In Other Words, I Love You #Dramabox
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
🎥
Short filmTranscript
00:00:00I've always described the world in words people moments places all through metaphors and margins
00:00:11okay like my mom self-made stubborn and never wrong
00:00:18what was there you excited for your first day she calls this a fresh start I call it terrifying
00:00:30you've got this just for yourself that's kind of the problem
00:01:00okay
00:01:04morning class
00:01:07and you're not seated because
00:01:11I don't have a seat
00:01:14ah a new transfer Alice Keaton right
00:01:18let's see
00:01:19now there's a spot next to Charles
00:01:24Charles case sorry
00:01:26seriously a charity case sitting next to Charles
00:01:30god what is she
00:01:32quiet
00:01:33Charles
00:01:37I've always had words for everything
00:01:40but in that moment
00:01:44I forgot them all
00:01:47keep track from everything
00:01:51Charles move your things
00:01:57I'd rather not
00:01:58she'll be a distraction
00:02:00from what?
00:02:01sleeping
00:02:02from everything
00:02:03if anything Charles
00:02:04Miss Keaton will be a positive influence on you
00:02:07she was top of her class at her previous school
00:02:09With all due respect, sir, her previous school was American.
00:02:15I highly doubt that.
00:02:18That's enough.
00:02:20She can sit here. It's fine.
00:02:24Back to Golding.
00:02:27You got it. I'm Sherry Bourne.
00:02:29Alice Keaton.
00:02:29It's very important that we look at the other people's attention to what he's talking about, their experience of the time.
00:02:39Wait, you sat next to Charles?
00:02:42She didn't. You totally shut her down.
00:02:44Oh, knew it. Don't take it past me. He's impossible.
00:02:48Can everyone stop acting like the goal is getting into his pants?
00:02:51What? He's hot.
00:02:53Everyone kind of is.
00:02:56I... I've seen Connor. He's not my type.
00:02:59You're joking.
00:03:01I don't find bullies attractive.
00:03:03Hey, be careful.
00:03:04You're talking about the King of Ashford.
00:03:07The what?
00:03:07His family basically own the school.
00:03:10And the town. Maybe even the country.
00:03:13Yeah. Everyone's tried to get close. No one can get past his ego.
00:03:17You're not the first to get iced.
00:03:18Okay, first of all, I wasn't iced. It's more like a mutual decision.
00:03:24And second, I think he's arrogant, cold, thinks he's untouchable.
00:03:29But if you really look at Charles, he just seems isolated, like he's faking out.
00:03:34Honestly, I just think he's lonely and kind of pathetic.
00:03:37You were saying I'm lonely and pathetic.
00:03:51Next time, read the room before opening your mouth, American.
00:04:04We're not in Kansas anymore, Alice.
00:04:06Hey, how was your first day?
00:04:24Uh, good.
00:04:26Anything exciting happen?
00:04:27Not really. Super uneventful.
00:04:29Really?
00:04:32How's your new job?
00:04:33Yeah, alright.
00:04:34Get this? They said we can stay in the servant's wing.
00:04:37Seriously?
00:04:38Hmm. Apparently, the young master won't mind the company.
00:04:41The young master.
00:04:44This is your boss's house.
00:04:47Yeah? Isn't that incredible?
00:04:48I mean, I wouldn't call it a house.
00:04:51It's a museum with better landscaping.
00:04:59Wait here. I'll talk to the butler.
00:05:01Wow. Rich people. You've topped yourselves again.
00:05:14Stephen King.
00:05:16First edition.
00:05:17Breaking and entering now.
00:05:29How American of you.
00:05:31I...
00:05:31You can get up now.
00:05:54I...
00:05:54I'm trying.
00:05:56Wait!
00:05:58Are you serious?
00:06:00Well, you said you were trying.
00:06:03What is wrong with you?
00:06:05Funny.
00:06:06I was about to ask you the same thing.
00:06:08What are you doing in my house?
00:06:11You...
00:06:12Wait.
00:06:14Your house?
00:06:15My house.
00:06:16My library.
00:06:17And now, apparently,
00:06:19my unwanted guest.
00:06:22Ah, Master Charles.
00:06:24You must be Miss Alice, Anne's daughter.
00:06:26She said you'd be moving in today.
00:06:28She what?
00:06:29There...
00:06:29There's been some kind of misunderstanding.
00:06:32You see,
00:06:32I'm not actually moving in.
00:06:35Is that so?
00:06:36Yeah.
00:06:36I'm not staying here.
00:06:38Like, at all.
00:06:39That's a shame.
00:06:40Your mother seemed quite pleased with the arrangement.
00:06:41Well,
00:06:42I just don't think it's appropriate.
00:06:45Well,
00:06:45if you're sure,
00:06:46then absolutely not.
00:06:47Come on, Alice.
00:06:50Alice,
00:06:50you must stay.
00:06:54It'll be fun,
00:06:56my dear classmate.
00:07:00I'm dead.
00:07:02I'm dead.
00:07:02Like, mentally,
00:07:04socially,
00:07:05and actually dead.
00:07:12Just trying to figure out
00:07:14how exactly my life went off the rails.
00:07:17Get it together, Alice Keaton.
00:07:19You've been through hell.
00:07:20I was sure I'd never find someone
00:07:22to make my head spin around.
00:07:24Actually,
00:07:25no.
00:07:25No one's ever gonna be the thing I need.
00:07:26They all just let me go.
00:07:27This is hell.
00:07:28Baby,
00:07:30you saved me.
00:07:30Hi.
00:07:31Good morning.
00:07:32Good morning.
00:07:39Wow.
00:07:46Sir,
00:07:47is that Miss Keaton?
00:07:49What thing doesn't know?
00:07:51That's what's been closed for months.
00:07:53She's going to be late.
00:07:59Okay.
00:08:00How long is this thing gonna take?
00:08:02Maybe I'll just walk?
00:08:04Five miles to school.
00:08:07Okay.
00:08:08If I sprint,
00:08:09maybe I'll make it before first period.
00:08:12Or die of exhaustion on the way.
00:08:17Or die of exhaustion on the way.
00:08:21What are you doing here?
00:08:23Didn't you already leave?
00:08:26Wait.
00:08:27Did you come back for me?
00:08:31Relax.
00:08:32I forgot my textbook.
00:08:34Don't flatter yourself.
00:08:36Wait.
00:08:39Since you're already here,
00:08:42maybe you could be a decent person
00:08:44and give me a ride?
00:08:47No.
00:08:49Seriously?
00:08:50Your car is huge.
00:08:51Yeah.
00:08:52Yeah.
00:08:52And I'm not a fan of sharing.
00:08:56Says the guy who forced me to live in his house.
00:09:04Unbelievable!
00:09:04Ashford Institute, please.
00:09:20Who needs that entitled brat anyway?
00:09:22Sir, you called the cab.
00:09:24Why not just give Miss Keaton a lift?
00:09:31Why not just give Miss Keaton a lift?
00:09:34And have the whole school go crazy.
00:09:36She's new.
00:09:37Everybody's already talking.
00:09:38So you're worried about her?
00:09:41You're overthinking.
00:09:42I just don't like drama.
00:09:50Asshole.
00:09:52Who?
00:09:52Morning, Klaus.
00:09:56Back to Golding.
00:09:57Remind me what he's saying through Lord of the Flies.
00:10:05Mr. Kenwood,
00:10:06care to share what you found so amusing?
00:10:09Not particularly.
00:10:10Oh, I insist.
00:10:12You seem very entertained by Golding.
00:10:15I'm not entertained by Golding, sir.
00:10:18On the contrary.
00:10:19I think his ending is...
00:10:22weak.
00:10:24Wait, wait.
00:10:25Have I actually read it?
00:10:26Quiet.
00:10:28That's an interesting take.
00:10:30Explain.
00:10:32He had the setup for something brutal.
00:10:35Something honest.
00:10:36But in the end,
00:10:38he backed out.
00:10:39He could have left the boys on the island.
00:10:41Forced them to confront
00:10:42the collapse of all morality.
00:10:43Let them choose survival.
00:10:45Or death.
00:10:47But instead,
00:10:48he gave them a rescue boat.
00:10:50Slaps a happily ever after
00:10:51on a book about savagery.
00:10:56It's a waste.
00:10:58Don't you think?
00:10:58I'm delightfully surprised, Charles.
00:11:00Didn't think you had such
00:11:01strong literary opinions.
00:11:04I'm always a model student, sir.
00:11:05Let's not get ahead of ourselves.
00:11:09So,
00:11:10a critique of Golding's mercy.
00:11:13Anyone disagree?
00:11:13I think Golding knew exactly what he was doing
00:11:31by ending the book that way.
00:11:33It's not mercy,
00:11:34it's irony.
00:11:35How so?
00:11:36The rescue isn't a happy ending.
00:11:41You don't just walk back into society
00:11:43and forget you're a monster.
00:11:45Golding didn't save them,
00:11:46he left us with the discomfort
00:11:47of pretending they could be saved.
00:11:49That's an interesting take,
00:11:50Miss Keita.
00:11:51You still think it's a harsh critique?
00:11:53In some ways,
00:11:55but not harsh enough.
00:11:57Yes,
00:11:58it's a critique of toxic masculinity,
00:12:00but still,
00:12:01Golding sympathized with them.
00:12:03And the civilized world?
00:12:05Toxic,
00:12:06violent,
00:12:06he didn't call that out nearly as much.
00:12:08So yeah,
00:12:09I don't think Golding pushed far enough,
00:12:10but I think it's unfair
00:12:11to call it a happy ending.
00:12:12Thank you,
00:12:17Miss Keita.
00:12:18Well said.
00:12:20Anyone else?
00:12:23Both opinions are valid.
00:12:25Okay,
00:12:25that's kind of epic.
00:12:26And let's not forget,
00:12:27Golding faced major backlash
00:12:29when he first published the book.
00:12:31Good literature will always divide opinions.
00:12:36What's happening to me?
00:12:42Okay,
00:12:44what is going on?
00:12:44Why is everyone staring at me?
00:12:47Well,
00:12:47you're new.
00:12:48And apparently had a thing with Charles.
00:12:51A what now?
00:12:52You two are in the middle
00:12:53of the most epic feud
00:12:54as you've seen in years.
00:12:56We're not even fighting.
00:12:57Well,
00:12:57according to everyone,
00:12:58you confessed your love on day one,
00:13:00got rejected,
00:13:02begged to sit next to him,
00:13:04got rejected again.
00:13:05And today in class,
00:13:06you broke down crying about
00:13:08not believing in happy endings
00:13:09and stormed out in tears.
00:13:12You were there,
00:13:14Sherry.
00:13:14That is not what happened.
00:13:17Doesn't matter.
00:13:18People believe what they want to believe.
00:13:20And they want Charles to be flawless,
00:13:22untouchable.
00:13:24Wow.
00:13:25Is massage any like a rich kid thing
00:13:27or just a British specialty?
00:13:28Honestly,
00:13:29both.
00:13:31But seriously,
00:13:32Alice,
00:13:32some people already see you as a threat.
00:13:34Okay.
00:13:43Loaded.
00:13:45Looks like the new girl's in
00:13:46for a rough first semester.
00:13:47Hello?
00:14:03Hello?
00:14:05Hello?
00:14:07Is somebody out there?
00:14:09Oh,
00:14:10come on!
00:14:11Fine.
00:14:38Seriously?
00:14:39Seriously?
00:14:39What the hell?
00:14:50Anne,
00:14:51I thought you were having dinner with Alice?
00:14:53She hasn't come home.
00:14:54Her phone is off.
00:14:55Maybe you've seen her this evening?
00:15:00Yikes.
00:15:00Looks like the new girl's in
00:15:02for a rough first semester.
00:15:03She hasn't come home.
00:15:04She hasn't come home.
00:15:05I'll have it sent over.
00:15:06Check the common room in the library.
00:15:06I'll take the rest.
00:15:07Alice!
00:15:08Alice!
00:15:09Alice!
00:15:10I was wondering if I could get the timetable for Alice Keaton.
00:15:12She hasn't come home.
00:15:13I'll have it sent over.
00:15:14Check the common room in the library.
00:15:15I'll take the rest.
00:15:16Alice!
00:15:17Alice!
00:15:18Close your eyes and jump.
00:15:19Come on, Alice.
00:15:20Close your eyes and jump.
00:15:21Come on, Alice.
00:15:22Close your eyes and jump.
00:15:23It's fine...
00:15:48We're fine.
00:15:50We're fine.
00:16:20What? What are you doing here?
00:16:29Can you get off me first?
00:16:41You're welcome.
00:16:42I didn't say thank you.
00:16:44I figured saving your life might only be basic manners.
00:16:47Someone just dumped swamp water on me.
00:16:49Excuse me if I'm not feeling very polite.
00:16:52You smell like a biology experiment.
00:16:54Wow.
00:16:55You should try falling out of a window into someone's arms and getting insulted for it.
00:16:59I wouldn't recommend it. You're heavier than you look.
00:17:04I hope you pull your shoulder.
00:17:11Are you okay?
00:17:13No, but I will be.
00:17:16Someone did this on purpose.
00:17:17What do you think, golden boy?
00:17:19Don't worry, I can handle it.
00:17:22You shouldn't have to.
00:17:25I'm sorry.
00:17:34Sorry.
00:17:35Did you just apologize to me?
00:17:42Don't get used to it.
00:17:43I wouldn't dream of it.
00:17:47Alice?
00:17:47Alice Keaton, right?
00:17:48Alice?
00:17:49Over here.
00:17:49Oh my god.
00:17:53You okay?
00:17:55Why are you drenched?
00:17:57Yeah, I just took a weird shower.
00:18:00Tap exploded.
00:18:03Come on, let's get you home.
00:18:04Alice Keaton, right?
00:18:05I heard she staged the whole thing for attention.
00:18:20I know how this place works.
00:18:33If you don't do anything about it, it's only going to get worse.
00:18:37I can't believe someone actually locked you in.
00:18:39That's insane.
00:18:40Where the hell was the school when this was happening?
00:18:43I know how this place works.
00:18:45If you don't do anything about it, it's only going to get worse.
00:18:49I can't believe someone actually locked you in.
00:18:50I can't believe someone actually locked you in.
00:19:04That's insane.
00:19:05Where the hell was the school when this was happening?
00:19:07Busy protecting their golden boys and trust friends.
00:19:10Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:19:16Please, he just didn't want a lawsuit.
00:19:18Being a scholarship student has its perks, like saving a fortune on tuition and getting
00:19:42into schools that normally wouldn't even let you pass the gates.
00:19:45But sometimes, being here means staying behind.
00:19:46And watching Ashford elites go on a two-week enrichment program you can never afford.
00:20:01have fun.
00:20:02Have fun.
00:20:03Bring me something overpriced and unnecessary.
00:20:11The trip cost 20 grand in pounds, which translates to mom's salary for half a year.
00:20:16So, yeah.
00:20:17I didn't go.
00:20:18I didn't go.
00:20:23Uh, what are you doing here?
00:20:24Do you not believe in shirts?
00:20:25Do you not believe in dignity?
00:20:30It's comfortable.
00:20:31You look like a rejected Ewok.
00:20:32This, this is not even your kitchen.
00:20:33And this is not even your house, and yet you're here, dressed like this.
00:20:37Just don't, look, go away.
00:20:38Hard not to.
00:20:39And you're walking around dressed like that.
00:20:40What do you guys call it?
00:20:41Um, buzzkill?
00:20:42Cockblock.
00:20:43You're insufferable.
00:20:44You're the one cosplaying at breakfast.
00:20:45You know what?
00:20:46I don't get it.
00:20:47Why didn't you go on that tour?
00:20:48I thought rich people would love it.
00:20:49Do you not believe in dignity?
00:20:50Do you not believe in dignity?
00:20:51It's comfortable.
00:20:52You look like a rejected Ewok.
00:20:53This, this is not even your kitchen.
00:20:54And this is not even your house.
00:20:55And yet you're here, dressed like this.
00:20:56Just don't, look, go away.
00:20:57Hard not to.
00:20:58And you're walking around dressed like that.
00:21:00What do you guys call it?
00:21:02Um, buzzkill?
00:21:04Cockblock.
00:21:05You're insufferable.
00:21:06You're the one cosplaying at breakfast.
00:21:09You know what?
00:21:10I don't get it.
00:21:11Why didn't you go on that tour?
00:21:12I thought rich people live for that kind of thing.
00:21:14Why do you think?
00:21:21Where would I go?
00:21:22I could practically recite the itinerary in my sleep.
00:21:25Florence.
00:21:26Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:21:31Or Tiziano, if you want to sound extra pretentious.
00:21:35Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:21:41The next stop.
00:21:42The next stop.
00:21:43Napoli.
00:21:44Marvel at Pompeii.
00:21:45Pretend you're shocked.
00:21:46Ancient people had plumbing.
00:21:48The final stop.
00:21:49Paris.
00:21:50The ultimate city of romance.
00:21:53And, naturally, Woody Allen's favourite city outside of New York.
00:22:00That's word for word.
00:22:03I told you.
00:22:04I've done this tour so many times, I could run it.
00:22:07Okay, but still, it's Europe.
00:22:09Most people would kill for that chance.
00:22:11Most people haven't had their phones stolen in Paris.
00:22:13Twice.
00:22:14Twice.
00:22:15Also, I hate the accommodations.
00:22:17Aren't they all five-star hotels?
00:22:19Standard rooms in five-star hotels.
00:22:22No thank you.
00:22:23Wow.
00:22:24Some were born in Rome, huh?
00:22:27That's unfortunate.
00:22:28It's a very chaotic city.
00:22:29One word of advice?
00:22:30Shut up.
00:22:31That's two words.
00:22:32You're weird.
00:22:33You're loud.
00:22:34You're annoying.
00:22:35You're in my kitchen.
00:22:36You have three other kitchens.
00:22:37And I prefer this one.
00:22:38Just for today.
00:22:39Come back when you've got a shirt on.
00:22:40Come back with normal clothes on.
00:22:41You didn't have to come.
00:22:42Don't tell me what I have to do.
00:22:44Master Charles, roads are flooded.
00:22:45Staff won't make it tonight.
00:22:46Will you be alright sorting dinner?
00:22:47No.
00:22:48No.
00:22:49No.
00:22:50No.
00:22:51No.
00:22:52No.
00:22:53No.
00:22:54No.
00:22:55No.
00:22:56No.
00:22:57No.
00:22:58No.
00:22:59No.
00:23:00No.
00:23:01No.
00:23:02No.
00:23:03No.
00:23:04No.
00:23:05No.
00:23:07I've got it sorted.
00:23:18Ah!
00:23:19Jesus!
00:23:20What are you doing?
00:23:21Relax.
00:23:22I'm here to make a deal.
00:23:24What deal?
00:23:25You nearly gave me a heart attack.
00:23:30You'll survive.
00:23:32I'm not selling my body I'm not selling my body
00:23:40Wow I am deeply offended that thought disgusts me then what are you doing the staffs off tonight
00:23:52I'm buying dinner did you seriously think I'd spend a hundred pounds on no I'm Jesus
00:24:01wait you think I'm not worth 100 pounds I'm not spending 100 pounds to snort you back up
00:24:10you know what dinners canceled are you sure about that I present to you meatball spaghetti stir-fried
00:24:22veggies and french fries you're welcome interesting combo well I know we're not in Italy or France but
00:24:28this will do it's good
00:24:37was that a compliment although I am obliged to inform you meatball spaghetti isn't Italian
00:24:45it's American and french fries likely born in South America you should read more put it down
00:24:53I paid for it you really just have to win every argument don't you to be fair you make it very easy it's
00:25:02only easy because it cost 200 pounds you know if you'd ask for more I probably would have given it to you
00:25:07I'll make sure
00:25:08hey Alice it's fine you're fine
00:25:26I'm one what's with your emergency
00:25:35I'm one what's with your emergency it's my dad he he needs help he just had a stroke okay miss
00:25:45hurricane constant traffic shutdown get you as soon as we can please he's not well
00:25:49I understand can you confirm your address
00:25:54daddy yes I'm right here all right my daughter please stay with me dad please
00:26:06no please wake up
00:26:09dad please please don't leave me
00:26:28you
00:26:28you
00:26:36You, what are you doing here?
00:26:54You were crying, loudly, kind of hard to ignore.
00:27:00Right, sorry for the noise.
00:27:04Wait, you know Snarky come back?
00:27:07Not tonight, I'm too tired.
00:27:09If you're here to argue, knock yourself out.
00:27:13You were calling for your dad, right?
00:27:17A hurricane hit New York.
00:27:19Power went down, traffic froze.
00:27:22Dad had a stroke, but he couldn't get help in time.
00:27:28I sat there with a candle while he laid there.
00:27:33Peaceful.
00:27:37Like he was asleep.
00:27:39But he wasn't.
00:27:44So that's why you and your mom moved here?
00:27:47This used to be our hometown.
00:27:50After dad left, we had nowhere else to go.
00:27:54What are you doing?
00:28:04Come on.
00:28:05Wait, I thought the power was out.
00:28:24It is.
00:28:25We have our own generator.
00:28:26Wow, rich people houses her.
00:28:29Just for tonight, I'll allow it.
00:28:33Allow what?
00:28:35You can call this place your house, so enjoy it.
00:28:38Stephen King's first edition, Alan Gisberg's handwritten letters, Jane Austen's notes, all yours.
00:28:44This is your home, Alice Keaton.
00:28:58Careful.
00:28:59Almost sounded sweet.
00:29:01Don't push it.
00:29:02Okay, then.
00:29:05I have one request.
00:29:11What is it?
00:29:12Are you ever going to make a move?
00:29:21Wait.
00:29:22Give me a second.
00:29:23I'm thinking.
00:29:24You had one wish.
00:29:26Anything in the world.
00:29:28And in the middle of a thunderstorm, inside a literal mansion, you chose chess.
00:29:34Yeah.
00:29:35Got a problem?
00:29:36It's just so cool, like spies or genius villains in movies.
00:29:41It's literally a board game.
00:29:42Says the guy who owns a custom set.
00:29:45Wait.
00:29:46Does the knight go diagonally?
00:29:48For the tenth time, it moves in an L shape.
00:29:52One.
00:29:53Two.
00:29:54Then turn.
00:29:56There.
00:29:58Happy?
00:29:59Ecstatic.
00:30:02You know, that's suicide.
00:30:04Or a brilliant long-term sacrifice.
00:30:05You are playing checkers at a chessboard.
00:30:08Still beating you in sarcasm.
00:30:09You literally haven't won the past arguments.
00:30:11Golding disagrees.
00:30:13It's going to be a long night.
00:30:15Oh my...
00:30:15No.
00:30:16Why?
00:30:16What's going to do that?
00:30:17You can't do that.
00:30:18I don't know.
00:30:18Can I do that?
00:30:19I don't know.
00:30:19Can I do that?
00:30:20Can I do that?
00:30:20Can I do that?
00:30:21Can I do that?
00:30:21Can I do that?
00:30:22Can I do that?
00:30:22Can I do that?
00:30:23Can I do that?
00:30:23Can I do that?
00:30:24Maybe he's not so awful after all.
00:30:51Um, who are you?
00:30:54What are you doing here?
00:30:59Well, your parents said you were still at home.
00:31:01Thank God you skipped that boring grand tour.
00:31:03Who needs Italy and France again, right?
00:31:06When did you get back?
00:31:07Last night.
00:31:08From Zurich.
00:31:09You didn't answer my messages.
00:31:12I missed you.
00:31:14Anyway, thought I'd come surprise you.
00:31:17Apparently, I'm transferring to Ashford.
00:31:19Your parents were so thrilled.
00:31:21They didn't tell me about this.
00:31:22I wanted to deliver the happy news myself.
00:31:25They said it'd be lovely for us to reconnect.
00:31:28You know, considering the engagement and all.
00:31:32Engagement.
00:31:34Oh, did no one tell you?
00:31:37He's promised.
00:31:38Old money stuff.
00:31:39Very retro.
00:31:40I didn't agree to that.
00:31:41You didn't have to.
00:31:42It's never up to us.
00:31:45Where did you find this little toy?
00:31:48Serena.
00:31:48I didn't hear you, you know.
00:31:50Oh, an American.
00:31:53How refreshing.
00:31:58Goodbye.
00:31:59Wait.
00:32:00Where are you going?
00:32:16You still owe me breakfast.
00:32:19You only paid for dinner.
00:32:21I have homework.
00:32:23Goodbye.
00:32:23Your little toy has quite the temper.
00:32:28Serena, can you please just stop?
00:32:30What?
00:32:31Teasing the help?
00:32:38That's her.
00:32:39That's the one from Kenwood's house.
00:32:42Was she like, the maid or something?
00:32:43Oh my god, what's wrong with people?
00:33:02They're saying you live with Charles.
00:33:04Oh, and Serena.
00:33:05What about her?
00:33:06Well, apparently she told everyone you were caught sneaking into his room.
00:33:10Of course she did.
00:33:13Careful, Alice.
00:33:25You're starting to look desperate.
00:33:27I'm sorry.
00:33:29Come to the music room.
00:33:43Urgent.
00:33:44I just remembered, I need to check something.
00:33:47You guys go ahead.
00:33:48Yeah, okay.
00:33:55Hello?
00:33:56Is someone there?
00:33:57Seriously?
00:33:59This is getting old.
00:34:00Wait.
00:34:12Music room?
00:34:14What?
00:34:16James?
00:34:17Is anybody in here earlier?
00:34:19Just Miss Serena.
00:34:20Said she was waiting for you.
00:34:23Sir?
00:34:23Sir, it's raining.
00:34:26Come on, Alice.
00:34:38You're fine.
00:34:40You're not that girl again.
00:34:48Wait.
00:34:49Can you remind me one more time?
00:34:50Rooks move in straight lines.
00:34:54Yeah.
00:34:55Bishops move diagonally.
00:34:57And knights...
00:34:58The knight's the weird one.
00:35:04Rooks.
00:35:06Straight lines.
00:35:08Bishops.
00:35:10Diagonally.
00:35:11Hello?
00:35:12Hello?
00:35:32The text.
00:35:33Are you okay?
00:35:35Are you hurt?
00:35:36I...
00:35:36I'm okay.
00:35:38I...
00:35:38I saw the text and I thought...
00:35:40I didn't see the message.
00:35:42Serena took my phone.
00:35:43I didn't know.
00:35:44I'm sorry.
00:35:45I'm...
00:35:46Okay.
00:35:48You're gonna catch a cold.
00:35:50You're freezing.
00:35:50You didn't have to come.
00:35:54Don't tell me what I have to do.
00:35:56Give me hope that feels like hope...
00:36:02That wasn't a mistake.
00:36:20If that's what you're about to say.
00:36:24I...
00:36:24Wasn't going to.
00:36:25I see the smile.
00:36:29Spreading like a wildfire.
00:36:32You're really bad at this, you know.
00:36:40What?
00:36:41Kissing?
00:36:42Hiding feelings.
00:36:43What?
00:36:43I...
00:36:44I...
00:36:44Dump those Ewok pyjamas.
00:36:53Dump those Ewok pyjamas.
00:37:06Oh, you wish.
00:37:10Seriously.
00:37:11It's a cock block.
00:37:13You kissed me.
00:37:15That's basically consent to everything.
00:37:24Dangerous words, Keaton.
00:37:25I might hold you to that.
00:37:27You'll be working in pairs on your comparative essays.
00:37:39The list is on the board.
00:37:43One, two, three, four.
00:37:45Paper planes.
00:37:48Are you okay?
00:37:49Fly me to outer space.
00:37:54That's where I'll see your face.
00:37:58And have you with me.
00:38:04It may seem dark.
00:38:07But you always like my spark in my heart since the stars.
00:38:19You're welcome.
00:38:23They're either enemies or secretly married.
00:38:27Honestly?
00:38:28Faith?
00:38:29I was sure I'd never find someone to make my head spin around.
00:38:35No one's ever gonna be the thing I need.
00:38:37They all just let me down.
00:38:39But baby, you saved me.
00:38:42Time brand new.
00:38:45Everything's so different now.
00:38:49So, the night goes in an L shape, right?
00:38:53Why is that the only one you remember?
00:38:54Because it's weird, and I like weird.
00:39:06Check.
00:39:12You're cheating.
00:39:14I'm winning.
00:39:15There's a difference.
00:39:16You are very distracting.
00:39:19And you like it.
00:39:24In your darkened space, hold you in my arms.
00:39:30Charles!
00:39:32We need to talk.
00:39:40I expected poor judgment.
00:39:43But this, in my house?
00:39:45It isn't what it looks like.
00:39:46No?
00:39:48Kissing a servant's daughter in the family library.
00:39:51Enlighten me then, Charles.
00:39:52We came back tonight, after speaking with Serena.
00:39:56Imagine our surprise walking in on this.
00:39:59She isn't just...
00:40:01You have no right to barge in.
00:40:03On my property.
00:40:07I care about her.
00:40:09I'm not ashamed of that.
00:40:10That's enough.
00:40:14Why do you care?
00:40:15We're protecting our son's future.
00:40:18And our name.
00:40:20You think this protects me?
00:40:21You think?
00:40:22She does not belong in your world.
00:40:28Then maybe I don't either.
00:40:31You're ready to give up everything?
00:40:34For a girl you barely know?
00:40:38Yes.
00:40:39Then, are you sure she's ready?
00:40:43I'm asking you, do you think she's ready to lose everything, regardless of how little that is, just to be with you?
00:40:56What are you talking about?
00:40:58You left us no choice, son.
00:41:00You shouldn't disobey your father.
00:41:04Pelton, it's Frederick Kenwood.
00:41:07Ah, Mr. Kenwood, how can I help?
00:41:10If a scholarship student were to violate our behavioural code in a public setting with photographic evidence, would that warrant a review?
00:41:19Do you think she's ready to lose everything just to be with you?
00:41:20Yes, sir.
00:41:24So, answer me again.
00:41:26Do you think she's ready to lose everything just to be with you?
00:41:30Charles, what happened? Did your parents say something? Are they mad? Is everything okay?
00:41:45Pack your things. You can't stay here anymore.
00:41:50What?
00:41:53My parents fired your mother. She's leaving. So are you.
00:41:56Wait, what, why? Is it because of us? We can fix this. I'll get a job, anything-
00:42:01Stop, stop it. You don't get it. If I don't walk away from this, they'll cut me off. Okay?
00:42:08No card, no trust, no support. Nothing.
00:42:13Nothing. Then, then we'll figure it out. We don't need all that. We can-
00:42:17Shhh. Do you really think I'm going to live like that?
00:42:24So that's what this was? Just fun until it got inconvenient. What did they promise you?
00:42:35Nothing. They just reminded me of what's real.
00:42:43Charles, I'm not stupid. You don't just turn into a cold stranger because of one conversation. What did they threaten you with?
00:42:56What did they threaten you with?
00:42:58This is the difference between me and you. What?
00:43:01You think you know me. Or what I have. You don't, Alice.
00:43:07You're still lying. I'm not, Alice.
00:43:10Look around you. This mansion you thought was a museum. It's my house. My world.
00:43:18I was bored into this. I am not choosing between this and something I picked up for a moment of fun.
00:43:30Don't do this, Charles. You don't mean it.
00:43:33It was fun. But you?
00:43:37You don't compare to what I own.
00:43:39I'll survive the loss.
00:43:45Right.
00:43:47I should have known.
00:43:50Guys like you don't end up with girls like me.
00:43:55You play with them, then you throw them away.
00:43:59Go to sleep, Alice.
00:44:00This fall is a little more than I expected.
00:44:18In so deep I can barely see myself.
00:44:24Yeah, around me feels so heavy but depleted.
00:44:28But I've found just a place to test myself.
00:44:43Oops.
00:44:58Oh, sorry.
00:45:01Didn't see that.
00:45:03Then again, nobody does.
00:45:05Move, please.
00:45:07Hmm.
00:45:08Try begging.
00:45:14You know what? Keep it.
00:45:21Poor thing. So dramatic.
00:45:25Don't.
00:45:26Excuse me?
00:45:27I warned you.
00:45:29Walk away, Serena.
00:45:30Last week's group assignments were mostly forgettable, but one pair surprised me in a good way.
00:45:58Charles Kenwood and Alice Keaton.
00:46:01Would you mind giving us her short summary?
00:46:04If she loves the sound of her own voice, better have it.
00:46:06Our essay explored what happens when two fundamentally different voices meet, like logic and chaos, or silence and noise.
00:46:24Different worlds, different rules.
00:46:26At first glance, they clash, but what makes the story interesting is what happens next, confusion, curiosity, but in the end, some stories aren't about staying, and yes, there is no such thing as a happy ending.
00:46:43And yes, there is no such thing as a happy ending.
00:46:55Is she still talking about the essay?
00:46:59All right.
00:47:00Are you okay?
00:47:01Miss Keaton
00:47:03Dramatic as always
00:47:05Alright, thank you Alice
00:47:07That was...
00:47:09Laid
00:47:11A reminder
00:47:13That good literature
00:47:15Always stirs something
00:47:19Hello?
00:47:20Hi, here's Alice Keaton
00:47:21This is Whitmore Press
00:47:22We've been following your work
00:47:23We'd like to offer you a long term publishing contract
00:47:26Name your price, we'll make it work
00:47:28Sorry, what?
00:47:29That's...
00:47:34Kind of...
00:47:35Insane
00:47:36Who's behind this?
00:47:37Your sponsor wishes to remain anonymous
00:47:39Can...
00:47:40Can I meet them?
00:47:44I want to
00:47:45Please
00:47:46Or at least tell me a name
00:47:51Sorry, they wish to stay in office
00:47:53So they're only interested in whether it's not the person
00:47:55I'd really like to meet them
00:47:57I'm sorry Miss Keaton
00:47:58They were very sweet
00:47:59And they're the most generous offer we've ever given a Disney writer
00:48:03I see
00:48:04Congratulations again
00:48:09You got the interview?
00:48:10It's just an interview
00:48:11I haven't gotten in yet
00:48:12Still
00:48:13Alice Keaton at Oxford
00:48:15That's iconic
00:48:16For your love
00:48:17For your love
00:48:18I'll be
00:48:19I'll be
00:48:20I'll be
00:48:21I'll be
00:48:22I'll be
00:48:23I'll be
00:48:24I'll be
00:48:25I'll be
00:48:26I'll be
00:48:27I'll be
00:48:28I'm so excited
00:48:29I'm so excited
00:48:42It's done Mr. Kenwood
00:48:43Miss Keaton signed the contract
00:48:47Good
00:48:48It's a generous deal
00:48:49You sure you don't want her to know?
00:48:52No
00:48:53It's better if I stay out of her life
00:48:55I'll be
00:48:58I'll be
00:49:02I'll be
00:49:03I'll be
00:49:04I'll be
00:49:05I'll be
00:49:06I'll be
00:49:07Alice Keaton, go live the life you were always meant to.
00:49:15Your engagement and announcement should align perfectly with the Foundation Gala.
00:49:21And the Browns already offered to host the London Reception.
00:49:26It's all coming together beautifully.
00:49:31I've lost my appetite.
00:49:33I'll go check on him.
00:49:42What's your problem, Charles?
00:49:47Disengagement is not happening.
00:49:50It's not up to you, you know that.
00:49:52Serena, we're not doing this.
00:49:55You've changed.
00:49:59Or maybe I finally just stopped pretending.
00:50:03If you're missing one, you can't find someone else.
00:50:07Toll, who is the one who is just standing in the middle of the hall?
00:50:10Everything is Maria!
00:50:12There is a new ship that has battled you to the road.
00:50:14Toll.
00:50:16Toll!
00:50:17Toll.
00:50:18Toll!
00:50:19Toll!
00:50:20Toll!
00:50:21Toll!
00:50:22Toll!
00:50:23Toll!
00:50:24Toll!
00:50:25Toll!
00:50:26Toll!
00:50:27Toll!
00:50:29Toll!
00:50:30You're the sponsor
00:50:32You've been funding Alice Keaton this whole time
00:50:34So?
00:50:38You lied to everyone, including her
00:50:41I protected her
00:50:43You loved her
00:50:46Still do
00:50:47Let it go, Serena
00:50:51There's no point
00:51:00I need a favour
00:51:03Find out when the Oxford interview is
00:51:06And make sure Alice Keaton won't show up
00:51:10Anything?
00:51:14She's not answering
00:51:18The interview's almost over
00:51:19Well, she won't just not show up
00:51:21Something's wrong
00:51:22Where's Alice?
00:51:26When was the last time you heard from her?
00:51:28Last night
00:51:28She said she was prepping all evening
00:51:30James, track someone for me
00:51:36Wait, where are you going?
00:51:47Chill, okay
00:51:48It won't hurt you
00:51:49Yeah, we're just supposed to keep you away from the interview
00:51:53That's it
00:51:53Shit
00:52:02Come back
00:52:03I remember how men
00:52:08I remember how men
00:52:13I remember how men
00:52:16Didn't need a second guess
00:52:37Hey, hey, hey, Alice, Alice
00:52:42Alice, stay with me
00:52:45Stay with me
00:52:45Stay with me, Alice
00:52:46Alice
00:52:47You're awake
00:52:54Where
00:52:55Where am I?
00:52:57A local clinic
00:52:58Passer-by brought you in
00:52:59Passer-by
00:53:01He found you on the side of the road
00:53:04He had to leave
00:53:05He didn't leave a name
00:53:06Oh
00:53:08The interview
00:53:11What time is it?
00:53:12Easy
00:53:12It's okay
00:53:14Someone already contacted the university
00:53:16And sent in your writing samples
00:53:18They've rescheduled your interview for tomorrow
00:53:20Wait, what?
00:53:21Who?
00:53:22No idea
00:53:22But it's all taken care of
00:53:24What did you say?
00:53:29Nothing
00:53:29I just
00:53:31Had a dream
00:53:33I got him
00:53:44I knew it
00:53:50Too bad Charles isn't here to watch you crush it
00:53:53He's not here
00:53:54Oh, you didn't know
00:53:57Know what?
00:53:59He left
00:54:00A few days ago
00:54:02Yeah, everyone doesn't really know where he went
00:54:04Honestly, Astra's been quieter without him
00:54:06It's probably for the best
00:54:08Come on
00:54:08Alice
00:54:15The summer I met Charles Kenwood was loud
00:54:21Chaotic
00:54:23Unexpected
00:54:25And with his absence
00:54:29Come on
00:54:29It ended quietly
00:54:32Like summers always do
00:54:36And joining us today
00:54:50The Dake's most unexpected literary phenomenon
00:54:54Alice Keaton
00:54:55Thank you for having me
00:54:56Now, your words moved millions
00:54:59They say your stories feel real
00:55:02Especially the ones about love
00:55:04Thank you
00:55:05Which brings us to the most obvious question
00:55:07How's your dating life like these days?
00:55:10No comment
00:55:11A little bird told me that the past four years
00:55:14Has been just writing and working
00:55:16Not even a single date
00:55:18Let me guess a bird named Sherry
00:55:19She caught me
00:55:20Still no comment
00:55:21All right, all right
00:55:23No matter what you say
00:55:24You write love
00:55:26Like someone who's lived it
00:55:28If you're so real
00:55:29Because once
00:55:30I did
00:55:31With someone who felt like chaos and clarity
00:55:34And no one ever quite matched the light after that
00:55:38And let's give it up
00:55:40For Alice Keaton
00:55:41One more time
00:55:42Congratulations Alice
00:55:53The numbers just came in
00:55:55You broke your own record
00:55:56That's incredible
00:55:59We're thinking celebration
00:56:01Press
00:56:02Photos
00:56:02Maybe tonight
00:56:03Actually
00:56:04There's something I'd rather do
00:56:06I'd like to meet with the person
00:56:09Who believed in me first
00:56:11My sponsor
00:56:13You sure?
00:56:14Yeah
00:56:15Just once
00:56:16Tonight
00:56:187pm
00:56:19Good evening
00:56:30Good evening
00:56:35May I sit?
00:56:39Hey Mr. Nonchalant
00:56:45Hi
00:56:49Hi
00:56:50You look well
00:56:54And you look like you just stepped out of a GQ cover
00:56:58You always did
00:57:00You were expecting someone else
00:57:03I was
00:57:05Hoping
00:57:07But I guess I always knew
00:57:10I didn't come here to confuse you
00:57:12Or to reopen anything
00:57:14I just wanted to say congratulations
00:57:19Oh
00:57:21Thank you
00:57:22Didn't know you're still reading
00:57:26You were rich enough not to do so
00:57:28Always
00:57:30Either way
00:57:32Your sponsorship started my career
00:57:34So
00:57:35No
00:57:35No
00:57:37You earned everything
00:57:38Every word
00:57:42Every page
00:57:44Every reader
00:57:46That's what I came to say
00:57:49It was good to see you again
00:57:54I hope
00:57:55Charles
00:57:55Can you just
00:57:58Wait a little longer
00:58:01I think I knew it was you
00:58:09There was one email
00:58:12You said something
00:58:14Felt familiar
00:58:16Really?
00:58:17Kind of had that
00:58:18Rich asshole with a conscience energy
00:58:20Very on brand
00:58:22I should have anonymized my grammar
00:58:25No, too late
00:58:25Your semicolon usage gave you away
00:58:27Still the only girl I know
00:58:30Who flirts through punctuation
00:58:31Still the only guy I know
00:58:33Who uses wiles unironically
00:58:34You've changed
00:58:38But
00:58:40Not really
00:58:42You haven't changed
00:58:45But
00:58:46Maybe you've grown into
00:58:48Who you really were
00:58:49Anyway
00:58:51I wanted to say
00:58:53Thank you
00:58:55And
00:58:57Thanks for being here tonight
00:58:59You didn't have to come
00:59:02Don't tell me what I have to do
00:59:04You didn't have to come
00:59:08Don't tell me
00:59:11What I have to do
00:59:15If you could go back
00:59:33If you had the chance
00:59:34To do it all again
00:59:35Would you do anything differently?
00:59:42No
00:59:43No
00:59:48I see
00:59:53I know my answer now
00:59:57I didn't have the power
00:59:58Back then
00:59:59Not enough to protect you
01:00:01I couldn't watch you get crushed
01:00:03Because of me
01:00:04Because of my name
01:00:06My family
01:00:08I didn't want to be the reason
01:00:11You lost everything
01:00:12So you just disappeared
01:00:14Without a word
01:00:15If you had the chance
01:00:20To see the world
01:00:20Without me weighing you down
01:00:22If you still chose me
01:00:24After that
01:00:25You keep saying
01:00:30You wanted to give me a choice
01:00:31But you made a choice
01:00:33But you made a choice for me
01:00:34Did it ever cross your mind
01:00:38That maybe
01:00:38I would have chosen you anyway
01:00:43I didn't think I was the smart choice
01:00:50You weren't
01:00:52But I never claimed to be that smart
01:00:56This is me
01:01:06Right
01:01:07I'm still mad at you
01:01:15I'm still mad at you
01:01:15You know
01:01:15I'm still in love with you
01:01:19You know
01:01:20Do you want to come in for a bit
01:01:29You're asking your ex
01:01:33Who you haven't seen in four years
01:01:36To come into your hotel
01:01:38At approximately 11pm
01:01:40You were right
01:01:42You never were that smart
01:01:44You don't have to come
01:01:46Don't tell me
01:01:48What I have to do
01:01:49Stop quoting yourself
01:02:04I recycle
01:02:05It saves energy
01:02:06This feels wildly irresponsible
01:02:10You sound like a disclaimer
01:02:11You're the one who wants
01:02:12Called romance a distraction
01:02:14I said that
01:02:15Yeah
01:02:15Before calling Wuthering Heights overrated
01:02:18Still is
01:02:19You're lucky you're a good kisser
01:02:21That is cute to me
01:02:27Don't you dare quote poetry
01:02:29I wasn't going to
01:02:30I forgot all about the day you left
01:02:32Then shut up
01:02:34And prove it
01:02:36I still can't believe this is happening
01:02:43I told you
01:02:44They're either worst enemies
01:02:46Or secretly married
01:02:47And I told you
01:02:48They're both
01:02:48I vow to always tell you the truth
01:03:18Except for when you ask how your cooking was
01:03:20Then I lie
01:03:22Respectfully
01:03:23I vow to keep choosing you
01:03:27Loudly
01:03:28Quietly
01:03:30Always
01:03:32Even when you forget to do the laundry
01:03:35Is he actually good at this?
01:03:39I mean
01:03:40He did beat her at sarcasm
01:03:41I vow to argue with you at least twice a week
01:03:47Especially over Shakespeare
01:03:49I vow to write you
01:03:51I vow to write you in your every story
01:03:52Even when I say I didn't
01:03:54You will always be part of my life
01:03:57If she quotes Austen in this toast
01:04:00I'm out
01:04:01No you're not
01:04:01You're going to cry harder
01:04:02For the rest of life
01:04:06For the rest of life
01:04:07For the rest of life
01:04:11I can't believe you picked Paris
01:04:14Such a cliche honeymoon destination
01:04:29Guard your phone
01:04:32Relax
01:04:33Just don't dress like a walking inheritance
01:04:36And you'll be fine
01:04:36You are not wearing bats on our honeymoon
01:04:41Please Alice go change
01:04:45Don't tell me what I have to do
01:04:47No
01:04:51No
01:04:53No no no
01:04:53That is not an invitation
01:04:54Do not take off these clothes
01:04:56I'm overroared
01:04:57You look much better without them
01:04:59To the ones who loved in silence
01:05:07In chaos
01:05:08In chapters
01:05:09You will find your way home
01:05:12Sometimes I want to be on my own
01:05:18But I don't want to die alone
01:05:21God
01:05:21For your love
01:05:24I'll be like cold by the morning
01:05:28Oopsie
01:05:33My king
01:05:36Okay
01:05:39Okay
01:05:40It's up to us
01:05:47To make sure that we can gain
01:05:50What's been passed through these books
01:05:51Help us develop
01:05:53Learn
01:05:54And grow
01:05:55And grow
01:05:56A la la la la la
01:06:06Wow
01:06:06That's nice
01:06:07And grow
01:06:08And grow
01:06:08The white
01:06:09And grow
01:06:10A la la la la la la la such
01:06:21Five
01:06:23Produk
Be the first to comment