- 2 days ago
Let Me Go, Mr. Dracula Full Movie
Full Episode Let Me Go, Mr. Dracula
Full Episode Let Me Go, Mr. Dracula
Category
đ„
Short filmTranscript
00:00Guess who's back, bestie? Did you miss your lovely roommate?
00:07Neil, why are you here? Missed you like crazy, babe!
00:12Tracy sent you to welcome me, huh?
00:15Flo, Flora?
00:21Tracy?
00:22Six months abroad and you turn into a fiancé thief.
00:25This is how you thank me for renting you my apartment.
00:28Neil proposed already.
00:31We're engaged!
00:34When? How?
00:37Day after your flight. Forgot to mail your wedding invite.
00:41Thought you couldn't handle it.
00:44You! My best friend and my boyfriend.
00:48Ex-boyfriend. Now he's my fiancé.
00:52You'll pay for this! Both of you!
00:55Hm, you wish!
00:58Yours came first!
01:02Those designs were mine! You stole my portfolio!
01:05And guess what? That design firm is owned by my dad's golf buddy.
01:10They've already issued a statement calling you a serial plagiarist.
01:14Give it up, Flora. You can't win this.
01:17Okay. May your love last forever. In hell!
01:24Good luck, bestie. You're blacklisted from the design world.
01:28And guess what?
01:29I'll go back to him before.
01:32Amazing.
01:33Remember this, Flora.
01:35Someday, you'll have to make them pay.
01:39Yulsa, if only you were still alive, we could watch the city lights together.
01:52Let's go, Yulsa, to the place we first met.
01:59Neil, that spineless bastard!
02:02He used you to get close to Tracy, and used her to stand firm in the Morelli family.
02:07I've lived with Tracy since college days.
02:11I even rented her house, because I worried she had no friends around.
02:16Forget that!
02:18Want a way to make Neil suffer?
02:21What way?
02:22Rumor says the Morellis have this veto guy.
02:25Neil's uncle.
02:26A real mystery.
02:28Ever thought about becoming your ex-boyfriend's aunt for revenge?
02:32Hey, are you still listening?
02:34I spot a sweet treat.
02:46His gaze is irresistible.
02:50Such a dangerous man.
02:52Got it.
03:05Time to try something spicy.
03:07More than your boring missionary position.
03:10Just need some sweet treat to heal my broken heart.
03:24Suited guy.
03:25Tonight, you're mine.
03:28Any objections?
03:30You sure you know what you're doing?
03:31Your eyes, so unique.
03:39Final warning.
03:40Back off.
03:45But your skin's so cold.
03:49Your stare says you want me.
03:51You...
04:07What are you?
04:08And you...
04:09What are you?
04:13Madam, you're drunk.
04:1580 years.
04:18Could that be possible?
04:20How can you look exactly the same?
04:23Is fate giving me a sign?
04:27Oh...
04:28Where am I?
04:31My place.
04:33You!
04:34You are the suited guy from last night...
04:36I'm not usually...
04:39The breakup messed me up.
04:41Let's pretend nothing.
04:42I'm not like that, trust me.
04:45Just think I've lost it a bit...
04:47After the breakup.
04:48It meant nothing.
04:49Right!
04:50I thought something might have happened.
04:53Maybe I'll just...
04:55Leave?
04:56Wait.
04:57We spent one night together.
04:59At least give your name.
05:01Uh...
05:01Flora Rose?
05:03You?
05:03Vito Morelli.
05:05Sounds like a mafia's name.
05:07And...
05:08To be honest, Mr. Morelli...
05:10Your place is creepy too.
05:12Wait!
05:13You're Vito Morelli?
05:16Rumor says the Morellis have this Vito guy.
05:19Neil's uncle.
05:21I have an idea.
05:23What is it?
05:24Let's get married!
05:29Let's get married!
05:31What do you say?
05:33Grab your documents.
05:35City Hall.
05:363 p.m.
05:37Seriously?
05:38No background check?
05:40You are not selling my kidneys, right?
05:43Either so, or get out.
05:47Just a paper marriage.
05:49See you at 3 p.m.
05:50Mr. Morelli.
05:51I see her again.
06:06Ilsa.
06:07She looks exactly like you.
06:09I cannot stop approaching her.
06:12Who are you?
06:13Really?
06:15Flora Rose.
06:16I guess it's time to walk in sunlight again.
06:26Uh, ma'am?
06:29What?
06:30Does my smile look fake?
06:32Uh, how come...
06:34Your fiancé is not in the frame?
06:36What?
06:37Let me see!
06:38Camera glitch.
06:46I know these stuff.
06:47Let me assist.
06:48Uh, ma'am?
06:53Say it's fine and finish shooting.
06:55Now.
06:57What's wrong?
07:00No, everything's fine.
07:02Perfect shot.
07:02Mr. Morelli, I'm a bit confused.
07:10What is it?
07:12Is he some wanted criminal?
07:15Oh, no, no, that.
07:16Your ID says you were born in 1903.
07:20You'll be 120.
07:22Do I look 120 years old to you?
07:25There must be some mistake.
07:27I might need to double check.
07:29Will that affect our marriage?
07:42Of course not.
07:43You are legally married now.
07:51You can go now.
07:53Since we're married,
07:55shouldn't I move in to your place?
07:57My place?
07:59I don't live with humans.
08:01But I'm your wife.
08:03And I'm homeless now.
08:04And I don't have a job.
08:06Where should I...
08:08Stop.
08:10Perhaps getting closer to her
08:12helps me figure out the truth.
08:15Fine.
08:16But stay away from my study.
08:19My Prince Charming.
08:20Time to go.
08:21I hate sunlight.
08:23I'll send you the address.
08:25Seriously?
08:28What a gentleman.
08:30Don't forget to leave the key, loser.
08:34You guys stay in this shabby apartment
08:36as long as you wish.
08:37I'm going to live a good life.
08:41You?
08:41I know you so well.
08:43You are just a workaholic
08:45that no one wants.
08:47Flora, don't be such a kid.
08:48I need Tracy's family connections
08:50to possibly gain the approval
08:52of my Grandpa Frank.
08:54Here.
08:58Madam, Master sent me
09:00to pick you up.
09:01Huh?
09:06Oh, my sweet puppy.
09:09I know he's not leaving me
09:10with all of this.
09:12Tell him I crave Pokemon tonight.
09:15Yes, Madam.
09:15You better find a urologist.
09:25That tiny target need
09:27microsurgery.
09:34Flora!
09:34Father, it has been a decade
09:49since last time we met.
09:52My dear father,
09:54you still look the same.
09:58I'm just a poor bat in the dark.
10:00Frank, you're already
10:02the terrifying godfather,
10:05Frank,
10:06of the whole city.
10:09Father, don't say that.
10:11I'm always the orphan
10:12who craved in the garbage dump
10:1460 years ago.
10:15You gave me my name.
10:17You are always the real owner
10:19of the Morelli family.
10:21Let's be straightforward.
10:23There is something
10:23that I need to stand up to,
10:25and I need you
10:26to provide convenience for me.
10:28Of course, no problem.
10:31But what is it
10:32that is worth your appearance?
10:34A woman.
10:35I'm very curious about her.
10:38And I am approaching her.
10:44I've seen this face.
10:47Isn't this...
10:48Aunt Ilse?
10:51Look closely.
10:52She's not Ilse.
10:54This can't be possible.
10:56How can they look
10:57exactly the same?
11:01Her name is Flora Rose.
11:04I want every information
11:06about her.
11:08Of course, father.
11:10One more thing.
11:11You know a Morelli kid
11:13named Neil?
11:16Neil?
11:17That's one of my grandchildren.
11:20What about him, father?
11:22Nothing.
11:23Just a little annoying.
11:24So...
11:31How was your married life?
11:33You don't look happy
11:34to be Neil's aunt.
11:37Vito never touches me.
11:40Not even holding my hand.
11:44I feel like
11:45he doesn't even want
11:46to show up with me.
11:48How can I embarrass Neil?
11:49No.
11:51These big shots
11:52might have married you
11:53on a whim.
11:54People like them
11:55like excitement.
11:56He's as cold as ice.
11:59But of course,
12:00he sent a car
12:01to pick me up
12:02in front of Neil.
12:03That was nice.
12:06Look at you.
12:07You're in love again.
12:09No.
12:09It's only been a few days
12:11and he gives me
12:12a really gloomy feeling.
12:17I think he's
12:18a little evil.
12:20For example,
12:21in what aspects?
12:23He looks like
12:24a vampire.
12:26So,
12:29are you Van Helsing?
12:30The vampire hunter?
12:35Shh.
12:36I feel very depressed
12:38living in his house.
12:40And he doesn't let me
12:41enter his study.
12:42I feel something is wrong.
12:44Maybe he is an SM lover?
12:48No!
12:53Come on, Flora.
12:54Maybe he is an SM lover?
13:06No!
13:07I need to find a way
13:09to change the status quo.
13:11Change his attitude towards me.
13:14Since he likes to control,
13:17you're thinking of...
13:23TAME HIM!
13:24What have you done?
13:43Help decorating the house!
13:45People living in a black space
13:47every day
13:48could cause depression.
13:49I like black.
13:54Don't be stubborn.
13:56Come and try this pajama
13:58I designed for you.
13:59See if it fits.
14:06You'd better get my house
14:07back to normal
14:08before I kick you out.
14:10Or...
14:10Coming!
14:12Coming!
14:25What is it?
14:35Come on!
14:36Listen to some music!
14:37I don't need this thing.
14:40Don't be so rigid.
14:42Life needs a little romance.
14:44The doctor said you need to rest.
14:56The doctor said you need to rest.
15:00I want to leave you
15:01a gift.
15:03When you miss me in the future
15:04just play a song.
15:07Let me transform you.
15:09We can be together forever.
15:11I need you, Ilsa.
15:12You can transform me
15:14but I am scared
15:15of the darkness.
15:17It is better
15:17to disappear in the sun
15:19than to live in the dark.
15:28Don't be so rigid.
15:30Life needs a little romance.
15:32Ilsa.
15:51Hmm?
15:54Ilsa.
15:55Ilsa.
15:55Ilsa.
15:55Ilsa.
16:02Who is Ilsa?
16:18It has nothing to do with you.
16:20I don't like music.
16:21And your flower exhibition
16:23ends right now.
16:25I can tell you
16:27I like flowers
16:28very much.
16:29There is a big rose painting
16:31on the wall.
16:35That's Dracula's kiss.
16:37My only hope.
16:39I have been looking for it
16:41all my life.
16:42I hope it leads me
16:43out of the darkness.
16:45Dracula's kiss?
16:46So you do like flowers.
16:49You can open a studio with me.
16:50And be my angel investor.
17:02What is it?
17:03I found out about
17:04Flora Rose, father.
17:06I'll come over now.
17:07Can you give me a ride
17:13to 78 Ridge Avenue?
17:15I'm scouting for my studio.
17:18I'm busy.
17:19Vivi.
17:20Please.
17:21Please.
17:23Don't call me that.
17:29Why are you still standing there?
17:31Go.
17:33You're the best, Vivi.
17:34The DNA comparison
17:50results are out.
17:52Flora Rose
17:53is indeed
17:54related to Iltha.
17:56But they are very distant.
17:58So it's not strange
17:59that she looks similar
18:00to her collateral ancestor.
18:03Doppelganger.
18:04Let me transform you, please.
18:11I can't lose you.
18:13Don't let me hate you, Vito.
18:17Your remaining life
18:18is very long.
18:20So long
18:21that it makes people
18:22painful
18:23and crazy.
18:25But you will definitely
18:26meet another girl.
18:28She will replace
18:29my existence.
18:31She will bring you happiness.
18:32instead of burdening you
18:34and causing you pain
18:36like me
18:38if she appears.
18:40Promise me.
18:40if you meet her,
18:49cherish her,
18:51hold her hand
18:52and let her lead you
18:54out of the darkness.
18:55Goodbye, Vito.
19:02Go find the girl
19:03who can let you
19:05stand in the sun.
19:09No, it can't be her.
19:12She just wants to use me
19:13for revenge.
19:14I'm going to expose her tricks.
19:18Father, I also found
19:21some other information.
19:24Say it.
19:29Father, I checked.
19:31the girl is indeed
19:32a floral designer
19:33and she is
19:34pretty well known
19:35in the industry.
19:37So?
19:38We can invest
19:39in her studio.
19:41Not impossible.
19:43We can see
19:43whether she is a liar
19:44or has some real skills.
19:47Let's arrange it.
19:52Hello, Flora speaking.
19:54What?
19:56Investing in my studio?
19:57Of course.
20:00I can sign the contract
20:01with him in person.
20:02No problem.
20:06Did you hear that?
20:07Someone wants
20:08to invest in me.
20:09My talent
20:09has finally been seen.
20:12Yeah.
20:14Is that
20:15all you want to say?
20:18What do you want me to say?
20:20At least say congratulations.
20:23Congratulations.
20:24You are so boring.
20:26I don't want to talk
20:27to you anymore.
20:28I'm going to celebrate
20:29with Regina.
20:38Sorry.
20:39You are not allowed
20:40to enter.
20:41Why?
20:47Sorry.
20:48You are not allowed
20:49to enter.
20:50Why?
20:52All the private booths
20:53are reserved for VIPs
20:54tonight.
20:54But I clearly
20:55made a reservation.
20:57Mr. Morelli
20:58just reserved the booth.
20:59Restaurant membership priority.
21:01Forget it.
21:02Let's go to another one.
21:04Oh.
21:05Isn't this
21:06the bankrupt Miss Rose?
21:08Why are you here?
21:10Can you afford it?
21:11Let's go, Regina.
21:13They are too disgusting.
21:15I can let you eat
21:16in the kitchen.
21:17There should be
21:18some leftovers today.
21:19Don't worry.
21:20I have this privilege
21:21in the restaurant
21:22where the Morelli family
21:23holds shares.
21:25Bastard,
21:25are you looking down
21:26for me?
21:27Today,
21:28I will eat
21:29in the private booth
21:30I reserved.
21:31Otherwise,
21:31I will...
21:33Security!
21:35No one messes around
21:36on Morelli's domain.
21:38Clear them out!
21:39You are breaking
21:39the law.
21:40Who dares to touch
21:56my wife?
22:02Why is he here?
22:04Are you okay?
22:05Your sexy husband
22:06comes for a rescue.
22:08Oh, I didn't want
22:10them to meet so soon.
22:12Wife?
22:13Are you Flora's husband?
22:15Vito Morelli.
22:18Morelli?
22:19I've never seen you.
22:23Didn't you say
22:24he's a big shot?
22:25What is this?
22:27Neil doesn't even
22:27know him.
22:29I told you
22:30it was a rumor.
22:32I can't remember
22:32where I heard that from.
22:34Do you really expect
22:36your husband
22:36to give you a good life?
22:37He's just a worthless
22:39waste without even
22:40a name.
22:41Your grandfather,
22:42Frank,
22:43will teach you
22:44a lesson.
22:45How dare you
22:45call Godfather that?
22:47Get them all out!
22:49Mr. Neil,
22:50this isn't from
22:51the Morelli family?
22:51I don't know.
23:07Get them all out!
23:17Frank, I'm at
23:18Morelli's East City
23:19Restaurant.
23:20Your grandson says
23:21he wants to teach me a
23:22lesson and is being
23:23very disrespectful to my
23:24wife.
23:28I hope you're still
23:29alive in a minute.
23:31Who do you think
23:32you are?
23:38Yes, yes, Godfather.
23:41Of course, of course,
23:42I just want my life
23:43to be spared.
23:45Throw these two
23:46idiots out!
23:51Are you crazy?
23:52I am Master Neil!
23:54I said,
23:57no one dares
23:58to touch my wife.
24:00Wow,
24:00you really have a way.
24:03Master Vito,
24:04madam,
24:04please forgive us.
24:11It seems that there
24:13is an old acquaintance.
24:14Don't be angry
24:22with the idiots.
24:23At least the wine
24:24here is good.
24:25Vito,
24:26my old friend.
24:27Is the stock
24:28at home stale?
24:29Why come to the
24:30restaurant to eat?
24:31Huey.
24:34Are these two
24:35beautiful ladies
24:36your prey?
24:38This is my wife,
24:39Flora,
24:40and her good friend.
24:41Hi, Seedheart.
24:42I'm Regina.
24:43What?
24:45Funny-duddy.
24:46Are you married?
24:48Is this
24:48your friend, Vito?
24:50We are more
24:51than friends.
24:52We are
24:52the same kind.
24:55Shut up.
24:57Well,
24:57I am just surprised
24:58that you would
24:58marry someone for me.
25:00Did he tell you
25:00about Ilsa?
25:03Huey,
25:04I'm warning you.
25:05You have
25:06crossed the line.
25:07Okay,
25:08I will leave now,
25:10but...
25:10But I'm taking
25:11this beauty with me.
25:13If that's okay,
25:14Regina?
25:17Flora,
25:18enjoy the world
25:19of you, too.
25:20Hey!
25:23Music time!
25:29Ilsa,
25:30his name appears
25:30twice already.
25:34For your bravery
25:35just now.
25:36It's just a piece of cake
25:38comparing with the effort
25:40you put into
25:41marrying me.
25:44You...
25:45You know everything?
25:55So?
25:56Neil is my ex-boyfriend.
25:57I used you to get revenge
25:59on him.
26:00Now that you know,
26:02we can divorce
26:03at any time.
26:04Do you think
26:05I will let you go
26:06that easily?
26:09Ladies and gentlemen,
26:10let's dance!
26:14Shall we dance?
26:15Or is Mr. Morelli
26:17scared?
26:21Mind your good-for-nothing,
26:23son!
26:24And don't do evil
26:25under the name
26:26of the Morelli.
26:28What happened,
26:28father?
26:29Did he get into trouble?
26:31Remember the name,
26:33Vito Morelli.
26:35And warn your son
26:36not to offend him
26:38ever again.
26:39Actually,
26:56I know
26:57that you have
26:58someone in your heart
26:59that you can't let go of.
27:01What?
27:09Who is Ilsa?
27:13None of your business.
27:18There were a few times
27:19when I thought
27:20I might have a story
27:21with you.
27:23I forgot what I did
27:24when I first saw you.
27:26Your eyes...
27:28so unique.
27:30But your skin's so cold.
27:33Your stare says
27:34you want me.
27:37The next day,
27:38you unexpectedly
27:40agreed to my
27:42marriage proposal.
27:44I was just curious
27:45about what you wanted to do.
27:47When Tracy kicked me out,
27:48you sent a limousine
27:49to pick me up
27:50and rescued me decently.
27:54I was very grateful
27:56to you at that time.
27:58Madam,
27:59Master sent me
27:59to pick you up.
28:00And just now,
28:02at the door of the restaurant,
28:04it was the first time
28:05someone stepped up
28:06to protect me.
28:08At that moment,
28:11I had the illusion
28:12of love.
28:14But I guess
28:16I can't replace
28:17the Ilsa
28:17you're talking about.
28:19Yes, Ilsa.
28:21Who can replace her?
28:23So I won't get stuck
28:24in it anymore.
28:26You should go find
28:27your Ilsa.
28:28Ilsa is dead.
28:30I'm sorry.
28:31I don't have to tell
28:32you this much.
28:35I don't have to tell
28:36you this much.
28:37have you lost your mind?
28:51Mentioning Ilsa
28:52in front of her?
28:54Hey, calm down.
28:55It was just a joke.
28:56Don't test my limits.
28:58There are things
29:01I need to confirm.
29:03Confirm what?
29:04Confirm that
29:05you have
29:06a crush on her?
29:07I just broke up
29:14and I almost made
29:15the same mistake again
29:16and I was jealous
29:17of someone else's
29:19deceased ex-girlfriend.
29:22Ilsa, cheers!
29:23I've got to move out
29:25tomorrow.
29:27Man means nothing.
29:29Career is.
29:43Flora, get it together.
29:46Stop getting stuck in it.
29:53Goodbye, Vito.
30:01Go find the girl
30:03who can let you
30:04stand in the sun.
30:06Ugh.
30:07Why?
30:09Visit her.
30:11Why now?
30:14What are you
30:15drinking?
30:23You, you are a vamp-
30:31You have never been
30:33to my study.
30:41Morning.
30:43Morning.
30:44Don't worry.
30:45I will move out
30:46of your house
30:46as soon as possible.
30:48I have my senses
30:49and will not bother you.
30:51And never asked you
30:52to leave.
30:54Frankly speaking,
30:55in the future,
30:56try not to give a woman
30:57this ambiguous illusion.
30:59Women always fall into it.
31:01If you're not planning
31:02to leave your house,
31:04don't bring others in.
31:07You wanted to move in?
31:09I didn't bring you in.
31:11Oh my God.
31:12The house is a metaphor.
31:14A metaphor!
31:15I'm talking about feelings!
31:16Forget it.
31:17You men are really unreasonable.
31:19That bastard dared to contact father.
31:25Who does he think he is?
31:28But father,
31:29he seems to have a close relationship
31:31with grandpa.
31:33Shut up!
31:34Father never brought him up
31:35to the family.
31:36That means he is nothing.
31:38However,
31:39unknown enemies
31:41are the most terrifying.
31:42I will not let him
31:44threaten me.
31:45The future leader
31:46of the Morelli family
31:48can only be me.
31:50What should we do?
31:52Isn't your ex-girlfriend,
31:54Flora,
31:54already his wife?
31:56Let's start with her.
32:03A week later,
32:05right?
32:05No problem.
32:07Ashley!
32:08We got the annual banquet project!
32:11Oh my God.
32:12That is a million dollar order
32:14you're talking about.
32:21What's wrong?
32:22It's okay.
32:23Go prepare the contract first.
32:25It's been 12 hours.
32:31Did this woman die outside?
32:53Miss Rose,
32:54see you tomorrow.
32:55See you tomorrow!
32:58I'm so tired.
33:00I haven't eaten anything today.
33:04It's all Vito's fault.
33:06But how can I go back to his house
33:08after saying all that to him?
33:11Let me order some tickets.
33:13Why are you sending me food?
33:26Why are you sending me food?
33:27Are you caring about me?
33:29I was just passing by.
33:31I'm going to go back to school.
33:32I'm going to go back to work.
33:32I'm going to go back to work.
33:33Oh my God.
33:34It took me ages to order this cake.
33:37I'm going to go back to school.
33:39I'm going to go back to work.
33:40I'm going to go back to work.
33:43Mmm.
33:43Yummy, yummy.
33:47Come on, Vivi.
33:48Take a bite.
33:49No, I've eaten.
33:50Okay.
33:51I'm charged again.
33:55I'm going to go back to work.
33:56I'm not that busy.
33:58I can stay here a little longer.
34:00I can stay here a little longer.
34:26What are you doing?
34:33Oh, hey, please.
34:35I know women like to do this whole hard-to-get thing,
34:38but isn't getting married while you're really here?
34:41Excuse me?
34:42You can cut the act.
34:43The Franklins need a son-in-law who's a politician
34:47to help clean up their new money image,
34:50or else the Joneses are just going to leave them behind.
34:53Multiple strangers.
34:54Various hotels.
34:58And only in one month.
35:00I'm the best candidate to be the next governor.
35:02So, I'm here with you.
35:03They donate $5 million to help support my campaign,
35:07and everybody wins.
35:08Everybody wins.
35:10You know, I'm so sorry you seem to have it twisted.
35:13Honestly, Miss Averill, I don't think you're my type of woman.
35:15But if my family wasn't breathing down my neck,
35:18forcing me to get married.
35:21And I'm not going to marry you.
35:22You spied on me?
35:24Fine.
35:25Don't beg me to marry into your family.
35:28I wouldn't have even bothered to show up.
35:30Besides,
35:32that is the ugliest sweater I've ever seen.
35:36Let's see how you solve your problems yourself.
35:41Ah!
35:42Ah!
35:44Ah!
35:44Ah!
35:44Ah!
35:44Ah!
35:45Ah!
35:45Ah!
35:51He looks cute.
35:52It's you.
36:06I've moved for three years and never found you.
36:12Looks like we're in the same boat.
36:13So, what do you say?
36:17Why don't you and I get married?
36:24I must be dreaming right now.
36:27I mean, it's a win-win, right?
36:30Look, if you're in, meet me at the courthouse for your luck.
36:33Oh, by the way, the name's Elaine.
36:42Sir, things went south with Miss Epps.
36:46Mrs. Jones is not going to be pleased.
36:49Don't worry about my mother.
36:51Yes, sir.
36:52Look into a woman by the name of Elaine.
36:54You are playing hard to get, aren't you?
37:01Since we're here for me already,
37:03why don't we just hurry up and get married?
37:05Let go of me!
37:06No, come on!
37:12Sorry I'm late.
37:14How do you want me to deal with this, this trash?
37:16Don't waste your time on him.
37:17You're going to regret this.
37:25Oh, excuse me.
37:26What?
37:27Vincent.
37:28My name is Vincent.
37:31Okay, Vincent.
37:32Let's go.
37:34Good to go.
37:34Mom, hi, what's up?
37:47How dare you walk out on a perfect man we've chosen for you?
37:51Apologize, Mr. Browner.
37:53You are kicked out of this family for good.
37:55He was far from perfect.
37:57I mean, he practically tried to molest...
37:59So...
38:04Well, since we're married now,
38:08I thought we could live together.
38:20Aw, it's cozy and warm in here.
38:23I like it.
38:23But maybe I should keep my identity under wraps
38:27to keep things simple.
38:29I thought I would really convince people we're married, you know?
38:31Uh-huh.
38:34If I'm not mistaken, there's only one metro.
38:50And, jeez, newlyweds.
39:00I feel like it's probably only natural that we share of that.
39:05I mean, I don't know.
39:06What do you think?
39:07I mean, I don't know if you want to...
39:13I'm just kidding.
39:16This is your place.
39:17Obviously, you can have the bed.
39:19I'll stay on the couch.
39:21Uh, no.
39:23You have the bedroom.
39:25Really?
39:27Thanks.
39:27Good morning.
39:42Breakfast is ready?
39:44Well, I love pancakes.
39:47Good.
39:48Oh, this is even better than my chef's good name.
39:55You have a chef.
39:58No.
39:59Um, I meant my mom.
40:01It's better than what my mom makes.
40:07Uh, sorry.
40:12So good.
40:15Where the hell have you been?
40:18I thought you told me not to come home yesterday.
40:22By the way, I got married.
40:25You did not!
40:27I'm serious.
40:29I really did.
40:30Elaine, our rivals with Jones are looking more and more powerful.
40:33We need this marriage alliance to secure our position.
40:36Even without a marriage alliance, I can handle the Jones family.
40:54Sorry.
40:55I have to go take care of something for work.
40:57That's okay.
40:59Go.
40:59I'll be fine by myself.
41:01I'll be back soon.
41:04Just leave the dishes in the sink.
41:20Elaine, as requested.
41:23She's an assistant to some director.
41:27Are you sure she's the one you want to be with?
41:29She's the one I've been looking for all along.
41:32What?
41:34Then why don't you put her up with you?
41:36Like, why doesn't she stay in the Jones mansion?
41:39Because there's a traitor in the Jones family.
41:41I can't get her involved in that mess.
41:42So, you really married Vincent?
42:00Is he some small-time worker?
42:02Listen, Henry.
42:06As long as it's not my mother's pick, I don't really care who I marry.
42:11Madame only wants what's best for the family.
42:14And I just want my mother to understand that my worth is not about getting married.
42:21If you'll keep me updated on the Jones family, I'd appreciate it.
42:25Please bring by my stuff later.
42:26I'll be staying here.
42:28Now, if you'll excuse me, I have to get ready for my day.
42:30Where are you going, ma'am?
42:32Find my new lesbian.
42:46Hi.
42:47I'd like to pick out a gift for my wife.
42:50Sir, do you have a membership with us?
42:53Um, no.
42:54I don't think so.
42:55First time at a place like this, I assume.
43:01This is our cheapest item.
43:03And even these are a thousand bucks a ton.
43:11Sir, I believe you're in the wrong store.
43:14You should try the thrift store a few blocks down.
43:16You'll probably find something affordable there.
43:18And how do you know what I can afford?
43:20I've seen plenty of you big shots with empty pockets.
43:26I can sell you a bag with our logo on it.
43:29It'd be perfect for your secondhand clients.
43:32Your wife won't know the difference.
43:34Do you know who I am?
43:35Oh, I can't afford it?
43:42So you're playing the rich guy act on me?
43:45Please.
43:45I work for the Franklin family.
43:47The wealthiest family in town.
43:49Your spare change won't do any good in here.
43:51Why don't you go ahead and take off?
43:53The Franklins.
43:54Miss Franklin.
43:55This entire store was a gracious gift for Mrs. Franklin.
43:59And I'm the manager she assigned for you.
44:01The beautiful windows, you see, are actually something that the store is very well known for.
44:07May I introduce the director of design?
44:09That's all right.
44:10I'm just looking.
44:11You can carry on with your usual work.
44:14Very well.
44:21Vincent.
44:25The Franklins.
44:27They're nothing in my eyes.
44:28Hey, hey, babe.
44:29Hey, what are you doing here?
44:35Hey, what are you doing here?
44:37Finding someone a wedding gift.
44:39You?
44:41Same.
44:42I'm doing the same thing.
44:44Did y'all lose your way to the dollar store?
44:46Please, don't touch anything in here.
44:48You're stinking up the place.
44:52You little bitch!
44:53I'll kill you!
44:55Bitch, do you know who I am?
44:56I work for the Franklins.
44:58Oh, yeah?
44:59Call them.
45:00Call them right now and tell them to get on over here.
45:04I'm usually like that.
45:07You know, that was really impressive, but why don't you leave stuff like that to me next time?
45:12Mm-hmm.
45:14You better pray they go easy on you.
45:16On both of you.
45:17Now go block the door.
45:18Don't let anyone out.
45:19Oh, you nervous?
45:21Are you kidding?
45:24Two days of marriage and a fromro see to this?
45:26Lucky me.
45:27Well, since we're stuck here, we might as well look around.
45:34Oh, I like this one.
45:39Hey, please don't touch if you can't afford it.
45:44Keith?
45:45Well, I won't.
45:47You're dead, bitch.
46:10These two trashed our store, and they insulted the Franklins.
46:25Is that so?
46:27Well, just toss them to the ocean and let the fish happen.
46:29Jack, how lovely it is to see you again, and in such short time.
46:39Now, tell me, who is it that you were going to fly into the ocean?
46:42Miss Franklin.
46:43What did you call her?
46:45Idiot.
46:47This is the Franklin family heiress.
46:50Miss Franklin.
46:52I'm so sorry.
46:52Please, please, please forgive me.
46:54Please, please, please, please.
47:24I almost forgot.
47:26I can't drive him for the engines less.
47:28Let's go.
47:41The Jones are getting out of hand, making the ceiling in broad daylight.
47:46It's all over now.
47:50Let's go.
47:55What?
47:56So they not only thrashed our store, but they hurt our people?
48:01Fine.
48:03Let's send the Jones a little gift.
48:14Yep.
48:16Director Andrea, our biggest investor just pulled out of the film.
48:20What?
48:22Um, okay, don't panic, okay?
48:25I'm going to handle this.
48:26Mm-hmm.
48:33Mom?
48:34How could you pull the funding for my film without even telling me?
48:38You've got to do it.
48:39You're not telling me why you can't have to pull the funding for me?
48:42Uh.
48:54Thanks.
48:59What's wrong?
49:00Is the food not good?
49:02No.
49:04It's delicious.
49:05Um.
49:08It's just the film I'm working on just lost its biggest investor.
49:14So there's a good chance it might never be made.
49:17What's the movie called?
49:21The Midsummer Woman.
49:25Well, the food's not going to eat itself, so have a bite.
49:35Anything else for you, sir?
49:37Talk to the producers of The Midsummer Woman.
49:39Put some money into it, but...
49:41Make sure no one knows it's me.
49:43I don't want my name involved.
49:44You're doing this for Elaine, aren't you?
49:49Because that's a, uh...
49:51It's a really good move.
49:52Anything Andrea directs, it's top of the box office.
49:55It's a mysterious woman, though.
49:57No one's ever seen her.
49:59No.
49:59It's not even images online.
50:01Has anything...
50:02I'm not interested in this to us, but...
50:05I just want to learn how to help you work.
50:07Right.
50:08Hello?
50:22Andrea!
50:23Guess what?
50:23We got a new investor for the film.
50:26What?
50:26Oh, that's fantastic.
50:28Thank you so much.
50:28I'm really looking forward to it.
50:30How was your day?
50:35My film got new funding.
50:38We're back in production.
50:40That's amazing.
50:41Congrats.
50:43Oh, I have to go pack.
50:45Of course.
50:52To your movies, success.
50:54Thanks, man.
50:55Thanks, man.
51:16Oh, man.
51:17Thanks, man.
51:19Thanks, man.
51:23I leave for set tomorrow, and we're probably not going to see each other for a while.
51:30I think we should make up for our lost wedding night.
51:53If my identity wasn't what you think it is, it would probably get you in danger.
51:59Mm-mm.
52:00Would you still stay?
52:01Oh, my God.
52:08Oh, my God.
52:12Oh, my God.
52:17Oh, my God.
52:19Ashes on the ground
52:30Colors on the ground
52:40Elaine's film is in production?
52:44Yes, ma'am.
52:46Well, she sure has grown wings, hasn't she?
52:49Find out who's funding her.
52:58Here's to a Midsummer Woman!
53:07Alright, everybody, thank you.
53:09Back to work, we have a long day.
53:11Thank you, thank you for being here.
53:19Okay, cut!
53:30That is a wrap today, everybody.
53:33Thank you for your hard work.
53:34Go home, get some rest.
53:36See you bright and early.
53:38I have a few questions about my role.
53:41Can we talk about it?
53:43Yeah, let's go to the lounge.
53:49But anyway, I'm here to see Elaine.
53:51She's the assistant director.
53:52Sorry, bud.
53:53There's no Elaine here.
53:55What?
53:58Sorry, bud.
53:59There's no Elaine here.
54:00What?
54:01I can't be.
54:02Bro, you seriously think you can make up a name
54:04and sneak into our set?
54:06Why don't you guys get out of here
54:07before I ruin our shoot, huh?
54:11How dare you talk to the boss like that, huh?
54:13Oh, your boss?
54:14What is this, a little skit?
54:15A little buddy action, huh?
54:18Yeah.
54:19I'm on set now.
54:24What do you think you're doing?
54:26You cannot mess with this man.
54:29Now get him in disguise, immediately.
54:30Please, right this way, sir.
54:37Hey.
54:41I love you.
54:45What did you just say?
54:47This is the part I don't really get.
54:49I've gone through so much betrayal and anger.
54:53I mean, what was my character's emotion
54:55when saying this line?
54:56Well, obviously, a lot of pain and sadness,
55:00but you can always add your own interpretation as well.
55:06There's a kissing scene coming up.
55:09You want to help me practice?
55:11King, what are you doing?
55:13Get off of me!
55:15I'm going to do this.
55:16Stop it!
55:17Stop it!
55:19Enough!
55:23Enough!
55:26Vincent, what are you doing here?
55:31What's going on?
55:32You and him.
Be the first to comment