00:00Hey, Leo, great to meet you. Congratulations on this.
00:02So, you know, you said Boogie Nights, not getting to work on that.
00:05That was one of your biggest career regrets.
00:07What made this now the time for you to finally come together with PTA?
00:11There's any time that he asks, you work with PTA.
00:15I keep saying it over and over again.
00:17This guy is like one of the great visionary filmmakers of my generation.
00:22His films I'm still intrigued by to this day.
00:25I still talk about The Master, Boogie Nights, There Will Be Blood.
00:29I mean, these Magnolia, these films, they're going to last for generations to come.
00:34So, you know, you jump at an opportunity to work with Paul.
00:39You know, and you've worked with so many iconic directors.
00:42What is it that you think leads you to those opportunities with just some of the best of the best masters like Paul?
00:48Luck.
00:49Luck and the, I guess, the perseverance of just letting them know that you want to work with them.
00:56Someday when the time is right, you know.
00:58That's what I've been doing.
01:00That's how I met Marty when I was young.
01:01I was just like, just let him know if he's ready, I'm ready.
01:05You know, because I really love film as an art form.
01:09I love watching old movies.
01:10I'm a cinephile.
01:12And, you know, it's like those rare films rise to the top.
01:16And there's certain filmmakers that have a multitude of those films.
01:20Paul is one of them.
01:21Quentin's one of them.
01:22Marty's one of them.
01:23And so I just let them know I'm ready and I'm game if they are.
01:26I'm ready and I'm ready.
01:28Hey, I'm ready and I'm free to go.
01:29I'm ready and I'm ready and I'm ready.
01:43I'm ready.
01:43Let's go.
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