
27:14Come here.
27:28Isn't it youpt ache?
27:29You have to sleep.
27:30It is so important for you.
27:31That's why I got laid to zap.
27:33No, no, no...
27:35Well, I should let you be in trouble.
27:38Hey, thank you.
27:39So hard saying that.
27:40What is your fault of?
27:41How that sucks?
27:42Hi.
27:46Sharon.
27:47Yumi.
27:48Your back down.
27:49Your back and back,
27:50Oh, my inside my arm!
27:51I am listening to Gianli.
27:53Yes, Jesus.
27:55Oh,那个.
27:56In my hand, too.
28:10How much is it?
28:16I say to my parents, I'm going to leave here.
28:19I'm going to leave here with my parents.
28:26It's a joke.
28:37She says, what was it?
28:42I'm sorry.
28:44I can say,
28:46that the man who has fallen,
28:48can't be a girl's hand.
28:50That was my uncle.
28:52You checked the wig?
28:54Yes, there was a thwpd.
28:56Did you get a thwpd?
28:57No, I had a technique that I got a thwpd.
29:02So you're thinking that my uncle was a thwpd?
29:07And he had a thwpd because the wig didn't get a thwpd?
29:10Hey, I'm a alpha male.
29:13I'm so much working here in the gym,
29:15so I've made a good body.
29:17I can't eat thwpd.
29:19But if you eat thwpd,
29:21so this is a thwpd.
29:26So you're thinking about Elon Musk and the other people of the world
29:30that Eamon Khalifah is also a thwpd?
29:33This is a thwpd.
29:35This is a thwpd.
29:37Why don't you believe that the women who have been a thwpd
29:42can't be a thwpd?
29:44Why don't you think you're a thwpd?
29:46It's a thwpd.
29:49It's a thwpd.
29:51I'm so much saying that they'll be a thwpd.
29:54And the women who have been a thwpd.
29:56And the women who have been a thwpd.
29:58And the women who have married 6-6 children,
30:02and the women who have been a thwpd.
30:04And the women who have been a thwpd.
30:06They're a thwpd.
30:08I've got a whole faith that you're a thwpd.
30:12Alpha Mil?
30:14Yes.
30:15Alpha Mil.
30:23Safiya!
30:26Safiya!
30:30Safiya is gone.
30:31Where are you?
30:32I don't know.
30:33Where are you?
30:34Safiya.
30:35I don't know.
30:36Where are you?
30:37I don't know.
30:38Where are you?
30:39How could it be?
30:40At this time, it's time for lunch.
30:41How can we go home from home?
30:43In the garage,
30:45Mirabh and his tutor are running.
30:47I told him to chase him.
30:49I don't know.
30:50Mirabh, they're sitting in his room.
30:52Where are they sitting in the room?
30:54I was running out.
30:55Mirabh, I saw him.
30:56Safiya was cheering him.
30:57I was running out.
31:00Pindya.
31:01Either you're crazy,
31:03or there's a game in this house
31:05that's very much in my mind.
31:07Tell her,
31:08that's Mirabh's tutor.
31:09Where is that?
31:10Where is that?
31:16Aaija?
31:21Aaija is here at this time.
31:22But this is a pushra.
31:24Pushra had to look with my mother's vintage knife.
31:26You didn't see her?
31:27Why?
31:28Samia,
31:29you're learning to make some samosa.
31:30What happened to you?
31:31You did all this.
31:32Everything was so messed up.
31:34It was so messed up.
31:35It was so messed up.
31:36It was so messed up.
31:37It was so messed up.
31:38It was so messed up.
31:39It was so messed up.
31:40It was so messed up.
31:41What happened to me?
31:47Tell me.
31:48I know Safiya was at this time.
31:49What would you know?
31:51I was standing there.
31:52Mirabh was running with his teacher.
31:54I was standing there.
31:55I was standing there.
31:56Safiya was a good girl.
31:57Safiya was a good girl.
31:58She was a good girl.
31:59I was standing there and told her
32:01if Mirabh is safe.
32:02Safiya was running away.
32:04I was telling her.
32:05How can I tell her?
32:07Can I tell her?
32:21Safiya is still coming back.
32:22Ufya will never come back again.
32:30What is the emergency?
32:35I have a phone call for one minute.
32:39first listen to a child, first listen to a girl...
32:55I'm not looking for a lot of truth and I'm not looking for a good name.
32:59Yes, I'm not looking for a traitor.
33:02And here's how the showbiz and media is a comedy show.
33:07In films and dramas, they kill 100-100 people, but in actual life, they can't do it.
33:16Okay, let's listen to another story.
33:19Remember to keep it.
33:21It's a good game here.
33:28So, the actual thing is that...
33:32What is the actual thing?
33:34My mother left the house from home.
33:38And she sent two amazing women who were giving them to the house.
33:44Oh.
33:47Now, we can't send her to her, right?
33:51She's back home.
33:52Because she's controlling all the supporting cast on the set.
33:57So, that's not possible.
34:00We've also brought her to Samia today.
34:03It's like that.
34:04It's like that.
34:05That's right.
34:06My mother was crying a lot.
34:09I understand.
34:12I can understand.
34:14I can understand.
34:16I know that you and Samia are doing some things.
34:19I can't understand any of my mother's feelings.
34:26I can understand.
34:27Look, it's not only you.
34:28It's like my mother.
34:29I can understand.
34:30I can understand.
34:31I can understand.
34:32I can understand.
34:33I can understand.
34:34I can understand.
34:35I'm here.
34:36And...
34:37I've been living here for 10, 12 days.
34:39I've been able to find this story.
34:40But I...
34:41How do I leave my mother's mother?
34:43Oh.
34:44Oh.
34:49Look, you...
34:50You're not a horse.
34:52Mushra?
34:53No doubt, this is a drama.
34:56But my mother is a mother.
34:57Look, when she comes to the mother,
35:00she doesn't have anything.
35:01She doesn't have anything.
35:04She hasn't been so much.
35:06So...
35:07If there are no more hours,
35:08then what?
35:13What's your head?
35:16Why?
35:17No.
35:18No.
35:24The producer comes to the co-artist's
35:25No doubt,
35:26No doubt,
35:27No doubt,
35:28No doubt.
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