IR Interview: Park Chan-Wook & Lee Byung-Hun For "No Other Choice" (Awards Track) [NEON]

The Inside Reel

Writer/Director Park Chan-wook and Actor Lee Byung-hun talk to Awards Track about intent, psychology, approach and philosophy in regards to their new film: “No Other Choice” from NEON.

Transcript

00:00.

00:03.

00:13.

00:19.

00:21.

00:23.

00:25.

00:29First for Director Park, the aspect with this character, you know, it's about how he sees

00:57his existence, his worth. But you've always been very good at finding the absurdity in the

01:03normality of somebody's life, even if they're doing something very brutal. Could you talk

01:09about looking at the irony of the character in adapting the acts in this way for you?

01:17Could you speak to that, you know, both visually, but also in the directing of your actors,

01:21specifically your main actor?

01:23평범하다, 평범한 사람이다 라고 그렇게 말을 그렇게 표현하기 쉽고 또 저라도 그렇게 한마디로 하려면 그렇게

01:33하겠지만 사실 평범한 사람은 없죠. 모든 개인이 어느 정도는 특별하고

01:43어떤 면에서는 특별하고 다 구별되죠 다른 사람들과. 구별된다는 것 자체가

01:49이미 특별하다는 뜻이고요. 그래서 우리 이웃에서 흔히 볼 수 있는 남자이지만

01:59그 사람이 속에 뭘 갖고 있는지 그 사람이 속에 뭘 갖고 있는지 평소에 멀쩡하게 살던 사람도 어떤 큰 자극이 왔을 때 전혀 예상하지 못한 방식으로 대응하기도 하잖아요. 리액션을 하기도 하잖아요.

02:13그런 면에서 만수는 특별한 사람이라고 볼 수도 있습니다. 다만 평범해 보였을 뿐이겠죠. 그렇게 볼 때 만수의 아버지의 이야기.

02:32그래가지고 나온 게 고작 이건 하고.

02:36알아 알아. 물줄기 자고. 그 부민 새끼들 교차 연결 섬유소 레시피. 근데 어쩔 수가 없더라고.

02:51아니 걔네들 기계를 쓰는 거지 레시피까지 써야 되는 거 아니잖아. 아니 라인 매니저 해가지고 어떻게 이런 집에 사냐고 저 차 가면.

03:00이거 누가 보면 야 완전 돈 먹고 다녔다고 그러지 뒤에서.

03:05나는 그렇게 생각 안 해 근데. 다른 사람이 그럴 수도 있다.

03:11뭐지. 나는 진짜 그렇게 생각 안 해. 자 자자.

03:16먼저 시작.

03:19술과 관련된 과거의 이야기. 이런 모든 것들을 다 종합적으로 고려해야 되고 그랬을 때 우리가 인간을 한 명 한 명을 그 사람을 완벽한 사람으로 완벽하게 오른 사람.

03:40모든 좋은 일만 하는 사람으로 묘사하는 일처럼 지루한 게 없잖아요.

03:46그 사람의 단점 그 사람의 어떤 어리석은 점 뭐 이런 모든 것들을 종합적으로 보았을 때 그 사람이 진짜 인간으로 느껴지고 오히려 오히려 완벽하게 묘사하는 것보다 더 그 캐릭터에 대한 애정을 표현하는 길이라고 저는 생각해요.

04:06그런 과정에서 어쩔 수 없이 나오는 것들이 바로 이런 부조리함.

04:12아이러니.

04:20괜찮아?

04:36난 뒤졌어 이제.

04:51폭탄 좋게.

05:06비용 개Nching.

05:10비용 pfon,,

05:27at times. And yet awkwardness. Could you talk about finding his motion in working with

05:34Director Park, but in your own research, in order to make the scenes like the drinking

05:40scene at one point, which is simultaneously humorous, but also very, very tragic in certain

05:46ways, too. Could you talk about finding that balance in the performance and what you focused

05:53on in terms of those details?

06:23What do you think about it?

06:25Yes.

06:26Yes.

06:37What are you doing?!

06:45What are you doing?!

06:53¿Sabesanın yongi yongi yongi yongi yongi yongi yongi yongi yongi yongi yongi yongi?

06:56???

06:58Oh it's because of the worst rebuilding I want to do is avoid failure with all aspects of the

07:00ión gongi yongi.

07:01jis yongi yongi yongi yongi permal Pl fixed aluminum

07:03Is it your..]addy?

07:04Yes!

07:05Chiffëns yongi who don't feel well when my life has enough for you?

07:06Will put something out as possible in years?

07:07B şark?

07:08Which is an amazing thing that I know before I live?

07:09Lay leaves doch挺 Lots usary

07:20GS Is there forever?

07:22It was a very strange situation, but the people of the people in the face

07:34are very strange.

07:36The first one was going to go through the second one, and the second one was going to

07:41shoot.

07:43The second is that he is a man who has a lot of people who have a lot of actions

07:52and who have a lot of actions that have not felt like a person,

07:59and he is very planning and planning and planning.

08:02He is a lot of people who have a lot of plans to be able to do this.

08:11So I wanted to show you these changes, and I also wanted to show you how to play it, and I also wanted to play it with him.

08:23Oh?

08:24Oh?

08:25Oh?

08:31How long will it be?

08:34Our husband, if you're a man, you're not a man.

08:39Please take a shower.

08:43I'm not going to take care of my friends.

08:48I'm not going to take care of my friends.

08:52I can't take care of my friends.

08:57I hope, though.

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