Tras el naufragio de un barco, Daryl Dixon, que se encuentra en Francia, lucha por reconstruir cómo llegó allí y por qué. Su llegada a Francia provoca la ira de los líderes de un movimiento autocrático con sede en París y pone en peligro a un joven miembro de un movimiento religioso benéfico llamado la Unión de la Esperanza. Daryl acepta guiar al niño y a sus cuidadores en su peregrinación al Nido, un santuario que promete seguridad, a cambio de la ayuda de la Unión para asegurarle el regreso a Estados Unidos. La serie sigue el viaje de Daryl, abriéndose paso entre las singulares tensiones de los Walker y la violencia provincial de Francia. En el camino, Daryl ve cómo su deseo de regresar a casa se ve complicado por las nuevas conexiones que forja y la renovada esperanza que estas le brindan. Mientras tanto, de vuelta en Estados Unidos, la búsqueda de Daryl por parte de Carol Peletier la obliga a enfrentarse a un viejo trauma, al tiempo que recluta a un nuevo aliado bajo falsos pretextos para que la ayude.
#thewalkingdead #twd #daryldixon #twdfamily #walkingdeadfans #zombieapocalypse
#thewalkingdead #twd #daryldixon #twdfamily #walkingdeadfans #zombieapocalypse
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02:43¿Sabes estas personas, Sr. Sylvie?
02:46Sí, Emilie es mi amiga.
02:51Yane Fallou nos ayudó a salir de Paris.
02:54Jeunie will use them in hopes of locating us aquí.
02:58¿Saben qué conocen a precise location?
03:01No creo que eso.
03:03Pero podemos ser seguros.
03:06Mathis, tus escouts están en camino.
03:09Espero que hay que reporte soon.
03:11Y entonces, ¿qué? No hacemos nada.
03:12C'est bien.
03:14Tenemos que salvarlos.
03:16Nos vamos.
03:18Tenemos que ser pacientes.
03:20La paciencia no funcionará.
03:24Jeunie no puede conseguir nada de él.
03:25Ella va a matarlo.
03:30Nos vamos hacer todo lo que podemos con cautela.
03:34C'est todo.
03:36Gracias.
03:39Daryl, ¿por qué te quedas?
03:42Daryl, ¿por qué te quedas?
03:44¿Por qué te quedas?
03:44Daryl, ¿por qué te quedas?
03:45¡No!
03:45¡No!
03:45Daryl, ¿por qué te quedas?
03:48Daryl, ¿por qué te quedas?
03:48¡Gracias!
04:18No, no, no, no, no.
04:20I'm going to throw the last one.
04:24This is a thangka.
04:26It's a Buddhist way of recording and teaching.
04:28It takes many years for the work to be acceptable.
04:32I'm still a beginner.
04:36How long are you intending to stay here?
04:38I don't know.
04:40How long is it going to take you to find me another ride?
04:42Well, it's hard to know for sure. A bit.
04:46Stay till then.
04:48Good. But in exchange,
04:50I'll need to ask something from you.
04:52You've been training Laurent.
04:54Yeah. Yeah, to defend himself.
04:56It's become a distraction.
04:58Laurent's meant for much more.
05:00More than staying alive?
05:02Yes, actually. Maintaining empathy.
05:04I worry about the impact
05:06of repeated violence on him.
05:08No offense.
05:10None taken.
05:12Everyone here has a place
05:14if they choose to seek it out.
05:16I hope you'll find yours here, too.
05:18Father's here, too.
05:20Father's here, too.
05:24Father's here.
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08:15¿Sabes quién era esa bicicleta antes de Mick?
08:18Sí.
08:19Era ese hombre que estaba mezclado con Juno.
08:23Oh, sí.
08:25¿Qué fue su nombre?
08:27Dixon.
08:28¿Qué es una mierda?
08:31Yo, Grady.
08:32Hazme esa tira.
08:38¿Es una mierda o no? ¿Puedo arreglar la transmisión?
08:42No sé si no.
08:45¿Sabes dónde está?
08:47Necesitamos tener esta cosa mirada.
08:49Muchos de gente llegaron aquí.
08:51Ellos trabajaron y se mudaron.
08:53Debería hacer lo mismo.
08:55Sí, él fue una mierda de mierda.
08:59No se mueve.
09:02Easy, ahora.
09:04Mantén las manos.
09:11¿Vas a disparar, chico?
09:13No, no.
09:16Hold on.
09:17Easy, I got you.
09:18What the hell.
09:20¿Vale, are you crazy?
09:21Certifiable.
09:22Where is he?
09:23Where is my friend?
09:24We don't know.
09:25I swear, Jesus.
09:27You shoot yourself.
09:28I got five more of these things.
09:30What the fuck?
09:33¡Fuck!
09:35¡I fucking know!
09:37¡He broke my head!
09:38¡Whoa, whoa, whoa!
09:39¿Where is he?
09:41He got into it with our brother.
09:43They got themselves thrown on a goddamn boat.
09:46A boat?
09:47¿To where?
09:49To France, ¿ok?
09:50You really want to mess with me?
09:53It's not bullshit.
09:54He bought himself a free European vacation.
09:57Who?
09:58Who owns the boat?
09:59Some French guys came looking for American walkers.
10:05Tell him.
10:06Rounded them up, paid us, end story.
10:10Those guys coming back?
10:12This is the only boat we've seen in years.
10:17Look, the boatyard is a few miles north.
10:19You can go check it out yourself.
10:21Too bad it might be tired.
10:27That's yours?
10:27Don't follow me.
10:37Oh.
10:39About a mile up the road, there's an old Dodge.
10:42Your buddy Mick is in the trunk.
10:44He's probably got about an hour's worth of air left.
10:47Give or take.
10:53Everybody okay?
10:56Get ready.
10:57¿Qué pasa?
11:27¿Qué pasa?
11:57¿Qué pasa?
12:27¿Qué pasa?
12:57¿Qué pasa?
13:27¿Qué pasa?
13:57¿Qué pasa?
14:27¿Qué pasa?
14:57¿Qué pasa?
15:27¿Qué pasa?
15:57¿Qué pasa?
16:27¿Qué pasa?
16:57¿Qué pasa?
17:27¿Qué pasa?
17:57¿Qué pasa?
18:27¿Qué pasa?
18:57¿Qué pasa?
18:58¿Qué pasa?
18:59¿Qué pasa?
19:00¿Qué pasa?
19:04¿Qué pasa?
19:06¿Qué pasa?
19:08¿Qué pasa?
19:10¿Qué pasa?
19:12¿Qué pasa?
19:14¿Qué pasa?
19:16¿Qué pasa?
19:18¿Qué pasa?
19:19¿Qué pasa?
19:21¿Qué pasa?
19:23¡Suscríbete al canal!
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23:48No, no, no, no, no.
24:18No, no, no.
24:48No, no, no, no.
25:18No, no, no, no.
25:48No, no.
26:18No, no, no.
26:48No, no, no.
27:18No, no, no.
27:48No, no, no.
28:18No, no, no, no.
28:48No, no, no, no.
29:18Get up.
29:48All the bodies are outside the perimeter now.
29:54I was curious about you.
29:57No, no, no, no, no, no.
29:58That's not an excuse.
30:00I just thought if I knew I just thought if I knew you better, maybe we could become friends.
30:04And that's something that I've been missing.
30:10A friend.
30:11Once I'm finished.
30:12Once I'm finished cleaning up.
30:14Once I'm finished.
30:21Once I'm finished.
30:22Once I'm finished cleaning up, I'll be on my way.
30:24I'll be on my way, I'll be on my way, I'll be on my way.
30:25I'll be on my way.
30:31I'll be on my way.
30:32I'll be on my way through.
30:33I'll be on my way, I'll be on my way.
30:41He was 7 cuando he died.
30:45April 19th, 8.23 am.
30:50That's when you come here.
30:53I sit with him every morning.
30:55That's it.
30:57Can I apologize?
30:59For what?
31:01For letting him wander off.
31:03For not being able to save him.
31:06For not protecting him like a parent is supposed to protect a child.
31:11So when he died, I made a place for him here.
31:18To keep him safe.
31:24His mom left when he was a baby, so...
31:28It was all up to me.
31:31LV left planes.
31:44About a month after he died, I came across this...
31:47...crashed beach craft in a nearby field.
31:50It felt like a sign.
31:52So I brought it back one piece at a time.
31:55I found some manuals and I figured out how to put it back together.
31:59You don't want to leave him.
32:02That's why you fly around here.
32:04It was never about going anywhere in particular.
32:09Just up...
32:11...high enough so that when I look down, I can almost trick myself into thinking the world is...
32:18...still the same.
32:22Almost.
32:24Hey.
32:38Hey.
32:39I'm just about finished here.
32:41You know, if it's okay with you, I'll head out in the morning.
32:45I'm about to sit down for dinner, if you would like to join me.
32:52I'd like that.
33:04Come in.
33:15Oh.
33:16You allergy?
33:18No.
33:19They represent hope, you know.
33:24Yeah.
33:25I know.
33:26This rose started to grow right where the mother's tears fell.
33:31I believe this one...
33:35...bloom for your little girl.
33:38Where will you go, anywhere?
33:48Anyone waiting for you?
33:49Hmm.
33:50Oh.
33:51Sorry.
33:52None of my business.
33:55No.
33:56That's okay.
33:59I was married.
34:04His name was Ed.
34:06It was a difficult marriage right from the get-go.
34:13Then our daughter Sophia came along.
34:16It's funny.
34:17Life.
34:18How something so bad can lead to something so good.
34:25So where's she now?
34:31Hmm.
34:32Right before the world turned upside down, um...
34:41Ed took Sophia to visit his aunt in Europe.
34:47I'd never been to a foreign country before.
34:50Didn't even have a passport.
34:51Here's Sophia, barely 12, just flitting around France with her dad.
35:01And then, um...
35:03When everything happened, I...
35:08Tried to reach her...
35:10A bunch of times and...
35:14Uh-huh.
35:16Never heard from her.
35:21You don't need your car fixed.
35:22You want me to fly you to France to find your daughter.
35:29Hmm.
35:30So you lied to me.
35:35If you knew Avi was out there, wouldn't you do anything?
35:37Whatever it took to find him?
35:42But he's not.
35:43What?
35:44Let's go.
35:45I'll go.
35:46But...
35:48I don't know.
35:50You can't.
35:51You can't...
35:52You can't.
35:54Go.
35:55Go.
35:56Go.
35:57Go.
35:58Go.
35:59Go.
36:00Go.
36:01Go.
36:02Go.
36:03Go.
36:04Go.
36:05Go.
36:06Go.
36:07Go.
36:08Go.
36:09Go.
36:10Go.
36:11Go.
36:12Gracias por ver el video
36:42Gracias por ver el video
37:13I'm gonna go with him
37:14I understand you wanna help
37:17But we're a pacifist movement
37:18We resist violence
37:20Same here
37:22When I can
37:23This is a joke
37:28We use a training for Aikido
37:30I'm not using it as a weapon
37:32I'm using it to prepare in case I might need a weapon
37:35What you wanna punch back?
37:37Yeah
37:37It's a time and a place for everything
37:39Bring her people here safely
37:46What?
37:48Care to go around?
37:52Not with that toothpick
37:55Get out of here
38:00Get out of here
38:01Get out of here
38:03I would do anything to find Avi
38:27I mean, what parent wouldn't?
38:29That's not the question
38:30The question is
38:32Would you search for him?
38:34Would you give up everything
38:35To look for somebody you haven't met?
38:36If there was hope of finding them alive
38:40Then
38:41Yes
38:43We're talking about flying a plane
38:46Across the ocean
38:47With no communication
38:48No weather forecast
38:49No idea was waiting on the other side
38:51It was my only option
38:54I couldn't do nothing
38:57But why now?
39:01What changed?
39:05Couldn't keep waiting
39:06Feeling stuck
39:10I had to move forward
39:13I had to try
39:14Hop in
39:25We have work to do
39:27I think we should head north
39:34Hug in the coast
39:35And pit stop in Greenland maybe
39:37Minimize our time over the open sea
39:40We could switch out the ethanol tanks there
39:43How are we gonna get enough
39:46For such a long trip?
39:52We made all this?
39:55I've got a lot of time on my hands
39:57Where do you even start to look?
40:09Well, I have an address for Ed's aunt
40:12Where they were staying
40:13Start there
40:16What if she's still there?
40:19Wouldn't that be amazing?
40:20I have to remind myself
40:23There's a chance she won't be
40:25She may not even still be alive
40:29Yeah
40:30But she could be
40:31I'm glad you still have that
40:35Hey
40:55Got the other fuel line connected
40:58Are you sure you want to do this?
41:04Well, yeah
41:05Then we don't have to stop and refuel
41:07No, I mean the whole thing
41:12Leave this place
41:15Leave Avi
41:17When Avi died
41:23I didn't leave the house for months
41:24Then when I did
41:26I found the plane
41:28Save me
41:32If you're not moving forward
41:34Then you're dying
41:36Come on
41:48Go, position
41:48Convoy should be here shortly
41:57First truck will trigger the explosion
41:59Just enough to blow out their front tires
42:01Elodie and Winston will clip the first vehicle busy
42:03While we go to the transport truck
42:05That's where our people will be
42:06We get in
42:07We get out
42:08As one
42:09Got it?
42:11Got it
42:12We should move the ceremony up
42:25We still have work to do
42:27You'll never win them over
42:30Certainly not the American
42:32We have time
42:34The boy's not ready
42:36He's not
42:37Or you're not
42:39We're not
42:48The storm's coming in fast
42:59Let's get the plane loaded quickly
43:01And get inside
43:02You know
43:09I often wonder
43:11If Avi was still alive
43:13Would he be obsessed with planes
43:15Or
43:16Would he have moved on to something else
43:19No
43:19How about Sophia?
43:22What do you think she's into now?
43:26I don't know
43:27I do wonder
43:28You think you'll recognize her?
43:33So much I don't know
43:35Soon
43:36Maybe you will
43:38Damn it
44:02The ethanol
44:02The plane's gonna catch
44:23We're gonna fly out of here
44:24Can we just move it?
44:25No
44:30No, we gotta go
44:31Now
44:31Let's go
44:33Come on
44:38Come on
44:40Come on
44:44Come on
44:46Come on
44:47Come on
44:50Come on
44:53Come on
44:55You're gonna let this
44:56¡Aguanta!
44:58No lo sacó.
45:00¡Sí!
45:02¡No lo sacaste!
45:04¡Eso es alegre!
45:06¡Signal!
45:08¡No lo bajaste.
45:12¿Qué estás haciendo?
45:13¡Des faí.
45:14¡No!
45:16¡No!
45:19¡No lo cortamos!
45:21¡Ago! ¡Ago!
45:23¡Honelo!
45:24¡Ah!
45:26¡No!
45:28¡No, no, no!
45:29¡Oh!
45:32¡No!
45:38¡Let's go!
45:39¿Qué, Harold?
45:41¿Qué es lo que te ha hecho?
45:42¡I've never been up in one of these before!
45:46¡We're going to have to clear a path!
45:49¡There's no time!
45:53¡Grab the tow bar!
45:56¡Grab the tow bar!
46:01¡La verdad es un espoir!
46:04¡Dépéchez-vous! ¡No tenemos mucho tiempo!
46:07¡Ale!
46:08¡Vamos a hacer eso!
46:09¡Ale, es bien!
46:11¡Vien!
46:19¡Grab the tow bar!
46:21¡Grab the tow bar!
46:21¡Grab the tow bar!
46:22¡Grab the tow bar!
46:27¡Ale, es bien!
46:38¡Grab the tow bar!
46:39And just always send the most vicious demon to do their dirty work.
46:53And here you are.
47:09Dixon! Come on!
47:30Arrow!
47:31Arrow!
47:32Arrow!
47:33Arrow!
47:35Arrow!
47:36Arrow!
47:37Arrow!
47:38Let's go, let's go.
48:08Let's go!
48:38Just center yourself.
48:44Take a deep breath in and out.
48:48There's nothing to be afraid of up here.
48:54What?
49:08Everything that's kept us going was led to this place.
49:28I thought it was the one thing that would save us.
49:32Maybe that's all it was.
49:34Something that just kept you going.
49:37Two of us together.
49:40It's safer.
49:44I'm pretty good at taking care of myself.
49:47No, I was missing.
49:49Someone took him.
49:51I need your help.
49:53People are gonna talk.
49:55What do you want?
49:57I have the same question for you.
49:59No more lies.
50:03You shouldn't find something first.
50:05Dixon is a dead man.
50:08It's only by risking everything can we find the true meaning of faith.
50:13What happens if you're wrong?
50:15You guys talk about bringing Carol back for the second season.
50:28Hey, what's up?
50:41I love you.
50:43I love you.
50:44I love you too.
50:45I love you too.
50:49I love you too.
50:50Don't go.
50:51I love you.
50:52It was interesting when we were wrapping up The Walking Dead because at that point we left Carol and Daryl in a good place.
50:58So that you would believe that if anything were to happen she would be the one that would go out looking for him which is what we did.
51:06We're supposed to like keep it a secret.
51:08Yeah.
51:09So I was just holed up in a hotel room.
51:11Oh, yeah.
51:12For six weeks.
51:13For six weeks.
51:14I was visiting a tower.
51:15I was going to restaurants.
51:16Right.
51:17Yeah.
51:18I'm happy that you're here.
51:21Where is he?
51:22They got themselves thrown on a damn boat.
51:25A boat?
51:26To where?
51:28To France, okay?
51:30It's been great being able to have Melissa known that she's here and she's playing Carol.
51:35Just getting to see Norman again, period, you know, it's fun.
51:39I'm here to bring these two characters together again.
51:46To Carol, Daryl is home.
51:48He is the longest running person in her life since this all started and I think she feels a little lost without him.
51:56I keep thinking about all the people I left behind.
51:59Wondering if they're still thinking about me.
52:01The title of episode one is La Gentillesse des Etrangers.
52:05That translates as The Gentleness of Strangers.
52:07In the show itself, Daryl has been a stranger in a strange land from the beginning.
52:12So there is a sense of sort of strangers venturing out into the world.
52:15And specifically though, that's a line of dialogue that we hear from Carol to this man who becomes a friend, Ash.
52:22I'd like to think that even still, we can rely on the kindness of strangers.
52:27Carol's hoping that she's going to be able to find somebody who can help her in her journey to figure out what's happened to Daryl.
52:32So that's where that title sort of evolved out of.
52:40Carol is a character in the history of the show we've seen undergo a lot of grief and a lot of trauma and a lot of that is unresolved.
52:49You know, when things get quiet enough, those unresolved issues start to bubble back up and I think that's really what happened for Carol when Daryl left and it got quiet at the Commonwealth.
52:59And I think a big part of this trip is to resolve those issues.
53:07She thought she had come to terms with the death of Sophia and she had in so many ways.
53:13And her fight for survival is a tribute to Sophia and it always has been.
53:20The season two episode where Sophia comes out of the barn, I remember when we shot it, I remember everything about it.
53:29It was fascinating to me because those emotions were right there.
53:32And then the challenge of keeping it present, even with the light effects, like she is still standing there and this is only going on in her head and yet we're playing it physically was a bit of a challenge.
53:45And action!
53:47Sophia!
53:48And I recreated the same shots that we had done on the season two episode.
53:53It was really fun and definitely took me back to that moment in a really good way.
54:00All right, here we go. And fan!
54:05After spending six episodes solely based in France, 201 is mostly based in the United States.
54:13It was a challenge because we shot it here in France.
54:15So being a farm that looked like a farm that would have been in, you know, New England created a lot of unique hurdles.
54:25It was a long search to find American decoration close to Paris.
54:31We found a farm. We were there once, twice, three times.
54:35To see how we could film this place and build around this farm all the American environment.
54:42And to add to that, of course, an airplane that would have to fall and fall.
54:50We're talking about flying a plane across the ocean with no communication, no weather forecast.
54:55No idea was waiting on the other side.
54:58It was my only option.
55:00I couldn't do nothing.
55:02Introducing air travel in this post-apocalyptic world feels super profound and powerful in this environment.
55:09And getting a plane like this in the sky to fly over the ocean is a huge task because this plane can't even hold enough fuel to get there.
55:19We did a lot of research on this and we talked to experts on aviation and, you know, it's possible exactly the way that it plays out in the show.
55:25But it's unlikely and there are lots of pitfalls along the way that you could fall into.
55:29So just the logistics of that alone are a big leap of faith.
55:33For Carol, she's done a lot of scary things, but she's never gotten on a plane and that's a little intimidating.
55:38And for Ash, he has found a way to exist by himself and be relatively happy with the memory of his child.
55:45That's a big leap of faith for him to leave what he's built and to leave all the things that represent his memory of his son.
55:51That's a tough one.
56:00We needed a big finale and one of the things that we talked about was, well, they got to drive the plane through the walkers to get to the runway.
56:11Can we just move it?
56:13No, we got to go. Now!
56:16I have a little bit of experience flying a plane. I've flown a plane twice a long time ago, so I had some familiarity inside the cockpit.
56:24I wanted one gag where Carol gets attacked by a walker and swings it into the spinning propeller blade.
56:32That was my little Indiana Jones homage.
56:34Then it comes time for them to take off.
56:37With Sebastian, our stunt coordinator, I said, well, how can we do this and be safe?
56:44And he said, oh, no, it'll be fine. We'll just have the stunt people get hit by the wing and fall down.
56:51I never would have imagined that we would have been able to do that, but the stunt team did a fantastic job of keeping everybody safe and giving us some really spectacular footage.
57:02It all looked great.
57:08There's nothing to be afraid of over here.
57:32There's nothing to be afraid of over here.
57:33There's nothing to be afraid of over here.
57:34There's nothing to be afraid of over here.
57:35There's nothing to be afraid of over here.
57:36There's nothing to be afraid of over here.
57:37There's nothing to be afraid of over here.
57:38There's nothing to be afraid of over here.
57:39There's nothing to be afraid of over here.
57:40There's nothing to be afraid of over here.
57:41There's nothing to be afraid of over here.
57:42There's nothing to be afraid of over here.
57:43There's nothing to be afraid of over here.
57:44There's nothing to be afraid of over here.
57:45There's nothing to be afraid of over here.
57:46There's nothing to be afraid of over here.
57:47There's nothing to be afraid of over here.
57:48There's nothing to be afraid of over here.
57:49There's nothing to be afraid of over here.
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